#Just talking about Genshin things

[blaze-lightflame]

So…um…(howdoyouevenmakegoodtitles)

4.0 Phase 2. Had 12 Fates.

Went to get Freminet (must unite the siblings) and got him

Then went “I’m at Pity 80, one more for funsies”

And won a 50/50. So now I have my second Archon character. And this was the second 50/50 I ever won.

Now if you’ll excuse me I’m going to try to play a solo version of Omori’s White Space on the Genshin Lyre, or sleep. (No I don’t play Omori, and I never will.)

[blueskittlesart]

deeply refreshing to see someone critical of Swift who also like, genuinely likes her. Like i'm neutral to positive on her, but the online discourse has been absolutely rancid. flipping between "Taylor Swift has never done anything wrong ever and she's a fucking genius" and "Taylor Swift is the worst lyricist of all time and also a bad person" is exhausting, so thank you for like. nuance or something lmao

not to make it serious for a sec but i genuinely think that being able to like things that are bad is really important. like I think that it's an important skill to be able to look at something and see what you personally enjoy about it and then take a step back and acknowledge that objectively it's flawed. and to also be able to acknowledge that liking something isn't necessarily an identity or a moral stance. and i think that fandom space in general could really benefit from more people taking the time to learn how to do that. it's okay to like things that are bad

[mikashisus]

connections between venti and arlecchino that i found particularly interesting, a rambling 🗣️

ARLECCHINO STORY QUEST SPOILERS‼️‼️

(these r just some cool things i found kinda sus and interesting. this was for fun.)

1. first, my thoughts on clervie — specifically what she says in response to learning about mondstadt:

2. the similarities between arlecchino and venti regarding “freedom”:

venti fought for freedom that was earned, and eventually became the god of freedom shortly after he earned said freedom.

he also tested vennessa. he tested her by saying he could grant her freedom and waited to see if she would leave the cell with him, but she didn’t. she stayed and showed him how freedom was meant to be earned, not given. venti was more than satisfied with her answer and left.

venti has shown time and time again that he believes freedom is meant to be earned. at least, that’s how i see his character and his ideals.

now i want to bring up what arlecchino said towards the end of her story quest. i find it interesting how she also believes that freedom is meant to be earned, not given.

pretty interesting.

3. now for my own personal rant and theories:

“freedom” itself is always being mentioned in this game. it started in mondstadt, the nation embodying freedom. the god of freedom himself entered the fray and showed us what freedom truly meant.

liyue was “freed” from their own god, who saw it time to step down from his position as archon and left the task of ruling & protecting liyue to the humans.

wouldn’t say there’s much freedom in inazuma tbh. unless you count the people being “freed” from the vision hunt decree and the sakoku decree.

nahida being freed from the hands of the sages/akademiya.

furina being freed from her curse and the act she played out for 500 years.

i wonder if we’ll see any freedom in natlan too.

ANYWAYS, ALL THIS TO SAY (i didnt mean for this to become a venti rant, i have constant venti brainrot) — i believe that venti and freedom play an ENORMOUS part in the lore of the game and we haven’t seen anything yet.

i am a firm believer that venti is one of the most important characters in this game. bro has lore in literally every nation, maybe with the exception of fontaine (iirc, there hasn’t been anything in fontaine calling back to barbatos).

he even has lore in the chasm and enkanomiya, which says A LOT. i haven’t finished the remuria world quest yet, so idk if there’s any lore about him or istaroth sprinkled there too. tbh i wouldn’t be surprised if there was.

everything always comes full circle when it comes to venti. he’s everywhere, which is pretty cool to think about when you realize that he’s supposed to be the embodiment of the wind, which is everywhere all at once and can hear everything.

which brings me to my last point —

4. this voiceline from arlecchino about the wind.

hmmm.. 🤨

[grimmweepers]

˚˖𓍢ִ໋🦢˚ 𝓻𝔂𝓾𝓱𝓪𝓲𝓽𝓱𝓪𝓶

there was an ache in my heart when i awoke in a strange, beautiful world that wasn’t my own. even as months turned to years, i still missed the familiar skies, the voice of loved ones and the home i had left behind. i wrote letters that went nowhere and whispered silent prayers that reached no one. it was like i was plucked from my own reality and placed in a world where i didn’t quite belong.

yet, as much as i longed for home, i was determined to learn in this new life. sumeru became my sanctuary and the akademiya, my solace. i learned their languages, customs, and secrets while sharing stories of the stars, landmarks, and beauty of my own world. the scholars listened, fascinated by the similarities and differences, but none more than al-haitham—a student assigned to guide me through this foreign land. he was a quiet presence. thoughtful and curious. he did not pity me.

and over time, he went from guide to peer to something more. over time, i wasn’t just seeking knowledge but also him. but what was the point? what was the point of falling for him if one day, i could just disappear—vanish back to my world, leaving him and teyvat behind? this could slip away at any moment. this might be as fleeting as a dream.

despite all reason, i still found myself loving him deeply. in a world that wasn’t my own, he had become my home.

𝐭𝐫𝐨𝐩𝐞𝐬: very slow burn, mutual pining, friends to lovers

𝐀𝐁𝐎𝐔𝐓 𝐔𝐒: 22.10.22 | playlist | genshinverse ryu

𝐂𝐎𝐌𝐌𝐒: modern au | season of love

[glouris]

“they are very annoying and irritating” are you familiar with the concept of fun and being entertained by drama

[spookythesillyfella]

i rlly hate celebrating my birthday and . because of this . some irls suggested that i make a drawing for the occasion to help me feel less disgusted with myself

while im not particularly proud of this piece . i did use over 100 layers and my phone crashed twice so i might as well post it ; since i don't have any good content to share

[quinntell]

a character that’s terrified of dying alone but either hates showing weakness or hates worrying others to the point where they will hide while bleeding out

[wintersettled]

Honestly the way different archons in genshin impact have such different interactions with their nation is very interesting to me, especially with how its further expanded in fontaine recently.

The archons who are closest to the way we traditionally (in the west) think of a god (ie. all-powerful and on a completely other level of existence to humans) would probably be Barbatos first, then Rex Lapis.

Barbatos/Venti having churches dedicated to him and not appearing (as far as most are aware) in society for centuries is very similar to how the christian god is seen, as someone worshipped but never directly interacted with on a level beyond the spiritual. Meanwhile Rex Lapis/Zhongli has tons of myths and stories dedicated to him across lands and made appearances for years until his "death". In this way he's somewhat comparable to Greek gods (or even Jesus, to keep the christianity analogy going). He's far more openly entrenched in humanity but still remains separate and "above".

It's more-so with the three other archons we've encountered that our understanding of what gods must be like in teyvat based on Rex Lapis and Barbatos is totally altered with Ei, Furina, and Buer, all three being the "replacement" archon for their respective nations.

Ei, the third archon we meet, takes a direct role in Inazuman government as the Shogun, a totally different approach than the previous two which i find more similar to various rulers claiming divine right of kings. Also, despite not being the original electro archon most dont actually know this because Ei took on the identity of her sister, who died during the calamity. I think Ei taking on her sisters identity definitely helped her maintain her "divine authority" where other archons (buer) failed to maintain it in their nations.

Speaking of Buer/Nahida, you'd think the whole changing the past to everyone except descenders thing would complicate our interpretation of her but it doesnt at all. I think the reason for this is that destroying the previous archon in irmunsul didnt actually change the past. I also dont think the wanderer/scaramouche actually changed the past. I think they just changed peoples memories of it. but anyway. Nahida also takes on a governmental role at the end of sumerus archon quests while still remaining a somewhat holy figure. She was obviously shut out/disregarded following the passing of the previous dendro archon, unlike Ei she wasn't able to maintain her authority. After the archon quest however, her position in government kind of reminds me of the queen of england early in her rule. There was still a democratic governing body in the prime minister and other representatives but she maintains power.

Furina/Focalors also reminds me of the queen of england but at the end of her career instead. Furina appears to be more of a mascot in fontaine than a proper ruling body. It actually seems that the machine and neuvillette hold more authority that she does. Obviously we havent really explored fontaine much yet (its only been out a few days but im loving it) and we've only gotten so much info from the archon quests but as far as i can tell, furina appears to be kind of scrambling to live up to the previous hydro archon who was seemingly so well liked that fontaines people are repenting to this day. (as am i misremembering or did they say the previous archon didnt side with celestia but her people did?? what!?). Its even actively pointed out how people in fontaine do not view their archon to even a similar level as people in other nations (i mean their archon does meet and greets and is very reckless with her accusations but-).

anyways 👍 yes.

TLDR: zhongli + venti = traditional gods ei + nahida (now) = government furina + nahida = queen of england idk also i dont think they actually changed the past, just people interpretation of it. btw whats up with the fontaine profecy and the whole "they sided with celestia" thing??

[ballads-of-breeze]

Oh my god. The end of the route with Venti. Kaeya slipping away because he’s not a follower of Barbatos and thinks that means he’s not a true son of Mond. Venti essentially telling Kaeya and Traveler point-blank that he’s tired of losing the people he cares about before the ending (I think he’s alluding to the nameless bard’s death before he got to see New Mondstadt + maybe the Ragnvindr ancestor leaving before the same). The poem and exchange at the end where Venti tries to tell Kaeya that it doesn’t matter that he doesn’t follow him and is from Khaenri’ah, he’ll bless him all the same (and what a thing to say to a descendant of the godless nation)!! I am also specifically losing my mind over this line

(Yeah he sure does have stars in his eyes, and the Abyss euphemism is NOT subtle. Kaeya admitted in Caribert that he doesn’t want to be connected to the Abyss, and the poem as a whole is Venti describing Kaeya’s struggle with who he’s meant to be and his fate)

And this one

The thought of not having to live forever in struggle over his identity under the shadow of the legacy his ancestors have left him, and being able to choose the dawn—I can’t help but think this is intentional; the dawn is widely used as a symbol of new beginnings, but it’s got to also be representative of his adoptive family (especially Diluc, whose name origin diluculum apparently means dawn) which is closely associated with dawn.

[that-foul-legacy-lover]

Pst quick question; did you have an image in mind when writing For foil legacy by chance? Was curious if there was any art of him floating around c:

ooh that's an interesting question, i'll see if i can explain!!

of course i use the in-game model of Foul Legacy as a base reference, and the differences are mostly minor things that only i really care about but they are still IMPORTANT. my Foul Legacy has pretty, sparkly wings instead of cape, but they've got the same flowing silky texture that they almost seem like a cape. they CAN act as fins underwater if needed, although they're also extremely delicate when waterlogged and need to be treated with utmost care. in all the time he's been with you, he's only torn his wings once, and the shriek of agony he let you completely wrenched your heart in two. you took the next few days off of work to care for him, Legacy's head staying in your lap or buried against your shoulder at almost all times as the pain slowly faded

he's also fluffier when i imagine him, perfect for holding and snuggling. his fur is very poofy and soft and when he curls up a certain way he looks like a ginger and lilac dandelion. it's especially prevalent in the winter when the weather is cold, the fluff keeping him warm as he romps around in the few snowfalls you have each year and curls up inside around you whenever it pours down freezing rain. Legacy purrs and lightly pushes you until you sit, flopping on top of you and nuzzling with a deep, content croon as the rain taps the roof of your house in a steady rhythm

Legacy's got claws, but did you also know that he has paw pads!! in my world he has toebeans on his palms and fingertips, faint lilac ones that squish when you poke them, and he always lets out a surprised chitter when you do. they're to help him grasp and knead against blankets, pillows, and your legs- the latter done with caution and care so he doesn't tear through your skin. you compare him to a cat. a big, armored, Abyssal cat, and it's quite an apt description from the way he bumps against you and nibbles at your fingers and curls around your body and trills drowsily with happiness

[onceapirateprincess]

Augh. I get not wanting to support Hoyo but now I'm genuinely conflicted about the new update. No, I'm not gonna spend money, and no, I definitely don't like the whitewashing of cultures. I'm Mexican - American myself and while I'm removed from the culture I still find it an important part of my identity. All the leaks I've seen have shown gorgeous everything else, literally Natlan would have been perfect if it hadn't been for the blatant racism and colorism. I love Genshin. I love the story,.I love the storyline and environments. I'm mostly f2p myself but God the fact I get a pit in my stomach now every time because of hoyoverses decision. Thanks HoyoVerse, ya kinda ruined a good thing because now I'm scared of being seen as racist for trying to enjoy a game you,.the devs, ruined by what looks like a definitely intentional decision.

I feel like they're killing a game I absolutely love because of awful decisions. Call it an overreaction but genshin is the one thing I have in common with my partner as we are living states away from each other and we don't often get to do things together.

Does anyone else feel the same way?

Aufh.

Also just to stress this, I'm not spending any more money on genshin or official Genshin merch until they fix this and I'm already signing petitions / circulating awareness posts. I'm trying to do my part it just feels awful that this is happening, not for the first time, in something that I've grown to genuinely love.

[paimonial-rage]

Character Ask Meme

Lyney 14, 15 and 23

[Character Analysis Ask Meme]

Would Lyney be honest with you?

With his outgoing and fun personality, it oftentimes is easy to get caught within his flow. Lyney is the charming sort, after all, that one may very well forget that he is subject to the same struggles as the rest. Get to know him well enough, though, and you will quickly realize that this is not a fact he wishes others to know. More than a desire, he needs to be seen as someone in control, as someone without weakness. That’s his role as the big brother. And if that means lying, avoiding, and omitting the truth to accomplish it, then as an accomplished performer he will do as he must.

Does Lyney prefer to pursue or be pursued?

With a penchant for flair and dramatics, it’s clear to see Lyney prefers to pursue the people he’s interested in. Really, it’s one of the things he goes all out. With a trick up his sleeve, he won’t hesitate to dazzle you with flowers pulled from nowhere and fireworks from his tophat. He wants you to be enchanted. He wants you to be impressed! You are, aren’t you? You like it, don’t you? So focused on charming you that he often loses sight of much else. Fun fact, should you attempt to turn the tables, however, you can expect his mask of self-confidence to fall to reveal a rather flustered expression beneath.

Headcanons under the cut!

Headcanons

Self-focused - If there’s one thing that’s true about Lyney, it is that he is a very busy person. As a person with multiple masks and roles, his thoughts are often preoccupied with House missions, performances, new tricks, and things of the like. So, much to the dismay of others, it’s easy for things to become buried under the multitude of other tasks he needs to take care of. How often the simple things become forgotten—where he last left his wallet, tea time with his siblings, the sale on picture books at the bookstore. During those times, he really can’t help but appreciate his siblings and their ability to keep him on track. Really, he doesn’t know what he’d do without them!

Relationship-focused - It doesn’t hit you at first, but it doesn’t take you very long to notice how hard Lyney tries for your relationship. Normally this would be a good thing, but it is different with Lyney. Every day he tries to charm you. Every day he attempts to enchant you. You tell him he doesn’t need to try so hard, but that only seems to light a fire beneath him to do even more. You see it in his eyes. He needs to know you are still in awe of him, that you like him as much as he does you. And then it sinks in, doesn’t it? He doesn’t trust you. He doesn’t trust your feelings for him. You’re not sure if he ever will.

[lupins-hehim-pussy]

I wanna know ur Fontaine msq criticisms 👁️👁️👂I’m all ears

I'm not sure if you wanted me to talk about this secretly or publicly but! Here I go!

The TLDR: Fontaine MSQ aestheticised prison, poverty, child abuse, the justice system/court and didn't properly address any of it.

More:

Focalors/Furina has way too much of a sympathetic angle for a dictator who's lets people drown with her inaction.

Neuvillette feels Bad for sentencing some people to death/prison, but that's it. He's one of the most powerful people in Fontaine. If he felt like there are systemic injustices, I.E sending an abused Child to prison, he should be the first person to DO something about it, not just cry and be sad so the audience can be like aw, that's complex character writing isn't it? No it's not! And guilt doesn't absolve you!!!!!!! (These are stuff we deal with in OTCOJ read my fic now /j)

Meropide has children in it, both Sentenced there (Wriothesley) and BORN THERE (Lanoire), and this is just a quirk of the place. Not only that, Meropide accepts prisoners of all genders and crimes. There are abusers and abuse victims in one place. Do you know how bad that is? How much potential for crimes to happen in a place like that— oh wait, Meropide isn't under Fontaine's jurisdiction. If you are assaulted as an inmate it literally means nothing to the court.

Wriothesley had no qualifications when he took over. Depending on how long he lived on the streets, how old he was when he killed his parents, how old he was when he was first taken in by the orphanage, etc, the man might never have more than 4–5 years of formal education. Sigewinne probably had to teach him how to write reports. And do Meropide's spreadsheets. Edit because I forgot to elaborate on this one: This isn't a point brought up anywhere, which is bad, because when poverty and incarceration robs you of a proper education (and the rights to vote in many places too, too, by the way), it reduces your prospects for jobs, reduces many people's ability to get a home etc etc. Wriothesley was just, narratively, Given his position.

Meropide is an industrialized prison, and they portray this as a good thing. Prisoners are paid in coupons for their labour, and this is also portrayed as a good thing.

The One-Meal-A-Day reform was something Paimon gushed about being so great of a perk, that people might want to go to jail for food (could be interesting and reflective of systemic poverty if MHY had brains, but they don't, so I was just Pissed because essentially all Paimon wanted to say was "Prison isn't so bad, but still don't go to prison guys! Prison labour is really hard!"). By the way, in most real-world prisons they are obligated to feed you three meals a day. Because that's how much food a human needs. MHY went with one meal just so they can say "if you want to eat more, you have to work." And then the welfare meal is a goddamn gacha. So imagine you're a starving child who's too weak to work in the fucking robot assembly line, and you wander up for your first meal in 24 hours, only to luck in with a shit one. I'd kill myself.

They wrote Wriothesley, who's a victim of the system, into a guy who's say shit like "I'm the Duke I can do whatever I want" for a cool moment where he choke-slams an inmate (I know he was a bad guy. But also, in copaganda when cops are violent/disregarding protocols, they are always only portrayed to do that against bad guys, so what does our critical thinking tells us about this one?) They wrote Wriothesley, who was an inmate of a prison so bad, so notorious that it is the literal boogeyman of Fontaine, that has a legal (???) fighting pit, with an administrator who abuses his position to be unreasonable, to willingly stay in the place and become an Administrator who would choke-slam an inmate while saying a cool line about how he has the power to do whatever he wants. They wrote him, the guy who had to be fed on the streets by melusines, to think one-meal-a-day was a good enough reform (while he spends god-knows how much on his boat). This wasn't a victim-turns-into-abuser narrative either, they want all this to be seen as positive character growth.

And then, the final kicker is, they gloss over his entire abuse. You can only read about these shit in his profile, which most people don't because they don't Have Him or doesn't care to unlock it/read it online, and they jammed his entire backstory into a flaccid info-dump at the end of his character story quest. This man isn't Allowed to feel abused and neglected and show any reaction to it within the narrative of Fontaine itself, because if they actually Gave Weight to what happened to him, they'd have to confront THE FUCKING JUSTICE SYSTEM they had NO PLANS on criticising. I don't think they ever explicitly said the fucking Crime-Theatre nonsense was Bad either.

I could go on, but this is already so long. But yeah, I hope this gave you an idea.

[goingbadonkas]

Kavetham au with Princess Bride

[blazingblorbos]

LayMiko is so funny to me because this absolutely revered and powerful priestess from a nation that only just recently opened its borders hops on a boat to a neighboring nation (which is still far away asf, mind you) supposedly because one of her writers (she owns a publishing house btw) needed inspiration. And immediately captures the attention of a random ass astrology scholar - and vice versa - as her first instinct is to announce that the scholar in question has “piqued her interest”.

And as a result, said scholar is left stunlocked, LITERALLY SAYING “Wow. I don’t know how to respond to that . She’s very cool, I hope I can be her friend” [Vine Boom.wav with Homophobic Dog png here] after not even speaking more than 4 sentences with each other.

[torgawl]

instead of just cross eyes and star eyes distinguishing dynasties in khaenri'ah, why do some khaenri'ahns cover one eye specifically? there’s many things that seem interconnected regarding the lore:

crimson moon turning around to look like an eye; irmin the one-eyed king; the unknown god’s cubes containing eyes in their design (same ones present in the cataclysm as well as the crimson moon), her glitching looking like arlecchino’s, and the four pointed star pattern that appeared when she showed up to the twins; forbidden knowledge and nibelung’s influence; fischl's auge der verurteilung aka eye of condemnation (crimson eye) and her skin's description "o holiest of sovereigns, high princess of immernachtreich (kingdom of evernight)!".

kaeya's note about the alberich saying "i saved this one memento from the fire 'father' made while he wasn’t paying attention. this was in violation of our principles. our clan's affairs should never be recorded" and "though we could not restore khaenri'ah to life, we of the alberich clan should lead lives as those who blaze like fire, rather than those who wallow in the embers [small piece of burning or glowing coal or wood in a dying fire]", father being in quotation marks and references to fire and ashes; the orphanage in khaenri'ah that wanted to house children from destroyed worlds and non-threats that leaked into the kingdom, in hopes of finding beings from beyond the sky who could transcend the gods; perinheri's first memory being transversing something like a chimney, filled with ash and being asked if he wasn't dead just for him to see the eye (crimson moon) and being told he was reborn; dust and the blood of of dragons (or dragon-like beings like durin and elynas) being connected to rhinedottir and the art of khemia; fire as rebirth and life but also, the balemoon blood specifically being connected to loss of memories and loss of memory being equivalent to death (not physical);  despite the orphanage never being able to find that transcendal person, it had many unusual individuals who became knights of the kingdom.

irmin as the first divine halberd (that once pierced the axis mundi [cosmic/world axis, world pillar, center of the world, world tree, etc.] and connected the nine worlds), the prinzessin der verurteilungas (fischl) as the last one; fischl and kaeya comparing themselves to one another and their parallels to irmin and odin; der ring des nibelungen, in which the dwarf (or nibelung) alberich creates a ring capable of controlling the world, using gold he stole from the rhinemaidens (or rheintöchter "rhine-daughters"). the conflict that arises over the ownership of this ring eventually leads to the destruction of the gods and their home, valhalla.

irminsul (irmin + sul) meaning great pillar and being a reference to the yggdrasil, the tree that supports the universe; the description of the item silver twig – collected in the center of the world - talking about a sage that hanged himself upside down in the irminsul tree to gain knowledge of the runes and the cosmos, then going into a secret kingdom down its roots [also a reference to hanged man in tarot that symbolizes wisdom, divination, sacrifice, prophecy, etc.]; odin who hung himself upside down from the sacred world tree, yggdrasil, for nine days and nights sacrificing his eye and throwing himself on his spear (gungir) as a ritual sacrifice in order to obtain secret wisdom; memories, fire and crimson moon hand in hand with the irminsul, king irmin and the concept of fate; the fake sky, the stars and being able to see fate but also fate being a means of the heavenly principles to control the world (neuvillette calling it puppet strings); khaenri'ah, a supposed godless nation but the crimson moon dynasty revering the moon (and hilichurls worshiping istaroth); the crimson moon having an eye on humanity and always being present associated with punishment and destruction (fall of gurabad, remuria and the catclysm).

crimson moon's semblance (arlecchino’s weapon) implying the crimson moon sought vengeance (“few survived the utter destruction of their kind, hiding in the shadows where the sun did not shine, longing for the crimson moon to decree their desire for vengeance be repaid”); the design of the weapon and arlecchino’s boss attacks resembling the double helix present in deathly statuette material dropped by abyss heralds, abyss lectors and shadowy husks, which has a single red eye. it apparently whispers "see, my child. all that lies under the throne of heaven shall be destroyed by upheaval. the eternal peace of the pitch-dark void shall embrace us all.” as you gaze at it.

the abyss order being founded by chlothar alberich and pierro being the first harbinger; the "sinner" – the crystal in chains from the chasm, protected by an abyss herald - not being a god but still worshipped by the abyss order. the voice stating to chlothar and the traveler’s twin that he "[knows their] fate well" and urged them to become a "transcendent one" saying he would "shed a tear at the end of time... as i gaze back upon your life". he also imbued chlothar with the power of the abyss, which alleviated his worsening conditions. the “sinner” refered to chlothar as “dear creature”; dainsleif, pierro and kaeya being examples of khaenriahns who hide their right eye; dainsleif being called “bough keeper”, bough is a branch of a tree, but also his constellation being a snake ring like ouroboros – representing the eternal renewal cycle of life, death and rebirth; the loom of fate being an operation of the abyss order first encountered during "a herald without adherents" quest.

“the threads of your fate lie in my hands” a quote by fischl connecting to the weaves of fate; fischl stating that if she does not obtain the divine halberd “...this world and everything in it is going to burn in hellfire” (legend of the shattered halberd vol. ii). some other excerpts of the book also include: “but unbeknownst to him, this was the greatest cursed sword of all, that had once burned the entire world to cinders: laevatain [in norse mythology, a weapon crafted by loki and the only capable of defeating the cockerel viðofnir, inhabiting the top of yggdrasil], the sword had extinguished after the world was burned, but... it burned bright once more. ‘the whole world... destroyed again...’ weiyang [fischl] fell unconscious as she spoke” (vol. iv), and, "the world is beyond repair. it shall be born anew from the ashes of the last” (vol. vi); dainsleif saying “none will escape the flames. see for yourself” but also neuvillette’s character story including “the puppet strings glossed as "divine rules" would one day be burned away by the fires of judgment” when talking about constellations; burning away the old world, project stuzha by the fatui and the image of dottore burning the irminsul; nahida saying fontaine's prophecy was engraved in the irminsul, implying the tree also contains the history of the future; sibylla, a prophetess who guarded the irminsul in an ancient city located in what later became the high seas (referred to as abyssal depths). she sacrificed her life for the sake of creating phobos, remus' grand symphony, but her lack of a will ultimately caused the project to fail, as her vague desire to "grant happiness to all in the world who are called humans" caused phobos to attempt to satisfy everyone's desires — including destructive and selfish ones — and set remuria towards the course of its self-destruction (possibly tying concepts of will and fate together); thinking of dottore's plan, it would make sense to burn the tree that holds memories with a fire able to erase them (arlecchino's balemoon powers) so that the world can be born anew breaking away from the shackles of fate.

there’s also the improvisation kaeya does during the play in his hangouts. "do you believe in fate? if fate decreed your life was to end in tragedy, what would you do?". he then throws a prop and we interact, choosing if we would face our fate bravely or challenge it and rise above it. kaeya then goes on saying "then so must it be! yes, so must it be! i shall discard this intaglio and rid myself of the shackles of fate", "fate means to send the machinations of war to every corner of the land to fan the flames of conflict till they ungulf the entire world… fate would see my sword tainted with the blood of innocents, that the bright banner of my homeland might fly in every nation known to mankind. but i shall not bow to the will of fate i am no pawn in heaven’s plan. i, qubad, will spend the rest of my days in a foreign land, 'till i breathe my last in a place far from home" and finishes the play with "but i must walk this path, or freedom dies by my hand. goodbye, my tribe and kin. farewell, sweet land of my birth". the prop we get from kaeya, the intaglio, symbolizes the noble origins of prince qubad in the play and the blood-red jewel (blood, red... funny, uh?) is said to be a crystallization of the question kaeya asked us about destiny. furthermore, an intaglio can be a type of engraved gem or metal signet ring.