#John scalzi

[fanaticsfiction]

Authors Convinced Fanfic is Illegal/Requires Permission

Terry Goodkind: “Copyright law dictates that in order for me to protect my copyright, when I find such things, I must go out and hire lawyers to threaten these people to make them stop, and to sue them if they don’t.”

John Scalzi: “Let's remember one fundamental thing about fanfic: Almost all of it is entirely illegal to begin with. It's the wild and wanton misappropriation of copyrighted material”

Diana Gabaldon: “OK, my position on fan-fic is pretty clear: I think it’s immoral, I know it’s illegal, and it makes me want to barf whenever I’ve inadvertently encountered some of it involving my characters.”

Robin Hobb: “Fan fiction is like any other form of identity theft. It injures the name of the party whose identity is stolen.”

Anne Rice: “I do not allow fan fiction. The characters are copyrighted. It upsets me terribly to even think about fan fiction with my characters. I advise my readers to write your own original stories with your own characters. It is absolutely essential that you respect my wishes.”

Anne McCaffrey: “there can be no adventure/stories set on Pern at all!!!!! That's infringing on my copyright and can bear heavy penalties…indiscriminate usage of our characters, worlds, and concepts on a 'public' media like electronic mail constitute copyright infringement AND, which many fans disregard, is ACTIONABLE!”

Chelsea Quinn Yarbro: “No. Absolutely not. It is also against federal law.”

Lynn Flewelling: “Whether you are writing about Seregil or Fox Mulder or Sherlock Holmes, if you do not have legal permission from the author, their estate, or publisher, then you are violating US copyright law. It is creative piracy. Doesn't matter how many disclaimers you put on, or if you're being paid. It. Is. Illegal.”

Someone Else, elaborated in the notes

[torpublishinggroup]

GET BOOKT

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For the friend who has a hot date on Friday night (with their book)...

Fall of Ruin and Wrath by Jennifer L. Armentrout

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Starter Villain by @jscalzi

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Not enough books? We agree. Check out our other GET BOOKT guide.

[wilwheaton]

Yesterday, John Scalzi's latest book, Starter Villain, dropped.

I got to narrate the audiobook! I'm so proud of the work we did together, I made a video to announce it.

[trek-tracks]

Thank you to the person who took John Scalzi’s Redshirts out of the library before me for being a far bigger pedant than I could ever be

[colleendoran]

We're very pleased to announce that CHIVALRY has received the LOCUS Award for BEST ILLUSTRATED AND ART BOOK for 2023.

It is very humbling to be in the company of such fantastic artists as Kinuko Craft, Shaun Tan, and Omar Rayyan. We cannot even begin to express our deep gratitude.

Also, congratulations to Charles Vess on his award for Best Artist, Rob Wilkins for his work on TERRY PRATCHETT: A LIFE WITH FOOTNOTES AN OFFICIAL BIOGRAPHY, John Scalzi for THE KAIJU APPRECIATION SOCIETY, and all the other winners and very deserving nominees, to the staff of LOCUS, and to all those who took the time to make their votes count.

[flameraven]

Very thoughtful commentary about artists, Neil Gaiman in particular, and parasocial relationships more generally. Excerpt:

1. Stop Idolizing Creative People. Creative people are easy to idolize because they create the art you love, and that gives you permission to feel things, and to see yourself and your desires reflected in that art. That is a powerful thing, and from the outside, it can feel like magic, and that the people who do it are tapped into something otherworldly and admirable. Plus, they often get to have cool lives and get to know other cool creative people. They do things that are removed from the day-to-day aspect of a “normal” life, and they’ll even post about them on social media where you can see them. Sometimes, independent of their art directly, they’ll speak about their life, or life in general, and they’ll seem wise and considered and kind. I mean, what’s not to like?

But please consider that this is all an extremely mediated experience of this person. The art is the edited and massaged result of hours and days and weeks and months of work, into which the work of many others is also added. My novels originate from me, but it’s not just me in there, nor is the final form of the novel an accurate statement of who I am as a person, not least of all for the simple reason that I am not trying to tell my story in my novels. I’m creating fictional characters, and the world in which they make sense, for the purpose of the story.

Despite how it might look from the outside, this is not sorcery. It’s years of experience at a craft. It’s not magic, just work. A completed novel (or any other piece of art) won’t tell you much about the specific, day-to-day life and inclinations of the individual who made it, other than a general nod toward their competence, and the competence of their collaborators. Likewise what you see of their lives, even from the illusorily close vantage of social media, is deeply mediated. Lives always look admirable at a distance, when you can only see the lofty peaks and not the rubble at the base — especially when your attention by design is pointed at those lofty peaks. There’s much you don’t see and that you’re not meant to see. The vast majority of what you’re not meant to see isn’t nefarious. It’s just not your business.

Now, before I was a professional creative person, I was an entertainment journalist who spent years interviewing writers, directors, movie stars, musicians, authors and other creative folks. Since I’ve been on the other side of the rope, I’ve likewise met a huge range of creative people from all walks of life. Please believe me when I assure you that creative people are just people. Richer and/or more famous? Sometimes (less often than you might think, though). Prettier and/or more charismatic? Especially if they’re actors or pop stars, often yes! But at the end of the day they are just folks, and they run the whole range of how people are. By and large, the day-to-day experience of getting through their life is the same as yours. Outside of their own specific field of work, they don’t know any more about life, have no more facility for dealing with the world, and have just as few clues about what’s going on in their own head, as anyone else.

They’re just people. Whose work is making the stuff you like! And that’s great, but that’s not a substantive basis for idolizing them. It makes no more sense to idolize them than to idolize a baker who makes cookies you like, or the guy who comes and trims your hedges the way you want them to be trimmed, or the plumber who fixes your clogged drain. You can appreciate what they do, and even admire the skill they have. But holding them up as a life model might be a bit much. Which is the point! If you’re not willing to idolize a plumber, then you shouldn’t idolize a creative person.

(“But a plumber doesn’t make me feel like a creative person does,” you say, to which I say, are you sure about that? Because I will tell you what, when my sump pump stopped working and the plumber got in there, replaced the pump and started draining out my basement which had an inch of standing water in it, that man was the focus of all my emotions and was my goddamned hero that day. My plumber that day did more for me than easily 90% of the great art I’ve ever experienced.)

Enjoy the art creative people do. Enjoy the experience of them in the mediated version of them you get online and elsewhere, if such is your joy. But remember that the art is from the artist, not the artist themselves, and the version of their life you see is usually just the version they choose to show. There is so much you don’t see, and so much you’re not meant to see. At the end of the day, you don’t have all the information about who they are that you would need to make them your idol, or someone you might choose to, in some significant way, pattern some fraction of your life on. And anyway creative people aren’t any better at life than anyone else.

Which brings up the next point:

2. Fuck idols anyway! People are complicated and contradictory and you don’t know everything about them! You don’t know everything even about your parents or siblings or best friends or your partner! People are hypocrites and liars and fail to live up to their own standards for themselves, much less yours! Your version of them in your head will always be different than the version that actually exists in the world! Because you’re not them! Stop pretending people won’t be fuck ups! They will! Always!

This sounds more pessimistic about humans than perhaps it should be. When I say, for example, that people are hypocrites and liars, I don’t mean that people take every single opportunity to be hypocrites and liars. Most people are decent in the moment. But none of us — not one! — has always lived up to our own standard of behavior, and all of us have had the moment where, when confronted with a situation that would become an immense pain in the ass if we stuck to our guns, or demanded the inconvenient truth, decided to just bail instead, because the situation wasn’t worth the drama, or we had somewhere else to be, or whatever. We all choose battles and we all make the call in the moment, and sometimes the call is, fuck this, I’m out.

Every person you’ve ever admired has fucked up, sometimes really badly. Everyone you’ve ever looked up to has secrets, and it’s possible some of those secrets would materially change how you think about them, not always for the better. Everyone you’ve ever known has things about them you don’t know, many of which aren’t even secrets, they’re just things you don’t engage with in your day-to-day experience of them. Nevertheless it’s possible if you were aware of them, it would change how you feel about them, for better or for worse. And now let’s flip that around! You have things about you that even your best friends don’t know, and might be surprised to learn! You have secrets you don’t wish to share with the class! You have fucked up, and lied, and have been a hypocrite too!

You are, in short, a human, as is everyone you know and every one you will know (pets and gregarious wild animals excepted). And all humans are, charitably, a mess. This doesn’t mean there aren’t good people or even exemplary people out there, since there are, along with the ones that are, charitably, a real shit show. What I am saying is that even the good or exemplary people out there are a mess, have been morally compromised at some point in their lives, and have not lived up to their own standards for themselves, independent of anyone else’s standard for them.

[andythecorsair]

(via Please Don't Idolize Me (or Anyone, Really))

An excellent post about idolization of creatives and why you shouldn’t do it. I’d make a similar point about demonising creatives and people who continue to be their fans, but I think that might get exhausting fast.

[lifblogs]

“My breakfast partner was Hera, an orange-and-white cat who, after I had retreated to my childhood home after the divorce and layoff, had emerged from the backyard bushes and informed me through meowing that she lived with me now.”

Yeah, that’s definitely how cats work!

[talesfrommedinastation]

“They’ve bred us for the purpose of defending humanity, but they’re not sure we’re human enough.

They’ve designed us to be superior soldiers but they worry our design is flawed.

So they see us as less than human and assign us the jobs they fear might make them less than human.

They make just enough of us for those jobs but no more than that.

They don’t trust us because they don’t trust themselves.”

All taken from ‘The Ghost Brigades’ by John Scalzi. Got cloned soldiers, aliens, starships, ethics, whole kit n kaboodle.

I’ll be damned if this doesn’t sound like some shit Rex, Fives, or Cody would say.

If yall love The Clone Wars or The Bad Batch, download ‘Old Man’s War’ and the sequels by John Scalzi, ASAP.

[craftygobelin]

" Fuck idols anyway! "

Don't idolise people. Perfect way to react to the last shitshow in "I am famous white cisman and I think I can do whatever I want with women" (or others people/matters).

[tinynavajoreads]

I was tagged by @e-b-reads to choose 5 favourite books and let me just say I have far too many to limit to only 5. So, I'm adding a new rule just for myself! 5 favourite books in science fiction. Have at ye!

Okie dokie, have fun choosing which is your favorite/you've read of these! Enjoy! And I honestly might do another later with another genre!

Tagging @aridotdash @just0nemorepage and @bookklempt if you haven't done this already. As always with this, no pressure and if you were tagged and want to participate, then please do so! Cause these are fun!

[cliophilyra]

A really good essay about an important thing from John Scalzi.

[torpublishinggroup]

This advertisement is for Starter Villain, a new science fiction adventure from Hugo Award–winning author John Scalzi.

Meet the new boss.

JK this cat doesn’t work for Tor. At least, we’re pretty sure, with remote work it’s hard to tell who is and isn’t a cat. The person posting this could be a cat. You’d literally never know.

But we do know you should check out Starter Villain by John Scalzi, because it does have hyper intelligent cats working for a villainous organization.

WHAT THE BOOK IS ABOUT

When divorced substitute teacher Charlie’s long-lost uncle Jake dies, he’s not expecting much. Certainly not to inherit a supervillain business, complete with an island volcano lair, giant laser death rays, lava pits, and hyper-intelligent talking spy cats.

But it gets worse.

Because his uncle wasn’t just a supervillain. He was a supervillain who was in the middle of trying to take down the other supervillains. Somewhere along the way he decided that the rich, soulless predators back by multinational corporations and venture capital were a bad idea. And they needed to be stopped.

And now they’re after Charlie.

[froward-bat]

Reading John Scalzi's "The Kaiju Preservation Society" for my book club, and bumped up hard against this reference:

I think it's tricky enough in general trying to incorporate genre pop culture references into your genre work where those fantastical elements are real, but man. "Godzilla" is reacting to a very big and specific event in Japanese history, there's something weirdly diminishing and flattening about rewriting its creation into your fiction as "there was an actual Godzilla and Japan heard about it and made 'Godzilla' but they got it wrong" - also, in light of what "Godzilla" is actually about, kinda weird to make the US military the heroes of your "real" version with Japan barely involved as passive observers.

(I'm not done, so maybe this gets addressed or elaborated on later, but the overall impression I get from the book so far has me leaning more towards "he just didn't think too hard about it").

[literary-illuminati]

Book Review 53 – The Kaiju Preservation Society by John Scalzi

This is the last novel I read exclusively and entirely because it was nominated for a Hugo, and is also the first thing of Scalzi’s I’ve ever touched. Not that I haven’t been, like, peripherally aware of him for a while, but until now I’ve never really felt compelled by any of the pitches I’ve heard for his stuff. Having now read this – yeah, I stand by that. It’s not a bad book, but it’s just very much brainless dumb popcorn fun. Also he’s got a few writing quirks I kind of despise.

The story is about exactly what it says on the tin – a former grad student who dropped out to join a startup and then got fired and ended up doing food delivery during COVID runs into an old acquaintance and is offered a mysterious but high paying job ‘lifting things’. The job turns out to be with the eponymous Kaiju Preservation Society – an NGO with bases on an alternate earth, studying the nuclear-powered leviathans that are somehow its natural apex predators and protecting them from poachers. From there the plot plays out as you’d expect – crash course training and being introduced to the world, making friends, near-misses studying the Kaiju, an asshole billionaire whose revealed to be the villain, breaking the rules and disobeying orders with those friends to save a Kaiju from the billionaire before she goes nuclear and wipes out half of Newfoundland, and so on. Like I said, brainless popcorn. The pacing would actually work very well adapted to a movie, I think – certainly the whole thing would do better with some visuals.

This is a very simple novel, clearly designed to be a comfort read rather than something you wrestle with. Everyone is exactly who they appear to be when they’re introduced, there’s no moral complexity or clever mysteries, the plot plays out beat for beat as you would expect it to. Cozy fantasy for people who like giant monsters and action scenes, I guess?

The tone is very jokey, in a very 2010s nerd culture kind of way? This is a book written about people who name the bases on the world full of 12-story kaiju after classic Godzilla movies, and for people who would do the same. Just about every sympathetic major character is a massive nerd of some variety, and this is very clearly a reason you’re supposed to relate to and like them. And the lampshading – the book knows its worldbuilding makes no sense, and it takes pains to point this out to you as you read it so you can laugh at it, again and again. Hell, it lampshades how much its lampshading, complete with a definition of the term that feels like it was read right off of TV Tropes. Others may find this endearing, for me it just grated intensely.

Lastly - so this isn’t a book about COVID, but it’s very clearly a pandemic novel. The non-Kaiju World parts will probably be a fascinating cultural artifact for undergrads a couple decades down the line. It’s got the housing crisis, the gig economy, ZIRP corporate phantasmagoria, COVID lockdowns, and all that’s before all the cultural references. Anyway, it wins a decent amount of goodwill from me by remembering the existence of all the people for whom ‘lockdown’ wasn’t really a thin because ‘essential worker’ was a shockingly broad category. Still, it’s all just backdrop that stuck out too me, not really the book’s actual subject.

Anyway yeah, I’m probably being a bit harsh – this was nominated for a Hugo? Really? - but the book’s fine. Inoffensive. Would make a great Disney movie.