#Julie performing 'Bright'
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i feel like we don't talk about 'this band is back (Reggie's Jam)' enough.
how did it come about. was it a song they already had written, if so why. like, before they died they were at the 'peak of their careers'; why would they write a song about 'coming/being back' when they were still at the top.
this leads to my headcanon/theory:
they literally made it up on the spot. like they telepathically communicated the whole thing. because they were so in-tune with each other when they were alive that they could do that. it's why Luke looks to Alex and Reggie as much as he does. he's wanting to make sure they're picking up what he's putting down. i mean their instruments were so intrinsically part of them they could be summoned at will. so it stands to reason that they could do this with their thoughts/selves too.
the fact that it's parenthetically called 'Reggie's Jam' will always get me feeling some kind of way.
#someone please yell into the void about this with me#julie and the phantoms#sunset curve#this band is back#it's such an overlooked song#it doesn't get the love it deserves#because it's just kind of#shoved in with Dirty Candy's 'Wow' and#Julie performing 'Bright'#and i just need it to get more love than it does
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here's how fictional band julie and the phantoms going on a real life tour can still win
#listen. the way watching 'bright' and 'finally free' can still make ME feel alive again#with the thrill of a good performance#is a precious gift#and i would have totally paid to see them go on tour a la glee live. kinda in character/kinda not.#FATED BANDMATES#julie and the phantoms
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idk man i feel like a lot of people conveniently forget that 1. Carrie bullied a girl who lost her mom and who is struggling with her grief following her death (literally nothing can excuse that) and 2. Nick stood by as his girlfriend bullied said girl who lost her mom and who is struggling with her grief
maybe he felt uncomfortable, maybe he “tried” to make comments at Carrie to stop her but it was always a very half-assed attempt and he would then give up super quickly and move on
#plus nick only ever noticed julie AFTER her performance of bright in front of the entire school#anywa#jatp#at the end fo the day he’s just a teenage boy and still has so much to learn and so much growth to go through but he is a flawed ‘nice guy’#and no sad story can excuse carrie’s behaviour
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happy three years jatp shoutout to my bestie who called me after she watched this silly ghost singing show and made me come over to watch it as soon as she finished it
#in honor of three years heres my deep dark secret#it took until the bright performance for me to look at luke and be like "oh#and the bestie loves to remind me of that#jatp#julie and the phantoms
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having big ideas for the space between lately... i kinda wanna try my hand at writing julie and luke's big songwriting weekend... especially since that is presumably the weekend julie caught feelings
#hummingbird chirp#fic rambles#the space between is looking to be entirely in luke's pov#which is going to make writing a fic about their songwriting weekend really interesting#i mean. luke was totally flirting with julie when he told her she'd “slay” those songs in ep4#I MEAN. if you ask me. luke was gone the instant he heard her sing#but in terms of being AWARE of it. not til ep6#so writing his internal monologue will be really fascinating#ANYWAYS#esp because in flying solo i can't stop thinking about the way#he ROTATES HIS WHOLE ASS BODY to keep staring at her#after they perform bright
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Beastie Boys - Intergalactic 1998
Hello Nasty is the fifth studio album by American hip hop group Beastie Boys, released on July 14, 1998. It sold 681,000 copies in its first week, debuting at number 1 on the Billboard 200 album sales chart, and won Best Alternative Music Album at the 41st Annual Grammy Awards in 1999.
"Intergalactic" was released as the first single, on June 2, 1998. The single reached number 28 on the US Billboard Hot 100, making it the band's third top-40 single, and reached number five on the UK Singles Chart, where it remains the band's biggest hit. It received a Grammy Award for Best Rap Performance by a Duo or Group in 1999.
The wonderful "Intergalactic" video was directed by Beastie Boy Adam Yauch under the pseudonym Nathanial Hörnblowér. The storyline revolves around a giant robot causing destruction by fighting a giant octopus-headed creature in a city. Various scenes are filmed in the Shibuya and Shinjuku train stations in Tokyo, Japan. Throughout the video, the band wear bright uniforms of Japanese street construction workers. The music video won the award for Best Hip-Hop Video at the 1999 MTV Video Music Awards.
Beastie Boys have sold 20 million records in the US and had seven platinum-selling albums from 1986 to 2004. They are the biggest-selling rap group since Billboard began recording sales in 1991. In 2012, they became the third rap group to be inducted into the Rock and Roll Hall of Fame. In the same year, Adam Yauch died of cancer and Beastie Boys disbanded. The remaining members have released several retrospective works, including a book, a documentary, and a career-spanning compilation album.
"Intergalactic" received a total of 62,4% yes votes!
youtube
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Mariner program
The Mariner program was conducted by the American space agency NASA to explore other planets. Between 1962 and late 1973, NASA's Jet Propulsion Laboratory (JPL) designed and built 10 robotic interplanetary probes named Mariner to explore the inner Solar System - visiting the planets Venus, Mars and Mercury for the first time, and returning to Venus and Mars for additional close observations.
The program included a number of interplanetary firsts, including the first planetary flyby, the planetary orbiter, and the first gravity assist maneuver. Of the 10 vehicles in the Mariner series, seven were successful, forming the starting point for many subsequent NASA/JPL space probe programs.
The name of the Mariner program was decided in "May 1960-at the suggestion of Edgar M. Cortright" to have the "planetary mission probes ... patterned after nautical terms, to convey 'the impression of travel to great distances and remote lands.'" That "decision was the basis for naming Mariner, Ranger, Surveyor, and Viking probes."
Each spacecraft was to carry solar panels that would be pointed toward the Sun and a dish antenna that would be pointed at Earth. Each would also carry a host of scientific instruments. Some of the instruments, such as cameras, would need to be pointed at the target body it was studying. Other instruments were non-directional and studied phenomena such as magnetic fields and charged particles. JPL engineers proposed to make the Mariners "three-axis-stabilized," meaning that unlike other space probes they would not spin.
Mariner 1 and Mariner 2
Mariner 1 and Mariner 2 were two deep-space probes making up NASA's Mariner-R project. The primary goal of the project was to develop and launch two spacecraft sequentially to the near vicinity of Venus, receive communications from the spacecraft and to perform radiometric temperature measurements of the planet. A secondary objective was to make interplanetary magnetic field and/or particle measurements on the way to, and in the vicinity of, Venus.
Animation of Mariner 2's trajectory from August 27, 1962, to December 31, 1962. Mariner 2 · Venus · Earth.
Mariners 3 and 4
Sisterships Mariner 3 and Mariner 4 were Mars flyby missions.
Mariner 3 was launched on November 5, 1964, but the shroud encasing the spacecraft atop its rocket failed to open properly and Mariner 3 did not get to Mars.
Mariner 4, launched on November 28, 1964, was the first successful flyby of the planet Mars and gave the first glimpse of Mars at close range
This archival image is an enhanced contrast version of the first Mars photograph released on July 15, 1965. This is man's first close-up photograph of another planet -- a photographic representation of digital data radioed from Mars by the Mariner 4 spacecraft. Data was either sent to Earth immediately for acquisition or stored on an onboard tape recorder for later transmission.
The pictures, played back from a small tape recorder over a long period, showed lunar-type impact craters (just beginning to be photographed at close range from the Moon), some of them touched with frost in the chill Martian evening.
Mariner 5
The Mariner 5 spacecraft was launched to Venus on June 14, 1967, and arrived in the vicinity of the planet in October 1967. It carried a complement of experiments to probe Venus' atmosphere with radio waves, scan its brightness in ultraviolet light, and sample the solar particles and magnetic field fluctuations above the planet.
Mariners 6 and 7
Mariners 6 and 7 were identical teammates in a two-spacecraft mission to Mars. Mariner 6 was launched on February 24, 1969, followed by Mariner 7 on March 21, 1969. They flew over the equator and southern hemisphere of the planet Mars.
Mariners 8 and 9
Mariner 8 and Mariner 9 were identical sister craft designed to map the Martian surface simultaneously, but Mariner 8 was lost in a launch vehicle failure. Mariner 9 was launched in May 1971 and became the first artificial satellite of Mars.
Mariner 10
The Mariner 10 spacecraft launched on November 3, 1973, and was the first to use a gravity assist trajectory, accelerating as it entered the gravitational influence of Venus, then being flung by the planet's gravity onto a slightly different course to reach Mercury. It was also the first spacecraft to encounter two planets at close range, and for 33 years the only spacecraft to photograph Mercury in closeup.
Venus in real colors, processed from clear and blue filtered Mariner 10 images
Mariner 10's photograph of Venus in ultraviolet light (photo color-enhanced to simulate Venus's natural color as the human eye would see it)
This mosaic shows the planet Mercury as seen by Mariner 10 as it sped away from the planet on March 29, 1974.
source x, x | images x
#mercurio#mercury#venus#mars#marte#astronomy#astronomia#space#solarsystem#sistemasolar#universe#universo#mariner#mission#space exploration
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Behind the blue shorts: How an all-boys Catholic school sparked the origination of Thai BL
(Cross-post from Reddit)
One evening this past July in Bangkok's long-time youth hangout of Siam Square, a crowd was gathering in the street, around an area set aside for busking musicians. The mostly young-adult female audience politely applauded as several high school bands took turns performing, but they were actually waiting for a different act. After some time, the crowd began to stir as members caught sight of some two dozen teenaged boys, all in a uniform of white shirts and bright royal blue shorts, headed towards the gathering. As they filed out onto the makeshift stage area, the boys were loudly greeted with passionate, enthusiastic screams, all too characteristic of fans cheering on their idols.
But these boys weren't actual idols - not yet, at least. They were all brand new actors, yet to appear on screen anywhere. They were the cast of Love Sick 2024, an upcoming remake of the pioneering Thai BL series whose tenth anniversary they were celebrating that day, in one of their first public appearances.
Why, then, would such inexperienced newcomers inspire such fervent devotion?
The Love Sick 2024 boys (and three girls) with their audience (Tia51)
Well, for starters, the original Love Sick series is a quintessential classic of Thai BL, arguably the one pivotal work that kick-started the entire TV genre - which in the decade since has developed into an industry worth multi-millions and recognized as a major cultural export. It still holds a place close to many long-time fans' hearts, and BL, like other phenomena of fandom culture, has been known to elicit very enthusiastic emotional responses from followers.
But the scenes witnessed with Love Sick 2024's actors are actually quite reminiscent of those previously seen during the original's release, when BL series didn't yet even exist as a category. Surely, there must be something else underlying this series' - and its actors' - popularity.
Let's take a closer look.
Love Sick's real-life inspiration
In chapter 21 of the original Love Sick novel, Noh, having taken delivery of the music club's new set of drums and overseen band practice for the evening, spends some time sitting around on the stands along the sports pitch next to the F. Building, wondering how he's going to pay for them. It's not long before Earn shows up to rescue him from his financial troubles, but let's pay attention to the location.
The F. Building Noh mentioned is an actual place - F. Hilaire Building at Assumption College (AC) in Bangkok. It is named after Frère (Brother) Hilaire, one of five French missionary teachers of the Catholic Brothers of St. Gabriel who arrived in Siam in 1901.
In the late 19th century, Siam (Thailand's historical name) was rapidly modernizing in response to colonial pressures. American Protestant and French Roman Catholic missionaries played a large role introducing technological and medical advances, and also established some of the first schools in the country as the royal government introduced reforms to formalize the education system. Father Émile August Colombet, the head priest of what was then Assumption Church, founded Assumption College as a school for boys in 1885, and after a decade of growth, the Brothers were invited to help run the school. A convent school for girls, run by the Sisters of St. Paul of Chartres, was established next door soon after.
While the early government schools mostly served the aristocracy, the missionary schools catered more to the general populace, especially the minority ethnic groups who also formed the majority of their congregations. However, while they are remembered today for their legacy of modernization, the missionaries had relatively little success proselytizing, and the large majority of their students remained Buddhist.
Over time, these schools expanded and grew. The St. Gabriel's Foundation now operates over a dozen schools, as well as a university, and Assumption College is regarded as one of the most elite private schools in the country. Its lengthy list of famous alumni includes names from several of Thailand's biggest business families, as well as major political figures, demonstrating its historic stature and the strength of its alumni network. Today, the stereotypical image of its students is of those coming from wealthy or upper middle-class families of Chinese descent, and hefty donations are the norm for families looking to secure placement for their sons.
AC student Keen (Only Boo!) giving a presentation in 2022 on his team's experience joining a NASA-sponsored CanSat (miniature suborbital satellite) competition. It's not like every school has an aerospace program. (Assumption College, via Workpoint Today)
Brother Hilaire, barely 20 when he arrived in Siam, spent his next 67 years dedicated to the school. He learned Thai well enough to write the foundational Thai textbook series Darunsueksa, which remains in use over a century later. Along with Father Colombet, he is memorialized as one of the school's two most celebrated figures.
Today, the building which bears his name overlooks the school's central courtyard, an assembly ground of red brick facing the apse of Assumption Cathedral, an imposing Romanesque Revival structure nestled in Bangkok's old European district along Charoen Krung Road, the city's first modern paved street. Guests headed to the famous Mandarin Oriental Hotel nearby might catch glimpses through the steel palisade fence of boys in their white-and-blue uniforms playing football in the tiny sports pitch - the very place where Noh and Earn had their conversation in the novel. The stands are no longer there, but were present in 2007 when The Love of Siam was filmed at the school. Also appearing in the film, and the site of Noh's classes in the novel, is the 13-storey school building which now towers over the cathedral in order to accommodate its secondary student body of some 2,500 within the limited historic space. (The primary section had been split to a different campus in 1966.)
The F. Hilaire Building clock, and Kao Jirayu as young Tong in the sports pitch, seen in The Love of Siam (Sahamongkolfilm International)
A nativity play right in front of the cathedral would be epic. However, this is artistic licence, as the school's primary section lies elsewhere. This area is now the red brick courtyard; Noh actually mentions in the novel that the school was undergoing a lot of landscaping projects. (Sahamongkolfilm International)
The Love of Siam may have been one of the first few instances where the wider public got to actually see what things looked like inside the school. Although it was only standing in as a location for the fictional St. Nicholas School, there was something about seeing students in their sea of blue uniform shorts that tickled the imagination. Such was the effect that when Love Sick began serializing as a web novel on Dek-D.com a year later, the Thai subtitle, usually translated as The Chaotic Lives of Blue Shorts Guys, undoubtedly helped fuel its popularity.
But what's so special about these blue shorts anyway?
This might come as a surprise to international viewers who've only primarily seen Thailand through its TV series, where they tend to be over-represented, but school uniforms with blue shorts are actually rather uncommon in real life. Let's look back again to Brother Hilaire's time, to find out more about their origins.
A history of the blue shorts
In the early days of formal education, most schools did not have defined uniforms, and AC students wore a varied assortment of costumes according to their ethnic background. The school first introduced a uniform in 1933, consisting of a white standing-collar jacket with metal buttons bearing the school insignia, blue shorts, a white pith helmet, white socks, and black leather shoes (though the helmet, socks and shoes remained optional). This was similar to a form already used by some royally affiliated schools since the 1910s,* though their shorts were navy or black. The reason AC opted for blue shorts is not recorded, though some writers have postulated that it may have been to reflect the common colour of the raj pattern costume, the formal dress of the time.
A class of AC students, with their teachers, in the 1940s. It's unclear whether the shorts were the school's original blue, or khaki green in accordance with the 1939 law. (Assumption Association, via The Cloud)
The first piece of legislation governing school uniforms came out in 1939 under the Fascist-leaning regime of Prime Minister Plaek Pibulsonggram. Male students in government schools were assigned a khaki green military-style uniform to match that of the government's Yuwachon Thahan military youth movement. Some AC students also joined the movement, though those who didn't continued to wear the white uniform, creating an interesting contrast which we'll come back to later. In 1943, at the height of World War II in Southeast Asia, a new law extended the khaki green uniform to all schools, but it's unclear whether it ever took effect as Pibulsonggram was ousted the following year and the Yuwachon movement was dissolved after the war's end.
In 1949, the old regulation was scrapped and replaced with a new one, which codified school uniforms to the almost exact same appearance we see today: for boys, a white shirt, shorts, a belt, socks, and shoes. But the shorts were to be khaki for all schools, except those who requested otherwise to the Ministry of Education. Assumption, together with its sister Gabrielite schools, were among the first to register exemptions and became the only schools with blue shorts for their uniforms for several years.
In 1961, the national regulation was changed again to allow schools to choose between khaki, blue, navy, or black shorts. As time passed, boys' uniforms developed into the convention we see today: black or khaki shorts for government schools, blue or black for private schools. But given their prominence, the image of the all-boys Catholic school has remained one of the strongest associated with the blue shorts uniform.
Not that it mattered much back then, though. In the pre-digital era, people's exposure to different schools was mostly limited to their immediate locality and depictions in the media. While blue-shorts uniforms did feature in some teen movies and sitcoms in the 1990s,† those works didn't really play into the stereotype, and the 1997 financial crisis soon disrupted most media production anyway.
Attracting attention
Then several things happened. The BTS Skytrain opened in 1999, and Bangkok became much smaller overnight - at least for the middle class. Cram schools moved into building spaces in Siam Square left vacant from the recession, and saw an explosion in popularity. School students from all over now flocked to Siam Square in the evenings, and the video classrooms became something of an inter-school melting pot where one could catch sight of all sorts of uniform styles and colours.
And the AC boys, they very much stood out.
It's unclear exactly when things began, but throughout the years, Assumption students had developed a fashion culture of their own. The school is one of a handful that require leather shoes (as opposed to canvas),‡ and its upper-secondary students usually opted for a certain pointy style produced by a couple of old shops on Charoen Krung Road. They would also have their shorts tailor-modified to be very short - typically 15 inches or less, while uniforms coming out of the factory are usually 18 inches at the shortest for high-schooler sizes - and wear them with waists pulled very low. This was despite the rule book stating, like any other school's, that shorts should reach no more than 5 centimetres above the knee. It's actually a common refrain of experiences retold by AC students and alumni that they'd get into trouble for their shorts and shoes whenever the disciplinarian teacher would inspect their uniforms. But it was also part of the challenge, to stay on top of the fashion of their peers and at the same time get away with it.
This fashion only added to the fact that those vivid blue shorts are very visible, like, even from 100 metres away. So, coupled with the stereotype of them being rich kids with likely above-average attractiveness, these AC boys' uniforms easily caught attention, whether they were entering late into a cram school classroom or queuing for the train at the BTS's central interchange at Siam Station during rush hour.
This group strolling down the streets of Siam Square would surely draw plenty of eyes in real life. (Sahamongkolfilm International)
The turn of the 21st century also saw the spread of internet access, and with the early web came the proliferation of online discussion forums, both smaller ones serving specific groups like schools and larger public communities like the youth-oriented Dek-D. Suddenly, it became possible to peak into some of the conversations kids elsewhere were having and share in the knowledge of their hijinks at school. This, in some ways, helped fuel the fantasy of this exclusive boys' world, filled with good-looking guys in revealing shorts who weren't averse to having physical contact with each other.
The online forums also gave birth to web fiction, which soon expanded to include the emerging Y (BL) genre. Naturally, these trends eventually converged to give us plenty of Y fiction set in all-boys schools. But the epitome of these wouldn't arrive until after The Love of Siam hit screens in 2007.
The Love of Siam was probably the first major work in a decade to prominently feature the blue shorts uniform,§ and this time it was actually used to highlight the Catholic boys' school setting, employing AC itself as the location. Though it appeared only in a few short glimpses, they were powerful images that further inspired fascination with the real-life school.
It might be because it's accurate, or because the film has completely coloured viewer's perceptions, but this scene is exactly how one would imagine things to be like in those Catholic boys' schools. (Sahamongkolfilm International)
Then in 2008, Love Sick quietly began serializing on Dek-D's writers' section. The story's premise was simple, but it so effectively tapped into this collective fascination and quickly rose up the site's readership charts. Its popularity came no doubt thanks to author Indrytime's extremely lively and enjoyable writing of Noh, who narrates the story throughout. But a large part of the appeal is also attributable to the lifelike portrayal of his school life, with plenty of references to actual locations both within the school and outside - including the convent school next door and the numerous shops of Siam Square. The novel also name-dropped some of the school's actual teachers who, in Catholic school fashion, are addressed as Miss and Master, and Noh even mentions specific happenings at AC, like the new belt buckles that had been added to the school uniform for younger students that year. The only thing not mentioned was the name of the school, which was intentionally left blank. So close did the story feel to real life that the author had to emphasize its fictional nature when people started speculating about the real identities of Punn‖ and Noh and tried to identify them with actual AC students.
But the most significant reference to real life in Love Sick by far must be its descriptions of what is clearly meant to be the Jaturamitr football competition - a biennial event between Thailand's four oldest boys' schools: Assumption College, its Protestant counterpart Bangkok Christian College (BCC), and the royally founded government schools Suankularb Wittayalai (SK) and Debsirin (DS). The tradition is a HUGE part of school life at these four schools, which pretty much share this culture of intense collective institutional pride.
These boys and their ball game
It's kind of hard to explain all that the competition entails, but the football is just a small part of it. This YouTube video looking at the BCC side makes for a nice intro.¶ There are parades, mascots, Thai-style cheerleading (featuring not acrobatics, but synchronized arm movements), and most notably, the spectacular card stunt displays, which involve the entire student body from the lower-secondary years. The students will spend months practising to perfect their card flips, under the direction of the cheering president. Sounds familiar? That's Earn's position in Love Sick.
Fourwheels (Oxygen, Nitiman, La Pluie), wearing the cheering crew overalls that Noh dreams of, addressing the AC crowd in 2017 (AC Ed Tech)
Beam Boonyakorn (Make It Right) as AC's eagle mascot, though it's often teased for looking more like a chicken, also in 2017 (TTaewTaew Twitter)
The card stunt tradition actually originated at AC in 1942, from the aforementioned contrast between the military youth and regular uniforms. A teacher came up with the idea of having the differently dressed students arrange to form the school initials on the stands. This eventually developed into the elaborate displays done today, which use coloured card booklets to create pixels that together form a detailed aggregate image. Crowds of 1,250 from each school, seated opposite the paying audience, are needed to perform these.
Oat Tharathorn (Fourever You) in the card-stunt-performing audience in 2014; note the plates of colour card booklets set on the racks in front of them. (oattrt Instagram)
Such plates appeared in Love Sick 2024's episode 4 behind-the-scenes clip, but didn't show up in the actual episode. They later appeared in episode 5. (Tia51)
Regular fixtures among these displays include school logos, the royal family, and sponsors. There are also have these coordinated sequences with portraits of students and alumni greeting the crowd, which may feature some familiar faces.
A sponsor ad for Est gives way to AC student Chimon greeting the audience in 2017. (AC Ed Tech)
Alumni PP Krit (AC), Ice Natara (DS), Nonkul (BCC), and Sky Wongravee (SK) welcoming the audience, 2019 (AC Ed Tech)
GMMTV's Marc (AC) and Ford (SK) from the same sequence in 2019; Inn (BCC) from before 2014; AC alum Net Siraphop in 2023 (AC Ed Tech; Suankularb Photo Club; inpitar Instagram)
This attention to popular students didn't exist during novel Noh's time, though. Back then, few people followed the event apart from the schools' students and alumni, and football people scouting for young talent. But the 2010s' "cute boy" craze brought a sharp rise in attention from the sao-Y and cute-boy-following crowds, who flocked to the matches, some equipped with huge telephoto lenses to capture not the football action but cute guys in the audience.
BCC alumnus Inn Sarin photographed in the audience in 2014. Photos of him from the event were virally shared and boosted his following and "cute boy" stature. (inpitar Instagram)
BCC cheerleaders Winny Thanawin (2017) and Ping Krittanun (2019) (BCC Jaturamitr)
The origination of Thai BL
In some ways, the Love Sick novel helped lay the foundations for the phenomenon. It gave readers this imaginary connection to the school, which drove interest in seeing what its real-life students shared on social media, especially as Instagram exploded in popularity around 2012. And of course, attractive boys in revealing uniform shorts was already a winning combination in itself (and the fashion soon spread to other schools).
So it's appropriately fitting that things would come full circle with the 2013 announcement of Love Sick The Series, which generated huge amounts of engagement as fans recalled their impressions of the characters and shared pictures of real-life AC students whom they saw as the perfect Punn and Noh.
As it turned out, recent AC graduate White was cast as Punn, and several other AC boys were also chosen for the many supporting characters. Fans readily took to following these budding actors from the moment they were announced, gathering to meet them after acting classes and supporting them through to the last post-series events. It was a revelation in how dedicated such a fandom could be, without seeing even a second of these actors' work.
For the production, though, it could hardly be expected that explicit reference to the real-life school would be allowed, so they named the school Friday College in the series. (Which kind of bugs me. Couldn't they have at least come up with a vaguely Catholic-sounding name? Anyway, they developed it into a brand and it's stuck now.) They did model the school emblem and uniform exactly after AC's (in its 2008 form, before the new belt buckle), and the same uniform was featured in Thank God It's Friday, a 2019 spin-off set in the same universe. However, the school emblem was redesigned for the 2024 Love Sick remake, maybe because the resemblance now felt too close for comfort. (Another detail that bugs me is how the 2014 series had four-digit student IDs, while the 2024 has six. Most real-life schools have five digits!)
While it would have been a dream come true to see the actual original locations in the series adaptation (even if unnamed), this was not to happen. In fact, unlike its sister school Assumption College Thonburi, which served as the location for Hormones and numerous other works, AC seems to no longer be keen on allowing access as a filming location, and hasn't been spotted in anything since The Love of Siam.
Anyway, Love Sick's broadcast was a turning point in several ways. Of course, it most importantly kickstarted the Thai BL industry,** but this also led to a shift in Y culture where shippers turned their focus from real people to actor pairs from series. "Cute boys" from social media were now regularly tapped to join the many budding modelling agencies, who would try to push them as actors and influencers, and AC students attracted particular attention. Make It Right (2016)'s Peak, Ohm and Beam, for example, were all scouted from the school.
AC students Peak, Ohm and Beam, taken by a fan account in 2016. (allaboutpeak Twitter)
The boys made use of their newfound cult. Popular AC students were tapped to promote the school's annual Christmas Fair, which drew an influx of visitors from their followers, who happily contributed to their fundraising efforts. This was much changed from Noh's time in the novel, when the fair was still pretty much an internal event for students and their immediate friends and family.
Turbo (Love Stage!!) promoting merch for AC's 2015 Christmas Fair (turbotb Instagram)
However, this trend, as with the cute boy craze itself, seems to have largely petered out, especially as life was disrupted by the COVID pandemic and the 2020 protests brought about sharp changes in ideology among young people. Another victim of this has been the Jaturamitr competition, which was postponed for two years before taking place again in 2023.†† But it then became the topic of a huge online drama over the compulsory nature of attendance for the card stunt performances (which not everyone willingly enjoyed), and the negative public attention soured the experience for a lot of the students.
These new concerns seem to have influenced Love Sick's 2024 remake. In the novel, during preparation for the football competition, Noh talks about how hard the marching band was practising, and how he and the band leaders felt the need to push them to perfection, in order to uphold the school's reputation. There's a clear institutional pride in the way he says, "I'm sure the young ones understand. (Or if they don't now, they will in a few years.)"
This stands in sharp contrast to Earn's stance in Love Sick 2024, where he says in episode 4, "If the formation fails, the school’s reputation will just take a hit. But the school doesn’t have feelings, does it? It is they (the young ones) who have feelings."
We'll find out in a couple of hours how else they're updating the depiction of the competition, which was one of the highlight scenes in the novel thanks to how detailed it was with insider info of the behind-the-scenes workings at the Suphachalasai National Stadium in real life. It's an unfortunate fact, though, that it's near impossible that any TV production with a normal budget would even come close to the spectacle of the actual event, with its crowds in the tens of thousands. But let's see how creative the production crew can be.
After all, it's the emotional threads that make the real highlight of the story, isn't it?
Footnotes
* These schools had been set up after the English public school model by King Vajiravudh, who himself was educated in England. Vajiravudh College still uses it as its ceremonial uniform.
† One of these was I Miss You 2 (1996), which was filmed at Montfort College in Chiang Mai, another Gabrielite school. Incidentally, The Love of Siam director Madeaw Chookiat was a student there and became an extra in the film, an experience which inspired him to go into filmmaking. He would later base the Nay-Beam segment of Home (2012, one of the most significant mainstream proto-BL works) at the school.
‡ Most other schools allow both, and their students usually prefer canvas shoes. Nanyang, with its iconic green soles, has long been the most popular brand.
§ Actually there's at least Yong Songyos's Dorm (2006), set at his alma mater Assumption College Sriracha, but it's a horror focusing more on the boarding-school aspect. Yong also created a short film dedicated to the school in 2015, starring four Hormones Next Gen actors (no English subs, but there are hardcoded Thai captions that maybe a tool can translate).
‖ Sorry, but I just can't accept the spelling Phun, as it's plain incorrect. The /p/ and /ph/ are supposed to represent different sounds in Thai, but most Thai people don't understand the system as it's not taught in schools.
¶ As an expat, the video creator misses the meanings of some of the things that happen in the video. The yellow chicken is a reference to a Facebook satirist who's said to bring bad luck to sports teams, while the no-banana sign is a response to the angry chant the BCC side was yelling. It's an expletive that rhymes with the word for banana in Thai.
** Isn't it ironic that a genre revolving around a topic so controversial with the Church should be inspired by a Catholic school? But then, as director Madeaw demonstrated in The Love of Siam, religious conflict has always played an important role in driving social issues, while in the case of Love Sick, it's not actually relevant at all.
†† Yet another victim is the Chula-Thammasat Traditional Football Match, a competition between Thailand's two oldest universities which features similar elements of parades, cheerleading and card stunts. It hasn't been properly held since 2020, and when a substitute event was held in 2024, a huge online drama erupted over the student body's decision to alter certain elements.
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Stagedoor Sparks! (Matthew Patel x Reader) ✨🔥🔱
masterlist link
AN: OH MY GOODNESS YOU GUYS WERE FEELING THIS ONE OKAY-
I’m so glad to see people hyped up for my pathetic pirate boy. Please enjoy and if this goes well I may turn it into a series lol
We’ve got a gender neutral reader, idiots in love, I saw someone say pathetic x pathetic and YES, theater kid lingo, mild swearing, and your favorite cutie pie. ⚠️Also, this is heavily based on Scott Pilgrim Takes Off, so spoiler warnings for that if you haven’t seen it! ⚠️ Enjoy!
“Scott Pilgrim’s Precious Little Musical”, was what the bright lights of the massive sign on your local theater boasted. Recently, your coworker Julie had been telling you about the ridiculous life of this ‘Scott Pilgrim’, ranting about the conga line of characters that filled his (frankly, pathetic sounding) existence. She had also alerted you to this… musical. A musical that had been written about his life.
You sighed to yourself and adjusted your bag. Making your way to the golden, elaborately designed doors, just barely dodging all the paparazzi (why was there so much paparazzi?), you somehow successfully made your way into the main lobby of the theatre. Ivory and gold filled your vision as you observed the plush red carpet that lined each of the three floors. You had visited this theater before, and it’s gorgeous grandeur never failed to amaze you.
Now, you did not at all care about this guy. Yes, you had been silently internalizing every minuscule part of this random guy’s daily shenanigans, but that was because you were being a good friend to Julie! This Scott guy seemed like a tool, and you weren't particularly interested in listening to a…?
You checked the playbill the usher had just handed you.
…THREE HOUR MUSICAL?!? You almost started laughing right there.
But anyways, you weren’t here for this Scott guy.
You were here for musical theater. You had always been drawn to the fantastical world of lights and costumes and music. Plus, this was a community production with actors from Toronto, and you were always happy to support your local theater kids.
As you finally made your way to your seat, you sat down in the plush red chairs and opened your playbill to the cast section. You didn’t see any names you recognized, but one stood out to you.
Matthew Patel - Scott Pilgrim
Obviously, Scott Pilgrim was the lead role, but what really caught your attention was the picture attached to the name. Matthew Patel, you respectfully observed, was mad cute.
The lights suddenly began to dim and you settled in for whatever was in store, keeping a keen eye out for this ‘Matthew Patel’.
~~~ Holy shit, this is the best thing you’ve ever seen.
From the moment Matthew Patel walked onstage, you were absolutely smitten. He wore a bright orange wig that clashed horrendously with his dark skin, and an oversized jacket, but he was the hottest thing you had ever seen. Also, holy shit, Matthew Patel could sing. From the first line, you were completely enraptured by his high tenor belting. As you watched him onstage, you saw literal sparks in his eyes, his excitement and passion for the stage radiating off of him.
At the curtain call, you stood and enthusiastically clapped for each of the cast members, but hooped and hollered for Matthew especially. Even though you knew he couldn’t see you from the stage, you found yourself blushing at the thought of him looking at you.
That’s when it hit you: You’ve gotta book it to stage door to meet this guy.
~~~ Matthew Patel was completely exhausted. As the curtains flew closed, he sighed and turned around to smile at his cast mates. Although he was drained by his performance, he always took this opportunity at the end of a show to look to his fellow caste mates.
And hopefully someone would invite him with their group to an after show dinner.
He walked through the crowd, giving pats on the back and thumbs ups as he made his way to his dressing room. Lots of smiles, lots of “great job!”’s but… no invitations.
Slamming the door to his room he quickly took of his wig and put on his regular clothes, deciding that he would take off his stage makeup at home (aka the makeup he regularly wore but no one cared enough to know that). His room had a window where he could look down at the stagedoor line, the line that had been non-existent since opening night. He didn’t take it personally, since this musical was for a very specific audience of people and he understood that outside of them, no one knew or cared who Scott Pilgrim was. But still, he was onstage. He was singing and dancing and his art was being celebrated. Yes, he was lonely, still, but life wasn’t too bad right now.
As he did every day, he quickly glanced out his window to check for audience members at stage door and, sure enough, no one-
Wait-
Someone was there?
He did a double take and physically walked to the window, his hands placed against the glass and his now quickening breath creating a fog.
SOMEONE WAS THERE??!?!?
From high up in his dressing room, he saw a small figure holding the bright red playbill of his show. They seemed to be moving back and forth on their feet, bouncing excitedly. From so high up he couldn’t see their expression, but could make out what he thought was a smile.
He broke out into a wide smile. Running around his room, gathering his things and throwing them into his backpack, only one thought raced through his mind: He had to get down there.
~~~ As you waited, the cold Toronto air stung against your flushed cheeks. You were still high on endorphins from the show, the songs already worming their way into your head as you tapped your feet in anticipation.
Suddenly, and without warning, a man burst out of the dark black door you were waiting out, out of breath and panting. He was so hellbent on running out the door that he ran right into you, knocking you over!
“AH-“, you both made the same sound as you fell, the man directly on top of you.
“Oh- apologies, ma’am, I uh-“
You would have said a number of rude things to this man but, seeing his face, you were starstruck.
“Matthew Patel?”
His eyes widened in shock. Carefully, he got off of you and onto his knee in front of you. Gently, he took your hand and pulled you up, the both of you now back on your feet.
“You know me?”
You couldn’t help but notice the faint blush on his cheeks.
“Of course! Well- I mean, you know, you’re Scott Pilgrim! You were absolutely incredible up there, just amazing! My jaw was the floor the whole time! I mean, your voice and your dancing and the fight scenes-“
As you rambled on and on, Matthew was unable to snap himself out of the trance you had put him in. Visually, you were breathtaking, so much so he didn’t know how he had ever found anyone else attractive. But more so, you were genuinely complimenting him. He was never complimented on his theater work. He’d get the rare one from his cast mates, but never an outside fan.
Noticing his silence, you suddenly stopped talking.
“Sorry, I don’t mean to rant, it’s just- one theater kid to another, you were so amazing.”
He shook his head at your apology. “No, don’t be sorry. You’re- you’re very kind. Thank you. And I’m sorry again for… running you over.”
You laughed- a leitmotif to rival Sondheims to Matthew’s ears- and looked at him with a goofy grin.
“Would you sign my playbill?”
“Would you like to have dinner tonight?”
The two of you spoke at the same time, and one’s question made the other blush furiously. Matthew’s entire body tensed in embarrassment that he had been bold enough to ask you out like this, not even knowing your name.
You were absolutely over the moon.
“I- uh- yes. Yes, I would love to.”
Your smile got impossibly wider, and the sparks in Matthew’s eyes that you had noted during his performance returned. With a huge grin, he reached out his hand to take your playbill. You handed it to him and a marker appeared in his other hand as he quickly scribbled his signature.
“What’s your name?”
You told him and his blush deepened. He turned back to the playbill and scribbled a bit more, then handed it to you. You squeaked in excitement and looked at what he had written.
To my biggest fan,
(Y/N)
Looking back up at him, you were certain this was the start of something new.
“So… do you like Italian?”
~~~ HEY MATTHEW FANS TAKE THIS FIC! GO, FETCH! This’ll make a lot more sense if you like musicals, so have fun! Like I said at the start, if y’all want more and I’m feeling up to it, I’ll write more! Happy holidays, folks!
#scott pilgrim takes off#scott pilgrim#matthew patel x reader#matthew patel#scott pilgrim anime#Matthew Patel my beloved
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The Two Most Iconic Wheel Standers of All Time.
Hurst Hemi Under Glass
Hurst Hemi Under Glass is the name given to a series of exhibition drag racing cars campaigned by Hurst Performance between 1965 and 1970 across North America and ended with the '68 model year.
Each wheelstander was based on the current Plymouth Barracuda for the corresponding model year. The car was so named because the fuel injected Chrysler Hemi engine was placed under the Barracuda's exceptionally large rear window. The result of the rearward weight transfer was a "wheelie" down the length of the drag strip.
The Hemi Under Glass was developed by Hurst Corporation to showcase their products in the A/FX class - precursor to funny cars. In 1965, George Hurst hired Wild Bill Shrewsberry of Mansfield, OH, an accomplished drag racer who had raced for both Mickey Thompson and Jack Chrisman. After helping to pioneer it into the first wheelstanding exhibition car, Shrewsberry left at the end of the season to pursue his own project.
For the 1966 season, Bob Riggle, who was also from Mansfield, OH and was involved with Hurst as a mechanic and fabricator became the second driver of the Hurst Hemi Under Glass car and campaigned the cars with Hurst as the sponsor until later years when the Hurst Company was sold to Sunbeam. At that point, the car ran without the Hurst logo and was simply known as the "Hemi Under Glass." Riggle's career ended in 1975 with a devastating accident at US 30 Dragway in Gary, Indiana.
Popular model kits of the car were produced in 1/32 scale by Aurora Plastics Corporation and in 1/25 scale by Model Products Corporation. A limited edition 1/18 scale diecast model of the 1966 car is currently available from Highway 61.[1]
Riggle returned to exhibition racing in 1992 with a 1966 injected version of the car and a 1968 supercharged version of the car.[2] The original 1965 car was stripped for its power train and parts in 1967 for the new Barracuda chassis/body style and no longer exists.[3][4]
While taping the June 26, 2016 episode of Jay Leno's Garage, Riggle, with Leno riding in the passenger seat, rolled a newly constructed '69 version of the Hemi Under Glass after turning sharply at the end of a wheelie run. Neither of the men were hurt, but the car sustained significant damage.[5] Leno was riding along to fulfill another item on his 'Bucket List.'
July, 2016, Mike Mantel of New Braunfels, TX was named as the new driver of the Hemi Under Glass. Mantel took over the '68 car which has the longest performing history of any Hemi Under Glass ever constructed and becomes the third official driver in the brand's 50+ year history.[6] Mantel was only 6 years old when the Hemi Under Glass first took to the track. He has a wide range of driving experience from drag cars, road race, and movie cars. Mantel's original hometown is the city of Hawthorne, CA.
Billy Lawrence Golden (December 31, 1933 – September 14, 2015),[1] nicknamed "Maverick", was an American drag racer. He is probably best known for driving the Little Red Wagon A/FX wheelstander pickup exhibition racer.
Little Red Wagon
Born in Shawnee Township, Illinois, Golden joined the US Marines and first became interested in drag racing while at Camp Pendleton.
Golden was given his "Maverick" nickname in the late 1950s by an announcer at a Southern California dragstrip, because he chose to drive an unconventional 361 cu in (5,920 cc)-powered Dodge Custom Royal. He started racing in AHRA Super Stock, driving Dodges for several years. He was one of the first drivers in AHRA S/S to successfully run an automatic transmission. In 1960, Chrysler offered to provide him parts, when he was driving a Dodge Phoenix, powered by a 330 hp (250 kW) 330 cu in (5.4 L) with twin Carter carburetors and cross-ram intake manifold; the car was capable of quarter-mile times of 13.7 seconds.
By 1962, he was a factory driver, driving an S/SA Dodge. At the 1962 AHRA Winternationals, driving his bright yellow hemi "Taxi Cab" Dodge 330, he scored a "stunning" victory over "Dyno Don" Nicholson's 409 cu in (6,700 cc) factory Chevrolet at Fontana Drag City, to take the Stock Eliminator title, Chrysler's only Nationals win for 1962.
In 1963, Golden worked with Jim Nelson of Dragmasters to improve the car, and won seven Super Stock races out of eight events, taking the Midwest Championship.
At the end of the 1964 season, Chrysler proposed Golden drive the Little Red Wagon A/FX pickup. which became drag racing's first wheelstanding truck.
Little Red Wagon's first outing, at the AHRA Grand American event at Lions Drag Strip, was an 11 second pass at 120 mph (190 km/h). The crowd's very enthusiastic reaction prompted Golden to turn the A/FX truck into a wheelstanding exhibition racer, which he developed a steering mechanism for himself, relying on experience from his day job at Douglas Aircraft Corporation. The wheelstander was wrecked in 1969, 1971, and 1975; the third crash was nearly fatal to Golden.
Golden retired in 2003. He died on September 14, 2015.[3]
#Little Red Wagon#Hurst Hemi Under Glass#car#cars#muscle car#american muscle#mopar#moparperformance#moparnation#moparworld#dodge
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July 2024 Check In
Hello, all!
Happy update day! Thank you for your support and patience while we work. This has been one of the busiest times for our team, and we’re making good progress. But it's challenging to share without sounding like a broken record. Lots of coding. Lots of numbers. Lots of items. So little time...!
But first, I must share solemn news. Our backdrop artist, Kzart, has passed away. He died of cardiac arrest just the day after our last update, where we previewed his wonderful work on the Cogwheel Outskirts.
This is a deep and mournful tragedy. Our heart goes out to his family, friends, and loved ones. Kzart was a welcome, cheerful, and bright part of the team, and the loss is devastating. May his memory be a blessing.
We are dedicating our work this month to his memory. We hope to ask your patience while we make decisions for future team members in the wake of his passing.
To start off, here are some asset updates.
New Icons
We’ve been picking away at icons. Populating the site itself with estimates for cooking, crafting, dailies, site store, and guild play has been a behemoth of a task which has taken weeks of calculating out delicate numbers, drop rates, and seeding tactics. We have an insane amount of spreadsheets. I’m very proud of how much we’ve figured out.
Wild Boar, Bison Calf, Kid, Lamb, Blackbird, Red Squirrel and Brown Hare illustrated by Tybaxel and Remmie
The young animals will be available as plain food in Alpha and part of Beta, but are designed in preparation for our Farming and Husbandry mechanic, explained more in this update!
I’m dying to see the dye icons!
Illustration by Tybaxel
And lastly, we’ve started work on the stone assets!
Harvest Stone, Metropolis Stone, and Luna Stone by Hydde
Above you see the Harvest Stone, Metropolis Stone, and Luna Stone. Paw-carved by catfolk out of various precious stones and the elusive Prismaline—Mewmoia’s magical mineral and the origin of modern magical technology—these stones act as a magical catalyst for sorcerers performing transmutation.
We also want to note: we see the discrepancy in the Harvest logo and its child assets. While we were working on the visual development, we found that the leaf was not only more recognizable as a symbol, but more reliably adaptable in different simplistic forms. We will be experimenting with replacing the vegetable in the Harvest logo with a leaf.
Recolorings
Recolors continue! This month, we have the Guard set.
Colors done by Emma
New Decor
We have begun our work on decor!
Our goal is to have a substantial amount of decor befitting every type of backdrop we are starting with. Our first set we are tackling is the Summer Natural set. We have sets known as Sea Faring, City Clearing, Academic, and Winter Natural planned as a starting roster.
Florals by Giulia, lemonade by Jerso, butterlfies by Asp
And here it is put together!
NPC Sketches
Early last month, we shared a preview of the initial sketch for Wheatley and Crowley, the sitewide general store!
Initial feedback included a poor merge of cat-like anatomy and anthropomorphized character acting. We took this feedback, spent another day on visual development for NPCs, and updated our character design visual philosophy!
So, presenting…
And here is how they look on the website!
This sketch is still subject to change as we hash it out, line, and render it, but we’re excited to share what we’ve developed so far!
Wheatley and Crowley were the first NPCs ever developed during pre-production.
(Just as the Bovine was the first Mystic breed ever developed, and Sugar was the first color palette ever designed!)
So there is something a tad emotional about making it this far. Seeing them animated and on an actual game UI has been very rejuvenating. We’re nearing the end of this development hole!
So you want to form a team and join the Guild, huh? Meet Maven, your guildmaster. She’s rough, prickly, and can scare the faint of heart. Yet the Guild is dedicated to helping poor cats in need, in the wake of wastebeasts and outlaws terrorizing outskirt villages. You wonder who she is under that thorny exterior…
Maven is a primary character in the ongoing site plot. We have the technology for NPCs to emote during dialogue. Many story-focused NPCs will get this treatment. This means that Maven's expressions will change as you talk to her!
All NPC sketches by Hydde
Everyone knows Winnipeg, the longhair chef from Luna. Introducing his twin sister, Winnifred! Winnifred sells husbandry and farming supplies, including young animals and seeds.
(Note: all 3D assets used for render references are ours, minus the watering can! Credit to Toonz Media Group from Sketchfab.)
So let’s talk about the farm mechanic!
In Development - Farming and Husbandry
See the initial UIs for our major in-development mechanic.
Plant seeds on plots of land in your camp. Certain plants will raise or lower your soil quality, which in turn will affect how many items these plants yield. It’s up to you as the player to grow a variety of different plants to diversify your soil and get the most yield.
Husbandry will feature the same concept, utilizing livestock as opposed to plants. Grow different animals over time and maintain grass density to get the best quantity of items!
Lastly, some folks were curious about incense, how it works, and its attainment method.
Incense will be craftable, and its ingredients will be farmed! Incense ingredient seeds will be scattered around the game, including as reward drops for gameplay. It will take intentional cultivation to attain an incense item.
Because we had a few users who were curious to the specific ingredients of every incense scent, here is each Borough:
Luna = Lavender and Jasmine Sol = Cinnamon and Fennel Abyssal = Lotus and Sakura Zenith = Rosemary and Sage Harvest = Basil and Oregano Cogwheel = Saffron and Turmeric Metropolis = Patchouli and Vetiver
For testing until farming is implemented, items which would be farmed will be available to buy through Winnifred.
Cooking and Crafting
Lastly, a peak at the UI for the cook and craft mechanic!
We surveyed the playability of the original grid system and weighed the pros and cons of managing a grid and memorizing recipes in a multiplayer resource game, and ultimately decided that our platform and format doesn’t quite suit the crafting grid playstyle.
Instead, recipes and blueprints are found, added to your collection, and able to be insta-made.
We found the act of users individually adding items from storage to be tedious, and ultimately our original format would end up with users researching recipes on wiki articles instead of engaging in explorative play. While other games have crafting loops which incentivize exploration, the petsite setup as we have built it simply does not accommodate it without serious overhaul.
But we hoped to preserve some of that magic by including the “add ingredient” feature. Users will be able to discover new combinations by experimenting with add-ons. For example, a pizza recipe could become mushroom pizza by adding mushrooms!
Users may still end up just looking things up, but the mechanic itself is now not ultimately dependent on off-site research.
Peak at this mockup recipe!
We are currently experimenting with how to include the NPCs in this UI format. Fear not that you do not see Winnipeg here. He will be in the game!
This mechanic in general is what we are currently working on! Thanks for sticking by!
And that’s all we have for today. We know that a lot of users are holding out for Mystic breed updates in the demo, and we are working on those. But game playability is taking the highest place for us, as we want to get testing ASAP! So, we appreciate this patience. Moontails, and likely Thumpers, will be here for Beta, but our #1 focus this last month has been the sprint to the finish line for playability in both development and assets. The semi-quiet activity is because we're putting all our energy into this huge milestone.
Which to mention!
Alpha acceptances have been sent out! If you have not yet, check your email!
We asked those who receive it to reply that they have. There is not a strict deadline on this reply, we simply want to ensure that those who received the email have seen it and are ready to volunteer. We will still be sending keys to everyone who received an email, minus those who are dropping out. If someone is MIA by the time people are registering accounts, we will consider reaching out to other potential testers.
Home stretch, everyone! It’s starting to come together just how much we’ve completed, and the application is beginning to feel real in a way it hasn’t previously. We’re all super antsy to buff it out and get people playing!
Thank you all!
To summarize: We shared icons, Guard set recoloring, decor assets, 3 new NPC sketches, the farm and husbandry mechanic, and the cook/craft functionality.
What to expect next month: Further asset and development updates. Check-ins for how Alpha will be going, timeline expectations in the wake, NPCs and lore.
#paw borough#virtual pet#pet site#art update#indie game#kickstarter update#petsite#pet sim#development update
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I just made a post about the end of pride month. It's July now, so happy disability pride month to my fellow disabled people!
Friendly reminders to able bodied people
Don't tell disabled people how to refer to themselves
Listen to them when and how they refer to their disabilities
You don't need to know why someone is disabled
This includes if they have a service dog, you may ask what tasks the dog performs if you are a business owner. Not what disabilities they have.
Also, in the US there are no "service dog cards/papers"
It's illegal to refuse service to someone because of a disability
If you know someone who is disabled questions are fine as long as you are respectful. Some of us love to educate. (However some aren't things we like to talk about, be respond that)
Slurs are never acceptable if they don't apply to you (you wouldn't use a racial slur don't use one about disabilities either)
Don't make jokes based around disabled people stereotypes. It's not funny.
Not all disabilities are visible!
I know you mean well but you do not know what it feels like, please do not tell disabled people you do.
When we say we are tired and you are also tired, we do not mean the same thing.
Abilism isn't funny, it causes so much harm and discrimination please don't be abilist.
Reminders for my fellow disabled people
You are valid no matter what.
You are allowed to have good days and still be disabled.
You are allowed to have bad days and need extra help or more time to rest.
With that you are allowed to take days to rest.
You know your limits, please follow them and don't harm yourself.
You are not an inconvenience!
Please remember to take your meds, they are important
Don't stop taking your meds without consulting with a doctor (unless they are doing horrible things, even then please contact your provider)
Also doctors who don't listen suck, we've all been there and we feel you.
You are not faking for attention no matter how much your brain tells you that
Sometimes you can't always look on the bright side. It's okay to recognize the negative as long as you don't let that take over.
Asking for help is good and doesn't bother people. And if it does those aren't people you should have in your life.
If a mobility aid will help you then use whatever will help you
Your problems are "bad enough" and valid. Don't compare yourself to other people and if you need help then get it.
You do not need to be absolutely horrible to get help.
If your diagnosis came as relief that is perfectly fine, knowing there's a cause for your problem and now having ways to manage it is wonderful.
If your diagnosis did not come as a relief that is perfectly fine as well. It's terrifying and soul crushing sometimes getting diagnosed and realizing you're going to deal with this forever. You're not alone.
You know your body better than anyone else. Listen to yourself and what your body needs.
You got this, you aren't alone. Mental and physical disabilities suck but be proud of them.
You live with them everyday and you're still here, you're still fighting. You're so strong.
#disabilties#disabled#chronically disabled#disability#disability pride month#chronic illness#pots#postural orthostatic tachycardia syndrome#invisible disability#reassurance#mobility aid#cptsd#bipolar#borderline personality disorder#mental heath issues#disability awareness
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( 🖇️ ) PROFILE ⌅ .
─── ୨ৎ › 𝐁𝐀𝐒𝐈𝐂 𝐈𝐍𝐅𝐎 .
BIRTH NAME. kitamura kyoka ( 北村響香 )
STAGE NAME. kiki ( 기키 )
BIRTHDATE. july 20, 1995
ETHNICITY. japanese
BIRTHPLACE. kyoto, japan ( hometown )
HEIGHT. 170 cm ( 5′ 7″ )
─── ୨ৎ › 𝐋𝐀𝐍𝐆𝐔𝐀𝐆𝐄 .
FLUENT. japanese ⋆ korean
IMPROVING. chinese ⋆ english ⋆ sign languages
─── ୨ৎ › 𝐂𝐀𝐑𝐄𝐄𝐑 .
GROUP. seventeen ( 세븐틴 )
COMPANY. pledis entertainment
TRAINEE. since march, 2011 ( 4 years )
DEBUT. may 29, 2015
POSITION. main dancer ⋆ lead vocalist ⋆ rapper
SUB UNIT. performance team ( co-leader ) ⋆ svt leaders
NOTABLE SKILLS. acting ⋆ video directioning ⋆ editing ⋆ stage directioning
EMOJI. sunflower ( 🌻 ) lion ( 🦁 )
NICKNAMES. sunflower fairy ⋆ nation’s noona / eonni ⋆ kit kat ⋆ stage queen ⋆ seventeen’s ( movie ) star
─── ୨ৎ › 𝐏𝐄𝐑𝐒𝐎𝐍𝐀𝐋𝐈𝐓𝐘 .
MBTI. infj ( 2019 ) esfj ( 2022 )
CHARACTER. calm ⋆ bright ⋆ smart ⋆ kind ⋆ affectionate ⋆ sweet but willing to burn the world to protect the members and loved ones
LIKE. cooking ⋆ reading ⋆ old movies ⋆ traveling ⋆ organized place ⋆ calming environment ⋆ morning ⋆ sunshine
DISLIKE. weird smells ⋆ crowd of people ⋆ big noises ⋆ get angry at someone ⋆ physical pain ⋆ suffering of loved ones
─── ୨ৎ › 𝐓𝐑𝐈𝐕𝐈𝐀 .
she lost her parents when she was still a baby, and be raised by her grand parents: the parents of kiki’s father. her mother’s family lives in hokkaido and she visiting there time to time.
her grand parents running the small restaurant in town, and that’s why she is good at cooking.
she belonged to the japanese biggest theater company as a child actor, played young nara in the lion king musical ( that's why she got lion as her icon ) and that made her possible to experience the actual stage performance from such a young age.
she is in charge of stage directioning in both performaces and concerts beside the job as a performance team leader with hoshi
directed some of svt’s music video, such as “thanks”, “fear”, “fallin’ flower”, etc.
lyrics of seventeen’s jp songs were written by her. she also writing korean songs' jp ver lyrics as well.
known as a talented choreographer across the kpop. she made choreo for other groups such as loona, the boyz, iz*one and xg.
she got casted when she was 14 in tokyo while the school trip. after passed the audition, she decided to go to seoul after graduating the junior high school.
she can play basic instruments such as guitar and piano. always wanted to be able to play drums though ⸺ and with woozi’s help, she’s now improving slowly.
her appearance is known as cool and charismatic that sometimes being misunderstood as a cold, scary figure ( can be said as “resting cold face” or smth like that ). in fact kiki has bright personality and smiles a lot enough to be recognized that expression as her trademark.
also known as the most ‘handsome’ female idol. her feature is something that makes people imagine that she would’ve been very handsome if she’d been a man. she’s very sweet and gentle to other female idols: helps in the stairs, lends jackets and cushions if they looks like uncomfortable, etc.
she has quite talented acting skills, and recieved several awards. she’s now working in japan, korea and hollywood in future, maybe...
she appeared in tv programs: hit the stage ( 2016, mnet ) and produce 48 ( 2018, mnet ) as a dance trainer
she has an high physical ability, especially talented at basket ball, archery and running event. even she got banned from the female sprint of isac bc always won the 1st and other idols had no chance to touch the trophy ( lol ). instead she joined the male relay race along with the members as an exception ( then grab the 1st place, AGAIN ). she’s also good at winter sports too. ⛷️
( 📁 ) : NAVI : MASTER LIST
#༝ ( 🖇 ) ⸺ kiki › . data#seventeen 14th member#seventeen addition#seventeen female addition#seventeen oc#seventeen x oc#seventeen x fem oc#kpop addition#kpop added member#kpop female addition#kpop oc#kpop female oc#kpop imagines#idol!reader#idol!au#idol!oc
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Digital release slated for July 9th with the Blu-ray and Raw Cut version on August 27th.
The 4K UHD edition features a full-length alternative cut of the film that, through split-screen presentation, shows the final film side by side with a version showing unfinished visual effects to highlight the actors' performances under the CGI.
Titled "Inside the Lens: The Raw Cut," the alternative cut has an optional audio commentary by director Wes Ball, editor Dan Zimmerman and VFX supervisor Erik Winquist.
Additional bonus features include 14 deleted and extended scenes.
Yeah okay I see that bright, glaring red "REC" down there.
RELEASE THE FOOTAGE.
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Kazuha meets his match <3 (31st July 2024)
Kadehara Kazuha x Reader
Prompt! Accompanying Aether to Liyue, Kazuha takes an interest in the traveler’s peer.
Aether and Kazuha had just arrived in Liyue, marveling at the bustling cityscape and its rich cultural vibrancy. The sun dipped low, casting golden hues over the rooftops and streets, as they wandered in search of a place to eat.
Aether suggested they visit a quaint diner he’d heard about, known for its traditional Liyue cuisine and warm atmosphere. As they entered, the scent of sizzling dishes and fragrant spices greeted them.
Seated at a cozy corner table, they were served a variety of delectable dishes. Amidst their meal, Aether’s eyes fell on a familiar figure just a few tables away. Y/N, a local dancer renowned for her traditional performances, was enjoying a meal with her friends—Hutao, Yanfei, Yunjin, Xiangling, and Xingqiu.
With a smile, Aether nudged Kazuha. “That’s Y/N. She’s a local dancer and knows all about Liyue’s traditions. She might be able to give us some insights into what i’m trying to figure out.”
Kazuha, intrigued, watched as Aether approached Y/N’s table with a friendly wave. “Y/N! Over here!”
Y/N looked up, her eyes sparkling with recognition as she saw Aether. “Aether! It’s so good to see you! And you must be...?”
Kazuha stepped forward with a charming grin. “Kazuha, at your service. It’s a pleasure to meet you, lady Y/N.”
“It’s very nice to meet you Kazuha. Say, aren’t you that wanted criminal at Inazuma? I’m sure Aether has told me about that before.” Y/n tilts her head with curiosity.
“I must admit, I’ve been told I have a knack for getting into trouble,” he said with a playful glint in his eye. “So, tell me, Y/N, do you think you’re into bad guys?”
Y/N laughed, a warm and melodic sound that seemed to harmonize with the ambient music. “Well, that’s certainly an intriguing introduction. But I do suppose it depends on how you define trouble.”
“Maybe I could show you sometime.” Kazuha said in his soft spoken voice.
Aether thought to himself: ‘He is definitely downbad.’
“Hey Y/n! Do you think we can join your dinner table tonight? I have not been in Liyue for quite some time.” Aether interrupted, clearly trying to get out of the sudden third wheeling position he was in.
“I suppose that I don’t see why not.” Y/n smiles.
As Kazuha and Aether joined Y/N and her friends, the table was filled with lively conversation and laughter. Hutao, ever the playful spirit, greeted Kazuha with a mischievous smile.
“Ah, another traveler! What brings you to our humble gathering?” she asked, her eyes twinkling.
Aether chimed in, “Kazuha here is just tagging along with me. We’re exploring Liyue and thought we’d drop by. Y/N has been gracious enough to let us join in.”
Yanfei, ever the legal expert and mediator, added, “It’s always nice to meet new people. And if Aether says you’re interesting, I’m sure you are.”
Kazuha’s eyes sparkled with interest. “I hope I can live up to the expectations. It seems like I’m in excellent company.”
Yunjin, with her grace and poise, nodded. “Now where were we? Oh! Y/N, tell us about your dance performances. I’ve heard they’re quite spectacular.”
Y/N’s face lit up as she spoke. “Oh, I’m very fortunate to perform traditional dances that celebrate Liyue’s heritage. It’s a blend of storytelling and art that connects us with our history.”
Xiangling, her eyes bright with curiosity, leaned forward. “I’ve heard you’re also gotten even more skilled with your polearm and Pyro vision. That’s a fascinating combination! How does that blend with your performances?” she quickly rambles with her enthusiasm.
Y/N nodded, clearly proud. “Yes, I sometimes do try to apply my abilities to add a dramatic flair to my dances. The fire especially help me to convey the message of the stories I perform.”
Kazuha, intrigued by this revelation, leaned in slightly. “Pyro wielding and a polearm applied into an artistic dance, you say? That sounds like a truly impressive combination. I must admit, I’m quite fascinated by it.”
Hutao raised an eyebrow, teasingly. “Careful, Kazuha. You might end up wanting to join one of Y/N’s performances yourself.”
Kazuha chuckled, his attention fixed on Y/N. “If it means I get to see such a talented performer in action, I just might take you up on that offer.”
As the evening progressed and the wine flowed, Kazuha's flirtatious nature became more evident. With a slightly tipsy grin, he turned to Y/N. “I must say, your talents and beauty are truly mesmerizing. I can’t help but be enchanted.”
Y/N laughed softly, clearly enjoying the company. “And what about you, Kazuha? What makes you such an intriguing person?”
Kazuha’s gaze softened as he took a sip of his drink. “Well, besides my charming self, I suppose it’s the sense of adventure and the appreciation for poetry that drives me. And tonight, I find myself captivated by someone who has stolen my attention so seamlessly.”
With a tipsy grin, Kazuha leaned in closer to Y/N, his words slightly slurred. “You know, Y/N, I have to say, your presence here makes this meal all the more delightful. I can’t help but feel that fate has a funny way of bringing people together.”
Y/N’s cheeks flushed slightly as she smiled, clearly enjoying Kazuha’s attention. “And what do you think fate has in store for us tonight?”
Kazuha’s gaze softened as he looked at her, his flirtation taking on a more genuine tone. “Perhaps it’s simply a chance to enjoy each other’s company. But if you’re open to it, I’d love to hear more about your life in Liyue. I’m sure there’s much I can learn from someone as captivating as you.”
“If you insist Kazuha.” Y/n can’t help but smile.
The evening continued with laughter, stories, and more wine. Kazuha’s charm and Y/N’s warmth created a delightful atmosphere, making the night unforgettable for everyone involved. As they parted ways, Kazuha made sure to express his appreciation.
“This has been a delightful evening. I’m grateful to have met such fascinating individuals. And Y/N, your company has made the most of my night.”
Y/N’s cheeks flushed slightly as she smiled. “I’m glad you enjoyed it, Kazuha. It was a pleasure getting to know you. If you’re ever free, you know where to find me.”
With a final wave, Kazuha bid farewell, leaving Y/N with a memorable impression and a sense of anticipation for what future encounters might bring.
The next week, Aether, having wrapped up his business in Liyue, went out in attempt to find Kazuha so they could sail back to Inazuma. The sun was setting, casting a warm glow over the city. He decided to check in with Beidou at her dock, hoping she might have seen his friend.
“Beidou, have you seen Kazuha around?” Aether asked as he approached the ship captain, who was overseeing the final preparations for departure.
Beidou looked up with a knowing smile. “Ah, Kazuha? He’s been out and about with that dancer girl—Y/N, right? They seemed pretty interested in each other’s company. I got to give it to him, I never took Kazuha as a guy interested romance.”
Aether’s curiosity was piqued. “A dancer girl? Where might I find them?”
Beidou pointed towards a nearby park. “They were headed towards the fountain area. You should find them there.”
Aether thanked her and made his way to the park. As he approached the fountain, he noticed Kazuha and Y/N sitting on the edge, laughing together. The fountain’s soft splashes and the twilight cast a romantic glow over the scene.
Kazuha was holding a small, wrapped bundle and, with a playful grin, presented it to Y/N. “I made this for you. I hope you like it.”
Y/N’s eyes sparkled as she unwrapped the gift, revealing a delicate handmade bracelet. “It’s beautiful, Kazuha. Thank you so much.”
As they continued to exchange laughter and warm words, Aether decided to make his presence known. He cleared his throat, walking up with a friendly smile. “Kazuha, we’re about to set sail. Time to come back to Inazuma.”
Kazuha looked up, slightly startled but still smiling. “Ah, Aether. I guess our time here has come to an end. But I’m glad we had this moment.”
Y/N gave them both a warm smile. “It was lovely meeting you, Aether. I hope you both have a safe journey and do let me know when you both will visit again.”
Kazuha rose. “I’ll make an effort to make that soon, my lady.” Giving Y/N one last, lingering glance before following Aether. As they walked away, Aether couldn’t help but ask, “So, how was your little date?”
Kazuha chuckled, his gaze still drifting back towards Y/N. “It was quite delightful. I believe we made some.. rather interesting memories.”
The two headed back towards the docks.
“I’d definitely come back just to see her dances again and perhaps maybe more.” Kazuha smiled mischievously.
#kazuha#kaedehara kazuha#genshin impact#genshin x reader#kazuha x reader#kazuha x you#kazuha x y/n#kazuha fluff
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7
“Cara? Cara, are you okay?” I hear Nadine’s voice call out from down the hallway. My fingers pause, hovering over my keyboard. There’s a muffled crash and I hear Nadine cry out again “Cara! What…are you choking?”
I jump to my feet and hurry around my desk and down the hall to the office foyer. I find Nadine behind Cara’s secretary desk, helping Cara to her feet. Cara looks dishevelled; her face is red and her hands are wrapped around her throat, her striped blouse slightly untucked from her skirt, tendrils of hair falling in her face. Nadine looks terrified and when she sees me she yells “Julie, Cara’s choking!” Nadine wraps her arms around Cara’s curvy belly and begins the Heimlich Maneuver. Cara winces and shakes her head, hands still at her throat. Nadine attempts another abdominal thrust to no avail, and Cara frantically bangs her fist against her chest, willing whatever is blocking her airway to come out. I notice a half eaten granola bar on Cara’s desk.
A weak cough escapes from Cara and Nadine releases her. She holds up an hand, gesturing Nadine to give space and tries to swallow, her face is turning from red to purple. A wheeze escapes her lips and she attempts to cough. I cross the room and place my hand on Cara’s back. “Cough Cara, just try to cough”. A gasping sound and a week cough, yet Cara still struggles to inhale. “Can you breathe?” I ask. Cara shakes her head. I turn briefly to Nadine and say “call 911, now!” Nadine nods and hurries to another desk and reaches for the phone.
I return my attention to Cara. “Lean forward” I tell her as I position myself to deliver back slaps. Supporting her busty chest with my left hand, I rest my right hand between her shoulder blades, finding the correct spot. I raise my hand and slam it between Cara’s shoulder blades, the force rocking her forward. I strike her back again and again, her body lurching with each blow. I check and see Cara is still choking as she clutches her throat, fear in her brown eyes. I pull her upright and move behind her, straining my arms around her chubby waist and searching for her belly button. Cara grabs my hands and maneuvers them into place, her shaky hands mimicking the abdominal thrust she so desperately needed. I pull my hands into her soft belly again and again, willing the blockage to dislodge. Nadine reappears in front of us. She grabs Cara’s shoulders and says “we’ve got you Cara, EMS are on their way, cough it up Cara!”. Nadine makes eye contact with me and I see worry etched in her face. I continue the Heimlich Maneuver, thrusting in and up into Cara, straining to keep my arms around her waist. My hands slip and we stumble, Nadine steadying us. Desperate, I move my fists up to Cara’s chest and pull back with sharp thrusts. I reposition my fists under her large breasts and squeeze repeatedly. Suddenly she gags. I perform another thrust and hear her grunt from the force. Nadine leans in and searches Cara’s face, “Breathe Cara! Breathe!”
I lower my arms but keep my arms around Cara’s waist and my hands in position for the Heimlich. Another wheeze and Cara falls silent again, so I thrust my fists into her abdomen again and again, willing the blockage to move. Another gag and a ragged gasp and I feel her body relaxing in my arms, her belly expanding with laboured breathe she takes.
“Can you breathe” I ask, leaning to the side and eyeing Cara’s profile. Her hands cover her mouth as she coughs hoarsely. Cara takes a step forward and braces herself against her desk, still struggling to inhale but moving air. Nadine comes to her side and slaps her back several times. Suddenly Cara lets out a loud cough and gags, leaning forward and spitting out the blockage. She coughs as Nadine continues thunking her back. Cara’s face is bright red and she stumbles, still struggling to breathe normally.
I grab her office chair and Nadine helps lower Cara into a seated position. Cara is wheezing and gasping, her large chest heaving, a hand still at her chest. Her face is flushed, her striped blouse bunched up and her skirt awry. She is still wheezing and struggling to move air. “Breathe Cara, in and out, deep breathes” Nadine urges. I kneel down in front of Cara and place my hand on her shoulder. “Can you speak?” I ask. Cara nods but struggles to reply. “Yes, but there’s…still…something in my throat…” she manages between laboured wheezes.
“Open your mouth” I say, and Cara shakes her head, struggling to cough. Nadine again hits Cara’s back and I crouch in front of Cara and bury my fists above her belly button. I use my body weight and thrust forcefully into her, trying to assist her cough. Cara winces with each coordinated back slap and thrust, until suddenly she grunts and folds over, spitting out the remainder of the blockage. She wheezes and inhales sharply, leaning back in her chair and clutching the armrest as she breathes air freely into her lungs. “I’m okay, I can breathe” Cara manages to get out between gasps.
“Just focus on breathing” Nadine says as she gently rubs Cara’s back. I press my fingers against the side of Cara’s neck and check her pulse- it is very rapid, and her brow shines with sweat. I watch her chest rise and fall quickly, her breathing laboured. Cara’s hands shake as they clutch her chest. I hear a commotion at the door and turn to see EMS entering and relief floods my body.
I let them in and give a run down of Cara’s choking incident to one paramedic as their partner assess Cara. Nadine remains at Cara’s side, helping with answers as Cara’s voice is weak. I feel the adrenaline of the moment pass and I start to relax knowing Cara is going to be okay.
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