#LOTS of things you can tag this thing as. i had a lot of fun drawing this and i hope you like it!

[1mlei]

Demon Twin Au Thoughts

I've been thinking a lot about Demon Twin AUs lately.

I've read nearly all of the ones on ao3 (Please do send recs my way <3), and I adore the different interpretations of this concept. I will always love the version of this where Danny and Damian are reunited after Danny ends up in Gotham, or Damian in Amity.

I love this classic take on the AU, but I've been thinking about fun ways to spice it up. My favorite idea so far is the idea that the twins reunite after Damian temporarily dies.

Imagine Danny just minding his business in the Zone and he randomly sees his twin, who is supposed to be alive. Damian would be happy to be reunited, he's been under the assumption that Danny was dead since they were kids so he's just glad to see his twin again. Meanwhile Danny is freaking out because he literally faked his death and ran away so Damian could live, what the fuck is this?

You could add a touch of Sam and Tucker being confused on the side. I always imagine that Danny never told them about where he came from or his brother. (What can I say? I love the drama that secrets bring.) You could either have Damian look like his civilian self as a ghost, and have Sam and Tucker be confused af about this random ghost that looks just like Danny. They might think it's a weird duplicate or something, but then why is Danny so freaked out? You could also have Damian be in his Robin costume, I imagine Sam and Tucker would be shocked to randomly see the ghost of Robin in the Zone, but it's far from the weirdest thing they've seen in there. Again, Danny has never been a huge fan of other heroes or vigilantes, so why is he so freaked out about this one being dead? Of course, though Danny has stayed away from Gotham for various reasons he is aware that his twin brother has become Robin after moving in with their father, so he knows that this new ghost can only be one person.

Now moving away from the idea of the twins just randomly running into each other :)

You could try turning it into a twin telepathy type thing, where Danny senses Damian dying, or at least that something happens to him and goes to investigate.

Or, something that I feel is quite in character for Damian, he might hunt down Danny himself the moment he realizes where he is.

You could turn this in different directions again depending on whether Damian is in civilian clothes or his Robin costume. Either way, I imagine him questioning some other random ghost (maybe one of Danny's rouges for fun?) and regardless of how he's dressed they'll point him towards Danny.

"Oh you're looking for your brother? Idk man, go ask Phantom or something."

OR

"Your brother? You look fucking identical to Phantom so you might wanna start there."

Either way Damian tracks down Phantom and concludes that yes, that is his brother. Dramatic reunion ensues.

Last little thought I had on this, Damian doesn't think Danny is a ghost, he assumes he moved on, or maybe he somehow knows he faked his death and thinks he's alive? Regardless, Damian is a man on a mission the moment he arrives in the Zone, he refuses to stay in this pathetic realm and decides that whether he's dead or alive he will make his way back to Earth. Best way to get there? Damian goes to talk to the king of course, to negotiate (or fight if necessary) about going back to Earth. If not that, he just happens to hear about a certain half-human, half-ghost hybrid and tracks him down for help. A hybrid sounds like someone who would know how to go back and forth between the realms after all.

---

All this to say, I want more of the Demon Twins reuniting in the Ghost Zone. If anyone has recommendations or ends up writing a story of this please do send a link my way, it would be most appreciated <3

+ Bonus points will be added if there is a scene where Damian is resurrected and Danny decided to tag along. Cue confused batfam freaking out because oh god there's two of them now how did that happen.

[vinelark]

I've been going through ur fic recs and after binging through "A Meditation On Railroading" and "The Long Way Home", I'm now obsessed with Jason and Tim. Something about hating each other but not really, all the bad blood and hurt and still becoming brothers bc how couldn't they

I wanted to ask if you know any other fics that are about them?

Thanks! :)

i had to make a real effort to keep this (relatively) short or it would just be hundreds of fics long. here is a very incomplete list of old favs and recent reads! i've definitely rec'd some of them already, but i think others are new to my fic rec tag.   you already mentioned a meditation on railroading and the long way home; i’m linking them again here for anyone else who wants them, because they are two of my favs and would kick off this list if you hadn’t already read them.   robin!jason era   Brother Wanted by Vamillepudding one of the most impressive things a story can do, imo, is pull off a really believable kid/teen pov—this does it twice, for both tim and jason, and it’s one of my fav rereads.

Like a Hinge, Like a Wing by @bonesbuckleup i’ll always be reccing this one; it’s one of my favorite slow-burn hurt/comfort fics, and the tim & jason relationship in this context is very sweet + compelling as they deal with some rough edges unique to this story.

1-800-ROBIN by spqr jason volunteers for a mental health hotline, and this leads to bonding with tim. this has some incredibly tender moments and a great robin!jason pov.   red hood!jason era

cake is a four letter word by @sonosvegliato jason just wants to make a loaf of bread. then tim shows up. i love when a writer nails tim in peak Annoying Mode (❤️).

geolocation by @envysparkler i love a good forced-to-work-together oneshot, and this one gets bonus points for the sheer amount of “actions speak louder than words” going on with every single thing jason does.

Tim in a Bottle by @coyote-nebula (wip) angst and humor galore; tim and jason and their giant pile of unresolved issues all get locked in a walk-in freezer together. need i go on?

the trolley problem by @silk-scarlet-ribbons this is—i say with full appreciation—an absolute pangfest. jason is taken by an enemy, and that enemy has kidnapped a "random civilian" (you guessed it: tim) for leverage to get jason to do what they want. (also check out requiem for the forsaken by the same author, which is the fic that finally got my best friend to start caring about robins with me.)

Short-Term Memory Loss (Leads to Long-Term Sibling) by Vamillepudding a bittersweet + hopeful story in which red hood!jason gets temporarily whammed back to robin!jason, and bonds with tim.

Say Uncle by @megaerakles an incredibly fun twist on tim’s fake uncle with layers upon layers of identity shenanigans.

of crime lords and literature by @adelfie a wonderfully angsty, plotty fic in which tim ends up in danger as himself, and—after a very rocky start—jason is somehow the one who rescues him.

unequipped by Valkirin there’s a lot of jason saving tim on this list, and this story is a delightful reversal of that trope. red hood’s in trouble, and tim shows up to bail him out.

For All The Just Alike Birds by @sunflowersandink tim breaks his arm, and jason makes it his problem. featuring some excellent begrudgingly worried jason pov!

alternate universe

clean it like you mean it by @wynterstars (wip) i adore this jason-joins-the-family late AU; the central robin!tim & sort-of-civilian!jason dynamic is so compelling. marked as a wip, but currently leaves off in a very satisfying place!

[vidavalor]

Your metas are keeping us all well fed, thank you very much. I have some chocolate tea for you? And homemade vegan cookies if you like.

What do you think about Crowley's "Can I watch?" he could have just said "can I accompany you?" or "do you mind if I tag along" or "I wanna see this"...

Allo, @procrastiel! Ya know, I've never had a chocolate-based tea! I would definitely be down for trying it. Thank you. 💕

In the scene you mentioned, Aziraphale is about to go around the neighborhood to tempt the Whickber Street shopkeepers into coming to The Meeting Ball. The meeting is scheduled for 6:30pm later that day, which is a Thursday. No one is going to want to go to the irritating work thing at this point in the week. Our introverted bookseller knows as well as anyone that half the street is planning on bailing on this thing. He can't have that happen. He has everything riding on this party. Both Crowley and Aziraphale know that Aziraphale is going to have to be persuasive to get these shopkeepers and traders to play ball and that some temptations are in store here.

Crowley is dryly asking if he can watch Aziraphale perform some temptations on the Whickber Street people because of how they use magic-related language euphemistically. He's joking that he would enjoy watching Aziraphale persuading the neighbors to come (heh) to the meeting because of how much he enjoys watching Aziraphale, err... perform temptations.

It's a joke on The Serpent always being down to, as he was eager to do in Lockdown, slither over and watch Aziraphale eat cake, ifyaknowwhatImean. He also, as we know, enjoys watching Aziraphale eat literal food.

The other layer to "can I watch?" is that the word watch means to stand guard and that is also what Crowley is doing while going around the neighborhood with Aziraphale in this scene. With angels and Shax sniffing around the shop, Crowley wants to be sure that no one bothers Aziraphale. R.P. Tyler should consider upgrading his idea of Neighborhood Watch, as he might be a lot happier approaching it the Crowley and Aziraphale way.

The original meaning of watch across several languages was actually in relation to the word wake and being awake. It referred to someone keeping watch, in the military and also on any manned ship, naval or otherwise. So, this is also a subtle sea/fish reference. Watch also originated from the unfortunately (as it is fun to say) obsolete Middle English phrase "wacches of wodnesse", which meant to stay awake throughout the night for "purposes of debauchery."

Crowley is seen in both seasons referring to this and spending time alone together at night a lot to keep their relationship a secret as their nightlife, as in this scene below when he's phrasing what he's saying in a coded way that is for Aziraphale's benefit. It's also part of of the wordplay in nightingales being descriptive of both their word-origin-happy hidden language and their romance as a whole. (Adding to the joke is that they were both, once, knights.)

But there is another word that connects to watch that Crowley and Aziraphale are playing around with in different scenes and that word is wait.

The word wait (and, so, waiting and waiter) comes from the Anglo-French waitier, which actually meant to watch. Phrases like to lie in wait come from this connotation of wait as being to watch with intensity and/or intent.

Crowley and Aziraphale play with watch/wait in a couple of different scenes. In Lockdown, they are also using watch in the sense of a timepiece/the alarm clock alongside the idea of Crowley waiting by bringing drinks and slithering over to watch Aziraphale eat cake. We'll look at Aziraphale using wait in the Marguerite's scene in a second. The joke for them is that the etymology of these linked words is also their own history together. It's this, basically:

In the Job minisode, Crowley waits on Aziraphale by "tempting" him with food on a tray and is pretty clearly getting off on watching Aziraphale eat. The first foray towards sex for them were the parasexual ox ribs in Job's cellar. Half the reason why we rarely see Crowley eat in the series even though various scenes and the book tell us that he does is because the food-is-food-but-food-is-also-sex metaphor means that they are using scenes between Crowley and Aziraphale involving food and drink to tell us about their relationship. The scene at The Ritz in 1.01 is the best example of this:

We learn so much more about them, individually and together, just by coming in on them on Aziraphale's last bite of dessert than we would have if it was structured differently and if Crowley happened to have been eating during this scene.

Aziraphale also plays with watch/wait in the scene at Marguerite's, winning at innuendo forever when he uses the above definitions but then also uses the meaning of wait that is related to allowing time to pass in anticipation of an eventual outcome when suggesting that Crowley wait in the bookshop.

You know, the place that is also euphemistically Aziraphale...

It's also present in the humor of Aziraphale throwing this whole Meeting Ball with Crowley in mind and so having the guy they've been terrified of for ages, whom they worried would be watching too closely and discover them (and who has really known forever) circling around with a tray of temptation tiny dinners, waiting on the entire neighborhood.

If you're theorizing and want to take it one step further into the story as a whole and not only on the level of Crowley and Aziraphale using this language between them?

2.05 is the start of the end of S2 because it is putting the bookshop attack into motion and that plot then carries over from 2.05 into 2.06 and leads to The Final 15. 2.05/2.06 is really like one, long episode. That culminating episode of the story begins with Aziraphale going around and successfully tempting the Whickber Street humans, with different levels of it needed, depending on the level of resistance with which he is met. Crowley goes with him, watching, right?

Now, jump to the much darker, nightmarish end to the season that all of that helps set up...

...where Crowley is quite literally forced to watch as Satan shows up to the business that is the bookshop to wait on and tempt Aziraphale... and then watches through the window as Aziraphale and Crowley temporarily implode.

[vigilskeep]

You mentioned Sol & Minerva interacting in the tags of a post and now I’m curious what you think the dynamic would be like between Sol and your other protagonists

sol’s family fled ferelden when they were a kid because of the blight, so they have an extremely weird relationship with the concept of the Hero Of Ferelden and would be a little nervous to meet her in a deeply uncharacteristic way. meanwhile, minerva would recruit sol to the wardens faster than you can blink. oh a world-class darkspawn slayer who’s, yeah, impulsive, but also fearless, charismatic, and adaptable, and has even thought about joining up because they want out of their current life situation which happens to be a faction minerva has beef with? Hers Now. i actually had them interact in that post in a theoretical situation where sol is pregnant because that’s the only thing i can think of that would slow her down. legendary minerva viago custody battle let’s go

varric picked sol out partly because they are (in his eyes) keir if he was funny and likeable. (scrappy sword and board human warrior fereldan blight refugee who cares a lot about a sibling figure.) keir would IMMEDIATELY clock this and sigh internally. even today he has to endure whatever the fuck varric’s issue was and now he has to grieve about it too. sol when dealing with keir would probably poke the bear a lot so to speak because they’re very good at noticing when someone is actually all bark no bite and they would think he’s funny when he gets snappy. they don’t respect him and only think of him as varric’s old friend rather than a Great Hero of Thedas or whatever. i think he would find their particular mixture of high energy and pessimistic beliefs irritating. keir loves people who are passionate about things; sol is easily bored, they usually don’t want to hear or give lengthy explanations, their mind skips from one thing to the other. he would probably also be the one to notice the real way in which sol is dangerous: not just that they’re an impulsive live wire, but also the other thing he and they have in common, which is their intensely specific priorities. they would both let the world burn if like 5-10 specific people didn’t need it to live on. and he would, rightly or not, consider their set of 5-10 people—well, mostly the central antivan crows—to lead in more questionable directions than his set

toramar cadash would think of sol as a kid who’s been through a lot. he sees them and is immediately not happy with varric’s choice; this weight should have landed on the sturdier, more experienced shoulders of someone who could actually handle it and, ideally, not come out broken the other side. and someone who isn’t visibly the absolute worst shot at getting solas to hear them out! but he can’t change things now so all he can do is show confidence. sol is sharp enough to pick up on that but shrugs it off. one major thing which is continually hysterical to me: sol is andrastian, and used to listen to varric. resulting in the fact that there is a non-zero possibility to them that toram is legitimately andraste’s herald. because they are also an objectively funny person whose mind somehow moves on quickly from this kind of world-shaking concept—got things to do and places to be!—this doesn’t massively affect how they talk to him. but it is present and they do give his opinions more respect than they would most people’s. interpersonally toram quite likes sol. they’re fun and a breath of fresh air; most of the people he talks to these days are just so squeamish about lines of work like the ones they come from. they remind him of sera a little bit and sera was a massive favourite of his. this makes him go back around again to feeling worse about their involvement lmao

[soleillunne]

Tag Game!!

I thought it'd be fun to make a tag game for everyone, so here's my version!!

alongside this picrew, and 2 pictures you think describes you, answer some questions about yourself.

What’s something you’re really passionate about, and how did you discover it?

What’s your favorite way to spend a weekend or free time?

What’s a piece of advice or a quote that has stuck with you over the years?

What’s your go-to comfort food or drink when you’re feeling down? (Bonus points if you can give a recipe)

What’s the most meaningful gift you’ve ever given or received

Bonus: What’s a random fun fact about yourself that most people don’t know?

i'll go first

I'm Alyssa!

What’s something you’re really passionate about, and how did you discover it?

Mythology! I've been super into mythology in general since I was in middle school, and i can just talk about it for hours. I first discovered it when my friend forced me to read Rick Riordan's Percy Jackson series, and it spiraled from there.

What’s your favorite way to spend a weekend or free time?

Most of the time I have to take extra classes during weekends, but other than that I read whenever I can! Be it a physical copy, a pdf or even fanfiction I spend most of my time reading. But when I can find some time for myself I either write or make bracelets. Sometimes I work on my ocs' lore with my friend, so it really depends on how busy I am at that moment.

What’s a piece of advice or a quote that has stuck with you over the years?

My mom once told me "If someone isn't willing to value you or your efforts, don't waste your time on them. Don't give your all to people who won't do the same." And while it sounds mean at first, it's actually helped me over the years.

What’s your go-to comfort food or drink when you’re feeling down? (Bonus points if you can give a recipe)

Sütlaç has been one of my top comfort foods for years now. It's a Turkish dessert made with rice, milk and sugar (and cinnamon, honey or nuts if i'm feeling fancy) Though sometimes i make cookies instead!

What’s the most meaningful gift you’ve ever given or received?

I made over 300 paper stars in a sitting for my friend, each star representing a day i'd have known her on her birthday. I chose paper stars because they meant a lot to her. I also got her a (plastic) rose because she told me she thought she'd never get flowers from anyone.

Bonus: What’s a random fun fact about yourself that most people don’t know?

I used to be afraid of dogs when I was younger. The reason was because my granddad had a little dog that loved running around. Whenever we went to visit my grandparents the little thing would chase me around the garden until one of us dropped because of exhaustion. I think this was my first childhood trauma.

Tagging (no pressure!) : @romaritimeharbor , @kopivie , @ruruumin , @strxnged , @femivi +

@mlkbwunnies , @aureusveill , @milk-violet , @camvrin , @strryskys + anyone who would like to join!

[felassan]

What kind of spirit do you think Felassan waz?

Swag

[toxintouch]

Yooooooo, you write fan fictions, don't you? Halloween is, like, right over there *points*. would you be willing to do one of mhin taking sparrow ghost hunting? and maybe even having a "guest appearance" of a certain shadow manipulator?

if this has already been done, could you point me in the right direction?

thank you~

I've never seen a fic like that but omg. This is such a brilliant idea, I love how all the pieces come together so perfectly–Vere being said to be responsible for his fair share of local ghost stories, mentions of Mhin and haunted houses in the Uquiz results… Premium thoughts.  I had a lot of fun writing this, ty for giving me the prompt!! :>

It took a couple of extra days but it's also longer (~2900 words) so hopefully that makes up for it.  p.s sorry if u meant it to be more gen bc I wrote romantic pining lol Volume Warning! Ambiance (~BEAUTIFUL FOX NOISES) for y'all /j

Cold Spots

You pull your cloak tighter around yourself, sheltering your remaining body heat from the howling wind.  

You ignore the shiver that creeps down your spine.

You’ve been warned that the night is chilly in Eridia at this time of year, but you haven’t quite scraped together enough coin to afford more layers.  So you huddle closer to the swaying lamplight of the Wet Wick, attempting to leech warmth from the cheery (if occasionally overwhelming) atmosphere of the bar.  You’re on edge, wary about straying too far from the Wick’s affable open doors and the balmy light spilling out of them.

You crane your neck to peer as far as you can around the corner without moving, eyeing the myriad of nearby alleyways, all full to the brim with shadows, searching for a familiar splash of moonlight and blue sweeping through the night.

 That’s when you feel eyes on your back.

You freeze, all of your senses on high alert.

“You’re where I asked you to be.”  Mhin says in lieu of a greeting.  You startle, reeling around to face them.  Even when you're expecting them, they have the uncanny ability of sneaking up on you.

“You say that like you’re surprised.”  You chide, in mock affront.  “You’ll notice that I’m also on time.”  Your giddiness shows on your face, a smile tugging at your lips.

“Don’t act so pleased with yourself,” they snipe while rolling their eyes, “for anyone else, that’s the bare minimum.”  They frown, looking you up and down with their arms tightly crossed. “...Is that what you’re wearing?”

Any further quips you have for them die in your mouth, drowned out by nervous chuckling.  You realize they must be asking (in their own way) if you’re not going to get too cold.  You know you could just ask Leander or Kuras for some seasonally appropriate attire but you’d rather not rely on further charity if you can’t help it.  Hence: “I’m, um, warm blooded?”  You mean to inject an appropriate amount of bravado into your voice, but it comes out as more of a question.

Mhin sighs, long eyelashes brushing their cheeks as they close their eyes for one long moment.   “Sometimes I wonder…  Fine.  Let’s just get going.”

The floorboards shriek beneath your feet as you step across the threshold.  The entire shack seems to groan and sway, protesting audibly against the wind.  You stick close to Mhin’s back as they hold their gas lamp up, casting an eerie glow about the interior of the abandoned building.  Their keen eyes do a quick sweep before they nod decisively and usher you inside with a single precise motion.

The bellow of the wind sounds almost like a scream as the door shuts behind you.

“So, what are we looking for, exactly?”  Your voice comes out hushed, the haunting atmosphere insisting that you behave accordingly.

“Likely nothing.”  Mhin responds.  “Actual ghost sightings are very rare.  And of those, few recorded instances come from trustworthy sources.  People in Eridia can be quite superstitious.  Count on rats or other pests.  It’s more plausible that this is a mere infestation rather than–”

The roof above your heads gives a long, low creeaaaak.

You both pause for a beat, listening to silence.

“How would we know if it's a real ghost?”  You ask, more out of curiosity than anything.  You’re not about to waste the opportunity, if Mhin is willing to keep talking.

“Depends on the type of ghost.”  Another protest from the floorboards as Mhin wanders further into the dark.  Since you don’t have a lantern of your own, you have no choice but to follow close behind.  Unless you want to stumble around with nothing but the shatters of dusty moonlight cast through the cracked windows to guide your way.

Mhin and you make a quick round of the small building, finding it mostly empty, only a few pieces of broken furniture left behind.  You draw closer to the back wall, carefully avoiding moth-eaten curtains, heeding Mhin’s warning about a small step.  Based on the layout, you think this place might have been a bar or entertainment hall of some sort.  You imagine it had a nice, cozy parlor at one time, though now it’s fallen into squalor.  As Mhin examines the walls for signs of pests and other clues, you examine the graffiti strewn across them: crude jokes and lewd drawings, mostly.  Some scattered names, belonging to people and gangs you’ve never heard of before.  

Framed in the center, though, there's a huge riot of colorful paint.  An abstract painting with no proper canvas.  It's beautiful, somehow, though hauntingly morose.  The artist has contained their work in a neat square, not a single streak of color escaping the precisely imposed prison.  You’re not sure what the intent of the artist was choosing somewhere like this to display it…  

“Is there a type of ghost that makes artwork?”  You wonder aloud.  You almost wish that Mhin would hand you the lantern so you can get a better look.

Mhin clicks their tongue, sparing barely a glance toward the makeshift painting.  “I wouldn't define that as art.”  Mhin follows the line of the wall to the corner, their lantern held up to the wall.  “That’s just…paint.  If you’re looking for ghosts, try looking for scratch marks.  Those are a possible indicator, though not always a reliable one.  A sudden feeling of hot, or cold–any otherwise unexplainable temperature change.  A strange odor…”

You give the air a sniff.  “...I don’t smell anything.  Do you?”

“Dust.  Rotting wood.  And you’ve stopped using Leander’s bath soaps, which I’ll commend you for.  Why anybody would want to smell that strongly of–”  Mhin stops and gives a short whiff, their mouth slightly parted.  Their brows furrow. “It is unusual…I don't see or smell any signs of rats or roaches.  No vultures either…”

“Maybe something else scared them away?”  You posit.  You shuffle closer to Mhin, not liking the way the shadows around you seem to flow and ebb the longer you look at them, your mind making up shapes.  There’s a silly part of you that wants to feel Mhin’s cloak between your bandaged fingers as reassurance that they’ll stay close.  They’d probably hate to know that you see them as something to cling to–a source of comfort, safety.

You try to take another step closer to further dampen your trepidation, but instead you trip over– something–and stumble directly into Mhin.  They catch you on impulse, strong and quick enough to steady you with one arm while holding the lantern with the other.  You breathe an apology, your lips bumping against their chin as they help you get your feet back under you.  

You both search the ground to determine what knocked you off your balance.

It's a dirty old rug, rucked up at one edge.  

A long line of what appears to be claw marks lies half uncovered below it.  Mhin kneels beside the marks, studying them intently, carefully moving the rug to reveal yet more splintered wood.  “I’m not sure what could have done this,” they admit.  “The marks are fresh, but none of the dust was disrupted…”

The floorboards groan another protest, though it bounds off the walls in strange ways, making it difficult to pinpoint exactly where the sound originated.

“Aural contortions.”  Mhin announces.  “And a feeling that you’re being watched.  Reflective surfaces will behave oddly as well.  Hold this.”  Mhin hands you the lantern (more: shoves it into your grasp, really) reaching into their satchel.  Their nimble hands pull out a handful of alchemical concoctions, one which shines like the inside of a seashell, a tiny silver locket, which they flick open to reveal a small mirror.  There’s symbols etched into it, so old and worn away you can’t make them out.

You draw the lantern closer at their behest, illuminating a small smile spread across their face.

Is Mhin …Having fun?

“Is there anything I can do to help?”  You ask, hoping they don’t notice the warmth in your voice. Getting scolded would kind of ruin the mood.

Mhin glances up, blinking at you like they almost forgot you were there.  Their tongue peeks out, wetting their lips as they consider.  “Yes,” they finally agree, “would you–”

The lamplight is smothered by an unknown force.

The cracked streams of light from the window are gone, leaving you in darkness.

Mhin swears, their voice distorting as if they are suddenly very far away.  A moment ago they were crouched beside you, but the shadows surrounding you are so inky you can’t make out their silhouette at all.  Instinctively, you reach your hands out in front of you before freezing and reluctantly forcing them back down.  If both you and Mhin end up stumbling around with hands outstretched, there’s a possibility that they might accidentally grasp onto you and disrupt your bandages.  (You wish you had given into your desire to hold onto them earlier.)  

You whisper their name, frantic, hoping they can hear you.

“I’m here,” Mhin assures you, their voice pitched low and cautious.  You feel the gentle press of a foot against yours, a light tap of reassurance against the side of your sole.  “Stay close.”  There’s a brush of fingertips against your back.  “If the entity is particularly powerful, it will be able to move objects,” Mhin cautions, “but a ghost should never be capable of causing harm to humans directly.  And there’s not much in here that it could throw.  Just stay calm.  If you don’t keep your emotions in check, it will only be more incensed.”

Light flashes through the room again in a spotlight, guiding your gaze to a particular area of the building.

The abstract mural is defaced, dripping black liquid splattered boldly across the wall like arterial spray.  You retreat a step, feeling something wet beneath your feet.  There’s a sharp, astringent tang in the air.  Musty and earthy-floral.  Old velvet and leather, parchment and fresh paint.

You realize, with a sinking feeling of cold terror, that the black ichor on the wall spells your name.

    Eyes on you.  

Touch like a gossamer spider web.  Brushing against the nape of your neck.

“Mhin,” you whisper urgently.  “Something just–”  

The cold hits you then.  Bone deep and all consuming.  Judging by the way Mhin swears, they must feel it too.  Whatever this unknown entity is, it’s close.  And it wants…

Shadow flickers, fingers reaching for you, claws grasping, white glint of teeth.

Mhin sneers audibly, reaching for you and reeling you in by your cloak just before the figure can snatch you up.  Their arm wraps around you, guiding you with them as they recede.  They sweep their stiletto in a wide arc and you hear the clang of metal on metal, though you have no idea what it was that Mhin hit.  Their night vision must be immaculate–you can hardly see more than the fresh glint of their stiletto blade.

“Turns out it is a vermin infestation.”

A bark of laughter.  

Very familiar laughter.

The door starts to rattle on its hinges, moving to the rhythm of Vere's glee.  Mhin walks over to it, dragging your shaking body with them.  With a definitive kick from Mhin and a final cackle from Vere, the door bursts open.

Mhin tugs you out into the open air and slams it behind them.

“Awful fur-bag.”  Mhin spits the words out like the mere thought of Vere leaves a bad taste in their mouth.

You’re far enough away that the black paint clinging to both of your shoes is no longer leaving footprints, but you can’t say the same about the bone deep cold.

You’re shivering so hard your teeth start to chatter, adrenaline magnifying the chill in your bones.  How did Vere even do that?  You rub your arms and nearly stumble into Mhin in the process.  Their features twist into a half-formed scowl, eyes sweeping you before softening into something more delicate.

You find yourself staring into eyes that seem to catch the moonlight, words caught in your throat.

“You’re freezing.” Mhin murmurs, resting a hand against the curve of your cheek, testing your temperature.

You’re surprised at the contact.  Mhin is always so careful about touching you–it’s something you appreciate, usually, this unspoken agreement between the two of you; Mhin doesn’t ask intrusive questions, just makes silent hypotheses and treats your personal space with care.  You appreciate it–usually–but sometimes, (constantly), you wish…

Mhin’s thumb pets against your jaw.  They glace away from you as they do, unable to hold your gaze, but they don’t remove their hand, even as the moment hangs heavy in the air.  Their hand is soft, you think, fingertips like silk, though you can feel the thick calluses built up at the meat of their palm.  Likely hard won and harder lost, trophies from their time as a freelancer and whatever secret misfortune befell them what led them to Eridia.  Unthinking, you nuzzle into their touch, luxuriating in the coveted feeling of skin on skin.  You have half a mind to turn your head, press your lips against their calluses, kiss them like you’re drawing poison from a wound.

Mhin catches your chin between their thumb and pointer finger.  Their grip is assertive, certain.  You’d worry that you’ve angered them somehow, but the intensity of their gaze, the subtle tilt of their head, the flush of their cheeks, the featherlight caress of their breath on your lips…

–You think they might–

They back away abruptly in one smooth stride.  Their hands work quickly at the intricate clasp on their cloak.  Oh, now they’re really looking away.

“Wear this while we head back.  You didn’t come to this city to die of cold.”

They look at their bracers pointedly as you hesitate, as if itching to adjust them.  You slowly reach out and put the garment on.

The trek back to the Wick is uneventful.  The occasional star glances out from the pall of clouds constantly lingering in the Eridian sky.  You look for the waning moon, finding its reticent light and following it home.  You return Mhin’s cloak at the door, careful to hold it in a way that allows them to take it without having to touch you – touch your bandages.  

Mhin looks, oddly, a little reluctant to see it returned.  You’re not sure how else you can possibly read their body language.  Their hunched shoulders, the downturn of their mouth, their uncharacteristic lingering.  Holding the cloak in their hands like they can’t quite decide what to think of it.

They let out a sharp breath.

Mhin levels you with a pointed glare as they settle their mantle across their shoulders, affixing the clasp without need to look down.  “Buy some warmer clothes.” they order, “Tell Leander that the contract is complete and the buyer’s ‘ghost problem’ is solved.  The building should be fine for renovations, just tell them to start their renewal project on a day when the Senobium is actually holding Vere’s leash.”

  “You’ll come back for your cut tomorrow…?”  Confusion rolls off your lips.

“No.”  Mhin crosses their arms again.  “I just told you to buy some warmer clothes, didn’t I?  Consider it hazard pay.”  Again, that disgusted tone Mhin reserves for Vere.  “Even with that taken into consideration, you’ll still owe me, though.  Don’t forget.  I’ll collect some day; everyone does in this city.”

You’re not sure what to say.  Mhin is insisting that this is just a loan, and you believe that wholeheartedly.  But that doesn’t mean it isn’t charity.  Mhin’s also offering you transparency–an open disclosure of the deal you’re agreeing to.  You take their cut, buy what you need, and resolve to pay it back when you can.  And if Mhin needs something similar in the future, you’ll return them in kind.  

You think you stumble over your words a little, but you agree to their offer.

“I’ll be back to collect another contract.  Hopefully something that’s not a waste of my time.”

And a promise to come back is a promise to see you again, isn’t it?  To include you in their life?  Is that what you’re supposed to take from this?  That Mhin cares for you, even if they won’t–

  Or is it your foolish heart, showing you a path that isn’t really there?  

“Goodnight, Mhin.”  You say the words, but their back is already turned, steps already taken.

   ✦ EXTENDED ENDING...? ✦

You putter around in your room at the Wet Wick as you go about your nightly routine. The occasional cheer or thud from below only accentuates your nervous energy, punctuating your reluctance to settle down and get into bed. You smooth the covers with your bandaged hands and fluff the pillow before extinguishing the lamplight. You tug the bedding up above your shoulders, fighting to get comfortable. As your eyelids finally start to droop, the flicker of a shadow catches your attention.   It dances and sways and bends and grows until suddenly it is right in front of you.  On top of you. Silken, blood red drips down onto your face, a knife gleam smile too close for comfort.  You breathe in a gasp, wondering if you should scream. “Vere, what–” “Shhh,” he coos, pressing a finger lightly to your lips.  His breath is hot against your skin. “I only came to keep you warm, pet.”

✦Heat Signature (Vere Continuation) ->

[wickmitz]

I decided to start talking about Wick and Rocky's relationship because I like their dynamics too, I like seeing Wick scared of Rocky and Rocky being aggressive with him, which is unusual because Rocky is rarely aggressive with anyone, but of course Wick is an exception to rule

Also my mini opinion about their possible relationship, I think that if Rocky didn't have to fight for his place, then he and Wick could become friends, or at least tolerate each other a little, I also see some superficial similarities, their gentlemanly and romantic natures, and their common love for explosions (remembering the quarrymen chapter), but this is my assumption, I think that I don't understand the characters' personalities well, so I can be wrong in this assumption, something like that. So, what do you think about their relationship?

for starters, i cannot thank you enough for this ask! as i’ve said previously, i have many thoughts on these two, so it’s nice to finally be able to share some of them. although given the extent to which i think about them, i apologize in advance if this is sloppy and sort of everywhere … while i’ll try to structure things the best i can, i cannot promise i’ll succeed! but hopefully this is an enjoyable reply nonetheless.

one of my favorite things about rocky and wick’s relationship is absolutely how aggressive rocky is towards the aristocrat ; he is prone to glares and cruel jokes and borderline hissing whenever the man is within his line of sight, or can be brought to a wailing-fit over the mere mention of his name from miss m’s mouth. there is a childishness to it, but a very prominent threat as well in spite of rocky’s usual incompetence. so he goes out of his way to posture around wick, readily lying and adorning himself with the gangster drapes he so badly wants to wear, in the hopes that it intimidates … will even badmouth wick’s family and make fun of his name and rock related obsession to mitzi, and so on so forth! yet all of this is very reminiscent of schoolyard bullying rather than anything too severe, though we as the audience understand rather quickly that rocky would bash wick’s head in with a tire iron if he could. ( translation : if it wouldn’t earn the tears or hate of a certain beloved mitzi may ) and it’s all very intense despite the absence of actual violence! and i understand why many fans see this as unusual for rocky and believe that it’s only wick who makes him act so aggressively, but i’d argue it isn’t really wick at all that prompts such scary reactions from him … and that rocky is a deeply angry character who’s a.) been boiling quietly for a long, long time and b.) has turned wick into a punching bag of sorts for this inner world of resentment and hurt. basically, when he’s judging the well-to-do or poking fun, his eyes don’t look at wick and actually acknowledge him as sedgewick sable ; instead this is a being, something vague and metaphorical, who threatens to upseat rocky’s permanence in the lackadaisy and steal away his savior, and he’s had a hand in the violinist’s misfortune for a long time.

obviously, rocky doesn’t think wick robbed him of his family twice over and made him homeless, but he is channeling the fear and anguish of those events into his loathing for wick, if that makes sense? it’s easier that way -- to finally have an outlet for everything bleeding inside of you, to be able to bite and claw at something without feeling conflicted or having to take personal accountability for your own mistakes … which is something that i think rocky does struggle with to a degree. he is sort of a finger pointer! his pain has to be worth something, it has to be for someone else ; spending years homeless and losing his last bit of family was for freckle, and the scrambling of his literal brain was for mitzi, and that means he can’t ever be angry with them! well, except that he is, somewhat, but he buries it deep down instead of feeling it. with freckle there is a sense of strain between them -- an air of ‘you owe me’ from rocky to freckle as he uses freckle to appease miss m, and he constantly pokes fun at his cousin too. it’s lighter than his jabs at wick, but there’s a constant pestering, a reminder of how good freckle has it : how he’s got the mom and the house and the job and the girl most notably. i don’t think rocky is intending to come across as mean, and to his credit he hardly does! but it’s rather clear to me that some part of him, some hidden and deeply hurt part, is rather indignant about taking the fall for freckle all those years ago. which he can’t understand, because how could he? he made that choice, he decided to take accountability for something he didn’t do because he loves freckle and knows it’d be so easy to believe this family tragedy was roark’s fault ; the devilish child he was, all troublesome and too broken to properly fit anywhere. so there is a disconnect born here, where rocky can’t comprehend that he’d be angry at freckle, so instead these not so great feelings are placed elsewhere and silently boil over time. and with mitzi … i don’t think he’s angry at her per se, but there is a frustrated and desperate chorus of : why him and why not me, when i’m the one out here dying for you? which is certainly unpleasant. of course, rather than allowing those feelings to be more aimed at miss m, whom he feels unloved by, he ( again! ) represses these emotions and allows them to fester into his greatest fears and fantastical complexes. i think there is a lot of other miscellaneous anger he could have towards others too … perhaps some part of him is sore upon seeing ivy’s normal lifestyle, watching her go to university and knowing that’s been taken from him. or an ache felt when hearing stories from zib and the band and how they used to travel successfully, living as nomads, and rocky is all too reminded of his similar lifestyle and how he couldn’t make it work as effortlessly. people with immense trauma are more prone to irrational anger and jealousy, to viewing everything around them as unfair and believing it’s even more unjust that so many people get to live comfortably while they’ve suffered. a situation that gets more messy when you’re someone like rocky, a man who’s willingly made choices that have harmed himself and wants to continue on with his smiling, bumbling fool of an act. he does not want to be angry, does not want to see it within himself, i think, which leads to an accidental increase of it.

all of this is to reiterate that wick is a scapegoat for rocky and nothing more. it’s why he’s rather hypocritical whenever it concerns the man. for example, it was stated by tracy that he looks down upon wick for his excessive presence at the bar, yet he appears to enjoy hanging out with zib -- who drinks just as often! he makes fun of how all wick ever talks about is rocks, when he himself is prone to poetry rambles that people find irritating or boring, and etc etc. this is also just a human nature thing, to critique someone you heavily dislike and even going as far as to belittle things you love or do in your own day to day because you just hate them that bad! but given rocky’s willingness to befriend anyone, it more so reeks of a dehumanization element. wick is every obstacle in his way, every divine force that threatens to send him packing again, so he is equal parts unnerved by wick’s presence and angry about it. it is mostly a fear response we are seeing, an emotion that’s morphed into long held resentment and anger. so his actions are extremely defensive, with him trying to push wick far away and keep him and mitzi separate, like some sort of animal attempting to ward off a threat that’s come too close to their home. despite the loaded animosity there, this hate has hardly reached its peak … but it shall only grow more intense as things continue onward i’m afraid, since as it stands ( in the comic at least ) rocky is at an all time low … and is ten times more desperate. i’d honestly say wick has become so warped in his mind’s eye that he can only strive towards ‘winning’ over the other man, because that’s all he can see anymore. i think mitzi implying that wick willingly helped her out, the intense head injury, and rocky’s fragile emotional state is exactly what pushes him towards premeditated murder in look-see. i don’t know how people perceive that arc, but to me it’s very clear that rocky actively sought to see the deaths of wes and fish that night. going as far as to lament that he’d be, “very disappointed if ( he ) dreamed them,” and purposefully luring the marigold duo away to have freckle pick them off. while you could argue that this was a smart move, in a gangster sort of sense, there’s still no denying that rocky is oddly chipper about the whole thing and is now seeking death out ; whereas before his methods of vengeance were just, well, ruining people’s livelihood but ultimately leaving them alive. this isn’t to discredit the fact that rocky is going through something! he is in a very muddled and dark place, mentally and physically, but even tracy has said that the head injury hasn’t changed rocky’s personality -- it’s only brought things to the surface.

source : q&a with tracy .

which, yeah! makes sense! head trauma can cause a person to become a wreck emotionally ( think mood swings, irritability, etc ) but it doesn’t completely morph someone either. personality changes may occur, but it’s not like you’re being rewritten entirely, you know? and given tracy’s old statement, it’s clear that ‘personality changes’ aren’t a side effect he’s suffering from. something that adds to my beginning statement, which is that rocky is a deeply angry and troubled person, more so than fans give him any credit for.

however, to touch upon your mini opinion about these two, i actually wholeheartedly agree that rocky and wick could become friends if circumstances were different. they do in fact have many superficial similarities, but one of the more prominent things they deeply share is never really belonging in the groups they frequent. this is more overt with rocky’s character, yet wick faces it too in subtle ways. the well-to-do crowd, seen through the investors, find the gentleman to be lacking in about every place imaginable ; to them he is an obsessive freak who cares too deeply for meager rocks, something they constantly mock him for, while he’s also being noticeably set apart from the rest of them … he seems younger than the investors, more excitable, passionate, and a little less experienced, and doesn’t seem to care for money or reputation as much as them either. there is a constant rubbing between him and them, where what he enjoys is seen as wrong, such as his love for the lackadaisy and his choice in paramor, a grieving widow with extremely dangerous ties. we also know that wick doesn’t have many friends at all, with the only two he has being lacy and church ( church is listed as such on his character profile, in a sort of tongue-in-cheek way ), both of whom work for or with him. they are obliged to hang around, and while they care in varying ways, they are prone to judging him just as much. honestly, it’s not shocking that wick seeks refuge at his chosen speakeasy! but even there he is rather distant from everyone else. he doesn’t speak to zib ever in the comics, nor seems all too close with viktor, ivy, or horatio … it is merely mitzi he is close to, even if he knows of the other people who work there. and, once again, wick very obviously doesn’t fit in. he is not gangster material, could never be an atlas may replacement, much less someone who could get his paws dirty in such an active way. so he has his feet in two different worlds and doesn’t know how to fit into either of them, or which one he actually wants to fit into more. i think in many ways rocky could relate -- these are two very lonely people who wish to belong somewhere and be accepted by some group or another but go about it in all the wrong ways. wick, who is too hesitant to fully commit to what he wants and is worse off for it, and then rocky, who obsessively throws himself against what he wants until he breaks every bone in his body. they also have explosives to bond over, lol, and other miscellaneous things like their taste in women i suppose … but this potential bond adds to the tragedy of lackadaisy, where we see two people who on every level should get along but we’re burdened with the knowledge that it’s an impossibility anyway, because there’s no removing the circumstance of which they’re in.

though i like to believe that despite wick’s fear of rocky, he maintains a kindness towards him regardless. i think his worries about rocky are rather surface level … he doesn’t know the boy at all, really, and thus can’t make heads or tails of him, hence him believing the lie in balderdash. so when i’m feeling particularly self indulgent, i like imagining a world where they’re forced together and sort of ‘stuck’ together ; to which rocky finally breaks and exposes his wounds to wick, in every sense of the word, and wick finally gets him. the aggression, the possessiveness of mitzi … it is all fear and desperation and a profound sadness, things he’d sympathize with. if rocky was able to explain that he loathes wick because if he saves the lackadaisy then mitzi won’t need him anymore and that it’s not fair that wick gets to so easily fix things when rocky would give his soul for his home, for her, and how wick could render every sacrifice he’s already made for naught by smoothing things over with some greenbacks and he can’t lose this, he just can’t --! … which, well, wick is too kind of a man to be able to do anything except feel awful, even though it’s not his fault at all. here we have two people who could coexist! and they should, since rocky logically can’t do every speakeasy job ( band member, rumrunner, mitzi’s shadow, also the guy who gets the money for the hooch ) by himself, just like how wick can’t save the lackadaisy with only his cash and limited booze stash. it’d be a joint cooperation, a collaboration between them, both equally important in the grand scheme of crime’s every turning wheel … but rocky’s rage and fear won’t let him see that, and likely never will. still, in scenarios where everything ends up alright for the lackadaisy and the people involved in it ( which is not how canon will go, by the way ), i fancy wick and rocky getting better within their relationship. rocky will always be prickly and quick to upset around the other man sadly, but perhaps he could see wick in a softer kind of light. or at least understand vaguely enough that he isn’t out to get rocky, so to speak. and then maybe wick learns that pancakes soothe rocky’s ire and poorly makes them anytime he wishes to talk to the man, and other fun things like that! but you should have more confidence in your character analysis skills, because you were spot on ( at least in my eyes ) about them potentially getting along if things were different. it’s certainly a fun aspect to play around with, and is important to note when discussing their relationship so you can fully understand just how warped rocky’s perspective on things are. and how unstable and traumatized he is too, of course </3 sidenote, but i also hope that throughout everything i’ve said here, or anything i’ve said before on my blog, that my love for rocky and my own sympathy for him comes across well enough. while he’s deeply flawed and i have no qualms discussing said flaws in depth, i also don’t think of him as some insane freak who’s evil at his core or anything like that. honestly, i adore analyzing him so much as a character because of how far down his issues go! he’s very well written, i’ll say, as is wick and many of the other characters, but i digress.

once more, thank you for the ask! i’ll end this here because i fear if i don’t i’ll start going in circles, since their relationship is so vast and very important for rocky in a character sense. hopefully i shed some more light on it though! i love these two to bits and pieces and i wouldn’t be half as invested in lackadaisy if their dynamic wasn’t so monumental -- at least to me.

[silverwhittlingknife]

hi Silver! o/ because that fanart made me wonder - would you happen to know when/where Dick's stuffed elephant plush Zitka turns up in the comics?

GREETINGS CAM <3333 THAT ART WAS SO CUTE

Yeah, I think your instincts are right - it's a truly adorable bit of transformative fandom, but I'm 95% percent sure it's not comics canon. Barbara has canon plushies, but I don't think anyone else does.

I got kinda invested in the investigation (it's hard to prove a negative!) and I ended up typing out an entire History of Elinore/Zitka, so, uh, if you're curious, meet me below the cut for:

Where does Elinore / Zitka - the animal - appear in comics?

Did Dick ever have a stuffed elephant toy in comics?

Where does Elinore / Zitka appear in comics?

We're gonna go in chronological order!

Dick's circus elephant friend was first created for practical reasons: in Batman 436, Marv Wolfman does a big expanded flashback to Dick's circus backstory as a way to subtly show us Tim before officially introducing him (so that we can have a technically-solvable mystery-of-Tim's-identity in LPoD). In this comic, there's an elephant named Elinore who loves Dick:

Aww. Such a cute elephant!

Batman 436 comes out in August 1989. New Titans 60 comes out a few months later, in November, and guess what? When Dick visits the circus, he is suddenly surprised by an unexpected blast from the past! It turns out that even though it's been years, Elinore still remembers him!

Here's the part where Elinore remembers Dick:

SUCH a cute elephant. I love her.

(Guess who else still remembers Dick even though it was so long ago. Guess which other character is about to be an unexpected blast from the past. Guess which character Elinore is directly paralleling guess guess guess sorry everything is about Dick and Tim in my mind but I can focus I swear)

Four years later, in 1993, Batman: The Animated Series retells Dick's origin story. They like and keep Wolfman's elephant, but they change her name to Zitka:

Wolfman doesn't return to the elephant beyond those two appearances, and a few years down the line, New Titans gets cancelled and Wolfman's not writing Dick anymore anyway. So the animal gets abandoned for a while, until Devin Grayson, a fan of both Wolfman and B:tAS, revives the Wolfman-era Titans team in JLA/Titans and then the ongoing series Titans 1999.

Grayson then brings back the elephant in a flashback to Dick's past in Titans 16 (Jun 2000), where she imports the B:tAS name. Sometimes I'm skeptical of TV-to-comics imports, but honestly, I endorse this one. You lose the alliteration, which is a shame, but IMO Zitka is a better elephant name than Elinore.

Here's Dick with the newly-christened Zitka in Titans 16:

Grayson also briefly references the elephant in Gotham Knights 20 and - in a final angsty callback - in Nightwing 88 (Feb 2004), where Zitka tries futilely to comfort Dick in the midst of his trauma conga line:

... And... honestly, I think that's it for comic appearances? The two Wolfman comics plus the three Grayson comics.

Both Wolfman and Grayson are writing multiple titles - Batman, New Titans, Titans, Gotham Knights, and Nightwing between the two of them, spanning a big chunk of Dick's post-Crisis canon - and both writers use the elephant for heartwarming moments of nostalgia, which means if you're doing a post-Crisis readthrough for Dick, Elinore/Zitka feels memorable. But I don't think she actually shows up that much.

For post-2011, I am not as well-informed - throwing this out to the dash? anyone know? - but I feel like Zitka the heartwarming symbol of Dick's heartwarming circus past is, uh, thematically very at odds with the Court of Owls evil!circus vibes, so my instinct is that this story element was almost certainly dropped in the reboot.

Did Dick ever have a stuffed elephant toy in comics?

In WFA, yes; in main comics continuity, no. Technically, I have not read every comic ever published, so I could be wrong!! But I don't think so.

Below, find my rambling reasoning on the tonal vibes of pre-Crisis, post-Crisis, and post-2011, and why this particular story element doesn't seem right to me for the first two.

Pre-Crisis (...okay, mostly the Silver Age): stuffed animal, yes or no?

tl;dr no, requires too much background knowledge on the part of the reader, plus the elephant wasn't a thing until later

Elinore doesn't get created until post-Crisis, but also just generally, pre-Crisis callbacks are more along the lines of this reference in Batman 129 (published in 1960), where, wow, Batman and Robin are hunting jewel thieves - and it turns out Robin recognized this strongman! BUT HOW?!

The comic goes on to recap Dick's entire origin story in flashback, on the assumption that you may not know it.

(BTW, if you'd like to know more about Haly's Circus throughout the years, nightwingology has a great post here summarizing a lot of fun plotlines and characters!)

Basically: Silver Age comics are very self-consciously episodic and kid-friendly; they're not generally gonna do overly-elaborate callbacks because they don't know what comics their kid readers may have randomly picked up or remember.

By the time of post-Crisis, comic books were being written for an adult audience buying from the direct market, i.e. readers who are collecting whole runs & don't need or want Dick's origin story to be recapped to us in full every time it's referenced. That's why in post-Crisis, we get stuff like "hey, neat, this particular soda brand is getting mentioned in several different books!!" or "in order to understand this story arc, buy SIXTEEN DIFFERENT COMICS in FIVE DIFFERENT RUNS and read them ALL ACCORDING TO A NUMBERED ORDER and also you better be following the individual plotlines and recognize these five minor characters who we don't bother to introduce!! Good luck!!" But the elaborate post-Crisis plotlines - and subtler worldbuilding like a stuffed animal callback to Dick's backstory - don't make a lot of story sense UNLESS you're imagining your readers as completionist adult fans.

So IMO a stuffed animal wouldn't be a pre-Crisis thing unless it was The Episodic Story Of the Week, and I don't think a stuffed animal is action-adventure-y enough for the fast-paced storytelling of the Silver Age. (Unless it, like, came to life and tried to eat you or something.)

Post-Crisis: stuffed animals, yes or no?

tl;dr: no, Dick's a manly tough guy, he's not gonna have a stuffed animal, that'd be lame, like something Tim might do

Part of the edgy grimdark adult vibes in 80s/90s comics is that some characters who used to be kinda silly & goofy & lighthearted - like Batman and Robin - get reimagined as Serious and Angsty and Edgy in a Tough Cool Manly Brooding Way. This massively affects characterization for Bruce, Dick, and Bruce and Dick's relationship.

(I obviously love this change & love the tense Bruce-and-Dick interactions, but plenty of fans of the earlier fluffy comics really disliked the edgy retcons of Miller / Wolfman / Starlin / et al.)

The upshot is that post-Crisis is a period when you could have a recurring reference like a stuffed elephant, but you wouldn't have a stuffed elephant, not for Dick. I think a toy like that would be too cutesy / childish / effeminate to give a male character in post-Crisis, unless you were poking fun at him.

Now, you could probably let Tim have a stuffed animal, because Tim is sometimes cool but also sometimes a tryhard loser who is faking being cool and not entirely pulling it off (see e.g. the Robin comic where he practices tough-guy faces in the mirror, or the Teen Titans comic where Conner discovers his cringy Enya CD, or when he's fanboying over Connor and it's awkward, etc etc.). A stuffed animal would be deeply embarrassing, and you'd have to be careful to compensate by having Tim do something cool afterward - but Tim's character concept allows for "he's kind of a loser sometimes."

But Dick isn't!! In post-Crisis, Dick's a tough / impressive / "cool guy" character, the kind of guy anyone would want to be, even in the flashbacks where he's Robin, and even in the stories where he's more lighthearted than angsty. It'd be kinda lame for Dick to have a stuffed elephant, so he wouldn't. I feel like Dick would be more likely to poke fun at it if someone had one, like when he's making fun of Wally for liking the Hardy Boys. Dick could have a Batman action figure, at most, and if he had one he would have it ironically.

Basically: in post-Crisis, a male character hugging a stuffed elephant feels more likely to be a punchline to me, not something poignant. (Even with Tim, Tim could have an embarrassing stuffed animal, but he couldn't hug it when sad - that's too far. Maybe Booster Gold might do this. Probably he wouldn't, but spiritually, he would. Sorry Booster ilu! <3)

Instead, Dick instinctively deals with his inner turmoil like the TORTURED ACTION HERO he is: by punching things and brooding and yelling and joining the mob and sleeping on rooftops and going on obsessive secret missions and acquiring Angsty Stubble!! Just like Batman!

(Technically I don't know if Bruce ever joined the mob but you know he would.)

Anyway as you know this is my favorite continuity and I am poking fun affectionately, but uh, yeah sdfsfdsfs. No stuffed animals.

Post-2011 / Infinite Frontier / Wayne Family Adventures: stuffed animals, yes or no?

tl;dr it's in WFA! Probably not anywhere else, but it could be.

Post-2011 stuff tends to be cutesier overall, most of all in the current Infinite Frontier era. So I don't feel like this would be tonally out-of-line with IF comics. Taylor tends to go for more meme-y references rather than fanfic references, though.

So the obvious best fit is WFA, which is aiming for a rough approximation of Silver Age family-friendly vibes - wholesome, episodic plots, Teaching Good Moral Lessons For The Youth, etc. - plus lots of Easter eggs for fanfic readers and some comic references.

And look, here we are:

Aww.

Whew - that's everything I could find!

Anyway as you can probably tell, I LOVE the elephant, so this was a very entertaining rabbit hole to go down, thank you <3

[hballegro]

the clock is here. all hail.

i forgot to turn antialiasing to the right settings with my pen so it is. the little numbers are chunky. thats life sometimes. just dont zoom in too hard. if i fix it, i wont make a new post abt it ill just edit it on to this one or something [and state that i did so in the post]

prev post with noclock version

and as promised here is also progress pics, harvested from when i sent screenshots to friends as i worked. as a bonus ive also included various layer names and the 5 different names the file went thru. the parts i [very lazily] painted over with dark blue had not been done yet, ergo anything with dark blue over it is just the picture itself so do not regard it

i will now be nice to myself and work on my fanfic and smaller drawings for a while. i will do eye posts sometimes still when i get a slow day and wanna do some peepers for 3 hours, i have collected many eyes [klinger, fr mulcahy, trapper, margaret, charles, hawkeye, bj. ive been busy stealing eyeballs to paint on. theyre all on one document its pretty funny]. i will be doing my best to force the cast into my style so i can do quick stuff.

i also WILL do more paintings of full shots again, but. fellas. ive done 3 back to back full paintings with no other digital art projects in between.

this has been NOT good planning lol

not sure if i should tag everything again so i will just. do so? idk i have not been on tumblr hardcore since like 2018 and have never regularly posted so idk proper etiquette. im gonna leave off characters for this one ig

[jash-updates]

Most normal energy drink consumer

[hulloitsdani]

@moe-broey THANK YOU!!! AND IM GLAD THE RUFFLES ARE APPRECIATED!!!🎉🎉🎉

But seriously this is the highest compliment, because this is actively what I’m trying to do when it comes to how I draw Kiran! I really want to convey how unabashedly charming this silly little tactician is. It helps explain how they keep the order intact on a social level and also why this keeps happening:

In retrospect, Alfonse never really stood a chance, did he?

Anyway I won’t lie, I did all this for the Loki bit. Please imagine that she’s just off screen for all these outfits hitting that exact pose.

[rain-on-wax-feathers]

nonhuman burr, washington, and eliza!!!

[sforzesco]

‘Is there a point to any of this or do you just want to see how much more I can take?’ snaps Crassus. ‘Oh, I knew there was still some bite left in you,’ says Cethegus, thrilled. Cethegus teaches Crassus the art of politics and the ways of business. Sulla is not a fan.

Sulla: the Last Republican, Arthur Keaveney

Crassus, Catilina, and the Vestal Virgins, Ronald Syme

Sulla: the Last Republican, Arthur Keaveney

[humanmorph]

"This is a message to you, who listens. You must trust me, because we are friends. You just don't know it yet. "

(The Road to PARTIZAN 05 : Ech0 & dusk to midnight)

currently halfway through PARTIZAN (making my way towards palisade extremely slowly. see u guys there in a month or two) & this is to date my favourite intro Austin has done. what an great introduction to an extremely cool character

[lemongogo]

why do i love the conflict more than anything else . the misery . the incompatibility that spreads like oil slick . wanting so desperately for resolution that never comes . hmmm