#LT cv

[pukindawgsblog]

Lt (JG) Alexander 'Alex' Vraicu pictured with his mounts during (upper, 'White 19'), and after (lower '32') the 'Great Marianas Turkey Shoot' in 1944. Vraicu was Butch O'Hare's wingman early on and served on CVL-22 USS Independence, CV-9 USS Essex, CV-11 USS Intrepid, and CV-16 USS Lexington. His 'Turkey Shoot' day came while flying from CV-16, downing 6 in 8 minutes. He finished the war as the 4th ranked Navy ace with aerial 19 kills.

[usaac-official]

Lt. Alexander Vraciu with his F6F on the deck of USS Lexington (CV-16), July 1944

[planesawesome]

F-4J Phantom BuNo.155743 of Fighter Squadron 92 (VF-92 "Silver Kings" photographed aboard the USS CONSTELLATION (CV-64) on 9 December 1972. Note the crew is no longer aboard, courtesy of their Martin-Baker seats! The crew (Lt. J. R. Brooke & Lt. G. B. Bastian) was able to hook up the cable, but the plane at a certain point ‘swerved’ suddenly left to the left of the bridge. The two men were able to eject and were recovered shortly after an SH-3 Sea King, but the poor "Rhino" was hanged as a crooked painting until the return to the port of San Diego.

[usafphantom2]

A Grumman F6F Hellcat plane crash lands on the deck of Yorktown-class carrier USS Enterprise (CV-6) as Lt. Walter L. Chewning Jr. climbs up the side of the plane to assist the pilot, Ensign Byron M. Johnson, who escaped without serious injury on November 10, 1943.

#History #WWII

@WW2facts via X

[greghatecrimes]

Okay, so I had to cut off the "Sometimes a woman hurts every man who enters her life" part to make it fit into the dimensions CVS had, but behold, the thrilling sequel to the "do it for her" poster:

lt is GLORIOUSLY low quality and I am obsessed with it

[selfhelpforstudents]

Hi friends,

I hope you are having an amazing day! My goal was to reach 50 followers for the SelfHelpForStudents-army's Instagram account until Sunday (we have 21 so far), so feel free to follow the account and let's reach this amazing goal! <;3 Instagram

Today's to-do list:

Selfcare

Workout

Meditation

Raw vegan challenge

Yoga

University

150 exercises of statistics

starting the new lecture of Business Ethics

writing notes and flashcards for management

Extracurriculars/Volunteering/SHFS

Sending my CV to HEC for feedback (the HEC x Yale/Berkeley/MIT program is super interesting)

Working on my sustainability folder

Working on my sustainability project

filming a study with me for Instagram (please go check it out :))

Thinking of ways how to improve my CV even further

Answering your questions

Follower/member count: Instagram: 21; Tumblr: 14,145; Discord: 210

[captain-price-unofficially]

Lt. Alexander Vraciu with his F6F on the deck of USS Lexington (CV-16), July 1944

[beardedmrbean]

The man who had been chief engineer at South Africa’s state-owned passenger rail company has been sentenced to 15 years in prison for faking his qualifications.

Once hailed for his successful career, Daniel Mthimkhulu was head of engineering at the Passenger Rail Agency of South Africa (Prasa) for five years - earning an annual salary of about 2.8m rand ($156,000; £119,000).

On his CV, the 49-year-old claimed to have had several mechanical engineering qualifications, including a degree from South Africa’s respected Witwatersrand University as well as a doctorate from a German university.

However, the court in Johannesburg heard that he had only completed his high-school education.

“The sentence sends a strong message that the perpetrators of white-collar crime will not go unpunished," said Phindi Mjonondwane, spokesperson for the National Prosecuting Authority (NPA).

Damning report exposes rampant SA corruption

Load-shedding, poor management, corruption and sabotage

Mthimkhulu was arrested in July 2015 shortly after his web of lies began to unravel.

He had started working at Prasa 15 years earlier, shooting up the ranks to become chief engineer, thanks to his fake qualifications.

The court also heard how he had forged a job offer letter from a German company, which encouraged Prasa to increase his salary so the agency would not lose him.

He was also at the forefront of a 600m rand deal to buy dozens of new trains from Spain, but they could not be used in South Africa as they were too high.

“The court took into account the seriousness and prevalence of fraud, the significant financial loss to Prasa and Mthimkhulu’s betrayal of his employer’s trust," Ms Mjonondwane said.

In an interview from 2019 with local broadcaster eNCA, Mthimkhulu admitted that he did not have a PhD.

"I failed to correct the perception that I have it. I just became comfortable with the title. I did not foresee any damages as a result of this,” he said.

Lt-Gen Seswantsho Godfrey Lebeya, the head of South Africa’s elite Hawks police unit that helped bring the prosecution, also welcomed the sentence.

“This should serve as a lesson to would be fraudsters that crime doesn’t pay," he said.

The Hawks said this was a case linked to "state capture", a term used in South Africa to describe widespread corruption that occurred under Jacob Zuma when he was president from 2009 until 2018.

Mthimkhulu is reportedly planning to appeal.

[todaysdocument]

Naval Speedletter from Charles Iarrabino to the Chief of Naval Personnel Regarding Recommendation to Award John K. Koelsch with the Navy Cross

Record Group 24: Records of the Bureau of Naval PersonnelSeries: Official Military Personnel FilesFile Unit: Official Military Personnel File for John K. Koelsch

USE FOR URGENT LETTERS ONLY NAVAL SPEED LETTER DO NOT CLEAR THROUGH COMMUNICATION OFFICE (One box must be checked) X REGULAR MAIL AIR MAIL SPECIAL DELIVERY REGISTERED MAIL CLASSIFICATION UNCLASSIFIED IN REPLY REFER TO TO: Chief of Naval Personnel Attn: Pers-B4b Navy Department Washington 25, D.C. DATE 3 June 1954 NAVAL SPEEDLETTER- Permits dispatch or informal language. May be sent (1) with enclosures, 2) in a window envelope (size 8 7/8” x 3 7/8”), if contents are not classified as confidential or higher, (3) to both naval and nonnaval activities. Is packaged 500 sheets of white or of one color: yellow, pink, or green. (Fold) Subj: LT John Kelvin Koelsch, U.S.N., 424476 (Dec); recommendation for award of Navy Cross Ref: (a) BuPers spdltr Pers-B4b-MCG/jc of 20 May 1954 (b) Professor of Naval Science, Univ. of Nebraska spdltr P15 ser 328-54 of 12 May 1954 1. As requested by references (a) and (b), specific data substantiating the recommendation of the award of a Navy Cross to LT John Kelvin Koelsch, U.S.N. (Dec) is submitted herein. 2. LT John Kelvin Koelsch was very well known by me, personally, both before and during his entire period of service in the USS PRINCETON (CV-37). I was his commanding officer, when he was on duty in Attack Squadron 75 and I was Air Officer in the PRINCETON during his period of service in that vessel. I agree wholeheartedly with the comments of Captain W.O. Gallery, U.S.N. with request to LT Koelsch contained in reference (b). I, too, firmly believe that LT Koelsch was a real naval hero. I believe that LT Koelsch merits the award of the Navy Cross (posthumously) for repeated acts of exceptional heroism as a helicopter pilot attached to the USS PRINCETON during the period from late October, 1950 to June, 1951 and, subsequently, as a pilot of a helicopter, while attached to a helicopter unit (designation unknown) operating in Korea. 3. LT Koelsch reported to the PRINCETON as officer-in-charge of the helicopter detachment of Helicopter Squadron ONE about three weeks prior to the PRINCETON’s departure from the United States, on 9 November 1950, for the Korean Theater. The PRINCETON operated five days in the Hawaiian area for operational training COPY TO CAPT W. O. Gallery, U.S.N. Professor of Naval Science University of Nebraska Lincoln, Nebraska ADDRESS: CDR Charles A. Iarrobino, USN, 814807 Department of Aviation U.S. Naval Academy Annapolis, Maryland SENDER’S MAILING ADDRESS Address reply as shown at left; or reply hereon and return in window envelope (size 8 7/8” x 3 7/8”), if not classified as confidential or higher. CLASSIFICATION UNCLASSIFIED [see link for complete transcription]

[lonestarbattleship]

USS Quincy (CA-71) and USS Boston (CA-69), Third Fleet, anchored in Sagami Wan, outside of Tokyo Bay, Japan, on August 28, 1945.

Photographed by Lt. G.D. Rogers, of USS Shangri-La (CV-38).

NHHC: 80-G-339379

[imasloid]

SHINY COLORS FASHION ANALYSIS - Mamimi Tanaka (田中摩美々)

"Mamimi doesn't like to do tedious things... Can I skip today's lesson?"

This is a project analyzing and taking a look at the fashion design and application in the multimedia series, The IDOLM@STER: Shiny Colors. This section is about the devilish & punkish prankster of the series, Mamimi Tanaka! If you want to jump to a specific section, go here!

(This is a reprint of my thread on Twitter. I put it on Tumblr for easier reading and for archiving purposes. Enjoy!)

-----

INTRODUCTION

“Mamimi is a third-year high school student with a downer-type personality who hates troublesome things. She’s a beautiful girl with a great face and style, but she’s indifferent to anything she isn’t interested in."

---

Profile

Age: 18

Birthday: May 24th

Height: 161 cm

Weight: 49 kg

Blood Type: B

Hometown: Kanagawa

Hobbies: Wandering, Teasing people

Special Skills: Cutting her own hair

CV: Chisa Suganuma

---

Before starting the analysis, I would suggest if you haven’t already, read her W.I.N.G. (introductory) commu (through the broswer game's English patch or on YouTube). If you don’t play the game, I would listen to her image song and read the lyrics to get a better sense of her character.

-----

STYLE BREAKDOWN

Mamimi’s fashion is very punkish and eccentric, having a very strong image that sets her apart from the other Shiny Colors idols. Her outfits feature a variety of punk substyles and some goth influence to make a style that is maximalist, unique, and full of personality.

Her major style influence is punkish/punk-kei (パンキッシュ・パンク系), a Japanese take on the punk styles of the 70s/80s. Less abrasive than its originator but still capturing that air of rebellion/individual freedom, it acts as a foundation for other punk substyles to add upon.

(sorry i had an actual graphic for the above paragraph but it got corrupted so. </3)

Before continuing with her style inspirations, let’s talk about some other essential elements to her punkish style, like her makeup. Mamimi wears heavier makeup in contrast to the typical natural makeup trends in Japan, liking to match her eyes and lip to her outfits and nails.

Two other elements that enhance her punkish look are her hairstyle & piercings. Following the D.I.Y. attitude of the punk movement, she cuts and dyes her own hair. Additionally, her multiple ear piercings give off classic punk vibes while also showing off her eclectic taste.

The first punk subculture I want to introduce is skate punk, an offshoot of the “hardcore punk” movement with more of a casual and laid-back edge. This style fits Mamimi really well as her style is overall more comfortable but still as edgy as ever.

Another punk substyle that has heavy influence in Mamimi’s personal style is street punk. Having traditional punk elements from the initial wave of the British punk movement with a more showy flair, it fits her well and shows her more contrarian side.

Goth punk, a mixture of the goth and punk styles, is one of Mamimi’s biggest influences in her personal style. Visually symbolizing her downer-type nature and somewhat cynical view of society, the dark yet romantic motifs mixed with punk sensibilities is a perfect fit for her.

One of Mamimi’s style inspirations that isn’t directly related to the punk movement is PEEPS, a sporty goth style popular with Japan youth in the early 2020s. Though it’s usually segmented and very clean, Mamimi’s breathes new life into the style with her maximalist approach.

Mamimi’s image color is a medium light purple. Lighter than her hair and the image color of L’Antica, purple represents her mischief, downer-type personality, as well as creativity and ingenuity.

Mamimi’s personal color palette contains three sub-palettes: a basics palette (the foundation of her outfits), an accent palette (recurring secondary colors), and a signature palette (one-off colors reserved for signature pieces).

The way she combines these three sub-palettes makes her style so unique and fun! Above are some examples of how she utilizes these palettes in her outfits.

-----

STYLE ANALYSIS

Mamimi Tanaka is a girl known for her punkish look and is incredibly self-serving and lazy at first glance, avoiding troublesome things at any cost. She is first met while wandering around during a late night and gets scouted by the Producer.

Though she initially rejects the offer, she rolls around the office the next day and accepts becoming an idol. Because she got “scolded so persistently” for loitering late at night, she was interested in becoming an idol and thought it would be fun.

A self-proclaimed “bad girl,” at the beginning of her idol career she consistently did things at the expense of others, like skipping practices and attending work late. However, she seems to be natural at being an idol and often executes jobs perfectly.

The same can be said for L’Antica as well, as they often scold and treat her well like a sister or a close friend. Mamimi learns how to become a part of a whole and what it’s like to be together with people who truly care about you, enough to have good and bad times together.

Not knowing what she wants to do with her life is another reason why Mamimi became an idol. But after seeing the seriousness and sparkle of L’Antica, it led her to lose her “bad girl” front and try hard to become an idol, though she still makes mischief often.

In later commu, we learn that Mamimi actually comes from a rich family and very well off. However, it’s found that Mamimi’s parents spoiled her so much as a child that she never got scolded and could get away with anything. Because of this, she started to lash out and rebel to get attention from other sources. (Above: her bedroom)

Her parents’ constant praising turning into indifference was the main reason Mamimi dresses in the punk fashion, to rebel against society and be the complete opposite of her upper-class parents’ expectations. She started dying her hair purple in middle school.

In her card “Purple Mirage,” Mamimi tells Producer that she made purple her trademark color due to it being “less hot than red and less cold than blue.” She is known for her fashion and often pays attention to blogs and magazines.

Mamimi is known to have a large closet and bought a lot of her wardrobe with her parents’ money, though she uses her own money now. She has a lot of rare or unique pieces and is able to coordinate them well, showing that her love for punkish fashion isn’t just for show.

Mamimi’s fashion doesn’t change as her character develops, keeping a punkish base as she explores & integrates other styles her own way. Her growth doesn’t have to do with changing her image, but using it as a front to shut people away and not being honest with your feelings.

Being able to be truthful to yourself and your image while able to grow as a person is not something that’s seen often. Mamimi “softening up” and positively changing doesn’t change her punkish style, her fashion showing that the two can coexist together.

-----

This is it for Mamimi Tanaka!

If you liked this thread, check out my Twitter and give me a tip on Ko-Fi so I can do more things like this with other idol series! Thanks for reading <3

Next section: Sakuya Shirase

[agox]

Last night I got high and wrote a program to find all of the unused elemental symbols. It turns out there’s 585 of them and it’s much less interesting the next day.

One interesting finding: I couldn’t be bothered to generate all possible one and two letter strings, so I asked ChatGPT to write me code that would do all that for me. It worked surprisingly well!

['a', 'd', 'e', 'g', 'h', 'j', 'l', 'm', 'q', 'r', 't', 'x', 'z', 'aa', 'ab', 'ad', 'ae', 'af', 'ah', 'ai', 'aj', 'ak', 'an', 'ao', 'ap', 'aq', 'av', 'aw', 'ax', 'ay', 'az', 'bb', 'bc', 'bd', 'bf', 'bg', 'bj', 'bl', 'bm', 'bn', 'bo', 'bp', 'bq', 'bs', 'bt', 'bu', 'bv', 'bw', 'bx', 'by', 'bz', 'cb', 'cc', 'cg', 'ch', 'ci', 'cj', 'ck', 'cp', 'cq', 'ct', 'cv', 'cw', 'cx', 'cy', 'cz', 'da', 'dc', 'dd', 'de', 'df', 'dg', 'dh', 'di', 'dj', 'dk', 'dl', 'dm', 'dn', 'do', 'dp', 'dq', 'dr', 'dt', 'du', 'dv', 'dw', 'dx', 'dz', 'ea', 'eb', 'ec', 'ed', 'ee', 'ef', 'eg', 'eh', 'ei', 'ej', 'ek', 'el', 'em', 'en', 'eo', 'ep', 'eq', 'et', 'ev', 'ew', 'ex', 'ey', 'ez', 'fa', 'fb', 'fc', 'fd', 'ff', 'fg', 'fh', 'fi', 'fj', 'fk', 'fn', 'fo', 'fp', 'fq', 'fs', 'ft', 'fu', 'fv', 'fw', 'fx', 'fy', 'fz', 'gb', 'gc', 'gf', 'gg', 'gh', 'gi', 'gj', 'gk', 'gl', 'gm', 'gn', 'go', 'gp', 'gq', 'gr', 'gs', 'gt', 'gu', 'gv', 'gw', 'gx', 'gy', 'gz', 'ha', 'hb', 'hc', 'hd', 'hh', 'hi', 'hj', 'hk', 'hl', 'hm', 'hn', 'hp', 'hq', 'hr', 'ht', 'hu', 'hv', 'hw', 'hx', 'hy', 'hz', 'ia', 'ib', 'ic', 'id', 'ie', 'if', 'ig', 'ih', 'ii', 'ij', 'ik', 'il', 'im', 'io', 'ip', 'iq', 'is', 'it', 'iu', 'iv', 'iw', 'ix', 'iy', 'iz', 'ja', 'jb', 'jc', 'jd', 'je', 'jf', 'jg', 'jh', 'ji', 'jj', 'jk', 'jl', 'jm', 'jn', 'jo', 'jp', 'jq', 'jr', 'js', 'jt', 'ju', 'jv', 'jw', 'jx', 'jy', 'jz', 'ka', 'kb', 'kc', 'kd', 'ke', 'kf', 'kg', 'kh', 'ki', 'kj', 'kk', 'kl', 'km', 'kn', 'ko', 'kp', 'kq', 'ks', 'kt', 'ku', 'kv', 'kw', 'kx', 'ky', 'kz', 'lb', 'lc', 'ld', 'le', 'lf', 'lg', 'lh', 'lj', 'lk', 'll', 'lm', 'ln', 'lo', 'lp', 'lq', 'ls', 'lt', 'lw', 'lx', 'ly', 'lz', 'ma', 'mb', 'me', 'mf', 'mh', 'mi', 'mj', 'mk', 'ml', 'mm', 'mp', 'mq', 'mr', 'ms', 'mu', 'mv', 'mw', 'mx', 'my', 'mz', 'nc', 'nf', 'ng', 'nj', 'nk', 'nl', 'nm', 'nn', 'nq', 'nr', 'ns', 'nt', 'nu', 'nv', 'nw', 'nx', 'ny', 'nz', 'oa', 'ob', 'oc', 'od', 'oe', 'of', 'oh', 'oi', 'oj', 'ok', 'ol', 'om', 'on', 'oo', 'op', 'oq', 'or', 'ot', 'ou', 'ov', 'ow', 'ox', 'oy', 'oz', 'pc', 'pe', 'pf', 'pg', 'ph', 'pi', 'pj', 'pk', 'pl', 'pn', 'pp', 'pq', 'ps', 'pv', 'pw', 'px', 'py', 'pz', 'qa', 'qb', 'qc', 'qd', 'qe', 'qf', 'qg', 'qh', 'qi', 'qj', 'qk', 'ql', 'qm', 'qn', 'qo', 'qp', 'qq', 'qr', 'qs', 'qt', 'qu', 'qv', 'qw', 'qx', 'qy', 'qz', 'rc', 'rd', 'ri', 'rj', 'rk', 'rl', 'rm', 'ro', 'rp', 'rq', 'rr', 'rs', 'rt', 'rv', 'rw', 'rx', 'ry', 'rz', 'sa', 'sd', 'sf', 'sh', 'sj', 'sk', 'sl', 'so', 'sp', 'sq', 'ss', 'st', 'su', 'sv', 'sw', 'sx', 'sy', 'sz', 'td', 'tf', 'tg', 'tj', 'tk', 'tn', 'to', 'tp', 'tq', 'tr', 'tt', 'tu', 'tv', 'tw', 'tx', 'ty', 'tz', 'ua', 'ub', 'uc', 'ud', 'ue', 'uf', 'ug', 'uh', 'ui', 'uj', 'uk', 'ul', 'um', 'un', 'uo', 'up', 'uq', 'ur', 'us', 'ut', 'uu', 'uv', 'uw', 'ux', 'uy', 'uz', 'va', 'vb', 'vc', 'vd', 've', 'vf', 'vg', 'vh', 'vi', 'vj', 'vk', 'vl', 'vm', 'vn', 'vo', 'vp', 'vq', 'vr', 'vs', 'vt', 'vu', 'vv', 'vw', 'vx', 'vy', 'vz', 'wa', 'wb', 'wc', 'wd', 'we', 'wf', 'wg', 'wh', 'wi', 'wj', 'wk', 'wl', 'wm', 'wn', 'wo', 'wp', 'wq', 'wr', 'ws', 'wt', 'wu', 'wv', 'ww', 'wx', 'wy', 'wz', 'xa', 'xb', 'xc', 'xd', 'xf', 'xg', 'xh', 'xi', 'xj', 'xk', 'xl', 'xm', 'xn', 'xo', 'xp', 'xq', 'xr', 'xs', 'xt', 'xu', 'xv', 'xw', 'xx', 'xy', 'xz', 'ya', 'yc', 'yd', 'ye', 'yf', 'yg', 'yh', 'yi', 'yj', 'yk', 'yl', 'ym', 'yn', 'yo', 'yp', 'yq', 'yr', 'ys', 'yt', 'yu', 'yv', 'yw', 'yx', 'yy', 'yz', 'za', 'zb', 'zc', 'zd', 'ze', 'zf', 'zg', 'zh', 'zi', 'zj', 'zk', 'zl', 'zm', 'zo', 'zp', 'zq', 'zs', 'zt', 'zu', 'zv', 'zw', 'zx', 'zy', 'zz']

[usaac-official]

Aircrew #1 poses for a photo on the flight deck of USS Hornet (CV-8) before the Doolittle Raid.

2nd Lt. Henry A. "Hank" Potter, navigator; Lt. Col. James "Jimmy" Harold Doolittle, pilot; SSgt. Fred Anthony Braemer, bombardier; 2nd Lt. Richard E. Cole, co-pilot; SSgt. Paul John Leonard, engineer/gunner.

[postsofbabel]

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^oB^>S,;%$Z`2!aN

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[usafphantom2]

A pair of US Navy Grumman F9F-2 Panther jets from VF-51 Screaming Eagles assigned to Carrier Air Group 5 aboard USS Essex (CV-9) during a sortie over Korea, in 1951-52.

The pilot of the lead plane was Lt. JG George Russell, while S-116 was flown by Ens. Neil Armstrong.

@AirrecC via X

[sorrowfulsoul]

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These categories can be used to track, build and organize lists of pages needing "attention en masse" (for example, pages using deprecated syntax), or that may need to be edited at someone's earliest convenience.

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"Unprintworthy" redirects are redirect pages on Wikipedia that aid online navigation, but would have little or no value as pointers to target articles in a hard-copy book. The name of a redirect may be unprintworthy for a number of reasons, including being nearly identical to the name of the target page, containing typographical errors, or not being encyclopaedic. Redirects are not unprintworthy just because the name may be offensive to some, unless the name is also not encyclopaedic.

See also the categories Templates for unprintworthy redirects and Printworthy redirects

Contents: Top 0–9 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

# 0 1 2 3 4 5 6 7 8 9

A Aa Ab Ac Ad Ae Af Ag Ah Ai Aj Ak Al Am An Ao Ap Aq Ar As At Au Av Aw Ax Ay Az

B Ba Bb Bc Bd Be Bf Bg Bh Bi Bj Bk Bl Bm Bn Bo Bp Bq Br Bs Bt Bu Bv Bw Bx By Bz

C Ca Cb Cc Cd Ce Cf Cg Ch Ci Cj Ck Cl Cm Cn Co Cp Cq Cr Cs Ct Cu Cv Cw Cx Cy Cz

D Da Db Dc Dd De Df Dg Dh Di Dj Dk Dl Dm Dn Do Dp Dq Dr Ds Dt Du Dv Dw Dx Dy Dz

E Ea Eb Ec Ed Ee Ef Eg Eh Ei Ej Ek El Em En Eo Ep Eq Er Es Et Eu Ev Ew Ex Ey Ez

F Fa Fb Fc Fd Fe Ff Fg Fh Fi Fj Fk Fl Fm Fn Fo Fp Fq Fr Fs Ft Fu Fv Fw Fx Fy Fz

G Ga Gb Gc Gd Ge Gf Gg Gh Gi Gj Gk Gl Gm Gn Go Gp Gq Gr Gs Gt Gu Gv Gw Gx Gy Gz

H Ha Hb Hc Hd He Hf Hg Hh Hi Hj Hk Hl Hm Hn Ho Hp Hq Hr Hs Ht Hu Hv Hw Hx Hy Hz

I Ia Ib Ic Id Ie If Ig Ih Ii Ij Ik Il Im In Io Ip Iq Ir Is It Iu Iv Iw Ix Iy Iz

J Ja Jb Jc Jd Je Jf Jg Jh Ji Jj Jk Jl Jm Jn Jo Jp Jq Jr Js Jt Ju Jv Jw Jx Jy Jz

K Ka Kb Kc Kd Ke Kf Kg Kh Ki Kj Kk Kl Km Kn Ko Kp Kq Kr Ks Kt Ku Kv Kw Kx Ky Kz

L La Lb Lc Ld Le Lf Lg Lh Li Lj Lk Ll Lm Ln Lo Lp Lq Lr Ls Lt Lu Lv Lw Lx Ly Lz

M Ma Mb Mc Md Me Mf Mg Mh Mi Mj Mk Ml Mm Mn Mo Mp Mq Mr Ms Mt Mu Mv Mw Mx My Mz

N Na Nb Nc Nd Ne Nf Ng Nh Ni Nj Nk Nl Nm Nn No Np Nq Nr Ns Nt Nu Nv Nw Nx Ny Nz

O Oa Ob Oc Od Oe Of Og Oh Oi Oj Ok Ol Om On Oo Op Oq Or Os Ot Ou Ov Ow Ox Oy Oz

P Pa Pb Pc Pd Pe Pf Pg Ph Pi Pj Pk Pl Pm Pn Po Pp Pq Pr Ps Pt Pu Pv Pw Px Py Pz

Q Qa Qb Qc Qd Qe Qf Qg Qh Qi Qj Qk Ql Qm Qn Qo Qp Qq Qr Qs Qt Qu Qv Qw Qx Qy Qz

R Ra Rb Rc Rd Re Rf Rg Rh Ri Rj Rk Rl Rm Rn Ro Rp Rq Rr Rs Rt Ru Rv Rw Rx Ry Rz

S Sa Sb Sc Sd Se Sf Sg Sh Si Sj Sk Sl Sm Sn So Sp Sq Sr Ss St Su Sv Sw Sx Sy Sz

T Ta Tb Tc Td Te Tf Tg Th Ti Tj Tk Tl Tm Tn To Tp Tq Tr Ts Tt Tu Tv Tw Tx Ty Tz

U Ua Ub Uc Ud Ue Uf Ug Uh Ui Uj Uk Ul Um Un Uo Up Uq Ur Us Ut Uu Uv Uw Ux Uy Uz

V Va Vb Vc Vd Ve Vf Vg Vh Vi Vj Vk Vl Vm Vn Vo Vp Vq Vr Vs Vt Vu Vv Vw Vx Vy Vz

W Wa Wb Wc Wd We Wf Wg Wh Wi Wj Wk Wl Wm Wn Wo Wp Wq Wr Ws Wt Wu Wv Ww Wx Wy Wz

X Xa Xb Xc Xd Xe Xf Xg Xh Xi Xj Xk Xl Xm Xn Xo Xp Xq Xr Xs Xt Xu Xv Xw Xx Xy Xz

Y Ya Yb Yc Yd Ye Yf Yg Yh Yi Yj Yk Yl Ym Yn Yo Yp Yq Yr Ys Yt Yu Yv Yw Yx Yy Yz

Z Za Zb Zc Zd Ze Zf Zg Zh Zi Zj Zk Zl Zm Zn Zo Zp Zq Zr Zs Zt Zu Zv Zw Zx Zy Zz

Subcategories

This category has the following 19 subcategories, out of 19 total.

C

Redirects from colloquial names‎ (198 P)

D

Redirects from titles with diacritics‎ (9,298 P)

Redirects from titles without diacritics‎ (3 C, 412,337 P)

Redirects from other disambiguation‎ (4 C, 12,839 P)

Redirects from predictable disambiguation‎ (510 P)

Redirects from unnecessary disambiguation‎ (2 C, 30,749 P)

Redirects of dubious utility‎ (19 P)

I

Redirects from incorrect disambiguation‎ (3,572 P)

Redirects from incorrect names‎ (5 C, 10,165 P)

L

Redirects from titles with ligatures‎ (105 P)

Redirects from titles without ligatures‎ (493 P)

M

Middle-earth redirects from redundant titles‎ (152 P)

Redirects from misspellings‎ (48,487 P)

O

Redirects from other capitalisations‎ (1 C, 407,815 P)

P

Redirects from plurals‎ (25,577 P)

Redirects to plurals‎ (2,484 P)

Redirects from US postal abbreviations‎ (42,391 P)

R

Redirects from emoji flags‎ (273 P)

S

Redirects from shortcuts‎ (1 C, 28,798 P)

Pages in category "Unprintworthy redirects"

The following 200 pages are in this category, out of approximately 1,557,538 total. This list may not reflect recent changes.

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ߺ ᩿ ⵿

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 ️ ︎ ︍ ︌ ︋ ︊ ︉ ︈ ︇ ︆ ︅ ︄ ︃ ︂ ︁ ︀

󠀁 󠀠 󠀡 󠀢 󠀣 󠀤 󠀥 󠀦 󠀧 󠀨 󠀩 󠀪 󠀫 󠀬 󠀭 󠀮 󠀯 󠀰 󠀱 󠀲 󠀳 󠀴 󠀵 󠀶 󠀷 󠀸 󠀹 󠀺 󠀻 󠀼 󠀽 󠀾 󠀿 󠁀 󠁁 󠁃 󠁄 󠁅 󠁆 󠁇 󠁈 󠁉 󠁊 󠁋 󠁌 󠁍 󠁎 󠁏 󠁟 󠁞 󠁝 󠁜 󠁛 󠁚 󠁘 󠁗 󠁖 󠁕 󠁔 󠁓 󠁒 󠁑 󠁐

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