#Johann Christoph Pepusch

[gasparodasalo]

Johann Christoph Pepusch (1667-1752) - Overture to "The Beggar's Opera" for 2 Oboes, Bassoon, Strings and Basso continuo in B-flat Major. Performed by Robert Rawson/The Harmonious Society of Tickle-Fiddle Gentlemen on period instruments.

[lesser-known-composers]

Johann Christoph Pepusch (1667-1752) - Concertos and Overtures for London I. Concerto à 5 for oboe, strings, and basso continuo in G minor

Adagio - Allegro -Adagio - Allegro II. Overture to "Venus and Adonis" in F Major Allegro - Adagio - Allegro

The Harmonious Society Of Tickle-Fiddle Gentlemen Robert Rawson, direction

[persinsala]

The Beggar’s Opera

La Stagione lirica del Verdi di Pisa si inaugura con una scelta di innovazione – da parte del suo direttore artistico – che va plaudita. The Beggar’s Opera nella versione di Ian Burton e Robert Carsen, però, a livello interpretativo e coreografico non convince del tutto

(more…)

[wordsmusicandstories]

Black-Eyed Susan &  Sweet William/1 (John Gay)

Black-Eyed Susan &  Sweet William/1 (John Gay)

John Gay, English poet and dramatist, was born on 30 June 1685.He owes his fame mainly to “The Beggar’s Opera”, a ballad opera with music arranged by Johann Christoph Pepusch, performed for the first time in London in 1728. It was produced by John Rich, an important theatre director and it was so successful that it was said that the piece made “Rich gay and Gay rich”.Two hundred years later, it…

[todayclassical]

July 20 in Music History

1600 Birth of composer Simon Ives

1732 Death of Italian composer Francesco Bartolomeo Conti in Vienna. 

1744 Birth of composer Henri Hamal.

1752 Death of German born English composer and conductor John Christopher Pepusch.

1762 Birth of composer Jakob Haibel.

1776 Birth of English publisher Samuel Chappell.

1779 Birth of composer Ignaz Schuster.

1796 Birth of composer Edward Hodges.

1803 Birth of composer Jakob Zeugheer.

1819 Birth of composer Paul Henrion.

1828 Birth of soprano Marie Geistlinge in Graz.

1837 Birth of composer Hans Sommer.

1868 Birth of Polish-Bohemian composer Johann Friedrich Kittl in Lissa. 

1870 Birth of Austrian composer, violinist, and conductor Luigi von Kunits.

1871 Birth of Australian pianist Ernest Hutcheson in Melbourne. 

1872 Birth of French composer Deodat de Severac. 

1872 Birth of composer Alick Maclean.

1873 Birth of Polish composer Witold Maliszewski.

1895 Birth of soprano Mercedes Capsir in Barcelona. 

1903 Birth of soprano Anny Helm in Vienna.  

1908 Birth of Swedish pianist and composer Gunnar de Frumerie.

1910 Birth of Czech born British conductor Vilem Tausky.

1914 Birth of baritone Hermann Uhde in Bremen. 

1920 Birth of bass Andrew Foldi in Budapest. 

1920 FP of Igor Stravinsky's Grande Suite from the staged work "The Soldier's Tale," at Wigmore Hall, with Ernest Ansermet conducting in London.

1923 Birth of bass-baritone Franco Calabrese in Palermo.

1924 FP of Arnold Schoenberg's Serenade for chamber ensemble, in Donaueschingen, Germany. 

1927 Birth of Austrian conductor Michael Gielen.

1931 Birth of tenor Gregory Dempsey in Melbourne. 

1932 Birth of Koren-American avante-garde composer-artist Nam June Paik.

1933 Birth of composer Jose Vicente Asuar.

1939 Death of British conductor Sir Dan Godfrey, in Bournemouth, England.

1939 Death of soprano Jeannette Vreeland.

1942 Birth of soprano Lou Ann Wyckoff in Berkeley California.

1942 FP of Miaskovsky's Symphony No. 23, in Moscow.

1945 Birth of baritone Vladimir Malchenko in Smolensk. 

1947 Birth of soprano Colette Alliot-Lugaz. 

1956 Birth of American composer Michael Gordon in Miami Beach, FL.

1957 Birth of Austrian composer Gernot Wolfgang in Bad Gastein, Austria.

1957 Death of baritone Emil Schipper.

1958 FP of Xenakis' Achorripsis for 21 instruments, in Brussels.

1961 FP of #Barraud's "Lavinia" Ais-en-Provence 

1962 Birth of Russian composer Philipp Koltsov in Moscow.

1970 FP of Morton Feldman's Mme. Press Died Last Week at Ninety, an orchestral work dedicated to his Russian piano teacher, in St. Paul de Venice, France.

1996 Death of soprano Natalia Dmitrevna Shpiller. 

2004 FP of Zhou Long's The Immortal for orchestra. BBC Proms concert, BBC Symphony, Leonard Slatkin conducting.

[ojolosoy]

(vía https://open.spotify.com/track/5b7PWr4QoY917RV00fmeyM?si=1EDr0Px7QaCRfbo76mIuNQ)

[abager]

No one likes to arrive too early at a party. There’s no one to talk to and nowhere to hide. You can’t leave without being conspicuously rude.  In due course you find yourself talking about car insurance (or worse still, Brexit) with other new arrivals. Of course, there’s the decor to look at (paintings you don’t much like) and there’s the buffet, tempting but as yet untouchable.

As hosts, though, we’re always grateful to those who arrive early and get things going.

New social networks have a hard time too. What’s the point of joining if no one’s there?

In gigglemusic, our new social network for classical musicians, we try to solve that problem by offering new users content that doesn’t depend on the community being large. We’ve uploaded the schedules of major classical music venues around the world (for the moment mainly opera houses).

We’ve also entered the ‘diaries’ of the world’s greatest composers – well, the greatest composers writing within the Western tradition or having some significant influence on it. By their diaries I mean their dates and places of birth and death (though many are still alive and kicking) and the dates and places of the first performances of their major works. Almost all of this comes from Wikipedia.

It may be a bit like trainspotting, but I, for one, find it mildly interesting to know where this or that masterpiece was first performed, and when.

To review a composer’s diary, start with People, open a profile, tap Diary and then scroll up to go back in time. Tap on an individual work to find out more. There’s usually a Wikipedia article to link to.

  But who are the world’s greatest composers?

There’s no ideology behind the selection I’ve made, and no conscious exclusions (I’ve even included Carl Orff). They’re just the first 292 composers who came to mind, and for whom there was also a Wikipedia entry. I’m sure the assiduous researcher will detect unconscious bias, but if you do, please tell me who I’ve missed. There’s room for nearly everyone in gigglemusic.

Adam (Adolphe) Adams (John) Adès (Thomas) Albeniz (Isaac) Albinoni (Tomaso) Alwyn (William) Arne (Thomas) Arnold (Malcolm) Auric (Georges) Bach (Carl Philipp Emanuel) Bach (Johann Sebastian) Balakirev (Mily) Barber (Samuel) Bartok (Bela) Bax (Arnold) Beach (Amy) Beamish (Sally) Beethoven (Ludwig van) Bellini (Vincenzo) Bennett (Richard Rodney) Berg (Alban) Berio (Luciano) Berkeley (Lennox) Berkeley (Michael) Berlioz (Hector) Berners (Gerald (Lord)) Bernstein (Leonard) Berwald (Franz) Birtwistle (Harrison) Bizet (Georges) Bliss (Arthur) Blitzstein (Marc) Bloch (Ernst) Blow (John) Bologne (Joseph) Borodin (Alexander) Boulanger (Lili) Boulanger (Nadia) Boulez (Pierre) Bowen (York) Bozza (Eugene) Brahms (Johannes) Brian (Havergal) Bridgetower (George) Britten (Benjamin) Bruch (Max) Bruckner (Anton) Bush (Alan) Busoni (Ferrucio) Butterworth (George) Buxtehude (Dietrich) Cage (John) Canteloube (Joseph) Carter (Elliot) Chabrier (Emmanuel) Chagrin (Francis) Chaminade (Cécile) Charpentier (Gustave) Chausson (Ernest) Cherubini (Luigi) Chopin (Frédéric) Cilea (Francesco) Cimarosa (Domenico) Clarke (Rebecca) Clementi (Muzio) Coleridge-Taylor (Samuel) Copland (Aaron) Corelli (Arcangelo) Cornelius (Peter) Couperin (Francois) Cui (César) Czerny (Carl) Dallapiccola (Luigi) Debussy (Claude) Delibes (Léo) Delius (Frederick) Dittersdorf (Carl Ditters von) Dohnányi (Ernst von) Donizetti (Gaetano) Dorati (Antal) Dukas (Paul) Duruflé (Maurice) Dutilleux (Henri) Dvorak (Antonin) Einem (Gottfried von) Eisler (Hans) Elgar (Edward) Ellington (Duke) Enescu (George) Erkel (Ferenc) Falla (Manuel de) Fauré (Gabriel) Feldman (Morton) Ferguson (Howard) Ferneyhough (Brian) Field (John) Finzi (Gerald) Francaix (Jean) Franck (César) Gabrieli (Giovanni) Gershwin (George) Ginastera (Alberto) Giordano (Umberto) Glass (Philip) Glazunov (Alexander) Glière (Reinhold) Glinka (Mikhail) Gluck (Christoph Willibald) Górecki (Henryk) Gounod (Charles) Grainger (Percy) Granados (Enrique) Grieg (Edvard) Grovlez (Gabriel) Gubaidulina (Sofia) Gurney (Ivor) Haas (Pavel) Handel (George Frideric) Harty (Hamilton) Haydn (Joseph) Head (Michael) Hindemith (Paul) Hoddinott (Alun) Holliger (Heinz) Holst (Gustav) Honegger (Arthur) Howells (Herbert) Hummel (Johann Nepomuk) Humperdinck (Engelbert) Ibert (Jacques) Indy (Vincent d’) Ireland (John) Ives (Charles) Jacob (Gordon) Janacek (Leos) Jolivet (André ) Joplin (Scott) Kalivoda (Jan) Kálmán (Emmerich) Khachaturian (Aram) Knussen (Oliver) Kodaly (Zoltan) Koechlin (Charles) Korngold (Erich) Krenek (Ernst) Krommer (Franz) Kurtág (György) Lalo (Édouard) Lang (David) Lauridsen (Morten) Leclair (Jean-Marie) Lehár (Franz) Leifs (Jón) Leigh (Walter) Leoncavallo (Ruggero) Ligeti (Gyorgy) Liszt (Franz) Loeillet (Jean Baptiste) Lyadov (Anatoly) Mahler (Alma) Mahler (Gustav) Marcello (Alessandro) Martin (Frank) Martinu (Bohuslav) Mascagni (Pietro) Massenet (Jules) Maxwell Davies (Peter) Medtner (Nikolai) Mendelssohn (Felix) Menotti (Gian Carlo) Messiaen (Olivier) Meyerbeer (Giacomo) Milhaud (Darius) Moeran (Ernest) Monteverdi (Claudio) Morricone (Ennio) Moyzes (Alexander) Mozart (Wolfgang Amadeus) Mussorgsky (Modest) Nancarrow (Conlon) Nielsen (Carl) Nono (Luigi) Nyman (Michael) Offenbach (Jacques) Orff (Carl) Pachelbel (Johann) Paderewski (Ignacy Jan) Paganini (Niccolò) Paisiello (Giovanni) Palestrina (Giovanni Pierluigi da) Panufnik (Andrzej) Parry (Hubert) Pärt (Arvo) Pasculli (Antonio) Penderecki (Krzysztof) Pepusch (Johann Christoph) Pergolesi (Giovanni) Piazzola (Astor) Poulenc (Francis) Previn (André) Price (Florence) Prokofiev (Sergei) Puccini (Giacomo) Purcell (Henry) Quantz (Johann Joachim) Quilter (Roger) Rachmaninoff (Sergei) Raff (Joachim) Rameau (Jean-Philippe) Ravel (Maurice) Reger (Max) Reich (Steve) Reinecke (Carl) Reizenstein (Franz) Respighi (Ottorino) Richardson (Alan) Riley (Terry) Rimsky-Korsakov (Nikolai) Rodrigo (Joaquín) Rossini (Giacomo) Rota (Nino) Rubbra (Edmund) Saint-Saëns (Camille) Salieri (Antonio) Sammartini (Giovanni Battista) Satie (Erik) Scarlatti (Domenico) Schnittke (Alfred) Schoeck (Othmar) Schoenberg (Arnold) Schubert (Franz) Schumann (Clara) Schumann (Robert) Scriabin (Alexander) Sessions (Roger) Shostakovich (Dmitri) Sibelius (Jean) Sinding (Christian) Skalkottas (Nikos) Smetana (Bedrich) Smyth (Ethel) Sondheim (Stephen) Sorabji (Kaikhosru Shapurji) Spohr (Louis) Stanford (Charles Villiers) Stenhammar (Wilhelm) Still (William Grant) Stockhausen (Karlheinz) Strauss (Johann) I Strauss (Johann) II Strauss (Richard) Stravinsky (Igor) Suk (Josef) Sullivan (Arthur) Sweelinck (Jan Pieterszoon) Szymanowski (Karol) Tailleferre (Germaine) Takemitsu (Toru) Tallis (Thomas) Tavener (John) Tchaikovsky (Pyotr) Tcherepnin (Alexander) Tcherepnin (Nikolai) Telemann (Georg Philipp) Thompson (Virgil) Tippett (Michael) Tubin (Edward) Turnage (Mark-Anthony) Varese (Edgard) Vaughan Williams (Ralph) Verdi (Giuseppe) Vierne (Louis) Villa-Lobos (Heitor) Vivaldi (Antonio) Wagner (Richard) Walker (George) Walton (William) Warlock (Peter) Weber (Carl Maria von) Webern (Anton) Weelkes (Thomas) Weill (Kurt) Weir (Judith) Widor (Charles-Marie) Williams (John) Williamson (Malcolm) Wolf (Hugo) Xenakis (Iannis) Ysaÿe (Eugène) Yun (Isang) Zelenka (Jan Dismas) Zemlinsky (Alexander von)

  The Great Composers No one likes to arrive too early at a party. There's no one to talk to and nowhere to hide.

[journaljunkpage]

TÉLEX

C’est l’un des événements de la saison de l’Auditorium de Bordeaux : le pianiste et compositeur turc Fazil Say livrera les 21 et 22/02 la création française de sa (déjà) Quatrième symphonie, sous-titrée « Hope », commande de l’ONBA et de l’Orchestre Philharmonique de Dresde ; avec, en complément de luxe, le Concerto n° 21 de Mozart. • 

Événement encore que la venue de Thierry Pécou, compositeur et pianiste non moins enthousiasmant, au Théâtre des Quatre Saisons de Gradignan, le 5/02. Au piano, celui-ci associe dans son projet Sangâta deux musiciennes de l’Ensemble Variances à trois musiciens indiens, pour l’un de ces voyages transculturels dont il a le secret. • 

Anthologique s’annonce aussi cette version du Beggar’s Opera (« Opéra du gueux »), « première comédie musicale de l’histoire » composée en 1728 par les Anglais John Gay et Johann Christoph Pepusch, que proposent les musiciens des Arts Florissants et le metteur en scène Robert Carsen ; à applaudir à La Coursive scène nationale de La Rochelle du 6 au 7/02. • 

Au TAP, à Poitiers, le 14/02, Philippe Herreweghe dirige l’Orchestre des Champs-Élysées, le Collegium Vocale Gent et un quatuor vocal de choix (Christina Landshamer, Gerhild Romberger, Werner Güra, Andrè Schuen) dans le rare et monumental Elias de Mendelssohn, oratorio composé en 1846.

[maxmaggr]

Η όπερα του ζητιάνου στο Μέγαρο Μουσικής Αθηνών

To κορυφαίο μπαρόκ σύνολο και ο ιδιοφυής εμπνευστής και μαέστρος του επιστρέφουν στο Μέγαρο με την "Όπερα του ζητιάνου", μια διεθνή παραγωγή με δεκαέξι ηθοποιούς-τραγουδιστές που υπογράφει ο σύγχρονος μάγος της οπερατικής σκηνής. Το έργο γράφτηκε πριν από 300 χρόνια, θεωρείται η πρώτη μουσική κωμωδία της ιστορίας. Η όπερα του ζητιάνου στο Μέγαρο Μουσικής Αθηνών Η όπερα του ζητιάνου στο Μέγαρο Μουσικής Αθηνών Η όπερα του ζητιάνου στο Μέγαρο Μουσικής Αθηνών Η αιχμηρή κωμική όπερα-μπαλάντα του Γερμανού συνθέτη Johann-Christoph Pepusch και του Άγγλου θεατρικού συγγραφέα και ποιητή John Gay, παρουσιάζεται σε τρεις πράξεις, εμπλουτισμένη με χορογραφίες, μετά την πρώτη της επιτυχημένη παρουσίαση τον προηγούμενο Απρίλιο στο Théâtre des Bouffes du Nord στο Παρίσι. Στην Ελλάδα παρουσιάζεται στην Αίθουσα Αλεξάνδρα Τριάντη την Πέμπτη 1 και την Παρασκευή 2 Νοεμβρίου στις 8:00 το βράδυ, στα αγγλικά με ελληνι��ούς υπότιτλους. Έργο-ορόσημο στην ιστορία του παγκόσμιου μουσικού θεάτρου, σημείωσε τεράστια επιτυχία όταν πρωτοπαρουσιάστηκε το 1728. Τον 18ο αιώνα επαναλαμβανόταν συνεχώς στο Λονδίνο, αναβιώνοντας παράλληλα σε πολλές χώρες. Η επιστροφή της στη βρετανική μουσικοθεατρική σκηνή στα 1920 ήταν μάλιστα τόσο θριαμβευτική, που ενέπνευσε κορυφαίους συγγραφείς και συνθέτες εκείνης της εποχής, όπως τους Μπέρτολτ Μπρεχτ και Κουρτ Βάιλ, να βασιστούν στο εν λόγο έργο και να γράψουν το 1928 την “Όπερα της πεντάρας”. Σύμφωνα με την παραγωγή του έργου, “η όπερα του ζητιάνου” είναι μάλλον ένα θεατρικό παρά ένα λυρικό έργο, στο οποίο συναντά κανείς περίπου 60 μπαλάντες και μελωδίες, τα “χιτ” εκείνης της εποχής. Ερμηνεύει από ένα σύγχρονο πρίσμα την απληστία του καπιταλισμού και την κοινωνική αδικία έτσι όπως προβάλλονται μέσα από μια ιστορία που μπορεί να συγκριθεί με τους “Άθλιους” του Ουγκώ, αυτή η παραγωγή δίνει στο κοινό την ευκαιρία να ανακαλύψει εκ νέου το σατιρικό κείμενο του Γκέυ, αλλά και τις αυτοσχεδιαστικές ικανότητες των μουσικών του Συνόλου Les Arts Florissants που, σε κάθε παράσταση, αντιμετωπίζουν την παρτιτούρα με τελείως τζαζ διάθεση. “Τα λιοντάρια, οι λύκοι και τα όρνια δεν συμβιώνουν σε αγέλες, κοπάδια ή σμήνη. Από όλα τα αρπακτικά, ο άνθρωπος είναι το μόνο κοινωνικό ζώο. Όλοι κατασπαράζουμε τον διπλανό μας, κι όμως ζούμε στην ίδια αγέλη” Ο σκηνοθέτης Robert Carsen μιλώντας για το έργο σχολίασε πως “εξερευνά έναν κυνικό κόσμο, όπου βασιλεύουν η απληστία του καπιταλισμού, το έγκλημα και η κοινωνική ανισότητα. Όλοι οι πολιτικοί και όλοι οι αξιωματούχοι είναι εξ ορισμού διεφθαρμένοι και το μόνο που μπορεί να κάνει κανείς, εάν θέλει να πάει μπροστά, είναι να πάρει το μέρος τους. Σχεδόν τίποτα δεν έχει αλλάξει από την εποχή που πρωτοπαρουσιάτηκε το έργο, και τα θέματα της “Όπερας του ζητιάνου” συνεχίζουν να απασχολούν με εμμονικό τρόπο τη σύγχρονη τηλεόραση και τον κινηματογράφο. Σε αυτή την παραγωγή ελπίζουμε ότι θα καταφέρουμε να συνδυάσουμε την υπερβατική διάθεση με την αστείρευτη ενέργεια του πρωτότυπου”. Σκηνοθεσία: Robert Carsen Μουσική σύλληψη: William Christie Σκηνογραφία: James Brandily Κοστούμια: Petra Reinhardt Χορογραφία: Rebecca Howell Φωτισμοί: Robert Carsen και Peter van Praet Δραματουργία: Ian Burton Συνεργάτης-σκηνοθέτης: Christophe Gayral Βοηθός σκηνοθέτη: Stéphane Ghislain Roussel Μακιγιάζ-περούκες: Marie Bureau du Colombier Σχεδιασμός ήχου: Léonard Françon Υπεύθυνος διανομής: David Grindrod CDG Υπέρτιτλοι: Richard Neel Δόκιμη βοηθός ενδυματολόγου:Jana Höreth Δόκιμη βοηθός σκηνογράφου:Ava Rastegar Διανομή Robert Burt: Κύριος Πήτσαμ Beverley Klein: Κυρία Πήτσαμ / Νταϊάνα Τρέιπς Kate Batter: Πόλυ Πήτσαμ Benjamin Purkiss: Μακχήθ Kraig Thornber Λόκιτ Olivia Brereton: Λούσυ Λόκιτ Lyndsey Gardiner: Τζέννυ Ντάιβερ Sean Lopeman: Φιλτς / Μανουέλ Gavin Wilkinson: Ματ Taite-Elliot Drew: Τζακ / Δεσμοφύλακας Wayne Fitzsimmons: Ρόμπιν Dominic Owen: Χάρρυ Natasha Leaver: Μόλλυ Emily Dunn: Μπέττυ Louise Dalton: Σούκυ Jocelyn Prah: Ντόλλυ   Ημερομηνία: Πέμπτη 1, Παρασκευή 2 Νοεμβρίου 2018 Ώρα έναρξης:20:00 Διάρκεια:1 ώρα και 50 λεπτά (χωρίς διάλειμμα) Tιμές εισιτηρίων:11 € (φοιτητές, νέοι έως 25 ετών, άνεργοι, ΑΜΕΑ, 65+, πολύτεκνοι) 16 €, 26 €, 34 €,42 €, 52 €, 60 € (Διακεκριμένη Ζώνη)   Eισιτήρια: 210 72 82 333, megaron.gr και σε όλα τα καταστήματα Public Βασ. Σοφίας & Κόκκαλη Τηλέφωνο: 210 72.82.333   Read the full article

[gasparodasalo]

Johann Christoph Pepusch (1667-1752) - Concerto á 5 for Oboe, Strings and Basso continuo in g-minor, IV. Allegro. Performed by Mark Baigent, oboe, and Robert Rawson/The Harmonious Society of Tickle-Fiddle Gentlemen on period instruments.

[lesser-known-composers]

Johann Christoph Pepusch (1667-1752) - Menalcas once the most cheerful swain

I. Recitative. Menaloas, once the gayest Swain… 00:00

II. Aria. Beware my Thyrsis how you prove… 0:30

III. Recitative. Soon alass, the heedless youth… 3:22

IV. Aria. Ah, simple Boy, your boasted sence… 3:47

Performer: Bergen Baroque.

[persinsala]

Teatro Verdi di Pisa. Stagione 2018/2019

Teatro Verdi di Pisa. Stagione 2018/2019

Un Cartellone ampio e policromo per il salotto buono all’ombra della Torre pendente. A inaugurarlo, sabato 6 ottobre, Beatitudo, nel trentennale della Compagnia della Fortezza

(more…)

[corayangyang-blog]

These ceramics are from The Beggar's Opera.The Beggar's Opera is a ballad opera in three acts written in 1728 by John Gay with music arranged by Johann Christoph Pepusch. It is one of the watershed plays in Augustan drama.The story satirised politics, poverty and injustice, focusing on the theme of corruption at all levels of society. 

[todayclassical]

January 29 in Music History

1664 FP of Moliere and Lully's The Forced Marriage in the Louvre, Paris.

1703 Birth of composer Carlmann Kolb. 1711 Birth of Italian composer Giuseppe Bonno. 1715 Birth of Austrian composer and pianist Georg Christoph Wagenseil in Vienna.  1728 FP of The Beggar's Opera by John Gay and Christopher Pepusch, at Lincoln's Inn Fields in London.  1781 FP of Mozart's Idomeneo at the Hoftheater in Munich. 1782 Birth of French composer Daniel-Francois Auber in Caen. 

1782 Birth of composer Frantiszek Tucek Scigalski. 1801 Birth of Dutch violinist and composer Johannes Bernardus van Bree in Amsterdam.  1824 Birth of composer Karl von Perfall. 1826 FP of Schubert's d minor String Quartet Death and the Maiden at the Vienna home of Karl and Franz Hacker in Vienna. 1849 Birth of bass-baritone Anton Von Fuchs in Munich.   1852 Birth of British composer Sir Frederic Hymen.

1859 Birth of baritone Karl Scheidemantel in Weimer

1862 Birth of English composer Frederick 'Fritz' Theodor Albert Delius in Bradford, Yorkshire.  1864 Birth of composer Adolf Phillip.  1871 Birth of composer Eduardo Lopez-Chavarri y Marco.  1871 Birth of Hungarian composer Desiderius Demenyi.

1872 Death of soprano Benita Morena in La Coruna. 

1873 Birth of American composer Charles Henry Mills. 

1874 Birth of composer Robert Lach. 1876 Birth of English composer Havergal Brian in Dresden, Staffordshire. 

1877 Birth of soprano Davida Hesse in Gafle, Sweden.  

1882 FP of Rimsky-Korsakov's opera The Snow Maiden in St. Petersburg.

1884 Birth of Estonian composer Juhan Aavic aka Juhan AAVIK. 1889 Birth of German composer Rudolf Mauersberger.  1889 Birth of Filipino composer Francisco Santiago.  1890 Birth of French composer Marguerite Canal. 

1891 Birth of mezzo-soprano Marie Rejholcova in Kourim. 

1893 Birth of English composer and conductor Edric Cundell.

1893 Birth of Hungarian composer Martian Negrea. 

1897 Birth of soprano Mary Lewis in Hot Springs, Arkansas. 

1898 Birth of soprano Maria Müller in Theresienstadt.

1898 Birth of Belgian cellist, composer and conductor Fernand Quinet. 1900 Birth of Yugoslavian composer Marko Tajcevic.

1905 Death of baritone Max Stagemann.

1916 Birth of soprano Kyra Vayne aka Kyra Knopmuss, in St Petersburg. 

1916 Death of composer Edward Hubertus Johannes Keurvils at age 62. 1916 FP of S. Prokofiev's Scythian Suite, with Prokofiev conducting at the Mariinsky Theater in Petrograd.

1923 Birth of mezzo-soprano Ira Malaniuk in Stanislau, Poland. 

1924 Birth of soprano Lois Marshall in Toronto. 

1924 Death of composer Joseph Ludwig at age 79. 1924 Birth of Italian composer Luigi Nono in Venice. 

1928 Birth of Canadian composer Bengt Hambraeus. 

1929 Death of baritone and coach Jacques Bouhy. 

1932 FP of Gershwin's 'Rhapsody No 2' originally called Rhapsody In Rivets.

1934 Birth of composer Paul Gutama Soegijo. 1936 Birth of English pianist Malcolm Binns. 

1936 FP of Constant Lambert's Summer's Last Will and Testament for chorus and orchestra, in London.

1939 Birth of soprano Lorna Haywood in Birmingham. 

1940 Birth of bass Justino Diaz in San Juan, Puerto Rico. 

1940 Death of bass Edward Lankow. 

1942 Death of bass Foster Richardson. 

1942 Death of composer Ladislao Joseph Philip Paul Zavrtal at age 92. 1943 Birth of English composer Timothy Andrew James Souster in Bletchley. 

1943 Birth of soprano Irma Urrila in Helsinki.

1946 Death of English composer Sidney James Jones at age 84.

1952 Birth of bass Roderick Earle in Winchester. 

1957 Death of soprano Marcella Roeseler. 

1960 Birth of violinist Cho Liang Lin Taiwan. 

1960 Death of baritone Mack Harrell. 

1961 Birth of English composer Janet Owen Thomas in Crosby, Liverpool. 

1962 Death of Austrian-born violin virtuoso Fritz Kreisler

1962 Birth of soprano Rosa Mannion in Lancashire. 

1965 Death of composer Michael Spisak at 50.

1965 Death of soprano and coach Henny Wolff. 

1966 Death of baritone Julien Giovanetti. 

1966 Death of French-Canadian composer Pierre Mercure. 1967 Death of Polish composer Wlodzimierz Pozniak at age 62. 1971 Birth of German composer Matthias Pintscher. 

1973 Death of composer Johannes Paul Thilman at age 67.  1979 Birth of American composer Jonathan Saggau.

1980 Death of composer Antonio Molina at age 85. 1981 FP of American composer John Towner Williams' Violin Concerto, dedicated to the memory of his wife, actress and singer Barbara Ruick Williams. 

1987 Death of composer Ivo Lhotka-Kalinski.

1988 Death, suicide, of American opera singer Bantcho Bantchevsky.

1988 Death of Dutch composer and conductor Rogier Van Otterloo at age 46. 

1991 Death of Dutch pianist Jan Ode.

1992 Death of tenor Zannis Cambanis. 

2001 Death of mezzo-soprano Frances Bible. 

[vincentdelaplage]

BEL ADONIS AU SOURIRE DE VÉNUS AMOUREUSE

https://culturejai.fr/?p=3550

(Johann Christoph Pepusch: 'Venus and Adonis', Masque)

[ojolosoy]

(vía https://open.spotify.com/track/206nJiMeJvN3AwmmrRcskL?si=60dvtpcaSF2bTs4tNkoKgw)