#Keenan Scott II

[0-chanceux]

Page I

Sur moi ;

Has the name Charlos Xavier Cullen and is commonly address by Charlos, Ayos or Cullen for short, i go by he/him pronouns and a lad of legal age ( 20+ ). Have INTJ MBTI and Scorpio my zodiac sign, this account is unlabelled and mostly uses English broken and Bahasa in my daily conversation and mainly talk about my daily life.

Intérêt ;

NCT, RED VELVET, BLACKPINK AESPA, ENHYPEN and THE BOYZ

I'm a casual listener 88rising, Keenan Te, The Weeknd, The1975, Chase Atlantic, Chris Brown, Travis Scott, Lana Del Rey, SZA and many more

Horror movies : I'm interested in local horror movies or others but I'm also a little cowardly, there are some horror movies I've watched, Pengabdi setan I & II, Errie, Incantation, A Quite Place and Cadaver.

Remarques ;

I set my account as an NSFW criteria with intention of a lot adult content and harshwords that are not safe for minors, i will also clean up the inactivity of my followers and will block - unblock my followers who make me uncomfortable, so please don’t offended. I beg you to put a content warning for creepy clowns or dolls, i don’t like when my tweet is screenshoot by someone, if you do that i will kick you out from my followers and i selective user.

Don’t follow if you’re ;

Homophobic, Hate my faves, Minor ( under 15 ) and Disrespectful.

[goalhofer]

2023 NHL Draft Results: Picks 101-150

101st overall, Montreal: Florian Xhekaj (Hamilton Bulldogs/Hamilton, Ontario) 102nd overall, Arizona: Terrell Goldsmith (Prince Albert Raiders/Ft. St. James, British Columbia) 103rd overall, Philadelphia: Cole Knuble (Fargo Force/Grand Rapids, Michigan) 104th overall, Washington: Patrick Thomas (Hamilton Bulldogs/Oakville, Ontario) 105th overall, Vancouver: Ty Mueller (University Of Nebraska, Omaha Mavericks/Cochrane, Alberta) 106th overall, St. Louis: Jakub Štancl (Växjö Sjöers Hockeyklubb J20/Prague, Czech Republic) 107th overall, Vancouver: Vilmer Alriksson (Djurgårdens I.F. Ishockeyförening J20/Stockholm, Sweden) 108th overall, Ottawa: Hoyt Stanley (Victoria Grizzlies/North Vancouver, British Columbia) 109th overall, Buffalo: Ethan Miedema (Kingston Frontenacs/Cobourg, Ontario) 110th overall, Montreal: Bogdan Konyushkov (Torpedo Nizhny Novgorod/Penza, Russia) 111th overall, Nashville: Joey Willis (Saginaw Spirit/Elmhurst, Illinois) 112th overall, Calgary: Jaden Lipinski (Vancouver Giants/Scottsdale, Arizona) 113th overall, New York Islanders: Jesse Nurmi (KooKoo/Kouvola, Finland) 114th overall, Columbus: Luca Pinelli (Ottawa 67's/Hamilton, Ontario) 115th overall, Tampa Bay: Jayson Shaugabay (Green Bay Gamblers/Warroad, Minnesota) 116th overall, Seattle: Andrei Loshko (Chicoutimi Saguenéens/Zhlobin, Belarus) 117th overall, Detroit: Larry Keenan II (Culver Academy Eagles/Springwater Township, Ontario) 118th overall, Los Angeles: Hampton Slukynsky (USNTDP/Warroad, Minnesota) 119th overall, Vancouver: Matthew Perkins (Youngstown Phantoms/Balgonie, Saskatchewan) 120th overall, Philadelphia: Alex Čiernik (Södertälje Sportklubb/Wolfsburg, Germany) 121st overall, Nashville: Juha Jatkola (Kalevan Pallo/Kuopio, Finland) 122nd overall, New Jersey: Cam Squires (Cape Breton Eagles/Charlottetown, Prince Edward Island) 123rd overall, San José: Luca Cagnoni (Portland Winterhawks/Burnaby, British Columbia) 124th overall, Boston: Beckett Hendrickson (USNTDP/Minnetonka, Minnesota) 125th overall, Dallas: Aram Minnetian (USNTDP/Woodcliff Lake, New Jersey) 126th overall, Carolina: Stanislav Yarovoy (H.K. Vityaz Moscow Oblast/Tuymazy, Russia) 127th overall, Florida: Albert Wikman (Färjestad Bollklubb J20/Karlstad, Sweden) 128th overall, Montreal: Quentin Miller (Quebec Remparts/Montreal, Quebec) 129th overall, Anaheim: Rodwin Dionicio (Niagara IceDogs/Herisau, Switzerland) 130th overall, San José: Axel Landén (HV71 J20/Jönköping Stad, Sweden) 131st overall, Chicago: Marcel Marcel (Gatineau Olympiques/Plzeň, Czech Republic) 132nd overall, San José: Eric Pohlkamp (Cedar Rapids RoughRiders/Brainerd, Minnesota) 133rd overall, Montreal: Sam Harris (Sioux Falls Stampede/San Diego, California) 134th overall, Arizona: Melker Thelin (Tegs Sportklubb/Umeå, Sweden) 135th overall, Philadelphia: Carter Sotheran (Portland Winterhawks/Macdonald Municipality, Manitoba) 136th overall, Washington: Cam Allen (Guelph Storm/Toronto, Ontario) 137th overall, Detroit: Jack Phelan (Sioux Falls Stampede/Downers Grove Township, Illinois) 138th overall, St. Louis: Paul Fischer (USNTDP/River Forest Township, Illinois) 139th overall, Carolina: Charles-Alex Legault (West Kelowna Warriors/Laval, Quebec) 140th overall, Ottawa: Matthew Andonovski (Kitchener Rangers/Markham, Ontario) 141st overall, Buffalo: Scott Ratzlaff (Seattle Thunderbirds/Wainwright Municipality, Alberta) 142nd overall, Pittsburgh: Mikhail Ilyin (Almaz Cherepovets/Cherepovets, Russia) 143rd overall, Nashville: Sutter Muzzatti (Rensellaer Polytechnic Institute Engineers/Alaiedon Township, Michigan) 144th overall, Montreal: Yevgeni Volokhin (Mamonty Yugry/Khanty-Mansysk, Russia) 145th overall, New York Islanders: Justin Gill (Sherbrooke Phoenix/Saint-Joseph-Du-Lac, Quebec) 146th overall, Winnipeg: Jacob Julien (London Knights/London, Ontario) 147th overall, Detroit: Kevin Bicker (Jungadler Mannheim/Schwabach, Germany) 148th overall, Seattle: Kaden Hammell (Everett Silvertips/Langley, British Columbia) 149th overall, Minnesota: Aaron Pionk (Waterloo Black Hawks/Hermantown, Minnesota)

[isearchgoood]

How poetry unlocked my superpowers | Keenan Scott II

https://www.ted.com/talks/keenan_scott_ii_how_poetry_unlocked_my_superpowers?rss=172BB350-0205&utm_source=dlvr.it&utm_medium=tumblr

[antoniorichardsonblog]

Watch "Watch Clips from Keenan Scott II's THOUGHTS OF A COLORED MAN" on YouTube

[frontmezzjunkies]

The Deep Poetic Thoughts of a Colored Man on Broadway

#frontmezzjunkies #reviews #Broadway's #ThoughtsofaColoredMan by #KeenanScottII d: #SteveHBroadnaxIII w/ #LukeJames #EsauPritchett #DaVinchi #ForrestMcClendon #DyllónBurnside #TristanMackWilds #BryanTerrellClark #ThisIsBroadway @omdkc @coloredmanplay

Left to Right: Luke James, Esau Pritchett, Da’Vinchi, Forrest McClendon, Dyllón Burnside, Tristan Mack Wilds, Bryan Terrell Clark. Photo Credit: Julieta Cervantes. The In-Person Experience: Broadway’s Thoughts of a Colored Man By Ross The lineup takes to the stage, with a nod to the audience, and another to the bold word that hangs overhead like a highway billboard in black and white selling…

[tcm]

Van Johnson: The Leading Man with a Boyish Charm By Susan King

If Frank Sinatra was the favorite singer of bobbysoxers in the 1940s, Van Johnson was every teenage girl’s dreamboat. And for good reason. He was adorable: tall, athletic, freckle-faced with reddish blond hair, a warm smile and a charming screen presence. He was the perfect boy-next-door any mother would want her daughter to marry. In fact, when he went to the New York premiere of A THRILL OF A ROMANCE (‘45), a Technicolor romantic comedy also starring MGM’s aqua star Esther Williams, he was waylaid by the bobbysoxers who even ripped the buttons off his shirt.

Johnson was also a lyric in the Prehistoric Man number in ON THE TOWN (‘49): “What has Gable got for me and Mrs. Johnson’s blond boy Van, I want a handsome Joe from ages ago, a prehistoric man!” But he was more than just a pretty face. He more than held his own opposite Spencer Tracy and Irene Dunne in his first major starring role in the romantic fantasy A GUY NAMED JOE (‘43), and he was moving as a real-life flier who loses his leg in the stirring THIRTY SECONDS OVER TOKYO (‘44).

In my L.A. Times interview with him in 1991, Johnson, then 75, told me, “I never expected or thought about the movies. It was a never-never land out there. It was soooooo glamorous.” During his years under contract with MGM, he noted that he would pinch himself to realize he was in fact a movie star. “Every day I drove on the lot, I looked up at Leo the Lion and I couldn’t believe it was me, this little kid from Newport, R.I., up there with all of those famous people. I never got over it.”

Born in 1916, Johnson’s childhood was less than idyllic. His alcoholic mother abandoned the family when he was young. His Swedish-immigrant father was cold. But young Johnson found solace in the touring companies that appeared in Newport. After he graduated from high school, he went to New York. He was 19 when he got a part in the Broadway revue New Faces of 1936, followed by roles in the musicals Too Many Girls and Pal Joey. He came to Hollywood to do the 1940 film version of TOO MANY GIRLS.

It was Lucille Ball, star of TOO MANY GIRLS, who introduced him to the MGM casting director Billy Grady. Johnson recalled in a 1963 interview that Ball told him, “I’m going to introduce you, and at least you’re going to act like you’re the star I think you are.” Johnson began to work his way up the MGM ladder when he got a role in A GUY NAMED JOE. But he nearly died in early 1943 when his DeSoto convertible was struck by another car. He suffered a fractured skull, major facial injuries, a severed neck artery and bone fragments that pierced his brain. After several surgeries and several months, his forehead was left with major scars. He also had a metal plate put into the left side of his head.

He later remembered he was told he had been nearly decapitated. “But I never lost consciousness. I spent four months in the hospital after they sewed the top of my head back on,” Johnson noted. MGM wanted to replace him, but Tracy and director Victor Fleming insisted production be halted until he was well enough to return to work. And a star was born. Ironically, bobbysoxers would abandon him in 1947 when he married pal Keenan Wynn’s ex-wife. His popularity waned but he continued to work usually doing three or four films a year.

I think he did some of his best work once he lost the matinee idol moniker in such films as the World War II drama COMMAND DECISION (‘48); William A. Wellman’s gritty acclaimed World War II action-drama BATTLEGROUND (‘49); THE LAST TIME I SAW PARIS (‘54), a romantic drama based on F. Scott Fitzgerald’s short story “Babylon Revisited” and most notably in the classic THE CAINE MUTINY (‘54), which also starred Humphrey Bogart as the maniacal Capt. Queeg. He also drips with charm in IN THE GOOD OLD SUMMERTIME (‘49) and the perfect partner for Judy Garland in the delightful musical remake of Ernst Lubitsch’s romantic comedy THE SHOP AROUND THE CORNER (‘40). MGM didn’t renew his contract in 1954, so he went to Columbia to do such movies as the romantic drama THE END OF THE AFFAIR (‘55) with Deborah Kerr. Johnson also starred in a dual role in the truly bizarre NBC musical The Pied Piper of Hamelin, which aired Thanksgiving weekend in 1957.

In the 1960s, Johnson not only had two bouts with cancer, he saw his film roles dry up. So, he began touring in such musicals as Damn Yankees and The Music Man. He said in an interview why he turned to theater: “Because the phone didn’t ring. Because the film scripts were getting crummier and crummier. Because I sat beside my pool in Palm Springs one day and told myself, ‘Van, you’ll be 45 this year. If you don’t start doing something now, you never will.”

Besides doing an occasional movie, Johnson appeared on countless TV series, movies and miniseries, earning an Emmy nomination for the ABC miniseries Rich Man, Poor Man. He returned to Broadway in 1985 in Jerry Herman’s Tony Award-winning musical La Cage Aux Folles and that same year he appeared in a small role as an actor in Woody Allen’s enchanting THE PURPLE ROSE OF CAIRO (‘85). “These are supposed to be my September years” he once told an interviewer. “I’m supposed to be at home enjoying them, but I still love to tour.”

When I interviewed Johnson, he was in town to appear in a production of Show Boat in Pasadena. He was set to play Cap’n Andy, a role he had done several times. Even at 75, he still was boyish and charming. But I felt bad for him. He had damaged his ear drums after flying with a cold and was extremely hard of hearing. And he was fighting a bad case of bronchitis. Johnson never went on stage because he developed pneumonia before opening night. He retired in 1992 and died at 92 in 2008.

Though many actors bristled being under contract, Johnson confessed in a 1985 interview he loved his years at MGM. “It was one big happy family and a little kingdom,” he noted. “Everything was provided for us, from singing lessons to barbells. All we had to do was inhale, exhale and be charming. I used to dread leaving the studio to go out into the real world, because to me the studio was the real world.”

[96thdayofrage]

A half-century after its premiere, Melvin Van Peebles’s musical “Ain’t Supposed to Die a Natural Death” is heading back to Broadway.

The producer Lia Vollack said Tuesday that she is putting together a revival with the collaboration of the creator’s son, Mario Van Peebles, and under the direction of Kenny Leon. Vollack said she expects to present the revival on Broadway next year.

The musical, which began a nine-month run on Broadway in 1971, is constructed as a series of monologues, often vivid and confrontational, about Black life in a low-income neighborhood. Nominated for seven Tony Awards (but winning none), the show seems to anticipate both the confessional and personal style of musicals that followed, and the poetic spoken-word sounds of rap and hip-hop.

Melvin Van Peebles wrote the show’s book, music and lyrics. Bill Duke and Garrett Morris were in the original cast, and Phylicia Rashad was a standby.

Leon has long been enamored of the musical, which he performed in while a student at Clark Atlanta University.

“It was so visceral, and so strong, and so powerful,” he said. “It gives voice to people who we normally don’t hear on a Broadway stage, and if we do hear them, we don’t hear their truth, we just hear their suffering.”

Leon said the renewed focus on diversity and equity following a series of deaths of Black Americans in encounters with police catalyzed the production.

“Right after everything that happened last year, I talked with Lia, and she said, ‘What do you want to do?’” Leon recalled. “I said, ‘I would love to do “Ain’t Supposed to Die a Natural Death” — I think it’s my life’s calling to do that play,’ and she said, ‘Let’s do it.’”

Leon said the challenge facing his production would be “How do you marry the ’70s to the post-George Floyd moment in an artistic way?” He added, “Nothing about it is going to feel like a museum piece. My goal is to make the audience feel as if the play is new.”

Perhaps best known as a film director, Melvin Van Peebles also wrote plays, novels, music and journalism. Mario Van Peebles, an actor who is being billed as the revival’s creative producer, said in an interview that he considers the musical (which he saw on Broadway when he was 14) his father’s best work.

“It was a transformational experience — I saw people of all colors coming in, some who had never been to a theater before, and many who had, and some laughed, and some cried, and some applauded, but everyone was somehow changed,” he said.

Mario Van Peebles said that throughout his life, people have told him that “Ain’t Supposed to Die a Natural Death” was ahead of its time, and that he has been eager to revive it while his father, who is now 88, is still alive.

“Americans now have better tools to understand each other than we did before,” he said. “In a way, America has caught up, and the language and the tools that were once inner-city are now part of our culture.”

The New York Times, for one, gave the original production a mixed review.

“Whites can only treat ‘Ain’t Supposed to Die a Natural Death’ as a journey to a foreign country,” the critic Clive Barnes wrote, “and on those terms I think it has the power to shock and excite.” (The paper summed up the show this way in a sub-headline: “Blacks Move Through Gantlet of the Slum.”)

The show has occasionally been revisited over the years; in New York, there was an Off Broadway production in 2006, when a New York Times critic wrote, “the series of vignettes explodes like a round of mini-riots.”

With racial equity much discussed in the theater industry recently, “Ain’t Supposed to Die a Natural Death” becomes the seventh new production with a Black writer announced for Broadway when it reopens.

The others are a revival of “Trouble in Mind” by Alice Childress; a Michael Jackson biomusical called “MJ” with a book by Lynn Nottage; and the plays “Lackawanna Blues” by Ruben Santiago-Hudson, “Skeleton Crew” by Dominique Morisseau, and “Thoughts of a Colored Man” by Keenan Scott II, as well as an untitled play by Nottage.

Denzel Washington has told The Daily Mail that he expects a revival of August Wilson’s “The Piano Lesson” to reach Broadway next year featuring his son John David Washington alongside Samuel L. Jackson and Danielle Brooks and directed by LaTanya Richardson Jackson. The producer Scott Rudin, who has the stage rights to “The Piano Lesson,” has declined to confirm the report.

[extrabeurre]

MANK part en tête d’une course aux Oscars bien bizarre

Je me suis réveillé tantôt, j'ai parti la cafetière, puis en checkant Twitter, je me suis dit: "Ah oui, c'est vrai, les nominations des Oscars ont été dévoilées." 

 C’est la première année depuis une éternité où je ne suis pas au poste au moment où les nominations des Oscars sont annoncées. Je l’ai déjà dit, mais je suis assez désinteressé cette année par cette course aux remises de prix où sont honorés des films que presque personne n’a pu voir sur grand écran, pandémie oblige. 

Oui, il y a d’excellents films en lice, comme Nomadland, Sound of Metal et Promising Young Woman. Il y en a aussi que je vais essayer de voir prochainement, Minari notamment. Mais je n’ai pas l’impression qu’il y ait de gros titres qui ont enflammé la planète cinéma comme par exemple Parasite, Once Upon a Time... in Hollywood ou même le divisif Joker l’an dernier.

J’ai vu Mank de David Fincher sur Netflix, j’ai trouvé ça correct, mais c’est loin d’être un film marquant pour moi. Je reviens quand même sur Nomadland, un de mes préférés de 2020 (même s’il ne sortira techniquement pas en salle au Québec avant avril 2021) - ce sera un bon moment de voir Chloé Zhao probablement remporter l’Oscar de la Meilleure réalisation. Il y a plein d’actrices et d’acteurs talentueux qui sont en nomination. Je serais content que Trent Reznor & Atticus Ross soient récompensés pour la musique de Soul. Je trouve ça plate que TENET de Christopher Nolan ait presque été complètement ignoré.

Mais dans l’ensemble, je suis assez indifférent face à tout ça. Je vais sûrement regarder le gala quand même, en espérant que ce ne soit pas un désastre avec des fenêtres Zoom comme les Golden Globes...

Best motion picture of the year

“The Father” David Parfitt, Jean-Louis Livi and Philippe Carcassonne, Producers

“Judas and the Black Messiah” Shaka King, Charles D. King and Ryan Coogler, Producers

“Mank” Ceán Chaffin, Eric Roth and Douglas Urbanski, Producers

“Minari” Christina Oh, Producer

“Nomadland” Frances McDormand, Peter Spears, Mollye Asher, Dan Janvey and Chloé Zhao, Producers

“Promising Young Woman” Ben Browning, Ashley Fox, Emerald Fennell and Josey McNamara, Producers

“Sound of Metal” Bert Hamelinck and Sacha Ben Harroche, Producers

“The Trial of the Chicago 7” Marc Platt and Stuart Besser, Producers

Achievement in directing

“Another Round” Thomas Vinterberg

“Mank” David Fincher

“Minari” Lee Isaac Chung

“Nomadland” Chloé Zhao

“Promising Young Woman” Emerald Fennell

Performance by an actor in a leading role

Riz Ahmed in “Sound of Metal”

Chadwick Boseman in “Ma Rainey’s Black Bottom”

Anthony Hopkins in “The Father”

Gary Oldman in “Mank”

Steven Yeun in “Minari”

Performance by an actor in a supporting role

Sacha Baron Cohen in “The Trial of the Chicago 7”

Daniel Kaluuya in “Judas and the Black Messiah”

Leslie Odom, Jr. in “One Night in Miami…”

Paul Raci in “Sound of Metal”

Lakeith Stanfield in “Judas and the Black Messiah”

Performance by an actress in a leading role

Viola Davis in “Ma Rainey’s Black Bottom”

Andra Day in “The United States vs. Billie Holiday”

Vanessa Kirby in “Pieces of a Woman”

Frances McDormand in “Nomadland”

Carey Mulligan in “Promising Young Woman”

Performance by an actress in a supporting role

Maria Bakalova in “Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan”

Glenn Close in “Hillbilly Elegy”

Olivia Colman in “The Father”

Amanda Seyfried in “Mank”

Yuh-Jung Youn in “Minari”

Adapted screenplay

“Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan” Screenplay by Sacha Baron Cohen & Anthony Hines & Dan Swimer & Peter Baynham & Erica Rivinoja & Dan Mazer & Jena Friedman & Lee Kern; Story by Sacha Baron Cohen & Anthony Hines & Dan Swimer & Nina Pedrad

“The Father” Screenplay by Christopher Hampton and Florian Zeller

“Nomadland” Written for the screen by Chloé Zhao

“One Night in Miami…” Screenplay by Kemp Powers

“The White Tigers” Written for the screen by Ramin Bahrani

Original screenplay

“Judas and the Black Messiah” Screenplay by Will Berson & Shaka King; Story by Will Berson & Shaka King and Kenny Lucas & Keith Lucas

“Minari” Written by Lee Isaac Chung

“Promising Young Woman” Written by Emerald Fennell

“Sound of Metal” Screenplay by Darius Marder & Abraham Marder; Story by Darius Marder & Derek Cianfrance

“The Trial of the Chicago 7” Written by Aaron Sorkin

Best international feature film of the year

“Another Round” Denmark

“Better Days” Hong Kong

“Collective” Romania

“The Man Who Sold His Skin” Tunisia

“Quo Vadis, Aida?” Bosnia and Herzegovina

Best animated feature film of the year

“Onward” Dan Scanlon and Kori Rae

“Over the Moon” Glen Keane, Gennie Rim and Peilin Chou

“A Shaun the Sheep Movie: Farmageddon” Richard Phelan, Will Becher and Paul Kewley

“Soul” Pete Docter and Dana Murray

“Wolfwalkers” Tomm Moore, Ross Stewart, Paul Young and Stéphan Roelants

Best documentary feature

“Collective” Alexander Nanau and Bianca Oana

“Crip Camp” Nicole Newnham, Jim LeBrecht and Sara Bolder

“The Mole Agent” Maite Alberdi and Marcela Santibáñez

“My Octopus Teacher” Pippa Ehrlich, James Reed and Craig Foster

“Time” Garrett Bradley, Lauren Domino and Kellen Quinn

Achievement in cinematography

“Judas and the Black Messiah” Sean Bobbitt

“Mank” Erik Messerschmidt

“News of the World” Dariusz Wolski

“Nomadland” Joshua James Richards

“The Trial of the Chicago 7” Phedon Papamichael

Achievement in film editing

“The Father” Yorgos Lamprinos

“Nomadland” Chloé Zhao

“Promising Young Woman” Fr��déric Thoraval

“Sound of Metal” Mikkel E. G. Nielsen

“The Trial of the Chicago 7” Alan Baumgarten

Achievement in music written for motion pictures (Original score)

“Da 5 Bloods” Terence Blanchard

“Mank” Trent Reznor and Atticus Ross

“Minari” Emile Mosseri

“News of the World” James Newton Howard

“Soul” Trent Reznor, Atticus Ross and Jon Batiste

Achievement in production design

“The Father” Production Design: Peter Francis; Set Decoration: Cathy Featherstone

“Ma Rainey’s Black Bottom” Production Design: Mark Ricker; Set Decoration: Karen O’Hara and Diana Stoughton

“Mank” Production Design: Donald Graham Burt; Set Decoration: Jan Pascale

“News of the World” Production Design: David Crank; Set Decoration: Elizabeth Keenan

“Tenet” Production Design: Nathan Crowley; Set Decoration: Kathy Lucas

Achievement in costume design

“Emma” Alexandra Byrne

“Ma Rainey’s Black Bottom” Ann Roth

“Mank” Trish Summerville

“Mulan” Bina Daigeler

“Pinocchio” Massimo Cantini Parrini

Achievement in sound

“Greyhound” Warren Shaw, Michael Minkler, Beau Borders and David Wyman

“Mank” Ren Klyce, Jeremy Molod, David Parker, Nathan Nance and Drew Kunin

“News of the World” Oliver Tarney, Mike Prestwood Smith, William Miller and John Pritchett

“Soul” Ren Klyce, Coya Elliott and David Parker

“Sound of Metal” Nicolas Becker, Jaime Baksht, Michelle Couttolenc, Carlos Cortés and Phillip Bladh

Achievement in makeup and hairstyling

“Emma” Marese Langan, Laura Allen and Claudia Stolze

“Hillbilly Elegy” Eryn Krueger Mekash, Matthew Mungle and Patricia Dehaney

“Ma Rainey’s Black Bottom” Sergio Lopez-Rivera, Mia Neal and Jamika Wilson

“Mank” Gigi Williams, Kimberley Spiteri and Colleen LaBaff

“Pinocchio” Mark Coulier, Dalia Colli and Francesco Pegoretti

Achievement in visual effects

“Love and Monsters” Matt Sloan, Genevieve Camilleri, Matt Everitt and Brian Cox

“The Midnight Sky” Matthew Kasmir, Christopher Lawrence, Max Solomon and David Watkins

“Mulan” Sean Faden, Anders Langlands, Seth Maury and Steve Ingram

“The One and Only Ivan” Nick Davis, Greg Fisher, Ben Jones and Santiago Colomo Martinez

“Tenet” Andrew Jackson, David Lee, Andrew Lockley and Scott Fisher

Best documentary short film

“Colette” Anthony Giacchino and Alice Doyard

“A Concerto Is a Conversation” Ben Proudfoot and Kris Bowers

“Do Not Split” Anders Hammer and Charlotte Cook

“Hunger Ward” Skye Fitzgerald and Michael Scheuerman

“A Love Song for Latasha” Sophia Nahli Allison and Janice Duncan

Best animated short film

“Burrow” Madeline Sharafian and Michael Capbarat

“Genius Loci” Adrien Mérigeau and Amaury Ovise

“If Anything Happens I Love You” Will McCormack and Michael Govier

“Opera” Erick Oh

“Yes-People” Gísli Darri Halldórsson and Arnar Gunnarsson

Best live action short film

“Feeling Through” Doug Roland and Susan Ruzenski

“The Letter Room” Elvira Lind and Sofia Sondervan

“The Present” Farah Nabulsi

“Two Distant Strangers” Travon Free and Martin Desmond Roe

“White Eye” Tomer Shushan and Shira Hochman

Achievement in music written for motion pictures (Original song)

“Fight For You” from “Judas and the Black Messiah” Music by H.E.R. and Dernst Emile II; Lyric by H.E.R. and Tiara Thomas

“Hear My Voice” from “The Trial of the Chicago 7” Music by Daniel Pemberton; Lyric by Daniel Pemberton and Celeste Waite

“Husavik” from “Eurovision Song Contest: The Story of Fire Saga” Music and Lyric by Savan Kotecha, Fat Max Gsus and Rickard Göransson

“Io Sì (Seen)” from “The Life Ahead (La Vita Davanti a Se)” Music by Diane Warren; Lyric by Diane Warren and Laura Pausini

“Speak Now” from “One Night in Miami…” Music and Lyric by Leslie Odom, Jr. and Sam Ashworth

[tocinephile]

T'was the night before the Oscars...

Here we are again. The final stab at a decent award show ceremony amidst a global pandemic. I'm not getting my hopes up after the Golden Globes and SAG zoom calls, in fact I've read very little about the upcoming ceremonies since they announced they would not be using zoom... and then promptly reversed that decision.

It would seem no matter how late we delay the Oscars, I still find myself the night before the show scrambling to watch all the Best Picture nominees. It also hasn't slipped my mind all the promises I'd made to discuss my top films of 2020 and the things I would not have seen if not for this global catastrophe. Having had a number of conversations with fellow cinephiles, many have also found themselves very unenthused about award season contenders, dramatic pictures or anything with heavier content so to speak, or even movies in general. The struggle to concentrate is real.

I'm going to get right into my list of predictions with the caveats that I have yet to see Sound of Metal, and I have to watch the second half of Judas and the Black Messiah after I hit 'post' here. You will find as we go through, there's lots more I haven't seen.

Best Picture

“The Father”

“Judas and the Black Messiah”

“Mank”

“Minari”

“Nomadland” - Will win

“Promising Young Woman” - Should win (though I liked Nomadland very much as well)

“Sound of Metal”

“The Trial of the Chicago 7”

Best Director

Thomas Vinterberg (“Another Round”)

David Fincher (“Mank”) - excellent director but I actually don't think he left his mark on Mank as much as he did many of his other films, I've questioned previously whether he should have gotten the nomination

Lee Isaac Chung (“Minari”)

Chloé Zhao (“Nomadland”) - Will win/should win

Emerald Fennell (“Promising Young Woman”)

Best Actor in a Leading Role - very strong contenders all around in this category, every one of them (I'm sure I'll have the same reaction about Riz Ahmed) made me say "holy shit" in amazement out loud

Riz Ahmed (“Sound of Metal”)

Chadwick Boseman (“Ma Rainey’s Black Bottom”) - Will win/should win

Anthony Hopkins (“The Father”)

Gary Oldman (“Mank”)

Steven Yeun (“Minari”)

Best Actress in a Leading Role

Viola Davis (“Ma Rainey’s Black Bottom”) - I think if not Andra Day, then Viola will win it

Andra Day (“The United States v. Billie Holiday”) - Will win?/should win

Vanessa Kirby (“Pieces of a Woman”)

Frances McDormand (“Nomadland”)

Carey Mulligan (“Promising Young Woman”)

Best Actor in a Supporting Role

Sacha Baron Cohen (“The Trial of the Chicago 7”) - I think he's also got a decent shot in this category

Daniel Kaluuya (“Judas and the Black Messiah”) - Will win/should win

Leslie Odom Jr. (“One Night in Miami”)

Paul Raci (“Sound of Metal”)

Lakeith Stanfield (“Judas and the Black Messiah”)

Best Actress in a Supporting Role

Maria Bakalova (‘Borat Subsequent Moviefilm”) - truth be told I didn't think her performance was so great that she should get an Oscar nomination for it

Glenn Close (“Hillbilly Elegy”)

Olivia Colman (“The Father”) - another potentially unpopular comment... while I think Olivia Colman is one of the best actresses and most delightful people in existence, given her range and talent I don't she particularly excelled in The Father to make it an Oscar-worthy performance.

Amanda Seyfried (“Mank”)

Yuh-jung Youn (“Minari”) - Will win/should win

Best Animated Feature Film - I only saw one film so I have no basis for comparison

“Onward” (Pixar)

“Over the Moon” (Netflix)

“A Shaun the Sheep Movie: Farmageddon” (Netflix)

“Soul” (Pixar) - will win

“Wolfwalkers” (Apple TV Plus/GKIDS)

Best Adapted Screenplay

“Borat Subsequent Moviefilm.” Screenplay by Sacha Baron Cohen, Anthony Hines, Dan Swimer, Peter Baynham, Erica Rivinoja, Dan Mazer, Jena Friedman, Lee Kern; Story by Sacha Baron Cohen, Anthony Hines, Dan Swimer, Nina Pedrad

“The Father,” Christopher Hampton and Florian Zeller - should win...and will win?

“Nomadland,” Chloé Zhao

“One Night in Miami,” Kemp Powers - might also win?

“The White Tiger,” Ramin Bahrani

Best Original Screenplay

“Judas and the Black Messiah.” Screenplay by Will Berson, Shaka King; Story by Will Berson, Shaka King, Kenny Lucas, Keith Lucas

“Minari,” Lee Isaac Chung

“Promising Young Woman,” Emerald Fennell - 50/50 will win/definitely should win tho!

“Sound of Metal.” Screenplay by Darius Marder, Abraham Marder; Story by Darius Marder, Derek Cianfrance

“The Trial of the Chicago 7,” Aaron Sorkin - 50/50 will win... I really didn't get onboard this movie, but I will say the script was the best thing about it

Best Original Song - I'm not even going to venture a guess...

“Fight for You,” (“Judas and the Black Messiah”). Music by H.E.R. and Dernst Emile II; Lyric by H.E.R. and Tiara Thomas

“Hear My Voice,” (“The Trial of the Chicago 7”). Music by Daniel Pemberton; Lyric by Daniel Pemberton and Celeste Waite

“Húsavík,” (“Eurovision Song Contest”). Music and Lyric by Savan Kotecha, Fat Max Gsus and Rickard Göransson

“Io Si (Seen),” (“The Life Ahead”). Music by Diane Warren; Lyric by Diane Warren and Laura Pausini

“Speak Now,” (“One Night in Miami”). Music and Lyric by Leslie Odom, Jr. and Sam Ashworth

Best Original Score - I actually didn't think much of any of the scores in any of the films I've seen in 2020...

“Da 5 Bloods,” Terence Blanchard

“Mank,” Trent Reznor, Atticus Ross

“Minari,” Emile Mosseri

“News of the World,” James Newton Howard

“Soul,” Trent Reznor, Atticus Ross, Jon Batiste - will win

Best Sound - I suspect it might be Sound of Metal but I haven't watched it yet. I've also not seen Greyhound.

“Greyhound,” Warren Shaw, Michael Minkler, Beau Borders and David Wyman

“Mank,” Ren Klyce, Jeremy Molod, David Parker, Nathan Nance and Drew Kunin

“News of the World,” Oliver Tarney, Mike Prestwood Smith, William Miller and John Pritchett

“Soul,” Ren Klyce, Coya Elliott and David Parker

“Sound of Metal,” Nicolas Becker, Jaime Baksht, Michelle Couttolenc, Carlos Cortés and Phillip Bladh

Best Costume Design

“Emma,” Alexandra Byrne - will win

“Mank,” Trish Summerville

“Ma Rainey’s Black Bottom,” Ann Roth - should win

“Mulan,” Bina Daigeler - should also win

“Pinocchio,” Massimo Cantini Parrini

Best Animated Short Film - I didn't watch a single Oscar-nominated short this year

“Burrow” (Disney Plus/Pixar)

“Genius Loci” (Kazak Productions)

“If Anything Happens I Love You” (Netflix)

“Opera” (Beasts and Natives Alike)

“Yes-People” (CAOZ hf. Hólamói)

Best Live-Action Short Film - I didn't watch a single Oscar-nominated short this year

“Feeling Through”

“The Letter Room”

“The Present”

“Two Distant Strangers”

“White Eye”

Best Cinematography

“Judas and the Black Messiah,” Sean Bobbitt

“Mank,” Erik Messerschmidt - will win/should win

“News of the World,” Dariusz Wolski

“Nomadland,” Joshua James Richards

“The Trial of the Chicago 7,” Phedon Papamichael

Best Documentary Feature - I thought I watched a decent number of docs in 2020, but apparently not the right ones because I saw none of these.

“Collective,” Alexander Nanau and Bianca Oana

“Crip Camp,” Nicole Newnham, Jim LeBrecht and Sara Bolder

“The Mole Agent,” Maite Alberdi and Marcela Santibáñez

“My Octopus Teacher,” Pippa Ehrlich, James Reed and Craig Foster

“Time,” Garrett Bradley, Lauren Domino and Kellen Quinn

Best Documentary Short Subject - I didn't watch a single Oscar-nominated short this year

“Colette,” Anthony Giacchino and Alice Doyard

“A Concerto Is a Conversation,” Ben Proudfoot and Kris Bowers

“Do Not Split,” Anders Hammer and Charlotte Cook

“Hunger Ward,” Skye Fitzgerald and Michael Scheuerman

“A Love Song for Latasha,” Sophia Nahli Allison and Janice Duncan

Best Film Editing

“The Father,” Yorgos Lamprinos - 50/50 will win/should win

“Nomadland,” Chloé Zhao

“Promising Young Woman,” Frédéric Thoraval

“Sound of Metal,” Mikkel E.G. Nielsen

“The Trial of the Chicago 7,” Alan Baumgarten - 50/50 will win

Best International Feature Film

“Another Round” (Denmark) - will win

“Better Days” (Hong Kong) - should win (yes, because I'm biased, plus it's also the only other film aside from Another Round that I've seen in this category and I liked it a lot better, but also, just because it's very fine film)

“Collective” (Romania)

“The Man Who Sold His Skin” (Tunisia)

“Quo Vadis, Aida?”(Bosnia and Herzegovina)

Best Makeup and Hairstyling

“Emma,” Marese Langan, Laura Allen, Claudia Stolze - will win

“Hillbilly Elegy,” Eryn Krueger Mekash, Patricia Dehaney, Matthew Mungle

“Ma Rainey’s Black Bottom,” Sergio Lopez-Rivera, Mia Neal, Jamika Wilson - should win

“Mank,” Kimberley Spiteri, Gigi Williams, Colleen LaBaff

“Pinocchio,” Mark Coulier, Dalia Colli, Francesco Pegoretti

Best Production Design

“The Father.” Production Design: Peter Francis; Set Decoration: Cathy Featherstone - I don't think this is the best Production Design but I do think it's underrated what they did and that it should be recognized a different kind of creativity went into designing the sets for this film.

“Ma Rainey’s Black Bottom.” Production Design: Mark Ricker; Set Decoration: Karen O’Hara and Diana Stoughton

“Mank.” Production Design: Donald Graham Burt; Set Decoration: Jan Pascale - will win? I do think the Production Design was spectacular...

“News of the World.” Production Design: David Crank; Set Decoration: Elizabeth Keenan

“Tenet.” Production Design: Nathan Crowley; Set Decoration: Kathy Lucas - should win

Best Visual Effects

“Love and Monsters,” Matt Sloan, Genevieve Camilleri, Matt Everitt and Brian Cox

“The Midnight Sky,” Matthew Kasmir, Christopher Lawrence, Max Solomon and David Watkins

“Mulan,” Sean Faden, Anders Langlands, Seth Maury and Steve Ingram

“The One and Only Ivan,” Nick Davis, Greg Fisher, Ben Jones and Santiago Colomo Martinez

“Tenet,” Andrew Jackson, David Lee, Andrew Lockley and Scott Fisher - will win/should win... like why would it not win??

Ok, I wasn't very decisive in some of those categories and since I'm taking part in an Oscar pool I will have to make some choices and refine my selections before tomorrow. I will share my final Oscar pool pics, do my part bombarding everyone's twitter tomorrow evening, and review after the awards where it all went right/wrong.

[deqpelis]

Oscars 2021: lista completa de nominados

Tarde pero seguro. El próximo 25 de abril se entregarán las estatuillas más esperadas del cine; entre estrenos cancelados y cines transformados en salas de living y streming, llegarán finalmente los premios más ansiados por los amantes del séptimo arte.

- OSCAR NOMINATIONS 2021 -

Best Picture

THE FATHER David Parfitt, Jean-Louis Livi and Philippe Carcassonne, Producers JUDAS AND THE BLACK MESSIAH Shaka King, Charles D. King and Ryan Coogler, Producers MANK Ceán Chaffin, Eric Roth and Douglas Urbanski, Producers MINARI Christina Oh, Producer NOMADLAND Frances McDormand, Peter Spears, Mollye Asher, Dan Janvey and Chloé Zhao, Producers PROMISING YOUNG WOMAN Ben Browning, Ashley Fox, Emerald Fennell and Josey McNamara, Producers SOUND OF METAL Bert Hamelinck and Sacha Ben Harroche, Producers THE TRIAL OF THE CHICAGO 7 Marc Platt and Stuart Besser, Producers

Actor in a Leading Role

Riz Ahmed in SOUND OF METAL Chadwick Boseman in MA RAINEY'S BLACK BOTTOM Anthony Hopkins in THE FATHER Gary Oldman in MANK Steven Yeun in MINARI

Actor in a Supporting Role

Sacha Baron Cohen in THE TRIAL OF THE CHICAGO 7 Daniel Kaluuya in JUDAS AND THE BLACK MESSIAH Leslie Odom, Jr. in ONE NIGHT IN MIAMI... Paul Raci in SOUND OF METAL Lakeith Stanfield in JUDAS AND THE BLACK MESSIAH

Actress in a Leading Role

Viola Davis in MA RAINEY'S BLACK BOTTOM Andra Day in THE UNITED STATES VS. BILLIE HOLIDAY Vanessa Kirby in PIECES OF A WOMAN Frances McDormand in NOMADLAND Carey Mulligan in PROMISING YOUNG WOMAN

Actress in a Supporting Role

Maria Bakalova in BORAT SUBSEQUENT MOVIEFILM: DELIVERY OF PRODIGIOUS BRIBE TO AMERICAN REGIME FOR MAKE BENEFIT ONCE GLORIOUS NATION OF KAZAKHSTAN Glenn Close in HILLBILLY ELEGY Olivia Colman in THE FATHER Amanda Seyfried in MANK Yuh-Jung Youn in MINARI

Animated Feature Film

ONWARD Dan Scanlon and Kori Rae OVER THE MOON Glen Keane, Gennie Rim and Peilin Chou A SHAUN THE SHEEP MOVIE: FARMAGEDDON Richard Phelan, Will Becher and Paul Kewley SOUL Pete Docter and Dana Murray WOLFWALKERS Tomm Moore, Ross Stewart, Paul Young and Stéphan Roelants

Cinematography

JUDAS AND THE BLACK MESSIAH Sean Bobbitt MANK Erik Messerschmidt NEWS OF THE WORLD Dariusz Wolski NOMADLAND Joshua James Richards THE TRIAL OF THE CHICAGO 7 Phedon Papamichael

Costume Design

EMMA Alexandra Byrne MA RAINEY'S BLACK BOTTOM Ann Roth MANK Trish Summerville MULAN Bina Daigeler PINOCCHIO Massimo Cantini Parrini

Directing

ANOTHER ROUND Thomas Vinterberg MANK David Fincher MINARI Lee Isaac Chung NOMADLAND Chloé Zhao PROMISING YOUNG WOMAN Emerald Fennell

Documentary (Feature)

COLLECTIVE Alexander Nanau and Bianca Oana CRIP CAMP Nicole Newnham, Jim LeBrecht and Sara Bolder THE MOLE AGENT Maite Alberdi and Marcela Santibáñez MY OCTOPUS TEACHER Pippa Ehrlich, James Reed and Craig Foster TIME Garrett Bradley, Lauren Domino and Kellen Quinn

Documentary (Short Subject)

COLETTE Anthony Giacchino and Alice Doyard A CONCERTO IS A CONVERSATION Ben Proudfoot and Kris Bowers DO NOT SPLIT Anders Hammer and Charlotte Cook HUNGER WARD Skye Fitzgerald and Michael Scheuerman A LOVE SONG FOR LATASHA Sophia Nahli Allison and Janice Duncan

Film Editing

THE FATHER Yorgos Lamprinos NOMADLAND Chloé Zhao PROMISING YOUNG WOMAN Frédéric Thoraval SOUND OF METAL Mikkel E. G. Nielsen THE TRIAL OF THE CHICAGO 7 Alan Baumgarten

International Feature Film

ANOTHER ROUND Denmark BETTER DAYS Hong Kong COLLECTIVE Romania THE MAN WHO SOLD HIS SKIN Tunisia QUO VADIS, AIDA? Bosnia and Herzegovina

Makeup and Hairstyling

EMMA Marese Langan, Laura Allen and Claudia Stolze HILLBILLY ELEGY Eryn Krueger Mekash, Matthew Mungle and Patricia Dehaney MA RAINEY'S BLACK BOTTOM Sergio Lopez-Rivera, Mia Neal and Jamika Wilson MANK Gigi Williams, Kimberley Spiteri and Colleen LaBaff PINOCCHIO Mark Coulier, Dalia Colli and Francesco Pegoretti

Music (Original Score)

DA 5 BLOODS Terence Blanchard MANK Trent Reznor and Atticus Ross MINARI Emile Mosseri NEWS OF THE WORLD James Newton Howard SOUL Trent Reznor, Atticus Ross and Jon Batiste

Music (Original Song)

"Fight For You" from JUDAS AND THE BLACK MESSIAH Music by H.E.R. and Dernst Emile II; Lyric by H.E.R. and Tiara Thomas "Hear My Voice" from THE TRIAL OF THE CHICAGO 7 Music by Daniel Pemberton; Lyric by Daniel Pemberton and Celeste Waite "Husavik" from EUROVISION SONG CONTEST: THE STORY OF FIRE SAGA Music and Lyric by Savan Kotecha, Fat Max Gsus and Rickard Göransson "Io Sì (Seen)" from THE LIFE AHEAD (LA VITA DAVANTI A SE) Music by Diane Warren; Lyric by Diane Warren and Laura Pausini "Speak Now" from ONE NIGHT IN MIAMI... Music and Lyric by Leslie Odom, Jr. and Sam Ashworth

Production Design

THE FATHER Production Design: Peter Francis; Set Decoration: Cathy Featherstone MA RAINEY'S BLACK BOTTOM Production Design: Mark Ricker; Set Decoration: Karen O'Hara and Diana Stoughton MANK Production Design: Donald Graham Burt; Set Decoration: Jan Pascale NEWS OF THE WORLD Production Design: David Crank; Set Decoration: Elizabeth Keenan TENET Production Design: Nathan Crowley; Set Decoration: Kathy Lucas

Short Film (Animated)

BURROW Madeline Sharafian and Michael Capbarat GENIUS LOCI Adrien Mérigeau and Amaury Ovise IF ANYTHING HAPPENS I LOVE YOU Will McCormack and Michael Govier OPERA Erick Oh YES-PEOPLE Gísli Darri Halldórsson and Arnar Gunnarsson

Short Film (Live Action)

FEELING THROUGH Doug Roland and Susan Ruzenski THE LETTER ROOM Elvira Lind and Sofia Sondervan THE PRESENT Farah Nabulsi TWO DISTANT STRANGERS Travon Free and Martin Desmond Roe WHITE EYE Tomer Shushan and Shira Hochman

Sound

GREYHOUND Warren Shaw, Michael Minkler, Beau Borders and David Wyman MANK Ren Klyce, Jeremy Molod, David Parker, Nathan Nance and Drew Kunin NEWS OF THE WORLD Oliver Tarney, Mike Prestwood Smith, William Miller and John Pritchett SOUL Ren Klyce, Coya Elliott and David Parker SOUND OF METAL Nicolas Becker, Jaime Baksht, Michelle Couttolenc, Carlos Cortés and Phillip Bladh

Visual Effects

LOVE AND MONSTERS Matt Sloan, Genevieve Camilleri, Matt Everitt and Brian Cox THE MIDNIGHT SKY Matthew Kasmir, Christopher Lawrence, Max Solomon and David Watkins MULAN Sean Faden, Anders Langlands, Seth Maury and Steve Ingram THE ONE AND ONLY IVAN Nick Davis, Greg Fisher, Ben Jones and Santiago Colomo Martinez TENET Andrew Jackson, David Lee, Andrew Lockley and Scott Fisher

Writing (Adapted Screenplay)

BORAT SUBSEQUENT MOVIEFILM: DELIVERY OF PRODIGIOUS BRIBE TO AMERICAN REGIME FOR MAKE BENEFIT ONCE GLORIOUS NATION OF KAZAKHSTAN Screenplay by Sacha Baron Cohen & Anthony Hines & Dan Swimer & Peter Baynham & Erica Rivinoja & Dan Mazer & Jena Friedman & Lee Kern; Story by Sacha Baron Cohen & Anthony Hines & Dan Swimer & Nina Pedrad THE FATHER Screenplay by Christopher Hampton and Florian Zeller NOMADLAND Written for the screen by Chloé Zhao ONE NIGHT IN MIAMI... Screenplay by Kemp Powers THE WHITE TIGER Written for the screen by Ramin Bahrani

Writing (Original Screenplay)

JUDAS AND THE BLACK MESSIAH Screenplay by Will Berson & Shaka King; Story by Will Berson & Shaka King and Kenny Lucas & Keith Lucas MINARI Written by Lee Isaac Chung PROMISING YOUNG WOMAN Written by Emerald Fennell SOUND OF METAL Screenplay by Darius Marder & Abraham Marder; Story by Darius Marder & Derek Cianfrance THE TRIAL OF THE CHICAGO 7 Written by Aaron Sorkin

[dustedmagazine]

Dusted Mid-Year Exchange, Part 3: Writers’ Lists

Joe McPhee 

We wrap up our mid-year feature with writers’ favorites from the first half of the year.  If you missed them, check out Parts One and Two from earlier this week.

Tobias Carroll

SAULT — UNTITLED (Black Is) (Forever Living Originals)

Irreversible Entanglements — Who Sent You? (International Anthem)

Cold Beat — Mother (DFA Records)

African Head Charge — Drumming is a Language 1990 - 2011 (On-U Sound)

En Attendant Ana — Juliet (Trouble in Mind)

Positive No — Kyanite (self-released)

Helen Money — Atomic (Thrill Jockey)

Matt LaJoie — Everlasting Spring (Flower Room)

Xetas — The Cypher (12XU)

Alison Cotton — Zener_08 (Sensory Leakage)

Coriky — Coriky (Dischord)

Błoto — Erozje (Astigmatic Records)

Gerycz / Powers / Rolin — Beacon (Garden Portal)

75 Dollar Bill Little Big Band — Live at Tubby’s (self-released)

Slum of Legs — Slum of Legs (Splurge Recordings)

The Soft Pink Truth — Am I Free to Go? (self-released)

 Tim Clarke

Activity — Unmask Whoever (Western Vinyl)

Alabaster DePlume — To Cy and Lee: Instrumentals Vol. 1 (International Anthem)

Drab City — Good Songs For Bad People (Bella Union)

Fake Laugh — Dining Alone (State 51 Conspiracy)

King Krule — Man Alive! (XL)

Owen Pallett — Island (Domino)

 Andrew Forell

Irreversible Entanglements — Who Sent You? (International Anthem)

Wire — Mind Hive (Pinkflag)

Peel Machine Dream — Agitprop Alterna (Tough Love/Slumberland)

Rowland S Howard — Teenage Snuff Film (Fat Possum)

The Wants — Container (Council Records)

Shabaka And The Ancestors — We Are Sent Here By History (Impulse!)

Davey Harms — World War (Hausu Mountain)

Bohren & Der Club Of Gore — Patchouli Blue (Ipecac)

 Ray Garraty

Rio Da Yung Og — City on My Back (#Boyz Entertainment)

Cash Kidd — No Socks (4746 Global)

The Jacka — Murder Weapon (The Artist Records)

Z-Ro — Quarantine: Social Distancing (1 Deep Entertainment)

Ka — Descendants of Cain (self-released)

Bandgang Lonnie Bands — The Scamily (TF Entertainment)

 Jennifer Kelly

Six Organs of Admittance—Companion Rises (Drag City)

Gil Scott Heron and Makaya McCraven—We’re New Again (XL Recordings)

Obnox—Savage Raygun (Ever/Never)

Cable Ties—Far Enough (Merge)

Lewsberg—In this House (12XU)

James Elkington—Ever Roving Eye (Paradise of Bachelors)

Jehnny Beth —To Love Is To Live (Arts & Crafts)

Destroyer—Have We Met (Merge)

Decoy w/ Joe McPhee — AC/DC (otoROKU)

Chouk Bwa & The Ångströmers— Vodou Alé (Bongo Joe)

FACS—Void Moments (Trouble in Mind)

Elkhorn—The Storm Sessions (Beyond Beyond Is Beyond)   

 Arthur Krumins

Gil Scott-Heron, Makaya McCraven — We’re New Again (XL)

The Giving Shapes — Earth Leaps Up (Elsewhere)

Wut — Now (Self-released)

Ranil — Ranil y su Conjunto Tropical (Analog Africa)

Ash Brooks — Temple of Roses (Flower Room)

Chip Langer — Songs for Melissa (Xylem)

Keenan Ahrends Trio — Live at House on the Hills Session (Self-released)

Jeff Parker — Suite for Max Brown (International Anthem)

Julius Eastman — Feminine (Frozen Reeds)

White Poppy — Paradise Gardens (Not Not Fun)

Pharoah Sanders — Live in Paris 1975 (Transversales Disques)

Waterless Hills — The Great Mountain (Cardinal Fuzz)

Jim White and Marisa Anderson — The Quickening (Thrill Jockey)

Aoife Nessa Frances — Land of No Junction (Ba Da Bing)

Andrea Cortez — The Secret Song of Plants (Aural Canyon)

 Patrick Masterson

Yves Tumor — Heaven to a Tortured Mind (Warp)

Squirrel Flower — I Was Born Swimming (Polyvinyl)

Black Taffy — Opal Wand (Leaving)

Mint Mile — Ambertron (Comedy Minus One)

Moodymann — Taken Away (KDJ)

Sarah Mary Chadwick — Please Daddy (Sinderlyn)

Andrea — Ritorno (Illian Tape)

Cable Ties — Far Enough (Merge)

Torres — Silver Tongue (Merge)

Russell Ellington Langston Butler —  Emotional Bangers Only EP (self— released)

Tan Cologne — Cave Vaults on the Moon in New Mexico (Labrador)

Future — High Off Life (Epic)

 Ian Mathers

Aidan Baker & Gareth Davis — Invisible Cities II (Karlrecords)

Anastasia Minster — Father (self released)

Helen Money — Atomic (Thrill Jockey)

Holy Fuck — Deleter (Last Gang)

Hum — Inlet (Polyvinyl)

Solar Woodroach — 7 Perversions on Pachabel's Canon (Nilamox)

Spanish Love Songs — Brave Faces Everyone (Pure Noise)

Stars Like Fleas — DWARS Session: Live on Radio VPRO (self released)

Well Yells — We Mirror the Dead (self released)

Yves Tumor — Heaven to a Tortured Mind (Warp)

 Special mention to the incredible Charles Curtis Performances & Recordings 1998-2018 box we talked about here.

 Bill Meyer 

(The last entry is not a record, but a festival of recordings)

Owl — Mille Feuille (SOFA)

Paul Lytton / Nate Wooley — Known / Unknown (Fundacja Sluchaj)

Six Organs of Admittance — Companion Rises (Drag City)

Elkhorn — The Storm Sessions (Beyond Beyond is Beyond)

*Waterless Hills — The Great Mountain (Cardinal Fuzz / Feeding Tube)

Powers / Rolin Duo — s/t (Feeding Tube)

Tashi Dorji / Tyler Damon — To Catch A Bird (Trost)

James Elkington — Ever Roving Eye (Paradise of Bachelors)

Chicago Underground Quartet — Good Days (Astral Spirits)

Steve Beresford and John Butcher — Old Paradise Airs (Iluso)

Irreversible Entanglements (International Anthem)

Sandy Ewen — You Win (Gilgongo)

Various artists — AMPLIFY 2020:quarantine

 Jonathan Shaw

Raspberry Bulbs — Before the Age of Mirrors (Relapse)

Mamaleek — Come and See (The Flenser)

Thou — Blessings of the Highest Order (Robotic Empire)

Sun City Girls — Live at Sky Church (2182 Recording Company)

Gil Scott Heron and Makaya McCraven — We’re New Again (XL Recordings)

Neutrals — Rent/Your House (Domestic Departure)

 Derek Taylor

Twenty from 2020: Jazz and Improv (order entirely arbitrary)

Decoy w/ Joe McPhee — AC/DC (otoROKU)

Stephen Riley — Friday the 13th (Steeplechase)

Damon Smith — Whatever is Not Stone is Light (Balance Point Acoustics)

James Brandon Lewis & Chad Taylor — Live at Willisau (Intakt)

Jeremy Pelt — The Art of Intimacy, Vol. 1 (HighNote)

Peter Brötzmann/ Maâlem Moukhtar Gania/ Hamid Drake — The Catch of a Ghost (I Dischi Di Angelica)

Patty Waters — An Evening in Houston (Clean Feed)

Whit Dickey — Expanding Light (AUM Fidelity)

Brandon Seabrook — Exultations (Astral Spirits)

John Scofield — Swallow Tales (ECM)  

Paul Desmond — The Complete 1975 Toronto Recordings (Mosaic)

Cecil Taylor & Tony Oxley — Birdland, Neuberg 2011 (Fundacja Sluchaj)

Kidd Jordan /Joel Futterman /Alvin Fielder — Spirits (Silkheart)

Sam Rivers — Ricochet (No Business)

Frank Lowe & Rashied Ali — Duo Exchange: Complete Sessions (Survival)

Dudu Pukwana — and the Spears (Matsuli Music)

Sun Ra — Heliocentric Worlds, Vols. 1 & 2 (Ezz-thetics)

Shirley Scott — One for Me (Arc/Strata-East)

Buddy Collette — The Complete 1961 Milano Sessions (Fresh Sound)

Lennie Tristano — The Duo Sessions (Dot Time)

[writemarcus]

Taye Diggs and Jenny Parsinen are set to choreograph a benefit workshop production of Keenan Scott II’s thoughts of a COLORED MAN on a day when the sun set too early February 4-6 at the Royal Family Performing Arts Space. The production is directed by RFP artistic director Chris Henry.

Keenan Scott II’s newest play follows the stories of eight young men as they try to find their identities in a conformist world—blending poetry, prose, and vernacular born from the hip hop generation.

A pre-show cocktail reception will help kick off the February 4 show, with special guests Kathleen Chalfant and John Cariani in attendance.

Tickets can be purchased by visiting RoyalFamilyProductions.org. The Royal Family Performing Arts Space is located at 145 West 46th Street, 3rd Floor, New York.

[bcsintersections]

Thoughts of a Colored Man

Like playwright Keenan Scott II, Baltimore photographer Gioncarlo Valentine explores the complexity and constraints of black masculinity. Read up on his work and check out his art in the BCS lobby!

[edharrisdaily]

Ed Harris To Step in as Atticus Finch in Broadway’s ‘To Kill A Mockingbird’

The four-time Oscar nominee will succeed Jeff Daniels in the iconic role, returning to Broadway after an absence of more than 20 years and beginning performances Nov. 5.

Broadway has found its new Atticus Finch.

Following the Nov. 3 departure of Jeff Daniels at the end of his yearlong run in Aaron Sorkin's mega-selling stage adaptation of To Kill a Mockingbird, Harris will begin performances two days later in the pivotal role of the principled lawyer in 1930s small-town Alabama who takes on the defense of an African-American sharecropper falsely accused of raping a white woman.

Producer Scott Rudin on Friday confirmed Harris' casting, following a report Thursday in The New York Times, based on information from an advertisement placed in the paper's upcoming Sunday edition. It's unclear how long Harris will remain in the role.

Harris is a four-time Oscar nominee, making the best supporting actor cut in 1996 for Apollo 13, in 1999 for The Truman Show and in 2003 for The Hours. He was nominated for best actor in 2001 for Pollock. He appears as the Man in Black on HBO's Westworld and will be seen in the Top Gun: Maverick sequel, among other upcoming screen roles.

While Harris has returned frequently to off-Broadway theater in recent years, he has not appeared on Broadway since the 1996 Ronald Harwood World War II drama Taking Sides, in which he starred with Daniel Massey, Ann Dowd, Elizabeth Marvel and Michael Stuhlbarg. Harris received a Tony nomination for best actor for his 1986 Broadway debut in George Furth's Precious Sons.

To Kill a Mockingbird was nominated for nine Tony Awards, including best direction of a play for Bartlett Sher and best actor in a play for Daniels, who lost out to Bryan Cranston in Network in what was believed to be a close race. Celia Keenan-Bolger took home the sole Mockingbird win, for best featured actress in a play.

The Harper Lee adaptation has been one of the major hits of the 2018-19 Broadway season, not playing to an unsold seat since it began performances at the Shubert Theatre in November. The production recouped its reported capitalization of $7.5 million in April, just 19 weeks after opening to stellar reviews. It recently crossed the threshold to become the top-grossing American play in Broadway history, with cumulative box office expected to surpass $50 million this week.

Last month, The Hollywood Reporter broke the news that Richard Thomas will play Atticus in the national tour, kicking off Aug. 25, 2020, at the Kennedy Center in Washington. Casting has not yet been announced for the production's recently confirmed London debut at the Gielgud Theatre next spring, produced by Sonia Friedman and Rudin.

-THR

[scottkeenanillustration]

Wonderland: The End

The nineteenth and final illustration from my Wonderland project, a combination of Alice in Wonderland and the Romanov family. See more on my blog!

“Told that they were being moved downstairs for their safety from unrest and artillery fire in the city, they complied without question.”

(Rappaport, H. 2009 p. 376)

“there were no tears, no sobs and no questions”

(Radzinsky, E. 1992 p. 336)

The final image for Wonderland is something that I had in mind for a while and the idea was not only to conclude Alice’s story but also the story of the Romanov family as well. I knew a few things I wanted to include such as the opposing sides of the revolution clashing, Alice in the centre of the image to represent the death of the Romanovs as well as their later sainthood, and finally for it to be set in a religious place in order to emphasise the family’s religious nature as well as their sainthood and martyrdom.

Originally I wanted to base the building on the Church of All Saints or Church on the Blood which was built over the area where the Ipatiev House once stood, however this wasn’t working out very well in terms of composition and so I ended up being a more general looking Russian building with onion dome towers. With the composition however I was very inspired by many of the medieval imagery I had been researching throughout the year and I thought that this worked very well for the images. As with many of these images I screen-printed the red before adding detail with ink, watercolour and pencil. In conclusion this image basically sums up the end of the revolution, shown within the terror of the characters and the chaos of the falling building while Alice, a representation of the Romanov family, is at the centre of all of it and is in a position of prayer to illustration the ideas mentioned earlier.

Rappaport, H. (2014). Four Sisters: The Lost Lives of the Romanov Grand Duchesses. London, UK: Macmillan

Radzinsky, E. (1992). The Last Tsar: The Life and Death of Nicholas II. Great Britain: BCA

Scott Keenan, 2018

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