#Just trying to be helpful

[lilmiss-artypants]

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Don't forget to check the likes.

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[ladyravenjadethe2nd]

Making a Summary for a Fanfiction

Lot of people say they are bad at this so I'm going to help you because I think I'm pretty good at it.

Step One: Do not tell us you are bad at summaries. First of all it is okay to be bad at them that doesn't mean your story will be bad, but the only information you are giving the reader that has skimmed 5,000 summaries and are willing to skim 5,000 more is that your not confident in your skills.

Fake it till you make it.

Step Two: Make sure the language you have your summary in is the same one the story is in. Even if someone speaks both languages that is a jarring change. Not everyone reads the tags even if you have it tagged as that other language. For artistic purposes if you feel the summary must be in another language provide a translation under it still in your summary.

Step Three: Pick what you want to summarize. What I mean is are you summarizing the whole fic, are you summarizing the theme of the fic, the first chapter, your favorite scene, the intro to the main character, etc...

Really you can pick anything as long as it does relate to your story although the more vague you wish to be the sooner you need to make it pay off.

For example Your Summary is 'The truth is that only coffee mattered. It could never leave me, or insult me, or stand me up like this fucking prick.'

Seems like a pretty decent way to introduce a story that involves dating in someway. Your reader expects that at some point there will be coffee, that at some point this character will be stood up, and that Character A has beef with Character B.

You can delay this pay off for a few chapters, but if I've read 5 chapters of a school girl fighting demons and I have no idea who they might have beef with that's a pretty shit summary. This summary leads me to believe this will be a romance focused story or at least that the story will start Character A being stood up and a romantic sub plot is relevant.

If this line doesn't show up until chapter 20 I will have stopped reading by chapter 10 because I feel lied too.

Step Four: If step 3 is too difficult show off. What are you best at? Your descriptions? Your dialog? What do you look at and go 'There! That's were I shine as a writer!' If you just can't summaries to save your life put your very best paragraph in the summary and that's it your done. Congratulations.

Step Five: Assuming you did step 3 and are ignoring 4 now that you have your what your summarizing write it down as boring and bare bones as possible. Your not trying to be good you just want the words down.

Example: Slow burn romance with sassy school girl and mean rival from another school. Cannon fighting demon plot going on.

Step 6: Now your gonna stylist it. Take a bit of what your good at and the genre of the fic and make a line to a paragraph or two at most about the most important part of your basic summary.

For example Your best thing is descriptions of characters. You want a romcom feel to it, but the action is important and romance doesn't start until later in the fic.

Instead of an internal monologue line in chapter 20 about being stood up you should instead describe the love interest though your main character's eyes on the battle field. Have them pay attention to desirable traits, but don't be fully lusting after them. This is a slow burn so only a small distraction is allowed.

You can with the right description tell us both characters personally as well and as you hit on several topics no one is going to be upset if you don't see this character until chapter 20. The sum is also about fighting demons so if that happens chapter one we do not feel lied to.

Step 7: Have fun with it. There is a reason you want to write. Something about the story gives you joy bring that into your summary and you will have an easy or at least enjoyable time with it.

P.S. The place for perfect grammar and spelling is in the summary. Once they are in it a few mistakes will be forgiven.

Pls comment how you make summaries, if this was helpful, or if it just confused you more.

[rossbehere]

For anyone who also has this problem,

If you start getting a lot of videos that you don't care about or don't like on YouTube, an easy fix is clearing your watch history. Then it will only recommend stuff based on your subscriptions and likes rather than previously watched videos.

[theoldkyokodied]

Really quick doodles of a few scenes from the stream yesterday. Including combat flirting taunting, gale’s magnificently distracting shoes and.. whatever you wanna call gale agreeing to give 15 gold to astarion 😐😑😐😑😐 (that’s me blinking)

[rhinestonesox]

When Senshi was young in the dungeon the majority of the adults he were with ostracized him. All except Gillin, who died to make sure Senshi had something to eat: unseasoned boiled meat that may or may not have been one of their comrades.

It really puts into perspective why he was so nurturing towards Chilchuck. When Chil reveals he’s 28 to the party, Senshi responds by telling him that he thought he was older. Senshi was in his 30s when he and his comrades got trapped in the dungeon, so it’s safe to assume that he thought Chil was at a similar age.

He met a young boy who was, from his perspective, forced to do dangerous work in the dungeon just like he was, and so, Senshi made an effort to look after Chilchuck in the same way Gillin looked after him.

Mind you, when Senshi was young in the dungeon he had to starve for weeks, eat the horse he loved, and finish it off spending the next i don’t know how many years wondering if he committed cannibalism.

Senshi understands first hand the value of nutrition and proper eating, so when he’s with the party he makes an effort to make sure they’re all eating a full and balanced diet. Not only that, but Senshi INVOLVES them in the process of getting food to eat, always preparing it in front of them and narrating every ingredient in the process so that there’s no doubt about what they’re eating.

[musubiki]

my favorite fields of mistria boys 🥰

[bamsara]

I think that one thing people fail to understand is that unsolicited literary criticism coming from an online stranger who is reading with no knowledge of what the authors intended goal is, is not going to be received the same as say: the authors beta reader or friends who know what the authors intended goal and has the sufficient knowledge and input to help the author reach that desired outcome.

"But I'm only trying to be helpful" How do I know you have the knowledge and literary skill for you to be able to actaully do that when we don't know each other and you are essentially a stranger to me? Are you applying this criticism based out of personal biased experience and desire to see the story or characterization be driven in another direction or tweaked, or do you know the author's intentions for the character? If the story is incomplete, are you basing your criticism of a character on the incomplete narration with only partial information available of them or are you building up a report until the story's completion? Did the author provide you with the information needed to make a fully informed criticism?

Have you discussed with the author what their plans are or are you assuming them based off the narration, especially if the narration is proven or implied to be unreliable or missing key points of the plot? Are you unbiased enough to help them reach their desired outcome for the characters and story regardless of your personal feelings towards the characters/antagonists and setting? Can you handle being told your specific input isn't wanted because you're a reader and/or have no written anything relating to their genre or topic? Do you understand and respect that the author's personal experiences might influence their writing and make it different than how you would have done it personally? Do you understand if an author only wants input from a specific demographic relating to their story?

If it's for fanfiction or other hobby media, are you holding a free hobby to a professional standard? Are you trying to give criticism because you feel like the author has produced 'subpar job performance' of their fic? Are you viewing their work as a personal intimate outlet or something that must conform with mass media? Are you applying rules and guidelines when the fic is shared for simple sharing sake? Is your criticism worded appropriately and focused on the parts where the author has requested input on rather than a general dismissal and or disapproval?

Have you put yourself in a place where you assumed you have the input needed for the story to evolve better, or have you asked what the author needs and what they're having trouble with? Can you handle having your criticism rejected if the author decides their story doesn't need the change and not take it as a personal offense against your character? Are you crossing that boundary because you think you are doing the author a favor? Are you trying to be helpful, or do you just want to be?

I think sometimes when people hear authors go 'please don't give me unsolicited writing advice or criticism' they automatically chalk it up to 'this author doesn't want ANY constructive feedback on their stuff at all' and not "i already have trusted individuals who will help me with my writing goals and- hey i don't know you like that, please stop acting so overly familiar with me'

[chloesimaginationthings]

William Afton is a master manipulator in FNAF..

[stuckinapril]

Honestly the cliche advice is true. If you fill your life w things you’re passionate about, if you challenge yourself every day, if you give your own opinion of yourself more weight than you do other people’s opinions of you, you will actually thrive. Like no one can tell u anything

[noodles-and-tea]

Continuation of this

[novelconcepts]

I Saw the TV Glow is such a uniquely, devastatingly queer story. Two queer kids trapped in suburbia. Both of them sensing something isn’t quite right with their lives. Both of them knowing that wrongness could kill them. One of them getting out, trying on new names, new places, new ways of being. Trying to claw her way to fully understanding herself, trying to grasp the true reality of her existence. Succeeding. Going back to help the other, to try so desperately to rescue an old friend, to show the path forward. Being called crazy. Because, to someone who hasn’t gotten out, even trying seems crazy. Feels crazy. Looks, on the surface, like dying.

And to have that other queer kid be so terrified of the internal revolution that is accepting himself that he inadvertently stays buried. Stays in a situation that will suffocate him. Choke the life out of him. Choke the joy out of him. Have him so terrified of possibly being crazy that he, instead, lives with a repression so extreme, it quite literally is killing him. And still, still, he apologizes for it. Apologizes over and over and over, to people who don’t see him. Who never have. Who never will. Because it’s better than being crazy. Because it’s safer than digging his way out. Killing the image everyone sees to rise again as something free and true and authentic. My god. My god, this movie. It shattered me.

[nobrashfestivity]

Unknown, A devil hacks a field with a scythe. Woodcut, ca. 1700-1720.

[fefairys]

getting real fed up with my peers treating teenagers like shit. how did you forget so fucking quickly what it's like to be them. shame on you.

[egophiliac]

tsum events really are just the best, huh

[fordford]

stupid college memes that i had to exorcise from my brain

[seventeendeer]

ppl are too quick to point to laios' disability as the reason his friends think he's a freak sometimes. so many instances of laios getting yelled at are, in my eyes, a case of "this guy had to emotionally mature very early in order to be there for his little sister" combined with "much older friends who never had to learn to manage their own emotions to the same degree"

a lot of the time he's right about needing to be more direct/deal with things in a way that may seem scary/needing to put your gut reaction aside. he tries not to make his friends uncomfortable and he puts up with a lot because he's trying to keep the peace, but he also pushes the others out of their comfort zones purposefully to try to get them to think more constructively. everyone else in the party is prone to acting on their gut instincts and avoiding uncomfortable situations even when facing them head-on is very much necessary. part of what makes laios such a great leader is the fact that he knows from experience how to put his own feelings aside to help someone else grow.

yes, he does make a lot of social blunders by accident and he does struggle to connect with others, but not all of his positive influence on others is accidental or "despite" making people uncomfortable. a lot of the time, I think it's clear he knows exactly what he's doing and he's trying to help the people around him process emotions in a healthy way as they all go through some truly harrowing shit. all the main characters support each other as well as they can with their unique emotional skillsets. laios' skillset just happens to be "gently talk child into eating her vegetables"