#Katalin Ladik
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Katalin Ladik / Androgin 1978
Foto: Ifjú Gábor
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Katalin Ladik, The Queen of Sheba (1973), Cut-and-pasted printed paper and press type on printed paper, 23 x 32.5 cm., MACBA Collection.
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(via Katalin Ladik - Hungarian performance artist (70's - 80's) - all things amazing —)
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phonopoetica / katalin ladik. 1976
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#Magyar Műhely#Merlin Színház#Nagy Pál#Papp Tibor#Ladik Katalin#Szkárosi Endre#Kovács Zsolt#Sőrés Zsolt#Új Tré Trió#Somogyi Gyula#Kárpáti Zsolt#Juhász R. József#Nyírfalvi Károly#Tóth Gábor#Abajkovics Péter
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A fákat mind megnöveszteni!
(részlet)
Mivel egyre kevesebben maradunk
egy szívességet tehetsz az utókornak:
költészeteddel sikeres patkányirtást hajthatsz végre.
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Women in Concrete Poetry: 1959-1979
Artists and writers include Lenora de Barros, Ana Bella Geiger, and Mira Schendel from Brazil; Mirella Bentivoglio, Tomaso Binga, Liliana Landi, Anna Oberto, and Giovanna Sandri from Italy; Amanda Berenguer from Uruguay; Suzanne Bernard and Ilse Garnier from France; Blanca Calparsoro from Spain; Paula Claire and Jennifer Pike from the UK; Betty Danon from Turkey; Mirtha Dermisache from Argentina; Bohumila Grögerová from the Czech Republic; Ana Hatherly and Salette Tavares from Portugal; Madeline Gins, Mary Ellen Solt, Susan Howe, Liliane Lijn, and Rosmarie Waldrop from the US; Irma Blank and Ruth Wolf-Rehfeldt from Germany; Chima Sunada from Japan; and Katalin Ladik and Bogdanka Poznanović from the former Yugoslavia Edited by Alex Balgiu and Mónica de la Torre
#Lenora de Barros#Ana Bella Geiger#Mira Schendel#Mirella Bentivoglio#Tomaso Binga#Liliana Landi#Anna Oberto#Giovanna Sandri#Amanda Berenguer#Suzanne Bernard#Ilse Garnier#Blanca Calparsoro#Paula Claire#Jennifer Pike#Betty Danon#Mirtha Dermisache#Bohumila Grögerová#Ana Hatherly#Salette Tavares#Madeline Gins#Mary Ellen Solt#Susan Howe#Liliane Lijn#Rosmarie Waldrop#Irma Blank#Ruth Wolf-Rehfeldt#Chima Sunada#Katalin Ladik#Bogdanka Poznanović#library
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Attila Csernik: Bodyprinting with Katalin Ladik, 1971
: artmagazin.hu
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Mercredi 31 juillet 2024 à 19H, la Petite Boutique Fantasque retrouve Marius Pinel pour une 45ème chronique de l'univers place Pinel et Fernand Bernadi pour un extrait de son disque Saveurs fantômes. Il y aura vente de visitations et d'âmes place Pinel ce mercredi.
Programmation musicale : 1) Let me sleep beside you (David Bowie) 2) Marius (Imago) 3) Book of days (Meredith Monk) 4) Love is the only way (Rikki Llonga) 5) extrait de Phonopoetica (Katalin Ladik) 6) Vie et mort de Gina Pinard (Les cowboys fringants) 7) L'accordéoneu (Raoul de Godewarsvelde) 8) Le kiosque (Michèle Bernard) 9) Variation turquoise (Fernand Bernadi)
+ 45ème chronique de l'univers place Pinel, Vendre son âme place Pinel par Marius Pinel
Pour ceux qui auraient piscine indienne, ou toute autre obligation, il y a une possibilité de rattrapage avec les podcasts de la PBF : https://www.mixcloud.com/RadioRadioToulouse/vente-de-visitations-et-dâmes-place-pinel-ce-mercredi-la-petite-boutique-fantasque/
Photographie de Francis Miller
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Kuverta / omotnica
(design Mihajlo Arsovski)
25x17,5 cm
Mail Art
Na poleđini pečat Filmski autorski studio, Zagreb
GEFF 69, pod naslovom Seksualnost kao mogućnost za novi humanizam, trebao se dogoditi u prosincu 1969., no pomaknut je za travanj 1970. godine. Najavljena Retrospektiva seksualnog i erotskog filma zagolicala je maštu javnosti, ali i politike, tako da je ovo ujedno i njegovo posljednje izdanje. Prva izdanja festivalskog biltena-glasila krasila je fotomontaža Aurore koja izgovara rečenicu: voljela bih da sam hermafrodit pa da mogu i sa ženama, dok je gradske površine ukrašavao plakat za izložbu Renea Hollosa, na kojemu je prikazan stilizirani golemi penis s grčkim podnatpisom fallikos antropos. Kasnije povučen na inzistiranje viših političkih instanci, ovaj plakat najavio je i beskompromisni GEFF 69 koji je, kako je pisao tadašnji Filmski svet, od skromne svečanosti zaljubljenika u film postao senzacija za koju su se ulaznice prodavale kao vruća roba. Najviše zanimanja izazvale su projekcije filmova Andyja Warhola i Paula Morrisseya, gošća festivala Carolle Schneemann pokazala je svoj Fuses, dok je nemali interes izazvao pjesnički performance novosadske umjetnice Katalin Ladik, koja je proglašena i najfinijom damom festivala. Izvor: Željko Luketić
GEFF, Genre Experimental Film Festival, was international experimental film festival organized from 1963 to 1970 in Zagreb, Croatia. GEFF was established after a series of debates between experimental filmmakers held at the Kino Club in Zagreb entitled “Anti-film and Us,” which was led by Mihovil Pansini, leading experimental film author. Anti-film was a type of film that was more focused on the pure acts of research and discovery, delving into its self-reflexive media language rather than any expression or communication happening between artist and viewer. Anti-film represented a radical annihilation of conventional film, its elements, principals and structure. GEFF became a worldwide locus for non-professional and experimental filmmakers. Izvor: Avantgarde museum, Zagreb
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Katalin Ladik
Float Novi Sad Down the Danube, 1974/2017
Gelatin silver print
9 2/5 × 7 1/10 in | 24 × 18 cm
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Katilin Ladik · Tengerfestés I Painting the Sea, 1982 © Katalin Ladik
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