#Kiss Me Killer

[tortibomb]

The Heart Killers | Fadel & Style 10 Kisses | Episodes 3 - 6 To get us through another week without them.

The "Fine, I'll give you want you want." kiss

The "It's okay to love." kiss

The "Fine, I'll be your faen." kiss bombs

The mechanic/customer roleplay kiss

The "One day, I'll be your 100%." scar kiss

The "I hope you don't get any new scars." kiss

The morning after kiss

The surprise kiss

The kiss of promise surrounded by the pink light of love

The "I think I'm in love with you, even though you have betrayed me." kiss

[taeminie]

What are you doing? I promise you that from now on, you will only see the 100% real me.

Joong Archen as Fadel & Dunk Natachai as Style The Heart Killers (2025) dir. Jojo Tichakorn

[khaoala]

❝It's time for a new goal. I want to live for you now.❞

FIRST KANAPHAN as KANT PATTANAWAT and KHAOTUNG THANAWAT as BISON episode 8 of THE HEART KILLERS

[nanihirunkits]

เจ้าความรัก (Hurt Me Please) Ost.THE HEART KILLERS เขาจ้างให้ผมจีบนักฆ่า JOONG ARCHEN

[aprilblossomgirl]

You should leave work behind when you’re with me. You told me you’d quit your job and be with me.

[deliriousblue]

THE HEART KILLERS (2024) episode nine

[tinyfantasminha]

uuuhhhHHHHHHHH el lobo siempre protege a su loba am I rite 😂😂😂😂😂😂😂 AUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUU

okay like OKAY LIKE OK!????????????????????>??? OK LIRDKRDE protect your classmates and save their lives I guess mr I-dont-need-any-friends Mr I-work-alone-guy 🙄🙄🙄 OKAYY uuuhhhHHAHHAHAHAAH

[nestingdoves]

♡ dexter morgan x sibling reader

♡ incest. implied biological but adopted works.

♡ gender unspecified reader. jealousy, possessiveness (reader towards dexter). anger issues (reader). reader has repressed murder tendencies. manslaughter/murder cover-up (dexter and reader). depictions of gore. sibling kissing. reader is a lil freaky about dexter being bloodied.

♡ don't like? block/scroll and move on, easy peasy

imagine you and your brother dexter getting adopted by the morgan family. you, who always clutched tightly to dexter. you're practically inseparable, though that's mostly on account of your clinginess.

but you're otherwise the perfect child - withdrawn, dutiful, getting along better with your foster mother than your other two new family members. always cleaning up, tidying up beds, getting lunches ready - always stuffing another granola bar in dexter's lunch because that specific flavour is the one he likes.

things with debra are horrible. you're always antagonizing each other, subtly underdoing each other's work, tattling to your mom and dad about every other thing.

only dexter can get you to behave, his brow setting and lips pressed together. "that's not how we're supposed to act."

the conflict with debra is really the only issue you have with your adopted family- that and how venemously protective you are of dexter. going somewhere? you need to sit beside him. he stole debra's food? you'll either own up to it and proclaim that he'd do no such thing. (you watched him eat it.)

but you don't display the same tendencies as your brother; so when harry takes you out, sitting you in a boat and asking if you ever felt urges... you say no. because you haven't. not in the same way that dexter does. but all the same, he knows something is off.

and when dexter comes home with bloodied shoes, you clean it off, scrubbing your fingertips raw. when someone is bothering you, picking on someone, you tell dexter first. ride home, call dexter. want to go to the theatre, call dexter. nightmare, crawling into dexter's bed.

harry is, understandably concerned at how close you are with dexter but doesn't act on it. yet.

but there's a yawning reach inside you, something that demands to snap, a temper short and fists fast. but dexter always takes you back, reminding you how to act. to behave. though he never reprimands you whenever you deck someone for calling your brother "weird".

when he goes to the dance, you sit at home, knuckles tight, breath hot as you think of some girl putting hands on your dexter. but when he comes home, tells you how boring it is, you exhale, breath shuddering in your chest. because he's still yours.

still yours even when he comes home with lipstick stains on his neck, yours when he comes into your room the second you make a distressed noise. he's yours when he catches you staring at your hand once when you cut your palm, watching the blood rain down your wrist (and it haunts like a memory). yours when his calloused hands, strange cuts on his own palms as he wraps your hand up.

he's yours, yours, yours.

and you'll hurt anyone who gets in your way.

but even then he's yours when he's teaching you to drive and he's talking about some girl harry wants him to see. about debra who grabbed his sweater without asking.

you see red, red, red, and hear a woman screaming as your foot hits the metal. only interrupted by dexter's calm "there's a person in the road" moments before you crunch right into them.

neither of you move, sitting their casually in the car, as if you didn't just run someone over. the windows are down, the evening air washing over your skin. you can hear moaning and crying outside your window. can see dexter's eyes watch you through the rearview mirror. he doesn't say anything.

but neither do you.

he doesn't say anything when you reserve the car and rev right back over them, feeling the car jolt beneath you both. you continue to smear guts and entrails over the pavement until the sounds stop.

"stay here." he says, a heavy sigh leaving his mouth, jaw setting as he unclips his belt. you watch him through the rearview window as he opens the trunk, pulling out bags and some cleaning junk that he left inside.

when you climb out, he passes you a pair of gloves. something inside you squirms, hot and sticky, as you look at the gore pressed into the tires. seeing dexter work, muscles flexing under his shirt, mouth drawn into a thin line, pulling intestines from the undercarriage.

an itch started inside you, gnawing at your gut and bones, a presence that demands the harvest. as always, you listen to every word dexter says, every command as he helps you clean up the mess.

washing the asphalt is harder but gallons of water pours the mess down the gutters. cleaning out the front grill is harder but - dexter does it all. telling you quietly as he always does how to take care of things like this.

that yawning hunger doesn't relent. doesn't relent when you two hose down the car and wash off your hands.

"you need to calm down," he says quietly, finally as he sits in the driver's seat. your pulse is beating fast in your chest. he's noticed. he always notices.

reaching over, you brush your fingers over his cheek, smearing the blood over his cheekbone. his eyes dart to you then back towards the road.

when he continues speaking, beginning to talk about rules and guidelines, a code that you don't care to understand for, you unclip your seatbelt and reach over, pulling him towards you and kissing him like a part of you is trying to eat him.

"we're not supposed to do this." dexter says, brow furrowed. he always says things like that to you; like he's memorizing a guidebook. maybe you don't give a fuck.

"we're not supposed to run over a guy, not call the cops and cover it up either," you say. "I think we're past the point of what's allowed."

"oh," he says, as if he hadn't thought of that. and this time, he doesn't stop you when you kiss him again, when you lick the blood spatters off his face, when you all but shove your tongue down his throat and crawl into his lap.

dexter doesn't tell harry about you. but he doesn't go out with girls (or boys) anymore, even though harry sighs and tries to coax him. tries to coax you too.

and if you're a little less angry, a little less ferocious, and that's something.

(later, when the family goes hunting minus doris, harry catches you just watching a fox struggle in a bear trap, doing nothing to put it out of its misery or looking away. and as his heart sinks, he realizes that maybe he should have paid attention to you too.

but when he brings you up to dexter, your poor, sweet brother just shakes his head and says, "no, they're not like me". because as much as you protect him, he protects you, too.)

when harry finally passes, dexter is the one who takes your hand and leads you away. debra laments about how siblings shouldn't share apartments but it doesn't matter. none of it matters when you know, feel it in your bones, that dexter won't leave you.

[kantpattanawat]

Were you worried about me? Khaotung Thanawat as Bison; First Kanaphan as Kant (The Heart Killers, 2024-2025)

[bird-inacage]

Kant's tiny thumb sweep has me in an utter chokehold.

[darkmuffinstudios]

A collaborative animatic that I did with @galacii

[khaoala]

cause you're the fuel driving me on like a flame that burns so strong.

My Fuel - First Kanaphan

[nanihirunkits]

I want to live for you now.

THE HEART KILLERS | EP8

[someverygaymoth]

BSP playing a silly game where they're blindfolded and see if they can identify their other goofy boyfriends by kiss alone.

Killer gets everyone the quickest, after all, he's already mostly blind all the time.

Nightmare actually gets Dust and Killer mixed up cause they pulled a dirty trick on him. (Killer got his DT all over Dust's face to throw him off) and Dust kissed mean and quick on purpose. Very mischievous. NM was not happy about this. He later demanded to kiss them until there was absolutely no way he could misidentify them. (Ohhh nooo, what ever will they do?)

Cross couldn't guess anyone because he kept getting too embarrassed and distracted and asking for "retries" because he "got distracted" lmao.

NM got Dust and Killer back by shape-shifting into one of the other boys and confusing the shit out of them.

Horror relaxed and took his time and got them all right. He definitely had fun.

[eli-am-confused]

Guys they’re in love. They love each other so much.

I was originally just gonna draw Duke but then I thought about Miss Holloway and how she looks at him and I was like “he looks at her the exact same way,” so this happened.

[hotasfahrenheit]

i've had some thoughts rattling around my brain about Keen since episode 9 showed us flashbacks of the boys as kids when they were adopted and then a little older when they started their training for real, and this week's episode just added more fuel to the fire.

i think one of the saddest things that the last couple episodes have really exposed that a lot of people might miss because of the other bombshells that have been dropped is the fact that Keen was set up possibly even worse than Fadel and Bison were in this life. they were adopted together, told they were going to be a family, and then Lily manipulated them all into becoming who they are as adults. she lucked out that Bison and Fadel liked each other so much and bonded so strongly to each other, and she used that bond to isolate and control Keen in a completely different way.

Keen's desperate to be in the field like the other two and to be sent on missions; he doesn't have the same set of skills that they do and wasn't able to develop his talents in the same way, and it's clear that Lilly took the natural aptitude of Fadel and Bison and turned that into what they are now, but she chose to push Keen into the behind the scenes aspect of the business. she's also made it clear from the start which set of talents she values more as is clear from the way she glares at Keen when he can't shoot his bottle in the flashback.

Keen isn't given any kind of reassurance or support for missing his shot, or told to try again; Lily answers Bison's questions about why they need to learn to shoot by telling them that they have to learn to protect themselves, then she gives Keen a few more judgey looks, implying it's something she doesn't expect him to be able to do. the next scene in the flashback is her giving Bison and Fadel their first assignment, and by this point Keen has already been relegated to being the paper guy and having an office job.

these kids all lost their parents and are gathered up by Lily at the same time and told they're going to be a family; they look like they're all roughly the same age. we all know how seriously Fadel and Bison take to the brother relationship, but Keen is pushed to the outside of this by Lily and her priorities. i had figured before episode 10 that they had been trained together for a longer period of time and maybe Keen had just not gotten along with them because he was jealous of their talents, but Fadel telling Style that he doesn't really know anything about Keen besides that they were adopted at the same time says to me that Lilly purposefully kept them apart instead of it being their choice.

Fadel saying they don't care about Keen makes me so sad for him. the fact that he only really knows that Keen was adopted at the same time and does other work for Lilly that's not in the field means they don't care because they don't know him at all. they haven't had the chance to bond with him the way that they did with each other. they weren't pushed together with him; they were pushed to each other, and Keen was pushed off on his own to watch them be the favoured children and struggle by himself.

imagine your parents are murdered in front of you, you're scooped up by this woman who says she's going to take care of you and build a family with you and two other boys your age who have been through the same experience, but then you're not as good as the other two boys at the tasks she sets you, plus the two of them deeply connect to each other and fall into a sibling bond and leave you outside of it. that you're kept so separate from them that despite being a "family" for years, they know basically nothing about you, while your shared mother keeps dangling the things you want right outside of your grasp.

she's driven a wedge between the boys so deep that Keen resents Fadel and Bison enough to WANT try to kill them himself, while they don't have any idea that he would even be willing or able to. he's been kept so far out of their notice while their successes and talents have been constantly waved in front of him as well as being consistently put down by Lilly for his mistakes and inadequacies. she's pushed Keen into a corner and made him think that it's Fadel and Bison's fault for putting him there instead of it being a way for her to control him and keep him under her thumb.

Fadel and Bison have given the impression from the first episode that it's the two of them against the world; brothers bonded so tightly together that nothing can shake that. they have a Mother, but really they only have each other. it's the two of them and it always will be. but there were three of them. there were three boys when this started. and they don't care about Keen. he's alone.

i'm really hoping that the current situation snaps Keen the rest of the way out of Lilly's control. he should have already figured out what his future looks like if he really wants out of the family business like he's promised Thanon, because if he's known the entire time that Fadel's last boyfriend got murdered instead of just leaving, he should be fully aware that they face the same fate if he tries to leave Lilly. with that knowledge plus finding out that Lilly killed his parents along with Fadel's and Bison's, hopefully he turns on her and helps the others take her down. her lack of hesitation to send him or other hired hitmen after the two favoured sons should be a pretty clear signal to him about her willingness to off him as well at the drop of a hat.

fingers crossed that Keen and Thanon get to have a happy life far away from Lilly and that he finally gets to have an actual family that doesn't involve manipulation, abuse, and murder.