#Kinda iffy on the characterizations

[becauseplot]

Touching Base

Just a little Roommates/Cellmates AU oneshot because they live in my head like how Cell lives in Felps' apartment: rent-free. (Also because I am procrastinating on bigger projects rn.) (What who said that.)

Takes place a couple years after the events of Miss Me? and Shared Living Space. Cell has officially started going by Cellbit, a relatively recent development. He still sleeps on the couch, but that's mainly because the second "bedroom" in the apartment is used for Felps' storage and both of them dread having to clear it out. He has a job and puts most of that money towards groceries, new clothes, and therapy. Felps---finally working at a station where his superiors don't hate his guts---covers pretty much everything else.

(TWs: discussions of killing/murder, light allusions to suicide in a joking manner (they're fine, someone's just being dramatic). they are having a conversation that is oh so very normal for two friends to have yesyes. tbh this was supposed to be way more light hearted but then the angst. the angst...)

Key ring dangling from his finger, Cellbit shoulders his way through the apartment door, juggling a box of redstone bulbs, a stack of spam mail, and the library book that doesn’t quite fit in his over-full messenger bag. “Felps?”

There's no verbal answer, but over the back of the couch, Cellbit sees a tired hand rise and wave. There’s a dull whump when it drops back down.

Cellbit, taking this and the fact that the TV isn't even on, raises an eyebrow. "Long day?" There's a muffled groan in response, and that's all Cellbit needs to hear to get the gist of it. He wiggles his keychain off his finger and into the dish before shutting the door behind him with his foot and heading to the table, where he dumps off his things. Hands free, he slips his bag off his shoulder and sits down to take off his work boots. Once he's got them off, he takes a moment to slump back in the chair, relief washing over his aching back and shoulder, before he picks himself up and heads over to see what the situation is.

The situation, it seems, is as follows: Felps is lying on his back on the couch, still wearing his uniform, with a pillow pressed into his face like he's trying very, very hard to smother himself with it.

Cellbit sits himself down on the floor with his side against the foot of the couch, right by Felps. He plants an elbow on the cushions and drops his chin into the heel of his hand. "So. Who do I need to kill?"

Felps groans again and shifts the pillow off his face just enough to free his mouth. "Me. Kill me, please. Kill me. Literally just kill me."

"Ehhh," Cellbit says. "You know, I did that once, and you didn't like me very much after that."

"Cellbit I am begging you. You'd be doing me a favor."

"Mm, no. I don't think so." He pokes one of the fingers Felps has dug into the cushion. "Now come on—a name, an address. Give me something to work with here, Felps."

Felps sighs and finally yanks the pillow off his face, flipping his hands around and throwing it into his lap. His hair is a complete, frazzled mess, though Cellbit supposes that's the least of his worries. "No one's getting killed. This isn't a problem you can fix by killing someone."

"Except for you?"

"Except for me."

"Okay. So what happened?"

Felps makes a pained noise and digs the heels of his palms into his eyes. At least he's not suffocating this time. "Davi," he mumbles.

Cellbit blinks. Usually, he has a hard time keeping all of the names of Felps' coworkers, friends, and acquaintances straight in his head since there's so many of them, but this one registers immediately. He takes this in, looks at Felps agonizing on the couch, thinks back onto what Felps told him the other day, does some rapid mental math, and comes to the conclusion that maybe the situation actually could be fixed by killing someone. Potentially.

But before that thought can properly start, Felps flicks him against the temple. "Hey, no plotting. I'm serious."

"Plotting?" Cellbit echoes, oh-so-perplexed. "I wasn't plotting. Who said anything about plotting?"

"Cellbit."

"Who said anything about plotting the murder of the hot guy at the train station who rejected your friend after he spent two weeks working up the courage to ask him out? I sure didn't."

"Cellbit," Felps says, insistent. Cellbit stops, but only because Felps wants him to, and only because he’s joking. Really. "It's fine. It's my fault anyway. I totally fucked it up. I got the timing all wrong, and—" Felps breaks off into another horrified sound, dragging his hands down his face. "God, it was so bad. I don't want to talk about it."

"Alright. Anything I can do? That doesn't involve killing you?"

Felps pauses. He peeks at Cellbit from behind his hands. "...Grab the remote for me?"

Cellbit snorts. "Sure." He gets up (swallows a grunt; fuck, his shoulder's being funny) and grabs the remote off the TV stand. When he comes back, Felps has managed to get his-wallowing-self into an upright position so Cellbit can collapse back into the sofa beside him.

Cellbit clicks on the TV. "What're we feeling?"

"Pain."

"I mean what do you feel like watching, dumbass."

"Literally anything," Felps says with a wave of his hand.

"Right… So if I put on Blood on the Taiga—"

"Parkour tag."

"Okay, parkour tag it is."

They start to chat a little as Cellbit flicks through the minigame channels, looking for one that's broadcasting parkour tag: ("How was work at the station?" "Were the docks busy today?" "Did that warrant finally get processed?" "Is your shoulder still bothering you?" "You should probably change out of your uniform." "You should probably take a shower." "In a bit, my back has to unbreak itself first.")

It doesn't take him long to find a channel, so they end up talking through part of the first round, swapping the work updates they usually provide each other. After that, they settle in, feet up on the coffee table, shoulders pressed together. Cellbit watches the teams trade off "runners" and "hunters." Felps usually roots for the team in the blue and green jerseys, but it doesn't seem like they're playing today. Still, these teams aren't half-bad. The tall one on the red-orange team is a good hunter, Cellbit idly notes. She's light on her feet.

It's at the start of the third round that Felps speaks up again.

"So. Hypothetical question for you."

Cellbit watches the good-hunter spring off a piston-platform. "Alright."

"And this is completely hypothetical. One hundred percent, utterly hypothetical."

"Okay."

"I'd never genuinely ask this of you."

"Sure."

The good-hunter drops down a ladder, missing a tag on a runner by a hair's breadth. The squeak of her sneakers echoes through the arena.

"...If I told you I needed you to kill someone for me, would you actually do it?"

Cellbit tilts his head. The good-hunter whirls around a corner and swings herself up onto another platform. "Yeah."

He feels more than sees Felps startle beside him. "...R...Really?"

"Yeah."

"Just like that?"

"Well, like I said earlier, I'd need, like, a name. An address if you can get it. At least a general location—"

"No, no, I mean..."

Felps falters, and Cellbit takes his eyes away from the game to look up at him. Felps is staring right back, a furrow in his brow.

"...You wouldn't even question it? Or hesitate?"

Ohhh. Cellbit understands now. The morals. He was asking about the morals. "Well," starts Cellbit. He pauses. Then, he drags his feet over to the edge of the couch, legs curled up, in front of his chest. The position makes his back ache, but the rest of him feels better this way. He hangs his arms over his knees. He stares at the TV, but he's not really sure who's hunting and who's running anymore.

He sighs. "...The way I see it—you would never ask me to kill someone unless they actually deserved it. I think it would take a lot for you to decide someone needs to die, then a lot more to tell me to kill them because...you know me. I'll get it done. And I won't half-ass it either."

And if they hurt you, Cellbit thinks, with a sudden, rising fury, I'll kill them dead. I'll make it hurt. Carve their throat out with my teeth. They'll be begging for the Void long before I'm through with them.

But he lets that one go on an exhale, lets it pass wordlessly between his lips, before it can get too far. He flexes his hands, loosening them. "But..." he continues, scraping together the courage to say the rest. "You also know I'm trying not to— You know I'm better about that now. Past it. Moving past it. And you're—" He falters. His tongue darts over his lip. He bites it. "You're generally helpful in that regard, so..."

"...You don't think I'd ask you to do something that would ruin your progress unless it was serious," Felps finishes.

"Yeah." Cellbit tilts his head to either side, cracking his neck, and flexes his hands again. God, his therapist would be so fucking proud of him.

"Okay." Felps clears his throat. "Sorry if that made you uncomfortable, I just—the thought wouldn't leave me alone, and..."

"No, no, it's—it's fine. It's a good question to ask. Making sure we're on the same page, and all that. Touching base. Getting caught up. Just like we always do."

"Right," Felps says. "Just like we always do."

A beat.

"But I wouldn't. Ask that of you, I mean. I'd never ask you to kill someone for me."

"I know," Cellbit replies easily. "I heard you the first time."

(And Cellbit trusts Felps to stick to his word. Honestly, he does. But the issue—or perhaps the best part, depending on how much he wants to disappoint his therapist—is that Felps wouldn't even have to ask. In no universe would Felps ever have to ask.)

"...Oh. Okay."

"Okay."

The conversation hangs in the air, gradually dissipating. Slowly, Cellbit manages to recenter his attention on the game of parkour tag. Round four. She's hunting again, though this is her last hunting round. After that, she'll be stuck as a runner for the rest of the tournament. Felps rests his head on Cellbit's shoulder as the alarm blares and the competitors are released from their chambers. Cellbit nestles his cheek in Felps' curls. The final hunt has begun.

[smilesrobotlover]

Ok so before I go to bed cuz I wanna distract myself from the pain heres a ramble

I like to consider that Hyrule is pretty timid and shy around people he doesn’t know in LU. He just prefers to keep to himself and to have things quiet and private. However when he gets to know people more and he’s more comfortable with them, that’s when his true personality comes out. He’s sassy and witty and teases a lot, he’s like a completely different person when he’s around people he’s comfortable with. The true introvert experience

[thecoolerliauditore]

watching the amazon caped crusader show against my better judgment (<-- guy who is terrified of touching anything batman related due to catching the disease during late middle school and making a whole AU). this show looks kind of like something i could have thoughts on oh no oh no it's happening isn't it oh no

[book-tease]

esther is an a absolute awful person and mother, however. she’s also hot as fuck

[presidentofthelipglossclub]

THIS THIS THIS!!! i tried to watch tfp, have not yet finished it but omg. the treatment of female characters in that show is... not great. airachnid is one of like 4 female characters and she is the only female antagonist. despite the fact that she's no worse than any of the other antagonists, the show clearly tries to portray her as worse than the others. she's sidelined in favor of the male characters so often it's actually infuriating. she has a similar personality to knockout but the double standards mean that she's hated. her only role in the show is to be arcee's enemy and create conflict (murdering tailgate and breakdown, kidnapping jack, fighting soundwave, etc). also on that subject, i really hate how she's used as a tool to elevate the male characters. the only reason the fight scene with soundwave occurred was because the writers wanted him to look cooler or whatever and also make airachnid look worse, and this is very clearly rooted in misogyny. know how i know that? soundwave never fought starscream even though his major character trait is how badly he wants to take over the decepticons and betray megatron. i firmly believe if airachnid was created as a male character the writers would have done her much more justice, or if they didn't, she'd be a very popular character.

TLDR: airachnid got done so dirty both in canon and in fanon. y'all can't handle evil women even though everyone says they want more evil women. furthermore, when evil women are created (very rarely), they can never truly be evil, because either the writers mess them up or the fandom hates them for the same reasons they love evil male characters. airachnid is a fascinating character who should have had more than she was given, and she deserves better.

(also op this is not directed at you just the general tfp fandom. it can really piss me off. i like airachnid because she's cool and it bothers me how people make her so one dimensional, including/especially the actual writers of the show. looking forward to tf one, and i too hope they treate airachnid --as well as the other female character(s)-- better than tfp did.)

Okay, so I’ll preface this by saying while I AM familiar with several aspects of the aligned continuity, I have not seen TFP, but they BETTER fucking treat Airachnid better in One, no misogynoir bullshit allowed. And get Gina Torres to voice her too.

[emporiannee]

more additions to the xianxia au!

once again, idea dump under the cut:

Madara:

A prodigal talent who excels at fighting. He has both skill and luck so he's expected to ascend as a matter of course.

Unexpectedly, he has no charisma. When the Uchiha follow him into battle it's because he's the strongest and is their recognized leader. He sucks at actually inspiring people to follow him outside of that.

i think he probably does ascend sometime in the AU, but even in heaven amongst many other great heroes and warriors, he still picks fights and gets himself nearly banished sometimes. He's just got that kind of hubris lol

He likes to collect weapons imbued with special powers. Since he's already capable with regular weapons, he's looking for new challenges (perhaps like something from a dragon's treasury?)

I think he should also be good with animals. When i imagined him doing archery, I imagined he would do well on horseback. I think his falconry hobby also carries over from canon. If he ever gets to go on a long adventure i think he'd go on a quest looking for cool new weapons and mystical creatures.

Hikaku:

A scholar and Madara's (and Izuna's) tutor. In this AU, i imagine him a little older than Madara.

He's talented in divination and magic. His martial arts aren't bad either. He makes many specialized talismans and charms for his clansmen.

His role as the brother's tutor probably gives him gray hairs. Izuna up and left one day. Madara's attitude is bad and he doesn't kneel before gods unless it's literally his own ancestors so Hikaku is worried even if Madara is able to ascend (more accurately, he's worried about how the heavens will end up.)

To keep himself calm he took up transcribing buddhist sutras (this is important to me bc i think hikaku's 'good end' would be either he dies peacefully like a normal person or he becomes a bodhisattva bc if he ascends to godhood, i think he ends up with a job like ling wen from tgcf and that would be tragic for him lmao. Although, there might be a place for him in a more Journey to the West type heaven where maybe he ends up tending to fruit trees for alchemy reasons or something.)

Mito:

jesus h christ i struggled with her designs. sry queen, it's still kinda iffy. I wanted her to be a dragon but it was difficult to design her with horns while keeping her usual design intact and not too cluttered. It did not help because i also wanted her to wear fancy jewlery

This is because I wanted her to be the the princess of the south sea palace. While i characterized the senju/east sea by a wood element affinity and their trove of treasures and weapons, I think the south sea for this au would be characterized by monsoons and typhoons. It protects and isolates them, not unlike Uzushio. It also makes them pretty wealthy since the people and merchants in the area try to appease them for protection from disasters.

i wanted her to be a diviner/astrologer with a talent for talisman-making similar to Hikaku. However, the area of her work is still very different. Her talismans aren't meant for human use and she doesn't divine for individuals either

I think it'd be fun if she was still 'betrothed' to Hashirama. But dragon's age very slowly and in this AU I wanted them to act like it so neither of them are rushing to get married.

she probably gets along well with tobirama. She very graciously refrains from calling him younger brother because he's sensetive about his age.

[xaviers-school-dropout]

I think the ideas that

“Raven is a bad parent”

And

“Raven loves their children”

Can and should co exist. I will never sit here and say Mystique is a good parent, but I think acting like they don’t love their children is just being willfully ignorant of their characterization since the 80s.

I see a lot of people try to claim Raven doesn’t care about their kids. I actually think they care a LOT, it just, doesn’t deter their actions. And they’re not a good parent, don’t get me wrong, but that doesn’t mean they don’t love Kurt and Rogue and I think trying to claim they don’t actually does away with a lot of Raven’s character nuance.

A lot of the tragedy and depth of their relationships come from the fact that Raven DOES love their children, but it’s not enough. And Kurt and Anna Marie know that, and that’s part of the tragedy of it too.

I’m not a Mystique defender, but I am a Raven Darkhölme characterization realist. A lot of people flatten their character to add more sympathy to Kurt’s story especially, which feels kinda iffy to me. But that’s for another post.

From a storytelling perspective, it adds so much more depth and tragedy to all characters involved to not make the relationship so shallow and one sided as “Oh Mystique doesn’t love them”, and even to juxtapose Raven’s relationship to them with Irene’s is a whole other thing I may talk about one day. But like, you do the story injustice to flatten it down to just “Oh Mystique sucks”

Tl;dr - Raven Darkhölme is a shitty parent but they do love their kids. And that’s the whole tragedy of the thing

[nekropsii]

On the topic of Eridan Discourse (eridiscourse?) earlier, I typed up a very long ask this morning (brought to mind by the discussion) trying to pinpoint a specific thing about the way the fandom handles transfem Eridan headcanons that rubbed me the wrong way. Instead of sending it I spent the rest of the day pondering it. Because the thing that was nagging me wasnt "people do it in a mocking way" and certainly not "headcanoning characters as transfem is cringe" and I finally figured it out.

(it feels wrong to use he/him in this context/phrasing so she/her it is) I feel like a lot of transfem Eridan content treats her transitioning as a cure-all for her negative qualities (sometimes explicitly as a punchline to the joke! but a lot of the time more subtly too) in a way that doesn't even necessarily come across as transphobic so much as just plain old misogyny. And yes, if you want to explore something like "once she solves this problem for herself she's able to deal with resolving her harmful viewpoints" that's cool and I get it! I might be more onboard with the headcanon if I saw more content that took itself seriously!

But most of the time it comes across as a binary of "girl will not be as shitty as when she was a boy because that is how Girl and Boy genders work" in a similar way to some June characterizations that replace her character traits to make her fit a certain image of "Girl". Beyond that (even in tons of March Eridan doodles that aren't even straight up drawn in the mocking light of the original) I feel like that same issue comes up in a ton of transfem Eridan art--she's just so flattened and sanitized even by people who seem to be genuinely trying to portray her in good faith.

This also kinda brings to mind the occasional discussion I've seen of transfem Cronus which I believe you've commented on before. My guess for most content I've stumbled on of that (including stuff I've seen one of my good friends create!) is that it's a riff on the March Eridan stuff (which afaik is the reason transfem Eridan is popular in the first place) and not taking the implications/fulfilled stereotypes it brings up into account...which (once again) seems to usually be avoided by tidying up the character flaws and ignoring negative actions to create a Good And Proper girl character which. yeah, isn't much better.

Anyways WOOF that got long but hey I think it was somehow originally longer before it became actual analysis. idk, do you think this checks out? ( oh I added some formatting inspired by how you write posts in hopes it makes it easier to follow...)

Yeah, I don't tend to be a fan of transfem!Eridan works - and even some June works - because a lot of people handle it in ways I just find... Iffy. If it's not weirdly oversexualizing a 13 year old, then it's acting like Transition is a magical Cure-All for every single one of your issues as a person. I don't think it's valuable to pretend that realizing you're Queer automatically deletes any prior character flaws. It's harmful, even - plenty of people will discover their gender doesn't line up with what's been expected of them, or that their attractions aren't a part of the cisheterosexual norm, and... Believe themselves to have done all the legwork necessary to wash their hands clean of any other bigotries. Plenty of Queer people are bigots - be that lateral bigotries, or racism, or ableism, or what-have-you - it's more common than anyone wants to admit. There is a reason that the Progress flag exists, you know?

Eridan and June tend to get flattened down to very stereotypical ideas of the gender of "Girl". June's wildly out of character and portrayed more like fanon!Jade, than... Well, herself as she appears in the comic. Eridan's issues are sanded down to the point where all she is is an evocatively posed barely-teenage mannequin in a skimpy outfit. Both of them are regularly portrayed as having had their issues blip out of existence the second they realized they might not be guys. The transfem!Cronus headcanon will never make sense to me and never be morally okay to me. To say Cronus is Transfeminine is just outright violent Transmisogyny, no matter who it's coming from. That's not even a fucking conversation. It isn't a debate. That's not cute. Really? The guy who fakes minority statuses to try to sleep with people? The aggressive, hyper-bigoted sexual predator? The sex pest who isn't above repeatedly sexually targeting children, one of which he is related to? That? You saw that and thought "That's a trans woman"? Really? You're seriously saying that with zero ounce of shame in your body? Go to hell.

Back to June and Eridan - Part of the issue is Misogyny, yes, but I feel another issue coming to play is that a lot of Tumblr seems to view Queerness as inherently Virtuous, rather than a normal thing that people just happen to be sometimes. Tumblr's prone to very... Unwittingly Catholic mindsets, and Queerness being inherently Morally Cleansing is definitely one of them... And it goes... Extremely unchallenged, all of the time. It's pretty grating, honestly.

[falling-star-cygnus]

...i've gotten four asks about this sorta thing -> which i'm super grateful for!! thank y'all so much for wanting to see more of my writing!!

i've just sort of been putting these specific ones off until i felt i could adequately display it and even now I feel iffy about the characterization, but I really didn't want to seem like i ignoring y'all either :( -> Masterlist

i have some semblance of a plot now, so... i sincerely hope you all enjoy? this might be the push i need to get out of my funk, and i put in the very best effort for all of you!!

"You were a WHAT?"

"Is now really the time to be surprised!?"

The Ethereal- they kinda looked like one the Ballerina Twins actually, if the Ballerina Twins had galactic glitchy orbs for heads and rainbow glowy nervous systems- warbles at them impatiently. Anby's barely keeping them at bay with her sword.

It's practically a toothpick compared to the giant weapon Thanatos was wielding... They raise their shield-

Billy fires.

It doesn't land, of course it doesn't, but the smaller Demara doesn't get bludgeoned either so the android counts it as a win.

Especially when the bullet ricochets off the sign previously behind the larger than necessary Ethereal and back towards him. Billy tilts his head left just in time to miss it, and pivots on his heel when Thanatos shrieks and flails back. Bullseye.

"It's showtime!" he announces, and lines The Girls up somewhere where their jaw would be. Only about six of the bullets- 12 in total, the android was counting- actually hit before they teleport away again.

Billy reloads.

None of them, except the Boss, used the right typing to properly take Thanatos on.. but there was little to be done until they could carve an escape route out.

The Hares' ready their weapons, turning in slow circles as they wait for Thanatos to appear again. Were they gone..? He knew better than to assume they were, of course, but-

"Billy- behind you!" Nekomata points; he whirls around.

And takes a blade to the head.

There's not much to say for this part, aside from pointing out how cliche and underhanded it was to get him from behind like this, but bits and pieces float around to the surface with just enough clarity to be worth mentioning.

The pavement cracking under the android's weight.

Sparks fluttering out of the cleaved out gash.

Thin oil leaking out of his head like a halo.

Isolation.

Billy stands in the inky abyss of his own mind. His memories- his memories of the Hares'- play out before him like a movie: braiding Anby's hair, putting Nicole's into pigtails, napping in the sun with Nekomata on his chest, warmth-

Fighting as a team, Anby helping him up, Nicole calling his name, the restaurant they all went to after successful raids, fighting alone, Being alone in that truck bed, sand clogging up his joints.

Chill.

The memories fade away, leaving the android with the stilted thought of:

Don't- take them.. from me.

Nothing.

Billy Kid wakes up, and points the nearest weapon- a gun, by the feel of it- at their forehead. The hands reaching for him still, too pale to be anybody from the Sons.

Calloused enough to be Caesar's, though, so they must be some form of blade user. Electric, if the Lichtenburg scars on their finger tips have any weight to them.

The android sits up, ignoring the stab of pain behind his right video processer. He could deal with that later, after figuring out where the actual hell he was. And dealing with whoever it was that moved him.

They're small, surprisingly so, but Lucy and Piper were also small so that didn't exactly mean anything of value. Brilliant white hair, amber eyes, and green and black tech wear.

And a backpack packed with enough thrumming energy to kill the Dead-End Butcher.

Definitely a threat.

Billy Kid doesn't lower the gun, even as he's sure the human's fleshy arms were getting tired of being raised. Or maybe they weren't. He knows their type, he's cut from the same cloth himself.

A weapon.

"Billy, d-"

"How do you know my name," he interrupts, praying to a god he didn't believe in that he wouldn't have to shoot someone so small, "and why are you only using part of it."

He was Billy Kid, the feared enforcer of the outer ring. The only people that occasionally just called him Billy were the other Sons of Calydon. Not strangers.

"We work together," his potential captor calmly says, lowering their hands by their sides, "We're friends. Partners in crime."

"The hell we are."

"We are," they insist.

He doesn't buy it. Billy Kid didn't have friends, he was an android. A weapon and tool for whoever his boss was. Big Sis, the drifters, whoever had him before that.

He cared about them all, more than he should considering what he was made for, but he wasn't built to receive that kind of care in return. Pain spikes behind his processer again, and his free hand instinctively moves to grasp at it.

The stranger jolts forward as the gun dips.

Billy Kid shoots on instinct, even as something like worry[?] coils the wires in his lower torso too tight. There's a click, but in the end nothing but dry fire. And relief[?]

Billy Kid curses at the opening he's provided, and braces himself for the inevitable attack. He doesn't know where the other gun was- because there had to be one, Burnice only ever made things in pairs- and..

Why did he assume Burnice made these...?

Small hands, calloused and scarred, gently- why was he being treated gently- bat his hand away from his video processor. The empty gun is sandwiched between them.

More carefully than he deserves for shooting at them, the stranger inspects something on his face, and the android swings his lanky legs over the side of- it looks like a cot[?] to make it easier for them.

"You took a bad hit to the head," they inform his forehead, only pulling away when Billy Kid starts to get twitchy at the proximity, "an Ionized - Thanatos. It most likely messed with your memory bank."

"Sounds convenient," he scoffs, lowering the gun to his side, "Most likely messed with my memory bank?"

"It definitely did, we were friends," the stranger presses, strangely insistent, "What's the last thing you remember?"

They take off their backpack as the android thinks back on it. Whether to prove they weren't a threat or gain his trust to attack later, he wasn't sure.

What he was sure of was the fact that the harder he thought about it the harder his head pounded. Everything dating up to the past year and six months was just- blank. Corrupted files that spat static and made him want to lie down for a while.

More than that, he felt... lonely, for some reason. Like a big chunk had been carved from his sternum and left to burn in front of him.

"Billy?"

"I don't remember you."

And oh. He'd take it right back if it meant that look never crossed their face again.

It's barely there for a second, but it's a look of pure hurt. Hurt that makes something close to guilt roar where his mechanical heart sat. He never wanted this stranger to look at him like that again.

He never wanted anyone to look at him like that, to be honest. Fighting was fun- it was what he was built for- and the thrill was something that almost nothing could replicate- but...

Flashes- memories- of Lucy and Piper flit through his head, images and phantoms of them tucked into his sides on warm days and colder nights. A rough hand carding through his hair.

...being sent.. off?

“I’m-”

The door cuts him off with a bang!

"What's taking so long!? Is he ok?"

"Nicole! Anby told us to wait-"

Long pink hair and calculating green eyes bully their way into the room. Something in his programming wants to stand at attention all of a sudden...

The stranger- the white-haired stranger, because now there were three- moves away from the confused android. It looks like they want to say something but apparently thinks better of it and turns towards Billy Kid.

"I don't think I should be the one to say it," they- the thiren said her name was Anby[?]- announce, with all the enthusiasm of a dry rock. Which seems to be her MO, endearingly enough. Endearingly?

The pink haired- Nicole puts her hands on her hips.

"Say what?" she demands, before turning her critical gaze onto the android, "Are you ok or not, Billy?"

Again, shortening my name... Who are these people?

"All systems are operational," he reports anyway, because despite her brash words she sounds worried, "Except my memory banks, apparently."

Side-eye.

Anby's nose just barely scrunches at his tone.

"What do you mean your memory banks?" Nicole prompts, gaze flicking between the two.

"He doesn't remember us."

The Cunning Hares freeze. Silence rules the small space they've tucked themselves into- which... kinda looks like a garage? A nice garage compared to whatever you'd find in the Outer Ring.

Much too nice to be anywhere close to the Outer Ring.

"Where did you take me?"

Nobody answers for a good while.

Until the thiren lets slip:

"...it's so weird to hear you talk like that.."

She shudders from her fluffy ears tips to the sleek finishes of her tails. Were they prosthetics? Why were they blue at the at the base-?

What was wrong with the way he talked?

And why didn't she answer his question-

"Not- not in a bad way!" the thiren is hasty to tack on, "you just... you don't sound happy anymore.."

...happy? He wasn't built to sound happy. He wasn't even supposed to talk much outside status reports and communications. Although- sure, the android often broke that somewhat unspoken rule when Piper and Lucy needed a bit more help to drift off at night, or when Burnice needed someone to bounce a new design off of, or if Lighter was talking about something that happened while he was out in shops, or-

...you got the idea. Caesar hadn't explicitly banned him from talking with the other Sons, not by a long shot, he just- didn't want to push it.

The silence surrounding the ragtag four stretches into something distinctly uncomfortable.

"That.. aside," Nicole- who he assumes is the Boss- eventually starts, "We.. ahem. We got your wound patched up just fine, but... we ended up needing some help to get you back here."

Billy Kid tilts his head.

It made sense, of course, he was an android made of reinforced metal. And while he didn't doubt the strength of these people- especially Anby- he had an itching feeling that their strength was.... not particularly rooted in the weight-lifting sense.

So who-?

"Well. This isn't exactly the reunion I was hoping for."

....there was no way.

Caesar, the Big Sis of the Sons of Calydon herself, walks through the- admittedly abused looking door. Billy Kid shoots to his feet.

And severely underestimates the refractory period required following the repair of a head wound. He stumbles.

A sturdy arm catches his middle with ease.

"Easy, Kid," Caesar reprimands, hauling him back to his feet, "There's no reason to do that, I'm not your boss anymore."

Her words are oddly quiet, as if the other three in the room weren't supposed to hear. Big Sis had always been good at that. Quietly being reassuring without being coddling.

That achingly hollow feeling returns.

From behind Caesar's large frame, he can see the Hares' lower their hands slowly. Their faces are oddly stormy..

Anby bullies her way between them.

"Quite the team you've found yourself, by the way," Caesar continues as if she hadn't, "I'd ask you to fill me in, but.."

...right. Her pale eyes lock onto his, and-

She gives him a single nod of approval. Something loosens in his wiring.

"You'll be alright, Kid."

"Of course he will." Anby cuts in, squaring her small shoulders, "Even if we have to remake all the memories he lost, Billy will always be a member of the Cunning Hares."

And-

Billy finally believes it.

[guardianspirits13]

Ok now for a list of things that I'm kind of iffy about or wish they had kept from the books. It's worth noting that I can't think of a single show exclusive scene they added that I did not like, and most of the changes were integrated flawlessly.

Starting out, the pacing. I'm hoping this gets better with time, especially given that the second episode has much more time to breathe. The whole first episode felt a little cramped, and some of the exposition felt a bit... exposition-y. I don' t think there is much they could have done to get around this though so I'm not gonna dwell on it.

As a fan of the series, I love how they introduced the structure and function of the PJO world with the intro, but I think the jump from "Percy sees things" to "everything is all real" felt a bit abrupt. I am curious what first time fans think about this, and again the first episode covers a lot more ground page-wise than ep 2.

Manchild Gabe... I am not sure how I feel about this. In the books he seemed downright threatening and even with Percy's 12yo bravado, he was still an intimidating figure. His bickering with Sally seemed more like your typical dysfunctional relationship than a power imbalance... both can be harmful in their own way, but I'm still undecided on how much giving Sally a bit more agency in her relationship with him effects the larger story. The whole "not all monsters look like monsters" thing works well in the books with Gabe, but I guess they were redirecting it to foreshadow Luke's betrayal? I'm not sure.

...which brings me to Sally. I was unsure about the casting, but she has earned her stay to me. I always imagined her as a bit more subdued, especially with the more intense iterations of Gabe. She's kind and gentle and has a rebellious streak, but as worried as she might be for Percy she hides it inside of herself. I think her being a bit more expressive as a character works in this setting though, especially since we aren't seeing her through Percy's kid colored lenses. She feels a bit less like the perfect, kind, and understanding mother Percy sees, and a bit more like a real-life single mother trying to keep some of that childhood wonder alive despite everything. She does seem younger than I would have expected, but that's a nitpick on my end. I think she is one character that I will always have a separate book/show counterpart for in my mind.

Ok. Now for Clarisse. Out of all the characters I was skeptic about, I think she's the only one who didn't win me over. This is a writing issue, nothing at all to do with the actress. She was characterized more as a 'queen bee' type mean girl than a bully who picks fights just to feel worthy of her father's approval. She would be better fit for a vindictive daughter of Aphrodite than a daughter of Ares. My mind might be changed in the future but we got most of her scenes in these first two episodes so I'm doubtful. The one moment that had potential was when Percy broke her spear, but the Clarisse I know would not back off just because there is an audience.

There was no hellhound... I was kinda looking forward to it, and it does emphasize that even camp isn't really safe for Percy and is a catalyst for both his quest and the idea that there is a traitor. I can kind of see why the cut it for thematic purposes so Percy feels safe for once in his life, but that's only if I squint.

The scene cuts. I know, I know they're supposed to mimic book chapters. I get it. But it just doesn't work for me, it feels like there's a lack of establishing shots and the black screen is long enough you think the tv is buffering. It's an interesting idea in concept, but the execution falls flat.

OH also as far as things that were missing- the 3 fates. I know this is in the show since it was in the trailers, but I'm curious as to where they're gonna put it now.

Anyways minor nitpicks aside these two episodes were an emotional roller coaster and absolute masterpieces of television cinema.

[jennilah]

hi there!

please do share your thoughts on canon vs non canon (TO YOU) scenes from saw if you feel like it

this seems like a fun topic to explore 👁

i was thinking about this all day im gonna hella ramble too much

to reiterate and expand on what i kinda said in that post's tags: im genuinely cautious when it comes to the canonicity of deleted scenes and script changes for most things because, well, things dont get included in the final product for a reason sometimes.

trust me i know about deleted scenes. ive had months of work erased from existence because of deleted scenes. and sometimes it really was for the best

and im equally if not more skeptical of things like.. lore coming from outside sources. if its not in the original media, its questionable. film novelizations, game adaptions, spin-off comics, all that stuff is usually written by some third party with little to no input from the real writers. unless it gets some serious seal of approval and that shit actually gets referenced in the next film, then im like "ok im listening." Otherwise, i shrug it all off as maybe-canon side adventures until contradicted

THAT SAID

sometimessss those nuggets of lore or characterization from deleted scenes/iffy canon off-shoot material are sick af so we just kind of adopt it anyway!!! we all do it!!!

ALSO

FUCKIN. The goddamn Saw franchise makes me insane with the different cuts of each film so we basically choose our favorite canon already. so. its a bit loosey goosey here sometimes

ok first of all i KNOW im gonna forget things so imma just kind of list and describe what i can remember off the top of my head. i dont actually have things like the scripts memorized i only know some moments that get passed around between us little freaks like drugs

like this one

i dont care if this doesnt happen on-screen in Saw IV, it happens in my heart

and this little bit of characterization from all 3 goofballs here despite us not really seeing much of it in the film:

Strahm being a butthead just interrupting Perez and Hoffman having a nice little talk because he hates his ass so much

Hoffman being more of the annoying little flirt that i know he is in my heart

Perez being charmed by him, the two of them having a cute little bonding moment as acquaintances for a moment there, and then STRAHM AGAIN being a butthead

i love them. i LOVE THEM

its very important to me that Perez kind of liked Hoffman. it makes his betrayal hurt so much more

this whole moment. i love this. ough. as much as i loved this scene already, in my head i pretend the scene played out like this....

falls onto his ass

angel of death

my fucking goodness

also, i cant list off everything because theres so much its a little depressing, but there's a lot going on in the Saw 3D script that is tragically cool. they really leaned into Hoffman going off the deep end and i enjoyed that. and how grisly his scar was originally supposed to be, and the symbolism with his declining mental state. and his interactions with Lawrence being a little more fleshed out. its just kind of neat. i think the film would have been a bit stronger if they stuck closer to a few of their earlier ideas

edit: OH MY GOD HOW CAN I FORGET ABOUT DELETED FILMED SCENES LIKE THE ROCKSTAR MOMENT. THAT HAPPENED OK U CANNOT TELL ME OTHERWISE. and amanda is 100% haunted by what she did to Adam

and as for spin-offs that are absolutely not canon, this description of Hoffman from the video game from Tapp's POV is intriguing.

i love annoying and weird colleague Hoffman but i also really enjoy the idea of shy and weird colleague Hoffman.

also, boring cop Hoffman who wont bend the rules? that is so much more interesting than the hashtag brutality moment.

too bad this game is like. well. yknow. not very good. i dont think thats a controversial statement

but you know what IS good?

Saw the Musical

thats canon to me. no notes

[soda-gremlin]

Thea Sisters Book Reviews: Part 1

I will be posting my honest and unfiltered thoughts on each and every one of the Thea Stilton books >:3 (Including the Mouseford books and Special Editions, or at least the ones released in english)

There will be three per part, a part posted every Friday, and this one is Dragon's Code, Mountain of Fire, and Ghost of the Shipwreck :D

Dragon's Code: 6/10, ah yes, the titular first book of the series. Where we first meet the girls, their mentor, and how they got their name. You’re probably wondering why it’s ranked so low. Well, you know how the first episode of a series is always so different from the others, and it's often people’s least favorite? This is because of “growing pains” so to speak. The series was finding its tone, its footing, its characterization, so it's only natural it's gonna be a cut below the others. And also because it was released in the early 2000s, it was kinda stereotypical in its portrayal of Violet.

The book is from Thea’s perspective, and it starts with her meeting the girls. From there, we see the girls’…rough interactions, and then they’re faced with their very first mystery. It starts with a strange mouse, Hans Ratson. Supposedly, another new student. He’s been acting suspiciously ever since Thea and the girls met him. Then the Whale Family, who work at Mouseford, keep saying cryptic things about what happens if you “stick your snout where it doesn’t belong.” Then after random things start going missing, the girls begin to investigate. They find a secret room, with codes, and most importantly, a dragon statue. After solving the puzzle and the mystery of why all those random items disappeared, they find a Viking ship down in a cave! And down there as well, hanging down from his ankle via a length of rope, is Hans Ratson, or more accurately, Bartholomew Sparkle, a journalism teacher, and one of Mouseford’s best graduates, who disguised himself to investigate that very mystery the girls were.

Like I said before, this book isn’t really the best, since the codes felt kind of overly convoluted, and the girls’ personalities are…not the best. The character designs and illustrations are also notably rougher than the others. 

All in all, despite not being the best book in the series, you should still read it. It’s not a bad book at all. And you get to see how it all started.

Mountain of Fire: 6/10, same reason as the first one. The girls head to Australia to Nicky’s ranch, where her sheep have fallen ill. Who is behind it, none other than the ranch’s rival, Mortimer MacCardigan, the usual jealous, petty, money-grubbing villain from the older books. He poisoned the grass that the sheep eat, and now Nicky and the girls have to find a way to heal the sheep before they die.

This book is definitely not bad, first off the villain has a lot of personality, and is quite memorable, if just for how much of a petty bitch he is. Like damn, imagine being a grown ass man beefing with a college kid. I also liked the conflict with Mortimer, his son, and Nicky, I thought it was interesting. How the hell did Mortimer have a kid?? Who knows. The conflict just didn’t catch my eye as much as the other ones, but that's not an inherent issue with the book. The representation was a little…iffy, I have to say, but I’m not that qualified to talk about that, so I’m just gonna leave it at that. Also, this book is from 2006, so that should explain a few things.

I would still read it though, don’t let my neutrality on this book sway you. It’s still pretty decent, at least compared to the shit they publish now. COUGH COUGH IRRELEWOOD HOAX COUGH COUGH.

Ghost of the Shipwreck:

-Part 1: 

7/10, a short but fun read! We follow the Thea Sisters as they prepare for the hatching of sea turtle eggs, but Professor van Kraken mysteriously disappears. Once they get into his lab, they hear that he’s been sending a Morse code. After rescuing him from Windy Grotto, they find out that there are treasure looters on the loose after the sunken treasure nearby. After getting van Kraken back on the surface and almost crashing the submarine, the girls are attacked by strangers in black diving suits, likely the ones looking for the treasure. And just when they think they’re saved, it turns out that the new ferryman Captain Coral is their boss! They get captured, but with the efforts of van Kraken, they’re rescued and the treasure is recovered. 

Although it only accounts for half of the book’s content, this is a good story. The villain is memorable and is actually competent, the action scenes have that thrill that keeps you interested, and not to mention Violet being an absolute girlfailure, trying to deal with her crush on Professor van Kraken. My only gripe is that it was far too short and that the second part should have been its own book.

-Part 2: 

7/10, also a good read! The girls are invited by Violet’s parents to Beijing to see an opera her father is conducting. When they get there, they meet Xiao, Violet’s childhood friend, and he shows them to their suite (did I mention that Violet’s parents are bougie?) and Violet whisks them all around Beijing. They eventually end up at a market, and they each get a differently colored stone to represent them. They also find a beautiful lacquer box to keep them in, however, as soon as they buy it, someone is already trying to get them to sell it. They refused, and from then on, their trip went off the rails. They find out the lacquer box is the key to a treasure, and that’s why Madame Hu, the pushy woman who tried to buy the box, wanted it so badly. 

I also think this was a fun story! Although, as I said before, this definitely needed to be its own book instead of being shoehorned into one book with a completely different story. The highlight of the book is definitely Madame Hu. With a striking design, intimidating demeanor, and underhanded tactics, she’s one of the best villains to come out of this series. (I might just be biased because she’s hot.) In general, the mystery is interesting, especially Violet’s mysterious, almost prophetic dream that just– never gets explained.

All in all, definitely read this book! Well– Read both stories in this book that is.

[paragonrobits]

its suddenly occured to me that as soon as Simon Petrikov makes an official return as feeling like a member of the main AT cast in his own right, Jake is no longer present. It's still unclear how much of it is Jake having retired prior to his death, or if he was already dead by the events of Obsidian, but it feels like Simon has taken up the role Jake originally occupies.

Essentially when you look at Simon's events in Obsidian and the apparent role he seems to have among the bigger Finn-PB-Marceline-Simon party and group dynamic, he shares a LOT of surprisingly similar traits with Jake:

EXPERIENCED PARTY MEMBER: Jake isn't the oldest member of the group by any stretch, but the other characters TREAT him like he is; he's generally considered to have the most life experience, and he is often treated as being the wisest one. How much of this is objectively true is up for debate and a question for how much of it is just character viewpoints coming in, but Simon definitely has the most life experience. It's arguably one of his more defining traits, since having so much of it against his will is one aspect of the crown. Simon is also a pretty dang smart and emotionally intelligent person, though he doesn't acknowledge it.

THE DAD GUY: In the sense of 'being an older guy that the other characters talk to for advice and reassurance that can be relied upon to solve problems'. Jake isn't precisely a father to Finn in particular by any means, but he IS an older brother who can sometimes come off as having raised Finn, and he is definitely a dad. (Admittedly only for... well, a day because the Pups age weird, and it clearly bothers him, but it still counts.) As for Simon, him being a Dad is probably the thing that most hammered down his characterization and redefined him to such a colossal extent that Simon Petrikov overnight went from being the tragic origin of the Ice King to 'HOLY FUCKING SHIT HE WAS MARCELINE'S REAL DAD!!!!!', with all the implications of his character since. Simon is a dad, and his role as a dad underpins so much of what he seems to value and want more than anything else.

HYPER COMPETENT IN SPECIFIC FIELDS THAT FEEL MORE MUNDANE THAN THE OTHERS: Finn hits things and does Dungeon Adventure stuff. Princess Bubblegum is practically a text book mad scientist alight with the maddening light of GENIUS ITSELF. Marceline, interestingly, comes off very heavily as a parallel to Finn and Jake as a combo package, but the thing that characterizes Jake and by extension Simon for this argument is that they don't do the fancy stuff the other characters do. Jake hits stuff with his magic powers, but in practice he's a pretty blunt force person who doesn't do much of anything outside that, and Simon is notable in that he comes off as being kind of a useless weenie who THINKS he's a useless weenie... until the call of danger comes, and he abruptly shifts into overdrive and almost effortlessly solves the problems he faces without hesitation or any self preservation. In Obsidian he arranges a big calvary team completely on his own, off screen and without prompting, and in Fionna And Cake we see more of this. Simon THINKS he's useless while Jake doesn't care, but both of them are startlingly hyper competent in the narrow field of 'its kinda boring compared to the others but they do it'.

MORAL AMBIGUITY: This is probably the most potentially contentious one, but bear with me. Jake has an established history as a thief and general Dude Doing Crimes, and its not particularly clear if he stopped because he regretted it or just because he became more responsible for Finn. He doesn't SEEM like he regrets it in the slightest, either. Throughout the series it's a running theme that while Jake is generally wiser he's also way more prone to saying messed up stuff or suggesting iffy things for comedic purpose or just on a whim; taken seriously, it can feel like Jake is straight up Chaotic Neutral without much interest in the ethics he does, just about caring about specific people and not much else besides that.

Now let's look at Simon. The current fandom vibe is 'academic weenie with a bubble butt that screams in danger a lot', and this IS technically true, but its not the whole story. Ice King WAS a villain, and genuinely the most recurring threat throughout the series, and while that was part of the crown, the other wearers show it doesn't come out of nowhere. The potential to be Ice King, the callous and destructive brute force, is part of Simon in a whole 'there's two people in the mirror, the one you see and the one you DON'T want to see' kind of way. But during the course of Fionna And Cake we see Simon abducting someone he hates to use them as a magical battery and when they die from it he's more upset about losing his chance and not that someone DIED, when he watches a parallel version of himself wither away he brushes it off as 'oh they were a bad Simon'. It's not implausible Simon did some... STUFF back in the days of the post-war world to ensure he and more importantly Marceline survived. He has a history of revealing that underneath his weenie exterior, he's a solid mass of cold metal that's like biting on tin foil.

All in all, it feels that as Jake has implicitly left the narrative, Simon has been neatly dropped into fulfilling roughly the same role Jake originally did to the rest of the group, or at least that Jake's general narrative purpose of 'does more wacky things for giggles' has been generally split between Finn and Marceline, while Simon has taken on some of his Experienced Family Member and Moral Ambiguity bits.

[merlyybird]

ok here's my overall thoughts on the whole dark beginnings trilogy. spoilers below!

things i liked:

- the visuals. the action was especially vivid and really helped me understand how i'm supposed to imagine these characters in a fight. there were also a lot of wallpaper-worthy shot compositions. the use of 3D within a 2D art style was...a little noticeable, but not immersion-breaking.

- seeing all these characters together again. we haven't seen team dark in a context like this for a while! and it's especially nice to see fresh interactions between shadow and rouge/shadow and maria. fun GUN commander surprise, too.

- rouge's characterization. i like that they're leaning into a lot of my favorite Rouge Traits again---she's tech-savvy, smart, does what she wants, and she's kinda Shadow's best friend currently living. this still isn't my favorite voice for her, but, you know.

- the angst, for lack of a better word. i loved seeing shadow's canon insecurities about his identity and his place in the world. i also think it was so effective to show how isolated shadow felt on the ark, and how maria was the only person there for him. it puts his grief for her into even better perspective.

things i'm kinda iffy on:

- i wish omega had more dialogue. plus, why did they repeat him saying "i call dibs" across shorts 2 &3 ? that was really glaring. he's kinda just the less important robot third wheel to the two other more interesting characters in team dark.

- the series ended on a kind of lukewarm note. it was just a reminder that oh, yeah, this is mainly a piece of promotional material for a game that will tell the rest of the story. presumably.

- i didn't really like the sentiment that maria is the only person who could talk shadow down. listen, i love shadow's backstory and how it informs his character. like i said, i was happy to see more scenes of him interacting with maria! the thing is, though, i don't want to see him married to his tragic past when he already decided to move on from it way back in shadow the hedgehog's true ending. shadow doesn't do good because of maria's wish anymore---he does it for himself, because he chooses to. he doesn't have maria anymore, but he has new friends who understand him. why must maria continue to occupy this unattainable high standard that even rouge can never reach? even shadow recognizes that his old life was taken from him, and he can never return to it. so why does the narrative seem to push back against that?

i'm willing to give this short series a little grace since it's not the full picture. plus, i think the theme of finding new friends is still there, it's just...not carried as far as i'd like it to be, i guess. i'm not saying maria needs to be replaced, i'm not saying shadow can't remember her. i just think her memory should be used as more of a foundation for him to build new connections.

at the end of the day, though...i wanna see more stuff like this! i love that they're exploring the parts of sonic characters that make them beloved and interesting and cool-looking (same as the knuckles prologue short for frontiers)! i would take a full anime in this style any day of the week.

[kanohivolitakk]

Can i hear more of your thoughts on ehlek if you want bc im very intrigued by your bingo answers and the hc you mentioned

Absolutely! Full disclousure though: Im villain woobifier and while I dont woobify all my villain blorbos, Ehlek is one of the ones that I do.

Ehlek is my third favorite Barraki (my 1 and 2 being Pridak and Takadox respectively if you're curious) and one of my favorite characters in the series as whole. I honestly consider him to be one of the most underrated characters in the series, and easily the most underrated character that isn't a serial-exclusive lore character (see Miserix or Artakha for instance). Just, I adore him so much.

One of the main reasons I like Ehlek is because of he is rather unique by Bionicle villain standards. Ehlek is one of the rare villains in the series that isn't a variation of the "powerhungry conqueror with a personality gimmick to stand them out" archetype because...he isn't really powerhungry or greedy at all. Instead, Ehlek is pretty much exclusively characterized by his anger and paranoia towards others. Ehlek is motivated not by a thirst of power, but rather by his emotions: from what I recall most of his actions in canon stem from wanting to hurt whatever upset him that day. And like I said, this incredibly unique by Bionicle villain standards, the only other villain who is motivated exclusively by emotion is Miserix, and guy isn't even really a villain (TSO and Pridak ocasionally are driven by their emotions, but they still mainly fall to the "powerhungry bastard" trope Greg loved to use). And not just is Ehlek stand out, he stands out in a way I like. I love villains driven by their emotion, so Ehlek being a paranoid distrusting mess is just the absolute best for me.

Because Ehlek is an emotionally driven character and doesn't fall for the "greedy bastard Greg villain mold" unlike his fellow Barraki (Takadox and debatably Carapar not withstanding), I actually really like thinking of Ehlek as the "token sympathetic villain" of the Barraki. I ADORE the "token sympathetic/nice guy in a villain faction" trope, and wish it was something Bionicle had done more often. Now, due to Barraki being tyrannic conquerors, seeing any of them as a "good guy" is kinda iffy. However, I do think having one of them be less bastardly and more sympathetic/tragic could work very well. And I think Ehlek is the best fit given his personality as said. As such a lot of my Ehlek related headcanons are giving him more sympathetic traits. Including giving him a tragic backstory because of course I would.

So my backstory headcanon for Ehleks backstory is rather long and detailed, so I wont go everything here. But I can give you a summary. Basically my headcanon for Ehlek is that he was a prince/ruler of one of the many underwater kingdoms in a continent somewhat wayside of the Matoran Universe. He was well meaning and rather naive, and thus was used as a political pawn by other political figures. He was repeatedly manipulated and taken adcantage of both by other rulers and his own allies. Eventually, after being told he had been used by his own advisor the whole time, Ehlek snapped, and killed anyone he saw as a threat, including the aforementioned advisor. Guy basically become a tyrant after having his trust being broken and kindness abused one too many times.

And thats why I put all those "aaa poor baby uwu" answers. Ehlek for me is a tragic figure who was evil not by nature, but because being repeatedly betrayed and used broke his mind to a distrustful mess. He never wanted to hurt anyone, he just wanted to love and help others. Unlike the other five Barraki he wasnt always an opportunistic warmongerer, he was orginally a kindhearted sensitive soul that wasnt able to take it anymore, so he broke. Just god little little baby you didnt deserve it and shouldve been able to live a happy nad fulfilling life.

[ultfreakme]

Okay, I finished NATLA. Overall, I think it was like, a solid 6.5 to a 7.5 out of 10. There were a lot of changes, and they fast forwarded a few character arcs. I loved the extra characterization for Ozai and Azula's own journey to power. We got an explanation for WHY Azula is the way she is.

I wish Katara was given more focus and direction, idk why but I feel like I didn't see enough of her. Aang too. They split up the gaang a little too much but individually, I think they did pretty well with each character arc. I liked Katara's character arc, especially in Omashu.

I do wish she got to rely on others more and Pakku did actually teach her. This time around she's somehow...slower, but still a prodigy? Her character growth made sense, her power growth was kinda iffy. The Gaang seem to get along pretty well so hopefully IF we get a season 2, they don't get split up as much.

I think they got a bit too ambitious in trying to add SO MUCH MORE to the story that we didn't have enough time despite taking out all the side quests. Frankly....I don't really remember the stuff they took out and didn't find myself missing anything so that's fine. The Omashu storyline was pretty good and spanned like, 2-3 episodes. But I think it was just, a LOT to make into one plot.

I liked the backstory for all of them, loved June, loved all the different takes each Avatar had on being an Avatar. I think...splitting up the Gaang so often kinda worked, like a little bit, because I think the main arc for Aang here is that he'll choose to rely on friends.

All the Avatars keep telling Aang that dragging other people into his responsibilities is dangerous for the people around him, that this job is best done alone. He's just lost everyone so he's terrified to lose the two people he's just gotten to know and therefore he puts himself in positions where HE'S the one taking on all the danger. So in that way, it makes sense, but there were definitely places it was unnecessary for them to split up.

Loved Suki, Azula, Mai, Ty Lee and DDK. ADORED ZHAO!! No joke he turned out pretty freaking AMAZING! Idk why people were saying Kanna's acting was bad, she did really well and I didn't notice anything off.

I think if you watch this with an open mind without trying to nitpick and compare it to the original the entire time, you'll have a fun time. It had a lot of sincere and heartfelt moments and I think it enhances the OG's lore.

Fun time! Might rewatch some day, there's lots of places to improve and I think it has the potential to be so much better if the cast and crew are being serious about taking criticism and they do work on it. ATLA is....a difficult beast to tame, and for a first, sincere effort, it ended up being very fun.