#LONG LONG LONG POST UNDER THE CUT

[gallusrostromegalus]

Move To A Darker Place

This is a story of Man Vs. Machine.

---

Last March, my father attempted to file his Taxes.

My beloved father is a Boomer. Unlike most Boomers, my father is rather handy with technology because he was one of the people that had a not-insignificant hand in Developing a hell of a lot of it. He was studying Computer Science at Cal Poly before the computer science degree existed. I have many fond childhood memories of skipping through the aisles of various electronic and computer part warehouses while Dad described something that either terrified the staff or made them worship him as a God.  He taught himself how to use his smartphone.  Internationally.

So when he saw the option to file digitally with the IRS through the “ID.me” program, he leapt at the chance to celebrate the Federal Government finally entering the Digital Age.

It was all going swimmingly for about six hours, until he was ready to file and the system told him that it needed to verify his identity. 

“Very Well.” said my father, a man unafraid of talking to himself and getting something out of the conversation. “It wouldn’t do for me to get someone else’s return.”

The System told him that it needed him to take a “Digital Image ID”.

a.k.a: A Selfie.

“A-ha!” Dad beams. Dad is very good at taking selfies. He immediately pulled out his phone, snapped one, and tried to upload it.

Please log into your Id.me Account and use the provided app to submit your Digital Image ID. The System clarified.

“Oh. You should have said so.”  Dad pouted, but used his phone to log onto the ID.me account, do the six security verification steps and double-checked that the filing looked the same as it did on the desktop, gave the IRS like nine permissions on his phone, and held up the camera to take his Federal Privacy Invasion Selfie.

Please align your face to the indicated grid. Said The System, pulling up a futuristic green-web-of-polygons approximation.

“Ooh, very Star Trek. Gene Roddenberry would HATE this!” Dad said cheerfully, aligning his face to the grid.  My father is a bit… cavalier, when it comes to matters of personal information and federal government, because he’s been on FBI watchlists since the late 60’s when he was protesting The Vietnam War and Ronald Regan before he’d broken containment. Alas.

Anyway, there is very little information the federal government does not have on him already, but he’s as good at stalking the FBI as they are at stalking him, and had worked out a solution:  He has something approaching a friendship with the local Federal Agent (Some guy named “Larry”. Allegedly), and got Larry hooked on Alternative Histories and Dad’s collection of carefully-researched “there is very likely buried treasure here” stories, and Larry is loath to bother his favorite Historical Fanfiction author too much.

But I digress.

After thinking for a minute, The System came back with an Error Message. Please remove glasses or other facial obstructions.

And here is where the real trouble began.

See, my father wears glasses that do substantially warp the appearance of his face, because he is so nearsighted that he is legally blind without them. His natural focal point is about 4 inches in front of his nose.  While Dad can still take a selfie because he (approximately) knows where his phone is if it’s in his hand, he cannot see the alignment grid.

He should ask someone to take it for him! I hear the audience say. Yes, that would be the sane and reasonable thing to do, but Dad was attempting to do taxes at his residence in Fort Collins, while his immediate family was respectively in Denver, Texas and Canada.  He tried calling our neighbors, who turned out to be in Uganda.

He looked down at the dog, Arwen, and her little criminal paws that can open doorknobs, but not operate cell phones.

She looked back at him, and farted.

“Well, I’ll give it a try, but if it gives me too much trouble, I’ll call Larry, and Larry can call the IRS about it.” Dad told her. 

She continued to watch him. Arwen is an Australian Kelpie (a type of cattle-herding dog), going on 14 years old, deaf as a post and suffering from canine dementia now, but she still retains her natural instinct to Micromanage. She was also trained as a therapy dog, and even if she can’t hear my dad, still recognizes the body language of a man setting himself up for catastrophe.

So, squinting in the late afternoon light next to the back door, Dad attempted to line his face up with a grid he could only sort-of see, and took A Federal Selfie.

The System thought about it for a few moments.

Image Capture Failed: Insufficient Contrast. The System replied. Please move to a darker place.

“...Huh.” Dad frowned. “Alright.”

He moved to the middle of his office, away from the back door, lit only by the house lighting and indirect sunlight, and tried again.

Image Capture Failed. Please move to a darker place.

“What?” Dad asked the universe in general.

“Whuff.” Arwen warned him against sunk costs.

Dad ignored her and went into the bathroom, the natural habitat of the selfie. Surely, only being lit by a light fixture that hadn’t been changed since Dad was attempting to warn everyone about Regan would be suitably insufficient lighting for The System.  It took some negotiating, because that bathroom is “Standing Room Only” not “Standing And Holding Your Arms Out In Front Of You Room”.  He ended up taking the selfie in the shower stall.

As The System mulled over the latest attempt, Arwen shuffled over and kicked open the door to watch.

Image Capture Failed. Please Move to a Darker Place.

“Do you mean Spiritually?” Dad demanded.

“Whuff.” Arwen cautioned him again.

Determined to succeed, or at least get a different error message that may give him more information, Dad entered The Downstairs Guest Room.  It is the darkest room in the house, as it is in the basement, and only has one legally-mandated-fire-escape window, which has blinds.  Dad drew those blinds, turned off the lights and tried AGAIN.

Image Capture Failed. Please Move To A Darker Place.

“DO YOU WANT ME TO PHOTOGRAPH MYSELF INSIDE OF A CAVE??” Dad howled. 

“WHUFF!” Arwen reprimanded him from under the pull-out bed in the room. It’s where she attempts to herd everyone when it’s thundering outside, so the space is called her ‘Safety Cave’.

Dad frowned at the large blurry shape that was The Safety Cave.

“Why not?” he asked, the prelude to many a Terrible Plan.  With no small amount of spiteful and manic glee, Dad got down onto the floor, and army-crawled under the bed with Arwen to try One Last Time. Now in near-total darkness, he rolled on his side to be able to stretch his arms out, Arwen slobber-panting in his ear, and waited for the vague green blob of the Facial grid to appear.

This time, when he tapped the button, the flash cctivated.

“GOD DAMN IT!” Dad shouted, dropping the phone and rubbing his eyes and cursing to alleviate the pain of accidentally flash-banging himself. Arwen shuffled away from him under the bed, huffing sarcastically at him.

Image Capture Failed. Please move to a darker place.

“MOTHERFU- hang on.” Dad squinted.  The System sounded strange. Distant and slightly muffled.

Dad squinted really hard, and saw the movement of Arwen crawling out from under the bed along the phone’s last known trajectory.

“ARWEN!” Dad shouted, awkwardly reverse-army crawling out from under the bed, using it to get to his feet and searching for his glasses, which had fallen out of his pocket under the bed, so by the time he was sighted again, Arwen had had ample time to remove The Offending Device.

He found her out in the middle of the back yard, the satisfied look of a Job Well Done on her face. She did not have the phone. 

“Arwen.” Dad glared. It’s a very good glare. Dad was a teacher for many years and used it to keep his class in order with sheer telepathically induced embarrassment, and his father once glared a peach tree into fecundity.  

Arwen regarded him with the casual interest a hurricane might regard a sailboat tumbling out of its wake. She is a force of nature unto herself and not about to be intimidated by a half-blind house ape.  She also has cataracts and might not be able to make out the glare.

“I GIVE UP!” Dad shouted, throwing his hands in the air and returning to the office to write to the IRS that their selfie software sucks ass. Pleased that she had gotten her desired result, Arwen followed him in.

To Dad’s immense surprise, the computer cheerfully informed him that his Federally Secure Selfie had been accepted, and that they had received and were now processing his return!

“What the FUCK?” Dad glared. “Oh well. If I’ve screwed it up, Larry can call me.”

---

I bring this up because recently, Dad received an interesting piece of mail.

It was a letter from the IRS, addressed to him, a nerve-wracking thing to recessive at the best of times.  Instead of a complaint about Dad’s Selfie Skills, it was a letter congratulating him on using the new ID.me System.  It thanked him for his help and expressed hopes he would use it again next year, and included the selfie that The System had finally decided to accept.

“You know, my dad used to complain about automation.” Dad sighed, staring at the image. “Incidentals my boy!  My secretary saves the state of California millions of dollars a year catching small errors before they become massive ones! He’d say. Fought the human resources board about her pay every year.  I used to think he was overestimating how bad machines were and underestimating human error, but you know? He was right.”

He handed me the image.

My father was, technically, in the image.  A significant amount of the bottom right corner is taken up by the top of his forehead and silver hair.  Most of the image, the part with the facial-recognition markers on it, was composed of Arwen’s Alarmed and Disgusted Doggy face.

“Oh no!” I cackled. “Crap, does this mean you have to call the IRS and tell them you’re not a dog?”

“Probably.” Dad sighed. “I know who I’m gonna bother first though.” he said, taking out his phone (Dad did find his phone a few hours after Arwen absconded with it when mom called and the early spinach started ringing). 

“Hey Larry!” Dad announced to the local federal agent. “You’re never gonna believe this. My dog filed my taxes!”

Larry considered this for a moment. “Is this the dog that stole my sandwich? Out of my locked  car?” he asked suspiciously.

“The very same.” Dad grinned.

“Hm. Clever Girl.” Federal Agent Larry sighed. “I figured it was only a matter of time before she got into tax fraud.”

---

I'm a disabled artist making my living writing these stories. If you enjoy my stories, please consider supporting me on Ko-fi or Pre-ordering my Family Lore Book on Patreon. Thank you!

[ink-the-artist]

Rabbits

Some bonus art, I initially started making this in a totally different art style but changed my mind about halfway through lmao, here are the parts I finished

[milkywayes]

■■■■ Shepard / earthborn / sole survivor / soldier. lovingly annotated.

scar refs (censored nsfw) under the cut >:) since I drew it and all.

[faeriehighfemme]

oh nothing just imagining me spread out lazily on our couch, legs wide, robe spilling open to reveal my nipples peaked, glistening with spit and sensitive. my fingers move nonchalantly, circling my sticky swollen clit, long nails over-stimulating the tender nerves there. i stare at the door with glazed eyes, hazy head playing out scene after scene of my big bad butch coming home to have their way with me.

maybe i’d hear the lock turn while edging, desperately trying to hold back from cumming just from the sight of you. the strain is nearly headache inducing, a pulsing sensation only intensified as my hungry gaze meets yours. you’d drop your bag, unclip your carabiner and toss your keys. i’d whimper at the sound of your belt unbuckling, hot tears welling in my eyes. “started without me?” you’d say breathlessly. “you know better.” my heart would pound as i watch your rings slide off and hit the table. belt in your free hand, you kneel to inspect me, knuckles roughly pushing my pussy lips apart. your breath on my labia makes me gasp. “oh,” you’d whisper. for a moment you’d simply stare, smiling, then suddenly, smack smack smack. three sharp slaps right on my clit. i wouldn’t be able to stop myself from crying out. “shh, shh, hush baby. it’ll be over soon. just hold still.” that wasn’t true though. it was only beginning. when you were ready, when you saw that i just couldn’t take anymore, the belt you so hastily removed earlier would come in handy…

or maybe you’d walk in while i was drooling, fingers down my throat, desperately wishing they were yours. you’d look me over slowly, shaking your head. “silly thing,” you’d tease. “you’re doing it all wrong.” i’d clench tight around nothing as you cracked your knuckles. you’d come to move my hand away, so softly, taking a moment to swipe your thumb over my puffy bottom lip. “missed me that much huh?” i’d nod eagerly. before giving me what i needed you’d run two fingers up my slit, collecting as much of my nectar as you could. you’d grip my jaw firmly and make my hazy eyes meet yours. my lips would part instinctively, tongue lolling towards your familiar touch. “go on princess,” you’d murmur. with your permission i’d take the fingers of your free hand in my mouth, greedily. “there, there, i’m here now baby,” you’d coo, almost condescendingly. “i’ll remind you how to fingerfuck your pretty mouth properly.”

you might get home to find i wasn’t so patient. you’d see me draped on the sofa drenched in sweat squirt and slobber, grinning tiredly at you as if i won some secret game. the dark look on your face would only cause my smile to grow. “bunny…” you’d growl. “that was a mistake.” soon you’d be between my legs, base deep and thrusting steady, slow as you please. in and out, in and out, almost torturously languid. i’d try to buck my hips, desperate to speed things up, but your arm would keep them pinned down. “no, no. you don’t get to set the pace, bunny.” you’d keep your rhythm, now the one smirking. “you lost that privilege.”

so much to think about… is that the door i hear?

[theminecraftbee]

so, you've been considering getting into hermitcraft.

that's great! welcome! we are an extremely enthusiastic fandom, i admit, but we are very happy to have you watching the hermits! however, with over a decade of existence and twenty-seven current hermits, it can feel very intimidating to get into hermitcraft. luckily, as of the time of this posting--january 31st, 2024--it's also the BEST time to get into hermitcraft, because a new season starts on february 3rd! (and if you're reading this later: don't worry. this is ALSO the best time to get into hermitcraft. don't worry about it i'll get into that.)

the shortest version of this advice is: start wherever you want, with whoever you want. it doesn't matter, you can catch up.

still, it can seem like a lot. so, from someone who's been around since mid season seven, here is a more detailed guide on how to start watching hermitcraft!

what is hermitcraft?

hermitcraft is a collection of people who all play on the same survival multiplayer minecraft server. that server is a mostly vanilla minecraft server; i don't really call hermitcraft "vanilla" anymore, as they rely on a number of largely cosmetic mods, but the things they do on hermitcraft should, broadly, all be possible in vanilla minecraft, and the server still "feels" vanilla, so. vanilla minecraft. they do this in "seasons", which are periods of time between a year and two years, after which they reset and start on a fresh server.

in comparison to something like qsmp or even the life series, hermitcraft leans heavily on the "building cool things and hanging out" side of the spectrum as opposed to the roleplay side. however, at least once a season the hermits like to do a big storyline; sometimes, it's more frequent. many of the storylines are more natural escalations of things like server prank wars or a failing server economy, though, as opposed to things that are clearly in-universe roleplaying. don't worry, though; you'll know a hermitcraft storyline when you see it. by everyone's bad acting. also, by rendog putting on a silly accent.

if your only impression of hermitcraft has been from the fandom, you... probably have a somewhat mistaken impression. my bad. in my defense, i am a horror writer at heart, and in the fandom's defense, a LOT of crossover has happened with the life series fandom, which leads to both sort of leaking into each other. in general, expect things to be on the lighthearted goofy shenanigans side with very few exceptions when you're actually watching hermitcraft, despite the way the fandom tends to be.

where is hermitcraft?

broadly, youtube! hermitcraft is an almost entirely video series, and if you want to watch a hermitcrafter, you will almost certainly need to watch them on youtube. there are only very rarely streamed hermitcraft events, and these are normally announced ahead of time.

what if i prefer twitch?

skip the rest of this and just watch joe hills. i promise i'm not saying that because i'm a joe hills guy; i'm saying it because he's the only hermit that consistently streams from hermitcraft. impulse, tango, cleo, pearl, xisuma, iskall, and hypno all also appear to stream fairly regularly, but it's not always from hermitcraft.

where should i start?

now, that's the real question, isn't it? my answer is simple: start Now. if you're reading this as i post it, that means start this saturday on everyone's episode one. if you're reading this long after i post it, though, just... go ahead and start with whoever you want to watch's latest episode! the nice thing about hermitcraft is that you can GENERALLY jump in wherever you want.

but what about old seasons?

you do not need to watch older seasons of hermitcraft. unless you want to, of course; the world is your oyster and they are very good! however, there's also a LOT of old hermitcraft, and if you want to join in with what hermitcraft is doing now, old seasons aren't necessary. very little carries over from season to season. while sometimes old "lore" or recurring bits can carry references over, and the relationships between hermits will often carry over to some extent (if often not in the same patterns), it is never to an extent that you need the old seasons for context. each season is a clean new slate, and where "lore" carries over, the relevant hermit will almost always explain it to you.

what about helsknight/evil x/hotguy/boatem/convex/some other thing i've been hearing about?

i promise, if they are relevant to this season, they will explain it to you in the relevant episode and/or it will be easy enough to pick up. do not worry about it. each season is a soft reset for a reason, and one of those reasons is to make it easier on new viewers! and if you're here because you WANTED one of those specific things... ask an older fan! they'll be able to direct you to the places they're from.

do i need to watch all the hermits?

absolutely not! in fact, i strongly recommend you don't. there are going to be... hold on let me count... twenty-seven hermits? (i am bad at counting don't quote me on this) in this season alone. keeping up with all those videos is too much for basically anyone! instead, pick a few hermits that you like best, and if you want to keep up with everyone else, go to the hermitcraft recap youtube channel and watch that! it is a vital hermitcraft resource where pixlriffs, zloyxp, and lyarrah all watch every single hermit so that we don't have to. honor their sacrifice and don't try to watch everyone.

but how do i pick someone?

few ways! there exist, if you google, plenty of "choosing your hermit pov" quizzes; if you head over to the hermitcraft subreddit, for example, i'll be SHOCKED if they don't have one, and if you go over to the recap channel, they had one of those for a while too. this is the starting place for many people.

another way is to watch the recap and choose whoever's project interests you most. for early episodes, this may be hard, but since hermits tend to go hard for their first episode, you'll normally at least be able to pick up a sense of pace and build style.

just watching whoever it is your friends are obsessed with is also a tried and true method of finding your first hermit; frequently, like with the recap, this is a good method for then figuring out whose style you like best, and switching to them, if you don't end up clicking with the same people your friends click with.

finally, you can just... click a random hermit's channel! try a few out! maybe you heard about decked out and want to watch tango; maybe there's a storyline you want to start watching because the dash has been rambling about it; maybe you just want to know who this grain character is. clicking around until you find the guy whose editing you click with is a totally valid strategy!

that sounds hard. just pick someone for me.

if you like well-edited shenanigans: grian or mumbo jumbo. (these are also good starter hermits in general, i've found; if you aren't sure where else to start, start with one of them.)

if you like long background noise-type videos: docm77

if you like minigames: tangotek.

if you like a chill video: xbcrafted or, if the texture pack gets you, vintagebeef.

if you like storylines: rendog or grian, again. (i was trying not to double-up, but if you're here from an rp-heavy server, grian remains a great entry point in that regards.)

if you like to see something new and bizarre: zedaph if you prefer highly-edited videos, joe hills if you prefer lightly edited videos.

if you want the best building on hermitcraft: pearlescentmoon or bdoubleo100, special mention to goodtimeswithscar.

if you want someone as new as you: i'll come back and edit in whoever the new hermits are once we know! but them.

if you just want one of my favorites: zombiecleo or iskall85.

thank you! what if i DO want to know what the fandom is always on about?

that, i'm afraid, i don't know how to help you with. you'll just have to watch hermitcraft from here--and maybe read some of the fanworks that have intrigued you--and find out for yourself!

good luck out there, and i hope this has helped someone!

[blanze]

Nico knew exactly what Percy went through in HoH, how Tartarus pushes you to be your absolute worst just to survive, and just how badly it would affect him. After all, Percy is one stubborn kid that would absolutely beat himself up over what he did to that goddess, having no compassion towards himself. And you cannot possibly convince me that if things had gone just a little bit differently, Nico wouldn't have had the opportunity and compassion of stopping the nonesense, and Percy would have actually listened, for once.

It was supposed to be done for day 2 of @percico-nicercy-events : Powerful Percy and Nico.

Forgot to say: The Shadow is actually a Jungian concept, and I though that out of everyone in PJO, Nico would easily be the one most in touch with that side of himself!

[jesncin]

Caped Crusader, "Safe Diversity", and Catwoman

We're at a point where it's expected that a new incarnation of any story previously with a white-dominated cast would be reimagined with a "more diverse" cast. This can mean racebending them, genderbending them or making them queer, but for the purposes of this analysis we'll be focusing on racebends. Most of the time, executives will take the "safer" routes with diversifying their cast- pick a couple of unproblematic supporting characters to be incidentally "diverse this time". Other times, there might be "braver" takes where more prominent characters (perhaps even the main character) are racebent. This doesn't necessarily mean racebending prominent characters is an inherently better thing to do.

I've been more than critical of MAWS' portrayal of BIPOC characters but especially their Asian Lois before. Sometimes BIPOC representation is just a decorative palette-swap change for these shows. Caped Crusader however, is different. It's more complicated- but it's rooted in very similar problems. Unlike MAWS (though I can only speak for S1), CC is far more willing to take on political topics: classism, sexism, police corruption and brutality, even beauty standards in the entertainment industry! Yet, in choosing to portray these topics in their stylistically anachronistic 30s-40s set piece- it makes it so the show's reluctance to discuss race intersecting with any of these topics far more apparent.

(spoilers for all of Caped Crusader)

Take for instance, episode 2: "...And Be A Villain". The story is about Basil Karlo, a less than handsome actor who wishes his appearance wasn't holding him back from both love and playing roles saved for better looking people. He makes a deal with Jack Ellman, an experimental makeup artist who turns him into Clayface. This story is set in motion when Miss Yvonne Francis, a beautiful actress, goes missing. Miss Francis is a woman of color (brown skinned, unspecified) played by Lacey Chabert: a white actress. CC goes for a generally colorblind casting what with Stephie (a white girl) being voiced by Amari McCoy (a Black actress) but it always feels icky when a white actor voices a character of color. Prominent characters of color in CC are more accurately casted. However I do think animation should be wary of using their medium to get away with their show appearing more diverse than the actual talent behind it.

The episode's theme is pretty clear on how unfair the entertainment industry is in regards to who it prioritizes in leading roles. Basil is constantly emphasized as a tragically talented actor whose appearance is holding him back. "With your talent you should be a leading man, Basil." Yvonne says to Basil in a flashback. Meanwhile as Alfred is watching through movie clips featuring Yvonne and Basil together, he comments "while lovely to look at, Miss Francis is no Gloria Swanson." So Yvonne has the looks, but not the talent and still gets prestigious roles because that's showbiz. The only time this is weirdly inconsistent is when Yvonne calls out Basil/Clayface in the finale, saying:

"I don't believe your performance. You're chewing on scenery. Relying on makeup effects to enhance weak characterization. It's insincere, Basil. It's not real."

I honestly feel like this scene was just meant to quickly "subvert" Yvonne being a damsel in distress by having her call out Basil's acting. It's a moment that isn't reinforced by anything the episode set up. After all, according to Alfred, she's not as good an actor compared to Basil. That's supposed to be how they foil each other, so this moment feels unmotivated. Again, I get what they're going for, that Basil's performance ironically relies on his newfound appearance so much that even a bad actress like Yvonne can spot his meager acting. But it doesn't work when our protagonists were actually convinced by his imitation of others. She's still a damsel in distress character regardless of her having a bit of attitude when calling her captor out.

What I don't understand is: why make Yvonne a woman of color if this was the story you wanted to tell? It's not like they're paying homage to how her voice actress looks, after all. Why, in your story set in purposely anachronistic 30s-40s era noir, did the character who was meant to represent the epitome of "not talented but gets by the industry because of her conventional beauty and pretty privilege" a woman of color? We're missing the very obvious conversation here where Tinsel Town is a white industry with white biases to what it considers attractive. It doesn't matter how many attractive actors of color exist, they're still pigeon holed into stereotyped and often racist roles (especially back then), and have to work twice as hard to get the opportunities their white colleagues get. Why is Basil, a white man, the only one afforded a marginalized narrative when Yvonne is quite literally a woman of color right next to him? The episode is especially painful to sit through when Basil is afforded so much sympathy compared to Yvonne.

"He didn't have the right look. He didn't have the right face."

"The camera is kind to some, but cruel to others."

This is transparently a colorblind narrative. Yvonne is written and even casted as a white woman. The CC crew just decided she should be a WOC likely because "wouldn't it be neat if the beautiful actress in this story is POC" without thinking about how that would drastically change a narrative already critical of the showbiz industry based on appearances. It's not intersectional and flattens the narrative to being selective of the prejudices Tinsel Town has. This episode is a great example to what CC generally does with diversity. It's not afraid to be critical of society, but it gets oddly squeamish with discussing how race intersects with these topics- opting mostly for a palette-change type of representation.

It's not entirely fair to say CC doesn't ever touch on the topic of racism. It sort of does: if you read between the lines for why the mayor gives Jim Gordon his commissioner role, and more prominently with the Gentleman Ghost (a rich aristocrat ghost that steals from the poor, believing wealth is his right) being offended that his mansion is sold to Lucius Fox (saying "and you would sell it to rabble like this?")- racism is somewhat present in the world of CC. We see the women in this show experience misogyny, but it's ambiguous if any of their struggles are intersectional with that of race. But that's... just about it. Racism isn't discussed more than it is alluded to, whenever the writers decide it's relevant. Because of this, CC has a spectrum of hits and misses when it comes to integrating characters of color in their reimagined cast.

Here's how I would visualize that spectrum using canonized instances of Asian Lois Lane. I should emphasize that representation of people of color doesn't entail the narrative owing us "a racism arc" or what have you. This spectrum is more used to measure how much racial identity was integrated in the characterization of the character: whether that be cultural identity or history. Being a person of color isn't just "person who goes through racism".

This is how I'd personally place the prominent characters of color in CC on my "spectrum of racebends" chart. Generally most of the characters of color (whether reimagined that way or were originally POC already) are fairly harmless in how they were integrated into CC's world, but none of the characters feel bespoke as a reimagining of the character and are interchangeable with their white counterparts. To quote cartoonist Juni Ba (in a discussion on CC):

"...stripping characters of color in these time period stories of any cultural, [a]esthetic or social signifiers that’d make them true to the groups being represented. Instead they dress, act and speak very western."

In my opinion, the only character that is an exception to this is Linton Midnite (or as he's popularly known as: "Papa Midnite"). Midnite is a character so interlinked with Haitian culture and mysticism that even CC couldn't erase that aspect of his identity (important note: historically, the portrayal of Midnite since his creation is riddled in racism, but that's not my place to discuss here). Midnite at most speaks with an accent, dresses more nonconformingly compared to the western standard dress of all the other characters, and practices occultish stuff (though I don't think there was anything culturally specific in that episode, please correct me otherwise if someone has more insight!). That's a lot more cultural representation than just about any other character of color in CC. Midnite can't be changed to a white character, his African identity is too interlinked with who he is.

There are a few characters I consider in poor taste to be POC- that being Arnold Flass, Yvonne Francis (who we've covered already), and Harley Quinn (who will be getting her own post, as her case is complicated). So let's talk about cops, then.

I tend to be indifferent about media choosing to diversify cop characters because it feels like choosing the most "respectable to society" role for a marginalized character to play. Cops uphold bigoted systems of power at the end of the day, so that's a very comfortable place to represent your marginalized characters. It's why we keep getting gay or lesbian cops, which Batman media absolutely perpetuates as well with Renee Montoya. It's hard to cheer for two women of color being allowed to date and kiss in public when one of them is a cop, y'know? But this doesn't mean re-imagining cop characters doesn't have narrative merit.

In regards to Jim Gordon being reimagined as a Black cop, I'm gonna refer to La'Ron Readus' video on "Fixing the Batman's Copaganda problem" where he goes into detail about the missed potential of Black!Jim Gordon from Reeves' The Batman (2022). Generally, I felt that opportunity was missed in CC as well. While I love that Barbara Gordon is in CC, nothing about her being a WOC is integrated into this version of her. It felt like if either character was white, the story wouldn't be that different. The bigger issue here is the choice to racebend Arnold Flass- a previously white, blonde, cunningly smart, and brutally corrupt cop.

CC follows some of this in their version of Arnold Flass- he's paired with Harvey Bullock (also a corrupt cop). While Bullock is the brawns of the duo, Flass is the smarts. He's cunning and even implied to be willing to frame Bullock if the worse comes to it. It isn't an inherently bad idea to racebend a corrupt white cop into a Black cop. If the writers want to tell a story about how the police force assimilates people of color into the system and forces them to be just as if not more brutal than their white counterparts, then by all means tell that story.

But that's not what CC gave us. By rarely acknowledging race, we don't get to have a conversation or themes surrounding that delicate intersection of identities. We just have "diverse Flass". Look at these panels from Year One for example, can you imagine how Flass' casual disrespect for Gordon by constantly calling him "Jimmy" could be re-contextualized with a race change? Unlike other characters who just feel like missed opportunities for not integrating race into their characterization, Flass is an elephant in the room. To not acknowledge his race in themes of police corruption and brutality is to white wash the narrative with diverse paint.

I personally think the stronger narrative decision would have been to racebend Bullock as Black instead of Flass. Flass could still be the conniving cop, but he encourages Black!Bullock to be the more "violent brute" who does the dirty work for him. It would put a newfound racial layer to how Flass considers Bullock disposable. Then we could have some kind of commentary on how the police force encourages a system of abuse that makes even fellow POC turn on each other. It'd also make it so a certain scene would be better in optics.

I have many criticisms for the scene where Batman holds a gun to Flass in the finale of CC. It's a narratively unmotivated (see my criticisms for CC's Two Face here for elaboration) and weak moment that relies on metatextual shock value to cover up how underdeveloped this take on Batman is. But it's also just very uncomfortable optics-wise. It's a common and valid criticism that Batman as a character can very easily fall into copaganda, with his status, goals, and collaboration with the police force. In many ways, Batman is often written to be committing his own kind of vigilante police brutality.

Caped Crusader wants to be a deconstruction of a Batman tied to power and hellbent on his mission to eliminate crime. But because CC occasionally omits race from its narrative, the scene where Batman holds a gun to a Black cop-a man stripped of his ability to fight back-just falls flat for me. There's no acknowledgement in this scene that Batman basically gets to be an anonymous cop, "warning shots" and all. Batman shoots at an unarmed Black man several times. It's meant to be shocking to us how Bruce is willing to stoop to such a level and indulge in gratuitous gun violence, but it honestly hits too close to real incidents where this is racially the case for me to enjoy the narrative point of this scene.

You know a character who would be perfect for calling out Batman's many privileges? Selina Kyle. Let's talk about Caped Crusader's biggest downgrade.

I've heard just about all the arguments in favor for CC's reimagining of Catwoman and none have convinced me that this was in any way a good take on the character. I see people saying that this Catwoman is a return to her golden age roots, and there's a lot of misconception surrounding that assumption. So bear with me as looking at Catwoman's history is necessary to discuss race and how a character evolves.

Catwoman debuted in the 1940s as a jewel thief who disguised herself as an old lady. She was just called "The Cat" and would not don her more feline appearance until later. True to the mystery woman femme fatale trope she was inspired by, her backstory was left unknown for a long time. 10 years later, in Batman #62 it is revealed that after a plane accident bonked her head, the now named Selina Kyle got amnesia and went on a crime spree. Giving her leeway to reform and be an ally to Batman. This would historically inform how Selina Kyle toed the line between good and evil as an anti-hero.

Her origin would be revisited in 1983, in the Brave and the Bold #197. Although not canon to the mainline universe, it is still a crucial development for her character's history. In this story, Selina reveals that she lied about having amnesia to get out of facing punishment. Her true story was that she entered a life of crime to escape an abusive relationship with a rich man. The only loss her husband understood was material loss, loss of property, so stealing was how Selina fought back.

This crucial re-examination of her character transformed her from shenanigans inducing femme fatale, to a marginalized fighter. Shortly later in 1987 in Batman Year One, Catwoman is reimagined as a street-hardened sex worker in poverty. She is inspired by the Batman to become a vigilante for her own goals and gets annoyed that she's assumed to be his sidekick.

The moment Catwoman became marginalized by power, was the point where she became worthy of solo-character status. She was not only a compelling foil to Batman-capable of going toe to toe with him and make him question his motives even though she did not share his privilege-she could lead her own adventures reflecting a side of Gotham Bruce Wayne's perspective doesn't. She actively makes the setting of Gotham stronger because of how she's evolved as a character.

Catwoman's character would continue to evolve, with some iterations reimagining her as a latina woman and others where she's canonically bisexual.

While Catwoman has been portrayed by Black actresses before, I want to focus on the most recent and prominent iteration of a race-swapped Catwoman. When Matt Reeves' The Batman (2022) featured Zoe Kravitz as Selina Kyle, an explicitly biracial character within the text of the story, we see another step this character evolves. I think La'Ron Readus' video on "Why Race-Swapped Characters Are Not The Full Story" does a fantastic job of explaining why this is a narratively great race swap. To summarize (though I do encourage watching his video as he goes into depth about 2022 Batman's Jim Gordon as well among many other examples) and add analysis of my own: Selina being the byproduct of an Italian crime lord and a Black sex worker is a brilliant marriage of her original backstory (being connected to and abused by powerful men) and her modern backstory where she's poverty stricken (and tangentially related to a sex worker if we're talking about Batman Year One).

We understand why someone of her background would have an affinity for stray cats because of how she lost her mom at a young age, she is sympathetic to fellow people from the lower class, and explicitly calls out privileged white people- including Batman who attempted to over moralize Selina's partner as a sex worker.

"All anyone cares about in this place, are these white privileged assholes."

It's especially that last line that makes it so Selina's character isn't interchangeable with her white counterpart. She's a textually rich character to contrast Bruce in Batman 2022, and we can see how years of history and evolution has brought such an empathetic character to the screen. Interestingly, Readus feels that while 2022 Selina was an example of a race-swap that works, he believes it was great by coincidence, because of the miss that was Gordon's characterization in the same movie. I think with Reeves as a collaborator on Caped Crusader, that assumption was correct.

Selina in CC is back to being a rich socialite, but (unlike her Golden Age counterpart) she's not married into wealth- she's got generational wealth (with a dad serving jail time for tax evasion). Worse yet, she's taking what little remains of her money and spending it on superficially imitating the Batman to create her Catwoman persona. She even has her own reluctant Alfred, a Catmobile, the works. Selina steals things because. She likes shiny things. And is something of a kleptomaniac. Catwoman is instantly discovered to be Selina because of course she's not as good as Batman is with keeping a secret identity (another key difference from her Golden Age counterpart, whose backstory was shrouded in mystery for a decade).

It is laughable to me that CC touts that their version of Harley Quinn has an origin of her own outside of the Joker, only to turn around and make a Catwoman that is completely tied to copying a man as her origin (did they decide Harley's goofyness as a character needed to be replicated in Selina for some reason? In their supposed dark and edgy show?). What a strange choice to fixate on the part in Year One where Selina didn't like being mistaken for Batman's assistant despite being inspired by him and turn it into a quirky bit. It feels like such a regressive take that frames Selina as a sillier, whimsical version of Bruce that just spends money on a whim because women just aren't smart enough to know how to keep track of their money. They're too busy looking for shiny things to steal. The fact that both 2022 Batman and CC have a scene where Selina is looking through her many bills she's yet to pay is wild to me. How am I supposed to care for a Selina that has the expendable wealth to create a Catwoman costume, car, and gadgets, but delay paying her maid? One of these versions of Selina is far more sympathetic than the other.

Again, I get what CC is going for. Batman is characterized to be hellbent on catching criminals, Catwoman is supposed to serve as some kind of reflection of his obsession. They're both self destructive in their goals, but one is vengeance and the other is chasing thrills. But is that really as interesting a foil as having Catwoman be marginalized, just as skilled, and making Batman second guess himself? Is it a take that strengthens Gotham as a setting by shedding light on its lower class characters? Is it a take that makes her worth revisiting as a perpetual rogue and not a one off episode where's she's basically a shenanigans-inducing nuisance to Batman? Evolved takes on Catwoman have talked about her desire to seek thrills and paired it with how she dismantles power. So it's not like CC's take is particularly unique, it just lacks all the depth that usually surrounds Selina's thrill seeking.

In a show that is frankly desperate to make it so Bruce doesn't have a personal relationship to his rogues gallery because he's too busy being "A cold, remorseless avenger of evil, seemingly more machine than man. Forged in the fire of tragedy, every fiber of his being is dedicated to the eradication of crime." (according to promo) that's how we end up with Barbara as the foil and humanity to both Harvey Dent and Harley Quinn. How the show focuses on the police force more than Bruce. It feels especially pointed that Catwoman is characterized this way. When she doesn't contrast Bruce, she becomes less personal to him as a character that is poverty stricken but still matches up to him in skill. She can't challenge him or his worldview, he can't find her fascinating as an equal, all of their chemistry and intrigue is erased.

All this to say that of the characters revealed for CC, I was honestly surprised that Selina wasn't one of the many characters racebent. CC followed up on a Black Jim and Barbara Gordon, two characters that have been race swapped before in previous media. Most prominently! Harley is Asian in this iteration, something never done before. So why is it that Selina doesn't follow up on the many times she's been portrayed by Black actresses?

It's because it's an actual good racebend if written well. It wouldn't be a "safe" racebend because writing Selina this way means you'd have to acknowledge racism, and it would be much more noticeable if you didn't. There is no canonized version of Asian Lois Lane that parallels her relationship to Superman as an immigrant. But there is a version of Selina as a Black woman who directly calls out white people and is aware of systemic power. It's in something as prominent and mainstream as Matt Reeves' 2022 Batman. So instead it just reads as cowardice to me that CC couldn't follow up on this evolution of Selina.

Not only does it weaken Catwoman and Batman's relationship to regress Selina this way, but it actively weakens Gotham as a setting and the very themes of Caped Crusader. I personally think all the energy that went into Harley Quinn should have been shared with (or straight up gone to) Selina Kyle. Because unlike CC's take on Harley, the way Selina Kyle's marginalization intersects with race and queerness would have actually critiqued Gotham's class corruption effectively. As a Black queer woman, Selina would be among the most vulnerable people in Gotham. We don't have prominent characters in CC that truly reflect the lower class, there are these unnamed characters Harvey Dent sits next to on a train. There are some orphans with Batfam names. A proper Catwoman reimagining that takes advantage of her evolution would have filled this gap in their narrative.

But that's not how "safe diversity" works. CC would rather racebend and canonize the queerness of a character like their take on Harley Quinn. A WOC who gets to kiss a cop and call out powerful men, but not in a way that makes white people uncomfortable.

If I could edit the Sandman quote that "The great stories will always return to their original forms" for Superheroes, I'd say "The great stories will always return to their most resonant forms" because without iterations we don't get characters like the Kents, Alfred or Catwoman as we know her today. Classics are good to look to, but we like these characters because they evolve. In my opinion, none of CC's takes on these characters of color feel resonant. They're not definitive to the level of Mister Freeze's tragic love story in BTAS, among many standout narrative choices in BTAS that continue across media iterations.

In my opinion, CC isn't as thoroughly clumsy as MAWS is in regards to POC representation and race-swaps (all characters of color in MAWS get put in the left side of that chart I made. In the Sunken Place. Where they all Missed The Movement). However, I can't help but see Caped Crusader's take on the world of Gotham as nothing more than an anecdote in the evolution of Batman's story for the modern era. "It's BTAS but superficially more diverse and with less compelling narrative choices."

[trigunbookclub]

Bookclub Round 2!

Hello and welcome! This is an online bookclub dedicated to reading through the Trigun manga series (which is Trigun, followed by Trigun Maximum). This time around, we'll be reading one omnibus volume about every month to celebrate the Dark Horse deluxe editions releasing! You don't have to read that version, @trigun-manga-overhaul is a fantastic fan translation project, and a great alternative! (Though please, if you can, support Nightow and the official releases!) All official images used in promotion of this event are from Overhaul.

Schedule

Trigun Deluxe Volumes 1 and 2 of Trigun - September 10th-October 7th

Trigun Maximum Deluxe Vol. 1 Volumes 1, 2, and 3 of Trigun Maximum - October 8th-November 11th

Trigun Maximum Deluxe Vol. 2 Volumes 4, 5, and 6 of Trigun Maximum - November 12th-December 9th

Trigun Maximum Deluxe Vol. 3 Volumes 7, 8, and 9 of Trigun Maximum - December 10th-February 24th

Trigun Maximum Deluxe Vol. 4 Volumes 10, 11, and 12 of Trigun Maximum - February 25th-TBA

Trigun Maximum Deluxe Vol. 5 Volumes 13 and 14 of Trigun Maximum - TBA

Guidelines and Info

Have fun! This isn’t meant to add more pressure or stress to your life, just to have fun reading a widely beloved manga <3

First-time readers and re-readers are both welcome!

Post your thoughts/theories/questions/graphics/edits/memes/etc. to the #TrigunBookclub tag on Tumblr, Twitter, or Bsky to participate with your fellow fans!

If you post spoilers for future volumes, please use the tag #TrigunBookclubSpoilers to help new fans enjoy reading along with the community.

Nightow’s artwork is beautiful, but sometimes readers find the action/dialogue a bit hard to follow. Feel free to ask for help deciphering things!

While the manga is a brilliant story, it covers very dark themes. They are spoilers, but if you trigger warnings, there is a Does the Dog Die page for the manga. There’s also a chapter-by-chapter TW list on Tumblr.

If you fall behind or come in late, no worries! Feel free to hop in at your leisure, just know the main tag will have spoilers for the current volume.

Supporting Dark Horse and Nightow is highly encouraged, but if you're looking for a place to read because you don't have a deluxe edition/want to read online with a different translation, check out @trigun-manga-overhaul!

Be kind to others! This is supposed to be a fun experience for a franchise that a lot of us love or are interested in. Harassment will not be tolerated.

And that's all for now! Follow this blog for updates, and I hope you have a great time if you decide to join!

[starflungwaddledee]

i wanted to do a piece to commemorate all the amazing waddle dees who entered the @kirbyoctournament this year! as starstruck is the last dee standing in the mainline tourney, that's a big legacy to carry, but she's doing her best...!

if you want to help her keep fighting the fight for the Humble Waddle Dee against all these super cool knights, dark matters, gods, and ancients, you can vote for starstruck here!

additionally with the first round of second chance voting now open, all these dee's are back for more, and you can give them your vote in the second chance bracket!! sadly a few of them are up against each other, but from top to bottom, here are links to vote for your favourites!

galaxia // ideena // pip // fondue // starry // mimi // daisy // rainbow // wadhat // wridee // stellar // rope mf // keyper // seam // lemon // flower // and of course starstruck being squished to within an inch of her life there 😂

character credits, from top to bottom!

galaxia @centellazul // ideena @tazmilygray // pip @emmyp0ps // fondue @moonmacabre01 // starry @staring-at-a-blank-pagee // mimi @clownie-rainbow // daisy @starrygoober // rainbow @cali-kabi // wadhat @iwontusethis255 // wridee @mxmanynames // stellar @drawscutestuff // rope mf @mint-termsandconditions // keyper @bloodiegawz // seam @cloud-the-forgotten // lemon @snazzyladreal // flower @eliastheownerof0axolotls

i hope you all enjoy it!! best of luck to everyone and their wanyas in the tourney and second chance!! 💖🙏

[windydrawallday]

STAR(T) TALKING

Follow up from [THIS] sequence... I forgot it's LONGER and I'll try to release the next part if not today at night, tomorrow!

Skyfire knows Starscream is a grumpy rambler about his ideas but if given enough space, it devolves into a passionate speech and quite the entertainment company x)

I resurfaced this old art as a tribute to @skystarweek 's anniversary event! If you are interested in participating, I suggest checking their prompt list for this year [HERE].

[thebramblewood]

The first meeting of the Vatore Book Club has commenced.

Previous / Next

Helena: Caleb, are you in here? [telepathically] Caleb?

[silence]

[under breath] Where are you? You promised you’d show me more today.

[picking up journal] Hmm. These definitely weren’t here before.

[begins reading]

May 25, 1918: Another night daymare. Same as all the others. Calloused hands squeezing my throat, phantom fists pummeling my stomach, shrill bursts of laughter assailing my ears, sky of taunting stars, blinding white moon, a monstrous form looming over me… Straud insists I should no longer be able to dream. One more bold-faced lie from a man who speaks arrogant, empty words just to hear his own voice - and endlessly, endlessly. I already tire of his dull speeches.

July 10, 1918: The days stretch eternal in this crumbling mansion. I am Straud’s prisoner, though he claims I am free to come and go as I please. Yet he prattles on with excuses as though he does me a favor by denying me. I’ll not be allowed off the grounds until I bend to his will, until I  have suitably mastered discipline. How I loathe that word! I’ll be sick if I hear it once more.

September 8th, 1918: Killed two men last night. Only meant to step out for fresh air but instead found drunken idiot humans stumbling unknowingly across town lines. Their thoughts came to me easily. (So the old man taught me something after all.) Vile and crude remarks on my body, naturally. My vision flashed white with rage, and my body convulsed as if to split in two. Their taste of their blood was exquisite. It’s a funny thing, though. I kept expecting the swell of remorse to arise, but it never did, even when my brother, drawn by the cacophony, flinched away at the sight of my monstrousness, truly frightened of me for the first time. Further reflection is required, but for now I must depart. Straud requires placating.

Helena: [thinking] This is Lilith’s diary?

[flips to final pages]

February 22, 1921: Caleb’s birthday tomorrow. If it passes, he will be 27. He will continue to outpace me in physical age. He will eventually die. I’ve promised it will not. All week, he has been nervously pacing and eerily silent, too afraid to ask the obvious question: Will I truly make him like me? I know how to do it, but thirst remains a constant presence in the back of my throat. I suppose I will take it up with Straud one last time, though he will respond as usual. He believes the gift should be offered only to those who have been deemed worthy. But he grows uncomfortable when I ask how he determined my worthiness. I know he saw me merely as an opportunity, a flimsy young girl in distress who could be easily remolded in his image. I disappoint him every day. We must be free of him soon.

-

Vlad, telepathically: I can still hear every thought that passes through your mind, girl. Your barricades are sloppily constructed. And, no, my position has not changed.

[gallusrostromegalus]

A Miracle In The Night

Sometimes, you get an idea for a lightly fucked up short story. TW: Death, mild gore, Plot Twist :)

---

She travels through the night And listens

Some might call her home dark and cold and akin to the lowest levels of hell, But their heaven burns her eyes and skin and her very breath To her, The Endless Night is Paradise

The whole world was like this once, in the very beginning The Divine Darkness which contains the potential for every tragedy and miracle and everything in between, and she is blessed  to travel through the gardens of creation.

The Night created everything, even God, who lives in the burning world and blesses the sinless beings of the night with the very force of life.

But not even Paradise is free of suffering.

It should be this way, of course- nothing would ever happen otherwise. Everything that happens is a miracle. It’s just a question of who the Miracle is for.

There will be a Miracle tonight. She can feel it- the tension is electric across her skin, gut tightening, every sense on edge.

Starvation leads to such peculiar sensitivity.

She’s on the verge of death-  It should be this way, otherwise nothing could be alive. But she’s closer to the edge than usual.

It’s been so long since she felt the Burning Love of God within her. The delicious taste of good fortune in the night Chasing ecstasy with a racing heart and feeling her body fly The heat in her belly, seeping out through her until it filled her with the Divine Warmth of God’s Love.

It’s been so, so long since she’s eaten.

It’s been uneasy- the breathing of the world has been unsteady of late- too early and too late, out of time like it has become ill and all things suffer for it. There is nothing to partake of in her usual hunting grounds, so she has traveled far, far from home, into a brighter and hotter part of the night.

Here, the protective wall between her and the burning world exists only in scattered fragments, and strange and monstrous things traverse the thin veil between their worlds.

Here, the eternal night has been invaded by noxious, screaming beasts from the burning world above.  They race with their bodies straddling the barrier between their worlds, far faster than anything has the right to fly, howling with a deafening voice that can be heard for hundreds of miles.

It’s a problem because she cannot hear the songs of her prey.

Everything sings, if one will listen. The high, chiming pings of the smallest stars flashing with bioluminescence around her. The long, low songs of the fire-breathers, who hunt here in the abyss for one of her oldest brothers, but return to the barrier and briefly cross it to breathe before they return. Even the earth sings- the moan and crack of her body as she shifts her weight, the almost invisible inhale and exhale of her seasons. She even builds great musical instruments of ash and smoke and an even hotter burning than the world above, singing the tale of the first days of creation in honor of the endless night.

But the behemoths do not sing.

They scream and scream and scream and their piss reeks of vile poison and overexertion. Almost like the way an injured animal can put on a miraculous turn of speed to escape pursuit. What might be pursuing such behemoths is an awful but intriguing consideration. Perhaps the behemoths are the little darting beings of the burning world, and the thing they flee the equivalent of herself. She’s seen it before, when the moon is high and she travels up to the barrier, and the little dancing bodies leap across the barrier to avoid her.

To that end, she can only wish her counterpart good hunting- both in the sympathy between one apex predator and another, and the hope that maybe it will get better at catching the behemoths before they come into her world.

Still, Where there is disturbance, There is also opportunity.

There are rumors from those that live closer to the barrier that the behemoths piss poison but shit out bounties- the wastes of these things are food direct from the burning world, where God lives, and that waste is full of The Divine Warmth of Life. The direct waste is devoured by the smallest and fastest things first, but when they are clustered at their feast, they are easier for the larger beings to partake in, and so too larger things than they until even her most beautiful borderland sister with the belly pale as the moon is now as round as it, fat with the blessing of pups.

So she has ventured as close as she dares to the world of her sisters in hopes of finding the rumored prey so full of the Burning Love of God.

She needs it. She can’t live without it.

A Miracle will happen tonight.

Whether for her or the crawling lives of the deepest night remains to be seen.

She follows the terrible screaming song of the behemoth in silence and prays for a miracle. She does not sing praise when she prays. She preys when she prays.

The highest reverence to The Divine Night is to Listen. To travel in silence, and take in all the songs of The Night.

So she makes herself silent and listens and listens and listens to the screaming song, hoping that somewhere in the noise, she can hear the soft voice of God.

This time God answers with a voice like thunder.

It really is like being too close to a lightning strike, the way the noise viscerally passes through her and lights up every nerve, teeth gritting and body thrashing as she feels the voice of God the same way she feels the body of a lover against her own.

The scream of the behemoth changes. It sputters, then pitches wildly, low visceral injury and high keening pain, like the fire-breathers when they try to hunt the largest of her brothers and become prey themselves.

Oh, what a beautiful song to something like her.

She aches, weak and tired, but hope and joy surge through her and she forces herself to move at speed, even for all the energy it takes, because perhaps the miracle is for her tonight- 

She flies as fast as she can towards the dying behemoth, as does every brother and sister and ancestor and descendant, all as desperate to feast upon God’s Love as she- all of them race forward but then up, and up and up up to where the Behemoth is sinking into their world- It has run upon a fragment of the protective barrier hard enough to tear it's side and break it's back. There is the terrible acrid scent of it’s noxious  piss and if she were not on the verge of starvation it might be enough to put her off the feast.  

But she flies on and up- even weak with hunger she is one of the largest and fastest of her family when she needs to be, so she is the first to smell other strange things from the behemoth- burning flavors that sting her nose and mouth, as well as sweet things that confuse intrigue, and-

Oh. Oh, GOD!

It’s blood but nothing like any blood she’s tasted before- it’s actually HOT in the night, burning with the warmth of the other world even this far from it’s origin, rich and fatty and metallic like the flesh of a fallen fire-breather but even more so.  She spreads her wings and sways her hips and spine to fly as fast as she can, the way a lover pursues her- full of nothing but adoration and a desire to make their bodies as one.

Then in a beam of moonlight, she sees the first of the bodies from the burning world.

The frenzy at the behemoth is a feast for the ages, from the exultant chorus above, and the fact that even with every member of her family for a hundred miles around at the feast, there are so many bodies to feast upon that a body is falling past the festivities to her, uneaten and whole.

What a strange and beautiful body it is.

She pauses, circling it even as her mouth and gut ache for it, studying the being from the burning world.

It’s hot, hotter than any body she’s ever felt before, even though it is very definitely dead, as unsuited to breathe the night as she is to breathe fire. Its wings are long and twist strangely, like the tentacles of her brothers that are hunted by the fire-breathers. It’s awkwardly shaped, like the crawling five-winged creatures of the mud, but not quite.  There is an almost unsettling familiarity to its symmetry.

The fire-breathers say they used to live in the burning world, but returned to the night, and that all the beasts of the burning world had too once come from the night. It had sounded absurd, but looking upon the form of this being now, she wondered.

Well. Only the one thing to do, really.

Gently, she approaches the being, opens her mouth to embrace it, and welcomes it home to the night.

There is no love like the love the predator feels for its prey.  It is reverence made flesh- O holy being, oh virtue to pursue and make one’s own.It is the flesh made reverent- Please, little being of the burning world, let her love you as she loves her own children, the weight of your body deep within her own. 

There is no gratitude like the gratitude a predator feels for its prey. She owes you her life tonight, little being of the burning world. She lives from the mercy of your body alone. It is already a kindness she can never repay to live by your generosity, but oh, you made it so sweet-  Your blood intoxicates her senses, your body thrillingly warm- as agonizing as the fire of the burning world is to breathe in, it’s just as wonderful to swallow.

You are so sweet, so sweet, she will remember this favor forever.

There is no miracle like the divine connection between predator and prey. Oh child of the burning world, you who brings the Warmth of God into The Endless Night, You burning being of God’s Love. She is blessed by you, messenger of God.  Through you she receives the miracle of life.

Welcome, little burning being Welcome home to the night from whence you came Welcome inside her deepest self, and receive her hospitality.

She swallows the little burning being up with adoration, feeling it settle within her. Relief, ecstasy and satisfaction swirl but are interrupted by the appearance of another body. And another And another And another

The Behemoth itself falls, it’s body still curiously dynamic even torn in half- one end dives for the bottom of the night with somewhat alarming speed, where the other glides along to the depths on an angled path, the distant motion still visible with the bioluminescence it stirs up along it’s path. It is massive beyond anything she's seen before, more like a piece of geography than a living organism.

And all along its wake, hundreds of bodies spill forth from inside.

What a strange miracle this is. But she’s not one to refuse God’s Love. And if the beings of the burning world travel in huge schools with their behemoth, the peculiar notion that the little being within her might be lonely occurs to her. …Wow, she’s REALLY drunk.

Still, she eats three more of the burning beings before her guts are almost bursting with fullness, a bizarre sensation she’d only heard about from those who had been fortunate enough to feast on the fallen body of a fire-breather and had to leave the excess to the crawling beings of the bottom. So too, does she watch more bodies descend deep into the night as she returns to her world of darkness and song, the behemoth’s terrible screams now silent with rest, and the choir of the night rejoicing in this miracle.

---

Two miles above the revelry of God’s Favorite Greenland Shark, the survivors of the Titanic prayed into the endless night for a miracle, unaware it had already been granted.

[ink-the-artist]

Rare @uncleflutus sighting

[cassandragemini]

a while back i was poking around on facebook and found this absolutely gorgeous illustrated guide to mongolian horse tack

[front-facing-pokemon]

[lizzybeeee]

DATV Spoilers - The Handling of Previous Story/Lore In DATV

Quick PSA: If you’ve read my post on the lore/story threads dropped – it’s not a list of what I expected or even wanted to see addressed/answered in DATV.

It’s pretty much a given that Kieran and the Architect were never going to come back in any meaningful way, I understand that. Questions about what happened to Anora, Anders, Cullen’s clinic etc...never expected to get an answer about them – at all. The line of succession in Ferelden and Orlais? I expected that sometime down the line it would have to be streamlined into one option for both nations, not a problem – there’s so many choices it’s impossible to account for, and I understand that.

A codex entry or letter would have been nice – but my expectations for DATV was solely for a good story that added to the lore and world of Thedas. Instead, it felt entirely reductive – glaringly so when you account for the ‘Executives’ twist. The slavery in Tevinter is non-existent, the Crows being an organization that indoctrinated children is never touched upon, any mystery of ancient Tevinter and the elves is answered (badly!), the Dalish have effectively disappeared and become the Veil Jumpers...it all feels so hollow, so shallow, that I ever cared about these things in the first place.

There’s no DLC planned – the team is working on Mass Effect 5 now. There’s no conclusion to the fate of the south of Thedas outside of two codex entries and some dialogue. They can patch the Executors cutscene out, maybe - perhaps they could even do the same to anything relating to the south of Thedas. Yes, these areas were not completely destroyed by the Blight – they can rebuild – but it comes across as being so meaningless that I ever cared for these places in the first place. To learn that after ten years of waiting all we cared for get devastated and left in limbo...it’s hard to put into words the bitterness I felt at that realization, and seeing that final cut-scene drove the nail into the coffin of how foolish I felt for even caring in the first place.

The issue is that the dev’s gave us only three choices, told us that as the story was contained to the north of Thedas – that our other choices weren’t relevant to the rest of the game – that their intent was to not effect anyone's head-canons...before doing so with ‘the blight has devastated most of everywhere you went previously’.

These were story/plot threads that were woven throughout the narrative of the first three games – the things that made me care and become invested in the world of Thedas to begin with. In a game that was set-up to be a direct sequel to Inquisition and Trespasser I hoped that, at least, what was brought up in Inquisition would be mentioned.

Perhaps my list is a little too detailed with plot threads and issues – if anything that can be attributed to the incredible world-building done in the first three games! I love those games, I love the world of Thedas...which is why this game utterly baffles me with its choices.

Dragon Age: The Veilguard is a good game but not a good Dragon Age game.

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Edit: DATV absolutely has a lot of problems outside of its handling of the lore and story of the previous games. I would not say its a good rpg in any sense, but as a weird 'action-adventure rpg lite' game I did have some fun moments and enjoy myself. Would I recommend it to anyone? Absolutely not.

I heard someone describe it as a 'junk food' game and I very much agree with that statement. I found enjoyment in it, but to do so I usually had to turn off my brain, which is not a compliment towards DATV.

The game released very well optimized (especially considering how most companies are content to release half-baked games and patch them later) and did create some really interesting visual set-pieces like the Battle of Weisshaupt. But those moments I enjoyed were few and far between, and far overwhelmed by the negatives of the game - such as story, lack of conversation/conflict/role-play options, bad character writing etc...

Calling the game 'good' is, perhaps, a stretch, and I totally get that. Calling it 'mediocre with some good parts' may be more accurate.