#Jeff (Modern Family)

[catboyglover]

born to be the token sarcastic character in a sitcom, forced to be a real person

[b-elle1928]

KinnPorsche AU where everything is exactly the same, except that Tankhun is responsible for the demise of his beloved Elizabeth and Sebastian

[shrutithemisfit]

I ship them so just made a future Dean Jeff moments with the help of Cam and Mitchell.

Videos are taken from YouTube channels The Situation Compilations and moods straight.

[llamawrites]

Jeff: I sort of did something and I need some advice, but I don't want a lot of judgment and criticism.

Shore: And you came to me?

[steddieas-shegoes]

always struggling

for @corrodedcoffinfest prompt 'struggling'

rated t | 971 words | no cw | tags: steddie, post-break up, modern era, open ending but assume they get back together, pre-famous corroded coffin

⚰️⚰️⚰️⚰️⚰️⚰️⚰️⚰️⚰️⚰️⚰️⚰️⚰️

“How are we still short?” Jeff mumbled under his breath.

Eddie heard him, though, and his heart sank in his chest.

“We don’t have enough.” It wasn’t a question.

Jeff shook his head.

They both looked at Gareth and Frankie unloading the van. Usually, they all took care of their own equipment, but all of them had been too impatient to find out how much they made, so Jeff and Eddie rushed inside their house to count.

They needed $268 more to pay for their travel to the festival that could actually put them in front of the right people. That’s it. $268.

And they only made $197 from their show at the bar downtown.

“So we can’t go.”

Jeff shook his head. “Not unless you can come up with $71 by tomorrow morning.”

Eddie knows if he went to Wayne, he’d find a way. He’d break open a piggy bank or withdraw from his retirement savings. He’d ask for an advance on his paycheck. Whatever it took to help Eddie achieve his dreams.

But he’d done that enough.

Jeff’s parents already covered the cost of Jeff to go, and Frankie’s parents had refused to encourage his ‘rockstar behavior.’ Gareth’s mom didn’t have anything left over after paying for his twin sisters’ back to school supplies and clothes.

“You could call-“

“No.”

Jeff nodded solemnly. “Right.”

Eddie couldn’t call Steve. Steve had helped buy him a new guitar and fix his van before their inevitable crash and burn when Eddie decided to move to Chicago and Steve wasn’t ready. He hadn’t spoken to him in months. He couldn’t call him up and ask for money.

“Maybe I could take a shift at the diner tonight. If I take the big tables, it might be enough in tips,” Jeff offered. “We could busk?”

“You know we never make good money doing that. Nobody likes the noise.”

“Maybe we’ll just have to try again next year. We can keep playing the bars.”

“Yeah. Guess so.”

Neither of them noticed Frankie or Gareth standing behind them, listening in to the dilemma.

“We didn’t make enough?” Gareth asked somberly.

“Sorry, kid. Just a bit short,” Jeff said over his shoulder.

“This is bullshit!” He yelled.

“Gare-“ Eddie started to say, standing to try to comfort him.

“No! I’m sick of struggling so much. We’re good. We deserve to be there.” Gareth continued. “We’re going.”

“Dude, we can’t just print more money.”

Gareth turned to Eddie, fire in his eyes, hands clenched into fists.

“Suck up your damn pride and call Steve. He told you if you needed anything to call him. Call him.” He stormed to his room and slammed the door.

Eddie would do anything for his band, his friends. He knew missing this festival could be one of his biggest regrets.

“Eddie, it’s fine. Gareth-“

“Is right. I should call him.”

Eddie didn’t wait for them to try to convince him otherwise. He walked to his room and closed the door, trying to figure out how to have this conversation with a man he was definitely still in love with.

No way to prepare, really.

He pulled up Steve’s name in his contact list and pressed call before he could stop himself.

It rang three times before Steve answered.

“Eddie? Are you okay?”

God, he’d missed his voice.

“Hey Steve. Sorry if I’m interrupting anything-“

“No! It’s just family movie night, but they’re all arguing about what movie to pick anyway. How’s everything?” The sound of a door closing and silence in the background followed his question.

“Um. Well.” Just spit it out. “We have a really great opportunity at Iron and Metal Fest? It’s in Seattle, and we’ve been trying to save up to go, but we uh, we fell a little short and the deadline to let them know we can play is tomorrow morning.”

“Oh. How short?”

“$71.”

“I’ll Venmo you. Will that be okay?” Steve sounded like he’d switched the phone to speaker, probably to open the app on his phone.

Eddie didn’t deserve him, never did. A man who was willing to give up happiness so Eddie could chase his dreams, offering to help make them happen despite Eddie breaking his heart.

“Steve, I-“

“It’s okay, Eds. It’ll be worth it when you’re on a sold out tour someday, right?”

Eddie ignored the vibration of a notification as his eyes welled up with tears.

“I hope so.”

There was silence for too long.

“You still wanna be a rockstar, right?” Steve asked hesitantly.

“I do!” He really did. “I just didn’t think we’d have to struggle this much in a city made for bands like us.”

“It’ll be a great interview for Rolling Stone.”

“How do you have so much faith in us?”

“I have faith in you, Eds. Always have, always will. You’re gonna make it.”

“You’re too good to me.”

“Nah.” Someone knocked on the door and Steve whispered something to them before speaking to Eddie again. “Hey, I have to go. But I hope you wow everyone at that festival, okay?”

“Yeah. Thanks, Stevie.”

When he checked his notifications, Steve had sent him $500.

He cried for 20 minutes before he went and told the guys.

****

The show was incredible and Eddie had never been more miserable.

The guys were on a high no drug could match, but Eddie was sinking further into a pit of despair.

“Never known you to look this sad after a show.”

Eddie’s head shot up to see Steve standing against a few extra speakers backstage.

“Steve? What’re you doing here?” Eddie walked closer, worried he was seeing things.

“Couldn’t miss your biggest show yet. Hope it’s okay.”

“Of course it is. I’m glad you came.”

“Yeah?”

Eddie smiled, feeling some of the heavy weight lift from his shoulders. “Yeah.”

[burins]

Other Appalachias: A Booklist

As requested, the anti-Hillbilly Elegy booklist, plus annotations! When possible I tried to include books that were by Appalachians and got at lesser-known aspects of Appalachian life and identity, especially modern Appalachian life. When creating the original list I was also limited by books that were in the library network I work at, which is a) a public library and b) not actually located in Appalachia. Y’all get some bonus titles that weren’t in my library - hopefully they’ll be in yours.

A note: I have not read every single book on this list! This is the nature of creating booklists as a librarian. I trust the sources I used to find them, but if there’s something on here that you’re like “oh I read this and it sucks actually,” let me know. And if there’s a particular aspect you’d like more books on, also let me know!

General

Appalachian Reckoning: A Region Responds to Hillbilly Elegy (Anthony Harkins and Meredith McCarroll, eds)

What You Are Getting Wrong About Appalachia by Elizabeth Catte

If you read any two books on this list (especially if you aren’t from Appalachia!) make it these two. The first one is a collection of essays and photographs, the second by a single author, but both are fantastic for the basics of “hey was your entire idea of a huge stretch of the US defined by Deliverance and some NYT op-eds? perhaps it should not be” 

Appalachian Fall: Dispatches from Coal Country on What's Ailing America by Jeff Young

Leans a little more “plight of the white working class” than I absolutely love, but this talks a lot about contemporary workers’ rights and local activism in Appalachia and is a good counter to Vance’s narrative of “everybody sits on their ass all the time.”

Belonging: A Culture of Place by bell hooks

Hey did you know bell hooks was from Kentucky? bell hooks was from Kentucky! As always her writing is deeply insightful about who is allowed to claim a place and what it means to have roots. 

Rx Appalachia: Stories of Treatment and Survival in Rural Kentucky by Lesly-Marie Buer 

The opioid crisis has defined the region (much as alcoholism came to during Prohibition); unlike a lot of writing on the topic, this lets people tell their own stories. 

Race and Sexuality

Another Appalachia: Coming Up Queer and Indian in a Mountain Place by Neema Avashia

Excellent counter to the narrative of Appalachia as unrelentingly white, and also painfully good writing on what happens when the folks you grew up counting on let you down. 

Loving Mountains, Loving Men: Memoirs of a Gay Appalachian by Jeff Mann

This 2005 memoir got a re-release in 2023, and thank god because it makes me cry. Really beautiful writing on what it means to come back to a place and carve out a space for yourself.

Y'all Means All: The Emerging Voices Queering Appalachia (Z. Zane McNeill, ed.) 

Another essay collection! There will be more; I like an essay collection for getting a sense of a subject beyond a single voice. Touches on everything from disability to race to Mothman. 

Deviant Hollers: Queering Appalachian Ecologies for a Sustainable Future, Zane McNeill and Rebecca Scott, eds. 

This wide-ranging collection of essays wasn’t on the original list because it’s pretty hard to come by (academic queer theory is not a bastion of your average public library collection.) Just based on the table of contents I am going to try and get my hands on a copy ASAP. 

Gone Home: Race and Roots through Appalachia by Karida L. Brown

Focuses specifically on Harlan County, Kentucky, drawing on a ton of oral history interviews of Black residents to talk about the Great Migration, Blackness in Appalachia, and identity formation in the region and beyond.

Beginning Again: Stories of Movement and Migration in Appalachia, Katrina M. Powell, ed. 

This just came out in June! In a place so often defined by how many generations of your family have lived there, it’s worth considering who gets removed from that story.  

Their Determination to Remain: A Cherokee Community's Resistance to the Trail of Tears in North Carolina by Lance Greene

The history of Appalachia is pretty obviously incomplete without talking about the policies of Indian Removal. Greene tackles a tangled story of assimilation and cultural survival. 

Even As We Breathe by Annette Saunooke Clapsaddle

The only fiction book on this list, but the main goal of the list was to let Appalachia speak for itself. Clapsaddle is a member of the Eastern band of Cherokee; the novel, set in western NC during the 1940s, talks about (in)justice, assimilation, and belonging. 

History, Labor, and Environment

You can’t talk about the history of Appalachia without talking about coal, and you can’t talk about coal without talking about labor, and you also can’t talk about coal without talking about the environment. 

Ramp Hollow: The Ordeal of Appalachia by Steven Stoll 

An economic/environmental overview of Appalachia covering the shift from homesteading to resource extraction. To understand what’s happening economically in 2024 you need to understand what happened economically in 1750-1850, and this gives a general and fairly accessible throughline. 

The Battle of Blair Mountain: The Story of America's Largest Labor Uprising by Robert Shogan

An older book on the most famous event of the West Virginia Mine Wars, but is a very readable narrative that also touches on Blair Mountain’s wider context.  

Written in Blood: Courage and Corruption in the Appalachian War of Extraction, Wess Harris, ed. 

A much more in-depth look at specific aspects of the Mine Wars and labor history, rather than a general overview, but worth reading for its coverage of more recent events (it didn’t end with Blair!)

To Live Here, You Have to Fight: How Women Led Appalachian Movements for Social Justice by Jessica Wilkerson

Focusing on the 60s-70s and LBJ’s War on Poverty, a good discussion of historical grassroots organizing.

Digging Our Own Graves: Coal Miners & the Struggle Over Black Lung Disease by Barbara Allen Smith

Seminal text! First published in 1987, with an updated edition released in 2020. 

Soul Full of Coal Dust: A Fight for Breath and Justice in Appalachia by Chris Hamby

After being mad about black lung in the 80s, you can also be mad about black lung today, because it didn’t go anywhere. 

Desperate: An Epic Battle for Clean Water and Justice in Appalachia by Kris Maher

Very “legal thriller focused on one guy,” but extremely readable. A great book to get your liberal mom fired up.  

Mountains Piled upon Mountains: Appalachian Nature Writing in the Anthropocene, Jessica Cory, ed.

This list has been almost entirely nonfiction, so here is some lovely prose about what folks love about the region with both literary nonfiction, fiction, and poetry. It’s got a wide geographic focus to boot. 

Food and Culture

Appalachia on the Table: Representing Mountain Food and People by Erica Adams Locklear

Great deconstruction of how we talk about mountain food and culture (scandal! Sometimes great-grandmas used Bisquick.) Will make you hungry and also question what authenticity means and where your family recipes actually come from. 

Making Our Future: Visionary Folklore and Everyday Culture in Appalachia by Emily Hilliard

West Virginia state folklorist Emily Hilliard talks about pro wrestling, Fallout 76, songwriting, and coal camps. Appalachia in the 21st century. 

(Finally, a shoutout to the various bookstores whose lists I used as jumping-off points, especially Appalachian Mountain Books, City Lights Bookstore, Firestorm Books, and the Museum of the Cherokee People.)

[warping-realities]

Familly Group Chat

Written version of my last video. At some point I'll make one of the first one too! Hope you like it!

Michael was one of the many “middle kids” of John and Louise Bennet; in fact, he was the 4th of 7, just a few minutes younger than his twin brother, Tobias, with whom he shared that typical inscrutable and unexplainable bond that only twins have. Even though the relationship among all seven Bennet boys was super strong, having been raised under the strict rules of the holy Catholic Church by their parents, they were all scattered across the country, so the only way to keep in touch was through the family group chat on an app. That morning, the 23-year-old blonde man, skinny but toned from constant running, had just finished taking a hot shower and putting on his favorite pair of skinny black jeans, which his modern startup job not only accept but even endorsed as part of the dress code. He was about to start brushing his teeth when a new message notification popped up on his phone.

“Message from Tobias, here we go…” he muttered to himself, knowing his twin would only send a message at that hour if it was to roast someone. And sure enough!

“Hey bro, did you see the good morning message Mom posted in the family group?”

“Not yet, man.”

“Well, brace yourself! I have no idea where she finds this stuff!”

As he opened the family group while heading to the kitchen to make his usual black coffee, Michael couldn’t help but chuckle at the cheesiness of the good morning image Mom had sent.

“Dude, do all moms have a group to share this crap?” he typed to his brother in the private chat.

“Has to be! But you better reply, you know how she gets… soon she’ll be whining about how she raised seven ungrateful kids or some nonsense,” Tobias replied. Thinking about that, Michael rushed to respond to their mom. Louise was really kinda needy now that only the youngest still lived with her. However, when he opened the family group, he couldn't help but laugh out loud at the reply Tobias had sent—an even tackier image than the one their mom sent.

“Dude, you’re the worst! Where the hell did you find that image to reply to her?” he shot back to his brother.

“Well, maybe I’m in the mom’s group!” He replied before sending something completely different. “Hey, what’s going on? Someone saved as Dad 0.2 just join the group. What the hell is this?”

Hurrying to check that message, Michael quickly opened the family group and was shocked to see an unknown person had joined, which shouldn’t be possible without an access link or an invite from one of the group admins, their parents. The private convo that followed between the brothers was frantic and freaked out.

“Dad 0.2 removed Mom from the group… what’s going on?”

“I don’t know… how does someone just waltz into a private group and kick someone out???”

“Dad 0.2 changed the group name from Bennet Family to Bradley Boys! What the hell is this?”

“He’s sending a video, what’s happening???”

“I don’t know, bro, let’s just open it and see.”

The video showed a dude in his forties, but he looked really good for his age, easily passing for someone younger if it weren't for the crow's feet around his eyes that showed he was used to smiling, and his extremely muscular physique screamed years of hardcore workouts. With light brown hair and a well-groomed beard, he was rocking just a pair of sweats that showcased his powerful muscles in a spacious but Spartan room, with minimal furniture or decor.

“Alright, guys, it’s time to send our good morning videos! Who’s next? How about you, Jeff? I’m dying to rest my head on those muscle pillows of yours, babe!” the stranger said, flexing his arms.

“WTF?? You seeing what I’m seeing, Tobias? And who the hell is Jeff?” Michael quickly texted back to his brother.

“I have no clue, man, this is so weird… wait a sec… Dad 0.1 just sent a video, what the hell is this?”

“I think we better check it out…” Michael shot back before opening the video from the contact that also showed up for him as Dad 0.1.

“I’m dying to see you too, Buck! Counting the seconds until you’re back, babe. The bed feels empty without you here! Who’s next? How about our firstborn? It’s on you, Wyatt!” That was impossible; the face on the screen was undeniably their dad, but he had gained a solid 50 pounds of muscle and lost a good amount of fat. Not to mention the carpet of hair that now covered his formerly smooth chest.

“Is that really Dad? No way… how?” Tobias sent back.

“I don’t know, man! This is so bizarre… how did he bulk up so much… it doesn’t make sense… and who the hell is Wyatt?”

“He mentioned firstborn… but no… that can’t be…” Tobias typed before they both received another notification. Upon opening the video, they were in for another surprise.

“Hey there, bros! Ready for a new day? I’m already warming up waiting for my workout buddy—where you at, Maverick, little bro?” said the muscular dude, barely in his thirties, dressed all in black and flexing in a gym locker room.

“Dude… that’s Will!!! But he’s never set foot in a gym,” Michael texted Tobias. William, the oldest of the bunch, was about to turn thirty, and he had the chubby physique of an accountant used to long hours behind a desk, drinking coffee and munching on donuts—that was literally his life… or should be. But if there was anything that video showed, it was that Wyatt had never put a single sweet in his mouth.

“I don’t even know what to say… but there’s more coming!” Tobias replied, apparently just as stunned. As the new video arrived, they rushed to look.

“Ha! I’ve already left you in the dust, Wyatt! Looks like the baby bro is now the big bro! Don’t take too long, or I’ll be late for school, and my coach is gonna flip, right, Griff?”

“Dude, that’s Martin on steroids! That kid looks like he’s tripled in size! Is this some kind of prank? Some deep fake?” he asked in shock. Martin, the youngest, was already a more athletic kid, being on the wrestling team, but with that size, he’d be better suited for the offensive line on a football team, if he wasn’t already too big for that, and who the hell was this coach he was talking about?

“Michael, I’m just as lost as you. But it looks like this isn’t stopping…” Tobias commented as another video popped up in the group.

“You’re gonna have to do a ton of push-ups for not calling me Coach Bradley, kid! No Griff or Griffin while I’m your trainer! And if you’re late for school, it’ll be suicide day! Speaking of late, where the hell are you, Chase? Bet you left Hunter hanging at the beach.”

“Tobias, that’s Gordon! How the hell is he a coach? He’s a math teacher!” Michael texted in disbelief, seeing their second oldest brother looking way older than he should, with thinning hair as if he had been overdoing the steroids, which seemed totally possible, he thought, seeing the massive bodybuilder rocking just boxer briefs and a tight tank top, flexing his powerful muscles in some dimly lit room.

“Tobias? Tobias? Damn… there’s more coming!” Michael texted anxiously as he opened the next video.

“Ha, you know me too well, bro, but The Chaser is on the scene, Hunt’s got to face me!” That was Carl, but just like the other family members, he had gone through a transformation that left him almost unrecognizable. He had turned into a mountain of muscles covered by a thin layer of bronzed skin, clad only in a tiny yellow short, shades, and a backwards cap. Sitting in a car, flexing his muscles and grinning. Michael didn’t even have time to send a new outraged message to Tobias when another video came in.

“Too bad I’m already way ahead in my workout, little bro! You sure you want to take me on? Hehehe. Speaking of challenges, which twin’s gonna fire the next shot? Trey or Micah?” said the bronzed, muscular dude sporting Hugh’s modified look, the brother just below the twins in age. Watching this, Michael’s shock wore off, and he resumed chatting with his twin.

“What the hell is going on??? What are they doing at the beach? They should be in college!” But the reply didn’t come. Worried, he called out for his brother.

“Tobias? Tobias?”

“Who the fuck is Tobias, bro? I’m already sending my video, Micah! Big T is once again taking the lead! At least The Grand Finale is all yours!” was the twin response.

“Tobias, you guys must be messing with me!” Michael sent before opening the family group, where his brother had just sent another video.

“Trey here, leaving the little twin eating dust as always. And like always, I can’t tell what’s more badass, the view from my window or the sight the girls get when they check out my bod! What do you say, Micah, who’s used to seeing pretty much the same thing when you look in the mirror?” said the guy who in no way could be his twin brother, while grinning and showing off his muscular physique in front of his sunny apartment window. Totally lost, Michael sent a message to him.

“Tobias… Trey… I’m not doing any of this, this is insane!” he sent without realizing that autocorrect had changed his brother’s name.

“Dude, we’ve been doing this for years! It’s a Bradley tradition, what’s the problem now? You know how our das freak if we don’t join in. One of them is gonna call you if you don’t send it soon!” he replied. And Michael didn’t even have time to formulate a response to that new absurdity.

“Crap, video call from Dad 0.1,” he muttered to himself, refusing to pick up. But it seemed his phone had a mind of its own because the altered version of his dad popped up on his screen without permission.

“Micah, your dad is far away and wants a video from his boys. Trey just told me you don’t want to do it. What’s the harm in sending it? All your brothers already have, don’t be a buzzkill,” said the man with a serious and slightly disappointed expression.

“Dad, I… what the hell?” Michael started to respond, only to be cut off by the sudden entrance of a third person in the call. How was this possible? How was all this even real???

“Chill out, Jeff! I think Micah’s scared of looking like a weakling in front of his brothers.” It was the guy from the other video, grinning and crossing his arms while looking at Michael with a mischievous glint in his eye.

“What??? I… no… weakling!” For some reason, that challenge sparked something inside him, a primal urge to show what he was capable of, and even more, to show that man what he could do. He wanted… no, he needed to prove himself to that man. Show one of the most important people in his life that he wasn’t some weakling!

“You’re gonna see who the weakling is, Dad!” Micah shot back with a grin before sending his own video.

“Last of the Bradley boys here, you bunch of exhibitionists!” he said, shyly smiling. Unlike his brothers he didn't like to show off his physique without a greater purpose, he kept hitting the gym for the joy it always brought him, mainly because it was something that connected all the brothers and their two dads. The boys didn’t know who was whose dad, and to them that didn’t matter one bit. The Bradley boys were a united front; even though each had their own place, they all worked together at the gym their fathers had founded many years ago, even those who had other jobs like Griff or were still finishing school like Maverick. Even when it came time for college, they preferred to stick around instead of crossing the country, which was why Hunter and Chase still lived with their fathers. Their upbringing had been liberal, but there were still well-established boundaries of respect. Even though a much greater degree of freedom was present now that they were all adults, provocative acts had become more common, with the guys and their parents occasionally sending more explicit videos. In fact, the bond among them was so strong that whenever one of them was away for some reason, it had become family tradition to send those good morning videos.

“We’re looking forward to your return, Dad!” he said in the group, joined by his brothers and other father. They were answered by Buck, affectionately known by all as Dad 0.2.

“I’ll be back this weekend, boys, and I want the whole family together! But until then, at least we’ll have our little moments every morning. To wrap it up, here’s one last video from me for you to think of me as much as I think of you!” he said, winking and provocatively massaging his pecs.

“Come on, Dad! We don’t need this at this time of the morning,” was the response from his sons, even though they were all exactly the same kind of man as Buck Bradley.

[cant-get-worse-than-this]

I feel like sitcoms from the Golden Age (2000s and early 2010s) would often make too much fun of autistic people. Even the sitcoms that are my favourites, such as Brooklyn Nine Nine and Modern Family are quite harsh (don't get me wrong, they're still some of the greatest ones) and would only have main characters with traits of ADHD (such as Luke and Phil from Modern Family and Jake from B99), which is great, but never autistic ones. Characters with autistic traits would often get made fun for their traits.

What I think Community did waaaay better than any of them is that they have a canonically autistic main character and his autistic traits are embraced. Literally no one makes fun of Abed (the autistic character) except for that 1 time Jeff says he has "Asperger's" as an insult. Other than that none of the main characters ridicule Abed for his autism and treat him with respect and as a regular human being.

What I also like is that they're not acting like Abed hasn't struggled at all. They don't act like autistic people never suffer. Abed still has been bullied. Some people still call him weird and so on. However Abed has found his people. He has his found family that love him and I think it's pretty big and amazing that a show made in 2009 went this far.

Other than that Community also has a character with ADHD traits (Troy, maybe someone else too) and has PLENTY of LGBT+ content. I would definitely recommend it.

(i love community)

[marblepasta-creepyhornet]

Usually don’t send requests, but since you asked: which creeps do you think would take psychic damage from a friend or partner who purposefully misuses slang? Just thought to ask cus I thought Ben would probably have a physical reaction and I think that mental image was funny lol 

———

Characters used: Ben, Jeff, and EJ, Tim

———

BEN:

He’ll cringe. No questions.

Now, I headcanon Ben as a self-taught modern-day gamer in the creepypasta universe (as in he��s bought every modern day consoles and devices and has slowly learned the mechanics and is now an expert), he’s got a plethora of video games for all his devices, his PC, consoles, Nintendo switch, and even his old DS!

So imagine when he’s showing you a new game he got for his switch….

But then immediately regrets it.

As you were sat in his lap, watching him play, you just casually drop, “Wow, Ben! This game looks so litty on fleek, fam!”

MF hasn’t EVER put his hands on you, but he is now-

He pushed you off his lap and looked at you like you kicked a puppy!

“I…I can’t even look at you,” he’d be all dramatic, “I don’t know who that was, but I NEVER wanna see them again!”

You’d just be laying in the floor in a puddle of giggles.

———

Jeff:

It would happen on a mission. You and Jeff were targeted with killing a family and to leave none of them alive!

So, let’s say the targets son was a bit more than Jeff bargained for, so you swooped in and had to save the day, managing to tie the kids arms behind his back, “GET FUCKING YEETED, SCRUBLORD!”

Radio silence.

“WHAT THE FUCK DOES THAT MEAN?!”

“What do you mean? Like, we gotta yeet him, you catching my driftwood, fam? No cap!”

At this point Jeff just rubs his temples and finishes off the target by stabbing him. His brain too absorbed in other things to try and decipher whatever you’re talking about.

Soon after you two left, blood stained and all, Jeff spoke up, “Please, never ever, ever, ever, ever, ever, ever, talk like that again!”

“Alright fine! No need to get so hostile, we gucci lit” you finished off with finger guns and a sly chuckle.

“(N/N)!”

———

EJ:

You were sick. Like, contagious sick.

So, per Jack’s orders, no leaving his infirmary only for the bathroom, always cough and sneeze into the elbow and not the hand, use tissues sparingly, wash your hands, and take showers to help alleviate headaches and open up your sinuses.

Unrelated, but don’t worry, he’s made sure his baby gets the best comfort, after all, he needs you well rested and feeling better! 🥺💙

It was around 8pm when he knocked on the door before slowly opening it, he was dressed in pajamas holding a bowl of soup, “Hi, love” He’d greet you with a smile, not wearing his mask, as a demon he couldn’t get sick and because he was comfy around you, “How’s my baby doing?” 😭

Of course you’d answer the same way every time, stating you were still sick, just like since the beginning of the week. 😔

“I made you some soup, I know it isn’t much, but it’ll help alleviate some symptoms, and you look like you’re freezing, baby” he’d say while handing you the soup.

You took a few bites of the noodle and a carrot piece, a small moan escaped your lips, “Fuccckk~ This shit is straight bussin’, Jack”

His smile that he had while watching you eat was replaced with one of confusion. “W-what?” 😩

You’d have to suppress a giggle, “What do you mean, ‘what? This soups straight bussin’”

He’d try to understand what you meant, trying to wrack his brain for any semblance of what the word could mean 😭

Overall, confused baby boi :(

Tim (Masky):

Masky angled the binoculars as he let out a low growl, watching as the group of targets were stationed at all access points. “Fuck.” He grumbled before lowering the piece of equipment as he turned to you and Hoodie. “This is gonna be a close call, they’re stationed at all points of access. Do you guys have your weapons?”

Hoodie gave Tim a firm nod as he pulled out his pistol from his hoodie pocket, Masky reached into his duffle bag and pulled out a rifle, cocking it. He was about to ask you when you suddenly grabbed the weapon.

“Whoa! This thing is so fire!” You’d say as you inspected it with awe. “Tim, bro! This gun so fire! This definitely screams ‘I have BDE but I’m not trying to make it a big deal’, you know what I mean?”

…

….

“What the actual fuck are you talking about?!” He’d ask in confusion and irritation, quickly yanking his rifle back from you, “And give me that!”

You let out a small yelp when it was harshly yanked from your hands. “Calm down, Timmy, on the DL you’re still on my DTF list frfr. No cap”

Masky silently sat the rifle down, gloved hands pinching the bridge nose of the porcelain mask.

Overall: disappointment, confusion and irritation.

[werepuppy-steve]

G | 753 words

written for @steddieholidaydrabbles' prompt: graduation tags: emma verse, modern au, famous corroded coffin, steddie being over the top parents

tagging some of the emma fans: @steves-strapcollection @tboygareth @patchworkgargoyle @steddieas-shegoes @theheadlessphilosopher

@worstsequence @hammity-hammer

"Does she know where we're sitting?" Eddie asks as they shuffle down the rows of plastic seats, his bulky digital camera hanging around his neck by the strap.

(Eddie wanted to bring their tour photographer, Cody, but Steve had to gently remind him that the school already had one hired. Eddie only sulked for an hour.)

Steve levels him a look. "If she doesn't see us, then she'll spot one of these goons and follow the line." He points over his shoulder to their accompanying party.

Wayne is directly behind him, followed by Robin and Chrissy. Jeff, Gareth, Freak, and the kids shuffle in behind them. As much as Eddie doesn’t like flaunting his celebrity status around, he had to call ahead the week before to request an entire row to be reserved just to fit all of them.

His baby is graduating kindergarten, he'll be damned if he doesn't pull out all the stops. They’re even having a little graduation party for her at the house afterwards—a backyard BBQ with everyone and the rest of the tour crew and family who couldn't make it to the ceremony.

Not long after everyone is seated, Pomp and Circumstance crackles out of the loudspeakers and the kids start to walk down the aisle in pairs. It's definitely not perfect, some kids take too-eager steps and some stop to hug their parents, but the teachers do their best to guide them.

Steve starts recording with his phone the second they spot Emma, the digital chime of Eddie's camera shutter clicking away beside him. Her curls are barely tamed in the side pony she asked Eddie to put it in, but it matches the whole 'rocker' vibe she's got going on.

Amongst the sea of summer dresses and pressed toddler slacks, their little girl is wearing her black denim battle vest over a light purple Hannah Montana shirt Steve had gotten at a yard sale, with a pale blue frilly tutu and a pair of silver glitter leggings and her black boots.

She looks nervous, though. Tense. Her shoulders are drawn up and her hands are clasped in front of her. Brown eyes dart this way and that around the room trying to spot a familiar face in the crowd and it breaks Steve's heart to watch his kid be so anxious. Her teacher said she did great at practice yesterday, but that was without the fifty pairs of eyes on her.

Mike is sitting on the end and she finds him easily, her eyes lighting up in recognition, but there's still a worried crease between her eyebrows that doesn't smooth out until she's locking eyes with her dads. She gives them a tiny wave as she walks by.

They both give her encouraging thumbs up and Eddie wishes he could just snatch her up and run out of the building with her.

They eventually get all the kids filed in and the principal stands behind the podium on the stage to welcome everyone. She goes through the awards first (Emma receives one for reading above her grade level, something that Eddie is very proud of) before the kids line back up to receive their little diplomas.

Halfway through the list, Eddie suddenly elbows Steve. "Shit, I didn't hear her name, did we miss her?"

His phone is still recording. "Dude, her last name is M, we're still in the J's."

"Oh, right."

Emma's class is only about 50 or so kids so it doesn't really take that long to get to her name, but Steve and Eddie are still vibrating with the anticipation.

"Emma Munson."

Immediately, their entire entourage is up on their feet and cheering and yelling. It's way too loud for the cafeteria setting they're in, and it echos, and you can definitely tell which of them are in the famous metal band.

Emma's little cheeks turn the same color as her glasses but her grin is big and wide as she holds her certificate in front of her for the picture. Both Steve and Eddie are rapid fire pressing the shutter buttons on their cameras.

Once she's off the stage, the principal clears her throat. "A reminder to please hold all applause until the end of the ceremony, thank you." She gives them a not-so-subtle glare over the rims of her own glasses.

Sheepishly, their group sits back down and is quiet once more.

"We're gonna be worse during her eighth grade graduation, right?" Steve whispers to Eddie.

"Oh, absolutely. She'll want to kill us afterwards."

[asha-mage]

WoT Meta: Feudalism, Class, And The Politics of The Wheel of Time

One of my long standing personal annoyances with the fantasy genre is that it often falls into the trap of simplifying feudal class systems, stripping out the interesting parts and the nuance to make something that’s either a lot more cardboard cut-out, or has our modern ideas about class imposed onto it.

Ironically the principal exception is also the series that set the bar for me. As is so often the case, Robert Jordan’s Wheel of Time is unique in how much it works to understand and convey a realistic approach to power, politics, government, rulership, and the world in general–colored neither by cynicism or idealism. How Jordan works the feudal system into his world building is no exception–weaving in the weaknesses, the strengths, and the banal realities of what it means to have a Lord or Lady, a sovereign Queen or King, and to exist in a state held together by interpersonal relationships between them–while still conveying themes and ideas that are, at their heart, relevant to our modern world.

So, I thought I’d talk a little bit about how he does that.

Defining the Structure

First, since we’re talking about feudal class systems, let's define what that means– what classes actually existed, how they related to each other, and how that is represented in Jordan’s world. 

But before that, a quick disclaimer. To avoid getting too deep into the historical weeds, I am going to be making some pretty wide generalizations. The phrases ‘most often’, ‘usually’, and ‘in general’ are going to be doing a lot of heavy lifting. While the strata I’m describing is broadly true across the majority medieval and early Renaissance feudal states these things were obviously heavily influenced by the culture, religion, geography, and economics of their country–all of which varied widely and could shift dramatically over a surprisingly small amount of time (sometimes less than a single generation). Almost nothing I am going to say is universally applicable to all feudal states, but all states will have large swathes of it true for them, and it will be widely applicable. The other thing I would ask you to keep in mind is that a lot of our conceptions of class have been heavily changed by industrialization. It’s impossible to overstate how completely the steam engine altered the landscape of socio-politics the world over, in ways both good and bad. This is already one of those things that Jordan is incredibly good at remembering, and that most fantasy authors are very good at forgetting. 

The disparity between your average medieval monarch’s standard of living and their peasants was pretty wide, but it was nothing compared to the distance between your average minimum wage worker and any billionaire; the monarch and the peasant had far more in common with each other than you or I do with Jeff Bezos or Mike Zuckerberg. The disparity between most people’s local country lord and their peasants was even smaller. It was only when the steam engine made the mass production of consumer goods possible that the wealth gap started to become a chasm–and that was in fact one of the forces that lead to the end of the feudal system and the collapse of many (though by no means all) of the ruling monarchies in Europe. I bring this up because the idea of a class system not predicated on the accumulation of capital seems pretty alien to our modern sensibilities, but it was the norm for most of history. Descent and birth mattered far more than the riches you could acquire–and the act of accumulating wealth was itself often seen as something vulgar and in many countries actively sinful. So with that in mind, what exactly were the classes of feudalism, and how do they connect to the Wheel of Time?

The Monarch and their immediate family unsurprisingly occupied the top of the societal pyramid (at least, in feudal states that had a monarch and royal family- which wasn’t all of them). The Monarch was head of the government and was responsible for administering the nation: collecting taxes, seeing them spent, enforcing law, defending the country’s borders and vassals in the event of war, etc. Contrary to popular belief, relatively few monarchs had absolute power during the medieval period. But how much power the monarch did have varied widely- some monarchs were little more than figureheads, others were able to centralize enough power on themselves to dictate the majority of state business- and that balance could shift back and forth over a single generation, or even a single reign depending on the competence of the monarch. 

The royal family usually held power in relation to their monarch, but also at the monarch’s discretion. The more power a monarch had, the more likely they were to delegate it to trusted family members in order to aid with the administration of the realm. This was in both official and unofficial capacities: princes were often required to do military service as a right of passage, and to act as diplomats or officials, and princesses (especially those married into foreign powers) were often used as spies for their home state, or played roles in managing court affairs and business on behalf of the ruler.

Beneath the monarch and their family you get the noble aristocracy, and I could write a whole separate essay just on the delineations and strata within this group, but suffice to say the aristocracy covers individuals and families with a wide range of power and wealth. Again, starting from that country lord whose power and wealth in the grand scheme of things is not much bigger than his peasants, all the way to people as powerful, or sometimes more powerful, than the monarch. 

Nobles in a feudal system ruled over sections of land (the size and quality usually related sharply to their power) setting taxes, enforcing laws, providing protection to the peasants, hearing petitions, etc. within their domains. These nobles were sometimes independent, but more often would swear fealty to more powerful nobles (or monarchs) in exchange for greater protection and membership in a nation state. Doing so meant agreeing to pay taxes, obey (and enforce) the laws of the kingdom, and to provide soldiers to their liege in the event of war. The amount of actual power and autonomy nobles had varied pretty widely, and the general rule of thumb is that the more powerful the monarch is, the less power and autonomy the nobles have, and vice versa. Nobles generally were expected to be well educated (or at least to be able to pretend they were) and usually provided the pool from which important government officials were drawn–generals, council members, envoys, etc–with some kingdoms having laws that prevented anyone not of noble descent from occupying these positions.

Beneath the nobles you get the wealthy financial class–major merchants, bankers, and the heads of large trade guilds. Those Marx referred to generally as the bourgeoisie because they either own means of production or manage capital. In a feudal system this class tended to have a good bit of soft power, since their fortunes could buy them access to circles of the powerful, but very little institutional power, since the accumulation and pursuit of riches, if anything, was seen to have negative moral worth. An underlying presumption of greediness was attached to this class, and with it the sense that they should be kept out of direct power.

That was possible, in part, because there weren't that many means of production to actually own, or that much capital to manage, in a pre-industrial society. Most goods were produced without the aid of equipment that required significant capital investment (a weaver owned their own loom, a blacksmith owned their own tools, etc), and most citizens did not have enough wealth to make use of banking services. This is the class of merchants who owned, but generally didn’t directly operate, multiple trading ships or caravans, guild leaders for craftsfolk who required large scale equipment to do their work (copper and iron foundries for the making of bells, for example), and bankers who mainly served the nobility and other wealthy individuals through the loaning and borrowing of money. This usually (but not always) represented the ceiling of what those not born aristocrats could achieve in society.

After that you get middling merchants, master craftsfolk and specialty artisans, in particular of luxury goods. Merchants in this class usually still directly manage their expeditions and operations, while the craftsfolk and artisans are those with specialty skill sets that can not be easily replicated without a lifetime of training. Master silversmiths, dressmakers, lacquer workers, hairdressers, and clockmakers are all found in this class. How much social clout individuals in this class have usually relates strongly to how much value is placed on their skill or product by their society (think how the Seanchan have an insatiable appetite for lacquer work and how Seanchan nobles make several Ebou Dari lacquer workers very rich) as well as the actual quality of the product. But even an unskilled artisan is still probably comfortable (as Thom says, even a bad clockmaker is still a wealthy man). Apprenticeships, where children are taught these crafts, are thus highly desired by those in lower classes,as it guaranteed at least some level of financial security in life.

Bellow that class you find minor merchants (single ship or wagon types), the owners of small businesses (inns, taverns, millers etc), some educated posts (clerks, scribes, accountants, tutors) and most craftsfolk (blacksmiths, carpenters, bootmakers, etc). These are people who can usually support themselves and their families through their own labor, or who, in the words of Jin Di, ‘work with their hands’. Most of those who occupy this class are found in cities and larger towns, where the flow of trade allows so many non-food producers to congregate and still (mostly) make ends meet. This is why there is only one inn, one miller, one blacksmith (with a single apprentice) in places like Emond’s Field: most smaller villages can not sustain more than a handful of non-food producers. This is also where you start to get the possibility of serious financial instability; in times of chaos it is people at this tier (and below) that are the first to be forced into poverty, flight, or other desperate actions to survive.

Finally, there is the group often collectively called ‘peasants’ (though that term is also sometimes used to mean anyone not noble born). Farmers, manual laborers, peddlers, fishers- anyone who is unlikely to be able to support more than themselves with their labor, and often had to depend on the combined labor of their spouse and families to get by. Servants also generally fit into this tier socially, but it’s important to understand that a servant in say, a palace, is going to be significantly better paid and respected than a maid in a merchant's house. This class is the largest, making up the majority of the population in a given country, and with a majority of its own number being food-producers specifically. Without the aid of the steam engine, most of a country’s populace needs to be producing food, and a great deal of it, in order to remain a functional nation. Most of the population as a result live in smaller spread out agrarian communities, loosely organized around single towns and villages. Since these communities will almost always lack access to certain goods or amenities (Emond’s Field has a bootmaker, but no candlemaker, for example) they depend on smalltime traders, called peddlers, to provide them with everyday things, who might travel from town to town with no more than a single wagon, or even just a large pack.

The only groups lower than peasants on the social hierarchy are beggars, the destitute, and (in societies that practice slavery) slaves. People who can not (or are not allowed to) support themselves, and instead must either eke out a day to day existence from scraps, or must be supported by others. Slaves can perform labor of any kind, but they are regarded legally as a means of production rather than a laborer, and the value is awarded to their owner instead. 

It’s also worth noting that slavery has varied wildly across history in how exactly it was carried out and ran the gamut from the trans-Atlantic chattel slavery to more caste or punitive-based slavery systems where slaves could achieve freedom, social mobility, or even some degree of power within their societies. But those realities (as with servants) had more to do with who their owners were than the slave’s own merit, and the majority of slaves (who are almost always seen as less than a freedman even when they are doing the same work) were performing the same common labor as the ‘peasant’ class, and so viewed as inferior.

Viewing The Wheel of Time Through This Lens

So what does all this have to do with Robert Jordan’s Wheel of Time? A lot actually, especially compared to his contemporaries in fantasy writing. Whereas most fantasy taking place in feudal systems succumbs to the urge to simplify matters (sometimes as far down to their only being two classes, ‘peasant’ and ‘royalty’) Jordan much more closely models real feudalism in his world. 

The majority of the nations we encounter are feudal monarchies, and a majority of each of their populations are agrarian farming communities overseen by a local lord or other official. How large a nation’s other classes are is directly tied to how prosperous the kingdom is, which is strongly connected to how much food and how many goods the kingdom can produce on the available land within it. This in turn, is tightly interdependent on how stable the kingdom is and how effective its government is.

Andor is the prime example: a very large, very prosperous kingdom, which is both self-sufficient in feeding itself via its large swathes of farmland (so much so that they can afford to feed Cairhien through selling their surplus almost certainly at next to no profit) and rich in mineral wealth from mines in the west. It is capable of supporting several fairly large cities even on its outskirts, as well as the very well-developed and cosmopolitan Caemlyn as its capital. This allows Andor to maintain a pretty robust class of educated workers, craftsfolk, artisans, etc, which in turn furthers the realm’s prosperity. At the top of things, the Queen presides over the entire realm with largely centralized power to set laws and taxes. Beneath her are the ‘great houses’–the only Houses in Andor besides the royal house who are strong enough that other nobles ‘follow where they lead’ making them the equivalent of Duchesses and Dukes, with any minor nobles not sworn directly to the Queen being sworn to these ten.

And that ties into something very important about the feudal system and the impact it had on our world and the impact it has on Jordan's. To quote Youtuber Jack Rackham, feudalism is what those in the science biz would call an unstable equilibrium. The monarch and their vassals are constantly in conflict with each other; the vassals desiring more power and autonomy, as the monarch works to centralize power on themselves. In feudalism there isn’t really a state army. Instead the monarch and the nobles all have personal armies, and while the monarch’s might be stronger than anyone else’s army, it’s never going to be stronger than everybody else’s. 

To maintain peace and stability in this situation everyone has to essentially play Game of Thrones (or as Jordan called it years before Martin wrote GoT, Daes Dae’mar) using political maneuvering, alliances, and scheming in order to pursue their goals without the swords coming out, and depending on the relative skill of those involved, this can go on for centuries at a time….or break apart completely over the course of a single bad summer, and plunge the country into civil war.

Cairhien is a great example of this problem. After losing the Aiel War and being left in ruins, the monarch who ultimately secured the throne of Cairhien, Galldrian Riatin, started from a place of profound weakness. He inherited a bankrupt, war torn and starving country, parts of which were still actively on fire at the time. As Thom discusses in the Great Hunt, Galddrian's failure to resettle the farmers displaced by the war left Cairhien dependent on foreign powers to feed the populace (the grain exports from Tear and Andor) and in order to prevent riots in his own capital, Galldrian choose bread and circuses to keep the people pacified rather then trying to substantially improve their situation. Meanwhile, the nobles, with no effective check on them, began to flex their power, seeing how much strength they could take away from each other and the King, further limiting the throne’s options in how to deal with the crisis, and forcing the King to compete with his most powerful vassals in order to just stay on the throne. This state of affairs ultimately resulted, unsurprisingly, in one of Galladrin’s schemes backfiring, him ending up dead, and the country plunging into civil war, every aristocrat fighting to replace him and more concerned with securing their own power then with restoring the country that was now fully plunged into ruin.

When Dyelin is supporting Elayne in the Andoran Succession, it is this outcome (or one very much like it) that she is attempting to prevent. She says as much outright to Elayne in Knife of Dreams–a direct succession is more stable, and should only be prevented in a situation where the Daughter Heir is unfit–through either incompetence or malice–to become Queen. On the flip side, Arymilla and her lot are trying to push their own agendas, using the war as an excuse to further enrich their Houses or empower themselves and their allies. Rhavin’s machinations had very neatly destabilized Andor, emboldening nobles such as Arymilla (who normally would never dream of putting forward a serious claim for the throne) by making them believe Morgase and Trakand were weak and thus easy to take advantage of. 

We also see this conflict crop up as a central reason Murandy and Altara are in their current state as well. Both are countries where their noble classes have almost complete autonomy, and the monarch is a figurehead without significantly more power than their vassals (Tylin can only keep order in Ebou Dar and its immediate surrounding area, and from what she says her father started with an even worse deal,with parts of the capital more under the control of his vassals than him). Their main unifying force is that they wish to avoid invasion and domination by another larger power (Andor for Murandy, Illian and Amadica for Altara) and the threat of that is the only thing capable of bringing either country into anything close to unity.

Meanwhile a lack of centralization has its trade offs; people enjoy more relative freedoms and social mobility (both depend heavily on trade, which means more wealth flowing into their countries but not necessarily accumulating at the top, due to the lack of stability), and Altara specifically has a very robust ‘middle class’ (or as near as you can get pre-industrialization) of middling to minor merchants, business and craftsfolk, etc. Mat’s time in Ebou Dar (and his friendship with Satelle Anan) gets into a lot of this. Think of the many many guilds that call Altara home, and how the husband of an inn owner can do a successful enough business fishing that he comes to own several crafts by his own merit. 

On the flip side both countries have problems with violence and lawlessness due to the lack of any enforced uniformity in terms of justice. You might ride a day and end up in land ruled by a Lord or Lady with a completely different idea of what constitutes, say, a capital offense, than the Lord or Lady you were under yesterday. This is also probably why Altara has such an ingrained culture of duels to resolve disputes, among both nobles and common folk. Why appeal to a higher authority when that authority can barely keep the streets clean? Instead you and the person you are in conflict with, on anything from the last cup of wine to who cheated who in a business deal, can just settle it with your knives and not have to bother with a hearing or a petition. It’s not like you could trust it anyways; as Mat informs us, most of the magistrates in Altara do the bidding of whoever is paying their bribes.

But neither Altara nor Murandy represents the extreme of how much power and autonomy nobles can manage to wrangle for themselves. That honor goes to Tear, where the nobles have done away with the monarch entirely to instead establish what amounts to an aristocratic confederacy. Their ruling council (The High Lords of Tear) share power roughly equally among themselves, and rule via compromise and consensus. This approach also has its tradeoffs: unlike Murandy and Altara, Tear is still able to effectively administer the realm and create uniformity even without a monarch, and they are able to be remarkably flexible in terms of their politics and foreign policy, maintaining trade relationships even with bitter enemies like Tar Valon or Illian.  On the flipside, the interests of individual nobles are able to shape policy and law to a much greater extent, with no monarch to play arbiter or hold them accountable. This is the source of many of the social problems in Tear: a higher sense of justice, good, or even just plain fairness all take a back seat to the whims and interest of nobles. Tear is the only country where Jordan goes out of his way, repeatedly, to point out wealth inequality and injustice. They are present in other countries, but Jordan drives home that it is much worse in Tear, and much more obscene. 

This is at least in part because there is no one to serve as a check to the nobles, not even each other. A monarch is (at least in theory) beholden to the country as a whole, but each High Lord is beholden only to their specific people, house and interests, and there is no force present that can even attempt to keep the ambitions and desires of the High Lords from dictating everything. So while Satelle Anan's husband can work his way up from a single fishing boat to the owner of multiple vessels, most fisherman and farmers in Tear scrape by on subsistence, as taxes are used to siphon off their wealth and enrich the High Lords. While in Andor ‘even the Queen most obey the law she makes or there is no law’ (to quote Morgase), Tairen Lords can commit murder, rape, or theft without any expectation of consequences, because the law dosen’t treat those acts as crimes when done to their ‘lessers’, and any chance someone might get their own justice back (as they would in Altara) is quashed, since the common folk are not even allowed to own weapons in Tear. As we’re told in the Dragon Reborn, when an innkeeper is troubled by a Lord cheating at dice in the common room, the Civil Watch will do nothing about it and citizens in Tear are banned from owning weapons so there is nothing he can do about it. The best that can be hoped for is that he will ‘get bored and go away’.

On the opposite end, you have the very very centralized Seanchan Empire as a counter example to Tear, so centralized it’s almost (though not quite) managed to transcend feudalism. In Seanchan the aristocratic class has largely been neutered by the monarchy, their ambitions and plots kept in check by a secret police (the Seekers of Truth) and their private armies dwarfed by a state army that is rigorously kept and maintained. It’s likely that the levies of the noble houses, if they all united together, would still be enough to topple the Empress, but the Crystal Throne expends a great deal of effort to ensure that doesn't happen,playing the nobles against each other and taking advantage of natural divisions in order to keep them from uniting.

Again, this has pros and cons. The Seanchan Empire is unquestionably prosperous; able to support a ridiculous food surplus and the accompanying flow of wealth throughout its society, and it has a level of equity in its legal administration that we don’t see anywhere else in Randland. Mat spots the heads of at least two Seanchan nobles decorating the gates over Ebou Dar when he enters, their crimes being rape and theft, which is a far cry from the consequence-free lives of the Tairen nobles. Meanwhile a vast state-sponsored bureaucracy works to oversee the distribution of resources and effective governance in the Empress’s name. No one, Tuon tells us proudly, has to beg or go hungry in the Empire. But that is not without cost. 

Because for all its prosperity, Seanchan society is also incredibly rigid and controlling. One of the guiding philosophies of the Seanchan is ‘the pattern has a place for everything and everything’s place should be obvious on sight’. The classes are more distinct and more regimented than anywhere else we see in Randland. The freedoms and rights of everyone from High Lords to common folk are curtailed–and what you can say or do is sharply limited by both social convention and law. The Throne (and its proxies) are also permitted to deprive you of those rights on nothing more than suspicion. To paraphrase Egeanin from TSR: Disobeying a Seeker (and presumably any other proxy of the Empress) is a crime. Flight from a Seeker is a crime. Failure to cooperate fully with a Seeker is a crime. A Seeker could order a suspected criminal to go fetch the rope for their own binding, and the suspected criminal would be expected to do it–and likely would because failure to do anything else would make them a criminal anyway, whatever their guilt or innocence in any other matter.

Meanwhile that food surplus and the resulting wealth of the Empire is built on its imperialism and its caste-based slavery system, and both of those are inherently unsustainable engines. What social mobility there is, is tied to the Empire’s constant cycle of expand, consolidate, assimilate, repeat–Egeanin raises that very point early on, that the Corenne would mean ‘new names given and the chance to rise high’. But that cycle also creates an endless slew of problems and burning resentments, as conquered populations resist assimilation, the resistance explodes into violence that the Seanchan must constantly deal with–the ‘near constant rebellions since the Conquest finished’ that Mat mentions when musing on how the Seanchan army has stayed sharp.

The Seanchan also practice a form of punitive and caste-based slavery for non-channelers, and chattel slavery for channelers. As with the real-life Ottoman Empire, some da’covale enjoy incredible power and privilege in their society, but they (the Deathwatch Guard, the so’jhin, the Seekers) are the exception, not the rule. The majority of the slaves we encounter are nameless servants, laborers, or damane. While non-channelers have some enshrined legal protections in how they can be treated by their masters and society as a whole, we are told that emancipation is incredibly rare, and the slave status is inherited from parent to child as well as used as a legal punishment–which of course would have the natural effect of discouraging most da’covale from reproducing by choice until after (or if) they are emancipated–so the primary source for most of the laborers and servants in Seanchan society is going to be either people who are being punished or who choose to sell themselves into slavery rather then beg or face other desperate circumstances. 

This keeps the enslaved population in proportion with the rest of society only because of the Empire’s imperialism- that same cycle of expand, consolidate, assimilate, repeat, has the side effect of breeding instability, which breeds desperation and thus provides a wide pool to draw on of both those willing to go into slavery to avoid starvation, and those who are being punished with slavery for wronging the state in some manner. It’s likely the only reason the Empire’s production can keep pace with its constant war efforts: conquered nations (and subdued rebellions) eventually yield up not just the necessary resources, but also the necessary laborers to cultivate them in the name of the state, and if that engine stalls for any sustained length of time (like say a three hundred year peace enforced by a treaty), it would mean a labor collapse the likes of which the Empire has never seen before.

A note on damane here: the damane system is undoubtedly one of chattel slavery, where human beings are deprived of basic rights and person hood under the law for the enrichment of those that claim ownership over them. Like in real life this state of affairs is maintained by a set of ingrained cultural prejudices, carefully constructed lies, and simple ignorance of the truly horrific state of affairs that the masses enjoy. The longevity of channelers insulates the damane from some of the problems of how slavery can be unsustainable, but in the long run it also suffers from the same structural problem: when the endless expansion stops, so too will the flow of new damane, and the resulting cratering of power the Empire will face will put it in jeopardy like nothing has before. There is also the problem that, as with real life chattel slavery, if any one piece of the combination of ignorance, lies, and prejudice starts to fall apart, an abolition movement becomes inevitable–and several characters are setting the stage for just that via the careful spreading of the truth about the sul’dam. Even if the Seanchan successfully put down an abolition movement, doing so will profoundly weaken them in a way that will necessitate fundamental transformation, or ensure collapse.

How Jordan Depicts The Relationships Between Classes

As someone who is very conscious in how he depicts class in his works, it makes sense that Jordan frequently focuses on characters interacting through the barriers of their various classes in different ways. New Spring in particular is a gold mine for this kind of insight.

Take, for example, Moiraine and Siuan’s visit to the master seamstress. A lesser writer would not think more deeply on the matter than ‘Moiraine is nobly born so obviously she’s going to be snobby and demanding, while down-to-earth Siuan is likely to be build a natural rapport and have better relationship her fellow commoner, the seamstress Tamore Alkohima’. But Jordan correctly writes it as the reverse: Tamore Alkohima might not be nobly born, but she is not really a peasant either–rather she belongs to that class of speciality artisans, who via the value placed on her labor and skill, is able to live quite comfortably. Moiraine is much more adept at maneuvering this kind of possibly fraught relationship than Siuan is. Yes, she is at the top of the social structure (all the more so since becoming Aes Sedai) but that does not release her from a need to observe formalities and courtesies with someone who, afterall, is doing something for Moiraine that she can not do for herself, even with the Power. If Moiraine wants the services of a master dressmaker, the finest in Tar Valon, she must show respect for both Tamore Alkohima and her craft, which means submitting to her artistic decisions, as well as paying whatever price, without complaint.

Siuan, who comes from the poor Maule district in Tear, is not used to navigating this kind of situation. Most of those she has dealt with before coming to the Tower were either her equals or only slightly above her in terms of class. She tries to treat Tamore Alkohima initially like she most likely treated vendors in the Maule where everyone is concerned with price, since so many are constantly on the edge of poverty, and she wants to know exactly what she is buying and have complete say over the final product, which is the practical mentality of someone to whom those factors had a huge impact on her survival. Coin wasted on fish a day from going bad, or netting that isn’t the right kind, might have meant the difference between eating that week or not, for a young Siuan and her father. 

Yet this this reads as an insult to Tamore Alkohima, who takes it as being treated with mockery, and leads to Moiraine needing to step in to try and smooth things over, and explain to Siuan-

“Listen to me, Siuan and do not argue.” she whispered in a rush. “We must not keep Tamore waiting long. Do not ask after prices: she will tell us after we make our selections. Nothing you buy here will be cheap, but the dresses Tamore sews for you will make you look Aes Sedai as much as the shawl does. And it is Tamore, not Mistress Alkohima. You must observe the properties or she will believe you are mocking her. But try thinking of her as a sister who stands just a little above you. A touch of deference is necessary. Just a touch, but she will tell you what to wear as much as she asks.” “And will the bloody shoe maker tell us what kind of slippers to buy and charge us enough to buy fifty new sets of nets?” “No.” Moiraine said impatiently. Tamore was only arching one eyebrow but her face may as well have been a thunderhead. The meaning of that eyebrow was clear as the finest crystal. They had already made the seamstress wait too long, and there was going to be a price for it. And that scowl! She hurried on, whispering as fast as she could. “The shoemaker will make us what we want and we will bargain the price with him, but not too hard if we want his best work. The same with the glovemaker, the stockingmaker, the shiftmaker, and all the rest. Just be glad neither of us needs a hairdresser. The best hairdressers are true tyrants, and nearly as bad as perfumers.”

-New Spring, Chapter 13: Business in the City.

Navigating the relationship between characters of a different class is something a of a running theme throughout New Spring–from Moiraine’s dealing with the discretion of her banker (‘Another woman who knew well her place in the world’ as Moiraine puts it), to having to meet with peasants during her search for the Dragon Reborn (and bungling several of those interactions), to wading through the roughest criminal parts of Chachin in search of an inn, and frequently needing to resort to the Power to avoid or resolve conflict. Moiraine’s ability to handle these situations is tightly tied to her experience with the people involved prior to her time as a Novice, but all hold up and give color to the class system Jordan presents. It also serves as set up so that when Moraine breaks the properties with a different seamstress near the end of the book, it can be a sign of the rising tension and the complex machinations she and Siuan find themselves in.

Notably, Moiraine and Siuan’s relative skill with working with people is strongly related to their backgrounds: the more Moiraine encounters people outside her lived experience as a noble daughter in Cairhien, the more she struggles to navigate those situations while Siuan is much more effective at dealing with the soldiers during the name-taking sequence (who are drawn mostly from the same class as her–common laborers, farmers, etc), and the people in Chachin, where she secures an lodging and local contacts to help in the search with relative ease.

Trying to navigate these waters is also something that frequently trips up characters in the main series as well, especially with the Two Rivers folk who are, ultimately, from a relatively classless society that does not subscribe to feudal norms (more on that below). All of them react to both moving through a society that does follow those norms, and later, being incorporated into its power structures in different, frequently disastrous ways.

Rand, who is not used to the complicated balance between vassal and monarch (which is all the more complicated as he is constantly adding more and more realms under his banner) finds imposing his will and leading the aristocrats who swear fealty to him incredibly difficult. While his reforms are undoubtedly good for the common folk and the general welfare of the nations he takes over, he is most often left to enforce them with threats and violence, which ultimately fuel resistance, rebellion, and more opposition to him throughout the nations he rules, and has down-the-line bad ripple effects on how he treats others, both noble and not, who disagree with him. 

Rand also struggles even with those who sincerely wish to serve and aid him in this context: he is awkward with servants, distant with the soldiers and warriors who swear their lives to him, and even struggles with many of his advisors and allies. Part of that is distrust that plagues him in general, but a big element to it is also his own outsider perspective. The Aiel frequently complain that Rand tries to lead them like a King, but that’s because they assume a wetlander King always leads by edict and command. Yet Rand’s efforts to do that with the Westland nations he takes over almost always backfire or have lasting consequences. Rand is frequently trying to frequently play act at what he thinks a King is and does–and when he succeeds it’s almost always a result of Moiraine or Elayne’s advice on the subject, not his own instincts or preconceptions.

Perrin, meanwhile, is unable to hide his contempt for aristocracy and those that willingly follow them, which leads to him both being frequently derelict in his duties as a Lord, and not treating his followers with a great deal of respect. Nynaeve has a similar problem, where she often tries to ‘instill backbone’ into those lower in the class system then her, then comes to regret it when that backbone ends up turned on her, and her leadership rejected or her position disrespected by those she had encouraged to reject leadership or not show respect to people in higher positions.

Interestingly, it’s Mat that most effectively manages to navigate various inter-class relationships, and who via the Band of the Red Hand builds a pretty equitable, merit-based army. He does this by following a simple rule: treating people how they wish to be treated. He accepts deference when it’s offered, but never demands it. He pushes back on the notion he’s a Lord often, but only makes it a serious bone with people who hold the aristocracy in contempt. He’s earnest in his dealings, fair minded, and good at reading social situations to adapt to how folks expect him to act, and when he breaches those expectations it’s usually a deliberate tactical choice. 

This lets him maintain strong friendships with people of all backgrounds and classes– from Princes like Beslan to horse thieves like Chel Vanin. More importantly, it makes everyone under his command feel included, respected, and valued for what they are. Mat has Strong Ideas About Class (and about most things really), but he’s the only Two Rivers character who doesn't seem to be working from an assumption that everyone else ought to live by his ideals. He thinks anyone that buys into the feudal system is mad, but he doesn't actually let that impact how he treats anyone–probably from the knowledge that they think he’s just as mad.

Getting Creative With the Structure

The other thing I want to dig into is the ways in which Jordan, via his understanding of the feudal system, is able to play with it in creative and interesting ways that match his world. Succession is the big one; who rules after the current monarch dies is a massively important matter since it determines the flow of power in a country from one leader to the next. The reason so many European monarchies had primogeniture (eldest child inherits all titles) succession is not because everyone just hated second children, it’s because primogeniture is remarkably stable. Being able to point to the eldest child of the monarch and say them, that one, and their younger sibling if they're not around, and so on is very good for the transition of power, since it establishes a framework that is both easy to understand and very very hard to subvert. Pretty much the only way, historically, to subvert a primogeniture succession is for either the heir’s blood relationship to the monarch or the legitimacy of their parent’s marriage to be called into question.

And yet despite that, few of the countries in Jordan's world actually use primogeniture succession. Andor does, as do some of the Borderlands, but the majority of  monarchies in Randland use elective succession, where the monarch is elected from among the aristocratic class by some kind of deliberative body. This is the way things are in Tarabon, Arad Doman,Ghealdan, Illian, and Malkier, who all elect the monarchs (or diarchs in the case of Tarabon- where two rulers, the Panarch and the King, share power) via either special council or some other assembly of aristocrats. 

There are three countries where we don’t know the succession type (Arafel, Murandy, and Amadicia) but also one we know for sure doesn't use primogeniture succession: Cairhien. We know this because Moiraine’s claim to the Sun Throne as a member of House Damodred is seen as as legitimate enough for the White Tower to view putting her on the Sun Throne as a viable possibility, despite the fact that she has two older sisters whose claims would be considered superior to her own under primogeniture succession. We never find out for sure in the books what the succession law actually is (the country never stabilizes for a long enough period that it becomes important), but if I had to guess I would guess that it’s designated,where the monarch chooses their successor prior to their death, and that the civil war that followed the Aiel War was the result of both Laman and his designated heir(s) dying at the Bloodsnows (we are told by Moiraine that Laman and both his brothers are killed; likely one of them was the next in line).

One country that we know for sure uses designated succession is Seanchan, where the prospective heir is still chosen from among the children of the Empress, but they are made to compete with each other (usually via murder and plotting) for the monarch’s favor, the ‘best’ being then chosen to become the heir. This very closely models how the Ottoman Empire did succession (state sanctioned fratricide) and while it has the potential to ensure competence (by certain metrics, anyways) it also sows the seeds of potential instability by ensuring that the monarch is surrounded by a whole lot of people with bad will to them and feelings of being cheated or snubbed in the succession, or else out for vengeance for their favored and felled candidate. Of course, from the Seanchan’s point of view this is a feature not a bug: if you can’t win a civil war or prevent yourself from being assassinated, then you shouldn’t have the throne anyways.

Succession is far from the only way that Jordan plays with the feudal structure either. Population is something else that is very present in the world building, even though it’s only drawn attention to a handful of times. In our world, the global population steadily and consistently rose throughout the middle ages and the Renaissance (with only small dips for things like the plague and the Mongol Invasion), then exploded with the Industrial Revolution and has seen been on a meteoric climb year over year (something that may just now be stabilizing into an equilibrium again, only time will tell). This is one of the pressures that led to the collapse of feudalism in the real world, as a growing aristocratic class was confronted with finite land and titles, while at the same time the growing (and increasingly powerful) wealthy financial class of various countries were beginning to challenge the traditions and laws that kept them out of direct power. If you’ve ever read a Jane Austen novel (or really anything from the Georgian/Regency/Victorian eras) this tension is on display. The aristocratic class had never been as secure as people think, but the potential to fall into poverty and ruin had never been a greater threat, which had ripple effects for the stability of a nation, and in particular a monarch who derived much of their power from the fealty of their now-destabilized vassals.

In Jordan’s world however, we are told as early as The Great Hunt that the global population is steadily falling, and has been since the Hundred Years’ War (at least). No kingdom is able to actually control all the territory it has on a map, the size of armies have in particular shrunk consistently (to the point where it’s repeatedly commented on that the armies Rand puts together, some of no more than a few thousand, are larger than any ‘since Artur Hawkwing's day’), large swathes of land lay ungoverned and even more uninhabited or settled. Entire kingdoms have collapsed due to the inability of their increasingly small populations to hold together. This is the fate of many of the kingdoms Ingtar talks about in the Great Hunt: Almoth, Gabon, Hardan, Moredo, Caralain, to name just a few. They came apart due to a combination of ineffective leadership, low population, and a lack of strong neighbors willing or able to extend their power and stability over the area.

All of this means that there is actually more land than there are aristocrats to govern it; so much so that in places like Baerlon power is held by a crown-appointed governor because no noble house has been able to effectively entrench in the area. This has several interesting effects on the society and politics of Randland: people in general are far more aware of the fragility of the nation state as a idea then they would be otherwise, and institutions (even the intractable and mysterious White Tower) are not viewed by even their biggest partisans as invulnerable or perpetual. Even the most powerful leaders are aware, gazing out constantly, as they do, at the ruins of the hundreds of kingdoms that have risen and fallen since the Breaking of the World (itself nothing more, to their understanding, then the death of the ultimate kingdom) that there are no guarantees, no promises that it all won’t fall apart. 

This conflict reflects on different characters in different ways, drawing out selfishness and cowardice from some, courage and strength from others. This is a factor in Andor’s surprisingly egalitarian social climate: Elayne and Morgase both boast that Andorans are able to speak their minds freely to their leaders about the state of things, and be listened to, and even the most selfish of leaders like Elenia Sarand are painfully aware that they stand on a tower built from ‘the bricks of the common folk’, and make a concentrated effort to ensure their followers feel included and heard. Conversely it also reflects on the extremely regimented culture of the Borderlands, were dereliction of duty can mean not just the loss of your life, but the loss of a village, a town, a city, to Trolloc raids (another pressure likely responsible for slow and steady decline of the global population). 

The Borderlanders value duty, honor, and responsibility above all else, because those are the cornerstones holding their various nations together against both the march of time and the Blight. All classes place a high value on the social contract; the idea that everyone must fulfill their duty to keep society safe is a lot less abstract when the stakes are made obvious every winter through monsters raiding your towns. This is most obvious in both Hurin and Ingtar’s behavior throughout The Great Hunt: Hurin (and the rest of the non-noble class) lean on the assurance that the noble class will be responsible for the greater scale problems and issues in order to endure otherwise unendurable realities, and that Rand, Ingtar, Aglemar, Lan (all of whom he believes to be nobly born) have been raised with the necessary training and tools to take charge and lead others through impossible situations and are giving over their entire lives in service to the people. In exchange Hurin pays in respect, obedience, and (presumably) taxes. This frees Hurin up to focus on the things that are decidedly within his ken: tracking, thief taking, sword breaking, etc, trusting that Ingtar, and later Rand, will take care of everything else.

When Hurin comes up against the feudal system in Cairhien, where the failures of everyone involved have lead to a culture of endless backstabbing and scheming, forced deference, entitlement, and mutual contempt between the parties, he at first attempts to show the Cairhienin ‘proper’ behavior through example, in the hopes of drawing out some shame in them. But upon realizing that no one in Cairhien truly believes in the system any longer after it has failed the country so thoroughly (hence the willingness of vassals to betray their masters, and nobles to abandon their oaths–something unthinkable in the Borderlands) he reverts to his more normal shows of deference to Rand and Ingtar, abandoning excessive courtesy in favor of true fealty.

Ingtar (and later Rand) feel the reverse side of this: the pressure to be the one with the answers, to hold it all together, to be as much icon and object as living person, a figure who people can believe in and draw strength from when they have none of their own remaining, and knowing at the same time that their choices will decide the fates and lives of others. It’s no mistake that Rand first meets Hurin and begins this arc in the remains of Hardan, one of those swept-away nations that Ingtar talks about having been left nothing more than ‘the greatest stone quarry for a hundred miles’. The stakes of what can happen if they fail in this duty are made painfully clear from the start, and for Rand the stakes will only grow ever higher throughout the course of the series, as number of those ‘under his charge’ slides to become ‘a nation’ then ‘several nations’ and finally ‘all the world’. And that leads into one of the problems at the heart of Rand’s character arc.

This emphasis on the feudal contract and duty helps the Borderlands survive the impossible, but almost all of them (with the exception of Saldaea) practice cultures of emotional repression and control,spurning displays of emotion as a lack of self-control, and viewing it as weakness to address the pains and psychological traumas of their day to day lives. ‘Duty is heavier than a mountain, death lighter than a feather’, ‘There will be time to sleep when you’re dead’, ‘You can care for the living or mourn the dead, you cannot do both’: all common sayings in the Borderlands. On the one hand, all of these emphasize the importance of fulfilling your duty and obligations…but on the other, all also  implicitly imply the only true release from the sorrows and wounds taken in the course of that duty is death. It is this, in part, that breaks Ingtar: the belief that only the Borderlands truly understand the existential threat, and that he and those like him are suffering and dying for ‘soft southlanders’ whose kingdoms are destined to go to ruin anyways. It’s also why he reveals his suffering to Rand only after he has decided to die in a last stand–he is putting down the mountain of his trauma at last. This is also one of those moments in the books that is a particular building block on the road to Rand’s own problems with not expressing his feelings or being willing to work through his trauma, that will swing back around to endanger the same world he is duty-bound to protect.

I also suspect strongly that this is the source of the otherwise baffling Saldean practice of….what we will call dedicated emotional release. One of the core cultural Saldean traits (and something that is constantly tripping up Perrin in his interactions with Faile) is that Saldeans are the only Borderlanders to reject the notion that showing emotion is weakness. In fact, Saldeans in general believe that shows of anger, passion, sorrow, ardor–you name it–are a sign of both strength and respect. Your feelings are strong and they matter, and being willing to inflict them on another person is not a burden or a betrayal of duty, it’s knowing that they will be strong enough to bear whatever you are feeling. I would hesitate to call even the Saldaens well-adjusted (I don’t know that there is a way to be well-adjusted in a society at constant war), but I do think there is merit to their apparent belief in catharsis, and their resistance to emotional repression as a sign of strength. Of course, that doesn't make their culture naturally better at communication (as Faile and Perrin’s relationship problems prove) but I do think it plays a part in why Bashere is such a good influence on Rand, helping push him away from a lot of the stoic restraint Rand has internalized from Lan, Ingtar, Moiraine, et al.

It also demonstrates that a functioning feudal society is not dependent on absolute emotional repression, or perfect obedience.  Only mutual respect and trust between the parties are necessary–trust that the noble (or monarch) will do their best in the execution of their duties, and trust that the common folk in society will in turn fulfill their roles to the best of their ability. Faile’s effectiveness as Perrin’s co-leader/second in command is never hindered or even implied to be hindered by her temperament or her refusal to hide/repress her emotions. She is arguably the one who is doing most of the actual work of governing the Two Rivers after she and Perrin are acclaimed their lord and lady: seeing to public works projects, settling disputes, maintaining relationships with various official groups of their subjects.

The prologue from Lord of Chaos (a favorite scene of mine of the books) where Faile is holding public audience while Perrin is off sulking ‘again’ is a great great example of this; Faile is the quintessential Borderland noble heir, raised all her life in the skills necessary to run a feudal domain, and those skills are on prime display as she holds court. But that is not hindered by her willingness to show her true feelings, from contempt of those she thinks are wasting her time, to compassion and empathy to the Wisdoms who come to her for reassurance about the weather. This is one of those things that Perrin has to learn from her over the course of the series–that simply burying his emotions for fear they might hurt others is not a healthy way to go about life, and it isn’t necessary to rule or lead either. His prejudices about what constitutes a ‘good’ Lord (Lan, Agelmar, Ingtar) and a ‘bad’ one (literally everyone else) are blinding him, showing his lack of understanding of the system that his people are adopting, and his role in it.

Which is a nice dovetail with my next bit–

Outsiders And the Non-Feudal State

Another way Jordan effectively depicts the Feudal system is by having groups who decidedly do not practice it be prominent throughout the series–which is again accurate to real life history, where feudalism was the mode of government for much of (but by no means all) of Medieval and Renaissance Europe, but even in Europe their were always societies doing their own thing, and outside of it, different systems of government flourished in response to their environments and cultures; some with parallels to Feudalism, many completely distinct.

The obvious here are the Aiel who draw on several different non-feudal societies (the Scottish Highland Clans, the Iroquois Confederation, the Mongols, and the Zulu to name just a few) and the Seafolk (whose are a combination of the Maori and the Republic of Piracy of all things), but also firmly in these categories are groups like the communities in the Black Hills, Almoth Plain, and the Two Rivers.

Even though it’s an agrarian farming community made up primarily of small villages, the Two Rivers is not a feudal state or system. We tend to forget this because it looks a lot like our notion of a classic medieval European village, which our biases inherently equate to feudal, but Jordan is very good at remembering this is not the case, and that the Two Rivers folk are just as much outsiders to these systems as the Aiel, or the Seafolk. 

Consider how often the refrain of ‘don’t even know they’re part of the Kingdom of Andor’ is repeated in regards to the Two Rivers, and how much the knowledge of Our Heroes about how things like Kingdoms, courts, war, etc, are little more than fairy tales to the likes of those Two Rivers, while even places unaffected directly by things like the Trakand Succession or the Aiel War are still strongly culturally, economically, and politically impacted. 

Instead of deriving power and justice from a noble or even a code of law, power is maintained by two distinct groups of village elders (The Village Council and the Women’s Circle) who are awarded seats based on their standing within the community. These groups provide the day-to-day ordering of business and resolving of conflicts, aiding those in need and doing what they can for problems that impact the entire community. The Wisdom serves as the community physician, spiritual advisor, and judge (in a role that resembles what we know of pre-Christian celtic druids), and the Women’s Circle manages most social ceremonies from marriages to betrothals to funerals, as well as presiding over criminal trials (insofar as they even have them). The Mayor manages the village economics, maintaining relationships and arbitrating deals with outsider merchants and peddlers, collecting and spending public funds (through a volunteer collection when necessary, which is how we’re told the new sick house was built and presumably was how the village paid for things like fireworks and gleeman for public festivals), while the Council oversees civil matters like property disputes. 

On the surface this seems like an ideal community: idyllic, agrarian, decentralized, where everyone cares more about good food and good company and good harvests than matters of power, politics, or wealth, and without the need for any broader power-structure beyond the local town leaders. It’s the kind of place that luddites Tolkien and Thomas Jefferson envisioned as a utopia (and indeed the Two Rivers it the most Tolkien-y place in Randland after the Ogier stedding, of which we see relatively little), but I think Jordan does an excellent job of not romanticizing this way of life the way Tolkien often did. Because while the Two Rivers has many virtues and a great deal to recommend it, it also has many flaws.

The people in the Two Rivers are largely narrow minded and bigoted, especially to outsiders; The day after Moiraine saves the lives of the entire village from a Trolloc attack, a mob turns up to try and burn her out, driven by their own xenophobia and fear of that which they don’t understand. Their society is also heavily repressed and regressive in its sex norms and gender relations: the personal lives of everyone are considered public business, and anyone living in a fashion the Women’s Circle deems unsuitable (such as widower and single father Tam al’Thor) is subject to intense pressure to ‘correct’ their ways (remarry and find a mother for Rand). There is also no uniformity in terms of law or government, no codified legal code, and no real public infrastructure (largely the result of the region’s lack of taxes). This is made possible by the geographic isolation and food stability–two factors that insulate the Two Rivers from many of the problems that cause the formation or joining of a nation state. It’s only after the repeated emergence of problems that their existing systems can not handle (Trolloc raids, martial law under the White Cloaks, the Endless Summer, etc) that the Two Rivers folk begin adopting feudalism, and even then it’s not an instantaneous process, as everyone involved must navigate not just how they are going to adopt this alien form of government, but how they are going to make it match to their culture and history as well.

This plays neatly with the societies that, very pointedly, do not adopt feudalism over the course of the series. The Aiel reject the notion entirely, thinking it as barbaric and backward as the Westerlanders think their culture is–and Jordan is very good at showing neither as really right. The Aiel as a society have many strengths the fandom likes to focus on (a commitment to community care, a strong sense of collective responsibility, a flexible social order that is more capable of accounting for non-traditional platonic and romantic relationships, as well as a general lack of repressive sex norms) but this comes at a serious cost as well. The Aiel broadly share the Borderlander’s response of emotional suppression as a way of dealing with the violence of their daily life, as well as serious problems with institutionalized violence, xenophobia, and a lack of respect for individual rights and agency. Of these, the xenophobia is probably the most outright destructive, and is one of the major factors Rand has to account for when leading the Aiel into Cairhien, as well a huge motivating factor in the Shaido going renegade, and many Aiel breaking clan to join them–and even before Rand’s arrival it manifested as killing all outsiders who entered their land, except for Cairhienin, whom they sold as slaves in Shara.

And yet, despite these problems Jordan never really suggests that the Aiel would be better off as town-or-castle dwelling society, and several characters (most notably the Maidens) explicitly reject the idea that they should abandon their culture, values, and history as a response to the revelations at Rhuidean. Charting a unique course forward for the Aiel is one of the most persistent problems that weighs on the Wise Ones throughout the second half of the series, and Aviendha in particular. Unlike many of the feudal states faced with Tarmon Gai’don, the Aiel when confronted with the end of days and the sure knowledge of the destruction of their way of life are mostly disinterested in ignoring, running from, or rejecting that revelation (those that do, defect to the Shaido). Their unique government and cultural structure gives them the necessary flexibility to pivot quickly to facing the reality of the Last Battle, and to focus on both helping the world defeat the Shadow, and what will become of them afterwards. This ironically, leaves them in one of the best positions post-series, as the keepers of the Dragon’s Peace, which will allow them to hold on to many of their core cultural values even as they make the transition to a new way of life, without having to succumb to the pressures to either assimilate into Westlands, or return to their xenophobic isolationism.

The Seafolk provide the other contrast, being a maritime society where the majority of the people spend their time shipboard. Their culture is one of strong self-discipline and control, where rank, experience, and rules are valued heavily, agreements are considered the next thing to sacred, and material prosperity is valued. Though we don’t spend quite as much time with them as the Aiel, we get a good sense of their culture throughout the mid-series. They share the Aiel’s contempt for the feudal ‘shorebound’, but don’t share their xenophobia, instead maintaining strong trade relationships with every nation on navigable water, though outside of the context of those trade relationships, they are at best frosty to non-Seafolk. 

They are not society without problems–the implication of their strong anti-corruption and anti-nepotism policies is that it’s a serious issue in their culture, and their lack of a centralized power structure outside of their handful of island homes means that they suffer a similar problem to the likes of Murandy and Altara, where life on one ship might be radically different then life on another, in terms of the justice or treatment you might face, especially as an outsider. But the trade off is that they have more social mobility then basically any other society we see in Randland. Even the Aiel tend to have strongly entrenched and managed circles of power, with little mobility not managed by the Wise Ones or the chiefs. But anyone can rise high in Sea Folk society, to become a leader in their clan, or even Mistress of the Ships or Master of the Blades– and they can fall just as easily, for shows of incompetence, or failures to execute their duties. 

They are also another society who is able to adapt to circumstances of Tamon Gai’don relatively painlessly, having a very effective plan in place to deal with the fallout and realities of the Last Battle. The execution gets tripped up frequently by various factors, but again, I don’t think it’s a mistake that they are one of the groups that comes out the other side of the Last Battle in a strong position, especially given the need that will now exist to move supplies and personnel for rebuilding post-Last Battle. The Seafolk have already begun working out embassies in every nation on navigable water, an important step to modernizing national relationships.

How does all this relate to feudalism and class? It’s Jordan digging into a fundamental truth about the world and people–at no point in our own history have we ever found a truly ‘perfect’ model for society. That’s something he’s constantly trying to show with feudalism–it is neither an ideal nor an abomination, it just is. Conversely, the Two Rivers, Aiel, Seafolk, and Ogier (who I don’t get into to much here for space, but who also have their own big problems with suffrage and independence, and their virtues in terms of environmental stability and social harmony) all exist in largely classes societies, but that doesn't exempt them from having problems or make them a utopia, and it certainly doesn't make them lesser or backwards either–Jordan expends a lot of energy to show them as complex, nuanced and flawed, in the same way he does for his pseudo-Europe.

Conclusion

To restate my premise: one of Jordan’s profound gifts as a writer is his capacity to set aside his own biases and write anything from his villains to his world with an honest, empathetic cast that defies simplification. Feudalism and monarchy more generally have a bad rep in our society, for good reasons. But I think either whitewashing or vilifying the feudal system is a mistake, which Jordan’s writing naturally reflects. Jordan is good at asking complicating questions of simple premises. He presents you with the Kingdom of Andor, prosperous and vast and under the rule of a regal much loved Queen and he asks ‘where does its wealth come from? How does it maintain law and order? How does the Queen exert influence and maintain her rule even in far-flung corners of the realm? How did she come to power in the first place and does that have an impact on the politics surrounding her current reign?’. And he does this with every country, every corner of his world–shining interesting lights on familiar tropes, and exploring the humanity of these grand ideas in a way that feels very real as a result.

The question of, is this an inherently just system is never really raised because it’s a simplifying question, not a complicating one. Whatever you answer–yes or no–does not add to the depiction of these systems or the people within them, it takes away. You make someone flat–be it a glorious just revolutionary opposing a cackling wicked King, or a virtuous and dutiful King suppressing dangerous radical dissidents, and you make the world flatter as a result. 

I often think about how, when I began studying European history, I was shocked to learn that the majority of the royalists who rose up against the Jacobins were provincial peasants, marching against what they perceived to be disgruntled, greedy academic and financial elites. These were, after all, the same people that the Jacobins’ revolution claimed to serve and be doing the will of. Many of the French aristocrats were undeniably corrupt, indolent, and detached from their subjects, but when you look closer at the motives of many of the Jacobins you discover that motives were frequently more complex then history tends to remember or their propaganda tried to claim, and many were bitterly divided against each other on matters of tactics, or ideals, or simple personality difference. The simple version of the French Revolution assigns all the blame to the likes of Robespierre going mad with power, and losing sight of the revolutions’ higher ideals, but the truth was the Jacobins could never properly agree on many of their supposed core ideals, and Robespierre, while powerful, was still one voice in a Republic–and every person executed by guillotine was decreed guilty by a majority vote.

This is the sort of nuance lost so often in fantasy stories, but not in Jordan’s books. The story could be simpler–Morgase could just be a just and good high Queen archetype who is driven by love of her people, but Jordan depicts her from the beginning as human–with virtues and flaws, doing the best she can in the word she has found herself. Trying to be a just and good Queen and often succeeding, and sometimes falling short of the mark. The Tairen and Cairhienin nobility could just all be greedy, corrupt, out-of-touch monsters who cannot care for anything beyond their own pleasures–but for every Laman, Weairamon, or Colavaere, you have Dobraine, Moiraine, or Darlin. And that is one of the core tenets of Jordan’s storytelling: that there is no system wholly without merit or completely without flaw, and no group of people is ever wholly good or evil.

By taking this approach, Jordan’s story feels real. None of his characters or world come across like caricature or parody. The heinous acts are sharper and more distinct, the heroic choices more earned and powerful. Nothing is assumed–not the divine right of kings, or the glorious virtue of the common man. This, combined with a willingness to draw on the real complex histories of our own world, and work through how the unique quirks of fantasy impact them, is what renders The Wheel Of Time such a standout as a fantasy series, past even more classic seminal examples of the genre, and why its themes of class, duty, power, and politics resonate with its modern audiences.

[thisapplepielife]

Written for the @corrodedcoffinfest Seven Deadly Sins pop-up event.

Front Page News

Prompt: Wrath | Word Count: 1313 | Rating: T | CW: Language, Property Damage | POV: Goodie | Relationship(s): Steddie, Background Buckingham | Tags: Modern Setting, Famous Corroded Coffin, Pissed Off Eddie Munson, Lavender Marriage, Steve & Chrissy, Secret Relationships, The Goddamn Prying Paparazzi, Chosen Families: No Matter How Unconventional

Goodie scrolls and scrolls and scrolls. His phone screen is getting hot in his hand because he's been reading so long. Continuously scouring for more information. Refresh. Refresh. Refresh. This can't be happening. Eddie's gonna lose his fucking mind. There are blind items, and a copy of Alex's birth certificate being posted for the world to see.

And the tweets. 

Not to mention the fucking Reddit threads. Comment after comment. 

Goodie wants to kill them all. Rain down a pox on them and theirs for doing this. For digging. For getting into things that are of no goddamn concern of theirs. They need to mind their own fucking business.

Eddie's gonna explode. The shower is still running, and Goodie's standing guard outside of the door. Staying between Eddie and his phone. Goodie'd reached in and swiped it off the vanity, just to be extra careful.

Jeff and Gareth better get their asses here, and soon. See if they can limit the fallout. Eddie's off social media, but this dam is gonna break and word is gonna trickle to him if they don't hurry up and get there first.

"Eddie," Gareth says, and they've corralled Eddie. Cornered him, and now all they can do is watch him rage. He's destroying his hotel room. But none of them are about to tell him to knock it the fuck off. Not today. Not over this. 

He bounces off the wall and Goodie braces for impact. Catches and releases him in one fluid motion.

"Eddie, you can't do this," Jeff says, but Eddie's not listening. 

But Eddie's got a temper, a short fuse, always has. But it's never manifested like this before. 

"You're too old to act like this!" Gareth screams, and fuck if he isn't right.

But they've also never dealt with anything this personal before, either. And it spiraled into a major scandal in one afternoon. Their PR is working on a spin, but Goodie's not sure how they're gonna get Eddie out of this one. Enough of it's true, a straight denial is never gonna work. Eddie is on the birth certificate of a brand new baby. With a woman married to someone else. Living in the suburbs, with three other kids at home. 

Those are just facts. There's no getting around 'em. Everything about this is bad optics. 

It's just the context these fucking vultures don't know, and honestly, don't deserve to know.

Chrissy's been married to Steve for nearly twenty years, but he's been with Eddie longer. Chrissy, with Robin. Those kids? Shared in a way Goodie can't understand. It's a fucking mess, and not anything Goodie would want any part of, personally, but they did what they thought they needed to do back then. And until now it had worked. 

Only this time, they used Eddie's sperm and his name on the birth certificate. Not realizing people would dig around, gleefully releasing that info. 

A good marriage, as lavender as it may be, about to be blown to fucking smithereens. 

Eddie, slandered, shamed. 

Steve's not here. Steve's in the fucking Palisades, at home. Probably getting ready for a PTA meeting or practice. The perfect stay-at-home dad, with the perfect wife, who loves her job and works long hours.

Eddie screams at the top of his lungs, and they're gonna get complaints. Even in the middle of the day. 

Gareth goes in, wrapping his arms around Eddie, trying to hold on, trying to calm him down. But Eddie shoves him off, and Goodie takes a fucking knee with a thud that fucking hurts, goddammit, but he makes it down in time to catch Gareth. The last thing they need is Gareth with two broken arms from catching himself on the floor under this thin carpet.

"Thanks," Gareth breathes, hands squeezing both of Goodie's shoulders, sprawled on top of him. It knocked the wind out of Goodie, but neither of them are hurt, and Jeff helps both of them right themselves. As much as they can, right now, anyway.

They might be done for a little while. This might not blow over. Eddie might get arrested if he can't pull his shit together. Quick.

Goodie supposes that depends on the route Steve and Eddie and Chrissy and Robin want to take. Come clean, or batten the hatches and take the onslaught until something more scandalous comes along in the news cycle.

"Sorry," Eddie says, reaching for Gareth, and Gareth reaches back, wrapping him in a hug. One that Eddie is ready for, this time. "I'm just so mad," he says, under his breath, but it's enough for them all to hear. "I know," Jeff says, "we'll find a way to fix it. We will. You'll see."

Goodie goes back to his own room and calls Steve.

"Oh, yeah, they're here," Steve says, and describes the paparazzi standing outside of the gated house. 

"At least they aren't on the lawn?"

Steve laughs, and Steve's not worked up in the slightest, it seems.

"Eddie's having some sort of mental breakdown, and you're just, what, fine?" Goodie asks.

"I'm not fine, but there's no reason to get so fucking worked up. Can you put him on the phone?"

"He's not in here, but I'll get him to call you."

"Tell him it's fine. We're fine. Whatever happens, it's all fine. I'm fine. Chrissy's fine. The kids are fine. Robin's fine. Tell him we're all good over here."

"I will," Goodie says, and he's not sure Eddie will accept good as an answer today, but he'll try.

They are past the point that being queer is gonna tank Eddie's career. So, Goodie doesn't think it's the coming out that has Eddie in such a goddamn tizzy. Goodie's pretty sure it's the loss of normalcy for the kids, for Steve, Chrissy, and Robin that he's furious about, that he's mourning. Steve loves Eddie, but he wanted a family, a life and a home.

He didn't want to spend a lifetime on the road. So, a plan was hatched. A deal in place, and it's worked so damn well. For decades. Eddie had a homebase nobody knew about, Steve has his three kids and a pool-full of age-groupers to coach.

Maybe if they were coming of age now, they wouldn't have taken this route. Adoption for two queer men would have been an option. But, twenty years ago, this was the best idea they had. 

And now here they are. Freaks. Front page news.

Goodie basically scruffs Eddie like an angry cat, even if he's not currently shredding the curtains, and marches him right to his phone.

"Call Steve. He's good. You'll feel better after you do."

"What if our phones are bugged?" Eddie asks.

"Jesus H. Christ, Ed, so what if they are? Fuck 'em. There's no tap dancing out of this one. Some sort of the truth is gonna have to be announced. Don't fuck things up with your family because you're mad things aren't exactly as you want them to be."  

That's a problem Eddie has, and they all know it. It's his way, or the highway, always. And they've all stupidly catered to it maybe a little too much over the years.

But Goodie watches him dial, and waits until he's sure he's connected and calm. 

"Hi," Eddie says, then adds, "Anything new going on?"

And Goodie can hear Steve laughing through the phone, and Goodie's blood pressure plummets back to normal. It's gonna be fine.

Steve's got it from here. 

Back in the safety of his own room, Goodie crashes into the chair, and pulls out his own phone. It's finally cooled down, though the battery is depleting.

He calls home, too.

"You're famous," she says, and he laughs.

"Fucking Eddie. My knee hurts," he says, and then starts gossiping in the way you only can with your spouse. Telling her everything he knows.

If you want to write your own, or see more entries for this challenge, pop on over to @corrodedcoffinfest and follow along with the fun! 🦇

[cinnamorwll]

𝙬𝙚𝙡𝙘𝙤𝙢𝙚 𝙩𝙤 𝙢𝙮 𝙗𝙡𝙤𝙜… ᕱᕱ

ᡣ𐭩 hiii <3 my name is Anthony but you can call me tony!! i'm new to this lovely landscape called tumblr

ᡣ𐭩 my birthday is on the second day of the year every year! and i'm excited to finally turn 17 and have an edward cullen cake

ᡣ𐭩 i'm a boy but i swear i have thoughts!! like why Wi-Fi never works well when i need it most

ᡣ𐭩 i'm a native portuguese speaker and i also speak italian, english and i try to learn spanish but the only thing i do is watch soy luna with subtitles

ᡣ𐭩 i love listening to music, reading, drawing, autumn, vintage stuff, poetry, fashion, self-care, pinterest, video essays, cartoons, hot chocolate, and writing my stories that i plan to turn into films in the future

ᡣ𐭩 music: boygenius, wallows, the smiths, inhaler, blur, cocteau twins, jeff buckley, hozier, ruel, lizzy mcalpine, taylor swift, lana del rey, ethel cain, laufey, reneé rapp, gracie abrams, clairo, madison beer + plenty more!

ᡣ𐭩 actresses: audrey hepburn, shelley duvall, brigitte bardot, sharon tate, brittany murphy, dakota fanning, elle fanning, taylor russell, saoirse ronan & clara bow

ᡣ𐭩 movies: the secret garden, little women, a series of unfortunate events, dead poets society, mysterious skin, coraline, the lovely bones, lady bird, the secret of moonacre, the virgin suicides, uptown girls, matilda, aquamarine, the parent trap & studio ghibli movies!

ᡣ𐭩 tv shows: modern family, gilmore girls, gossip girl, the baby-sitters club, the vampire diaries, the office, brooklyn 99, tslocg, sex and the city, anne with an E, once upon a time, skins, the 100, over the garden wall, hilda & summer camp island!!

ᡣ𐭩 fav colors: preacher’s daughter brown, midnight rain navy blue & dark red ultraviolence (these colors are real, i didn’t make them up)

ᡣ𐭩 here i intend to post collages, “whispers”, things related to films, literature and some of the thoughts that keep me awake at night, like the fact that maybe i’m a lost poem by clarice lispector or a deer transformed into a human

ᡣ𐭩 this is supposed to be a safe place for anyone of any ethnicity, gender identity, etc. but if you’re racist, zionist, homophobic, religious intolerant or practice any other type of prejudice, please leave

ᡣ𐭩 feel free to follow me on my socials and i promise to follow you back!! (except if you're the type of person who doesn't return books that were lent to you)

⋆.˚ pinterest ˚.⋆ ⋆.˚ letterboxd ˚.⋆ ⋆.˚ instagram ˚.⋆

ᡣ𐭩 thank you so much for reading, you can tell that i can talk a lot but i'm also a great listener! so please comment something so we can be mutuals and feel comfortable to DM me <3

[blood-and-pizza]

Notable Details from the original "Into The Pit" story (PART 1)

Upon the mill's closure, Oswald's dad works part-time at the deli counter in a store called the Snack Space (a 7-11 equivalent, basically), which requires a red vest as their uniform. Oswald is embarrassed by the fact his dad is wearing the vest as he drops him off at school. Just a neat bit of world-building.

Oswald has a best friend named Ben who moved into the next town over.

Oswald's bullies, including Dylan Cooper, call him "Oswald the Ocelot" after a cartoon character they saw as pre-schoolers, a big pink ocelot named Oswald. Again, more world-building.

Oswald is described as having freckles and a cowlick in the original story.

Oswald has no modern electronics in his home, save for one laptop he shares with his family. His phone is an outdated model he's embarrassed by.

Oswald's teacher, Mrs. Meecham, puts on a movie for her class on the last day of school, which is described as "about a farm with talking animals", "too babyish for a roomful of fifth graders". I'm guessing they might have been watching the animated adaptation of Charlotte's Web... or it could be wishful thinking on my part, since I love that movie.

Oswald has been drawing mechanical animals ("bears, bunnies, and birds") for reasons even he doesn't know, other than lack of anything better to do when he's bored.

Oswald's mom works at the hospital from 12PM to 12AM... yikes.

Oswald's dad can't cook to save his life. If it can't be boiled in water or heated in a microwave, he has to buy his meals... how relatable.

Blue-box macaroni and cheese exists in FNAF, meaning Kraft and its products likely exist, too. Just thought that was funny for some reason.

Oswald's dad squirts ketchup into his mac and cheese. I just think knowing he's the kind of dad who does that is really funny... kinda reminds me of my stepdad's love of ketchup, to be honest.

Other pizzerias that once existed in Oswald's town were Gino's Pizza and Marco's Pizza, both of which closed not long after the mill closed. Both Gino's and Marco's are described as good restaurants, while the food at Jeff's Pizza is described as "decent".

Oswald is into B-grade Japanese horror films, including kaiju movies like Zendrelix vs. Mechazendrelix. Zendrelix is apparently FNAF's answer to Godzilla, making Mechazendrelix an equivalent to Mechagodzilla. They're described like this: "... Zendrelix just looked like a giant dragon thing, but Mechazendrelix reminded him [Oswald] of the mechanical animals he drew when he stripped them of their fur." Zendrelix is also described as being portrayed by "a guy in a rubber suit", solidifying the connection between him and Godzilla.

Oswald and his dad both really love bacon. I just thought that was cute.

When Oswald visits the library, a place he finds "actually kinda fun", he shows interest in a science fiction book from a series, as well as a manga he liked. Based, IMHO.

The library Oswald visits frequently allows homeless people to use their computers and other resources. WE NEED LIBRARIES AND THIS IS EXACTLY ONE REASON WHY!

Oswald's mom, being a nurse, is a bit of a germaphobe and won't let Oswald play in places she considers dirty. A ball pit would be considered one such place.

The pizza Jeff serves comes in huge slices too big for the paper plates they're served on, and very greasy. As someone who was born in NYC and used to eat greasy New York pizza... I think I would have liked eating at Jeff's. Maybe.

Oswald reads a library book while visiting Jeff's Pizza, about "a world where kids with secret powers went to a special school to learn how to fight evil". I wonder how many books that describes...

Oswald plays an online fantasy game at the library that's free to play, but Oswald gets to a point where he can't progress without money. I wonder what game it could have been...

Oswald's dad and mom used to date in high school, often frequenting a roller rink, and are great skaters as a result. Oswald himself can't skate and needs his parents to hold him up.

Oswald's dad only ever buys vanilla ice cream.

There's a video rental service Oswald's family uses called Red Box, but I don't know if it's meant to be the same as the actual existing Redbox. Maybe it is?

Oswald's mom is very good at playing Clue... oh, and Clue exists in the FNAF universe.

Oswald's dad prefers practical effects over CGI in movies. Oswald is the exact opposite.

Oswald's dad is a fan of country music. Oswald... is not.

[steddieas-shegoes]

reunited

for @corrodedcoffinfest prompt 'back to indiana'

rated t | 939 words | cw: minor language | tags: famous corroded coffin, established steddie, uncle wayne is the best, steve harrington gets migraines in every universe, modern era

🏡🏡🏡🏡🏡🏡🏡🏡🏡🏡🏡🏡🏡

All of them had agreed that going back to Indiana was necessary for the tour, but they didn't expect to sell out the Ruoff within two days of their tickets being on sale. They broke a record for the venue, and a record for themselves with the largest crowd at any of their shows.

But being back in Indiana was bittersweet.

They all hated it, Eddie most of all, but it's where they became Corroded Coffin, it's where their families were. And apparently a lot of their fans.

They refused to go back to Hawkins, though. Their families would have to come to them.

The show was crazy, but they knew it would be. They added four songs to their setlist and did three songs as their encore instead of just one. It ended up being a two hour show, and by the time they stepped offstage, they were all feeling exhausted.

Adrenaline didn't hit the same anymore for them, not since their second tour. They still got hyped up, still jumped around the stage, running around cables and speakers for the duration of their set. But they no longer stayed up for hours after, still buzzing from the electricity in their veins. They were used to it now.

They were older, too. Eddie and Frankie hit 30 a few months ago, Jeff and Gareth not far behind. They still felt young most of the time, but the summer heat and constant cardio was catching up to them quicker than it used to.

"Do you think our families will be disappointed if we fall asleep waiting for them?" Gareth asked from the floor. He already had his eyes closed, sweat dripping onto the carpet under him.

"None of them just did a two hour show so they have no right to judge." Jeff sipped from the water bottle he'd just grabbed from the cooler. They hardly even drank beer after shows anymore, hating the way it made them feel bloated when they were trying to fall asleep.

"I worked 14 to 16 hour shifts six days a week to make sure you ate your Honeycombs every morning, though," Wayne says as he walks into their dressing room. Eddie jumps up from his seat on the coffee table and runs to him, suddenly full of energy. "Alright, alright. Take it easy on me. I'm an old man."

"Missed you." Eddie keeps hugging him as everyone else's families walk into the room and receive similar greetings.

They were riding a fame high, and breaks were almost impossible, so most visits were their families coming to see them in New York over Christmas or that one week they had off in the summer and they all went on a cruise. Only Jeff had been back to Hawkins, and it was only for one night in between shows nearly a year ago.

"Missed you too, kid. You doin' okay?" Wayne pulled away to look him over, nodding to himself. "You look good."

"I eat at least two vegetables a day. I even remember to shower most of the time," Eddie says proudly. "We all try to take care of ourselves."

"And that has nothin' to do with Steve constantly breathin' down your necks?" Wayne's brow raises in question. "Where's he at anyway? Thought I'd get to hug my son-in-law."

"Migraine."

"Ah." Wayne nods in understanding. "Does he need anything?"

"Nah, he's all set. He probably wouldn't mind you stopping by the bus to say hi."

"Maybe in a bit."

They continued talking for a few minutes before the entire group started chatting about the show and checking in with each other.

Steve came hobbling in about a half an hour later, apologizing for being late, still looking like he needed to sleep it off.

"Hey, sweetheart. You didn't have to come in here," Eddie said as he wrapped an arm around his waist. "We were just heading out."

"'s fine. Wanted to say hi." Steve gave Wayne a long hug before resting his head on Eddie's shoulder. "My mom called. Heard you were close. Wants to meet up."

"Do we have to?" Eddie whined.

Wayne smacked his arm. "Don't be rude."

"She's so mean, Wayne!" Eddie continues. "Last time we met up for dinner, she said she was happy that I was becoming interested in birds and when I asked where she got that idea, she said it was because I was clearly trying to build a home out of my hair for them."

Steve and Wayne snorted.

"She ain't wrong." Wayne patted his shoulder. "We gettin' breakfast in the mornin' before you head out?"

"We should all go out!" Gareth's mom exclaims, clapping her hands in excitement. "We so rarely all get to see each other."

"That sounds great," Jeff's mom nods as Frankie's mom gives a thumbs up.

Steve looks around the room, rubbing his forehead as he counts. "I'll call around."

"Oh honey, we don't need reservations." Frankie's mom says.

"When you travel with these guys, you do. We'll have to close down a restaurant. It'll be chaos if we don't," Steve explains. "It's no big deal. I'll text everyone the info."

"Even here?" Gareth's mom asked, looking concerned.

"Especially here." Steve grimaces and Eddie calls it a night.

"You boys wanna stay with me tonight?" Wayne asks.

It's really not a far drive to his house, barely even an hour. Steve needs a real bed, which Wayne has in his guest room.

"Yeah, let's crash at yours." Eddie agrees.

"Good to have ya home, boys." Wayne smiles at them as he leads them out the door and back home.

[darkst4lker]

taste // thranduil.

thranduil oropherion x fem!reader

plot: two weeks and a half ago, thranduil and (y/n) had a messy break up. now, he appears at your friend arwen's birthday party with his ex girlfriend by his side and you decide that if he wants to play that game, you would play it too.

tw: (mdni) modern!au, it's mainly lovers to enemies to lovers but there will be mentions of smut, angst, thranduil behaves like an asshole, misogyny, use of drugs and and alcohol, good ending (?, i changed a lot of things from the lore!!, everyone is like 20-27 here but legolas wasn't even born yet here. YES there's a moment where starts playing lover you should've come over by jeff buckley!!. low caps on purpose.

notes: english is NOT my first language. i'm sorry if there's any mistake. also this is the first time i publish something i write here!!

“(y/n)” tauriel spoke. you and her were helping arwen to decorate her house for her birthday party that same night, yet you were visibly sad for your break up with thranduil. “(y/n), are you okay?”

you weren't okay.

it was the middle of winter. arwen's living room was one of the most comfortables and warm places on earth, in fact all of her house was like that. it was one of the places where you felt more safe than anywhere in the world but today her house felt deadly cold to you.

maybe the problem wasn't arwen's home itself but the fact that your soul was freezing since the day thranduil's deadly words stabbed your heart like a poisoned knife.

“i don't love you anymore, (y/n).”

fucker. you had spent two years together.

in fact, you and thranduil never fought, never argued, never insulted each other while you were together. yet, the day he left you like that, completely out of the blue, you insulted him so much he probably thought that all his family line would be cursed forever.

he said horrible things too, it wasn't just you. but you may had gone too far when you threw an antique vase that belonged to his family for years through the window of his apartment.

in your defense, he was the last person you thought that would leave you.

of course arwen's house felt cold, the whole world felt cold actually. how could anything feel good in this earth when you weren't in thranduil's arms?

you took a deep breath.

it took you a moment to answer to tauriel's question because the vestiges of the last discussion you had with thranduil were fresh in your mind like if it had happened a second ago. you tried to dismiss the storm of memories flooding your mind and you looked at tauriel.

“yeah, im sorry i went blank for a minute.” you answered while hanging up some balloons in the wall. you tried to fake a smile but your tired eyes revealed your sorrows.

“that's it. im tired of seeing her like this, im going to kill him” aragorn said, leaving his spot next to arwen in the kitchen where they were preparing all the food for the party to get his coat, but arwen stopped him right away.

“stop, you're not helping her. we need to stay here by her side.” arwen came out of the kitchen, after aragorn. her calm voice sent chills down your spine.

aragorn crossed his arms and left his coat alone while he sat in a chair facing you.

you sat on the sofa and arwen sat besides you. the decorations were ready and now you didn't had anything else to distract you from the heartbreak im your chest.

“everything is going to be okay, sweetie. i'm sorry you'll have to see him tonight, bard insisted a lot for me to invite him.” arwen words comforted you and then she hugged you softly. aragorn looked annoyed while he leant against the wall and tauriel stood beside him. “sooner or later he will realize what he's missing.”

“better be sooner because i can't believe he hurted (y/n) like this when a month ago he was talking about fucking marrying her.” aragorn said clearly angry. “i know he's my friend and all but... i can't believe that he really did that.”

“well love can be like that sometimes, i guess.” you answered, trying to keep yourself together. “it comes and it goes.”

“yeah right, but is never just like that (y/n).” tauriel voice was calm but she did seem irritated. “i don't understand why on earth he would do that. it doesn't even makes sense.”

“it doesn't matter if it makes sense or not, guys.” you were clearly about to cry but you held it. “what is done is done and we can't go back in time, and neither can thranduil. i will survive this shit.” everyone tried to smile at you while you spoke but you didn't sounded as convinced as you wanted.

yet, you were true. you couldn't go back in time and in fact, the hours passed swiftly and now the night welcomed the birthday party everyone was waiting for.

you got showered and prepared directly in arwen's home. you had brought your outfit and now your body was inside a stunning and tight scarlet dress.

the black heels that you were in made your outfit more mysterious and in your neck there was a lovely silver necklace with a ruby pendant that arwen had let you borrow for the night.

with a little bit of perfume and red lipstick on, you left arwen's room and joined tauriel's side on the party. there wasn't much people yet, a couple university friends from years ago, the boy tauriel always spoke about: kili and his brother fili, gimli, aragorn of course and like five more people.

it wasn't full yet but arwen's home was quite big so the amount of people wasn't going to be a problem.

thranduil by the other hand, he surely was going to be one.

tauriel and you talked for a while, spending time together before she went to dance with her almost-boyfriend, kili.

you really liked kili for your friend, he seemed like a sweet guy. you really hoped they would end up being together and you wished in the deepest places of your heart that he didn't ended up breaking your friend heart.

like certain person did to you.

you drank a little from the bottle of wine aragorn gave you before rushing to dance with arwen and more people started to appear.

the fear of seeing thranduil that night was disappearing by every sip you gave to the wine and soon you even thought that maybe he wasn't even going to come.

a couple hours later, the house was full of people everywhere, it was 11pm, the party had just started hours ago and when you thought you were free from certain blonde, you saw probably the worst thing you could see with alcohol in your system.

thranduil entered the party with a beautiful blonde girl by his side. they both had their hands enterwined and the girl was giggling while they talked. you instantly felt a rush of rage invade your whole body to the point you believed that your brain was on the verge of exploding.

thranduil had a formal black shirt, leaving two buttons unbottoned and revealing his neck, a little sigh escaped from your lips at the heavenlt sight.

and there it was her.

she looked like a goddes pulled out from a fairytale, making your insecurities corrode your guts like a sickness. the tears threatened to fall off your eyes as you watched their entrance from the another side of the room, and the worst was that you recognized her from old pictures thranduil had in his house. that was his ex girlfriend, now actual (you supposed).

when you thought the horror was over, thranduil looked at you from the distance like if he had some kind of radar attached to him that warned him about everytime you looked at his direction.

his ocean blue eyes met yours. it felt like a boat crashing in the middle of a sea infested with mermaids.

his stare was as intoxicating and addictive as always were. the feelings accumulated in your throat like stones and you got scared for a moment before breaking eye contact with him. it lasted just a second, but it felt like a lifetime passed while your eyes met his.

then you quickly took a sip of your bottle of wine, trying to not give him the pleasure of seeing you rush to the bathroom to cry. for what it felt like hours, you had to see him dance with his new girl and you imagined that you were the one dancing with him, kissing him, touching him.

it was unbelieveable. he literally had replaced you.

how could he? why would he?

those questions pierced your heart like swords, like his words did days ago.

“it was just a pause, a distraction. i needed someone to heal what my past relatonship had broken in me and i already did. you served me well and i will always be grateful.”

you 'served him well'? really? what the fuck does he thinks he is? a king?

his words had melted in your ears like a rotten peach. the sweetness of his low voice mixed with a hint of gall flooding every sentence he said.

you understood now what he meant when he said he healed.

by the other hand, thranduil was breathing heavily.

his hands were on his new girlfriend's waist and sometimes he planted soft kisses on her face. yet, he couldn't fully enjoy anything of it. thranduil regretted all his actions, and much more, how he couldn't save your relationship.

he felt like an idiot. all of his thoughts were on you, every kiss he gave her, every look, every loving gesture, he desired it all went to you instead.

thranduil was deeply conflicted, though. even if he knew how wrong he were when you two broke up, he also was quite offended with the things you said.

it felt like a torture, probably the most horrible one on earth and the weight of his actions were killing him more slowly that he would ever wanted to.

thranduil didn't told you his real motives for leaving you, he thought it would only make it worse for both of you. but after leaving, all of his actions felt meaningless now that he didn't had you.

he was proud, and stubborn though. and watching how you left your seat in wich you were obviously staring at him to sit next to bard made his heart ache terribly.

in your mind, bard seemed like an obvious solution: he was hot, he was your friend and long before you started going out with thranduil he and you had spent a couple of nights together. bard obviously recieved your presence with open arms.

"(y/n), sweetheart." bard calm voice welcomed you as you approached the couch where he was drinking a beer. you noticed he had a blunt on the other hand. "you look beautiful as always."

"hi, bard. long time no-see" you took the seat next to him, everyone were dancing and the fact that he was also a very close friend of thranduil made the whole idea of making out with him so much better.

there was a brief moment of silence, but it wasn't uncomfortable. the music was peaceful now, tempting every couple to slow dance.

"do yo want some?" he offered you the pot, and you took it while nodding.

as you smoke, bard looks at you with his classic lovely and reassuring smile, only this time he seemed quite drunk and clearly high.

you were a little drunk yourself too.

"i think i needed that, thank you." you give him back the blunt, and he leaves it in the ashtray. after, he looks at you with curiousity.

"are you-" he started to say but you interrupt him.

"yes i am in fact okay, thank you for asking though." the question had you completely exhausted. you rolled your eyes and stared at him right at his, starting to feel the mix of pot and the alcohol making you a little dizzy. "i came to see if we could make out for a while, i don't care if it's your fault he is here, i don't care about him, i don't care about anything. please, help me forget everything for a second like in the old times. please." your voice sounded a little desperate but the truth it was that you were.

the pain in your heart was begging and pleading to be released, to be cured even if it was for a brief moment. it felt like a bomb ticking on your chest that could explode at any moment and bard seemed to notice it.

a soft smile appeared on his face as he spoke. "you do seem to care, sweetie." the nickname made your heart ache a little, all his nicknames did. thranduil used to call you loving names all the time but the last time you two spoke he called you plainly by your name.

you asked yourself if he also was calling her those sweet names too.

your mouth opened to answer bard but the words didn't came out as the heart ache was ripping apart your body from the insides. bard saw your change of expression, knowing you needed help to get the words out of your chest. you did care after all.

bard puffed, trying not to sound melancholic and grabbed your hand softly. “im sorry, love. i know why you're asking me this and you can be sure i understand it, but thranduil made me promise i wouldn't touch you and i don't want to be in the middle of this break up.” as always, he was a pacifist. bard put his hand on your shoulder and pulled you into a hug. your sight started to get blurry from tears. “it will pass.”

his words echoed in your mind calming every part of you like a balm.

“it will pass.”

you spent what it felt like hours in bard's arms, cying silently. he held you, proving that even if he was thranduil's friend, he was still your friend also. it was a beautiful gesture, and made your soul heal for a while.

yet, an specific sentence of his words lingered in your mind leaving a poison trail on your thoughts: “thranduil made me promise i wouldn't touch you.” why on earth thranduil would care if you fucked bard? what was his problem?

after a moment, you broke the hug and faced bard a little bit ashamed by the way you tried to approach him at first and how you broke down instantly at him reading your feelings like a book. after wiping your tears, you looked at him. your face was swollen from crying but your expression tried to remain calm.

“im sorry i tried to-...” you started, but he cutted you off.

“it doesn't matter, love. it's okay.” bard said, giving you a reassuring stroke on your hand.

a sigh escaped from your lips and then you felt hungry, as you hadn't eat anything in the whole night.

“i will go to the kitchen to get something to eat, i'll be back in a sec.” your voice was trembling at every word but bard smiled at you and nodded, giving you a soft pat on the head before you stood up.

he surely knew how to treat a heartbroken person.

the way to the kitchen was silent, at least for you. the music was still loud but your head was even louder.

your hands placed themselves on the refrigerator door and the familiar soft cold wind welcomed you.

arwen never cared if you took food from her fridge, so you guessed that she probably wouldn't mind if you took an apple. then you closed it, not wanting to be tempted to eat something more and empty the whole refrigerator, leaving your friend having to buy more things tomorrow.

as you ate the apple you remembered how thranduil had cooked you an apple cake one time. it was probably one of the few times he ever baked anything sweet yet the cake resulted to be absolutely perfect.

then you cursed yourself, if you wanted to forget why did he keep coming back in every single little thing you did?

it was like every detail of him was craved deeply onto your heart with no intention of leaving you soon and it hurted more than you could stand.

“you must be (y/n)” a sweet voice called you from behind, and when you turned you saw her.

it was probably one of the most beautiful women you'd ever seen. blue eyes, blonde hair and soft lips.

you fully understood why thranduil would ever leave you for her. she was surely beautiful like if she were some kind of angel.

“yes, i am.” the words left your mouth with shyness. she had a smirk on her face, and looked at you while your teeth catched another bite from the apple.

“it's surely nice to meet you.” she answered, but her voice was almost cynical. there was a weird tone of passive aggressiveness behind it but you were probably too high to catch up.

then it became so obvious you couldn't avoid it.

“thran spoke a lot about you.” she continued, getting closer to you. “but i'm sure that he will soon stop.” then she walked some more steps to your direction and you placed the apple on the counter, swallowing hard.

you didn't realized that you probably had a sad look on your face until she spoke again.

“oh, don't put on that face.” she said, chuckling. there was a mocking subtone on her words. “thran will forget you quickly.” her words felt like a sting through your chest. “you surely don't seem as beautiful nor interesting as everyone said, and i will clearly erase you from his heart.”

you were about to answer, but then you saw thranduil appear behind her like if he were searching for her, and it was too much for you to handle. it was too humilliating to see him watching how his girlfriend completely destroyed you.

your steps were fast as you left the kitchen clearly at the verge of tears. the bathroom was the first door you saw as you almost ran out of the room.

the door felt heavy against your hands but it was nothing you couldn't handle. the first instinct you had was sit on the floor, knees against your chest and finally letting it all out.

you didn't cared if anyone heard you. the heartbreak was a weight in your chest that you needed to purge the fastest way possible, even if thranduil mocked you with his girlfriend outside, even of everyone only felt pity for you, even if the world ended tomorrow.

the pain needed to come out.

and as you finally gave yourself permission to cry, the bathroom door started to open.

you almost didn't noticed, as the sounds were minimum but what you did noticed was the cologne thranduil always wore.

your stare didn't raised to face him, and he closed the door.

“what on earth are you doing?” his voice sounded like a dagger through your heart, and then you looked at him from the ground.

“i didn't asked you to come here.” your answer was harsh. “you're clearly having a lot of fun with all of this.”

“i don't care about what you think, (y/n).” you felt like your name was cursed on his lips. thranduil's voice was serious. “i asked you a question.”

you got angry instantly. how dared he to even ask something like that?

as you stood up to face him properly, your face swollen from tears and by looking him in the eyes you noticed he was probably high too. yet the weed nor the alcohol were clouding his senses that much.

his eyes were like an ocean, and you were drowning in it. quickly and deeply.

“i don't know what on earth do you want me to answer. i literally don't know.” you said, clearly irritated with his attitude and your voice trembling with fury. “what the fuck do you want me to say?”

“don't talk to me like that” he answered harshly. memories of your last fight came to you like a storm. “i asked you why are you crying in the bathroom like a pathetic little girl” thranduil said. “you were clearly capable of defending yourself two weeks ago”

instantly, you understood he was talking about the fight.

“and you were the same imbecile you're being now.” the answered came from your lips almost drowning you in venom and thranduil's expression became more cold than before if that was even possible. “it didn't occur to you, that maybe and just maybe, i don't want to fight for a man like you in the middle of my friend birthday party?”

“a man like me?” he sounded almost offended, and took a step closer to you, his head over yours and his serious eyes looking down at you. “you were dying for a man like me not even a month ago”

and you were still dying for him.

as thranduil was much taller than you, after the break up you discovered that arguing with him was one of the most intimidating things you'd ever done.

yet you faced him with bravery, not letting him ruin the last pieces you had from your broken heart.

“well i don't want to anymore.” you said and he got more closer, his chest almost touching yours.

“and what kind of man do you want then? you want a man like bard?” thranduil asked and he sounded annoyed, his face was stoic but the subtone of his words betrayed his feelings.

he sounded jealous, and he clearly was.

“and what is your problem if i do?” you bited back, pushing his buttons. “maybe he'll treat me way much better than you, in fact, i'm pretty sure he wouldn't replace or use me « to heal » in the first place.” you avoided his eyes while you spoke, not wanting your look to give away the fact that you didn't wanted to be with anyone else than thranduil.

thranduil let out an irritated puff, then his hand went straight to your face, grabbing it tightly, forcing you to look at him.

“then go date him, (y/n).” he said, his voice becoming rough. “that's really what you want?” thranduil asked.

you didn't answered, as you became nervous. yet your hands went to his chest, trying to push him out but it was useless.

thranduil was visibly angry and an irritated chuckle left his lips.

“but i don't think you want that, do you love?” he said, not really expecting you to say anything, cause he already knew the answer. “actually, if i remember correctly, less than a month ago you were in my bed whimpering for me.”

thranduil calling you « love » again made your heart skip a beat as the rest of his words burned your skin like a wildfire.

“why are you throwing a tantrum, thranduil?” you asked, annoyed. he was completely delusional if he thought you wouldn't fire back. “isn't your new girlfriend enough for you that you have to come looking for me like a little puppy?” every word you said felt like if you were digging your own grave, but you didn't cared at all. thranduil's grip on your face became harder.

the next thing that happened was probably the last thing you expected.

thranduil kissed you fiercely, like a unleashed beast. it was agressive, but you played along.

it was like drinking from an oasis in the middle of the dessert, and you answered him with the same obsessive hunger. you broke the kiss briefly to push him almost violently against the bathroom door, and then you were the one to attack his mouth to shut him up before he could say anything.

a slow song started to sound loudly in the house, making the contact more passionate.

« maybe i'm too young, to keep good love from going wrong »

thranduil went from kissing you like an animal to kiss you tenderly, his hand releasing your face to caress your head. he subtely guided you to the floor, where he sat with his back against the door and you placed yourself in his lap, straddling him.

minutes passed, his lips tasted like if you were drinking napalm making your loins burn, and your blood rushed quickly to your cheeks. both of his hands placed themselves on your hips, pulling you closer as his tongue asked you permission to enter your mouth.

« so 'll wait for you, love, and I'll burn. will I ever see your sweet return? »

you open your mouth and let him do as he please, and thranduil takes the opportunity, introducing his tongue. then, the kiss abandoned its sweet nature to become an agressive fight between the both of you, again. your hands move to his hair, making it messy.

thranduil wastes no time and one of his hands moves to your neck, making a little bit of pressure, while kissing you.

the kiss is broken up by the need to take a little bit of air, and you both look at eachother in the eyes, his hand not leaving its place.

« it's never over, all my blood for the sweetness of her laughter »

“i hate you” you say agitated, your lips swollen from the past interaction.

he chuckled, breathing heavily. “i hate you too.”

« it's never over, she is the tear that hangs inside my soul forever »

and then he pulled you to kiss you again, roughly. his left hand went under your dress, caressing your thigh and the other made presure on your neck and made you sigh in between the kiss. thranduil smiled as you kept kissing eachother hungrily, now moving his hand closer to the sweet spot between your legs.

you made sure to kiss him hard, and bited his lip with delicacy as he moved your underwear to the side, thinking that if you were lucky, his girlfriend would taste you too when she kissed him.

thranduil touched you freely, like he still loved you. you whined against his mouth, and he broke the kiss.

“you still want to go out with bard?” he asked, releasing your neck to make you look at him by grabbing your chin. his other hand was between your legs, playing with you and making you sigh again.

« lover, you should've come over, 'cause it's not too late »

there was a brief silence as you tried to hold yourself together to give him an answer.

“n-no.” you said. “do you love her?” the sudden question came from your lips in an agitated whimper as you looked him in the eyes. for some reason you felt he almost rewarded you by moving his hand faster against you, making you gasp.

“no.” thranduil finally asnwered only for you to kiss him again. you grabbed both sides of his face, and his right hand caressed your hair softly.

and then your little make out session was terribly interrupted by loud and violent knocks on the door. you both stood up quickly, like children being caught doing a mischief.

he made you a sign to keep quiet and spoke.

“yes?” thranduil said, calmly.

“babe, is that you?” you rolled your eyes at the sound of his girlfriend's voice. thranduil noticed and a little mischievous smile appeared on his lips.

“yes, it's me. give me five minutes.” he answered, his voice was too calm for the events that unfolded just moments before.

thranduil then pressed you against the wall, next to the door so the door could cover your presence while he went out. you wondered if his new girlfriend was really that stupid to not notice her, but you quickly thought that if thranduil was doing this he probably believed too that she was indeed stupid.

you admired how he always knew how to manage all the situations, but something in your chest ached when he gave you another kiss before whispering a soft « i love you » and opening the door, leaving you shocked.

he loved you. thranduil really loved you.

“im here, love.” thranduil said to her, covering your presence with the door and showing his girlfriend that no one was in the bathroom with him. at least to her eyes.

“the party is ending, thran. we should go.” she said. oh you loathed her, and a part of you hated thranduil for leaving you for her. you wanted him to say no, to stay with you, but he didn't.

“okay. let's go.” he answered, and exited the bathroom, leaving you alone but forgetting to turn off the light.

you walked to the mirror, saw your messy make up, the frustrated look on your face after being interrupted and your lips subtly swollen from the kisses and you laughed.

you fucking laughed.

you laughed because, no matter what she could say or do to compete with you, you've already won. he didn't loved her, he was yours. and you hoped; no, you knew, that everytime she kissed him, she would have to taste you too.

and to think you didn't intended to fight over him on the first place, but now the game was on.

I REALLY HOPE YOU LIKED THIS!! it was super hard for me to finish this, and i plan to do a part 2 so stay tuned <3