#La vendetta

[weirdlookindog]

Alessandro Biffignandi (1935-2017) - La vendetta (The Vendetta)

original cover art for Wallestein il Mostro Vol.2 #5, April 1973.

[signorinaclaudiacardinale]

The long-awaited film that Claudia Cardinale hoped to play:

Did you know that Claudia was going to star in the role of "Carmen"?

It was going to be made in 1962 under the direction of Luchino Visconti and the film would be called "Carmen".

It was Claudia's dream (it was said that perhaps Alain Delon was going to be the protagonist alongside Claudia) but finally and sadly it could not be made.

And the director Luigi Bazzoni opted for the idea and finally it starred beautiful Tina Aumont as Carmen and handsome Franco Nero as Don José under the title "L'uomo, l'orgoglio e la vendetta", released in 1967 (Italy).

Here photos we can see Claudia Cardinale as Carmen:

I would have also loved to see Claudia as a gypsy, there are other movie titles that Claudia was going to star in but finally for production reasons it was not made.

Dance, lady, dance! Here we see my other favorite Tina Aumont dancing in: 🎥 Tina Aumont in "L'uomo, l'orgoglio e la vendetta", 1967.

[wisecrackingeric-2]

Little Soldier Boy, comes marching home…

The constant parallels between Luis and Don Quixote make me SO sad

((Also the background is based off of a painting you can find in-game))

[tina-aumont]

Two "L'Uomo, L'Orgoglio, Las Vendetta" (Luigi Bazzoni, 1967) lobby cards showing Franco Nero as Don José and Tina Aumont as Carmen.

Ebay.

[robylovi]

I find it infinitely funny how latam and spanish dub posters, notorious for using unnecessarily long™ titles for movies (eg. Coraline and the secret door, The Lorax: In Search of the Lost Truffula, Moana: A Sea of Adventures), took the time to translate this (ALREADY BILINGUAL) title, just to take a main character’s name off, a character ON THE POSTER

Lmaoo like, I do kind of get it on the show since “Miraculous: Las aventuras de Ladybug y Cat Noir” is a bitt of a mouthful but like. the movie literally got rid of that 😭 Miraculous Ladybug & Cat Noir was a free for all and they took his name off to make it LONGER

[larmegliamori]

I win! Another sequel to Orlando Furioso continuing my favorite storyline is fully available on Google Books!

[pop-sesivo]

[littlequeenies]

Why Do We Love ...

Tina Aumont

Tina Aumont didn't came into our life when we were child just like Shannen Doherty or Drew Barrymore did; she even wasn't a teenage idol just as Jane Asher or Pattie Boyd; Tina Aumont she came a bit later in life like Bebe Buell or Demri Parrott.

[Tina Aumont in Home Movie, autour du lit de la Vierge, directed by Frédéric Pardo, 1968]

We first knew about Tina by watching the documentary Nico Icon (Suzanne Ofteringer, 1995) where she was interviewed about her friend Nico. We watched that doc because we liked Nico, we felt Nico was very different from the 60s muses, we found her mysterious and unique and we wante dto know more about her, and by our surprise, a very beautiful dark-haired woman was there talking.

[Tina Aumont in Nico-Icon documentary directed by Suzanne Ofteringer, 1995]

This beautiful dark-haired woman was an actress who was 49 years old and looking great, and she was friend of Nico in the late 60s. Looking that beautiful in her late 40s, we were curious about how did she looked when she was young, so we decided to google her and to our surprise, very beautiful photos came as a result of that search. We love her naturallity, her dark hair and her heavy make-up around her eyes, and her hippie looks, of course!!

[Tina Aumont pictured by Angelo Frontoni in Spring 1968]

We didn't know anything about her so we decided to googled her, and by our surprise, she didn't have any website and we found it a little weird because we discovered that she was a famous actress in the 60s and 70s mainly in Italy, but also she was daughter of two great superstars.

We started to save the photos we saw on google, we started to make some screencaps from her films and then we start buying some clippings & magazines we found on ebay with the purpose to make a site for her as a tribute, for honouring her memory.

[Tina Aumont in Home Movie, autour du lit de la Vierge, directed by Frédéric Pardo, 1968]

We started to build (yes, build) a Facebook page for her, with all the photos we were collecting, and also we started a tumblr because we saw someone was sharing the photos we posted without crediting our effort (a las, the never ending story!)... the facebook we had was becoming very big, with more than thousand followers, people were sharing memories, stories, it was very beautiful, but one day facebook shut down our page for containing nudity.

We had to start everything again...

[Tina Aumont pictured in 1968, unknown photographer]

We created a new facebook, called Tina Aumont Tribute, and we started again to share our passion for this great creative girl, at first it was a very slow start, but little by little, more people liked the page, and we got really surprised when a couple of Tina's friends liked it, and one of them even told us, several times that he's very happy that we keep her memory alive. Through instagram (although we don't have any profile for her), we have contacted several photohraphers, who are glad to share their pics and who have helped us to credit them in some photos.

[Tina Aumont pictured early-mid December 1967 at her home, unknown photographer]

We found Tina had a very exotic and unique beauty, she loved Eastern culture, she was a hippie chick when she was really young and she lived with very creative people during the happiest days of her life. Sadly not everything was beautiful; as we were buying more magazines about her and sharing her photos, darker stories came, in the mid 70s she was a heavy heroin user, her step mother didn't treat her well in her childhood and teen years, and she married a friend of her dad just to runaway from that life. She got pregnant but the baby didn't survive...

[Tina Aumont in L'Uomo, L'Orgoglio, La Vendetta, directed by Luigi Bazzoni, 1967]

Thanks to the tumblr site but mainly to our facebook site for her, three really interesting people contacted us, one was Andrea Montez, a Peruvian girl who shared our passion for Tina and who shared lots of rare photos of Tina with us, we are happy to call us friends; the other person who contacted us was an Italian girl who made great videos with rare footage from Pierre Clementi & Frédéric Pardo's home movies and she sent us her screencaps, always sharing with much love and respect towards Tina; and the third person we met was a French writer who asked for some collaboration as he was writing a biography about Tina Aumont. We were really excited!! We exchanged photos, some stories and lots of knowledge came through him. He worked really hard on that book (Waiting for Tina, à la recherce de Tina Aumont) and he has a page for her on facebook called as the book. He is very active in poetry conventions and he is promoting the book in different festivals.

[Tina Aumont in L'Urlo, film directed by Tinto Brass, 1968]

Today, for what would have been her 77th birthday, we wanted to share with all of you, dear followers, how we knew about Tina and what made us love her.

Here we share:

OUR FACEBOOK PAGE FOR HER

OUR TUMBLR BLOG FOR HER

HER POSTS IN OUR BLOG

HAPPY HEAVENLY BIRTHDAY DEAR BOHEMIAN GYPSY - GONE BUT NEVER FORGOTTEN.

[weirdlookindog]

La vendetta di Lady Morgan (1965)

AKA Lady Morgan's Vengeance; Lady Morgan's Revenge

[cartelheir]

she stands out in this place, like a drawing that's too different of a texture to mix with its surroundings. black dress, high heels, shiny golden jewelry that makes the place around her look even more lived-in. maybe another sign that she shouldn't be here at all. there's too much that could go wrong ━━ if navarro finds out, if anyone at mazatlán so much as suspects she's been here, if lalo takes offense in this impromptu meeting for some reason; she's pretty much dead. she has information as leverage, but not much more than that.

she pushes the worries out of her mind, looks more confident than she feels as she takes a seat at one of the available tables. she doesn't order anything, only sits and waits to be noticed, ignoring the cashier's confused stare and listening as lalo hums a tune from the kitchen.

ft. @adiosnachito

[tina-aumont]

"L'Uomo L'Orgloglio la Vendetta" (Luigi Bazzoni, 1967) screencaps part 34

[niageri22]

IF MCS (Part 1)

They all have the same name just different vibes. Picrew belongs to @hunbloom

Nia Howard

Wayhaven Chronicles @seraphinitegames

Creme de la Creme @hpowellsmith

Vendetta @vendetta-if

[palidsnake]

I really like V, don't get me wrong, but he did torture Evey

like

I think people forget about this part a bit too much

my guy really gave Evey life long trauma just bc she said she didn't want to feel scared anymore

his thought process was "what if I torture her to the point she doesn't fear death anymore, that will achieve what she wants"

and he had so much rizz that she still loved him afterwards lmao

[residenteviltimeline]

2014: Upon discovering that the genome of the A virus contains sequences previously known to exist within the Plagas, Chris suggests they consult with Leon Kennedy in the hopes that he will be able to help, thanks to his experience with the Plagas. Unfortunately, they find him drunk off his ass in Colorado, having given in to a latent drinking problem after the losses he suffered during the C virus outbreaks of the previous year and the bombings used to contain them or cover up the involvement of high-ranking government officials. Chris tries to explain the situation to him, but hearing that Arias’ motivation stems from the death of his wife in a CIA bombing of his wedding in an attempt to kill him for arms dealing only makes him less interested in helping, as he is disillusioned with a government full of corruption and poor decisions that have repeatedly led to the deaths of civilians. Rebecca stops them from arguing, explaining that she has discovered that the A virus lays dormant in a host until it is triggered by an unknown external factor. Unbeknownst to the trio, Arias is watching the restaurant, and takes an interest in Rebecca, sending Maria to abduct her when she heads to the restroom. Shortly after, an acquaintance of Leon’s runs into the restaurant, whom Leon blames for the death of his squad and argues with. He explains that his family has been taken hostage by an arms dealer– Arias– and are being held in Spain with the remaining members of the Plagas cult. Leon demands information on Arias from him in exchange for helping his family, but before anything can be said, the restaurant is attacked by Arias’ men, and he is shot and killed by Diego Gomez. Though Chris and Leon narrowly escape, they quickly realize Rebecca has been abducted.

[totheecore]

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