#LIKE. THIS SERIES IS ALL ABOUT LEGACY

[geroya]

it's so silly funny to me all of the ghostfaces that came after billy (& stu) are like we wanna be him we wanna do better than him we're gonna kill sidney but then. :/ didnt bc she survived billy so what makes u think she's not going to survive YOU & then when sam comes around they're like oh hehehe time to poke the bear that is billy loomis's legacy & accuse sam of being like him/being=to him & like. if none of yall could even ever OUTDO billy loomis & manage to kill sidney & sam is on par WITH billy what makes yall think u could kill sam.

[rookflower]

nightheart's unique problem.

[vaguely-concerned]

To the ‘themes I am picking up on in Veilguard’ list, let's go ahead and add what I have a sneaking suspicion will actually turn out to be The theme:

— the world has changed and can never be as it was again.

— I have been changed and can never be who I was again.

— in this simple unavoidable truth there is endless grief and endless hope.

And I… may be getting a bit emotional about it haha. Let me show my work a bit: 

if da:o is a game about people who are already dead or half ghosts in some form (through societal forces, psychologically, functionally, literally, in body, through the joining etc.) coming together anyway to save the world from being swallowed by total nihilism and despair (symbolized by the blight) through the power of love and friendship and also this sword/potential heroic sacrifice that I found, da2 is a game about people who have lost their homes and been set adrift finding and building new homes in each other (while completely failing to save the world. also through the power of love and friendship. as well as years of petty bickering <3 we must imagine kirkwall if not happy then worth having been because the love was there the love was there and that's the only sanctifying force we can ever have in this doomed world and city of ours), and da:i is a game about old stabilizing-but-unjust comfortable lies vs. disruptive but potentially liberating uncomfortable truths, and the power of friendship to help us distinguish the one from the other and navigate through them...

folks… I'm starting to think that veilguard might be a game specifically about moving towards recovery and acceptance after trauma — about how even in this flawed, severed, scarred state, what is here right now is worth loving and worth caring for. even in an imperfect and impermanent world and self, there is worth and joy. and of course the first real tragedy — and threat — of Solas is that he just cannot find it in himself to accept this and move on, to let go of what was, the regret won’t let him go or he won’t let go of it. which means that even though on the surface it’s Elgar’nan and Ghilan’nain (and the will to subjugate and violate they represent) who are the main villains, the real antagonistic force in this story beneath that is the Dread Wolf’s despair. A despair Rook must make an answer to by the end of the game, one way or another, compassionately or with righteous fury, triumphant or pyrrhic.

The world will change again and again and so will you — BUT the crucial element is that so will everyone else who exists along with you, you are fundamentally not alone in this existential truth. all we’ll ever have is each other and my god that is plenty, my god that is enough!!! Which is the second thing Solas just can’t accept, he keeps himself separate and completely alone out of an awful mix of fear and pride and feeling himself unworthy of anything else. Rook and the player want to save the world of Thedas because it’s where everyone we love lives, Solas wants to go back to the past because that’s the only neighbourhood where he can still visit those he loved — and the person he himself was, before. A very sympathetic and human instinct/trap to fall into when touched by trauma, I think, if only it wasn’t backed by godlike power, a fundamentally oppositional personality, and a catastrophic lack of therapy to make it literally everyone else’s problem too lol. It’s varric and solas’ banter about the man on the island and where meaning in a life comes from all over again, writ large and with detail work — and the added idea of ‘what if there are also other islands out there, though. With other people on them that you could find if you reach for each other’. Rook with the best of intentions has to make choices to which there are no perfect outcomes and live with what happens — and not cut themselves off from everyone else around them even when there is regret or shame. You get back up every day and you make a life with other people doing the same and you do your best, and that’s the only victory this world will give you. In the end, that is more than enough, that is essential. And I um. I love that. So much. It’s why some of the writing clumsiness on top can’t hurt me because this thematic spine is so solid and so beautiful to me. It’s DA2 all over again that way for me personally — I forgive this story for what it isn’t and couldn’t be, and I love it with my whole stupid open heart for what it actually is. Thank you for coming to my TED-talk and goodbye etc.      

(For my fellow TLT heads out there — you know what this story is reminding me of most of all, actually? It has some big Nona the Ninth vibes down there in the deep. It’s about… the horror and unspeakable beauty that can only be found in liminality, and the role of love in making that basic fact of existence bearable. And also even more unbearable at the same time. I'm so sorry.)

[lord-squiggletits]

I think the key component to my personal reading of post-Delphi Pharma is that he's trying to be a horrible person on purpose. Not "on purpose" in the way that people have free will to exercise their own choices, but in that Pharma's "mad doctor" persona is a performance he puts on to deliberately embrace how much everyone else hates him. Basically, if people already think you're a "bad Autobot" and a horrible doctor who just kills his patients for fun, why try to prove otherwise to people who have already made up their minds about you? Just fully embrace the fact that people see you as an asshole. Don't try to change their minds. Don't plead for their forgiveness or understanding. Just stop caring. If you're going to be remembered as a monster, you might as well be a memorable monster, and eke as much pleasure and hedonism as you can out of it before karma catches up to you and you inevitably crash and burn.

I mean, I guess you could just go the route of "Oh, Pharma was always a fucked up creepy guy and Delphi was just him taking the mask off," but I really don't like that interpretation because, for one, it feels really wrong to take a character like Pharma becoming evil under duress and going, "Oh well clearly he did the things he did because he was evil all along," as if somehow Pharma breaking under blackmail/torture/threat of horrible death was a sign of him having poor moral character. As opposed to, you know, suffering under the very real threat of horrible death for himself and everyone he cares about while being manipulated by a guy who specializes in psychological torture.

The second reason is that it just doesn't make sense to write Pharma as having been evil all along. I mean...

Occam's Razor says that the best argument is the one with the simplest explanation. Doesn't it make way more sense to take Pharma's appearances in flashbacks, his friendship with Ratchet, his stunning medical accomplishments, and the few we see of him speaking kindly/sympathetically (or in the least charitable interpretation, at least professionally) towards his patients and conclude "This guy was just a normal person, if exceptionally talented." Taking all of these flashback appearances at face value and assuming Pharma was being genuine/honest is a way simpler and more logical explanation than trying to argue that Pharma for the past 4 million years was just faking being a good doctor/person. I mean, it's possible within the realm of headcanon, but the fact is Pharma's appearances in the story are so brief that there simply wasn't room in the story for there to be some sort of secret conspiracy/hidden manipulation behind why Pharma acted the way he did in the past.

I just can't help but look at things like Pharma's friendship with Ratchet (himself a good person and usually a fine judge of character) and the fact that even post-Delphi, pretty much every single mention of Pharma comes with some mention of "He was a good doctor for most of his life" or "He was making major headways in research [before he started killing patients]" which implies that even the Autobots themselves see Pharma's villainy as a recent turn in his life compared to how for "most of his life" he "used to be" a good doctor.

And although Pharma doesn't know this, we as the readers (and even other characters like Rung) know about Aequitas technology and the fact that it actually works, so... if Pharma really was an unrepentant murderer, why couldn't he get through the forcefield too? The Aequitas forcefield doesn't require that a person be completely morally pure and free of wrongdoing or else how could Tyrest get through, just that they feel a sense of inner peace and lack feelings of guilt. Pharma has murdered and tortured people by this point, and put on quite a campy and theatrical show of how much he sees it as a fun game, so why then can he not get through?

It circles back to my headcanon at the start of this post that the "mad doctor" persona is just that-- a persona. Delphi/post-Delphi Pharma's laughing madman personality is just so far removed from every flashback we saw of him and everything we can infer based on how other people see/saw him before that, to me, the mad doctor act is (at least in large part, if not fully) a persona that Pharma puts on to put his villainy in the forefront.

To avoid an overly simplistic/ableist take, I don't think Tarn tortured Pharma into turning crazy. To me, it's more like the constant pressure of death by horrific torture, the feeling of martyrdom as Pharma kept secret that he was the only one standing between Delphi and annihilation, the physical isolation of Messatine as well as the emotional separation from Ratchet, being forced to violate his medical oaths (pretty much the only thing Pharma's entire life has been about), etc. All of that combined traumatized Pharma to the point that the only way he could avoid cracking was to just stop caring about all of it. Because at least then, even if he's still murdering patients to save Delphi from a group of sadistic freaks, Pharma doesn't have to feel guilty and sick about doing it. As opposed to the alternatives, which were probably either going off the deep end and killing himself to escape, or confessing to what he did and getting jailed for it.

In that light, Pharma becoming a mad doctor makes sense. It avoids the bad writing tropes of "oh this character who was good his entire life was actually just evil and really good at hiding it" as well as "oh he got tortured and went crazy that's why he's so random and silly and killing people, he's crazy" and instead frames Pharma's evil as something he was forced into, to the point where in order to avoid a full psychological breakdown and keep defending Delphi, he just had to stop caring about the sanctity of life or about what other people might think of him.

Then, of course, the actual Delphi episode happens, and Pharma's own lifelong best friend Ratchet basically spits in his face and sees him as nothing more than a crazy murderer who went rogue from being a good Autobot. Then Pharma gets his hands cut off and left to die on Messatine. At that point, Pharma has not only been mentally/emotionally broken into losing his feelings of compassion, he's received the message loud and clear: He is alone. Everyone hates him. Not even his own best friend likes him any more. No one even cared enough about him to check if he actually died or not. He will only ever be remembered as a doctor who went insane and killed his patients.

So in the light of 1. Having all of your redeeming qualities be squeezed out of you one by one for the sake of survival and 2. Having your reputation and all of your positive relationships be destroyed and 3. People only know/care about you as "that doctor who became evil and killed his patients" rather than the millions of years of good service that came before.

What else is there to do but internalize the fact that you'll forever be seen as a monster and a freak, and embrace it? People already see you as a murderer for that blackmail deal you did, so why not become an actual murderer and just start killing people on a whim? People already see you as an irredeemable monster who puts a stain on the Autobot name, so why beg for their forgiveness when you could just shun them back? You've already become a murderer, a traitor, and a horrible doctor, so what's a few more evil acts added to the pile? It's not like anyone will ever forgive you or love you ever again.

Why care? Why try to hold on to your principles of compassion, kindness, medical ethics, when an entire lifetime of being a good person did nothing to save you from blackmail and then abandonment? Why put yourself through the emotional agony of feeling lonely, guilty, miserable, when you could just... stop caring, and not hurt any more?

[devilsskettle]

The X trilogy + "psycho-biddy" influences

[myokk]

an afternoon by the black lake🫶🫶🫶

[al-luviec]

compiled whatever this is (and I run out of tag space)

meh HoT gifs (3/?)

[wizardsix]

local guy claims intellectual superiority by declaring people who criticise veilguard just haven't played long enough and don't really know what bad writing is. it must be very peaceful to have such an empty head.

[vic-does-battlecats]

I’ve seen several things about how Moonpaw has to be a Nightsun kit because of her name being a mix of both of theirs. At first I thought to myself ‘that’s a funny reason. The cats don’t really name their kids like that. Nightsun wouldn’t do that.’ And then I thought about it for a few seconds and came to the conclusion.. No, they definitely would. These two are sappiest most insufferably romantic couple in the series. Cats have to tell them to stop staring at each other. Breezepelt of all people is all ‘STOP TALKING LOVEYDOVEY IN PUBLIC’. They’d do something stupid like this. Thunderclan would collectively sigh and try and move on with their lives after

Drew this on paper and colored digitally for the funnies

[bikananjarrus]

maybe the constant dismissal of the shatterpoint lineage is my villain origin story. like maybe this is it

[frobby]

Im back in the trenches defending another otokonoko from people claiming that they are a trans woman even though they are explicitly stated not to be

[71kedi-yip]

Unexpected side effect of being Turkish:

Was daydreaming trying to visiualize a breakfast scene for a fic I will never write. A kid charachter was adding sugar to his tea thelephatically while his mom was adding cold water again telephatically and it was like oh to be raised by people whom understand our powers and nurture them. To see the effects of big things in small, natural ways.

Then I realized they are American, they wouldn't be drinking tea and the kid for sure wouldn't be drinking tea and I was left with the hole a well written meaningfull scene I cannot put in left behind.

[rookflower]

seems like you all enjoy my rambles! great. anyways it kinda sucks how few deaths in avos and tbc felt narratively satisfying. i think it's kind of a given that deaths will seem less cool when they are given to long-running characters without much room for buildup of their death, or nothing background characters being killed off-screen to reduce numbers rather than being written specifically to die like they were in the first arc etc but stilllll

[claire-starsword]

Authentic Story of the Shining Force - Saint Fencer Max - Chapter 4

Translation notes:

This is the last boob joke. We're free at last.

Here's the retranslation of every scene with the Spring of Recollection in the game. Overall, her speech here is fairly close to what she says in Waral in-game, with a few details from her final appearance sprinkled in, like her care for Cain. It does misses a few nuances though, like the Legacy being more than just Dark Dragon.

I don't think I've ever seen art of the Spring, but notably, she gets a portrait in the GBA version, and it looks a lot like the manga design, with the slightly wavy hair and especially the blank eyes.

Obviously, the manga rushes through the plot since it's short, thus a lot of places are skipped. I didn't even feel like pointing them out before. However I will point out Waral not being here this time, because Waral happens to not be in the beta map either, and it has very contradicting lore between the ASCII guide and the World Book, meaning it might have not been well developed. Besides, Chapter 5 is very weirdly structured. You get two ship battles that are basically the same, you get to Waral by accident, you advance the plot by going to Ring Reef for no reason and everyone telling you it's off-limits while letting you waltz in anyway, and hardly anything happens in the shrine besides you hearing about the Manual, which is not even a big deal because you get to Rudo by accident later (two ship accidents!! why repeat this plot point!!) and would go to Dragonia anyway to help Bleu. Basically, I obviously can't prove it, but it wouldn't surprise me if the ocean shrine was initially thought off as only a plot scene, and the battles/town added much later for gameplay reasons.

Perhaps worth mentioning, the GBA version also makes a point to mention that Max got lost in the shrine alone, and everyone was worried about him, which does remind me a lot of the ship scene here.

uh oh. i hit image limit for the first time and i don't wanna remove either of these pics. more notes on a reblog later.

[poisonousquinzel]

sorry but if you actually think Cancel Culture ™ is a thing then you're kinda a dumb fuck. Cancel culture isn't real, holding people accountable for their actions is a thing, but this whole narrative around Canceling that's evolved over the past few years isn't real. It's never been an actual thing. Its just a fear mongering tactic to further vilify the groups who were being harmed in the first place and victimize the person who did something wrong.

Your fav being called out for playing an antisemitic video game that directly gives profits to a hugely influential TERF, who's said openly she sees getting profits / royalty cheques from her franchise as endorsements for her bigotry, is not "cancel culture". It's called the consequences for your actions.

You have every right to do and play whatever the fuck you want, but that goes both ways. If you go out of your way to build up and financially support these people who're openly advocating to take away trans people's rights, then you get to deal with people not trusting you because of it. You get to deal with trans and Jewish folks not feeling safe around you, not wanting to be around you or not wanting to talk to you. Because you have shown that you care more about nostalgia and temporary personal emotional gratification over the wellbeing and safety of those communities in the real world.

People have explained why supporting HL is wrong, people have explained why it's harmful, people have explained in detail the issues with this situation. You. Just. Don't. Care. You don't listen, or read, because in the end, you can't be bothered enough to put in the effort of having 1 moment of critical thinking.

It's not that folks don't have arguments or evidence, it's that it clearly does not matter to you. It's that the value of an antisemitic game full of one horrific thing after another is worth more to you than the real, living breathing people who are going to be, and have been, affected by this.

You come across as a bad person. Not because some person on Twitter determined you must be, but because your actions speak far louder. And they're screaming red flags.

I'm not going to argue with you over your own bad decisions and life choices. You've made your bed and are mad that people are telling you to lie in it.

[that-foul-legacy-lover]

your most recent piece with dottore has me brainrotting. imagine dottore starts using you as a way to entice childe to be cooperative during experiments. the more he’s unwilling the more time he gets. thinking about “oh if you do this y/n can spend the night” and the idea of cuddling you like there’s no tomorrow is VERY enticing to the moth

YES. YOU RIGHT THERE. YOU UNDERSTAND HOW MY MIND WORKS (referenced post(s) right here!!)

Dottore has absolutely no qualms about using you as a bargaining chip, especially if it means Childe being cooperative- to be honest though, he'd still do the experiment even if Childe wasn't cooperative, it'd just be more annoying to deal with Foul Legacy- but Dottore is nothing if not resourceful, so once he notices that Childe has a curious attachment to you, he begins offering time with you in exchange for Childe's compliance

you're the Doctor's assistant, after all. he can with you as he pleases

so your days are mostly normal, usually being shooed off to help his segments with some experiment or another, but most of your nights consist of Childe curling up on your lap and snuggling into your arms. even if he's weak and bruised from whatever experiments Dottore puts him through, he still presses his head into the crook of your neck and purrs, and you have to hold back tears as you do your best to soothe any injuries he has. you still can't believe that it's him, Tartaglia- your Ajax- and you can't bear to see him suffering but you can't do anything but watch, other than comforting him whenever he wakes up shrieking from nightmares and holding him whenever you can

sometimes you beg Dottore to leave Childe alone, just for a day, but he simply laughs and waves you off, for "science waits for no one!" and leaves you alone. you only pray that you can ignore your own deteriorating health once more, and make it to the evening