#Jean Vadim

[hcdahlem]

Mes nuits sans Bardot

Simonetta Greggio dialogue avec Brigitte Bardot en s'imaginant admiratrice de l'actrice déposant ses lettres à la Madrague et faisant parler la nonagénaire. Deux voix qui remettent en perspective la carrière, les amours et les engagements d'une femme.

  En deux mots L’admiratrice de Brigitte Bardot vient régulièrement déposer des lettres sous un caillou devant la Madrague, espérant une réponse. La star, à la veille de ses 90 ans, ne lui répond pas, mais s’appuie sur ces écrits pour raconter sa vie, ses amours, ses engagements. Ma note ★★★ (bien aimé) Ma chronique Derrière les initiales BB Simonetta Greggio dialogue avec Brigitte Bardot en…

[atomic-chronoscaph]

John Phillip Law and Jane Fonda - Barbarella (1968)

[tina-aumont]

🌼Tina & Christian Marquand Wedding🌼

On the 5th October 1963, Tina and Christian Marquand got married in Banon, France.

In that special occasion for Tina, she was wearing her mum's bracelet and her aunties Lucita and Teresita attended the wedding. (Lucita can be seen in the last pic just at Jean-Pierre Aumont's right side).

These beautiful photos were taken by The Agence Dalmass journalists (see below) and come from amazon and I want to thank @74paris for this shoutout!!

[nerds-yearbook]

Barbarella premiered on October 10, 1968. The erotic space fantasy was based on an Italian comic strip (fumetti) character created by Jean-Claude Forest. Jane Fonda played the title character and her co-star, John Philip Law, also played another Italian comic inspired character in Danger: Diabolik. The film was directed by Fonda's husband at the time Roger Vadim. ("Barbarella", Movie Event)

[kiki-de-la-petite-flaque]

Brigitte Bardot e Jean-Louis Trintignant in Et Dieu... créa la femme, Roger Vadim, 1956

[brokehorrorfan]

Barbarella will be released on 4K Ultra HD and Blu-ray on November 28 via Arrow Video. Tula Lotay designed the new cover art for the 1968 science fiction cult classic; the original poster is on the reverse side.

Roger Vadim (Into the Night) directs from a script he co-wrote with Terry Southern (Dr. Strangelove, Easy Rider), based on the French comic series by Jean-Claude Forest. Jane Fonda stars with John Phillip Law, Marcel Marceau, David Hemmings, and Ugo Tognazzi.

The limited edition set comes with a booklet featuring new writing on the film by Anne Billson, Paul Gravett, Véronique Bergen, and Elizabeth Castaldo Lundén along with select archival material, a double-sided poster, and six double-sided postcards.

Barbarella has been newly restored in 4K from the original negative in Dolby Vision (HDR10 compatible) with original lossless mono audio and remixed Dolby Atmos surround.

Special features for the two-disc set are listed below, where you can also see more of the packaging and contents.

Disc 1 - 4K UHD:

Audio commentary by film critic Tim Lucas

Alternative opening and closing credits

Isolated score

Disc 2 - Blu-ray:

Barbarella appreciation by film critic Glenn Kenny

Barbarella Forever - making-of featurette by Paul Joyce

Love - 2-hour discussion on the impact and legacy of Barbarella by film historians Tim Lucas & Steve Bissette

Interview with film fashion scholar Elizabeth Castaldo Lundén on Jacques Fonteray’s costume designs

Interview with camera operator Roberto Girometti

Interview with Ricky Tognazzi on his father, Barbarella actor Ugo Tognazzi

Interview with stuntman/body double Fabio Testi

Video essay by Eugenio Ercolani on producer Dino De Laurentiis

Trailer

TV and radio spots

Image gallery

Additional contents:

Booklet featuring new writing on the film by Anne Billson, Paul Gravett, Véronique Bergen, and Elizabeth Castaldo Lundén, plus select archival material

Double-sided fold-out poster with new art by Tula Lotay and original artwork

6 double-sided postcards

It is the year 40,000AD. When evil scientist Durand Durand (Milo O’Shea) creates a deadly weapon with the potential to cause mass devastation, the President of Earth dispatches Barbarella (Jane Fonda) to hunt him down. Crash-landing in an icy wilderness somewhere within the Tau Ceti planetary system, Barbarella is rescued by Mark Hand (Ugo Tognazzi) and guided by the blind angel Pygar (John Phillip Law) to Durand’s lair in Sogo, a city of corruption and debauchery, where an encounter with the Great Tyrant Black Queen (Anita Pallenberg) and her minions throws her mission into jeopardy.

Pre-order Barbarella.

[angelstills]

Et Dieu... créa la femme (...And God Created Woman, 1958)

[itsbarbiebiiittchhhhh]

Et Dieu... créa la femme (And God… Created Woman)

[gatutor]

Jean-Claude Brialy-Jane Fonda "Juegos de amor a la francesa" (La ronde) 1964, de Roger Vadim.

[backstagebeauty]

[chicinsilk]

Karl Lagerfeld for Jean Patou Spring/Summer 1961. Catherine Deneuve and her husband, Roger Vadim in June 1962 in Saint-Tropez.

Karl Lagerfeld pour Jean Patou Printemps/Été 1961. Catherine Deneuve et son mari, Roger Vadim en juin 1962 à Saint-Tropez.

[letterboxd-loggd]

Blood and Roses (Et mourir de plaisir) (1960) Roger Vadim

September 15th 2024

[atomic-chronoscaph]

Jane Fonda - Barbarella (1968)

[ludmilachaibemachado]

Via Facebook🍁🌻🍁

[tina-aumont]

🌼For Jean-Pierre Aumont: a girl lost because she found love🌼

Photos 1 & 2: Tina is still Jean-Pierre's daughter: he takes her to the town hall, Christian Marquand is only in the background.

Photo 3: The base of the young spouses. Jean-Pierre Aumont is pensive.

Photo 4: Tina bursts into tears: she is Mrs. Marquand. Jean-Pierre, moved, applauds just like Vadim (on the left).

Photos 5 & 6: At the exit of the town hall, Christian Marquand scratches his head with a puzzled air. What is he thinking? The age difference between his wife and him?

Photos 7 & 8: Upon returning from the town hall, Tina gives her arm to Christian Marquand. Jean-Pierre has already lost her.

Scans and caption from French magazine Cine Télé Revue, 17th October 1963.

[screamscenepodcast]

Your hosts encounter the 1960 "erotic horror" film ET MOURIR DE PLAISIR (LE SANG ET LA ROSE) aka AND DIE OF PLEASURE (BLOOD AND ROSES) from director Roger Vadim! But where's the horror? More importantly, where's the eroticism??

Context setting 00:00; Synopsis 34:02; Discussion 44:20; Ranking 1:10:42