#Josef Fritzl

[ruttotohtori]

Ois voinu lukita ton ukon sinne kellariinsa...

[cinemaslife]

#135 La Chica del Sótano

Sarah tiene 17 años, y vive con su madre y su padre Don, y recibe la visita de su hermana Amy con asiduidad, pese a que está en la universidad. Su hermana tiene un carácter más tranquilo y sumiso, como su madre, pero Sarah choca mucho con su padre, quien la castiga con asiduidad, y que es la razón por la que se escape a ver a su novio Chris.

Un día hablando con su madre y su hermana confiesa que está harta de su padre y de lo estricto que es y confiesa que quiere irse a ver mundo y que empezará por Florida, que quiere ser libre y caminar libre.

Esto lo escucha Don y decide limpiar una habitación secreta en el sótano y que está cubierta por dos puertas metálicas y tapadas con una puerta, y que solía ser un búnker en caso de guerra para enseñarle a Sarah una valiosa lección.

Don es agresivo y les pega a las tres mujeres teniéndolas atemorizadas, por eso después de la graduación de Sarah y días antes de que cumpla los 18 años y haga realidad su sueño de escaparse de casa con su novio Chris. Don aprovecha que Amy está en la universidad y que su mujer sale a hacer un recado, para pedirle a Sarah que la ayude a bajar unas cosas al sótano. Dejan la caja en el búnker (que Sarah no sabía ni que existía) y la encierra dentro de un empujón.

Don tiene el sótano preparado para que nadie entre, la puerta se abre con llave, accedes al sótano, ahí hay una estantería que se desplaza sobre unos rieles, una puerta metálica cerrada con código y al entrar otra puerta metálica cerrada con código y ahí está Sarah.

Después de descubrir que había en la caja que ayudó a bajar a su padre, Sarah se da cuenta de que les va a hacer creer a todos que se ha escapado de casa, y por mucho que grita y se desespera, se da cuenta de que salir es imposible.

El búnker solo tiene un cubo que usar como váter, una ducha y un grifo que usar como pila. A los tres días Don baja, pero ella lo ataca y le dice que todo lo que tenga a partir de entonces debe ganárselo, cediendo a sus deseos y comportándose como una persona sumisa. Si pone tres veces mal el código de la puerta, el sistema de ventilación dejará de funcionar y el aire empezará a cargarse.

Menos de una semana de estar en el sótano, Don viola a Sarah y le dice que deje de llamarle papá y que ahora solo se puede dirigir a él como si fuera su dueño, y que por cada vez que sea más sumisa, le traerá algo del exterior que ella quiera. Esa vez Sarah pide un reloj.

Nos cuentan que Don está bien situado en su empresa y que su cargo es importante. Su mujer entra en depresión ante la desaparición de su hija y él le resta importancia, diciendo que tarde o temprano aparecerá. Es curioso como lleva dos vidas diferentes en dos pisos diferentes de su casa.

Sarah no tarda en quedarse embarazada y en parir sola con la ayuda de un libro. Don sigue pegándole y maltratándola, así como violándola durante los primeros años, incluso con la primera hija de ambos en el sótano. Marie.

Dos años después de Marie llega Michael, para entonces el búnker parece menos una prisión debido a la sumisión constante de Sarah y sus hijos. Don baja a visitarlos y a llevarles comida y suplementos para que sobrevivan, pero nunca es generoso de más con ellas si no es porque quiere algo a cambio, y Sarah sabe que quiere Don.

Don de normal cena con ellos bajo, abusa de Sarah y vuelve arriba con su esposa para hacer vida normal, y negarle que busque a su hija, asegurando que es una perdida de tiempo. Pasan 10 años encerrados y Sarah está de nuevo embarazada, estaba vez de Thomas. Sarah es consciente de que tres niños y ella en ese espacio tan reducido es inviable, sobre todo, cuando Marie desarrolla asma y problemas respiratorios. Por eso le pide a Don que suba a Thomas arriba y que sea criado por su madre. Al final Don acepta a regañadientes, y así mantiene la esperanza de la madre de que su hija está viva, por eso la obliga a escribir una nota falsa.

Thomas al criarse en el exterior crece fuerte, sin ningún tipo de problema, sano y sin enfermedades físicas o emocionales como sus hermanos del sótano. Marie y Michael son casi adolescentes y no pueden entender por qué no pueden salir con su padre al exterior, están cansados de no tener amigos, y de vivir la vida a través de un televisor y de cintas de VHS. Además, no entienden por qué su madre no se divorcia de su padre y viven la vida real.

Sarah se ocupa de la educación de sus hijos con libros viejos, y entiende su dolor, ella también quiere salir y aunque lo intenta varias veces, para esa época, 18 años encerrada, vuelve a estar embarazada, a recibir palizas diarias y a estar harta porque Don se muestra cada vez más interesado en abusar de Marie.

Don le da una paliza a Sarah estando embarazada y pierde al bebé, del que Don se deshace enterrándolo en el jardín. Sarah pare con dolor y una vez más sola y decide que es hora de hacer algo.

Sarah se confiesa con sus hijos y les dice que Don no es solo su padre, también es su abuelo, ellos no son matrimonio, él la secuestró y la encerró y le pega y la viola casi todas las noches para castigarla.

Para este momento Don ha sido despedido de su trabajo y tiene una orden de desalojo sobre la casa por no pagar, por lo que se le ocurre la idea de envenenar con dióxido de carbono el sótano y que así mueran encerrados tanto Sarah como sus hijos. Pero cuando inicia su plan, Thomas le pilla y decide abandonarlo. Por culpa de esto, Marie tiene un ataque de asma y está al borde de la muerte.

Don está haciendo vida normal arriba en una barbacoa después de un partido de beisbol y cuando decide bajar, Marie está a punto de morir y lejos de escuchar los llantos de los niños y de Sarah dice que quizás sea lo mejor. Michael golpea a Don, y este le dice que es un enano y que su hermano Thomas es más grande y fuerte que no le da miedo. Don cede cuando Sarah le llama papá y llevan tanto él como Sarah a Marie al hospital, dejando a Michael encerrado.

Don no puede controlar a Sarah en el exterior por mucho que él quiera, y cuando la doctora les pregunta por qué Marie no tiene vacunas, ni expedientes médicos, ni nació en un hospital, puede ver en la cara de Sarah que hay algo que va mal, por eso cuando la chica se aleja de su padre, se abraza a un policía y dice que necesita ayuda, Don intenta escapar, pero le detienen.

Don va a la cárcel, Michael es liberado ante los ojos incrédulos de su hermano Thomas y su abuela, y la escena final es de las tres mujeres en el porche de su casa, viendo a los hijos de Sarah jugar a la pelota entre ellos, como verdaderos hermanos.

Evidentemente, la película está basada en lo que Josef Fritzl le hizo a su hija Elizabeth durante 14 años, encerrándola en una casa subterránea y teniendo con ella 7 hijos, de los cuales uno murió. 3 fueron criados con su madre en el sótano y tres más fueron criados por sus abuelos arriba.

Sobre este tema, me parece mejor película la de The Room con Brie Larson como protagonista. Ya que la película de la chica del sótano está enfocada más bien como una peli de sobre mesa, donde no se dan muchas explicaciones ni se ahonda en los personajes. The Room es una película más completa y compleja.

[musicisheaven]

The song "Wherever I May Go" will always remind me of Elisabeth Fritzl. Even though it's not true, I can't help but believe that this song gave her the strength she needed to get through every single day of the unimaginable experience she had to endure while being held captive by her father for 24 years. The haunting melody and powerful lyrics of the song reflect her courage, resilience, and hope for a better future, even in the darkest moments of her life. She never lost hope and i so wanna believe that it was because of this song and her children ofc. The fairytale she told them it was so haunting i don't even want to think about it.

[nyxofthenight11]

I’ve just started listening to true crime and I was not prepared for how out a fucked up some people can be. Like the fucking Hello Kitty murder case. Like damn. Or the Josef Fritzl case. Seriously guys interesting and shit but like how fucked up can someone be? If ya’ll have any case suggestions please tell me

[italian-american]

linemonty/lea-ts. got callout out for having a sideblog where they talked about how much they wanted to be raped and to fuck their brother and their dog and kickstarted the "is hating incest transmisogynist?" discussion thats lasted for three fucking years and turned every white trans woman on tumblr into josef fritzl. genuinely hope they get murdered irl like there is no salvaging them or any of their friends

[t4tails]

every time i hear about incest or see people defending it i think abt the josef fritzl case and am overcome to beat them with a hammer

jesus christ just looking at that wikipedia article made me feel sick

[avvocarlo]

why did I just swear to my girlfriend I remember there being a drag race contestant that said they were thinking about doing josef fritzl for snatch game

[herrlindemann]

KERRANG! - 22.06.2013

BANG! BANG! Remember the last time you had your face blown off? Remember how it felt to basically get barbecued at Download? Nope, Slipknot didn’t do it. Iron Maiden tried it. But Rammstein basically grill you to satisfaction, stick a fork in you, and announce: ‘ES IST GETAN!’

Oh, and Till Lindemann’s wearing a bloodied chef’s apron, brandishing a three-foot knife, and is basically frying keyboardist Christian ‘Flake’ Lorenz to a crisp. In a giant cooking pot.

Rammstein are not entertainment in a way that you could call cabaret. They’re awesomely watchable, but the amount of fire onstage is genuinely dangerous, and means Hell has a chill factor tonight. Because you need that much flame when you’re singing songs about aircraft disasters (Rammstein), horrifying psychos (Josef Fritzl on Wiener Blut) and real-life cannibalism on Mein Teil.

On that last song, there’s an additional sound of scraping cooking knives, and the aforementioned visual spectacle of Till boiling keyboardist Christian ‘Flake’ Lorenz in a giant cooking pot with a 30-foot flame-thrower. And when there are three men onstage with columns of fire shooting out of their faces into the ether, you know you’re onto something special.

Mein Herz Brenn — a song as epic as the entire soundtrack from The Omen on record — is reimagined as a ballad tonight, with no guitars, no fire, just Till and Flake on an upright piano. And Flake himself spends most of the set on a treadmill attached to his keyboards, marching the equivalent of a marathon. But everything else comes wreathed  in flame. Some poor sod gets set on dire during Benzin. There are guitars that shoot fire out the neck. And aside from the fire, there’s Till leading Flake around on a leash, before rogering him with a massive fake willy that sprays, well, everywhere.

There’s only one way to top that. How? Oh yeah, by finding an even bigger man-part, with wheels on it, and riding it along the front rows, spraying their faces with foamy mess. FYI, Till does this while roaring out Pussy’s German clichés — autobahn, putting his bratwurst in you sauerkraut — with a completely straight face, but a stage full of joy.

Tonight, Rammstein put other bands to shame. They say little to the audience, they don’t indulge in the usual festival ‘let me see your fucking hands’ bullshit. But they set fire to everything you expect from a band and build an enormous statue to themselves in its place. Sehr gut. Wunderbar. The best band of the weekend and the perfect end to Download 2013? Ja! Ja! Ja!

[petr1kov]

finished reading a book about the josef fritzl case and now i need to remind myself that there's good in the world because. jesus

[peachymilkandcream]

Hello, I found your blog through your Pirate Levi x Mermaid Reader fic (which I loved). I really don't mean to disrespect or hate on you and your hobbies/interests, I'm aware that dark writing will be, in fact, dark, but I was genuinely concerned (? I don't remember the exact word I'm looking for, but this is close) at just how dark it is. It honestly just caught me off guard. Mostly because of how innocent your blog aesthetic/theme is, so I expected it to be more fluff writings, you get me? Anyway, I had checked your Evelyn x Levi master list and clicked on one of them (which I don't exactly remember) that was written in response to the ask 'Evelyn in a basement surrounded by her babies/children that Levi forced her to have' or something similar. I was, honestly, genuinely shocked and surprised at this ask. The first thing I thought of when I saw that ask was the Josef Fritzl case, which is a real case about a man who had held his daughter captive in his basement for 24 years. For the entire 24 years, he had raped her and forced her to have 7 children with him. I truly don't mean to disrespect you or your writing, but it honestly sort of disgusted me when I saw the ask. I didn't read the fic, because I knew I couldn't. In my opinion, I believe that this could be romanticizing this sort of thing in a way. But then again, please don't take this to heart, I whole-heartedly respect you and your writing/interests. I just felt like I should get this out. I was alright with all the other fics, but for some reason this specific ask made me mildly traumatized. Or maybe I just have a sort heart, that would make sense. Although your writing is very good, keep doing what you do ❤

Hi so in my blog write in the bio I specify they’re fucked up and it’s a dark writing blog. I accurately tag and warn about everything I write. It’s dark, really dark. Because I enjoy writing it. If someone takes what I do as romanticizing that’s your prerogative, in all of my asks and fics (specifically break me slowly) I go in depth about what she (Evelyn) feels and even mention how it’s “not like those books she read there is nothing romantic about it”. My blog aesthetic is just what I like, I write what I write and if you feel upset or disturbed by it that’s fine you don’t have to read it. I keep within my boundaries and my boundaries are the ones that matter in my asks, readers can read what they like within their own boundaries. I appreciate your concern but please don’t come into my asks concerning the content I write, I’ve done my due diligence describing everything I produce so readers beware.

[dancing-to-architecture]

23 - Van Halen - 1984

Starting with a sentence that is pretty much guaranteed to piss off my dad: i was never a big Van Halen fan. (Look, if you heard "Right Now" as many times as i did growing up, you'll understand.)

That said, a few of the songs on this one are among the songs by them that i do actually like, and the cover art cracks me up every time i see it.

Also, my wife is exactly one day older than this album, and i just think that's neat.

• 1984-

Spacy synthy intro song. Not what i was anticipating this album to start off like. Kinda dig it, though.

•Jump-

An absolute classic. As I'm fond of saying: "it ain't about the fall down, it's about the bounce back", and that's the whole idea of this one.

Also, that guitar solo is fucking insane.

•Panama-

One of the songs that broke Noriega, and i think the govt used it solely because of the irony of the title being used against a Panamanian asshole dictator.

Personally, i like the idea of using songs over bombs in combat. Fewer pieces of bodies to pick up afterwards.

That said, what the actual fuck does the nation of Panama have to do with this song that's about a hot lady being described somewhat like a sports car? The world may never know.

Fuckin banger, though.

•Top Jimmy-

(But, i hardly know Jimmy!)

Holy shit, Eddie, are your fingers okay? Because goddamn that's some fast fingering on those harmonics.

Top Jimmy cooks, you say? Well, let him fuckin cook!

Another kick-ass solo, naturally.

Didn't know this one before today, but it fuckin slaps.

•Drop Dead Legs-

To be honest, i always figured Diamond Dave was a tits man, but apparently he also appreciates "a giant butt". Good for him.

All in all, gotta say that ZZ Top wrote the better leg-song.

•Hot for Teacher-

A song that has been relevant a number of times in my life, and that's all I'm gonna say on that matter.

That drum intro absolutely whips ass, and the guitar coming in only makes it better.

It's a little skeevy, lyrics-wise, but overt horniness can't stop it from being an all-time banger.

•I'll Wait-

Oh, that early-to-mid 80s synth. 😍

Kind of a weird one, since it's literally just about jerking off while looking at a legally-distinct-from-a-Playboy magazine. Not the best song on the album, for sure, but it's interesting enough to keep my attention.

I still can't believe this was a single, though.

At the end of the day: the centerfold isn't gonna fuck you, dude. Oh wait, shit, you're David Lee Roth... never mind, yeah, she might, actually. Go for it, bro.

•Girl Gone Bad-

"I'm in love with a prostitute", the spiritual prequel to "I'm in Love With a Stripper", i guess?

•House of Pain-

Just couldn't fuck dirty enough for that girl, could ya? Or, from a different, much darker point of view, kinda feels a little Josef Fritzl-y.

So, yeah, this album is pretty fucking great, (surprising nobody, considering it's their best-selling album).

Funny (but also lame as shit) fact: "The front cover was censored in the UK at the time of the album's release. It featured a sticker that obscured the cigarette in the putto's hand and the pack of cigarettes.".

For real... Are y'all okay over there?

Favorite Track: Hot for Teacher. Every aspect of it just kicks ass.

Least Favorite Track: House of Pain. On one hand, it's creepy. On the other hand, it's very creepy.

[klinefelterrible]

Josef Fritzl was a loving daddy too

everyone get unemployed. i will provide for us.

[expfcultragreen]

AnonnnnNNNazi voice: "hi im a bull queer and i want to rape your kid to death, no you cant see me and i defo hate nazis who are actually good people"

Tangentially, if josef fritzl had any kids with dicks i assume he simply killed them because they couldnt be incest-bred. Better 1 or better 2? Oh wait he had three sons and never raped them, huh! Well as far as anyone reported anyway

I happen to recall that case because it was big fetbait to a portion of the internet when the news broke, and they wouldnt shut up about it

Weird that they have memorial plaques for dead nazis like his dad

Anyway the kind of /b/tards who were hot for this grew up to be those oh-so-knowing oh-so-smug-about-something-they-know-that-you-dont trump voters

And now, they and their aboveground kids post stuff like this to own the libs:

I think there should be global thermalvision surveillance and universal public access, but some would argue otherwise

The tech is already in motion but its mostly in the wrong hands, for snuff purposes

...oh and voyeuristic fartporn of strangers

This, in everyone's hands, would really put an end to shit like "virginity testing" and all manner of other pedo incest bullshit

Itd make copwatch easier

[wordsdonotneedcontext]

Coppercat: how big is the basement? Sprog (who has gone to have a gander at the basement): well, it's big enough to do a Josef Fritzl. Coppercat (wheezing): why is that your measurement?