#Judah & The Lion news

[mybeautifulchristianjourney]

The Scroll with Seven Seals

1 And I saw on the right hand of the One sitting upon the throne a scroll, having been written inside and on the back, having been sealed with seven seals. 2 And I saw a strong angel proclaiming in a loud voice, “Who is worthy to open the scroll, and to break its seals?”

3 And no one in heaven, nor upon the earth, nor under the earth, was able to open the scroll, nor to see it. 4And I was weeping loudly, because no one was found worthy to open the scroll, nor to see it.

The Lamb is Worthy

5 And one of the elders says to me, “Do not weep. Behold, the Lion of the tribe of Judah, the root of David, has overcome to open the scroll and its seven seals.”

6 And I saw in the midst of the throne and of the four living creatures, and in the midst of the elders, a Lamb standing as having been slain, having seven horns and seven eyes, which are the seven Spirits of God having been sent out into all the earth. 7 And He came and took it out of the right hand of the One sitting on the throne.

8 And when He had taken the scroll, the four living creatures and the twenty-four elders fell down before the Lamb, each having a harp, and golden bowls being full of incenses, which are the prayers of the saints. 9 And they are singing a new song, saying,

“Worthy are You to take the scroll and to open its seals, because You were slain, and You purchased to God by Your blood, out of every tribe and tongue and people and nation, 10 and You have made them a kingdom and priests to our God; and they will reigna upon the earth.”

The Lamb Exalted

11 And I looked, and I heard the voice of many angels around the throne, and of the living creatures, and of the elders; and their number was myriads of myriads and thousands of thousands, 12 saying in a loud voice:

“Worthy is the Lamb having been slain, to receive the power and riches and wisdom and strength and honor and glory and blessing!”

13 And I heard every creature which is in heaven, and upon the earth, and under the earth, and on the sea, and everything in them, saying:

“To the One sitting on the throne, and to the Lamb, blessing and honor and glory and might to the ages of the ages.”

14 And the four living creatures kept saying, “Amen.” And the elders fell down and worshiped. — Revelation 5 | Berean Literal Bible (BLB) The Berean Literal Bible © 2016 by Bible Hub and Berean Bible. All rights Reserved. Cross References: Genesis 49:9; Numbers 7:57; Numbers 7:62; 1 Chronicles 29:11; Psalm 33:3; Psalm 40:3; Psalm 141:2; Isaiah 11:1; Isaiah 29:11; Isaiah 53:7; Ezekiel 2:9; Daniel 7:10; John 1:29; Romans 11:36; 1 Corinthians 14:16; Philippians 2:10; Hebrews 12:22; Revelation 1:1; Revelation 1:6; Revelation 3:21; Revelation 4:4; Revelation 4:11; Revelation 10:1; Revelation 18:21

[justinspoliticalcorner]

Rick Pidcock at Baptist News Global:

Growing up as an independent fundamentalist Baptist, the highlight of each year for our church was the weeklong revival meeting, where we began each night with songs that prepared our hearts for a sermon by a fiery evangelist who then gave an altar call to get us to commit our lives to the cause. So, imagine if that same formula were applied to the 2024 election by a group of conspiracy theorists who openly admitted their plan was to be a “Trojan Horse” at polling stations in order to “make history this November.”

What might the worship look like? What would the sermon be about? What would the altar call be for? And how concerned should the rest of us be? Unfortunately, we don’t have to imagine because that’s exactly what is happening at The Courage Tour, which is branded as a “revival in seven key states … marking the dawn of our nation’s Third Great Awakening.” The Courage Tour has been organized by Lance Wallnau, an independent charismatic apostle who is popular in the New Apostolic Reformation and a promoter of the Seven Mountain Mandate call for Christians to dominate every part of society. According to Matthew Taylor, author of The Violent Take It By Force: The Christian Movement That Is Threatening Our Democracy, Wallnau is “Donald Trump’s most effective spiritual propagandist.” In addition to Wallnau, the Courage Tour also features speakers such as Lou Engle, Allen West, Marjorie Taylor Greene and many others. Meetings this year have targeted Michigan, Arizona, Georgia and Wisconsin, with additional swing states slated in the coming months.

[...]

The sermon

With hearts prepared to celebrate kingship, resistance to demons, a God who fights, victory and enemies drowning, the worshipers listened to the likes of Wallnau, who took the stage with the power and authority of a traveling evangelist.

The promo video includes clips of speakers saying:

America is under a spirit of delusion.

America has abandoned God.

Women are being used as pawns, which is exactly what the Left does.

We’ve given the keys to our church to the government and said: “Government, you run this church. You make the decisions for me.”

When we vacate the public square and leave that to chance, something fills the void.

When liberty hangs in the balance, and your children, your grandchildren, your nieces and nephews come to you and they say, “Where were you when tyranny knocked on our door,” what are you going to tell them?

What’s it actually going to take? Seriously, what kind of trigger point will cause the church just to come out of this zombie stupor and say: “OK that’s it. I’ve had it”?

The church shouldn’t be in a bunker waiting on the rapture, but it ought to be invading the mountains of influence for the glory of God.

We have to save our nation. We have to save our children.

We don’t have the luxury of disunity.

Fighting for liberty and freedom is difficult. It is hard. Choose your hard.

When the mothers suddenly see and perceive the organized threat against their little boys and their little girls, then they will rise up.

You’ve got a nation to save. You’ve got grandchildren to save.

Remember, those are the comments they were willing to highlight in their promo video. One wonders what may have been said they weren’t willing to highlight.

Common themes include spreading conspiracy theories about the COVID-19 pandemic, the 2020 election and the January 6 insurrection. At one of the events, Wallnau said: “January 6 was not an insurrection. It was an election fraud intervention.”

[...]

The ‘Lion of Judah’ election workers

But perhaps the most concerning call to action at the Courage Tour is their recruitment of election workers through Lion of Judah, an organization that assists Christians to register as election workers with a cause. “Just imagine. It’s election night. Chaos is happening. The polls are closing. They go and the volunteers are getting kicked out,” Lion of Judah’s founder Joshua Caleb Standifer told the Courage Tour crowd. “But what if we had Christians across America and swing states like Wisconsin that were actually the ones counting the votes and making sure it was happening?” Lion of Judah is composed of election deniers who say, “What happened in 2020 can never happen again!” This is precisely why they were so popular at the Courage Tour. Taylor noted, “I was present throughout the Courage Tour event on Monday, and it was rife with 2020 election denialism from the stage, in conversations among attendees and in the literature at the booths.”

Rick Pidcock writes for Baptist News that far-right election denial and conspiracy theories linked to Christian nationalism are a big concern, such as The Lion Of Judah outfit whose goal is recruitment of election workers in support of subverting fair elections.

[beltandbow]

Floating in the Night/Starting Over/Great Decisions/Only Want the Best/It Is What It Is

This album is making it hard to breathe

[spiritualsidequest]

"And the anger felt good for a season

Picking fights with my friends for no reason

And all of this over-drinking doesn't mean that

She’s coming back home"

[dakotayounger]

scream! (shhh) By Judah & the Lion From the album scream! (shhh) Added to music worth sharing playlist by Dakota Younger

[idealog]

"And the dead seas dried up."

Dead leaves and the Dirty Ground.

The earth smells like trash from the sea.

The strut of a shiny new 'B' student.

[secular-jew]

“One of the most complicated hostage rescue missions in history.”

The rescue operation was named "Summer Seeds" (renamed "Operation Arnon", in honor of the fallen commander of the rescue mission: Arnon Zmora) and one of the most complex ever undertaken in history, even more so than the raid on Entebbe. Movies will be made about this successful humanitarian mission. Courses on military strategy will center around the brilliance of the mission's execution and outcome.

For starters, the hostages were held in a heavily civilian populated area, in 3 & 4 story buildings.

The IDF focused its rescue on the 2 apartments where the hostages were held: Noa, on the 1st floor of building 1; Andrey, Shlomi, & Almogon on the 3rd floor of building 2. The two buildings were roughly 300 meters apart.

Hamas and their Gazan civilian accomplices constantly moved the hostages from apartment to apartment, and the IDF had to be careful that if they went in one apartment at a time, the terrorists would simply move the hostages from one place to the next.

The challenge was to storm the apartments in such a way that the terrorists would NOT shoot the hostages first.

Israel's counter-terrorism unit, called "Yamam", practiced for weeks, in and around similar structures, and even built models from scratch. Adding to the complexity was that the apartments were protected by dozens of terrorists armed with RPGs and machine guns, requiring the IFF to run a dangerous gauntlet of fire in the streets and alleys surrounding the buildings.

Many Gazan civilians were killed during the dense fire exchange, and a large % of the dead hit by Hamas themselves.

According to an IDF spokesperson: "The difference between success and failure in such an operation is a hair's breadth, and we relied on exceptional technology from the Intelligence and Shin Bet. Without ground activity and maneuvering in the Gazan area, it would not have been possible to succeed."

The one on the Israeli casualty was Commander Zamora, who was a true hero. "Shin Bet and Intelligence Directorate fighters entered the lion's den in the refugee camp and dismantled houses in areas where we hadn't maneuvered," they said. "This is bravery on the level of Judah Maccabee. The operation was planned for weeks with drills, rescue plans, and fires executed, alongside scenarios of cases and responses."

The forces equipped with special weapons developed specifically for the rescue operation, targeted two houses, extracted the hostages, and withdrew while fighting dozens of terrorists. One of the IDF vehicles holding the 3 hostages came under extreme fire and was stuck. Immediately, Division 98 forces rescued the vehicle rescue in deep battle, supported by helicopter gunships, deep in the strip during broad daylight.

Three brigades participated in the battle (during which mortally injured Zamora was evacuated to the hospital): Brigade 7, Paratroopers, and Kfir with Flotilla 13, along with various special forces.

"The fire plan that was executed was focused but extremely powerful," the IDF added. "The cooperation with Shin Bet and Yamam rose to several levels into a single operational system, under the direction of the Shin Bet chief and the Chief of Staff. Four keys to the operation: deception, surprise, determination, and power."

The element of surprises was paramount in the success of operating Summer Seeds. Leading up to the launch on June 8th, intense secrecy was maintained. No battle plans were leaked to the New York Times. Thousands of soldiers involved in the operation were unaware of the ultimate goal. Only a handful of were exposed on the day of the battle, yesterday, at various levels. These forces were positioned at the correct launch points without revealing any of the key specifics.

https://youtu.be/WrGS2q9f5xA?si=MUq462aVALpkEqgS

[talonabraxas]

8.8 Lion's Gate 'Zurvan Akarana' Talon Abraxas

God as ‘Time’ in the Ancient World

Once Krishna-Vishnu as Lord Nara-Hari / KALAH / TIME was worshiped as the Supreme Lord World-wide. He was the Deliverer of the Jews and Mixed-Multitude in their Biblical Exodus from slavery in Egypt. KRISHNA- VISHNU NARA-HARI Leontocephalos Lion-Headed TIME / KALAH of the Bhagavad-Gita, as the Biblical YAHU-TZABAOTH and Zeus-Jupiter Chronos-Saturus, Egyptian HERU-AUSU-Ammon-RA, Kushite Apademak, Shaivite and Buddhist Kalah-Bairab, Mithraic Zervan, etc. HE, ARYEH / HARYAH is the “Lion of Judah”, NARA-HARI, the Biblical Exodus Deliverer and Protector of the Jews.

Some Scholars of Zurvanism and Comparative Religions are well acquainted with the Form of the Supreme God as Leontopcephalos (Lion Headed) Time, surrounded by His Alter-Form or Expansion as the Ouroboros Serpent of Infinity. What they do not realize is that this Form of the Supreme Lord is both the Jews’ and Christians’ ARI-YAHU or ARI-EL YAHU-TZABAOTH (Lion-Headed Time) ‘Lord of Hosts’ of the Exodus Story, AND Krishna-Vishnu’s Central Bhagavad-gita Theophany as Narasimha KALAH / TIME, surrounded by His Alter-Form, Eternity as An-anta Un-Ending Sesha (Remainer) Naga (Biblical NACHASH).

To the ancient Africans, He was the Lion Headed AMUN (Zeus-Jupiter Chronos-Saturnus) the Supreme Lord of Egypt, Meroe and Sub Saharan Africa.

To the ancient Persians He was the Supreme Lord Zurvan.

To the ancient pre-Buddhist Tibetans He was the Lion-Headed Protector ZA.

To the ancient Eurpeans He was Zeus Chronos and Jupiter Saturnus etc.

To the Shaivites and Mahayana Buddhists He was/is the Wrathful Time-wheel Devouring Form of Kalah Bairava / Bairab Mahadeva (Shiva)

Shaivites identify the Central Theophany of KALAH in the Gita with Siva, because KALAH is one of Siva’s Names and Forms.

The Island Civilizations of Austro-Indonesia and the Pacific also worship the Lord as Lion-Headed Time. His New Year Lion Dance Blessing Festivals can still be seen there.

In the Western Hemisphere the Lion Headed JAG-WERE GOD of the earliest OLMECS ruled the TIME WHEEL of all of the subsequent Amer-Indian Civilizations.

Among the Names and Forms of Hari (Krishna) or Vasudeva (Vishnu) as the Man-Lion Nara Hari (Nara-Simha) are the Names and Forms of Kalah-Shiva!!! In Gita Jayanti and Buddhist New Year’s Festivals throughout the East, the All-devouring Universal Revelation / Theophany of the Supreme Lord as TIME / KALAH (BAIRAVA) is represented in a MAN-LION FORM. Thus Sacred Traditions from around the World, which are thousands of years old, confirm that ancient humanity worshiped the Supreme Lord in His Gita-related Revelation as Lion-Headed Time, with His Alter-Form of the Sarpa / Serpentine Anantadeva as Un-Ending Eternity.

Article by Bhakti Ananda Goswami:

[beardedmrbean]

[Huey Zoomer anon]

The Left: I want to show more black people in history

Me: Okay!

The Left: *Proceed to bastardized history with a Marxist oppressed vs oppressors mindset and refuse to actually use actual African Civilizations properly*

AAAAAAAAAAAAAAAH!

Also like the black Roman thing….hmmm do people mean like North African and MENA provinces where naturally west Africans would show up

Or are they trying to pretend that people of black descent would live in Roma and the Italia peninsula?

Also the black supremacy thing, where black characters can act like Victorian sociopaths because they were oppressed in the past

Don’t get me started on the renewal blood and soil arguments thanks to the Decolonial theory

Also why just more black people in historical eras? Why not show off the ancient Indian merchant (we found Hindu artifacts in ancient Egypt and even the infamous Pompeii dig sites)

Or make the “invisible Jews” more present as they were there

Actually AC origins was the first games I notice the proper cultural exchange between the Levantines and Egyptians

And this weapon from the game https://assassinscreed.fandom.com/wiki/Canaanite_Blade

Wait the Jews were known for their ferocity? *Glance at Hollywood portrayal of Jews and stereotypes of jews* that new, perhaps I can fun NON BIBLICAL and non holocaust focus books about Jewish people more

Hmm, I told this to Nunya in the dms, but what about a video game or two set about the unification of Israel under Saul and David? Not saying from this franchise. But I was thinking like similar to the recent AC rpg games like Valhalla and Odyssey. Mossad can kill me for this but hey

Prologue David as a youth: Baby boy (sorry he was the youngest of 8, the baby fat on his face must been strong af)

David after killing Goliath and his exile: Traumatized baby boy

Fully grow adult David after got his beard: Conquerer daddy

Hmm, have Israelites found any ancient breastplates? Might play with the Judah Tribe Lion Motif with David designs a lot.

Sorry for my rambling…despite being progressive, I think we regress back to 60’s representation with a woke hat

Or are they trying to pretend that people of black descent would live in Roma and the Italia peninsula?

Septimius Severus Roman emperor from 193 to 211. From current year Lybia, there's debate™ about him.

Black people in ancient Roman history - Wikipedia The Romans didn't really have a concept of black or white only roman or not roman, kinda like how the French have been trying to do it for a long time.

Also the black supremacy thing, where black characters can act like Victorian sociopaths because they were oppressed in the past

You can say Killmonger it's ok

Also why just more black people in historical eras? Why not show off the ancient Indian merchant (we found Hindu artifacts in ancient Egypt and even the infamous Pompeii dig sites) Or make the “invisible Jews” more present as they were there

Both would be nice, be interesting to get something going into where the afro iranians came from (same place African Americans came from, same reason too) but there were also traders and others that likely set up shop all over the land mass that makes up the "old world"

Small Jewish community in China been there for a long time, there's some debate about how long but even the most conservative estimates put it at over 800 years.

Actually AC origins was the first games I notice the proper cultural exchange between the Levantines and Egyptians

The Egyptians may have looked down on shepherds, but they still needed that wool at times.

Wait the Jews were known for their ferocity? *Glance at Hollywood portrayal of Jews and stereotypes of jews* that new, perhaps I can fun NON BIBLICAL and non holocaust focus books about Jewish people more

Fiddler on the Roof is good if you're looking for a Musical.

Hmm, I told this to Nunya in the dms, but what about a video game or two set about the unification of Israel under Saul and David? Not saying from this franchise. But I was thinking like similar to the recent AC rpg games like Valhalla and Odyssey. Mossad can kill me for this but hey

could be fun, could also be a minefield

Fully grow adult David after got his beard: Conquerer daddy

We could probably skip calling him that

Hmm, have Israelites found any ancient breastplates? Might play with the Judah Tribe Lion Motif with David designs a lot.

Resources on ancient Jewish armor? Reddit Brain Trust on r/ArmsandArmor has this and skimming it I'm going with probably not, looking around I'm seeing one place calling the garments the High Priest wore including the Breastplate with "the name" written on it listed as armor.

In fairness it was supposed to keep him from getting killed, just not by soldiers.

Found this too, easy enough to pick out the eras even if you can't totally read what it says, first 2 are Saul next is Davidic then Maccabean, and the last two are Herodian.

You'd have to look up what passes for a coat of arms for the different families to go past that. This looks like a fairly well accepted collection of what they crests are though

Sorry for my rambling…despite being progressive, I think we regress back to 60’s representation with a woke hat

going to the lowest common denominator has really done that a lot it would seem ya.

sorry some of this is a little short, gotta run out for the night soon so I wanted to get it out to ya

[hiswordsarekisses]

“And I saw in the right hand of Him who sat on the throne a scroll written inside and on the back, sealed with seven seals. Then I saw a strong angel proclaiming with a loud voice, “Who is worthy to open the scroll and to loose its seals?” And no one in heaven or on the earth or under the earth was able to open the scroll, or to look at it. So I wept much, because no one was found worthy to open and read the scroll, or to look at it. But one of the elders said to me, “Do not weep. Behold, the Lion of the tribe of Judah, the Root of David, has prevailed to open the scroll and to loose its seven seals.” And I looked, and behold, in the midst of the throne and of the four living creatures, and in the midst of the elders, stood a Lamb as though it had been slain, having seven horns and seven eyes, which are the seven Spirits of God sent out into all the earth. Then He came and took the scroll out of the right hand of Him who sat on the throne. Now when He had taken the scroll, the four living creatures and the twenty-four elders fell down before the Lamb, each having a harp, and golden bowls full of incense, which are the prayers of the saints. And they sang a new song, saying: “You are worthy to take the scroll, And to open its seals; For You were slain, And have redeemed us to God by Your blood Out of every tribe and tongue and people and nation, And have made us kings and priests to our God; And we shall reign on the earth.” Then I looked, and I heard the voice of many angels around the throne, the living creatures, and the elders; and the number of them was ten thousand times ten thousand, and thousands of thousands, saying with a loud voice: “Worthy is the Lamb who was slain To receive power and riches and wisdom, And strength and honor and glory and blessing!” And every creature which is in heaven and on the earth and under the earth and such as are in the sea, and all that are in them, I heard saying: “Blessing and honor and glory and power Be to Him who sits on the throne, And to the Lamb, forever and ever!” Then the four living creatures said, “Amen!” And the twenty-four elders fell down and worshiped Him who lives forever and ever.” Revelation‬ ‭5‬:‭1‬-‭14

[justinspoliticalcorner]

Alice Herman at The Guardian:

By 9am on Monday, hundreds of worshipers who had gathered under a tent in Eau Claire, Wisconsin, were already on their feet. Praiseful music bumped from enormous speakers. The temperature was pushing 90F (32C). The congregants had gathered in north-western Wisconsin for the Courage Tour, a travelling tent revival featuring a lineup of charismatic preachers and self-styled prophets promising healing, and delivering a political message: register to vote. Watch, or work, the polls. And help deliver the 2024 election to Donald Trump. Serving as a voter registration drive and hub for recruiting poll workers, it was no mistake that the Courage Tour came to Wisconsin just three months ahead of the presidential election in November. The tour had already visited three other swing states: Georgia, Michigan and Arizona. Heavy-hitting Maga organizations – including America First Policy Institute, TPUSA Faith and America First Works – had a presence outside the tent. Inside, headlining the event was Lance Wallnau, a prominent figure in the New Apostolic Reformation – a movement on the right that embraces modern-day apostles, aims to establish Christian dominion over society and politics and has grown in influence since Trump was elected president in 2016.

“‘Pray for your rulers,’ that’s about as far as we got in the Bible,” said Wallnau, setting the tone for the day, which would feature a series of sermons focused on the ideal role of Christians in government and society. “I think what’s happened is over time, we began to realize you cannot trust that government like you thought you could trust, and you can’t trust the media to tell you what’s really happening,” he exclaimed. What followed in Wallnau’s morning sermon were a series of greatest hits of the Maga right: January 6 (not an insurrection), the 2020 election (marred by fraud) and Covid-19 (a Chinese bioweapon). Many of the attendees had learned of the event from Eau Claire’s Oasis church – a Pentecostal church whose congregants were already familiar with the movement’s goal to turn believers into activists with a religious mission. “This is wonderful,” said Cyndi Lund, an Oasis churchgoer who attended the four-day event. “I teach a class on biblical citizenship – the Lord put in my heart that we have to be voting biblically, and if nothing else, we have a duty in America to vote.”

According to the preachers who sermonized on Monday, the correct biblical worldview is a deeply conservative one. The speakers repeatedly stated their opposition to abortion and LGBTQ+ rights and inclusion, ideas that were elaborated on in pamphlets passed around the crowd and on three large screens facing the audience. (“Tolerance IS NOT A commandment,” read one poster, propped up in front of the pro-Trump Turning Point USA stall outside the tent.) After Wallnau spoke, Bill Federer, an evangelist who has written more than thirty books weighing in on US history from an anti-communist and rightwing perspective, offered a brief and often intensely inaccurate, intellectual history of the US and Europe. During his talk, Federer dropped references to the villains of his historiography – among them Karl Marx, Fidel Castro, the German philosopher Hegel and, “a little closer to home”, the political theorist of the New Left, Saul Alinsky. The crowd, apparently already versed in Federer’s intellectual universe, groaned and booed when Federer mentioned Alinsky.

The Courage Tour led by Christian Nationalists and 7MD advocates Lance Wallnau and Mario Murillo serve one purpose: to elect Donald Trump and other Republicans into office.

[batgirlsay]

Last night @jedi-giraffe and I had so much fun at the girl in red show! It was one of the best shows I’ve been to in a while!

She was so silly! You could tell she was having fun at her last show of the tour, crowd surfing at the end and everything. Her stage crew had fun too, dancing to Hot To Go after finishing set up!

The setlist was great too! My favorites were “Body and Mind” and “Midnight Love” but it was fun singing along to the slow ones and the songs from new album. The show was ugly sweater themed so she even played part of her Christmas song!

She also kept mispronouncing the name of the venue city, but she eventually got it right by the end. Clairo did that too at the same venue!

The opener Judah and the Lion was hilarious too, with their song about sports balls that we sang along to. The whole show had the best vibes!

[lenalvthor]

tethered playlist breakdown - ch 2: all too well

this chapter’s music centres mainly around Imogen and Ashton! because i didn’t say anything about Ashton’s musical backstory in the ch 1 breakdown, let’s start with them 🎸🤘🏼: 

Ashton

like Laudna, Ashton had a musical career as a teenager with his band The Nobodies (vibe: 2000s/2010s pop punk/punk rock, see - Five Minutes to Midnight by BOYS LIKE GIRLS or Check Yes Juliet (Run Baby Run) by We The Kings). also similar to Laudna, Ashton found themselves chewed up and spat back out by the industry they’d found a home in and were burned badly when the hamster wheel of international tours and year-after-year back-to-back albums slowed down for the first time (aka 1D vibes of burn out, band break-up + hiatuses). 

their first foray into making music again was through a single, Floating in the Night (by Judah & the Lion) which they had originally written as a more pop punk song, but Bertrand directed them towards The Crown Keepers who Ashton collaborated with to rewrite it into more of a indie/folk rock song, and who ended up featuring when the single was released. Ashton signed with Eshteross Records soon afterwards and started rebranding as a solo artist making more folk rock style music as the years passed (again, taking suggestions for what songs could be the right vibe for an album during this period). 

post 2-year-Bell’s Hells-separation-period, Ashton’s music has mellowed from the thing that’s remained so distinctive about him - the angry rock elements - which is why he is so nervous about his new music. that tone lingers a little in the lyrics and sometimes the instrumentation, but it’s not as consistent, so in the fic’s present-day, Ashton’s vibe most closely resembles Noah Kahan. 

the album Ashton’s been working on over these 2 years, and that he shows Bell’s Hells in this chapter, is:

how it is / how it was / how it has to be 

the view between villages

homesick 

growing sideways

no complaints

stick season

paul revere

call your mom

halloween 

dial drunk

new perspective

orange juice

you’re gonna go far

all my love

now listen to these songs through a different lens for me, will ya? — 

in this au, Ashton’s first real home was music; it was the industry, it was the fans, it was The Nobodies, it was discovering a queer world beyond the place they grew up. but at the same time, just like what happened with Laudna, that same home started to dig its claws in and try to tear Ashton apart without them realising. the industry, the expectations, the lifestyle, the spotlight … it became something so dangerously toxic, threatening to swallow him whole. it was the reason Ashton developed chronic pain, the industry pressure was the reason The Nobodies didn't stay together, it was the reason Ashton became angry and cynical and bitter jaded. so there was an unexpected, devastating relief when The Nobodies broke up and Ashton had an excuse to step away. even though it was his home, it was where he found himself, where he first found the thing in the world he loved to do most, where he found his first real people. 

so one of the reasons Ashton stayed away from music for as long as they did afterwards - older than many of the other Hells, just a little, having started in the industry before they did and waiting longer than Laudna between the teenage career ending and the adult career starting - was because they couldn’t figure out what to do with the conflict of the ‘place’ (the world / the lifestyle / the people / the culture) that made him also being the thing that caused him so much pain. 

how it is / how it was / how it has to be is, in some ways, Ashton’s life and career mapped in its trajectory. from meeting FCG first and toeing the line of being tied to that world, taking the long drive back (the view between villages, homesick) and being reluctantly pulled back into making music (growing sideways, no complaints), eventually signing to Eshteross Records and telling stories again (stick season, paul revere) and everything that’s happened with the Hells plot-wise (some things you know, some things you don’t, i.e. rest of the tracklist) until now (all my love).  

now, the song Laudna and Imogen mention that Laudna collaborated with Ashton on is, probably predictably: Call Your Mom ft Lizzy McAlpine. (Ashton writes it after Laudna gets back from her world tour to all the other Hells gone - Imogen especially - and Laudna and Dusk break up, and Laudna is just not doing well. Ashton first releases the original, and later that same month, a version with Laudna on it too.) also, as already mentioned in ch 2, the song Ashton wrote for + shows Imogen is you’re gonna go far because of course it is. 

Imogen

here it is, here it is, the heart of the fic, its namesake (almost all Taylor Swift songs (different albums tho!) and if you aren’t heels dug in the dirt with only listening to rerecordings, OG versions sound the most like Imogen to me) — 

tethered

breathe 

come back…be here

the story of us 

haunted 

all too well

wouldn’t come back [by Trousdale]

enchanted 

long live 

now buckle up buttercups, we’re looking at these songs through a whole new light. forget romance (mostly),  we’re doing family trauma: 

(okay, admittedly, there is romance woven into all of this because it can’t not be. but that’s not at the heart of this album, is what’s important to note.)

breathe is about Laudna, of course - about their rela—friendship falling apart after their fight two years ago, and as Laudna started dating Dusk before Imogen left. But it’s also about how Imogen saw the crumbling of Liliana and Relvin’s relationship from a young, co-dependent, whirlwind marriage to something neither of them were sure how to hold onto. 

come back…be here again, of course, is a little bit about Laudna (love how I said forget romance and here we are) — about her leaving to go on tour and follow the success of a career that’s finally controlled by her and not Delilah, about Imogen’s feelings of being left behind. but it’s also about Relvin and Imogen, being left behind by Liliana, about the faint memory Imogen has of watching her father pine for her mother as Liliana was off touring and making something of herself, Imogen and Relvin each longing for her to come back to them in Gelvaan one day but not knowing how to articulate that to each other and connect over it. 

the story of us is Relvin and Liliana once their relationship had ended and Liliana still came to see Imogen, and things were tense and uncomfortable and Imogen could tell that a chapter in her life had come to a close in front of her eyes (both for her parents and for her relationship with her mother, knowing it’ll never be the same because Liliana won’t want to come back in the same way.) 

haunted. look. I had many ‘oh my fucking god’ moments about this song. It’s my favourite Taylor song and I’ve used it for many an au, and l i s t e n. I know that for its symbolism and its imagery, could and should be about Laudna. but it’s not — this is about Liliana and Imogen. because the electric guitar and the tension and the building, growing crescendos of the whole song, the sharpness of the violins and the fury of the electric guitars all just fucking sounds to me like a storm. It’s about Imogen’s betrayal over Liliana leaving. so, you’re welcome. 

now here’s the one that fucked me the most and I am begging y’all to appreciate it with me okay — all too well. OG and not the 10-minute version. it’s the song Imogen is the most proud of and the most afraid of putting into the world because she doesn’t know if it makes sense to anybody except her. the perspective changes nearly with every line; it’s the song that blurs together the experience of Relvin, Liliana and Imogen all loving and hating and missing and losing each other. the lines between where one person’s experience ends and another’s starts is impossible to see, and the resounding message of i was there, i remember it, all too well is Imogen determined to make sure that despite Liliana’s death years and years ago, despite Relvin as good as pretending she never existed, despite Imogen having moved away and left it all behind her, none of it is forgotten; a memory of the fact that it all happened has to continue to exist. 

(and of course, that’s also the theme of this chapter.) 

It’s a mixture of Liliana’s perspective of the whirlwind, small town, young love between her and Relvin that was always doomed to end, and Imogen watching the tail end of this relationship, Relvin seeming to lock it away the second Liliana was too far for him to hold onto. it’s Imogen trying to remember, to make sense of her parents’ relationship, their family. 

and because this song is my roman empire for this au, please prepare for the fact that i’m giving you the line by line perspectives of this entire song, you’re welcome (i’m sorry): 

the first verse is about Liliana, the second verse is Relvin, the prechorus - “and I know it’s long gone…” - is both of them and Imogen. 

first chorus is Liliana and so is the verse that follows, but the second prechorus, that “there was nothing else I could do, and I forget about you long enough to forget why I needed to��� is Relvin. 

the first lines of the next chorus - “there we are again in the middle of the night, we’re dancing in the kitchen in the refrigerator light” - are Relvin and Liliana, but then the “down the stairs, I was there, I remember it all too well” is Imogen, as a little girl perched on the second to last step of the staircase, watching her parents dancing to the songs they used to love when they were teenagers, bathed in the light of the refrigerator with the door hanging open to cut through the sweltering, thick, night heat of Gelvaan’s summers (and in those moments, Imogen had been so sure that the three of them would be okay).

but of course, that’s not how it unfolded, which becomes clear in that build up to the bridge. so when it climbs and climbs to the “maybe we got lost in translation, maybe I asked for too much, maybe this thing was a masterpiece til you tore it all up” is Relvin and Imogen, being left by Liliana, feeling hurt and betrayed and not good enough in such different but also achingly similar ways. 

“running scared, I was there, I remember it, all too well” is Imogen and Liliana, a decade apart, running from Gelvaan, from Relvin, from a town that wasn’t enough and desperate to find more but equally terrified for that murky unknown at the same time. 

and then — “you call me up again just to break me like a promise, so casually cruel in the name of being honest” is Imogen. the experience of Liliana slowly but surely drifting away from being Imogen’s mother in a way that felt like such a betrayal. 

everything after this is all of them, everything from “time won’t fly” to the “it was rare, i was there” is all of them, losing each other at the same time and not being a ble to do anything as it happens. 

then those last three lines: “wind in my hair, you were there, you remember it all” is Liliana to Relvin; “down the stairs, you were there, you remember it all” is Relvin to Imogen; and “it was rare, I was there, I remember it all too well” is Imogen (to both of them, but to herself more than anyone else). 

anyway. moving on. 

wouldn’t come back is about the uncomfortable ease with which Imogen understands Liliana’s choices and decisions, when it comes down to it. because she left too, just like Liliana, and then she did it again years later, from people she really did truly love and a life she cherished, and this song is Imogen writing about those choices and those parallels and understanding both the hurt on the side of being left behind and the desperation of needing to leave. 

enchanted is about Laudna. every note, every line, every second, every piece of the story, is all all all Laudna, because I was lying to you about forgetting romance because c’mon. about first meeting Laudna years ago and thinking that she should, by all accounts, be intimidated seeing someone who’s music she’d listened to for years, who’s a household name in a way Imogen has only ever dreamed of being, in a way Liliana was, but Laudna was so shy and flighty back then, so soft and holy shit, she was - is - beautiful, her voice even more … musical than Imogen had heard in the interviews and clips. so that’s enchanted. 

and long live is, of course, about Bell’s Hells. about how they made each other better,  about how they saved each other at points when they were so afraid of what the world had in store for them, about how they made each other the most authentic versions of themselves, and how, as Imogen wrote this album, she was so isolated from all of them by her own making, how all she had was the memories of how that used to be, but that’ll still be worth everything to her. 

so that’s tethered. 

(oh as a little treat: the song Laudna is working on that afternoon while she and Imogen hang out in the apartment is Apple Pie by Lizzy McAlpine xo) 

I’ll wrap it up there so that this doesn’t become as long as the chapter itself, but: hope this gives you some music to listen to and a world to think about in the two week wait before next CR ep! 

give me music recs for this au if you think of any, tell me what you think of the songs I’ve already told you about, and for the sake of ease: here’s a playlist for y’all (will update it every week with new songs as I add them to the plot in the fic). 

love, chim ⚡️

[karlcain-123]

jesus will not Return has a lamb but AS THE LION OF JUDAH. THE SECOND COMING OF JESUS CHRIST IS GETTING NEARER AND NEARER. IF YOU DO NOT REPENT OF ALL YOUR SINS TO GOD YOU WILL NOT BE SAVED. ACCEPT LORD JESUS HAS YOUR SAVIOUR IN YOUR LIFE HEART ❤️ FOR JUDGEMENT DAY IS APPROACHING ARMAGEDON. REPENT THANK YOU JESUS CHRIST 🙏 FOR SAVING ME AMEN THANK YOU JESUS THANK-YOU JESUS THANK-YOU JESUS OF NAZARETH AMEN THANK YOU JESUS 😊 HOLY BIBLE GOSPEL NEW TESTAMENT. 1 PETER CHAPTER 3 VERSES 6 - 7. AMEN KCAIN

[roman-catholic-mass-readings]

21st November >> Mass Readings (Except USA)

The Presentation of the Blessed Virgin Mary 

on

Thursday, Thirty Third Week in Ordinary Time.

Thursday, Thirty Third Week in Ordinary Time

(Liturgical Colour: White. Year: B(II))

(Readings for the feria (Thursday))

(There is a choice today between the readings for the ferial day (Thursday) and those for the memorial. The ferial readings are recommended unless pastoral reasons suggest otherwise)

First Reading Apocalypse 5:1-10 The blood of the Lamb bought men for God.

I, John, saw that in the right hand of the One sitting on the throne there was a scroll that had writing on back and front and was sealed with seven seals. Then I saw a powerful angel who called with a loud voice, ‘Is there anyone worthy to open the scroll and break the seals of it?’ But there was no one, in heaven or on the earth or under the earth, who was able to open the scroll and read it. I wept bitterly because there was nobody fit to open the scroll and read it, but one of the elders said to me, ‘There is no need to cry: the Lion of the tribe of Judah, the Root of David, has triumphed, and he will open the scroll and the seven seals of it.’ Then I saw, standing between the throne with its four animals and the circle of the elders, a Lamb that seemed to have been sacrificed; it had seven horns, and it had seven eyes, which are the seven Spirits God has sent out all over the world. The Lamb came forward to take the scroll from the right hand of the One sitting on the throne, and when he took it, the four animals prostrated themselves before him and with them the twenty-four elders; each one of them was holding a harp and had a golden bowl full of incense made of the prayers of the saints. They sang a new hymn:

‘You are worthy to take the scroll and break the seals of it, because you were sacrificed, and with your blood you bought men for God of every race, language, people and nation and made them a line of kings and priests, to serve our God and to rule the world.��

The Word of the Lord

R/ Thanks be to God.

Responsorial Psalm Psalm 149:1-6,9

R/ You made us a line of kings and priests to serve our God. or R/ Alleluia!

Sing a new song to the Lord, his praise in the assembly of the faithful. Let Israel rejoice in its Maker, let Zion’s sons exult in their king.

R/ You made us a line of kings and priests to serve our God. or R/ Alleluia!

Let them praise his name with dancing and make music with timbrel and harp. For the Lord takes delight in his people. He crowns the poor with salvation.

R/ You made us a line of kings and priests to serve our God. or R/ Alleluia!

Let the faithful rejoice in their glory, shout for joy and take their rest. Let the praise of God be on their lips: this honour is for all his faithful.

R/ You made us a line of kings and priests to serve our God. or R/ Alleluia!

Gospel Acclamation Psalm 118:135

Alleluia, alleluia! Let your face shine on your servant, and teach me your decrees. Alleluia!

Or: Psalm 94:8

Alleluia, alleluia! Harden not your hearts today, but listen to the voice of the Lord. Alleluia!

Gospel Luke 19:41-44 Jesus sheds tears over the coming fate of Jerusalem.

As Jesus drew near Jerusalem and came in sight of the city he shed tears over it and said, ‘If you in your turn had only understood on this day the message of peace! But, alas, it is hidden from your eyes! Yes, a time is coming when your enemies will raise fortifications all round you, when they will encircle you and hem you in on every side; they will dash you and the children inside your walls to the ground; they will leave not one stone standing on another within you – and all because you did not recognise your opportunity when God offered it!’

The Gospel of the Lord

R/ Praise to you, Lord Jesus Christ.

-------------------------------

The Presentation of the Blessed Virgin Mary 

(Liturgical Colour: White. Year: B(II))

(Readings for the memorial)

(There is a choice today between the readings for the ferial day (Thursday) and those for the memorial. The ferial readings are recommended unless pastoral reasons suggest otherwise)

First Reading Zechariah 2:14-17 'I am coming', says the Lord.

Sing, rejoice, daughter of Zion; for I am coming to dwell in the middle of you – it is the Lord who speaks. Many nations will join the Lord, on that day; they will become his people. But he will remain among you, and you will know that the Lord of Hosts has sent me to you. But the Lord will hold Judah as his portion in the Holy Land, and again make Jerusalem his very own. Let all mankind be silent before the Lord! For he is awaking and is coming from his holy dwelling.

The Word of the Lord

R/ Thanks be to God.

Responsorial Psalm Luke 1:46-55

R/ The Almighty works marvels for me. Holy is his name! or R/ Blessed is the Virgin Mary, who bore the Son of the eternal Father.

My soul glorifies the Lord, my spirit rejoices in God, my Saviour.

R/ The Almighty works marvels for me. Holy is his name! or R/ Blessed is the Virgin Mary, who bore the Son of the eternal Father.

He looks on his servant in her nothingness; henceforth all ages will call me blessed. The Almighty works marvels for me. Holy his name!

R/ The Almighty works marvels for me. Holy is his name! or R/ Blessed is the Virgin Mary, who bore the Son of the eternal Father.

His mercy is from age to age, on those who fear him. He puts forth his arm in strength and scatters the proud-hearted.

R/ The Almighty works marvels for me. Holy is his name! or R/ Blessed is the Virgin Mary, who bore the Son of the eternal Father.

He casts the mighty from their thrones and raises the lowly. He fills the starving with good things, sends the rich away empty.

R/ The Almighty works marvels for me. Holy is his name! or R/ Blessed is the Virgin Mary, who bore the Son of the eternal Father.

He protects Israel, his servant, remembering his mercy, the mercy promised to our fathers, to Abraham and his sons for ever.

R/ The Almighty works marvels for me. Holy is his name! or R/ Blessed is the Virgin Mary, who bore the Son of the eternal Father.

Gospel Acclamation Luke 11:28

Alleluia, alleluia! Happy are those who hear the word of God and keep it. Alleluia!

Gospel Matthew 12:46-50 My mother and my brothers are anyone who does the will of my Father in heaven.

Jesus was speaking to the crowds when his mother and his brothers appeared; they were standing outside and were anxious to have a word with him. But to the man who told him this Jesus replied, ‘Who is my mother? Who are my brothers?’ And stretching out his hand towards his disciples he said, ‘Here are my mother and my brothers. Anyone who does the will of my Father in heaven, he is my brother and sister and mother.’

The Gospel of the Lord

R/ Praise to you, Lord Jesus Christ.