#Lahor Music

[viral9ja]

Download Mixtape: Lahor Music Ft. DJ Legend – Naija Praize Jamz

Get ready to elevate your spirit with the highly anticipated gospel mixtape from LAHOR Music, featuring the incredible DJ Legend! This electrifying collaboration promises to deliver a soul-stirring experience that merges uplifting beats with powerful messages of hope and faith. Each track is carefully curated to resonate with listeners, creating a vibrant atmosphere that will have you dancing and…

[opera-ghosts]

April 27. 1877 the today very rare played Opera “Le roi de Lahore” from Jules Massenet premiered in Paris. Here we see a original Magazin from 1877 with pictures from this first performance. The Soprano in the world premiere was Joséphine De Reszke, sister of the famous Reszke Brothers. On the other picture we see Jules Massenet.

[paulpingminho]

[supersabzimandi]

Fruit Mandi Lahore Price list Today #today #love #instagram #instagood #like #photography #follow #life #photooftheday #picoftheday #happy #me #instadaily #nature #fashion #beautiful #photo #art #likeforlikes #motivation #smile #style #day #music #now #insta #selfie #myself #l #trending

[atif1991]

Lums Annual Photography Summit '24 | Attending Mustafa Zahid, Bayaan Con...

[itexpertakib]

Attention business owners!

Are you looking to boost your online presence and drive more traffic to your website or Facebook page? Look no further! I'm Akib, a seasoned Digital Marketer and SEO expert, and I specialize in running highly effective Facebook ad campaigns.

With my expertise, I can help you reach your target audience, increase brand visibility, and drive valuable traffic to your website. Whether you want to generate leads, increase conversions, or gain more likes on your Facebook page, I've got you covered! Don't miss out on the opportunity to expand your online reach and grow your business. Get in touch today to discuss your goals and let's create a customized Facebook ad campaign that suits your needs perfectly.

Email: Itexpertakib@gmail.com

WhatsApp: +8801822390289

[rockline]

WATERPROOFING MATERIAL IN PAKISTAN

Waterproofing materials

are a very important part of construction. The strength of a building depends on the materials used in it to protect a building from destruction. These materials finalize the power and durability of a building that how long it can withstand bad calamity. Water leakage is the biggest issue of every house in Pakistan because of poor materials used while construction. It destroys the building and makes a huge loss. WATERPROOFING MATERIAL IN PAKISTAN

It is important to protect

your house or building from leakage. So, before construction we should prefer waterproofing chemicals to make the construction long lasting. Heavy rains weaken the buildings.

[unique4it]

SEO in Lahore

No doubt Google ranking competition is on top of list now a day. Every company want on 1st page of Google and on top list either its small scale or large scale organization. Products selling or providing services both are in this competition. We are giving training to students on actual domains and demand results every week. Actually, Unique Computer College is under the supervision of www.infoTech4it.com. So many students are working in fame organization with good support. Unique Computer College is best training center in Lahore Pakistan especially in Web Services, SEO, SMO, Digital Marketing.

[justforbooks]

Anwar Hussein

Photographer whose work helped to transform the public image of the royal family

The photographer Anwar Hussein, who has died aged 85, was integral to transforming the public image of the British royal family: from the aloof and unknowable to something more human. His photographs will also forever be synonymous with the brief life of Diana, Princess of Wales, but his work was much more than that.

Hussein hailed from what is now Tanzania, but his career began in earnest in the UK in the late 1960s, and his talent led to commissions for portraits of the pop and rock gods of the 70s: Marc Bolan, Elton John, David Bowie, Mick Jagger and Freddie Mercury. Soon Hussein realised he needed a fresh challenge. He wanted to record something more historic, more lasting, and he set his sights on the most exclusive family in the world: the House of Windsor.

As an African-born Muslim, Hussein faced many institutional and cultural obstacles. Back then, the go-to look of a royal photographer was clean-shaven, short back-and-sides and a blazer. Hussein was bearded, wore his hair long and favoured a leather jacket and cowboy boots. The fact that the royal entourage were sceptical, and often told him he stood no chance, made him all the more determined. He needed to break into the clique and bring the counterculture to the establishment.

He studied official photographs and found them too posed and contrived, knowing that if he combined the photojournalism techniques he had honed in Africa and on the streets of swinging 60s London with his experience engaging with the divas of film and music, he could show the Windsors in a new light.

When covering royal events for news outlets, he used a longer lens so as not to be obtrusive, which allowed his subjects to relax. The resulting candid, naturalistic images captured moments in between poses, such as Queen Elizabeth II corralling her corgis at Aberdeen airport in 1974. They also brought him to the attention of a Buckingham Palace that was keen to show the royal family in a more modern, relatable way.

By the end of 1976 Hussein had earned the trust of the Queen and Prince Charles, and he was invited to travel the world documenting royal tours of Africa, Canada, and New Zealand.

The greater Hussein’s access, the more intimate the pictures, and the greater the public’s interest became. Then Lady Diana Spencer burst on to the scene and royal mania took hold. Hussein had photographed her before at social events, but following her engagement to Prince Charles in 1981 the symbiotic relationship between the princess and the photographer began.

Hussein’s sensitive work helped propel Diana to become the most photographed woman in the world, and he captured some of the most memorable and important photographs of the “people’s princess”. He was there when she shook hands with an Aids patient in London in 1987, a landmark moment in the fight against the disease. He photographed her cradling a terminally ill child at a cancer hospital in Lahore in 1996, an image of palpable compassion, and Diana’s favourite photograph, though she was upset to learn the child died shortly afterwards.

As her marriage disintegrated, Diana used the power of photography to signify her unhappiness and isolation. This was epitomised by Hussein’s memorable 1992 shot of Diana sitting alone in front of the Taj Mahal, a building that symbolises enduring love.

“She showed her moods in the way she dressed,” Hussein said – and never more so than when she wore her “revenge” dress to a Vanity Fair party at the Serpentine Gallery in 1994. It was the same day that an ITV documentary disclosed that her estranged husband had admitted to committing adultery. She had bought the Christina Stambolian dress three years earlier, but had initially deemed it too risque for a woman in her position. That evening Hussein was there to capture her “looking like a million dollars”.

Hussein was devastated by the death of Diana. They had become friends, and she often confided in him. On a private plane, at a time when she was dating the surgeon Hasnat Khan, Diana asked the photographer about his interfaith marriage (in 1978 Hussein had married Caroline Morgan, who worked in publishing), and about Islam.

Hussein wrote and contributed to many books on the Windsors, and in 2021 his hugely successful exhibition of photographs, Princess Diana: Accredited Access (which included work by his two sons, Samir and Zakir, who both followed in his footsteps), was launched in Los Angeles and toured the world, closing in London in 2024.

Hussein was born in Chunya in what was then the British colony of Tanganyika, the fourth of the five children of Mohamed Hussein and Sardar (nee Begum). The family moved to Mwanza on the shore of Lake Victoria, where his father worked as a civil servant for the British government. There Hussein attended the local Indian public school, but education was not for him, and he left at 16. Instead his passion was for the camera he had borrowed from his elder brother, Akhtar, who owned a small photo shop in the town. Hussein taught himself on trips to the Serengeti plains, where he photographed the wildlife.

Aiming to earn a living as a photographer, he began to tout for work, and in his early 20s the United Nations commissioned him to document the humanitarian crisis in the Republic of the Congo, where conflict raged following its independence from Belgium. The work there cemented his love for photojournalism, and he decided to move to the UK to pursue his dream.

Arriving in 1963, Hussein initially struggled to find work and accommodation. From a tiny flat in Notting Hill, he lived hand-to-mouth until his breakthrough in 1968. He was documenting an anti-Vietnam war protest outside the American embassy in London when he photographed a police officer being dragged from his horse. He knew he had a great shot and hurried to the Daily Mail, where he persuaded them to develop the film. The result appeared on page one the following day.

He was then hired to cover news events and music festivals, and he began to take celebrity portraits. Hussein wanted his work to be published in magazines, where the display and pay were better than newspapers, so he switched to colour film.

He worked as a stills photographer for movie companies and photographed Sean Connery and Roger Moore on the sets of Diamonds Are Forever and Live and Let Die. Hussein knew how to hustle too. In 1970 he went uninvited to the set of Steve McQueen’s film Le Mans. He quickly built a rapport with McQueen and was given a small role as himself in the film. The star then invited Hussein to work on his next film, Papillon.

In recent years Hussein had begun to wind down, and the coronation of King Charles III in 2023 was his last job. He documented the lives of the royal family for more than five decades and, despite the initial naysayers, he was the longest serving royal photographer. As a child in Tanganyika he had only ever seen the British monarchs on postage stamps and, many years later, it was his photographs that would adorn the Royal Mail’s stamps.

He is survived by his wife, his two sons, four grandchildren and his sister Tasnim.

🔔 Anwar Hussein, photographer, born 3 November 1938; died 23 September 2024

Daily inspiration. Discover more photos at Just for Books…?

[rainbowdelicsunshine]

What would everyone from your TF2 poly AU want for Christmas? Including your OCs?

For the sake of simplicity, I'll be sticking with the Mercs + Ms. Pauling and the kiddos for this ask's prompt! I will also just be listing their respective number one item in their list to not make this post too long to read!

Here we go:

Scout: Vinyl Records of Tom Jones (Esp What's New Pussycat, Along Came Jones, and Green, Green Grass of Home)

Soldier: Any and All Things Bald Eagles, Raccoons, and AMERICA!!!

Pyro: Another Flamethrower or Their Own Supply of Napalm

Engineer: New Parts and Tools to Tinker and Experiment with (for example, parts that can be added onto his Gunslinger)

Heavy: A Birch Bark Crafted Box (esp one with Bears engraved on it)

Demoman: A Sword that Looks like The Excalibur

Medic: A Lahore Pidgeon and/or Archangel Pidgeon or the Organs of Bigger Animals to Use for Later (like Gorilla Hearts for example)

Sniper: Another Sniper Rifle, Another Hunting Knife, or a Taxidermy Hare Statue

Spy: A Really Nice Basket Full of Expensive French Wine, Cheeses, Bread/Pastries, and Another Really Nice and Expensive Outfit (with a Hat and Tie Included)

Ms. Pauling: A Purple Flower Themed Music Box that Plays the Song Mr. Sandman

LuluBelle: Art Supplies and a Stereo to Listen to Music With

Leon: Toys!!! Esp Stuffed Animals, Action Figures, and Any and Everything That's Trending/In the Toy Aisle at the Store

-----------------------------------------------------------------

WOOO!!!! This took quite a while for me to type up so I really hope the wait has been worth it my good friend!

Thank you soso much for sending this ask in, I really hope you come by again soon and have a wonderful night!!

[paulpingminho]

[femmeleatherface]

poto 1925 shooting script: daroga highlights

the daroga apparently has been inside erik's house before, and is very familiar with where he keeps his things:

[416.] INT CORRIDOR BACK OF MIRROR... FAINT GREEN Raoul and the Persian are discovered back of mirror. The Persian motions Raoul to do exactly as he tells him. He pantomimes to Raoul to hold up his hand, Raoul is mystified as to the reason for this but obeys. The Persian tells Raoul hurriedly: "I HAVE BEEN TO THIS HOME ON THE LAKE BEFORE, BUT NOT BY THIS ROAD... AND THIS IS THE ONLY ROAD TONIGHT."

[448.] INT TORTURE CHAMBER... FAINT GREEN Raoul is crying out - wild inarticulate things to Christine - The Persian grasps him by the wrist and sternly indicates for him to keep quiet. The Persian addresses himself toward the overhead window: "WE ARE IN THE TORTURE CHAMBER. THE DOOR IS IN THE WALL FROM WHICH OUR VOICES COME."

[454.] INT. TORTURE CHAMBER FAINT GREEN The Persian is listening to Christine quietly. At the same time he is forcing Raoul to be quiet. The Persian tells Christine: "THE KEYS ARE IN A CHAMOIS BAG HANGING NEAR THE ENTRANCE DOOR."

the daroga is an aloof but kind person who cares about other human beings even if he's mysterious about it:

130-N ANOTHER SECTION OF CELLAR #6 (ROI DE LAHORE SET) As the Persian now wearing his astrachan cap comes toward camera. 130-O SEMI C.V. OF GROUP.. AS IN 30-M As the Persian comes up - a strong contrast in his dress clothes, he sees the tragedy - then shakes his head sadly and says: "POOR DEVIL - HE MUST HAVE OFFENDED THE OPERA GHOST!" BACK: Everyone recoils in horror and dismay - the Persian lets out a deep sigh and exits - they all look after him curiously.

[171.] C.V. IN UPPER BOX The man is mysterious. He is the Persian. He looks down on the scene of the tragedy. [172.] SHOOTING DOWN FROM BOX ON SCENE OF TRAGEDY This is a flash on the Persian as he sees it from box. [172A.] C.V. IN UPPER BOX The Persian shakes his head gravely at what he sees. Then he turns and exits from box.

262. INT. DRESSING ROOM. CORRIDOR TOWARD STAGE As Raoul enters in a blind, jealous anger. At that moment the Persian comes by ext of the cellar. The two almost collide, then stop and look at each other. [263.] MED CLOSE UP RAOUL & PERSIAN AMBER The two men stop and look at each other, just for an instant, one look, but in that look the Persian expresses a friendly compassion for Raoul. The Persian then passes on toward the stage; Raoul looks after him. It strikes Raoul with sudden force that perhaps this Persian is Christine's Angel of Music. Raoul shows his suspicions and again turns toward Christine's dressing room.

[413.] INT. CHRISTINE'S DRESSING ROOM AMBER Raoul enters and finds the room empty. Raoul is filled with oaths and insults. He pounds upon the mirror with his hand, as if he were challenging the phantom behind it. The Persian enters swiftly and closes the door but does not lock it. From this moment the Persian takes command. His movements are definite and direct. He indicates in an authoritative way for Raoul to calm himself and tells him: "I CAN HELP YOU SAVE CHRISTINE DAAE FROM ERICK... IF YOU'LL DO EXACTLY AS I SAY." BACK: The Persian faces Raoul in a manner deliberate and cold though not unfriendly -- Raoul is displeased by his interruption and he says angrily: "WHO ARE YOU AND WHAT DO YOU KNOW ABOUT ERICK?" BACK: The Persian commands Raoul with his eyes and there is a pause. He tells him coldly and without excitement: "I AM THE PERSIAN... ONCE HIS FRIEND. YOU'LL REALIZE HER DANGER WHEN I TELL YOU SHE'S IN THE HANDS OF A DANGEROUS MANIAC WHO ESCAPED FROM A PARIS ASYLUM!"

the daroga is the smartest, most prepared, and most competent person around him at all times:

hands. They enter and Raoul follows the Persian to a little cupboard fastened to the wall. The cupboard contains an emergency outfit consisting of a dark lantern, a hatchet, an ax, a saw and a coil of rope. The cupboard door is removed by the Persian who takes the lantern and lights it.

[519.] A LONGER SHOT FAINT GREEN The Persian pulls the bung stopper of his barrel and the same black powder flows into his hand. He looks at the material in horror, empties it out of his hand and removes the lantern to a safe distance. He then tells Raoul with dread: "IT IS GUNPOWDER!" BACK: Raoul is bewildered but the Persian flies into action.

[532.] INT BOTTOM CELLAR FAINT GREEN CLOSE UP RAOUL AND THE PERSIAN UNDER TRAP A new thought suddenly forces itself upon the Persian and he cries upward with great force: "DON'T TOUCH THE SCORPION!"

he apparently has a mysterious source of income that is never explained, probably because it was cut from the earlier draft that explained his backstory (also, he originally had a proper full introduction):

91. MED. SHOT ON SECOND LANDING OF GRAND STAIRCASE The eyes of all the promenaders suddenly focus on the Persian who comes down a flight of stairs to the landing where he stops and looks about casually. NARRATION A MYSTERIOUS CHARACTER WAS THE PERSIAN A REGULAR PATRON OF THE OPERA AND ALWAYS ALONE, WHOSE SOURCE OF INCOME WAS AS MUCH OF AN ENIGMA AS THE MAN HIMSELF. [92.] C.V. OF THE PERSIAN This is a character study of a strange type - he wears a dress suit and carries an astrachan cap. He has olive skin, appears greatly interested in his surroundings but never smiles.

this part:

[341.] MED C.V. IN CROWD As Florine lands on the floor- he picks himself up--- his dignity has suffered, he will have revenge--- he draws his sword and taking off his mask challenges him to come out and fight like a man. He fights the air with his sword... at that instant a man costumed as a jester steps up and taps Florine's shoulder. As Florine turns, the jester takes of his mask revealing the funeral face of the Persian, who in a hushed voice of horror indicates "Do you know what this is?" Florine is very sober. He answers "No Sir." The hushed voice tells him: "THAT WAS THE OPERA GHOST!"

[supersabzimandi]

Lahore Vegetable Rate Today List Market #today #love #instagram #instagood #like #photography #follow #life #photooftheday #picoftheday #happy #me #instadaily #nature #fashion #beautiful #photo #art #likeforlikes #motivation #smile #style #day #music #now #insta #selfie #myself #l #trending #india #new #bhfyp #lifestyle #news #likes #beauty #summer #followforfollowback #instalike #mood #followme #travel #girl #viral #world #daily #goodmorning #quotes #food #live #cute #inspiration #pic #model #family #home #covid #goodvibes #amazing

[playermagic23]

Sonakshi Sinha thoughts on her one-take shot in Heeramandi’s ‘Tilasmi Bahein’ song:

While the drama revolves around the life of tawaifs (courtesans) living in the red-light district of HeeraMandi in Lahore in pre-independence India, Sonakshi Sinha plays Fareedan, whom she describes as a “slightly negative and villainous character” in an interview with Hindustan Times.

Among the several promotional materials released in the run-up to the show’s premiere was the music video ‘Tilasmi Bahein’, which drew attention because it was shot in a single take and featured Sonakshi nailing her routines in front of tens of background actors. “I was not prepared at all,” Sonakshi said of filming the song. “He (Bhansali) changes the whole choreography on set!”

“I had rehearsed for something completely different, and we had kept four days aside to shoot that particular song. We went for the shoot on the first day and we shot for a few hours, and I did the choreography, which was planned. Suddenly he got up and was like, ‘I don’t want to do this! I want to shoot the whole song in one take and let us design it right now!’ That’s when it happened so I had no time to prepare. I had to learn the lyrics right there…

“I don’t know what hit me because I had not done a one-shot song in my entire career and there I was, doing a one-shot song for Sanjay Leela Bhansali. I was feeling the pressure, I won’t lie. But I love performing and when the camera comes on, I become the character. We did four takes but the take that you see is the first take that we did,” she mentioned.

"I don’t know how it happened, that day was just magical. I still can’t believe it and once that first take was over, the entire set broke into a standing ovation, including Sanjay sir. I don’t think I have seen him so happy and ecstatic ever,” the actor added.

HeeraMandi: The Diamond Bazaar is scheduled to release on 1st May 2024. Are y'all looking forward to it?

[thevividgreenmoss]

COP DOWN (2024)

I made a full length movie. It's about light and trees and water, about wandering Dallas and thinking of Lahore, of Palestine, of Kashmir, about hidden treasures and mystic love and real movement contra real abstractions. Mostly it's a love letter to my cats/collaborators. It's also basically a tumblr post in some sense. And it is nothing much really. But my cats are beautiful and the music is as well. The tree outside glitters in the wind