#Johnny Richmond

[dekoratornia]

Stolik Smithon 36 - połączenie nowoczesności z klasyką od Richmond!

Meble i oświetlenie to nie tylko kwestia wyboru odpowiednich materiałów i kolorów, ale również nawiązania do swoich wnętrz w odpowiednim stylu. W dużej mierze odpowiedź na to pytanie pozostaje w rękach każdego z nas. Jednak, jeśli szukamy odpowiedniego stolika do salonu, który połączy klasyczną estetykę z nowoczesnym wzornictwem, to warto wziąć pod uwagę stolik Smithon 36 producenta Richmond. Smithon 36 to okrągły stolik o ponadczasowym designie. Blat został wykonany z aluminium o złotej tonacji i ciekawym wzorze, a podstawa z czarnego metalu. To zestawienie nowoczesności z klasyką idealnie sprawdzi się we wnętrzach industrialnych oraz nowoczesnych. Co istotne, stolik Smithon 36 posiada kompaktowe wymiary: wys. 60,5 cm / szer. 36 cm / gł. 36 cm oraz niewielką wagę netto - 2,8 kg, dzięki czemu można go łatwo przestawiać bez konieczności angażowania wielu osób. Producent Richmond to jedna z wiodących marek w branży mebli i oświetlenia. Firma została założona w 2004 roku przez duo projektantów - Johnnyego Richmonda i Davida Smithona. Postanowili oni stworzyć na rynku nowe rozwiązania, które będą łączyć funkcjonalność z pięknem. W ofercie Richmond znajdują się przedmioty idealne dla każdego wnętrza, niezależnie od stylu - od klasycznego po nowoczesny. Główne cechy produktów Richmond to najwyższa jakość wykonania, trwałość, piękne wzornictwo oraz przystępne ceny. Firma stale dostarcza nowych produktów, które zaspokoją gusta najbardziej wymagających klientów.

[jazzdailyblog]

Exploring the Genius of Charles Mingus: A Deep Dive into "The Great Concert of Charles Mingus"

Introduction: Charles Mingus’ live album, “The Great Concert of Charles Mingus,” recorded on April 19, 1964, at the Théâtre des Champs-Élysées in Paris, stands as a monumental achievement in jazz history. Released in 1971, this triple album captures Mingus’ innovative spirit and showcases his exceptional band featuring Eric Dolphy, Clifford Jordan, Jaki Byard, Dannie Richmond, and on some…

[swerveable]

We (@tessartist & me) met a cool Johnny cosplayer, and saw two other people dressed as their V's. I had a few people who recognized my cosplay.

I planned to meet Peter Cullen but his line was very long. Plus I was very tired from walking all day, and the entry line put me in a POTs episode.

I also got a Cyberpunk Edgerunners poster and bag w/ Keanu on it that says "Keani hold your things?"

It was super fun over all :3

[thursdaybluez]

@june-doe-event​ DAY 7: legoland!

i drew penny and ezra and tammy a lot already so here’s some side characters!! 

[undescribed1mage]

Mischa wrote a JK-47 diss track he told me himself

[sinceileftyoublog]

The Rural Alberta Advantage Interview: The Ultimate Arbiters

Photo by Leroy Schultz

BY JORDAN MAINZER

Like all bands still dealing with the aftermath of the COVID-19 pandemic, The Rural Alberta Advantage had to adapt. Due to the worldwide pause on live music, they were unable to follow 2017′s excellent The Wild the way they knew best: writing, workshopping, playing live, then finalizing. Fast-forward, and they surprise released an EP, The Rise (Saddle Creek), last spring, announcing the return of founding keyboardist Amy Cole, their first music in five years because they could simply no longer wait. They survived by remotely sharing demos, ignoring the typical album release cycle, releasing this batch of songs soon after they were finalized. Ready to tour and then play some more unreleased material, the band launched on a U.S. tour, their first since the pandemic, in May 2022. By the third show, lead vocalist and guitarist Nils Edenloff, followed by the rest of the band, tested positive for COVID. As many bands two years in had the pandemic in their rearview mirror, The Rural Alberta Advantage were left wondering when it would seem a bit more normal.

Thankfully, the band was able to play a handful of shows in Canada during the latter half of 2022, finally bringing The Rise to the stage and even--yes--debuting an unreleased song. That tune, “Plague Dogs”, was released as a standalone single last month with the announcement of what will (hopefully) be their first full U.S. tour post-COVID. (No, “Plague Dogs” is not a pandemic reference; it was inspired by the Richard Adams novel of the same name.) Though The Rural Alberta Advantage are planning to release a full-length later this year, “a culmination of everything we’ve been working on this whole time,” as Cole told me over Zoom earlier this month, they aren’t taking their time for granted. Instead, they want to put as many songs out into the world as they can and play for as many people as possible. Their tour starts tomorrow night at Lincoln Hall in Chicago.

Read my interview with Cole below, edited for length and clarity, about “Plague Dogs”, The Rise, and the history of the band.

Since I Left You: It seemed fitting to me that the debut of “Plague Dogs” coincided with the announcement of these tour dates, because the video shows live footage and the song has such a live sound. Was that something the you purposefully did?

Amy Cole: Yeah, it was. It sort of always is. It wasn’t because of the live video that we wanted to make the song sound more live. We’re always trying to capture what we sound like live. We’ve had varying degrees of success over the years [doing it], but it’s always our goal, because we consider ourselves a live band. I’m going to rehearsals right after this, and it’s when the three of us are in a room together that we feel the best. With Gavin Gardiner, who has been a friend for many years and has been the one recording and producing these last few songs with us, we’re able to get that [live feel.]

SILY: It definitely has a loud-quiet-loud dynamic going on. Was that also something the band went into recording trying to do?

AC: A lot of our songs do that. [laughs] We weren’t trying to rip ourselves off, but we love playing with dynamics in our songs. Whenever we can try to do it in an inventive way we don’t feel like we’ve done before, we do. This time, there are all these ups and downs and dropouts, and we really leaned into that aspect of the song. We go by feel: we work songs to death until we all feel really great about them. We’re really happy with how “Plague Dogs” turned out.

SILY: I’ve never seen you live before. Do your songs tend to take on new life live, arrangement-wise or in any other way?

AC: Yes, 1000 percent. That’s what was so challenging about The Rise. It was the first time we weren’t able to do what we normally do, which is start a song, get it to a place where we feel like we can try it out live, and then go on tour and road test that song, see what’s working and what isn’t, so by the time we get into the studio, we’ve played it live for a bunch of people and feel like we’ve got it to a really good place [to record]. Because of the pandemic, we weren’t able to do that with the songs on The Rise. That was really challenging for us. We were going in a lot more blind than normally. “Plague Dogs” we were able to play live quite a few times for people during the shows we did back in the fall. When we were recording, we felt really good about where we were at with it; we were feeling really encouraged by its response at our shows. When we went in to record it with Gavin, we knew what parts needed to be bigger, what parts needed to be smaller. That bridge in the middle didn’t come up until our last mixing session, where we thought, “Let’s amp the bass up four times as much as it is compared to the rest of the song, and let’s lean into the organ.”

SILY: Was there a different way you went about getting the feedback you needed for The Rise?

AC: Not really. Each of us played demos for close, trusted friends and loved ones. Sometimes, you’ll get a good, honest response, but sometimes they’re gonna be nice. What’s lucky with the three of us is we really trust each other’s taste. Even if it was just one of us not feeling it, we’ll listen and keep going and hacking away until the three of us are good with it. The ultimate arbiter is the three of us, so we really had to rely on that because we didn’t have a live audience telling us something was good or okay or not great. Luckily, we feel like it worked out for The Rise, but we’re happy our new songs we’re recording, we’re playing live, listening for feedback and seeing what’s hitting.

SILY: “Plague Dogs”’ launching point was the Richard Adams novel of the same name. Do you find that films or books are often the origins for your songs?

AC: I’m speaking for Nils, but sometimes he gets the idea for songs from TV or films or art. A lot of Hometowns and our first couple records was inspired by real stories from Nils’ personal life, as tons of songwriters do. A lot of those songs were about people and places he was thinking about from back home. That’s where he drew a lot of inspiration in the early days. If he were the one answering, he’d say inspiration comes from a lot of places for him. Plague Dogs happened to be the inspiration for this song, which made a lot of people [incorrectly] think it was inspired by the pandemic. [laughs]

SILY: How do you think the band has grown over time, instrumentally, lyrically, or in general?

AC: We’ve grown in the ways that people do over the 15, close to 20 years we’ve been a band. We’ve definitely gotten a lot better musically. We’ve learned a lot about making music, writing songs. We all know each other a lot better. We’ve been through a lot together, and we know how to collaborate. We know how to listen to each other and present our ideas to each other. Anyone who has worked in a group would understand this, but people have really different styles of working and communicating, and it takes a long time to learn how to best work with another person. We’ve gotten to a place where we’re super comfortable with each other and get each other, and now we sound tighter.

SILY: What else are you specifically looking forward to on this tour besides road testing new material?

AC: I’m sure it’s the answer every band gives: getting to play in front of people after not being able to do so after a number of years. We never took it lightly, but we’ll never take it for granted again. To be on stage and get to be the ones performing is one of the best experiences you can have as a musician, playing your songs in front of people who want to hear them. The fact that we’re going to get to do that again is an incredible gift. We weren’t sure we’d ever get to do this again. There were long stretches where we didn’t know what the future held for us, but we’re so happy it’s this.

SILY: Is there anything you’ve been listening to, watching, or reading lately you’ve enjoyed?

AC: I watched a bit of Wednesday. My friend edited the show, including the iconic dance sequence that went viral recently, so I was very excited for him. I watched Fleishman Is in Trouble. I love The Amber Ruffin Show, which I hope comes back. She’s a writer for Late Night with Seth Meyers, which I also watch all the time. I just watched “Seth and Lizzo Go Daydrinking” last night. I loved it. It was so hilarious. Lizzo’s amazing. I was happy she won Record of the Year.

I was listening to Television just before we got on. I’ve been listening to them a lot the last couple days.

SILY: Mourning Tom Verlaine?

AC: Yeah. Listening to how much of the seeds of so many bands are in them. 

02/23 – Chicago, IL @ Lincoln Hall

02/24 – Milwaukee, WI @ Shank Hall

02/25 – Minneapolis, MN @ Fine Line Music Café

02/26 – Omaha, NE @ Slowdown

02/28 – Denver, CO @ Hi-Dive

03/02 – Kansas City, MO @ recordBar

03/03 – St. Louis, MO @ Old Rock House

03/04 – Indianapolis, IN @ Hi-Fi

03/22 – Boston, MA @ Brighton Music Hall

03/23 – New York, NY @ Bowery Ballroom

03/24 – Woodstock, NY @ Levon Helm Studios

03/25 – Philadelphia, PA @ Johnny Brenda’s

03/27 – Washington DC @ Songbyrd

03/28 – Richmond, VA @ Richmond Music Hall

03/29 – Durham, NC @ Motorco Music Hall

03/31 – Cleveland, OH @ Beachland Ballroom

04/01 – Detroit, MI @ El Club

04/02 – London, ON @ Rum Runners

06/16 – Beaumont, AB @ Beaumont Blues & Roots

07/06 – Calgary, AB @ Wildhorse Saloon Stampede Party

07/07 – Orillia, ON @ Tudhope Park

[mariacallous]

Commons leader Penny Mordaunt and former minister Jacob Rees-Mogg are among senior Tories to have lost their seats, as the party suffers a heavy election defeat.

Ms Mordaunt, who was tipped as a future Tory leadership contender, saw her majority of more than 15,000 overturned in Portsmouth North.

Mr Rees-Mogg, a former business secretary, lost in North East Somerset and Hanham, with Labour overturning his 16,000 majority.

He told the BBC he wouldn't "blame anybody other than myself" and that it had been "a very bad night for the Conservatives".

Defence Secretary Grant Shapps, Justice Secretary Alex Chalk and Michelle Donelan are among a clutch of cabinet ministers to lose their seats.

But Chancellor Jeremy Hunt, who had been seen as vulnerable in his Godalming and Ash constituency, managed to hold on with slender 891 majority.

'Sobering verdict'

Prime Minister Rishi Sunak conceded the election, speaking after he was re-elected in Richmond and Northallerton.

He said the electorate had “delivered a sobering verdict” on the Tories, and apologised to those in his party who had lost their seats. He said he had called Labour leader Sir Keir Starmer to congratulate him on winning.

Speaking after losing her seat, Ms Mordaunt said her party had "taken a battering because it failed to honour the trust that people had placed in it".

She warned against "talking to an ever smaller slice of ourselves," adding, "if we want again to be the natural party of government, then our values must be the people's".

In other high profile Tory losses:

Veterans Minister Johnny Mercer lost to Labour in Plymouth Moor View

Education Secretary Gillian Keegan lost to the Liberal Democrats in Chichester, a West Sussex seat the Tories have held for a century

Culture Secretary Lucy Frazer lost Ely and East Cambridgeshire, also to the Liberal Democrats

Chief Whip Simon Hart - in charge of party discipline - lost to Plaid Cymru in Caerfyrddin, as the Tories lost all their seats in Wales

Former justice secretary Sir Robert Buckland, who also lost his seat, told the BBC his party faced "electoral Armageddon".

He said too many Conservatives had focused on "personal agendas and jockeying for position" instead of "concentrating on doing the job that they were elected to do".

"I've watched colleagues strike poses, write inflammatory op-eds, and say stupid things they have no evidence for, instead of concentrating on doing the job that they were elected to do," the former justice secretary said.

Asked whether he was referring to former home secretary Suella Braverman, who days before polls opened published an article in the Daily Telegraph strongly criticising the government, he said: "Yes, and I'm afraid that's not an isolated example."

"I'm fed up of personal agendas and jockeying for position. The truth is now with the Conservatives facing electoral Armageddon, it's going to be like a group of bald men arguing over a comb.

Sir Robert said for the party to move further to the right would be a "disastrous mistake" that "would send us into the abyss".

Speaking earlier, before his defeat, Sir Jacob said it was “clearly a terrible night” for his party, that had come to take its “core vote for granted”.

“We need to win voters at every single election. If you take your base for granted... your voters will look to other parties.”

He thought the party had made a mistake by ousting Boris Johnson, who led it to victory in the 2019 election but was forced to step down as prime minister in 2022 following a series of scandals.

Former cabinet office minister Steve Baker, who BBC projections gave less than a 1% chance of holding onto his seat, said his party was having an “incredibly difficult night”.

He said Rishi Sunak had a "brilliant mind" but acknowledged he had made mistakes during the campaign, including the decision to leave D-Day commemorations early.

[hoodienanami]

Malcolm McLaren watching Johnny Rotten do...something...with an ashtray in a not as rare as you might think moment of peace between the two. photo taken by Bob Gruen in October of 1976

ive always been fascinated by their relationship. they were a match made in heaven (or in hell if you were a hippie or member of the british government in the 70s) artistically speaking and ive always wondered what they could have done if they had been able to continue to work together...unfortunately i doubt that would have ever happened as they were never truly on the same page about things- be it art, ideology, or morality

I suppose there was a matter of who was in charge. They were very close, they used to go off for meals together in ’76, and long chats, and that ceased at some stage. Mutual suspicion. - Sophie Richmond, The England's Dreaming Tapes

[kwebtv]

Character Actress

Cynthia Chenault (born January 5, 1937) Film and television actress and producer/writer active from the mid-1950s to the present. She used the screen name Cindy Robbins in her acting credits.

Her first acting role on television was in 1955, in the episode Moonfire of the television western series Brave Eagle. In 1960, Robbins appeared as a ballerina in the "Bullets and Ballet" episode of Tightrope!.

Her last acting role in television was on the television comedy series McHale's Navy in 1964.

Her best-known role was that of Carol Porter, one of the daughters in the one-season situation comedy The Tom Ewell Show (1960–61). She also made two guest appearances on Perry Mason, including the role of Teddi Hart in the 1960 episode "The Case of the Treacherous Toupee" and the role of Mabel Richmond in the 1962 episode "The Case of Melancholy Marksman".

Her other television work consisted of appearances in comedy shows (Ensign O'Toole, December Bride (2 episodes), Father Knows Best, The Adventures of Ozzie and Harriet, Leave It To Beaver), McHale's Navy & military/action shows (Steve Canyon, Whirlybirds, Harbor Command), westerns (Wagon Train (3 episodes), Outlaws, The Tall Man), and dramas (Westinghouse Desilu Playhouse (2 episodes), General Electric Theater, Markham, The Lineup, Johnny Midnight, Tightrope, Dragnet).  (Wikipedia)

[crownrots]

❄️ mobile links.

follows from @carrionsflower

⟢ the clowns

⟢ pin interest (old) | new (under con)

⟢ resources ╴face claims ◦ prompts ◦ reference

oc master list under the cut:

BALDUR'S GATE 3 ──

Phillipa Marwood - tag | ♡ gale

Aerona Zonvasses - tag | ♡ shadowheart

Marik Thayer - tag | ♡ astarion

Varyamë of the Lythari - tag | ♡ lae'zel

Prim Skarnak - tag | ♡ halsin

CALL OF DUTY ──

Jacqueline Dubois - tag | ♡ john price

Drew Guidry - tag | ♡ helen espinoza

Holly McDowell - tag | ♡ esteban rojas

Alessandro Messina - tag | ♡ marnie daniels

CYBERPUNK 2077 ──

Vanessa 'V' Lennox - tag | ♡ panam palmer

Vianna Salvatore - tag | ♡ jamie valentino

DAYS GONE ──

Ami Mccormick - tag | ♡ kiki navarro

Terrence Walker - tag | ♡ regina angeli

Richie Scott - tag | ♡ beckett estrada

DC ──

Eloise Rigby - tag | ♡ adrian chase

Yvette Maxwell - tag | ♡ sunny santoso

FALLOUT ──

Archie Atkinson - tag | ♡ tris monroe

Emmett Turner - tag | ♡ kitty

Eddy Sayer - tag | ♡ claudia maris

FALLOUT (PRIME) ──

Hattie Milford - tag | ♡ ricki silva

FAR CRY ──

Evelyn Lawrence - tag | ♡ /

Robert Lawrence - tag | ♡ hildy larmar

Jaxx Ackerson - tag | ♡ jojo

Ivy Wilson - tag | ♡ andy rivera

HOUSE OF THE DRAGON ──

Eraesella Storm - tag | ♡ clifton stark

Myra Ryger - tag | ♡ gwayne hightower

Cassian Lannister - tag | ♡ lorenza martell

Grimm Harmlet - tag | ♡ nymora sand

MCU ──

Roxanne James - tag | ♡ /

MIDNIGHT MASS ──

Ophelia Cohen - tag | ♡ dana andrews

RED DEAD REDEMPTION II ──

Nora Higgins - tag | ♡ arthur morgan

RESIDENT EVIL ──

Jeremy Stanford - tag | ♡ fatima pavan

Brooke Todd - tag | ♡ /

Maeve Peralez - tag | ♡ jake muller

SCARLET HOLLOW ──

Rowena Albrecht - tag | ♡ reese kelly

Lenore Scarlet - tag | ♡ sam wayne

Jack Haggerty - tag | ♡ stella richmond

STAR WARS ──

Amara - tag | ♡ owen yonhatt

STRANGER THINGS ──

Patricia Upton - tag | ♡ jim hopper

Avery Slaughter - tag | ♡ eddie munson

THE LAST KINGDOM ──

Wynflæd - tag | ♡ finan

Ingrid - tag | ♡ eadith

THE LAST OF US ──

Rian Mccormick - tag | ♡ mari cross

Teagan Montgomery - tag | ♡ xavier cruz

Mason Novak - tag | ♡ raquel quint

Parker Novak - tag | ♡ milly vanelli

THE LAST OF US (HBO) ──

Kyle Alpert - tag | ♡ tommy miller

Savannah Alpert - tag | ♡ calum jackson

Mark Hudson - tag | ♡ gladys page

Wesley Chase - tag | ♡ eugenie doucett

THE TEXAS CHAIN SAW MASSACRE ──

Kit Slater - tag | ♡ alondra carrera

Dory Sinclair - tag | ♡ alonso carrera

Tammy Shaw - tag | ♡ /

Vince Shaw - tag | ♡ ginny tate

Perry James - tag | ♡ johnny slaughter

Sandra Underwood - tag | ♡ kerry reed

Iris - tag | ♡ leslie astor

Peggy Ward - tag | ♡ robin holley

Cindy Ward - tag | ♡ juniper mckinney

Derrick Ward - tag | ♡ addie bautista

THE TEXAS CHAINSAW MASSACRE ( 2000S) ──

Garrison Abbott - tag | ♡ gemma crawford

Sosie Sanchez - tag | ♡ deacon crawford

Eliza O'Rourke - tag | ♡ nix

Daisy Dunn - tag | ♡ /

Winnie Madison - tag | ♡ dominic cross

Emmett Turner - tag | ♡ lola

THE WAYHAVEN CHRONICLES ──

Nina Bird - tag | ♡ william bird | ♡ adam du mortain

Eleanore Greene - tag | ♡ farah hauville

Agatha Elwood - tag | ♡ mason

[jackstanleyroberts]

The descriptions of the characters in the Extended Cut of the Scream franchise Part 7

Hello everybody, if you have seen part 6 of the new characters of the franchise, well I have doing the newer characters that some are related to the legacy & new characters & some are the additional characters that new to the new Scream films, here's more of the new characters in the Extended Cut of the Scream franchise.

New Characters: Part 3

Brianne Tju as June Dawson, an Funny, Charismatic, Energetic, & Sassy young woman who's being one of the new characters in the Extended Cut of Scream VI. She's one of the students & one of the sorority members at Blackmore University in New York.

Spencer Locke as Ellen Hoffman, an Beautiful, Tough, Talented, & Intelligent young woman who's been one of the sorority members at Blackmore University in New York & she's one of the new characters in the Extended Cut of Scream VI.

Madison Iseman as Alexandra "Allie" Miller, an Beautiful, Elegant, & Sassy young woman who's being one of the new characters in the Extended Cut of Scream VI. She's one of the students at Blackmore University in New York & she's the younger sister of Alexander "Alex" Miller.

Ed Speleers as Alexander "Alex" Miller, one of the new characters in the Extended Cut of Scream VI. He's the older brother of Alexandra "Allie" Miller.

Logan Miller as Lincoln Jefferson, one of the new characters in the Extended Cut of Scream VI. He's one of the students at Blackmore University in New York & he's an part of the friend group of The Fab Twelve & The Core Four.

Rachel Sennott as Theresa "Tree" Hicks, an Funny, Charismatic, Humorous, & Brilliant young woman who's being one of the new characters in the Extended Cut of Scream VI. She's one of the students & one of the sorority members at Blackmore University in New York.

Anthony Ramos as Nicholas "Nick" Rodriguez, one of the new characters in the Extended Cut of Scream VI. He's one of the students & one of the Fraternity members at Blackmore University because he's the older brother of Miranda Rodriguez & he's being buddies with Terry & Larry Watkins & Johnny Landry when they're playing video games as their common hobby.

Milo Manheim as Zackary "Zack" Feldman, an Kind, Tough, & Respectful young man who's been one of the new characters & one of the students at Blackmore University in the Extended Cut of Scream VI. He's the boyfriend of Graceland "Grace" Prescott & he's the son of Derek Feldman.

Tequan Richmond as Maurice Lakewood, one of the new characters in the Extended Cut of Scream VI.

More descriptions of the characters in the Extended Cut of the Scream franchise are coming soon.

Happy Holidays & Happy New Year!

[signalwatch]

Happy Birthday, Hannah Waddingham

  Today marks the birthday of actor, singer, performer and, I suppose, presenter, Hannah Waddingham.

Eagle-eyed readers, followers of my socials and fans of the podcast will note I became a fan of Waddingham while watching Ted Lasso, and I continue to enjoy her work and joie de vivre. 

This year, Waddingham completed Season 3 of Ted Lasso where she played the complex and often very funny owner of Richmond AFC, Rebecca Welton.  She also co-starred in a BBC/ PBS version of Tom Jones, where she played the manipulative but vivacious Lady Bellaston (and more or less stole the show).  She's been Emmy nominated for both parts.

Last Fall she had a key but small part in Hocus Pocus 2, and a cameo role that was maybe the best part of the Disney+ Willow series. 

Waddingham also hosted the Oliviers (the British Tonys) and Eurovision 2023.  This Christmas, she has a holiday special coming to Apple+ that was recorded a while back, and, according to those who were there, is pretty great.  So keep your eyes open for that.  She's also leant her voice to the upcoming cartoon, Krapopolis, from Dan Harmon.  She mentioned a possible album this year as well.  We'll see.  Oh, and she'll be in the next Mission Impossible movie.

She's selling Pepperidge Farm cookies (they're pretty good, y'all), and has been part of a collab between Johnnie Walker, the Women's Sports Foundation and Justwomenssports.com to encourage people to watch women's sports.  And drink Johnnie Walker, presumably.  Done and done.  And, she's out there on the SAG-AFTRA picket lines.

Anyway, busy year for Waddingham, but all good stuff.  Not bad for someone you didn't hear of before 2020 unless you were hitting a lot of West End shows (I was not).

I have no idea what she'll be up to next, if Ted Lasso is truly over, etc...  But we'll keep tuning in.

https://ift.tt/eWbfYSO

from The Signal Watch https://ift.tt/7Zo98LC

[starrypawz]

I've randomly had some over analysing thoughts about classifying goth characters in media and essentially I think we can create the following categories

Explicit Goth

This character is described as a goth, (either in universe/character descriptions or word of god) will generally aesthetically be goth, and will often in some way depicted as engaging with the subculture

Examples: Gerard Keay, Sam Manson, The Goth Kids from South Park*, Richmond Avenal, Crimson and Ennui, Gwen, Nemi, Vince Noir**

(*Don't @ me they count ok)

(**Briefly, he still counts)

Implicit Goth/Coded Goth

This character is not described as a goth but is depicted in a way people are like 'This character would be Goth' this includes characters from settings where the Goth subculture doesn't exist

Examples: Death of the Endless, Raven from Teen Titans, Ruby Gloom, Misa Amane*, Nancy Downs, Alice Liddell (American McGee),

(*I am not quite sure if I would pit Misa in Implicit or Resonate I can see either, I would say she belongs here rather than Surface goth or Mislabeled Goth)

Resonate Goth

Potentially a subsection of the Implicit Goth but these are characters that are not described as goths, and likely were not coded as Goths as these characters in some cases pre date the Goth subculture but have resonated with the subculture enough they've been adopted and often are an influence on the subculture

Examples: Lydia Deetz, The Hex Girls, Dracula, The Addams Family, Neo and Trinity, Eric Draven, Jack Skellington,

Surface Goth

These characters often aesthetically look goth and could potentially fall into Implicit or Resonate but often do not have quite enough substance to put them in either section. I think this type tends to pop up a lot in kid's cartoons and sitcoms etc

Examples: Mavis, Laetitia Bowers , Pandora

Mislabeled Goth/Non Specific Alternative

The character is described as a goth either in canon or by fans but doesn't actually quite fit, these characters are often alternative but this is often a case of 'anyone wearing black and kind of moody is a goth obvs' depending on when these characters were created they tend to actually be Emos, this character type also pops up a lot in kid's cartoons and sitcoms

Examples: Gaz (Invader Zim), Robby Valentino, Johnny and Lacie

[dustedmagazine]

The Ar-Kaics — See the World on Fire (Feel It/Dig/Bachelor)

Photo by Shane Brown

See the World on Fire just came out this week, but it feels like a long-lost artifact, a Nuggets gem inexplicably left off the box set, a rough-housing snatch of Strum and Thrum that narrowly escaped revival. There’s a patina of mod-rocking, blues-blustering 1960s rubbed into this album. You’d to find it in the cheap bin at the Salvation Army store, but this band instead exists squarely in the digital age, with a bandcamp page and a deal with punk label of the moment Feel It Records.

But though it’s not a reissue, this album locks into the past, with the slow violent Link Wray-ish-ness of its opening cut “Chains,” the Neil Young channeling blues boogie of “Cornerstone” (which owes more than a little to “Southern Man”), the Seeds-y jangle of “Dawning.” The songs swell in broken crescendo, full of hopeless drama and ragged romance. They flicker in tremulous eighth note cadences. They rear up in blistering fuzz guitar solos. The call and response in “Land of the Blind” is a desperate, desolate thing, as if the leader Johnny isn’t sure there’s anyone out there, if maybe the band got lost wandering through smoldering dystopias.  

Every minute of it matters, though. There’s no let-up in the intensity, the dogged insistence on persevering, the struggle through to thrilling, climactic resolution. Even the longest cut, aptly named “Never Ending” at over nine minutes, has a grooving, sidewinding tension to it in the steady plunk of bass, the chink of closed cymbal, the flowery, rock-star vocals, part Rob Tyner, part Morrison, part Eric Burdon. It saunters slowly, but with purpose, gathering heft and significance as it goes.  And then, just past halfway, it gathers into a churning, headlong maelstrom, psychedelic and untethered. It must be a monster live, you think, and, for a minute you’re sad that you missed it. Then you remember this is not a 1960s relic. It’s still going on, and if you made the trip to Richmond, you might still be able to catch it.  

Jennifer Kelly

[bird-likes-to-fandom]

hi! come read my cdplayer fic

Summary:

“What a fucking queer.” The girl said as she pushed her closer against the metal grates of the locker so hard Penny could feel the bolts pushing into her skin. Penny slammed her knee up into the girl’s crotch as hard as she could to get her to get off of her. She screamed and relented, but it was no use. Giselle had grabbed just what she was looking for: Penny’s diary. She passed it around to her other friends, who took turns reading about her crush on Johnny Moon, her school life, her deepest fears and darkest thoughts, her feelings about being ripped from her home… and finally:

���Is this a drawing of Tammy Edwards?”

---

Penny gets bullied and hides in a janitor's closet, and Tammy comes to find her. They comfort each other, and learn secrets about one another they never intended to let slip.

Again, I just wanna give such a big thank you to @cam-stopped-eating-candles

happy valentines day!!!

[welcometojackass2022]

Taking Commissions—Personalized and Kink/Fetish Fics for $10-$15

Figured I’d go ahead and make this official! I’m currently taking commissions. For $10 I’ll write you a personalized smut fic that will be similar to my x reader fics except instead of the reader, you get to choose the name, personality traits and characteristics of the main character; you can use yourself, an OC, anything you want as specifically detailed as you want. You can also choose to have another canon character or person used instead of yourself or an OC (for example, a Harry Potter x Draco Malfoy fic instead of a Harry Potter x Reader fic). I’m also taking commissions for hardcore kink and fetish fics for $15, which can also be personalized upon request. Continue reading for more details!

Fandoms I Take Commissions For:

Jackass (Johnny Knoxville, Dave England, Danger Ehren, Chris Pontius, Steve-O, Bam Margera, Ryan Dunn, Wee Man, Preston Lacy, Stephanie Hodge, Jeff Tremaine, Spike Jonze, Rachel Wolfson, Poopies, Zach Holmes, Jasper Dolphin, Eric Manaka)

Viva La Bam and CKY (Bam, Ryan, Brandon DiCamillo, Rake Yohn, Raab Himself/Chris Raab), Brandon Novak, Tim Glomb, Lord Bottaro, Joe Frantz, Jess Margera, Chad Ginsburg, Deron Miller, Ryan Gee)

Game of Thrones (too many characters to list, just ask upon request)

Harry Potter (pretty much any character, just ask upon request)

Gotham (most characters, just ask upon request)

Shameless (most characters, just ask upon request)

Jimmy Pop and Evil Jared from Bloodhound Gang

Ville Valo from HIM

Any character from Haggard or Minghags

The Mighty Boosh (Vince, Howard, Naboo)

Peep Show (Mark and Jeremy)

IT Crowd (Moss, Jen, Roy, Douglas, Richmond)

Peaky Blinders (most characters, just ask upon request)

Slipknot (all members)

Pretty much any rock band, including Guns N Roses, Motley Crue, and KISS (check my old account @creativewritingpracticestudio for some of my old rock band fics)

Pretty much any British comedian featured on Would I Lie To You, Taskmaster, Big Fat Quiz, 8 Out of 10 Cats, 8 Out of 10 Cats Does Countdown, and Mock the Week

Dead Poets Society (any of the main guys honestly, I’m not picky)

Inbetweeners (most main characters and Mr. Gilbert)

Umbrella Academy (most main characters, ask upon request)

Types of Personalized Fics I’ll Write ($10 Per Fic, $15 if Hardcore Kinks and Fetishes are involved)

Fluff

Smut (angry smut, fluffy smut, jealous smut, anything really)

Angst

Hurt/Comfort

Song fics

Drabbles or short concepts

M/F, M/M, F/F, anything goes

Types of Hardcore Kinks and Fetishes I’ll Write For ($15 Per Fic)

Hardcore BDSM (bondage, dom/sub dynamics, mild pain play, punishments, use of gags, sex toys, and bondage gear, etc)

Consensual Non-Consent

Somnophilia

Piss kink, piss play, bladder control, etc

DDLG/MDLB and all variations, but no pedophilia.

Blood Kink and/or weapon play

Roleplay

Breeding Kink and Pregnancy Kink

Belly Kink/Weight Gain Kink (this does include feederism and force-feeding)

Cucking, Threesomes, Sharing, Free Use, Cheating Kink, etc

Degradation and Humiliation (and on the opposite end, Praise Kink and Body Worship)

Impact Play and Mild Pain Play

Foot Fetish

Exhibitionism and Voyeurism

Wax Play and Temperature Play

Tentacles (yeah sure, why not)

Inflation (I highly doubt anyone’s gonna request this but it’s there as an option)

Note: Extremely gross fetishes like scat, farting, armpits, etc are a possibility but you’ll have to make a pretty decent offer, definitely more than $15. Pedophilia, Bestiality, and kinks involving explicit torture/mutilation or murder are out, no matter what you offer.

Please note that all requests for these fics need to either be sent to me in DMs or through a non-anonymous ask (the ask won’t be posted, it’ll just tell me who to DM to send the link to the fic or to ask questions about the fic). Once the fic is completed, I’ll ask you to send the $10 or $15 through Venmo, PayPal or CashApp (preferably Venmo but it’s your choice) and I’ll either send you the link to the document the fic is written on or email you the PDF of the fic. You can also choose to have me post the fic on ao3 and just not state who requested said fic. Don’t be afraid to ask questions, I don’t kinkshame or judge and I like to be given as many details as possible to ensure that you get the fic you want.

Also, don’t feel obligated to ask for a commission if you’re one of the people who reads my x reader fics! This is just a way for me to earn some money while I’m in college, I will never demand that any of you ask for a commission. Happy requesting :)