#Just a genuine love for two characters <3< /div> Explore tagged Tumblr posts

[ravnervn]

Okay fuck it. I need to exorcise this from my brain. This has haunted me for 2 or 3 years since I saw this film by chance, so I am going to, as best I recall, recap the plot. And then at the end I will say what it is so you can understand why it haunts me. I will say off the bat that you might read this ramble and go "huh this sounds good actually" and it is not. It is not a good movie.

So the film is framed as a story being told to someone -- we're not quite sure whether it's meant to be taken literally or allegorically but the ending and some other details IMPLY it's actually true.

So there's our narrator, who is an average mortal guy living a happy life. And then there's our second protagonist and actual main character, a celestial bureaucrat whose order's numbers are drawn entirely from those who have been denied a chance at a normal happy life. Whilst they can forsake their status to become mortal, as far as the bureaucrat and his peers are concerned, they are happy and performing a valuable service to reality. Our MC has been sent to Earth to investigate a threat to his organisation, and to do so he has infiltrated the narrator's life, seemingly metaphysically convincing everyone that he is the narrator's brother -- except the narrator, who sees through him and ends up convinced to help our MC as it's mutually beneficial; once the mission is done, the narrator's life returns to normal and the MC returns to his role.

So what's happening is that a rival organisation to the MC's has started up and is diverting... Okay so you can see the obvious parallels here and "worship" would fit, but I'll use the film's term of "love" because it's thematically coherent. Anyway, this organisation has a big scheme they're going to hatch to divert all love away from the Rightful Celestial Bureaucracy, and it's up to our protagonists to stop them.

See, the thing going on here is that love is finite. If someone only has one thing to love, they'll love it wholly, but if they have two things to love, that divides the love in two and so on. If they find something they love more than the original object of affection, it could fully supplant it, and that's the crux of the villain's plan.

Because the villain is a fallen celestial bureaucrat who lost his ability to hold onto his celestial form and was forced to become mortal. His plan for revenge is to supplant the love people have for his former order with love for a false idol, thus destroying the whole celestial bureaucracy. The fact this is considered a legitimate and real threat by the celestial bureaucracy implies that this is, metaphysically, how this works. Even if we take this story allegorically, the allegory still has the basis "love is a finite resource and you learn to make do".

Obviously our heroes defeat him, and obviously during this time they've genuinely bonded and decided that maybe having this guy as a brother/maybe having a loving family as a mortal is okay actually. So our celestial bureaucrat becomes a mortal and this whole story becomes just a funny whimsical reframing of the brothers' childhood.

Yes, childhood. Because here is where I unbury the lede and reveal that the villain is the CEO of PuppyCorp, whose plan is to give everyone a free puppy so that they'll love babies less, because the celestial bureaucracy is BabyCorp.

The movie I have just described to you is Boss Baby. I am being deadly fucking serious.

[cherrybomb107]

Now that I know that the “writers room” for this season functionally didn’t exist, everything makes perfect sense now! So here are some things I would change if I had the chance

1. We’d have three seasons. Two seasons is just an awkward length for me in general, so 3 just seems like a sweet spot

2. We cut the soundtrack in half. We have 23 songs as of right now, so let’s have no more than 11-13 max. That’s not crazy for 9 episodes

3. Speaking of the soundtrack, there’d be more Black artists. Syd, Little Simz, Tyler the Creator, FKA Twigs, Yseult, JID, Akintoye, Brandy, Doechii etc all would’ve fit the vibe.

4. Last one about the music, I promise. It’d be quieter. I feel like the music was louder than the dialogue at some points, and it completely took me outta the scenes

5. Onscreen development! “Oh but they don’t have to spell everything out for us!” Cool! But wanting to SEE characters meaningfully interact does not fit the definition of “spoon feeding” or “spelling things out” in my book.

6. There would have been more foreshadowing that Maddie was a spy. It was obvious, but it also wasn’t set up properly.

7. Ekko wouldn’t have been sidelined for an entire act. His relationship with Vi would be present. Best believe I would give him the chance to cuss Vi and Caitlyn out for what they did as enforcers

8. Speaking of that, Vi would have wrestled with the decision to become one. Notice I said “decision” because it should’ve been her choice. Caitlyn had no right to guilt trip her and then strong arm her into becoming one

9. Vi would have fought with Caitlyn over her wanting to use The Gray. The Vi I know and love would not go so hard in rationalizing the use of it

10. Caitlyn would’ve gotten meaningfully redeemed. In order to do that tho, we would have to show the true weight of using The Gray and enforcing martial law in Zaun. Caitlyn would be forced to confront the harm she caused with her own eyes, and actually be genuine remorseful

11. Let Jinx be unhinged! I love my baby regardless, but I do agree she was defanged a bit this season. Let her kill more enforcers and act up in front of Isha before realizing where she is and what she’s doing. Let Jinx want to be better and then develop into the kooky version of herself she is in season two

12. Isha would be more than a plot device for Jinx’s story. Let Isha live on and be happy with Jinx. Killing her was just for shock value.

13. Part of the reason why I think Isha should live is so she gets to grow up in a better Zaun. A free Zaun. She deserves better. They all do.

14. The au episode would’ve been way different, cause it doesn’t makes sense for centuries of oppression to just magically go away all of a sudden because one kid(and a Zaunite kid at that) died.

15. More scenes of Sevika guiding Jinx in how to rally the troops and get ready to fight for their freedom

16. Ekko and Jinx reconciling because although there’s no shortage of bad blood between them, there is love buried deep in there somewhere too. Let Jinx be the main freedom fighter and have Ekko back her up today, so he and the Firelights can focus on community building and organizing tomorrow.

17. Jinx’s rocket should’ve killed more people. All the Councilors(sorry Shoola but you too girl) except Mel, Jayce, and Viktor should’ve died. Viktor and Jayce should’ve been in critical condition but Mel would’ve been fine.

18. Heimerdinger and Ekko’s relationship would be fundamentally different. He should NOT be cozying up with that little furball whose inaction is directly responsible for the current conditions in Zaun

That’s all that comes to mind for now, but yeah. It would’ve been a completely different story. What could’ve been for real 😭😭😭

[hyog-blog]

Fangs of Fortune (ep. 09 - ep. 10)

Okay, after so many side stories ending with deaths, I think it's safe to say there's a 0% chance of a happy ending for any of the show's main characters D: Mighty demons fall in love and end badly, powerful Godesses get sick and end badly, whoever cares for someone else - ends badly. It kind of sets the mood, and I'm taking all the hints, yep.

The Original Goddess and her demonic partner have met quite a tragic end. Another heartbreaking couple dissolving into thin air, ah... I just hope the history won't repeat itself with Wen Xiao. But I wasn't at all surprised to see that the other half of the Bai Ze token was, indeed, inside Zhu Yan. it was pretty much on the surface, but the reunion was still quite beautiful. And that heartfelt talk between Zhu Yan and Wen Xiao after, when she said she wanted to cure him :3 I mean, he seemed actually, genuinely happy. But then again we got reminded of the deadly promise Zhu Yan and Zhuo Yichen made, so XD

I'm starting to think Zhuo Yichen is just 99,9% socially awkward. Given his past with just 1 brother and almost no friends, I wouldn't be surprised if he couldn't show his affection to other people, like, at all. He's getting along with Bai Jiu pretty well because of all the brotherly vibes going on between the two. Bai Jiu reminds him of his childhood and, well, he's young and he poses no danger whatsoever.

Zhu Yan, on the other hand, is ancient, knowledgable, pretty and intimidating just as he is, and seems to get a kick out of lovingly trolling Yichen whenever he can (and Yichen does the same to the best of his capabilities). Actually, all the guys in the show seem to be somehow broken in oh-so-many places (maybe apart from Yinglei, but we probably just don't know his story yet).

"But I want to cure you..." :3

Rewinding a little back - the whole sequence with the doll was hilarious XD If the show didn't create a balance between drama and humor, it would have been one totally overwhelming beautifully made depression)) But this - it's not only watchable, you just naturally fall in love with everyone and everything going on screen.

"Let's take the puppet as a hostage," said the 34,000-year-old demon lord XD

[melmedarda]

I’m sorry to jump in your inbox with that long af rant, but I’ve been lurking and loving every Meljay post of yours since day one and I need to scream in the void.

I’m inconsolable over how bad the writing of acts 2 and 3 was, it literally feels like it was written by a completely different team. What even was that conversation, it sounded like they asked ChatGPT to write a scene based on top 50 tweets about Mel and Jayce after 1x05 aired back in the days.

I’ve never in 15 years seen a ship so cruelly ruined, because how are people supposed to continue at all tolerating Jayce with that idiotically out of character dialogue in 2x08 between him and Mel? What a fucking bad way to treat fans, having them invested all the way until literally the last moment, it already was bad with how the majority of people (fandom, reactors, obviously the artists too) were “interpreting” Mel (if you can even call it that, cause interpretation requires media literacy), but now they have left us so burnt that I'm betting there aren’t even going to be fix-it fics because they. Just. Ruined. Jayce, so bad. And I still love the well written (still flawed tho!) Jayce from 3x01 (setting up a way more natural conflict-to-be-resolved path when he made those weapons five minutes after Mel vowed to protect his dream), but damn, I love Mel so much more, I really don’t know how to cope with all that. Only people who’ve had the luck to not have been treated as that husk of an AU Jayckass treated our girl can’t see the amount of PTSD that scene can trigger in a woman. I am so frustrated with how the creators treated her trauma and slashed the wounds wide open with both that and “You are the wolf”, I genuinely don’t know how to cope.

And the worst part is all of this could have been resolved with a single touch and him being open to her – like he always have been – just tell her he’s doomed instead of showing us a highly specific and unrelated two frames of the voidy-looking infection on his forearm spreading every time he is on screen. Even if that is one of their “yes we meant that all along we just wanted to show not tell it” like with the whole idiotic Sky/Viktor backstory that Overton “spilled” the other day. Jayce has been able to see through Mel’s shields the moment he saw her painting and was always shown to admire her intellectual prowess, he’d never leave her hanging like that.

If they wanted to write a Shakespearean tragedy so bad they made this intro scream “look at us, we gave you Greek last time, now it’s all about good ol’ Billy” why not have Jayce make the same impossible choice (as they brilliantly and am starting to think accidentally?) made Silco do in 1x09, having him choose between his love for Zaun and his love for Jinx, drawing one final parallel between the two men and closing that loop with Jayce/Silco carrying Viktor’s/Jinx’s body and infusing them with the deus ex machina. It was right there staring them at their faces, have Jayce choose between his love for Mel and his love for his brother.

What a spectacular failure of writing, what an even more monumental failure of the artists to come out with those comments, so now I don’t even want to praise their talent, because they should have kept their mouths fucking shut and stuck to drawing.

Sorry to dump this in your ask, can you tell I’m still reeling.

Please, please, do you have any headcanons, I need crumbs, I need to heal my soul and Mel’s.

Lovely anon you've but into words what all Meljay fans are feeling, I think. I cannot lie, I've been trying to let go of the ship. Withdraw sort of, especially since that was the ending we got. But I've had them for three years, and they've sunk their claws too deeply to me. I'm still thinking of them even now. I'm going to make the most of their divorce era, and I'm going to make them return to each other in ever single AU ever. Because Arcane S2 act #3 is not my Meljay. Also, AU Jayckass had me bursting out in laughter!

On the topic of headcanons. I have one in which when Vik tells Jayce to go back, Jayce does. He returns to Piltover but too much time has past, Mel has already burned his name and departed across the waters to Rokrund. Jayce knows he's done her wrong, realizes he's been blinded, and he does his best to atone in Piltover and Zaun, writing letters to Mel. Letters that go unanswered. And then eventually, he goes to Rokrund, and finds a different woman, one stronger and colder than he had known. He loves her anyways, and spends his years winning her back. And when he has groveled sufficiently, Mel takes him back. He sort of grounds her, so that she does not remain the wolf all the time. So that she does not become her mother.

[str8upjorkinit]

Why do you like the brat

(genuinely want to know lmao)

funny you should ask that...

it all started when I saw that one ad where leo was kicking his feet in the bathtub...(big yap warning)

shallowly, he gives power bottom energy. i was prepared to not like him since my friend was further in the game + picked leo bc she thought he looked cunty and quickly found out that she hated him, but my first meeting of him was that ad.... that ad.... hes so like girly and like cutesy and and :3c!! so then i actually met him in the game... hes so girly and cutesy omg, i live for that fake bitch energy. hes so like... pathetic and two faced and cute like....

so basically i have this thing where i yearn for this kind of dynamic where i can overpower him but hes smarter than me and also very interesting so i just let him boss me around. hes so like... weak. and i love his voice i need him to moan in my ear especially when hes being fake and cute bc he wants something from you? "captain~<3 can you please open this bottle for me?~ <3" ugh. fuck. boner. hes such a vixen. hes such a diva.

also him crying... oh my lord LEO CRYING!!! UGHHH. the world's prettiest crier <3 and his goddamn tongue piercing

also like the switch up is hot too, the duality of man <3 my pretty delicate princess!!

psychologically, hes such a fucking wreck and i love that, hes such a bitch, and hes so manipulative, and hes so jealous, and insecure, and such a liar, im so fascinated!!! does he know how awful he is? does he realize how toxic hes being? is he toxic on purpose?? is he a shit friend on purpose? is it a power trip to make sho pay for his food or is he just lazy? i want to know what hes thinking

his relationship with sho is so fascinating too, like its so clear hes scared of losing him but in a way he also hates/loves him. like wdym you have other friends besides me??? you're starting a business??? ugh, ur so lame. and he actively tries to isolate him, is he jealous of sho's popularity? his talents? his social life? or does he hate the things that takes sho away from him?? he also does not give a shit about shos happiness either bc he like badmouthed him to subaru just so subaru could leave him alone... wow... what a fucking asshole... im so invested, drama!!!! also the valentine's day line where he doesn't mention getting anything but sho does,,, it means something no?? dude, like, leo is everything and nothing, i bet he feels so worthless but to make up for that he uses sho and internet validation

hes built like a reality tv character, THE instigator but hes smart about it. hes such an attention whore, like .... regina george... guys real shit i have a mean girl kink /j

leos the type of bitch to flirt with and sleep with his boss to make more money.

ANOTHER THING he has like a weird sense of justice?? like he hates ppl who've made the world shitty (ref to when he jumps off the building) and so him and sho scamming old rich guys is kinda like them being vigilantes? leos kinda like an anti-hero in a way. hes so interesting!!! AHH!!!

omg also hes in his self-destructive era and i need to see how it goes, like will he be a villain? will his life get ruined bc of himself?? will he get punished? will he redeem himself? does he regret his choices??

ngl i tho im actually not romantically interested in him, which is pretty surprising considering how much i like him. im obsessed with him in the most objectifying way possible

but yeah i love my toxic fruit tart boy <333

[vi-is-badass]

This is going to be my scattered thoughts on Arcane season 2. Still reeling from the finale and some of these thoughts and opinions will change with time and re-watches. My thoughts have already changed a lot over the course of the last few days, so I might revisit this in the next couple of weeks, but for right now this is how I feel.

If you disagree with me that's fine. Everyone is going to have a different experience from you and connect with different things. That's why I love media and talking about it with other people.

Act 1 has really grown on me over time. Initially, I was a bit critical of the pacing and Vi's writing but with time, a re-watch, and talking with other people about it I have a significantly more positive view of it to the point I genuinely love the first act. Vi's writing especially works better for me when combined with what they do with her in the second act.

I love episode 3. It's a strong conclusion to act 1 and did pretty much everything I wanted to see in a follow-up to season 1. The Ashes and Blood sequence that cuts between Jayce, Ekko, and Heimerdinger finding the anomaly and the fight between Jinx and Vi was so well done that it is one of my favorite sequences to rewatch. It’s especially incredible from an editing perspective. The way the fight ends is also great with each characters reaction to Isha’s involvement being incredibly powerful on a personal and thematic level.

Act 2 is easily the strongest act for me because it takes the time to slow down and really focus on Vi and Jinx. They are what I consider the narrative heart of Arcane and it's their relationship that made me fall in love with the series in the first place. I think this act is phenomenal for both of them, doing so much heavy lifting to explore their characters and trauma in a quiet and subtle way. It really takes a look at who they were before they lost their parents-- the core of their characters-- and how it informs who they are now. How trauma and hardship shaped the two of them and who they want to be vs who they were forced to become.

To me, the " Remember Me" montage is the most beautiful music sequence of the season. This montage does so much in so little time. I will write something to expand on how I viewed the scene, but for right now, I'm just going to say it never fails to work for me emotionally.

Episode 5 is my personal favorite of the season. I love the way it explores the relationship between Vi and Jinx. They get to be siblings, fight like siblings, and finally start to reconnect after years apart without any influences pulling them in opposite directions. It's also another exploration of their longing over what could have been (What if vander and silco succeeded in creating zaun, what If silco found Vander's letter, what if they were allowed to talk in season 1, what if things with their second family didn't fall apart). It's a strong episode that is centered around what I love most about Arcane.

The moment when Vi trusts Jinx and puts down her fists, calling out to Vander despite her uncertainty, and Jinx's desperate attempts to see what happened in the aftermath really shows just how much they love each other and their individual growth.

The family hug where Vi looks at Jinx and tells her "What are you waiting for? He's your dad too." and she breaks down crying, lunging into the hug, is also one of the most potent emotional moments for me. (This family makes me emotional if these thoughts don't make that clear)

Act 3 still has me a little split, but I'm going to talk about the things I loved first because there are a lot of things I loved! I was overall mostly positive on it, but I have a few nagging issues.

Episode 7 is phenomenal. This is a close second for my favorite episode of the season. It's such a beautiful exploration of "What could have been". The way it shows that Ekko, the character the most adamant in the first season that Jinx is a lost cause and that they have to look forward, is also bogged down by a wish that things could be different especially when it comes to his relationship with Jinx/Powder, hits like a truck. His decision to return to his own reality and change what he can in the present, reconnecting with Jinx and helping save Piltover and Zaun, makes his arc one of the most effective and impactful ones in the season. It

Episode 7 also gives Jinx and Ekko's relationship the most beautiful and satisfying exploration of any of the relationships in the season for me. Ekko gets to see what Jinx could have been, that she was a creation of her surroundings rather than through pure choice like he convinced himself in season 1, and that the girl he cared about and loved/loves is in there and worth reaching out to. This alternate universe allows him to let go of his anger and pain over how things played out and mend that relationship that was broken in his universe.

Side note for the spiel above: The fact that the episode has Jinx and Ekko talk about Vi in such an emotional and empathetic way only for people to use this episode as a bludgeoning tool against Vi, saying her death made everyone happier and she made Jinx, is incredibly ironic and deeply frustrating to me. (It took me a minute but I realized my issues with this episode stemmed from the bad takes I've seen online rather than anything in the episode itself, but I'm glad I took that step back)

The dance scene with "Ma Meilleure Ennemie" playing over it was gorgeous.

The way that Jayce and Viktor's arc ends worked incredibly for me. I was initially worried because they had no screen time together in act 2 outside of Jayce killing Viktor, but the way they had their conflict play out in act 3 subverted my expectations and was very satisfying to me.

I actually like how Jinx's arc played out in the season. It was a beautiful arc that I felt was fully explored for the most part. I'll also probably expand on my thoughts on Jinx's arc once I finally recover from my most recent rewatch of Arcane and can pull my thoughts together to make something more coherent.

This isn't an act 3 specific thing, but I absolutely love how much praise Mel has been getting as a character since season 2 started up. I thought she was one of the strongest characters in the first season with a fantastic arc and I was so glad she lived to continue her growth in season 2. (She was awesome in this act though so it is a bit act 3 specific haha)

This one is hyper-specific but the shot of Vander looking at little Vi and Jinx with so much love while the words “if there was nothing to fight or protect maybe then I could finally be free maybe death is like falling asleep” play over the scene in the finale makes me want to bawl every time I see it and/or think about it more than any other moment in the series. That hit me so hard and it really shows just how much this series and its writing made me love these characters.

Now for the negatives. I didn't like how much they sidelined Vi for the final act. I loved what they did with her in act 2 and I have grown to love what they did with her in act 1, but I really don’t think they did what they needed to for her character in act 3. I do think the end point for her character is where she needed to end up and that it was where she was heading since season 1. I like the moments on their own, but she’s not in the act enough and her perspective is explored so little that it doesn’t work for me as a whole. We go from her breaking down after losing what’s left of her family (from her perspective) to a happy ending with Cait so quickly that it feels like whiplash. The show didn’t give us enough screen time with her in the third act for me to buy into Vi's ability to move forward from the weight of her guilt and feelings of responsibility. It’s frustrating because it’s that very part of her character, the guilt and responsibility that comes with being parentified at a young age that stays with you into adulthood, that really resonated with me and seeing the transition and healing from that being skirted over disappointed me personally. Still love the show and Vi is still my favorite character but the way the show handled her in the final arc was disappointing.

I will probably get crucified for this take but I was also a bit disappointed with how the show chose to brush over a lot of the things between Caitlyn and Vi in act 3. Act 1 introduced so many issues between the two of them that still needed to be addressed in act 3 (Caitlyn’s actions towards Vi in episode 3 and her prejudice towards Zaunites in particular) that their big moment didn’t feel as satisfying as I wished it did. I genuinely did want them to get together, I like that they got a happy ending, and I actually do like the scene where they get together because so much of it evokes the empathy and understanding I liked about the relationship in season 1, but I was disappointed they decided to sweep so much under the rug between them. I might have a different experience as time passes and I genuinely hope I do, but that's just how I feel right now.

I also wasn't a fan of how Vi and Jinx were sidelined during the final fight. I already talked about Vi, but outside of Jinx's big damn heroes moment she was really sidelined as well. We didn't get to see her and Ekko rally the undercity and her fight with Vi against Warwick, while emotionally impactful, lacked any tangible impact on the course of the final battle. Considering how much emphasis acts 1 and 2 put on Jinx stepping into a leadership role and being a symbol for the people of Zaun I think the decision not to show her do exactly that was a misstep and something missing from her arc. I think the fight with Warwick should have had some sort of importance in winning the fight against Ambessa and the Machine Herald.

Overall these aren't things that make me hate the show or the finale, but they're persistent issues for me that make the third act my least favorite of the season as a whole right now. I can understand why people would think differently. This was just my experience. I don’t want to be a blog that spreads negativity and I hope others enjoyed the show and found something to connect to. I love this show and it was a big part of the last 3 years of my life. I will always love this show.

[thebekashow]

all of the scrunkles!

Cyn

Tessa :3

tessa silhouette

cynessa

the beloveds <3

[to-illustrate-the-stars]

happy birthday to the cat lover ever of all time... my worstie matoba seiji 🐈‍⬛🐈

[anonymouscheeses]

I'm gonna be shitting and screaming and starting fights if Sera becomes a villain. I can't take sibling angst, Sera loves Emily I swear guys believe meeee.

[hopeswriting]

imagine you're luce, and you're born the heir to a mafia family. you're mafia-born, and so of course also mafia-raised, and then also a donna-to-be. you're raised to be able to take on the role, to be good and capable at it, are taught to make one of your core beliefs about how the many must come before the few, because the family must always come first. you're going to be the donna, of course you must always prioritize the family above all else, it's your foremost and most important duty.

if caring about the few too comes at the price of the many, comes at the price of the family, is it even worth it? if the happiness gained from it comes at the price of a greater suffering for others, is there even any meaning to it, even if it's your happiness we're talking about? you understand, don't you?

you're not sure if you do, but you care about your family, love it, want to do right by it once you become their donna, so you nod, listen and learn.

(you don't have to be taught the pain and loss and guilt and anger and bitterness is a fair price to pay for the pain you decide has to be inflicted and the sacrifices you decide must be made, including by yourself. it's the least you could do, even.)

imagine you're luce, and the gift of foresight runs through your blood.

you would not call it a gift. you did not ask for it either. and you'll never come to see it as something wanted by you.

you can see the future, and it happened exactly as you saw it would, so of course it's exactly the way you wanted it to go. you can see the future, and it happened exactly as you saw it would, so of course you didn't care to try hard enough to change it. you saw the future before the shape of it had yet to be breathed into existence, and who's to say it didn't come into existence only because you saw it happen? you saw the future, and it happened worse than it had to for it.

you can see the future, but you still can't make it anything else than what it was always going to be. you can even make the visions happen at your will, but you still have no say on what you see or how much you see. you still can only be the witness of it before anyone else can.

it does mean double and longer the happiness sometimes, means relief and gratefulness and hope beyond words, and it'd be cruel of you to voice out loud your feelings for others to hear the many more times it means something else.

you can see the future, and it doesn't make it any kinder on you than on anyone else, does not give you any more power or control over it than anyone else, but at least you can see the future. you're given the time to make peace with it, to brace yourself for it, to bargain with it, to plead and beg and fight against it however desperately and hopelessly, even if in the end it still happens exactly as you saw it would.

(you can see the future, and it still doesn't hurt you any less than anyone else when it happens, but you don't expect anymore for anyone to hold you any less responsible for it anyway. it would be nice for someone to do it one day, but you understand.)

you can see the future, and you decide it's a kindness to both yourself and others to keep it for yourself as much as possible whenever you can.

imagine you're luce, and your family has this set of rings they've looked after and protected for as long as your family has existed. they're one set of three of the most important artifacts in the world, ones that help in safeguarding its existence and balance. they're duty, the very first one and the most important one your family was created for.

the pacifier around your mother's neck is duty too, and the most important and powerful artifact among twenty-one in safeguarding the world and its balance. it's been passed down in your family too, from mother to daughter. it's duty, but less tied to your family and much more to the blood running through your veins. it's a curse, in fact, as it demands heavy sacrifices the rings don't, and one that can only be tied to the blood running through your veins.

(your mother looks at you as if expecting some kind of reaction from you, and you can only wonder at which point you weren't supposed to see it as a given. duty and sacrifices have been one and the same for you for a long time now. is it even duty if it doesn't require any sacrifices from you?)

imagine you're luce, and your mother dies for duty. she's the donna, and so she dies for your family. she's the sky arcobaleno, and so she dies for the world. she's your mother, but she dies anyway, doesn't fight it either, even knowing she will leave you behind, even knowing she won't ever get to see what you look like all grown-up.

everywhere you look, duty stares back at you, from your mother and the pacifier around her neck, her love for your family and the life she gives up for it, her love for you and how she dies anyway while you're still only a child. duty, from your family members and how they die for you and kill for you, how they do both at your command, how their lives are in the palms of your hands and how they weigh only as much as you allow them to at a time. duty, from the knowledge your foresight gives you and the shackles tied to the blood running through your veins.

your mother's only duty while she lives too. she loves you, but she'd have had to give birth to you anyway even if she didn't. she loves you, but she still gave birth to you even knowing the kind of life you'd have to live, the kind of hands you'd inevitably end up with, the burdens she'd have to lay on your shoulders, passing them down from her own. because she loves you, she finds the resolve to raise you to be able to face all of it head-on and come out on top, but she'd have had to raise you much the same way anyway even if she didn't.

(she doesn't die for you, doesn't fight to be able to keep living with you, and this, too, is your mother surrendering to duty one last time.)

(you're so sick of it, so angry at it, so hateful and resentful against it. you're so stifled by it to the point you've stopped being able to breathe for a long time now. or you would have been if they had taught you how to face duty in this way too.

it's for the better they didn't. a silver lining, sparing you pain that isn't necessary for you to go through. everyone you turn to only teaches you how to keep holding your breath longer, and you listen and learn, obedient and dutiful as you've ever been.

you're grateful for it too. really, you are.)

everywhere you look, there's no room for you to so much as question any of it, let alone anything more. duty is commendable, something you ought to look up to and strive towards, strive to achieve. duty is the right thing to do. of course it is.

(you exhale a breath of relief that shakes you down to your very core.

thank god, it's at least the right thing to do.

you're grateful for it beyond words. really, you are.)

imagine you're luce, and before it even happens, you know the choice you'll make when climbing that mountain, when standing on top of it, when waiting for a bright light to shine down on you from above. you know the choice you'll make then, even when pregnant with your daughter.

it doesn't matter since how long you knew, be it years, months, days, hours or minutes before. all that matters is that before you can even contemplate the idea of making another choice and all its implications and possible consequences, before the thought can even come alive in your mind, you already know the choice you'll make.

(you can see the future, but just because you already saw it, it doesn't mean it's now set in stone.

you can see the future, but just because you're given the chance to fight to change it, it doesn't mean it still won't happen every bit like you saw it.

it doesn't mean it can't still happen even worse than how you first saw it happen because you fought to change it, no matter how already dreadful it originally was.)

imagine you're luce, and before it even happens, you know they'll be others with you standing on top of that mountain. you're the only one who'll know it before it happens.

(because you can see the future.

and oh, you did not ask for it.)

they're strangers, people you don't owe anything to. adults who choose to show up at the first meeting, and to show up to every following mission after that. the chosen seven, whose ambitions and prides lead them to walk the path of the seven strongest too once laid down in front of them.

you don't force their hands in making any of those choices for them. you're not responsible for any of them.

you become coworkers then, accomplices, your hands stained in blood to various extent, but now dipping in the same pool of blood as you strive towards the same goal together. you have each other's backs, learn each other's strengths and weaknesses, learn each other's personalities, likes and dislikes. you keep having to spend more time together as the missions keep coming your way.

inevitably, you come to care about them. even more damning, they come to care about you in return. enough so they'll look after your daughter even after what'll happen on top of that mountain. enough so they'll look after your granddaughter too, warmly and fondly enough she'll call one of them uncle.

you're still the only one who knows they'll stand together with you on top of that mountain, not knowing what'll happen on it like you do.

and you do care about them, you swear you do. really, you do.

(you care about them the same way your mother cared about you, and how she still raised you to have steel in you and be made of sharp edges you know how to use. you care about them the same way you care about your family, and how you still send them to their deaths as needed so the rest of your family you care about just the same can keep on living longer and safely. this is the only way you've had the chance to learn how to care and love.

duty and sacrifices have been one and the same for you for as long as you can remember. it doesn't matter at which point sacrifices came to mean love to you too.

and most of all, you love your daughter more than anything else in the world.)

imagine you're luce, and this is who you are. this is who you've been raised to be, the only way you've been given room to grow up to be. this is the life you've lived and the kind of life that has shaped you as the person you are now. this is what you've been taught and told is the best version of yourself you could have grown up to be. this is who you ended up being by what you've been taught and told are all the right choices to make.

you're still the only one who knows what is about to happen on top of that mountain. it hasn't happened yet. the fate of the world hangs on what'll happen on top of that mountain, the same world you'll have to give birth to your daughter in. the same daughter you're currently pregnant with.

now imagine you're luce, look me in the eye and tell me you'd know how to even form the thought of the possibility of there being any other choice to make. look me in the eye and tell me you wouldn't look at the only choice in front of you, and know deep in your bones it's the only right choice to make. that it is right of you to make it. because it simply has to be.

(imagine you're luce, and you're not doomed by the narrative. of course, you're not.

why would you need to be when the narrative has painstakingly shaped you all your life to become its perfect, faithful and dutiful sacrificial lamb?

and then, imagine you're luce, and you're even grateful for it, so, so very grateful it held up its end of the bargain too.

truly, you are.)

[unma]

My theory is that you've had (or currently have) a big thing for roleplaying, perhaps directly related to your aptitudes as a writer.

I feel like someone just sniped me through a buncha buildings and windows and still hit a head shot. How could you tell? I haven't actively roleplayed in at least a couple of years—not because I don't want to, tbh, I would if I could actually get back into it again—so I'm surprised anyone could tell. I still have a bunch of my proudest rp posts saved (it was mostly crp), and I was into it for at least 3 years or so.

It's definitely related to my aptitude as a writer though. Having to respond so often to some of the most detailed crp posts where you would and often did get technicality'd into oblivion (and would do the same back) definitely made me care a lot about the details, and I'm not gonna lie I do still draw on that still when describing combat sometimes. Getting technicality'd into oblivion doesn't sound too fun, but I assure you it was (once you got used to it anyway), and that community was definitely my closest set of online friends for a good bit.

[lloydfrontera]

btw when i call asterion a bad parent it's not like. a complaint. i love that he's like that. i love that he's such a terrible father i love that he completely sucks when it comes to parenting i love that even when he's trying to do better he still fucks up.

i love that the first time we see him he's basically telling rakiel to give up his birthright and die quietly without making a fuss so it won't cause issues to the royal family in the long run. i love that when theo is almost begging him to change his mind so his brother won't be humiliated in front of hundreds of people he basically tells him to stop caring for something stupid like family and feelings. i love that when rakiel does an amazing feat and almost dies doing it the only thing he does is reprimand him and tell him how much of an idiot he was. i love that when theo has a breakdown after he failed at achieving the one thing he was raised for asterion did absolutely nothing and completely left him on his own. i love that even when he's proud and wants to do something for rakiel he completely ignores what rakiel actually wants and makes him prove himself again just for the right of his wishes not being ignored.

i love that he acknowledges how terrible of him it is to care for his child only now that he's doing incredible things and proving himself and tries to be a better father... while still completely ignoring the other child he has.

he just. he sucks so fucking bad. he's not even trying to be malicious he genuinely thinks he's doing the right thing and that it's for the well being of his sons but he's so awful at being a father it just makes things worse.

it's very funny. and also so fucking good. for me <3 not his kids tho they're having a terrible time someone help them pls

[suntails]

a moment from a fic my twt moot wrote!!!! i lost my MIND!!!! silvil has two whole fics now,,,,,,, they’re canon,,,,,, (delusional)

read it HERE and feel complete with me <3 <3 read the silvil propaganda. im beaming it into ur mind

[hella1975]

you ever have a fic get you in such a chokehold you start pacing your room and talking to yourself

[lavellane]

do i make ashara more devoted to mythal post trespasser or do i alienate her from the evanuris entirely. is she immune to propaganda by virtue of how badly solas damaged her ability to believe in anything or is she especially vulnerable to it now bc she still WANTS to believe in anything. is she sporting subtle mythal details in her costume design or is she not

[the--highlanders]

actually I am going to talk about jamie not being able to shoot the zombie in the age of ambition like. he's holding a gun. he's faced with something which is human-shaped but no longer a human, which is actively posing a threat to him and his friends. and he just freezes. he can't do anything.

and we never see jamie shying away from combat with non-human/non-humanoid enemies. he's happy enough to destroy the quarks, for instance. and he'll get into fights with humans/humanoid beings if it's non-lethal. but he actively turns down weapons when he gets into a fight with one of the gonds. the most we ever see him do is swordfight with trask at the end of the highlanders. and even there, he doesn't actively /kill/ - he pushes trask overboard. clearly that's not a death sentence, seeing as ben had already survived the same swim back to shore. and if trask does end up dying? jamie won't necessarily know about it. he's not directly responsible.

so I just think. jamie, who never killed anyone in the war. jamie, who's a piper, who's a musician rather than a soldier. he's not unable to fight, because he duels trask, and he's not afraid to threaten people, because he holds two and ben and polly at knifepoint. he's not naive, because he stands at the window and watches alexander die. but he's never killed anyone himself. jamie, who's consumed with survivor's guilt, always wondering if he should have done more, if his cowardice ever condemned someone else to death - but also always knowing that he could never have done it, being sickened by the part of him that feels guilty for having no blood on his hands.

jamie, who looks into the eyes of something that's not even human anymore, and can't look away, and can't pull the trigger.

and what does that do to him, then? months, maybe a year after he's left his war behind? he stands there with a weapon in his hands and he can't bring himself to defend two of the people he loves most in the world. victoria has to grab the gun out of his hands and do it for him. this young girl who he's fiercely protective of has to shoot someone, all because he can't. there's blood on her hands, now, and none on his. he wishes he could have been the one to take that shot, to carry that burden for her, and even then he can't help but hate himself for wishing. he's trapped there forever. the feeling goes round and round in circles and it never ever goes away.