#LOVED the last episode it was just. perfect culmination

[khaotunng]

One Spring Night genuinely my new favourite romantic drama, it's so well-written and sweet and it has some of the best chemistry I've seen in kdramas. Even Giseok had great character writing and all the secondary characters delivered, I hated and loved them when the scene required it. A romantic drama that gave powerful external conflict while always balancing the angst with the most satisfying romantic scenes, with a couple that went from electric chemisty between strangers to the sweetest most romantic couple that communicates!!.... sigh I will miss them

[ven0moir]

Will had hope ... and then lost it.

He had hope that maybe, just maybe, Mike and he felt the same way. And I think it started here:

Mike expressed relief at the idea of Will not joining another party. And Will's look seems ... surprised but joyful? Like he's picking up on Something the audience is not.

Then we have this:

I know a lot of people say he meant this in a friendship way. But I don't think he did entirely. I think he was 'testing the waters' so to speak, to see Mike's reaction to him asking something like this so forwardly--an action driven in part, possibly, also by frustration. Of course their friendship was his priority but he was also Sending Mike a Message. Speaking in code, if you will. And I'm not sure if Mike picked up on it or not, but he knew what he was doing when he used the word 'us'.

Then of course we have Mike's speech to Will in episode 4. The way he slightly tilts his head to the side inquisitively after Mike said 'It's Hawkins, it's not the same without you', as if he's thinking "am I dreaming? Is he really saying this?" And not to be meta but he might even be wondering if he's being delusional here.

On top of that, the speech prompted him to gather the courage to do this:

hope again. But then his arc culminated in this:

Will's facial expressions when Mike is self-depricating ... he seems so sad. In the second one, even Mike notices and cuts himself off to apologize for bringing up this subject.

I think he, sadly, realized Mike did feel the same way as him, but not in the way he had initially hoped. Mike, like him, is struggling with not feeling good enough for the person he loves.

And Will did not want Mike to feel the same way he did. So he did what we saw him do and give the painting to Mike, which symbolizes his love for DnD, for what they do together, for their friend group, for him. His intention here was to make Mike feel better. Important. Seen. Even at the cost of his own heartbreak.

"Every smile you fake, I'll be watching you."

So to recap, at the beginning of the season, Will had been acting weird and painting for someone he liked ( according to El ). We find out very quickly that the recipient of the painting was intended to be Mike. I don't think Will ever intended for the painting to be a full blown love confession--but a start. A continuation of the 'hint dropping' they started doing at the end of S3. But of course, the whole world went to shit, and his feelings got amplified to the point where the painting's meaning took a different turn. And it became the basis of a veiled love confession.

I think this is devastating because the narrative forced them, once again, down a different path from the natural progression this would've been had Mike been allowed to enjoy a nice spring break in California.

I do believe by the end of S4, Will has completely lost the last vestiges of hope he had left that Mike would ever reciprocate his feelings, especially after Mike's love confession. I think he feels stupid for even allowing himself to believe there was a chance.

I mean, look at him. And, terrifyingly, I feel like that is exactly where Vecna needs him to be at the start of S5.

Sprinkle in some #birthdaygate and voila ... we have the perfect recipe for a horrible Vecna vision.

I don't know how they'll resolve this, but it does feel to me that the intention of Will's S4 arc was to get him to a point of loss of hope, which signifies the death of his dream.

Going into S5, he probably sees this dream now as stupid and childish--an impossibility. Adding to this, there's no way in hell Will is going to confess. Not when this happened and it was never resolved.

The ball is on Mike's court, for better or for worse.

And I think this is also another plot twist we will find out through Vecna: the fact that Will had hope that he and Mike could be together and felt the same way. And that honestly makes whatever Vecna does to Will 10 times worse because if Will had NEVER had hope, then there's nothing new there. But having hope and then having it crushed to the ground? Yeah ... my heart hurts as I type this.

[shigayokagayama]

What are the biggest losses between the manga and anime? I just finished watching mp100 and I'm curious what the manga has!

ok biggest losses are kind of hard to define because like. anime and manga are two inherently different mediums and there are a good amount of cuts that improve pacing and then a good amount of cuts that people sort of argue over the merit of so im just going to go for biggest differences. i would also highly recommend reading the manga just because it is a pretty different experience tonally along with the minor plot differences and cut scenes + theres a bunch of omakes that both flesh out characters that dont get too much focus and have some really good bits in them. putting the rest of this post under a cut bc i ramble

mogami arc

this one is kind of inescapable i feel like but the anime version of the mogami arc had a LOT of things trimmed for a couple different reasons. season 2 already got an extra episode in order to do the fire scene as a cliffhanger so with the way things shook out the director had to choose between a. cutting a bunch of stuff out of separation arc to make it one episode so mogami arc couid stay three episode or b. cutting a bunch of stuff out of mogami arc so separation arc could stay two episodes. imo they made the right choice, whats even the point of adapting mob psycho if you dont get confession arc right, but some of the cuts to mogami arc will be dearly missed and others will be fought over to the end of time. cuts include:

minori being established as a brat in a video everyones shown and the video being part of how reigen deduces shes possessed (reigen deducing her possession in the manga is generally just a lot better done and after you read the manga the scene in the anime feels so awkward because you know whats missing

the psychics deciding to band together to beat this little girl to death to save themselves and shinra stepping between them to protect her and getting utterly thrashed, not by mogami, but his fellow psychics

reigen trying to convince mob to leave without him and call for help while he distracts him which leads to this

the general mogamiland section lasting a lot longer and being more brutal (notably the stray cat mob feeds getting killed in front of him)

mob getting fucking torn to pieces by spirits during the fight instead of ambiguously dying offscreen

generally would recommend if nothing else reading the manga version of this arc and confession arc because i feel like these are the only two where you lose like. a significant amount of the story and themes from the cuts. speaking of....

2. WHY THE FUCK DID THEY CUT THIS I WILL BE MAD UNTIL I DIE

maybe its just because i reread this arc on its own probably 50 times before the anime came out but this is the only arc where the cuts actively piss me off because there is absolutely no reason they had to do it. they cut a bunch of important shit, left in things that didnt need to be there, and added scenes that contribute literally nothing to the overall point. if they just did any one of those things or combo of two of those things i wouldnt be as mad but it feels like they put a bunch of filler in then speedran the actual story

cut #1 that pisses me off: HOMOPHOBIA?????

THERE WAS SUPPOSED TO BE A HEART IN HIS EYE. WHY DID THEY NOT INCLUDE THIS. THIS IS THE CULMINATION OF TERUS ARC. THIS IS HIM SEEING THE PERSON HE HAS IDOLIZED AND DEIFIED IN HIS HEAD AT THEIR LOWEST AND STILL CHOOSING TO LOVE HIM, AND THROUGH THIS HE IS CAPABLE OF BEING LOVED EVEN THOUGH HES NOT PERFECT BECAUSE NO ONE IS. WHY WOULD YOU CUT THIS?

cut #2 I NEED WHOEVER CUT THE DIALOGUE FROM THE FIRST PANEL IN PRISON

the lack of inclusion of the first panels dialogue along with the cuts to the mob and shigeo conversation (WHICH WE WILL GET TO) make me think the person who adapted this arc fundamentally misunderstood what was happening. this line. is. THE POINT. THIS ISNT SOME SEPARATE SCARY THING. THIS IS MOB. HE IS CHOOSING TO DO THIS BECAUSE HE IS SCARED AND ANGRY AND HURT BUT HE IS IN CONTROL OF HIS ACTIONS AND ALWAYS HAS BEEN.

cut #3 HE DOESNT WANT TO BE HELD ACCOUNTABLE FOR HIS ACTIONS

this entire conversation is so good and i was looking forward to watching it voice acted for so long and its just. gone. for me the "i am shigeo kageyama who are you" reveal felt like a gut punch because the opening being "i knew i would be needed" made me go "oh hes like possessed or his powers are sentient or something" and this conversation was the slow unraveling of my view of these as two separate people and instead as a scared, traumatized teenager who has convinced himself that the parts of himself he hates are something else outside of his control instead of an intrinsic part of who he is because if he's convinced that the parts of him that are able to feel desire and frustration and anger and malice are him then he'll lose all these relationships he's worked so hard to cultivate as his perfect, non confrontational self. and of course that isnt true. all his friends and loved ones are making their way to the center of a damn hurricane because they see he's in distress and want to help him. but he cant see that so he pushes them away. ugh. mob. protagonist of all time.

cut #4 WHY WOULD YOU CHANGE THE COMPOSITION OF THIS I CAN LITERALLY SEE HOW THIS WOULD BE ANIMATED IN MY MINDS EYE W

can you imagine how beautiful this would be in motion. just. god.

cut #5 HE WAS TALKING OUT LOUD. REIGEN HEARD ALL THIS

:(

cut #6 the bowling arc

so the scene where reigen takes his shoes off is supposed to be a lot more solemn bc like. taking your shoes off before killing yourself is a trope in japanese media (ive heard it started in media and bled over into real life but i might have it backwards?). reigen knew he was probably going to die. anyway i cant take this scene seriously because of this edit

the bowling arc.

cut #7 WAAAAAAAAAAAA

WAAAAAAAAAAAA *sniff* AAAAAAAAAAAAAAAA

cut #8 homophobia again

rip pensive fruity tea sip

cut #9 mob threw the cake directly in reigens face on purpose

i literally experienced every stage of grief realizing this got changed. why. its so perfect. why would you change this.

3. World Domination arc

so WD arc is in a very interesting place where it had a lot of scenes cut but unlike the other two most of the cut content youre like. yea probably best not to include that. ill start with the good content that got cut then go into the weird content

serizawa got his power drained by toichiro. i am quite sad this scene didnt make it in because its sorta heartbreaking

teru fighting off the claw assassin is shown and we see that teru can both make shadow clones AND hold a barrier while attacking, he seems to be the only esper with this ability!

the reason dimple could tell mob's family was alive is that there was no sense of grudge at the house which would have been left behind by people passing in a violent manner

mob briefly goes unconscious during the start of the toichiro fight and dimple possesses him and says "shit"

dimple possessing mob shoots shibata with a gun

we get mukai lore.

it doesnt make any sense and just raises more questions but we get it.

toichiro has a team of telepaths to recap where everyone is because this arc took an entire calender year to update

literally everyone shows up to fight shimazaki. i cannot stress enough how many people show up to fight shimazaki. it would be faster to list espers who dont show up to fight shimazaki

the middle school delinquents show up and start fighting the claw grunts literally completely out of no where and this is never brought up or referenced ever again

when mob and ritsu get home ritsu says all their stuff is in boxes and they need to hurry and redecorate the house before their parents get home which implies that shou packed the entire households worth of belongings into boxes and hid it somewhere before lighting their house on fire which is such a funny mental image that i cant even be mad at it. loony toons ass plot point.

4. other random interesting cut things

takenaka is just generally more of a bitch during alien arc. "ah i think they took him" remains one of the funniest goddamn panels in the manga

peak

alien arc overall is a lot funnier in the manga, i have a slight preference for the manga version just bc theres a lot of really good bits that didnt make it to anime but the anime version is so heartfelt and nostalgic it makes me happy

between omakes and small things that got cut or changed for the anime teru just feels way more fleshed out in the manga. like. anime teru is a completely different person. its hard to explain if youve never read it.

the all girls school part originally went right before the ghost family stuff and was the beginning of mob's existential crisis about why spirits and people get different treatment but tbh it works well where it is i just wish it werent. like that.

the scene where ritsu and teru shake hands was teru draining ritsus power which he seems to have learned to do from encountering ???%

teru.

ow

thats all i can think of off the top of my head, im sure ill realize i forgot something some time after posting this but. yeah. read the manga its good

[highfantasy-soul]

I'm loving how complex and flawed both K and Evan are this season - Brennan and Erika bring so much nuance and reality to their portrayals and in that last episode, I genuinely think both characters are right and wrong with what they're doing.

K should never have tried to 'heal' Evan's already healed arm without his permission.

But Evan is wrong when he said "you don't get to tell me what my problems are, I know what my problems are"

I think a lot of people are seeing that as the truth and treating Evan like some perfect person who's magically 100% fully self-aware when like....he's not. No one is. Quite literally, that's why we have community (and interventions) - we don't always see ourselves clearly and friends are there to point it out and try to help us through it.

Evan DOES ignore his own health. Evan DOES ignore his own need for therapy and community. He has convinced himself so thoroughly that no one actually likes him that yeah, it's a problem - and his friends DO get to call that out. [Seriously, Evan reminds me of Goob from Meet the Robinsons where his internal monologue is "Everyone hates me, they all despise me, I have to ostracize myself" while in the background, literally everyone is saying hi to him, inviting him to hang out, etc]

He literally does that to Sam in the previous episode - she tells him he's not awful to be around, that they do love him, and his response? "You're full of shit - you couldn't possibly actually like hanging out with me."

You know how terrible and hurtful that is? It's not just uwu sad boi isn't he so tragic and in need of love!!! That's him treating his friends like shit.

His own self-depreciation reflects back onto the people who care about him and he devalues THEM as people because of it. That's an issue of his he doesn't see. He DOES do things that are harmful for his mental health and when the others encourage him to do things differently, he ignores them and chooses to continue the self-destructive behavior. Is it born of trauma? Yeah. But again, there's an issue of Evan's that he doesn't identify as an issue.

i think Brennan is fully aware of this. I think he's very purposefully playing this character to show that just because a character is riddled with trauma and has been victimized so much in their lives, doesn't mean that it makes them a perfect person. That trauma, ya know, traumatizes them and can lead to them having behaviors that hurt others around them.

K attempting to 'heal' Evan wasn't out of nowhere nor was it them reverting back to their season 1 self (after all, as they pointed out, K wasn't trying to fix him season 1, K fetishized Evan's "brokenness" (*cough cough* just like a big section of the fandom is doing right now *cough*)), that act was the culmination of her loving Evan and him constantly rejecting expressions of that love by saying 'you're faking it - I love you, but you don't actually love me, but I'm going to stay in this relationship for some reason while constantly belittling you and calling you a liar'.

It was K trying to help Evan after seeing his shirt on fire for so many years and Evan being burned alive but continually telling K "no, I don't need to take off this shirt, don't try to pour water on me, I'm fine" all the while his flesh is peeling off and he's suffering and K is getting singed by the fire too.

100% K was wrong to try to heal his already healed arm without his permission, but the sentiment DOES ring true.

Evan isn't perfect and I think Brennan has very carefully crafted him that way. His trauma doesn't excuse the way he treats his friends - and they're perfectly within their rights to call him on it.

[tamtuliko]

In my many years of watching and reading BL, I loved last years RWRB Alex and Henry Paris scene. Taylor and Nick were very beautiful. The way Matthew created Paris scene was perfect. With soft kisses and all. I love this movie and thought that nobody will be able to create a better love making..

Look at them, so in love, so soft, Henry's dump eyes, Alex small kisses, nose touching forehead. It's a love making with a fully Lana del Ray background.

Look this... smiling, breathing each other air Sharing each other body. It's the most intimate and beautiful way to love each other.

But.... omg.... I watched ep4 of 4 minutes and Bible and Jes made to make me giggle, got a little shy, and kick my legs...

Really??? Jes??? Really??? And it was not in the script.. duude. That the acting.. another level. To understand your character this well... and Bible is getting all shy and stuff... maaaaaan. Give them Oscar already.

And then we got this...

Please focus on Bibles face, the way he looks up to Jes. I must admit I never thought that he could do this kind of acting, and omfg he is doing so good. Alittle dump eyes, blessed out face. Dis boy is in love, okay? And then the kiss, urgent kiss, for both of them, the culmination of the act. You can see all emotions, all love, and care for each other. And the acting is not just words. The acting is to use your face, your eyes, and your body to show the character. And both of them are doing just great, I must say perfect even.

I've got no more words.

RWRB is a masterpiece with acting, camera work, lighting, small details and cherry on top : acting.

4 minutes has all suspense, camera work, the story, and again top babes acting.

The only thing which is boring for me is Tonkla and his men. Sorry for their fandom, but I'm really done with their whatever is going in between. I hope that his character will develop and he will be e very big help with Greats timeline.

We have 4 more weeks and 4 episodes left...

I'm sure I can write PhD ✍️ in 4 minutes analysis, then my own one. Shit 🤣

[neuroticbookworm]

FRIENDS. FRIENDS.

Cooking Crush is undoubtedly one of the best shows airing at the moment.

Today's episode gave me so much life that I don't even know where to begin, but I'm gonna try my best to pull two (2) coherent thoughts out of my melting brain.

1. The Three Must-Eat-eers Conflict and Resolution:

Last episode had set up such a perfect conflict that's rarely handled well in any media: the bruised feelings of the single friend when the rest of the gang gets into committed romantic relationships. Most of the time this scenario shows up in media, one party will be framed as selfish and/or jealous. None of that nonsense here; Cooking Crush has always taken the friendship of its characters very seriously, especially Prem, Dynamite and Samsee. Samsee’s feelings were hurt not just because of his own fears of being abandoned by his friends, he was also (rightfully) mad that he ended up as the only friend who was kept out of the loop of knowing that his best friends had boyfriends now. But Prem and Dynamite did not intend to do this, and they were also right to set their own pace in making their relationship public, but it’s just that the string of accidental reveals happened in an order that made Samsee feel like a third-wheeler in his own home, twice over.

Cooking Crush treats its characters with a lot of kindness and empathy and it shows. Prem and Dy wanting to keep their relationships under wraps for the time being is valid. Samsee feeling hurt and lost, and opting out of the competition is valid. This episode begins with the drama of the cooking competition and works its comedy (thank you for the chuckles, wildly gesticulating White Man) and romance (my poor heart swooned all over my rib cage when Ten helped Prem into his chef clothes). And when the time came for the big reconciliation, the show does not sweep away Samee’s very hurt feelings just because Prem and Dy struggled without Samsee for most of the first round of cooking. He apologizes for ditching them and Dy was having none of it.

(Dy, my perfect child, oh how I love you with my entire heart)

Perfect resolution. and a well-earned, most adorable group hug to bookend it. I truly could not be more in love with this show. Or can I?

2. Miscommunication? Nah.

Well, this episode also featured the Annoying Asshole Chef dude who’s determined to pursue Prem even though it is very clear that Prem is not interested and would reject his advances, if only he stuck around long enough to actually get rejected and not run away from him like a goddamn coward. I was furious when he positioned himself as an actual option for Prem to Ten in this episode, and thoroughly enjoyed every moment Ten chose to call him out on his bullshit.

But y’all. The very inappropriate hug. The well-deserved punch to his stupid face. The storm-off. All of it had me very concerned that this is all barrelling towards a classic miscommunication moment.

BUT NO.

THE SHOW SAID THERE WILL BE NO STUPID MISCOMMUNICATION.

NOT IN THIS HOUSE.

My problem with the miscommunication trope is that it ultimately positions the couple we are supposed to be rooting for as a weak team. Honest communication and vulnerability in a new-ish relationship is not easy, and it takes a lot of courage to take that step to be the one to spell out the facts, and trust that the other person likes them well enough to keep an open ear, and believe them when they say a meddling cowardly asshole is trying to get in the way of their relationship. Ten’s bravery was perfectly contrasted with the sliminess of the Annoying Cowardly Chef (I refuse to learn his name, he is not worth my braincells).

Oh but Ten wasn’t done yet!

I absolutely adore how he moves the conversation away from that pesky little pest of a human towards something that matters more: his desire to make things official with Prem. The Annoying Asshole Chef was not the focus of the conversation, Ten and Prem are. And it all culminates in an incredible kiss and a camera swoop that already has a permanent little shrine in my silly little head.

TAKE MY HEART, COOKING CRUSH. TREAT IT WELL.

[curetapwater]

Madoka Magica is a very dark show but I think it often gets kinda blown outta proportion, as if it's some bloodbath just because it has onscreen deaths and dark subject matter. I'd say the violence itself is rather on par with darker episodes of Sailor Moon. Deaths happen, but it's far from a gore fest. Mami's death in episode 3, one of the most gruesome scenes in the show, is carefully framed to show no blood, no gore. The image of her body going limp and detransforming, the ribbons she'd tied up Homura with dissolving, the wide shot so far from her body that you can hardly make it out as it falls to the ground for Charlotte to finish. The focus is not "ouuuuuuu teenage girl death SCARY SCARY" but on the weight of the events unfolding. And her death is not there just for shock value, but to drop a sudden, crushing weight upon the characters she is survived by. The scene where Madoka visits Mami's apartment one last time in particular is so effective. A sink filled with dishes that will never be washed. A half-full teacup that will never be emptied. Her absence is a gaping hole in the characters' lives as much as it is a reminder of the stakes of the situation.

And other onscreen deaths are as clean as possible. The Soul Gem thing is existentially terrifying but it also lends itself to something about how PMMM handles its darkest scenes with a certain tastefullness. We don't need to watch a 14-year-old girl get ripped apart in order to understand how fucked things are. We just need to see her soul itself shatter, the light leave her eyes, her body go limp. The lack of traditionally graphic imagery allows weight to be shifted from what we are seeing to what the events unfolding mean.

One of the most visceral scenes for me is the one where Kyubey just dumps his reasoning for the magical girl system on her. On its surface, it's just a girl sitting in bed, being spoken to by an alien creature. But it's the shit he says to her. The way he talks about commodifying, using, tormenting teenage girls across human history as if it's a perfectly reasonable, pleasant conversation. The way he compares humans to livestock. The way his cheerful tone never falters as Madoka's emotional state deteriorates further and further. And GOD, the shot where she slowly grabs her head, curls in on herself before bending backwards. Just trying to process the weight of a system that extends far beyond her, across the whole world, across human history. The helplessness of it all. The way it all culminates, as the audience and Madoka herself finally understand Kyubey to be a microcosm of the way the world is stacked against young girls. That single shot rocks me to my core.

I think people who label this show "torture porn" severely miss the point. We aren't supposed to root for all the bad things happening to these characters. We aren't supposed to point and go "Haha! Foolish girls and their frivolous dreams!!" nor are we supposed to wallow in misery and cry out "Woe! The dreams of young girls are all for naught!! Hope is lost!!!" We're supposed to sympathize and connect with them. And hell if I do. I'm so glad I first watched this show when I was the same age as the characters, because this show just really speaks to me. There is a great catharsis, to me, in things like Mami's veneer of being the cool perfect girl that she desperately doesn't want to fall to reveal the vulnerable girl beneath, the way Sayaka desperately wants to save the world but jumps into things without thinking and pours from an empty cup, the way Kyoko has seemingly given up entirely on being a good person but deep down still believes that something good must exist out there, Homura's determination to try again. And again. And again. Until her love consumes her and everyone around her. And Madoka's crushing sense of helplessness, of guilt, of wanting to make the world a better place, of wanting everyone to just!!!! Get along!!!!! Please!!!!!!! And the way she overcomes this sense of helplessness with the main theme that the magical girl genre was built upon to begin with: hope.

To me, Madoka Magica is a show about how much it can absolutely suck to be a teenage girl, but in a respectful way, y'know? It's about how the world is stacked against young girls, how it uses and objectifies them and kicks them into the dirt, and how because they're still young, they often don't respond to the hand dealt to them in perfect ways. But that doesn't mean their feelings, their hopes and dreams and very souls, do not matter. If anything, I'd say Madoka Magica is about how the world isn't going to go easy on you, and your feelings about that fact are real, even if you don't respond to them perfectly. But despite it all, you have to keep going.

So yeah PMMM is a dark show but I feel like its discussion is often like "this show KILLED the magical girl genre by being DARK and VIOLENT" like. Siigh. Especially frustrating because I see this sentiment both from magical girl fans who resent the show and non-magical girl fans who laud the show because they think it's "better" than its predecessors. Maybe it had an impact on the genre in the same way that Shrek was an excellent movie whose success unfortunately gave way to trends in animated films that didn't quite get what made Shrek work. But I find it unfair to say PMMM "ruined" or even "killed" the magical girl genre. I'm unsure if I'd even call it a deconstruction, it's just its own neat thing to me. I can go back and watch Sailor Moon or Pretty Cure without feeling they've been tainted or taken down a peg. If anything, I think PMMM complements more traditional magical girl shows very nicely. I think Madoka and Usagi would love each other. I don't think a magical girl show where very bad things happen is that big a deal. What is a big deal, to me, is how excellent it is in its execution.

[regulusrules]

Ranking the best 10 Merlin episodes + a fic rec based on each one:

(absolutely not based on how gay they were) ((no order for the eps; they're all chef's kiss)) (((last two fics have a hold on me that levels the show itself; worth scrolling for)))

1. The Poisoned Chalice

Look. There is something just absolutely entrancing about introducing this episode in the first five of the entire show. Like, this hands-on was the sole reason everyone fell for those two idiots. It beautifully captured how the saving each other thing is reciprocal, because the first three episodes you just have to watch Merlin run around saving Arthur, never the reverse. Producing it early on in the show was the decision that, in my opinion, held everyone in their chokehold for eternity.

Fic rec: you are my favorite mistake (it can only be fate) by @multifandom-jess.

2. The Death Song of Uther Pendragon

I could go on and on for how this episode singlehandedly carried s5 on its shoulder. Like, okay I unfortunately love s5 with all my fucking heart, but this episode was perfect. Ghosts? Check. Banter? Check. POETRY?? Check check. A slap to Uther's face? Oh how beautifully checked.

It's so easy to recall how Arthur truly loved his father, but in this episode, the turmoil you see in his eyes from the actions of his father and how he resorts to saving the ones he loves (Merlin) over his father, is just too beautiful to be overlooked. Ever since Arthur became king, we see him struggle from his father's legacy. But in this episode, he begins to detach both consciously and subconsciously from him. Whether it's in his decision to save the old sorceress in the beginning, or to shun Uther's ghost, both the literal and the figurative, from his life any longer. This was one of the episodes that captured the true essence of King Arthur.

+1: the innuendos of this episode were 🤌. They knew what they were doing, you can't convince me otherwise. (are you threatening me with a spoon? / I'm teaching him some poetry.. he can't get enough of it! / what was that? h-horseplay. why don't I show you?)

Fic rec: My heart is readily yours by @regulusrules. (absolutely love how after all this introspection, i decided to throw it all away and made uther stab merlin in the fucking heart instead. but still it was my honourable attempt to shit on the finale and give them the happy ending everyone deserved).

3. The Sword in the Stone pt. 2

OKAY. This episode! Aside from how badass Merlin was in both pt.1&2, but here, especially in the part where us audience were impatiently waiting for the revival of the sword in the stone, there could've been nothing more perfect. Just like their adaptation of the round table scene, this was perfect in its own way for how different it was. They didn't make it so that people will finally find a king; they made it so that the people believe in their king. And more than that, for Arthur to believe in himself. With the estrangement and losing his crown, the writers gave him the best way to re-establish his inner glory. And Merlin being this guide; what more perfect culmination to their relationship?

You have to believe, Arthur.

Iconic.

Fic rec: Couldn't choose between Only Friend by @captain-ozone, and Fathom Me Out by @supercalvin. Brilliance ahead in both of them, I tell you.

4. The Eye of the Phoenix

Magic. Gwaine. Quests. Need I say more to explain that this was the show's holy trinity?

Fic rec: From Past to Present by flowersheep. (Prince Merlin. Archer Merlin. Perfection my friends).

5. A Servant of Two Masters

Look look; if there's an honourary wall of opinions for all the people who've watched Merlin, I DARE you to find just one who disliked this episode. Like, the series was so full of BS sometimes, but this episode was above all. The level of brilliance in this episode; showing Dark!Merlin, who's at the same time hilariously funny, and seeing him BAMF his way with Morgana, even when he's chained and tortured.. oh dear holy Lord. His "do me a favour, could you? let Arthur know." was able to steal all breath from my lungs the first time I saw it (and until now).

And don't get me started on the Protective!Arthur we got. Caring for Merlin, screaming for him when the rocks fell between them, silencing Agravaine immediately when he told him he's sorry for losing such a loyal servant because bullshit if he doesn't reign down hell before he loses Merlin. And ofc, Courage and Strength on their way to find Magic, which just filled my heart with an 'aaahhh!' moment, because we didn't get enough Gwaine-Arthur-Merlin shenanigans. And at last, the Hug™. Fucking screamed let me tell you.

It is an episode that truly showed everything; from comic elements to fluff and angst and everything. The only thing it lacked was, as always, giving Arthur the space to know. Because ffs what would they have lost if they made Arthur understand that Merlin's under Morgana's control? It wouldn't have exposed shit. It would've just been a plus to us to see Arthur caring for Merlin even more. They tried so hard that it completely backfired sometimes.

Fic rec: Still I Surface in Morning Light by @queerofthedagger. (I swear to you, anything written by this author, I readily throw whatever in hand to read it).

6. The Dragon's Call

Let thy gif caption speak.

No but really, that first episode was the stuff of legends. I could list down tens of tropes they did in just that episode alone. Honestly, no "family" show I've ever seen had started this powerfully. Just the music alone, the beauty of beginnings, not the CGI, was truly so gripping. Also bonus points for just Colin Morgan's sass abilities. None can compare.

Fic rec: This Time Around... series (incomplete) by Oneiric (lkdaswani). (this is a time travel AU, but the way the writer rewrote this episode was one of the best deviations I've read for an episode I already find near faultless).

7. The Sins of the Father

I might be subjecting myself to true wrath with my upcoming statement, but here we go:

S2 sucked.

From the beginning of the season, Arthur's shift in characterization from the honourable lovable prat of s1 to a letting Merlin act as a horse stool got me going wtf? It was like they deliberately ruined everything in their relationship and started out fresh just to force the Arthurian narrative of Arwen. And it's fine by me, truly, even if I'll never ship them, but they could've developed Arthur's character SO MUCH in that season beyond comic relief and romantic rendezvous.

Anyway so that I don't stray so much from the topic; this episode was, by fair comparison, the best in the entire season. By now it's pretty obvious that I gravitate towards all the episodes that give Arthur a semblance of agency. Him going against Uther and his maniac murderous agenda was the start of actually seeing King Arthur in front of us. Also, him listening to Merlin when he was on the verge of committing patricide was one of the things that gave me hope in how there's still hope in them. Even if they ruined it with making Merlin lie to Arthur, but the writers practically ruined every good episode with this.

+1: Morgause's intro was badass.

Fic rec: The Sins of the Father (and how to right them) by @cupcakezys. (what we deserved. to see arthur with agency, with an ability to decide for his future without being lied and deceived to).

8. Diamond of the Fucking Day

No matter how much I hate this episode, I can't, in good conscience, deny its hold on my heart. As I wrote before, there could've been no better magic reveal than this. And for all of my bitterness over their decision to kill Arthur, I sanely admit how it was a decision that insured the immortality of this fandom. It's been ten years since that episode aired, and I bet my ass off that it will still feel the same even after countless more decades.

Fic rec: literally the entirety of the fandom's fix-it fics. We all started from there, didn't we? Choosing only one would be so undervaluing to all the brilliance I've seen. However, my tags filter for it usually include: fix-it, angst with a happy ending, court sorcerer merlin, shitting on bbc writers 101, canon era, not canon compliant, everybody lives especially king arthur you mfs.

Update: I subconsciously took all these tags and wrote them in a fic

9. The Wicked Day

Throw me from the highest tower there is because every time I remember this scene, I just want to fade into the light. The sheer level of love and understanding shimmering between those two. Sometimes I marvel at the choice of bringing Colin and Bradley together, because no two could have achieved such chemistry, platonic or not, as those two did. This whole episode of showing Arthur's grief, and Merlin's desperation to heal it, was truly unforgettable. I try not to linger on its ending, Arthur denouncing magic for the millionth of time, but other than that it was a gem served to us on a silver platter.

Also seeing Uther finally die was a plus.

Fic rec: As much as I'd love to recommend my own fic for this, but honestly, whenever I get the chance, I will always take it to scream and wail about one of my absolute favourite fics of all time, which really isn't given ANY of the goddamn credit or attention or kudos it deserves. Beauty in the Ashes of Our Lives by Fulgance. I swear to you, you will never read something as beautifully heartbreaking as this. This fic resides in my mind rent-free. Basically any work by Fulgance is amazing, but this fic— oh God, my heart cannot take it sometimes.

10. Arthur's Bane pt. 1

Fuck, that episode was a masterpiece. You know, if it was all in my hands, I would've magic revealed at this particular episode. It was just.. the perfect opportunity. King Arthur in his glory, beginning of the season, enough time for Arthur to fully understand the depth of what Merlin did for him. Also, the range Arthur was given starting from here; God it's what we deserved. I always blame the writers for being inconsistent with his characterization (s2 and all), but they beautifully crafted it in the end, and it was their perfect chance to even explore the whole extent if only they made the magic reveal earlier.

Fic rec: Our broken pieces by @aramblingjay. Okay so this fic rec isn't necessarily linked at all to the episode, but I can't, in good conscience, recommend fics and not include it. Technically context wise it fits s5, for in it you see Arthur in his grandeur as king. This shall be my only exception because it's the only fic that was able to make me cry. Truly, I never shed tears, but in this, my heart stuttered. The fact that it is so unnoticed makes my blood boil because of how much praise it deserves. I can never recommend it enough.

To conclude, BBC Merlin has a powerful hold on everyone because of the fact that they knew how to eternalise it. It is significantly unique in its interpretation of legendary figures. I think I watched nearly all adaptations of King Arthur throughout the years, but even with how great some really are, to me none compare with this sword-swishing, banter-driven, CGI-messing, emotionally-killing 2008 show.

Honorary mentions:

| The Labyrinth of Gedref | Gwaine | Le Morte D'Arthur | Lancelot | The Coming of Arthur | The Moment of Truth | The Hunter's Heart | His Father's Son | The Darkest Hour |

[More fic recs]

[thehumanwiki]

rating all NuWho finales based entirely on how cool the titles are

because yea

(putting a read more because this will take a while, lol)

Bad Wolf / The Parting of the Ways

5/10. Bad Wolf is a cool name! For cool ppl! It’s the season’s mystery! It slays! But The Parting of the Ways? That could be used for like, half of the finales in this show. That’s a generic name. Not a fan. It even has one more “the” than it ought to. That’s a tryhard name. (Rose and The Doc don’t even part ways for another season! It’s a LIE!)

Army of Ghosts / Doomsday

6/10. Army of Ghosts! That’s freaky! It catches my attention! I’m interested, Mr. Davies, tell me more about that! Doomsday is also a generic name though. Like it could be used anywhere. It gets more points than S1 however because Doomsday is a very cool word and I like it a lot.

Utopia / The Sound of Drums / Last of the Time Lords

8/10. YES. I LOVE EVERYTHING ABOUT THESE TITLES. Utopia? That’s a word that can’t be applied to many other episodes! That’s a memorable word! That’s a fun word! The Sound of Drums? What the hell is so significant about drums?? In a FINALE episode?! There must be something SCANDALOUS about the drums, tell me everything! (And they did! But this isn’t about what happens in the episode this is just how hard the titles fuck.) Last of the Time Lords??? Holy shit! That means we’re delving into that aspect of him specifically, and you can’t duplicate that easily! But more importantly, that sounds cool! Cool names, absolutely W from whoever named RTD’s stuff.

The Stolen Earth / Journey’s End

5.5/10. Same boat as S1, tbh. The Stolen Earth? Excellent, no notes. Journey’s End sounds generic af though. But I gave it a half point lead because Journey’s End has the Vibes more than The Parting of the Ways, lol.

The Pandorica Opens / The Big Bang

8/10. Yea I see the vision Mr. Moffat, I see you. Love what you’ve done with the place btw. Like, neither title is generic! And both are super interesting! Look honestly I forget how to do commentary I’m just one sleep deprived fan who likes Vibes they just slap OK

The Wedding of River Song

9/10. Oh. Oh yes. Oh I am LOVING this. Nothing gets me going like seeing a wedding that is somehow the culmination of a high stakes season. Like, how is there a wedding there?! And. River Song is there? Do you promise? 🥺

The Name of the Doctor / The Day of the Doctor / The Time of the Doctor

6/10. OK I’m honestly not sure which ones are finales or not, but y’know what? The name matching is fun. I like that. That is good. But besides the first one, these are p generic episode names. Sorry.

Dark Water / Death in Heaven

8/10. Dark Water is a p good episode name. It’s not the most interesting, but I like it. BUT ***DEATH IN HEAVEN***?! Now THAT is a finale title! I have never SEEN such a title! THAT is an IMMACULATE title! SPLENDID!

Heaven Sent / Hell Bent

10/10. The matching names? The rhyming? The low-key religious theming? The ominous nature? EXCELLENT. No notes Mr. Moffat. Great vibes.

World Enough and Time / The Doctor Falls

9/10. I would give this striaght up 10/10 if I could figure out what “World Enough and Time” meant. The vibes are perfect but like. What does it mean 😭 And The Doctor Falls??? OH MY ATTENTION HAS BEEN GRABBED BY THE THROAT DO GO ON PLS—

The Battle of Ranskoor av Kolos

4/10. Kolos? What is this, Pokémon XY? Anyways, I feel like this is just dialogue that would be said in passing in a sci-fi novel that everyone forgets. Sorry 😞

Ascension of the Cybermen / The Timeless Children

7/10. Cybermen are OK. It’s a fine title, I have nothing against it. The Timeless Children??? The vibes are just SPLENDID here. Especially because it’s a Bad Wolf situation where it’s like “hey wait a fucking minute I’ve heard that somewhere else—” Good stuff! W for Chris.

Chapter Six: The Vanquishers

6.5/10. Adding chapter to the title does make it automatically cooler, so that’s a bonus half point right there. Otherwise, it’s neat. Like it’s good. The vibes are fine and I like them, but not THAT fine, y’know?

The Legend of Ruby Sunday / Empire of Death

7/10. Look, even if it’s not generic, anything with “death” in the title *feels* generic. The Legend of Ruby Sunday still saves this tho, because I am INTERESTED, girl. TELL ME EVERYTHING

In conclusion, episode titles peaked with Capaldi.

[lizzyscribbles]

Okay, kinda shocked by the positivity on the last post. 😅 So I guess here we go again??

Today’s MHA thought: Katsuki Bakugo (or Bakugo Katsuki, whichever tickles your fancy) and why I think he’s an incredible character despite hating him in the beginning.

Some context: I was a teenager when the anime came out, so the only thing I knew of him was what we were given there. So like, seasons 1-4 my hatred for him was STRONG. It let up a little at the end of 3 with his and Izuku’s fight, and again with the class a/class b fight in 5, but it wasn’t until I put the series down for a few years then came back this as an adult in April and binged the entire series before 7 started airing that I really started to love him as a character.

Now, there’s a few reasons for this, but a lot of it boils down to this: He has NO REASON to be an asshole.

As far as we know, he has good parents, had a mostly-healthy home life, and doesn’t start being actively traumatized till he joins UA. He’s just genuinely a bad person at the start, like he literally tells Izuku to go take a swan dive off a roof AND HE HAS NO EXCUSES. (Side note, not saying being traumatized gives you the excuse to say these things. NO ONE has an excuse to say this no matter what they’ve been through). He had no past trauma to explain that response, no real good reasoning behind it other than he’s just being mean. We learn later it’s because Izuku made him feel inferior and he didn’t know why, which makes perfect sense and we see the evidence of this long before it’s said, but that doesn’t make it any better.

But that’s the beauty of it, for once this asshole-ery wasn’t born of trauma it just kind of…happened. He’s almost like All for One and Endeavor in that neither really had a good reason to be mean, they just got so wrapped up in themselves that they lost sight of everything else. However, that’s why I love Bakugo’s arc because it’s so satisfying to see him slowly come to that realization himself and change even though he really doesn’t have to. (It also begs the question why Endeavor and Bakugo and really any of the villains are seen in such different lights despite having similar stories, which is a theory for another day that I have brewing).

His change wasn’t necessitated by abusive past that held him back like Todoroki or even having to figure out how to manage a new quirk like Izuku, because say what you will he is SMART and he is TALENTED and he was doing great on his own. He could’ve climbed his way to the top without having a good personality, I mean just look at Endeavor. But he saw Izuku, his classmates, his FRIENDS and realized that wasn’t what he wanted.

And it all culminates in the end of season six when the class goes to retrieve him, instead of rushing to Izuku to yell his apology, he sends Iida after him because Iida is built for speed (these two/three episodes are my favorite part in the entire damn series and I’ll probably make a whole post about them eventually). But then, after that, he genuinely apologizes. He recognizes what he did was wrong, and what gets me about the dub of this episode is the way they chose to phrase the line:

“Saying this out loud doesn’t change a thing”.

He KNOWS that apologizing doesn’t make it okay, and he accepts that Izuku may never forgive him, but he does it anyway, and that’s how you know he really meant it. We see his convictions through the whole series, that boy doesn’t say anything he doesn’t mean. But it doesn’t stop there, he goes on to prove it with his actions, starting by calling Izuku by his real name, and his first name at that.

And in all of that, we still don’t lose his personality. He’s still loud, brash, mean, a bit of an asshole, and determined to be the best, but instead of looking down on Izuku, he sees him as an equal...an actual friend, someone to race against so they can both be better. It’s no longer all about him, he’s learned to see the world through a different lens, one we see him create during the entire series. He has truly changed in a way that feels natural and authentic to him as a character, and that’s something you don’t see every day.

And, we can see in the end, he continues to think about others, striving not for the top, but for Izuku’s happiness, and I think that’s beautiful.

I have so much more I could say about this, but I’m gonna stop here because this post is long as hell already, but if anyone is curious about anything don’t be afraid to ask, I’m an open book!😄

[ernmark]

Juno Steel and the Case Closed (part 1) reaction

It's been a while since I've done one of these, hasn't it?

But it's the last episode, and I wanted to be here for the end. So if you'd like, some thoughts and theories under the cut:

It was a solid choice to have Nureyev go-- to make this final story about Juno and his world and his life, rather than specifically about their relationship. But also, the choices made around Nureyev's leaving-- holy shit.

Because here's a man who's spent the last twenty years entirely defined by his relationship with one man, and now he's cut loose and of course he's flailing to re-establish himself in a different orbit. And you can hear it in his voice, where it rises into something halfway to panic (amazing job, Noah Simes), and you can feel exactly how horribly wrong it's going to go if he goes down that road. And then there's Juno, who's healthy enough to be the voice of reason, even when it hurts him? Who makes it clear he's willing to wait until Nureyev is ready for him? Oh my god, that's perfection. (And Nureyev going maybe back to Brahma-- my little fanfic writer heart did a leap there). Nureyev may very well be back next episode (I suspect he will, if only for the final moments), but I really like this as an ending of their arc-- not the neatly laced up riding off into the sunset together, but looking forward to that sunset and being actually ready for it when it comes. It makes my heart feel so good.

--

And from that happy moment, to have Juno go back to Hyperion, to his office, and immediately start slipping back into his worst self? Oh, that's too real-- in a way that I am very happy with. Because he isn't 'fixed'. Juno 'born-a-sad-baby' Steel won't ever be 'fixed', not by romance or a vacation or a wonderful new family dropping him reminders of how much they love him. What's wrong with him isn't something that can be fixed-- but this time around it's different. This time around, when he yells at Rita she stands up to him (with a small, tremulous voice, because goddamn standing up to people you love is terrifying). I am so proud of her for that, and of him for backing off. It takes a palpable effort for him to rein himself in, but he's making that effort-- and he knows how, in a way that I don't think he did in those early seasons. It's a choice he's making, over and over again, just like it's a choice he makes to keep replaying Jet's wisdom instead of drowning his misery in tequila.

(Another kudos there: that Juno's problem isn't addiction, not the same way it is for Jet-- alcohol isn't a problem for him when things are going well, but it's easier to retreat into a bottle than to deal with his feelings. It's a distinction you don't see very often. Honestly, the way this show has dealt with addiction has been really refreshing to see.)

I've said from the beginning that one of the things that really drew me to this show was how it handles Juno's depression-- as a genuine mental illness that's an inherent part of him. And it's enheartening to see him struggle with it, but now be able to reach out for the tools and the support he needs. And that support doesn't have to be Jet literally talking him away from the bottle, or Rita or Nureyev petting him and making him feel better. He can reach for the pieces of them that they leave behind. And he can wish the Ruby 7 a good journey home, and send Nureyev to find himself, not without pain and grief, but without completely losing himself to it.

That kind of story gives me so much more hope than any kind of 'happily ever after' ever could.

--

And then the designated mystery, which has me so freakin' excited:

Nightmare.

She is the culmination of so many plot threads that I've been picking up on for so long and I'd completely forgotten about, and I am so freaking excited to see it.

I was in such a rough place emotionally when we last visited the most obvious of those threads, I genuinely don't remember if I posted meta about it or not, but it definitely struck some bells:

When Juno rescued Rita from Dark Matters, the safehouse she was in was described as being full of items that were clearly meant for a child. At the same time, Sasha was having Rita destroy all evidence of her own life so thoroughly that not even Rita herself would be able to find traces afterward.

It seemed most obvious to me that she was hiding a child (one that, I didn't realize until Juno remarked on Nightmare's area code, could have been hidden in the suddenly repopulated New Town without anybody asking inconvenient questions about who she was or where she came from). Also her taking care of a child would explain her ever-escalating reactionary tendencies-- she certainly wouldn't be the first parent who descended into authoritarianism in a misguided attempt to protect someone.

So some theories about who and what Nightmare is:

Alessandra's daughter is the most obvious, of course. (I still hold onto that theory that Sasha was either the Worst Client that Juno told Alessandra Strong about, or else that Sasha was the cheating spouse in that story.)

Nightmare could be Annie Wire's daughter-- assuming that Annie survived the factory, grew up, had a child of her own, and then died for real this time, leaving her grieving sister to raise her niece.

Nightmare could be Annie Wire herself-- dead, kept in stasis, revived by Dark Matters technology, and then whisked away to the safe house.

Nightmare could be a clone of Sasha and/or Annie. Honestly, not digging this theory, but I might as well throw it out there.

Nightmare could herself be a Radical, not unlike the Ruby 7, who's taken on Sasha's appearance and stayed that way ever since (after all, Sasha would have been at just about the right age when she was recruited by Dark Matters)

From a narrative standpoint, I'm most fond of the idea of Nightmare either being Annie or Annie's daughter, personally. Because that's literally the second mystery we were given, and it was pointedly never solved. As much as I like the idea that some mysteries just aren't and you have to make peace with that, I'm a big fan of long games like this, and of tugging on threads from the beginning of a story when you're wrapping up the end. That's especially true for Sasha's arc closing here, back in Hyperion City. Sasha's voice was one of the very first that we heard in this series, and Sasha's trajectory has always been a funhouse mirror version of Juno's. She's always been an integral part of his story. It seems fitting that her story gets wrapped up alongside his.

[rwbyrg]

RWBY Ship Parallels #1: Fear & Bravery

There are too many ship parallels to put them all in one meta, so I'll make individual posts as I remember them. The first one I want to tackle is how all the canon or hinted-at-being-canon ships all have pivotal moments where the themes of being afraid and/or having courage come up.

Some elaborations under the cut!

For starters, just for context to refer back to throughout the post, the definition of courage/bravery is as follows:

noun 1. the ability to do something that frightens one. 2. strength in the face of pain or grief.

I was initially going to list these chronologically, but we're going to do it on a ship by ship basis instead. First up:

Renora

The first incident for them happens all the way back in V4 during their backstory flashback. Ren underwent a small arc learning from his father that sometimes the worst action to take is not taking any action at all, even if it's scary. He then tries to support Nora by teaching her this same lesson: that they both need to be brave. She expresses vulnerability about how scared she is, Ren confesses to feeling the same, and together they decide to look after each other from that point on. Which makes everything just a bit less frightening.

We also revisit these same themes in their V8 confession. First we see Nora criticizing Ren for running away just because things got difficult:

And after Ren owns up to this cowardice, the things he did out of fear of failure, the conversation shifts. Nora admonishes herself, and Ren lists things off about her that he admires, the last of which - while not using the word itself - calls to how brave of a person she is and cites it as one of the main reasons why he loves her. Because as the definition above states, being strong and helping people without worrying about how much it might hurt you in turn is what it means to have courage.

WhiteKnight

Their heart-to-heart in V9E9 says it all. Weiss has been carrying the weight of failing to save Atlas since it fell, and after Ruby's actions in the episodes prior, she became aware (a bit too late) of how those same failures were weighing on their leader. So when Jaune acknowledges the harm he caused from trying so desperately not to repeat their past mistakes, Weiss is the perfect person to step up for reassurance.

She knows that their failures do not equate to their worth or all the good they're capable of doing. And reminding Jaune of this, calling him a brave and good person in spite of his failures, is what he needed to hear to be able to reach an acceptance he hadn't been able to achieve in all those years trapped alone in the Ever After.

(Also the framing parallel of BB and WK both holding each other is a very nice touch.)

Bumbleby

With BB it's not just one or two moments. Blake and Yang's characters both centre around the themes of cowardice and bravery since their beginnings and we see it come up throughout the show a lot. Back in V2, Yang sees the bravery in Blake when she herself can only focus on the opposite:

Blake: When you figured out I was a faunus I didn't know what to do, so I ran. when I realized my oldest partner had become a monster, I ran! Even my semblance... I was born with ability to leave behind a shadow of myself. An empty copy that takes the hit while I run away.

In V4 and 5 we see Yang struggling to get back on her feet after losing her arm and the trauma she endured at Beacon. Blake tells Sun that she sees Yang as the "embodiment of strength" and we, the audience, get to see the proof of this every time she keeps fighting despite shaking, and especially when she faces off with Raven in the finale.

These parallel arcs culminate with both of them facing off against Adam together, but most especially gets called back to in their mutual confession scene in V9:

Yang acknowledges what she saw in Blake all those years ago, that she doesn't give up on what matters to her, even when people hurt her, she still fights for what's important. While Blake acknowledges Yang's reliability, her strength, and her courage. And both of them, like Renora, cite these reasons as things they admire, and reasons why they love each other.

Now last, but certainly not least:

Rosegarden

One of the very first things Oscar says to Ozpin when he leaves the farm is that he's scared. This comes back time and time again, especially in the Atlas arc where Oscar spends so much of his time counselling Ironwood against letting his fear control him (a conflict Ruby is also a part of). Our little prince even has a theme song titled Fear to really drive it home.

Whereas Ruby has always been the poster child of "keep moving forward", no matter how much the trauma, stress, pressure, and grief weighs you down. You just have to be strong and keep pressing on, fighting the monster that took her mother away. No matter what.

So, much like BB, there are themes around bravery, fear, and perseverance that apply to both Ruby and Oscar's personal arcs. Both of them especially have focus on being brave despite fears of loss. With Oscar, it is fear of losing himself to the merge; whereas Ruby has a fear of losing those she loves.

All the way back in the infamous Dojo Scene is where we first see these themes addressed in their dynamic. It starts with Oscar expressing vulnerability to Ruby about how afraid he really is.

Ruby initially tries her usual strategy; surface level reassurances about just pushing through it... but it doesn't work on him. So after some upset from Oscar, she ends up being vulnerable with him too. Something she hadn't done with anyone else in show by that point.

Ruby admits that she's afraid too, not just for herself, but for the threat Salem poses to the world as they know it and the people within it. Ruby tells him about those she's lost and says that if it had been her instead, those friends would have kept fighting too. That vulnerability, which requires courage in and of itself, is what motivates and inspires Oscar to keep moving forward where Ruby's earlier attempt could not. The scene closes off with one more nod to these themes where Ruby pauses at the door and turns back with one final thought:

In both the above scene and the V4 finale, Ruby cites "fighting for those they've lost and those they haven't lost yet" as her main motive to keep fighting. Up until V8/9 she used this as her greatest source of strength, but that strength is a double edged sword which eventually became her greatest weakness when Neo used it against her. First trapping her in a room with all the people she "failed":

And then landing a finishing blow with making her kill lose one of the people she loves most: Oscar.

Ruby can be brave if it means she can protect the people she loves. But just as Penny's death dealt a very big hit to Ruby's hope, what little she had left was crushed at the thought of losing Oscar (and Little) too.

Aside from that, there has also always been an underlying mystery around what having silver eyes means for Ruby. In V4, she is hunted by Tyrian and in V8 she finds out what her fate would have been had he succeeded. A fate which very justifiably terrifies her and seems to be a theme that will carry on into the Vacuo arc. It is also something that was brought up in the second RWBY x JL movie, I talked about this a little bit in this meta, but I'll share it here as well. In the movie, Ruby opens up a bit about this fear saying the following:

“Did you know I lost my mom when I was a kid? I don’t know exactly what happened to her, I don’t really remember her, I just have stories. And I keep trying to live up to those stories, but… I realize they don’t matter anymore. Heroes fall. And I just want to get as much done as I possibly can before I do.”

This scene directly parallels one of Oscar's back in V6:

“I don’t know how much longer I’m going to be… me. But I did some thinking, and I do know that I want to do everything I can to help with whatever time I have left.”

Both of these scenes show their respective courage around fears related to their issues with identity. Oscar saying he will do whatever he can before he loses himself, and Ruby doing whatever she can before she loses her life as all heroes eventually will.

So to summarize: Renora, Whiteknight, Bumbleby, and Rosegarden all have a scene where one or both partners cite the other's bravery as something they admire or love about the other person. All of these ships also include at least one scene - but often more that just weren't listed here - where they open up and are vulnerable with each other about their fears and motivations. And lastly, with BB and RG especially, bravery and fear are central themes to both their relationship dynamics as well as their individual character arcs within those pairings, all of which narratively parallel each other extensively.

CRWBY is very consistent with how it writes its ships and this is only the tip of the iceberg of all the parallels we've seen between these partners so far. But that's all for now; thanks for reading!

[iseathegalaxy]

I loved the battle of the dumpster, enjoyed every second, every frame, cried from the second it started. I am so, so lucky to have seen it on the big screen, what a pleasure.

having said that, we can all agree our perfect haikyuu ending would've not been movies (obviously).

perfection for me would've been the following:

(spoiler warning for the manga)

season 5 would've been like S3: shorter in length but completely dedicated to the match.

nekoma would've been given the shiratorizawa treatment with 10 episodes dedicated to only the match so that nothing from the manga (or at least very little) was cut.

fukorodani's match would've been an ova, I love them so much and would love to see their match animated, just don't see how they could've done it within a season and not cut most of it.

s6 would've been like S4: split into 2 parts but opposite now.

instead of pt1 being chill and all about growth (camp and japan youth) and pt2 the match (inarizaki), S6 wouldve been pt1 the match (kamomedai) and pt2 chill and growth (graduation and time skip, focusing mainly on hinata in brasil).

finally, after those two beautiful seasons and ova we would get to the main event, the culmination (or first of many) of all their hard work: a movie in cinemas lasting no less than 2hrs for the entire black jackals v adlers match, seen on a big screen as the universe intended it.

bonus points: the credits roll and there's a post credits scene, and we see all our faves getting ready in front of their tvs and then we cut to a court and we see hinata, kageyama, atsumu, kiyoomi, bokuto, wakatoshi, hoshiumi, kiryu, yaku, aran, motoya, suna and iwaizumi and kuroo with their official uniforms for the japan national team entering the olympic court and opposite them the argentinian team with oikawa among them.

that's my dream

[littlelesbianintern]

Cynthia’s Coming Out Scene

I want to start with the fact that I think this is one of the best coming out scenes I’ve ever watched which considering this is a show set in the 50s is an incredible feat. This scene has me sobbing and Ari’s acting was incredible.

To be honest the way this show has represented queerness has been brilliant throughout the season. I love how the show utilises symbolism, but in particular the motif of queer people being able to have conversation about queerness without expressing it out loud is especially impactful - Cynthia/Lydia’s “you’re scared” scenes, the rehearsals, the fall dance, the conversation between Cynthia and Shy Guy. All of these moments convey deeper conversations than their literal words and to have this culminate in Cynthia not even being able to voice their identity/feelings out loud is genius because it’s such a universal experience for queer people.

Ari’s acting was phenomenal, literally just incredible. That moment before Cynthia hands the note to Nancy, relishing what she sees as the last moments of their friendship before Nancy begins to look at her differently? The grip on the note before letting Nancy eventually take it? The absolute look of fear as Nancy reads it? The gut-wrenching sob as she reads Nancy’s response, overcome with pure fucking relief? STUNNING. I’ve never felt to moved or seen. Give Ari their flowers because I can’t express enough how amazing their acting has been this season.

Also as much as I would like to know what the note says, I kind of love that we don’t? Like it remains this beautiful inside joke/moment between just Nancy and Cynthia. Having said that, I hope it says something like “rate the kiss out of ten” in a recall to Nancy loving to rank how good people are at kissing.

ON THAT NOTE NANCY NAKAGAWA IS THE ALLY OF THE YEAR. I love that she picked up immediately that Cynthia’s anger wasn’t entirely about her relationship with Potato, because whilst Cynthia definitely is angry about Nancy’s attitude, a little more of it was maybe some slight jealousy on Cynthia’s part? Nancy and Potato as a straight couple (I have my own head cannons but I digress) can outwardly express affection for each other but Nancy chooses to reject this. For Cynthia this must be incredibly frustrating, because as Lydia’s experience proves, queer relationship don’t have the same privilege, but Nancy takes it for granted. But for someone who said themselves that they weren’t great at listening, Nancy’s response to Cynthia, whatever it was, was perfect. And furthermore, she wasn’t just there to listen, but to actively turn up and support Cynthia in repairing her relationship with Lydia. Honestly just all of episode 10 was Nancy being an icon for a solid 55 minutes.

I also love the way that Lydia’s previous relationship experience adds a deeper layer to her relationship with Cynthia. I already kind of figured this would be the case based on the lyrics from Merely Players (“i know just what you’re feeling I’ve had that dream before”) and her conversation with Cynthia as to how school productions usually goes kind of read to me like she’s had queer relationships before. But it really reinforces how much Lydia likes Cynthia, to the point where she is willing to put her heart on the line again even though she knows how this might go.

Finally, although we don’t know whether the show will be renewed or not, the fact that the season ended with happy lesbians? Revolutionary. I’m going to be devastated if this becomes another sapphic show that’s cancelled, but I have a little peace of mind knowing that for once the lesbian couple hasn’t been left on a cliffhanger with no resolution. The reunion between Cynthia and Lydia was so lovely and Ari’s voice ? Holy shit dude!!!!!! They’re incredible. And the symbolism with the hall of mirrors, showing Cynthia giving every version of herself to Lydia? Amazing! So yeah, thank you Rise of the Pink Ladies for finally giving us some much needed portrayals of queerness with a happy ending, especially considering the context the show is set in.

[rahuratna]

Hi! I have a one am musing 🥹

I was rewatching jjk season one (I still haven’t finished season two but I need to cope LOL) and now I’m able to pick up all the little details we talked about before. *heart melts*

It’s so crazy to me how in the very beginning Nanami didn’t acknowledge Yuji as a sorcerer, and by the end, he told Yuji to be the one to take over from here. It’s so bittersweet…

Tbh, the very first time I watched that episode, I was super shocked and thought Nanami was patronizing Yuji. And then I learned that wasn’t the case. He was being very matter-of-fact about it and knows Yuji has a lot of room to grow 🥹💕💕

Yuji was super eager to prove himself to Nanami, and then Nanami was like “frankly I don’t give a shit.” But in reality, he really does as he gets to learn more about Yuji, and so while I was terribly upset with s2 ep 18, his last words were the perfect conclusion.

(This is just a side note but I like it more when writers show off Nanami’s practical-minded nature more. How it may seem cold and standoffish at first but it wasn’t intended that way. I wish I got to see more of Nanami being blunt with criticism since different people could react differently to it and it’s who he is!)

———-

I also realized that Gojo got new glasses LMAO. Didn’t see it before, but his high school ones were circular and his newer ones are more oval. I kinda glossed over it when he shops for new glasses in the “Lost in Paradise” ending. I personally like his high school sunglasses better. What about you?

Hi! And thanks for these lovely 1 am musings. It always makes my day to see one waiting for me 🤭 I also needed to take a moment to cope before moving on with season 2 (didn't help much, but necessary).

Nanami initially struck me as very contradictory, because there he was, taking a jab at the system (in his capacity as both a salaryman and as a sorcerer), saying that "work is shit", but also bowing formally to a teenager when he introduced himself and wearing a full business suit to kill curses!

I saw his lack of acknowledgement of Yuuji as another "fuck you" to the system. Here was Yuuji, a vessel to one of the most powerful curse users to ever exist, and he was essentially treating him as just another kid. I didn't necessarily see it in a good or bad light, it just struck me as a very deliberate choice on Nanami's part.

Of course, his later actions and his background showcased these things in a completely new way. Like you said, he cares a great deal for Yuuji and the younger generation of sorcerers. The fact that his last words to Yuuji were "you take it from here" is such a fitting culmination to his character arc.

He saw his duty as a guardian and protector of the young and the weak finally coming to an end, because they were now able to protect themselves better than he could. He saw Yuuji as completely fitting of carrying his legacy forward, and so let him know that he could now pass in peace.

I, also, wish we could have seen more of Nanami's interactions with others. The way Ijichi is actually more terrified of Nanami scolding him than anything else, describing him as the 'ultimate adult' or something along those lines, will never not be funny to me. Especially since Nanami is the type of man to never raise his voice in a professional setting. His pragmatic nature would probably have given us many more moments of misunderstandings, sweetness and humour, should it have been explored in greater detail.

------------

As to Gojo's sunglasses, I do like the older style better! They reflected a lot of his irreverent, cheeky and offbeat personality. I suppose the oval shape is a style choice that changed as he grew older and matured, but yeah, I definitely preferred round lenses better!

[maevelin]

So when I initially saw the sex scene in episode 5, as I have said I felt like I was intruding on a personal moment.

The scene was realistic as in a way that it was awkward, sweet, it was Penelope's first time and it showed, she needed instructions, he was careful not to crush her with his weight, so on and back and forth. It was not a polished scene in a way it was artistic. It was actually watching two normal people go at it. It was not the epic ecstatic perfect scene with the epic music background etc.

So I really appreciated that scene (albeit I first saw it as a spoiler without the context of the episode) for what it was.

WHAT I did NOT appreciate is that I expected the passionate artistic scene to COME AFTER THAT. I do not care for nudity. But I do care for the characters to go full circle. I do not even need a 10 minute scene of them going at it. I just needed a great directed scene, great music, so on to lead us to the end point. And I mean it the narrative too (see the book, first the carriage AND THEN it climaxed to this was Penelope and this was love scene which brought fulfillment story wise.)

And that few seconds scene in last episode with Penelope at top does not count and yeah yeah female empowerment she is now confident in control we get it, (like...we even got the SAME VERSION -if not better- this season with Phillipa and Albion when they realized where goes what lol)...so dear writers you really CANNOT give less when it comes to your main ship than you give to secondary couples and side-plots. There needed to be a culmination of your story even on the romantic/sexual front.

So I'd have to say that...the carriage still remains the highlight. (And I am not complaining about that lol)