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acetonelungz · 6 months ago

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Jaws

pt1 pt2 pt3 pt4

“Please state your name for the record.”

“Collette Swanson.”

Price at a small computer in front of him, his eyes darting between you and the small device. “What is your rank and who are you with?”

“First Lieutenant in special operations for the United States Army.” She played with her dirt filled fingernails, attempting to remove what filth she could. She still hadn’t gotten a shower.

“Can you explain the events leading up to your capture?”

Collette took a deep breath in, gathering her thoughts and memories.

“We were heading back from a mission we previously completed. It was both a failure and success. Failure because we crossed the Romanians, success because we completed what was asked of us.

We were driving back from our mission, about to cross the border when we were attacked.

There were two trucks. The first one had me, Captain Dean Wellfire, and private Corbin Wilson. Wellfire got shot and Wilson got his throat cut.

The second truck had private Jane Larson, Kevin McHeal, and Kennedy James. Their truck had drove over a planted hmx explosive or at least that’s what I overheard.

I got shot in my stomach, but i survived because the bullet missed any important functions. They knew they couldn’t have me running off to tell the government what happened so they took me as a prisoner.”

Captain Price took a deep breath, “What was the success of the mission you were completing?”

“I’m afraid I wont be answering that Captain, I’m not sure what is classified or not.” She offered him a forced small smile.

‘This is different.’ Price thought, your demeanor has changed. Maybe it’s the safety aspect of things? Or realizing that you were rescued from a hell hole?

“I don’t give a shit tell us.” Ghost barked from his corner.

She slowly turned her head, making eye contact with him. Suddenly saying, “Your mother should’ve swallowed you.”

Soft spot, she thought as the burly man came stomping towards her. He gripped the collar of her shirt tightly before being ripped off by Price.

“Both of you outta cut this shit out. Ghost she was just rescued from being held hostage for six months! And you! We are your allies you are to treat us with the same respect you’d treat your mates and superiors!”

“Yes Captain.” Both said in unison.

“Now,” He paused. “I’ll be showin you to the women’s barracks. You’ll shower and what not there. Don’t get into it with the other women.” He warned.

They both made their way out the door, Jaws being sure to give Ghost a glare on the way out. He only huffed in response.

After she showered and changed, it was about time for dinner.

Heading towards the cafeteria she heard a familiar voice call her out. When she looked she came to see the same guy from earlier, Soap was it?

“Hiya little lady, how has it been?” He strolled with her.

“Been rough but ‘m workin through it.” She offered him a small smile.

“Say, I never got your name?”

“You can call me Jaws.”

“Oh?” He questioned. “Why that nickname?”

“For a few different reasons. One because of my teeth and how they’re kinda pointy, two because I have a mouth on me, and three because my bite is meaner than my bark.”

He chuckled, “Suppise I should take that as a warning.”

“Do what you will with it.”

Soap led the way to a table inhabiting two other people, Price and some other member.

“Jaws this is Gaz, Gaz this is Jaws.” Price introduced.

“Hi.”

“Ah, so you’re the american hostage.”

“Wanna free vasectomy?”

“My apologies.”

Stifled laughs filled the table, soon to be shut down but Gaz’s glare. From there usual small talk was amongst the men, she decided to just observe though. Who were they? And how do they interact with people?

Silence soon encased the table. All eyes laid what she thought to be on her, until she turned around only to see Ghost there.

“Aye Simon, haven’t seen you here in awhile. You comin to sit mate?” Soap said giddily.

Ghost grunted in acknowledgment. He sat directly in front of the blonde to purposely piss her off.

Mission accomplished he thought while she glared at him.

“Whas wrong Swanson? Seems your britches are bundled.”

“Oh you mother fucker-“

#captain john price #cod 141 #gaz cod #ghost cod #john price #john soap mactavish #kyle gaz garrick #simon ghost riley #soap cod #task force 141

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nothingunrealistic · 1 month ago

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Corbin Bleu and Stephanie Styles will headline a private industry reading of the Broadway-bound musical comedy, Get Happy. The invitation-only reading will be held on January 17 in New York City. Get Happy, which premiered under the title Summer Stock in 2023 at Connecticut’s esteemed Goodspeed Musicals, features book and additional lyrics by four-time Emmy Award winner Cheri Steinkellner, musical supervision, arrangements and orchestrations by three-time Tony Award winner Doug Besterman, and will be directed and choreographed by Donna Feore, making her long-awaited New York City debut after years of acclaimed work at Canada’s Stratford Festival. Read the reviews for the Goodspeed production here. The producers are Steve Peters and Michael Londra of VenuWorks Theatricals, Greg & Marissa Frankenfield of Excelsior Entertainment, and executive producers Carolyn Rossi Copeland and Nancy Nagel Gibbs. Get Happy is produced by special arrangement with Warner Bros. Theatre Ventures. Bleu and Styles, reuniting after starring opposite each other in the 2019 Broadway revival of Kiss Me, Kate, will play the roles of Joe Ross and Jane Falbury, originally played onscreen by Gene Kelly and Judy Garland. The reading will also feature Stephen Lee Anderson (Broadway: Bright Star, Fiddler on the Roof, Wicked) as Lt. Henry ‘Pop’ Falbury, Gilbert L. Bailey II (Broadway: The Book of Mormon, Beetlejuice) as Phil Filmore, Tony Award nominee Veanne Cox (Broadway: Company; Caroline, or Change; La Cage aux Folles) as Margaret Wingate, Zoe Jensen (Broadway: Six; The Heart of Rock and Roll) as Gloria Falbury, Will Roland (Broadway: Dear Evan Hansen; Be More Chill) as Orville Wingate, and Tony Award nominee Douglas Sills (Broadway: The Scarlet Pimpernel; Little Shop of Horrors; War Paint) as Montgomery Leach, with Nicholas Cunha, Francesca Mancuso, Corinne Munsch, Kaylee Olson, Aaron Patterson, Jack Sippel, and Cayel Tregeagle. When the company of a new Broadway show loses their rehearsal space, the gang hoofs it to a family farm in Connecticut where, in the best musical tradition, the show must go on. Along the way, there are unlikely romances, some of the greatest songs of the American songbook, show-stopping choreography, and a farm – and a musical – to save.

#hello!!! time for will roland broadway role number 3!!!#summer stock #get happy

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multifandotakugirl · 9 months ago

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The Prankster

Alice Jane "AJ" Wilson Amber Corbin Anastasia "Ana" Lewis Andrews "Andre" Adair Anna Branson April Holt Astrid "Sassa" Isbert Blair Parker Bree Winters Carson Elliot Cherry McLaine Constance "Connie" Willis Cory Pierson Devonne "Devon" Flynn Ethan Morton Evangeline "Eva" Flynn Gabriella "Ella" Finn Dahlia Hills Isadora "Izzy" Night Jasmine "Jaz" Asher Kalista "Kallie" Ryans Katyona "Katya" Egorovna Kaycee "KC" Bethel Lyssa Dexter Mackenzie "Kenzie" Lewis Mallory "Mal" Hale Marina "Mara" Morozova Mercedes "Mercy" Orlando Mia Hills Michaela "Mickie" Griffin Nadine "Nadia" C. Mitchell Paris Stein Parker Howell Quintana "Quinn" Jones Reid Swayde Rowan Esteriac Sadie Lightborn Vega McLaren Vera Moen Emily Hiller Rickie Howell Damon Howell Ezra Howell Salvador Martell Medus Martell Harper Gardner Gabriel "Gabe" Flynn

The Victim of the Prank

Alessia Emerson Alexandra "Xandra" Dexter Allyson "Ally" Conrad Alyona "Aly" Levina Anastasia "Asia" Atkins Andrea "Drea" Adair Athena "Nina" Ivanova Audrey Laurent Bastet "Bast" Blackwell Bella Sawyer Briar Gillan Callum "Cal" K. Mitchell Cecilia "Cee" Bryson Clarabelle "CB" Jean Claudia "Clo" Marisol Cleo Walter Cyan Lightborn Daphne Elliot Faith Mitski "Amber Rothman" Gabrielle "Rielle" Finn Grace Kensington Hailee Flynn Ingrid Flores Irene Willis Juno Amsel Kalina Rachkova Laura Orlando Leona DeMarco Logan Parker Maeve Pierson Micah Steinhelm Morgan "Morri" Thorne Phaedra Martell Psyche Lyria Raina Grey Rebecca "Becca" Lewis Reigna Lightborn Riley Swayde Roxana "Roxy" Twain Sasha Nikorova Sielle Duvall Silvia "Silvy" Kingston Simon Esteriac Sonia Branson Tamsin "Amsi" Dallas-Henderson Teagan Night Wren Valentino "Lucille 'Lucy' Rose" Yuliya "Yulia" Agapova Yvette "Ivy" Hollis Zoe Holloway Christy Howell Helena Howell Maximus "Max" Flynn

Is your OC be more likely to be the prankster, or the victim of the prank?

#my oc's #oc #my ocs #original character

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sashabeloved · 4 months ago

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tags and quick info even though I'm a year or so late

BLU Team

Viktor/Sedrik Raskolnikov

Jacques-Avril Piaf Conagher

Tristan

Benjamin Conagher

Pyro

Demo

Jane Doe

RED Team

Jeremy Corbin

Mikhail Petrov-Ludwig

Eric Lenoir-Ludwig

Extras

The Administrator (Helen Yvette)

Miss Pauling (Francesca)

Janelle Corbin

Zhanna Petrov

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sporadiceagleheart · 6 months ago

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Louis XIV, Vienna H. Dill, Louis XVII, Lois Janes, Sharon Lee Gallegos, Princess Sophie Hélène Béatrice of France, Louis Joseph, Dauphin of France, Louis XIII, Anne of Austria, Maria Theresa of Spain, Françoise d'Aubigné, Philippe I Duke of Orléans, Louis “Le Grand Dauphin” de France, Marie Anne de Bourbon, Marie Thérèse de France, Louis de Bourbon, Comte de Vermandois, Louise de La Vallière, Philippe Charles de France, Louis Auguste de Bourbon, Louis Cesar De Bourbon, Louise Françoise de Bourbon, Louise-Marie Anne “Tou Tou” de Bourbon, Françoise Marie de Bourbon, Louis Alexandre de Bourbon, Madame de Montespan, Philippe d'Orléans II, Alice Elizabeth Doherty, Infant Male Lent, Julia Pastrana, Josephine Myrtle Corbin, Ella 'the Camel Girl' Harper, Fanny Mills, Josephine Clofullia, Annie Kerr Aiken, Gracie Perry Watson, Inez Clarke Briggs, Annie Oakley, Zip the Pinhead, Mary Ann Bevan Nurse, Stephan Bibrowski, Guy Pierre de Fontgalland, Myra Maybelle Shirley Reed Starr, Sitting Bull Leader, Gail Davis, Clara Barton American nurse, Frank E. Butler, Wilma Jones Rat, Pal, Laika, Jimmy the Crow, Pocahontas, Powhatan, John Noyce Milner, John Rolfe, Elizabeth Rolfe Milner, Cleopatra Powhatan, Chief Opechancanough Mangopeesomon “Eagle Plume” Powhatan, Chief Weroance Nectowance Powhatan, Zeus, Olivia Twenty Dahl, Roald Dahl, Sofie Magdalene Dahl, Mary Magdalene, Mona Lisa, Jesus, Mary and Joseph, Harald Dahl, Francis II Of France, Henri III of France, Terry, Matachanna Shawano “Cleopatra” Powhatan Cornstalk, Mary Elizabeth Hughes Davis, Annie Jones Elliot, Jenny Lind, Mercy Lavinia Warren Stratton, Minnie Warren, no matter what you look like or how you feel Jesus will help you Jesus will make a way for you like God Jesus healed those even animals now they are in heaven with Wings and Halo they are called Angels right now and I made this tribute edit about what Jesus and his family can do they can make children that passed away from cancer covid flu Beating torture murder shooting Stabbing Wounds and pain they healed it all they healed those children they made them in heaven Angels in heaven they can rest easy they can do the things they couldn't do down here on earth

#lilianasedits

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movienized-com · 7 months ago

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A Nanny's Revenge

A Nanny's Revenge (2024) #MichaelFeifer #LaurieFortier #CaiaColey #CorbinTimbrook #PeterSherayko #CandyGoodhart Mehr auf:

A Father’s Betrayal Jahr: 2024 (Januar) Genre: Drama / Thriller Regie: Michael Feifer Hauptrollen: Laurie Fortier, Caia Coley, Corbin Timbrook, Peter Sherayko, Candy Goodhart, Adeline Usry, Graham Usry, Jahi Minkah Trotter, Shelby Janes, India Marie Cross, Erin Bethea, Drew Waters … Filmbeschreibung: Als ein verliebtes Paar mit zwei Kindern eine scheinbar süße und fähige Nanny in ihr Zuhause…

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#Caia Coley #Corbin Timbrook #Laurie Fortier #Michael Feifer #Peter Sherayko

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unproduciblesmackdown · 1 year ago

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more info, via a couple of reviews:

"Is this the best, most exhilarating, most close-to-perpetual dancing ever to grace the Goodspeed Opera House stage?

It certainly could be.

The new stage adaptation of “Summer Stock” at the East Haddam theater has plenty to recommend it in terms of the canny script and the hummable songs. But it’s the dancing that leaves the biggest impression.

The show is jam-packed with choreography from Donna Feore, who also directs, that is thrillingly executed by the cast.

We’re talking: Gravity-defying kicks. Head-spinning turns. Male dancers lifting and tossing and catching the female ones. It runs the gamut from Cossack-dance athleticism to soft shoe grace, tap precision to Lindy hop energy.

How the cast manages to sing after executing these (literally) breathtaking numbers, I have no idea.

And how do they make it through two performances on some days? Amazing.

Also amazing: the fact that they do all this on Goodspeed’s small stage without making the space feel cramped.

So, yes, the dancing is phenomenal. But there’s more to the show than that.

This stage version of “Summer Stock” — which is enjoying its world premiere at Goodspeed — is inspired by the 1950 MGM movie starring Judy Garland and Gene Kelly. Writer Cheri Steinkellner, though, has reimagined the piece in many ways, making it better, stronger and propelled by a more modern sensibility. (Steinkellner’s writing credits range from “Cheers” to the Broadway adaptation of “Sister Act.”)

The foundational story, though, remains the same: A no-nonsense young woman named Jane is trying to save her family farm. Her actress sister (named Gloria in the version at Goodspeed) brings her compatriots to the farm to rehearse a show. Jane first spars with and then starts falling for Gloria’s beau Joe, the production’s director.

Steinkellner has also changed up the score, to great effect. While some tunes from the movie remain, she has pulled others that are in the public domain (such as “Accentuate the Positive,” “Paper Moon” and “It Had to Be You”), and she has woven them perfectly into various plot points and important emotional moments.

As director, Feore makes sure the whole enterprise has a dynamic spirit. It’s a story and a production that brims with optimism and cheerfulness.

Leading the cast is Corbin Bleu, who became famous with his work in “High School Musical” and has gone on to star in several Broadway shows, as Joe. Bleu is a true, and truly talented, triple-threat. He has a warm, welcoming presence as an actor; he also brings an authority to Joe so you believe he’s someone the actors respect and will follow. Bleu’s singing is strong and lustrous, and his dancing — particularly his tremendous tap ability — is … wow.

Arguably the biggest scene-stealer here is Veanne Cox, as the wealthy, snooty owner of huge property surrounding Jane’s. The way she trills dialogue can turn anything into a punchline. She can wave her arms about as her character repeats “l’amour” and generate audience laughs. When her character falls for the egoistic actor Montgomery Leach (played by J. Anthony Crane with Barrymore flair), Cox burbles with girlish romantic giddiness.

Danielle Wade does her own take on the Judy Garland role. She gives Jane a swagger and a tough façade that reveals a more human self during the course of the story. Wade’s most important feature is her voice, which is potent whether she’s finessing a ballad or powering through a big number. While she can’t compete with Garland’s renowned version of “Get Happy” (who could?), Wade does a good job in the number — choreographed and costumed in an homage to the original — that serves as the culmination of the production.

Arianna Rosario gets to play an interesting arc at Gloria. At first, Gloria seems to be a blithe, self-centered actress, but she later shows that she is quite the problem-solving producer. Rosario makes the transformation believable, as if Gloria is finally letting her real self come through.

The scenic design by Wilson Chin suggests the various elements of a Connecticut River Valley farm in the 1950s while still allowing room for the cast to burst into all of those big dance numbers. And the costume design by Tina McCartney provides a fun and functional take on country clothing of the era.

I will say that the second act could be tightened up (we don’t need to see so many beats of the rehearsal process), but, in total, this “Summer Stock” is sensational." [source]

(hooray for most directly explaining gloria's overall arc)

and the next review:

"A throwback to the golden age of Broadway and movie musicals, "Summer Stock" is a timeless, inspiring song-and-dance tale of good deeds, fairy tale showbiz, classic romance and backstage intrigue played out to such dazzling effect, you want to freeze frame it, take it home with you and watch it over and over again for pure fun and a let's-put-a-smile-on-your-face endorsement. This is Goodspeed Musicals at its best - old-fashioned musical entertainment designed to deliver by the bucket's load, stir the senses, rhythmically intoxicate you and dance up a continual storm of good cheer that's guaranteed to leave you breathless.

Animated. Airborne. Magical. Sweet-natured. Fresh-faced. Dance happy. It's all here, wrapped up in shiny gold ribbons and signature colors that complement and complete the picture with a technicolor flourish, a big bang and an internal logic that flows with appropriate style, stamina, full command and intent.

Adapted to the stage by Cheri Steinkellner, "Summer Stock" replays that popular let's- put-on-a-show conceit where everything rests of the big opening night, the box-office intake, the big kiss between the leading man and the leading lady and how a complete unknown saves the day right before the final fadeout. Here, struggling Connecticut farmer Jane Falbury decides to let her actress sister Abigail and her actor friends from New York use the family barn as a rehearsal space for their brand-new Broadway bound musical in exchange for doing the daily farm chores to raise enough money to keep the business from going completely under. One slight problem. During rehearsals, Jane finds herself falling for the show's handsome director, Joe Ross, who, happens to be engaged to the show's leading lady - her sister Abigail.

Staging "Summer Stock," director Donna Feore ("Chicago," "Billy Elliot," "A Chorus Line"), who doubles as choreographer, creates a loveable, intoxicating show that reels you in, grabs hold of you until the final curtain and lets you fall in love with every little detail, surprise, plot twist, joke, visual gag, one-liner and tilt of her jolly agenda while she articulates every element of this musical story with thrust, warmth, spin and splendid articulation. Directorially, she pulls it off spectacularly. No wrong moves here as "Summer Stock" catches fire with a spark, a gusto, a shine and a 1950s mentality infused with plenty of imagination, originality, style and flair. More importantly, the production never loses sight of its origins, its functional plotting and its love of musicals of yesteryear despite well-intentioned doses of kitsch, takeaway humor, giddy backchat and story arcs right out of the MGM library of backlot moviemaking. Feore, free spirit that she is, fuels the musical with a sharpened wit and sentiment that works especially well as does her decision to let "Summer Stock" remain rooted in the period from whence it came in terms of staging, development, expression and interaction.

Moving from screen to stage," "Summer Stock" retains only four songs from the 1950 MGM musical. The addition of several new songs to the original version of the score turns the two-act musical into more of a showstopping event and adds clarity, luster and vintage spin to its already proven material, its let's launch into another song and dance routine blueprint and its firm grasp on characterization, story evolution and its happily ever after conclusion. At Goodspeed, there are 28 important, recognizable, smartly placed musical numbers. They are: "Get Happy," "Happy Days Are Here Again/I Want to Be Happy," "Accentuate the Positive," "I'm Always Chasing Rainbows," "Always," "Always (reprise)," "It's Only a Paper Moon," "The Best Things in Life Are Free," "Dig for Your Dinner," "Me and My Shadow," "Howdy Neighbor, Happy Harvest," "Red Hot Mama," " 'Til We Meet Again," "You Wonderful You," "June Night," "Some of These Days," "Joe's Dance," "I'm Always Chasing Rainbows (reprise)," "It All Depends on You," "Always (reprise)," "Everybody Step," "Lucky Day," "How Ya Gonna Keep 'Em Down on the Farm," "Hinky-Dinky Parlez Vouz," "It Had to Be You," "Get Happy (reprise)" and "You Wonderful You (Finale)."

Musical director Adam Souza ("42nd Street," "Cabaret," "Next to Normal," "A Grand Night for Singing," "Because of Winn Dixie," "Rags") grabs hold of the "Summer Stock" score and allows it to breathe, gesticulate, excite, envelop and rhapsodize with the golden age sentimentality of MGM movie musicals and the timeless, larger-than-life spirit of old Broadway. Here, every song matters. Every song is important. Every song travels down memory lane. Every song is tuned to the max with sweet, centered, warm-heartedness. Every song fulfills its intended purpose. All of this is complemented by the strong, flavorful sound of Souza's orchestral team, all of whom share his tremendous sense of theatricality, musical interlude, impassioned communication and delight of the actual musical itself. They are: David Uhl (bass), Sal Ranniello (percussion), Liz Baker Smith (reed 1), Andrew Studenski (reed II), Travis Higgins III (trumpet) and Matthew Russo (trombone). As with other Goodspeed musicals, Souza doubles as conductor and keyboardist. As "Summer Stock" zings and pops, pretty music every song unfolds with a contagious orchestral musical glow, matched by the splendid musicality of the entire cast who address the catchy, homespun music and lyrics with perfect harmony, rhythm, phrasing and nostalgic commitment. These elements heighten the on-stage mode of the production, its progression from Act I to Act II, its send offs, its pastiche and its electrifying, barn-raising influence and thwack.

As with any big stage musical, choreography is key to a production's success, its fluidity of form, its artistic expression and its accompanying dance routines. Here, Feore, as choreographer, gives "Summer Stock" a highly personal touch of invigoration and speedy excitement that is tipped and generated with wonderfully elongated inspiration, stamina and determination. This is star quality choreography that peaks, shines and tilts with clever build ups, catchy dance steps and bold, concentrated rhythms, moves and beats that joyfully celebrate 1950's musicals in all their technicolor glory. As storyteller and dance interpreter, she brings great dimension and scope to the piece using techniques, styles, descriptions and an enriched canvas of thoughts and ideas that make their mark most engagingly. Everything that happens on the Goodspeed Musicals stage has been beautifully blocked, rehearsed and staged with such thrust and individuality, no two dance numbers are alike. In fact, once "Summer Stock" catches fire, there's no stopping it. Creating a freshly minted fusion of moods, tableaus, lifts, twirls and swirls, Feore pays homage to the actual vintage look and mindset of the musical, its dance-friendly art form and its free-flowing feel of excitement and exhilaration. Hands pop. Arms move heavenward. Dancers smile and glisten as they passionately ignite into joyful visions of sweetness, passion, frenzy and syncopation. Everyone is lost in the moment illustrating the traditions, the conscience and the power of musical theatre, giving and getting the most out of Feore's phenomenal, ovation-worthy choreography. Trained, drilled and confident, they each get a chance to shine - and shine they do - all making strong impressions that will live long in memory.

Making his Goodspeed Musicals debut, Corbin Bleu, as Joe Ross, a character originated by Gene Kelly in the 1950 film version, creates a "Wow!" song-and-dance-man factor chock full of charm, personality, self-confidence and full-beam, champagne delightness that astounds, cajoles and sparkles with leading man gait and luxury like no other. No matter what he does, he's a proverbial triple-threat (i.e., a player who excels at acting, singing and dancing) who makes everything that happens on stage feel fresh, spontaneous, real, raw and very much in the moment. It's in his eyes. It's in his moves. It's in his expressions. Exhibiting a sweet, contagious rapport that extends far beyond the footlights, it's the performance of the year and one that Bleu exudes with a Gene Kelly/Fred Astaire aura of showbiz savvy, knockabout whimsy, graceful athleticism and sterling encapsulation. "Joe's Dance," a solo dance number in Act II performed by Bleu only furthers that notion.

In the role of Jane Falbury, a role made famous by Judy Garland in the original "Summer Stock" MGM musical, Danielle Wade lights up the Goodspeed Musicals stage with a breezy, intuitive musical comedy performance of real warmth and spirit that is a constant joy to watch. Veanne Cox, cast in the role of the wickedly devious Connecticut farming magnate Margaret Wingate, is jaw-dropping brilliant, using humor, music, dance and melodrama in divinely daft and glorious ways that prompt applause and laughter whenever she's in the limelight. It's a scene-stealing performance so seamlessly entrenched in glee and fiery abandon, Cox, would be the ideal choice to play narcissistic Broadway diva Dee Dee Allen in the 2024 summer presentation of "The Prom" at Playhouse in Park in West Hartford. I'll personally deliver the contract. Other memorable performances are delivered by Arianna Rosario (Gloria Falbury), Stephen Lee Anderson (Henry "Pop" Falbury), Gilbert L. Bailey II (Phil Filmore), Will Roland (Orville Wingate) and J. Anthony Crane (Montgomery Leach). A musical escape brimming with delightful songs, engaging performances and full-beam dance numbers, "Summer Stock" is not only a bubbly tonic for theatergoers of all ages, but one that kicks nostalgia into high gear with uncomplicated bliss, fizz and vintage sparkle. It sings. It dances. It pops. It dazzles. Like "42nd Street" which played Goodspeed Musicals last season, it overflows with Kelly/Astaire lightness, punch and precision, sunny vibes and well-played exactitude. The energy displayed here is fast and furious with first-night exhilaration and thrill paired especially well with Corbin Bleu's charming star turn, Danielle Wade's joyous "Get Happy" abandon and Veanne Cox's well-prepped, icy cool villain. This is musical theatre of the highest order - infectious, irresistible, glorious. Its leave-your-troubles-at-the-door/Let's-put-on-a-show mentality accelerates with sparkle and cherry pie goodness. And boy, do we need it now!" [source]

(the reference to jane's sister abigail uses the film's names: abigail becomes gloria in this production, which is the name of abigail's actor in the film, which also mirrors how the role of herb is now phil, also the name of herb's actor in the film)

(also shoutout to providing A Full, Chronological List Of Songs. noting that according to another interview, intermission would be between "you wonderful you" and "june night")

#summer stock #dearth of peak relevant info for our purposes otherwise lol but hey #pressing f for danielle wade's performance Tending to be juxtaposed w/either corbin bleu's or judy garland's #which in fact doesn't always mean their going ''eh comes up short Relative to that comparison but good enough'' but yknow #also that role just isn't gonna be designed to be the most thrilling lol...let's get those character(tm) parts babeyyy #further photos of that preview performance do suggest there's more like midshow conflict b/w jane & gloria vs Only getting along great....#and intrigued here if it's like yeah gloria can be written to have Flaws kiiinda like the film dunking on her though not as much as it #(though not as much as it might've; parallel to orville; relevant to their compatibility lol though in this show it indeed just might not #go for ''conveniently gloria's also always already liked him & orville's just glad someone's being nice to him'' lmao. & in fact yes the #material already in the film was like hm sure could be the queer readings in these ''so you're doing cishettery wrong'' roles here #and going aw man wrt the comedy boys herb/phil & orville/orville not getting to interact more #herb getting to make One reference to kinda being the outsider/misfit even amongst the troupe like hey more abt that? what's your job also #meanwhile yeah you can do something like ''oh gloria has this idea re: being The Star but isn't actually as interested in that Process''#but that then instead of that Just being her at odds w/jane & her coming up short she can have her own arc still #finding out what behind the scenes work she Does want to do; jane & gloria of course ending up being mutually supportive one imagines #rather than jane Just being freer from Dealing With her lesser sister or what have you; whom can graciously enough accept this #and ofc we don't Need the partner swaps for everyone's guaranteed happiness communicated through ''they're not single''#whilest the lack of [oh this backup relationship was here the whole time kind of] does make your potential love triangle trickier then lol #hence perhaps some more significant conflict if you're like kissing your sister's date or what have you & she can't Just(tm) have yours #but then being The Lead can't be the ultimate of All [doing theatre]; having kissing status w/a guy isn't the ultimate of all Arcs/Life #(though noting tim wasn't Relieved if another ostensibly straight romance; a cliche in the modern musical; wasn't shoehorned in there...)#(also the awkward notes about Male Dancers and The Female Ones like alright? supposed relevance Where?)#long post ///

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myghanimationspage · 11 months ago

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Feel free to use just give me (Linda) the credit for the animation if you use elsewhere…thanks

PLEASE dont use my animations to make other animations or banners with it. I work hard on my animations and I dont want people to use them to make other fanarts

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rickygoldman34 · 9 months ago

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The Golden Blog time and its NXT's first PPV of 2024.

Joe gacy vs Shawn Spears.

👍Good Points:

Joe gacy really knows how to keep himself relevant and get the fans behind him.

Shawn Spears didn't look bad in defeat.

👎Bad Points:

This should have been on the main card.

Shawn Spears isn't having the best luck in NXT since returning.

Nxt tag team championship.

👍Good Points:

Really good match to kick things off.

Baron Corbin was over in this match.

Both tag teams work very well together.

The crowd was hot.

👎Bad Points:

None.

North American championship.

👍Good Points:

All 3 men looked great here.

Oba Femi really is a star for the future.

I have said it before but will say it again and that is Dijak has really been treated very well in NXT.

This was a big match for Josh Briggs.

👎Bad Points:

Again none.

Jacy JaneI,Kianna James and Izzi Dame vs Thea Hail,Fallon Henley and Kelani Jordan.

👍Good Points:

All 6 women looked great here.

This was a massive match for Izzi Dame.

It was great Kelani Jordan was on the winning team.

👎Bad Points:

This was a little quick.

This could have easily been a tv match.

Nxt Women's championship.

👍Good Points:

This was a good one,i do love the new attitude of Roxanne Perez.

This was very storytelling with Roxanne targeting Lyras arm.

👎Bad Points:

This could have easy been a tv match on a NXT special.

Nxt championship.

👍Good Points:

It's good Tony D'angelo was in this spot he really has worked hard in the past year.

Just like the last match very storytelling with Ijlas injured hand.

👎Bad Points:

This just like the previous matches could have been on a nxt tv special.

This should have been the main event i get why it wasn't but still.

Tony should have used the brass knux.

Carmelo Hayes vs Trick Williams.

👍Good Points:

This was definitely a storytelling match.

This went all out.

The crowd were well and truly behind Trick.

👎Bad Points:

This could have been alot longer.

I give it a rating of gold.

NXT Stand and Deliver notes

Joe Gacy vs Shawn Spears, decent opener and good to see Gacy back on his winning ways, was hoping for Spears but Gacy needed it more for his new crazy character to develop.

NXT Tag Team Championship match The Wolfdogs (Bran Breakker/Baron Corbin) (Champions) vs Axiom and Nathan Frazer. Tag team wrestling at it’s finest that NXT was Always known for. Axiom and Frazer were a great underdog team but the power of Breakker and Corbin was too much, glad they are still holding the gold as I enjoy them together as they deliver in every match.

North American Championship Triple Threat Match Oba Femming (Champion) vs Dijak vs Josh Briggs. A hard Triple Threat from 3 big men that added both strength and fast paced moves into their match, possibly my third fave match of this PLE, FemmingI is an absolute beast that will go on to big things, was going with Briggs taking the pin as Dijak is overdue a title run of some sort.

Six Woman Tag Match. Thea Hale/Fallon Henley/Kelani Jordan vs Gacy Jane/Izzy Dame/Keani James. Was mostly done to set Up Thea Hale to take everyone connected to Gacy Jane starting with Izzy Dame.

NXT Womens Championship Lyra Valkyria vs Roxanne Parez. After a year Roxanne’s character development from good girl face to bad girl heel paid off winning her second title

NXT World Heavyweight Championship Ilja Dragonov (Champion) vs Tony D’Angelo. Great hard-hitting match that set up D’Angelo to be a main event star in NXT.

Trick Williams vs Carmello Hayes, match of the night thanks to both storytelling and two different styles, Trick Williams will be a star in years to come.

👇👇My Socials👇👇

#nxt #stand and deliver #Carmelo Hayes #Trick Williams

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fredborges98 · 1 year ago

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O relógio do Juízo Final ou Relógio do Apocalipse (do inglês: Doomsday Clock) é um relógio simbólico, mantido desde 1947 pelo comitê da organização Boletim dos Cientistas Atómicos da Universidade de Chicago, que utiliza uma analogia onde a raça humana está a "minutos para a meia-noite", onde este horário representa a destruição por uma guerra nuclear.

"Meia-noite" tem um significado mais profundo além da constante ameaça de guerra.

Vários elementos são levados em consideração quando os cientistas do Bulletin of the Atomic Scientists decidem o que a meia-noite e a "catástrofe global" realmente significam em um determinado ano.

Eles podem incluir "política, energia, armas, diplomacia e ciência do clima";as fontes potenciais de ameaça incluem ameaças nucleares, mudanças climáticas, bioterrorismo e inteligência artificial.

Os membros do conselho julgam Midnight discutindo o quão perto eles acham que a humanidade está do fim da civilização.

Em 1947, no início da Guerra Fria, o Relógio foi iniciado marcando sete minutos para a meia-noite.

Por: Fred Borges

Dedicado aos que não tem tempo e se dedicam a tudo menos a celebrar a vida e cultuar e cultivar presságios, previsões do Apocalipse ou do Armagedom, a estes todos ainda há salvação pela simplicidade em promover a consciência individual e coletiva!

Um relógio que indica quão próximos estamos do fim.

Em artigo publicado pela BBC no dia 23.01.2024 cuja autora Jane Corbin, cujo título corresponde ao apocalipse ou Armagedom de uma era, o relógio está a 90 segundos do início deste trágico fim.

O título:

"The Doomsday Clock - which shows how symbolically close the world is to nuclear Armageddon - is to remain at 90 seconds to midnight."

Mas a quem serve previsões apocalípticas?

A que serve?

Quais ideologias, doutrinas ou dogmas que se aproveitam do fim, para justificar o arrependimento, o pecado, a destruição, a desconstrução, a involução, os conflitos armados ou não, as guerras, as guerrilhas, o pacifismo, o equilíbrio ambiental, a homeostase, a paz, quando a natureza humana é justamente o contrário, o adverso, do cinismo, hipocrisia, mentira, corrupção, rasteira da capoeira, inveja, vaidades, fogueira das vaidades, ilhas da excelência, do elitismo, do exclusivismo, da High Society, da exclusão, do preconceito, das emoções diante e acima, subordinada, sabotada, deslocada das razões?

" O psicólogo cognitivo Steven Pinker* criticou duramente o Relógio do Juízo Final como um golpe político, apontando para as palavras de seu fundador de que seu propósito era "preservar a civilização assustando os homens para a racionalidade".

Ele afirmou que é inconsistente e não se baseia em nenhum indicador objetivo de segurança, usando como exemplo estar mais longe da meia-noite em 1962 durante a Crise dos Mísseis de Cuba do que no "muito mais calmo 2007".

Ele argumentou que era outro exemplo da tendência da humanidade ao pessimismo histórico e comparou-o a outras previsões de autodestruição que não foram cumpridas.

Os meios de comunicação conservadores frequentemente criticam o Bulletin e o Relógio do Juízo Final. Keith Payne escreve na National Review que o Relógio superestima os efeitos de "desenvolvimentos nas áreas de testes nucleares e controle formal de armas".

Tristin Hopper no National Post reconhece que "há muitas coisas com que se preocupar em relação à mudança climática", mas afirma que a mudança climática não está no mesmo nível que a destruição nuclear total.

Além disso, alguns críticos acusam o Bulletin de promover uma agenda política globalista."Trechos retirados de várias fontes em artigos sobre o similar tema ou temática.

Como CAR( Católico Apostólico Romano) sempre ouvi frases, muitas frases da redenção e possível retorno de Jesus.Apesar de achar que Ele nunca partiu!

Notadamente, encontramos na Bíblia vários trechos que evidenciam este retorno:

"Aprendam a lição da figueira: quando seus ramos se renovam e suas folhas começam a brotar, vocês sabem que o verão está próximo. Assim também, quando virem todas estas coisas, saibam que ele está próximo, às portas."

Mateus 24:32-33

"Haverá grandes terremotos, fomes e pestes em vários lugares e acontecimentos terríveis e grandes sinais provenientes do céu."

Lucas 21:11

"Tendo Jesus se assentado no monte das Oliveiras, os discípulos dirigiram-se a ele em particular e disseram: "Dize-nos, quando acontecerão essas coisas? E qual será o sinal da tua vinda e do fim dos tempos?" Jesus respondeu: "Cuidado, que ninguém os engane. Pois muitos virão em meu nome, dizendo: 'Eu sou o Cristo!' e enganarão a muitos. Vocês ouvirão falar de guerras e rumores de guerras, mas não tenham medo. É necessário que tais coisas aconteçam, mas ainda não é o fim."

Mateus 24:3-6

O certo é que o medo, a ignorância, o pessimismo, a negatividade, o negacionismo, os extremismos, o fanatismo e tantos "ismos" necessários a justificar o fim, o derradeiro fim, faz do fim um fato por muitos consumado, como se o fim, anunciado, seria antecipadamente o fim, e tudo mais só exija a devoção a constrição, ao recolhimento, ao arrependimento e estejamos numa espécie de " bolha" da oração sem ação, da omissão, do ver sem enxergar, do anunciar sem evidências ou fatos científicos, racionais que comprovem o fim da humanidade, desprezando que o homem faz e se refaz, destrói e se reconstrói,e segue em frente!

"Imediatamente após a tribulação daqueles dias

" 'o sol escurecerá,

e a lua não dará a sua luz;

as estrelas cairão do céu,

e os poderes celestes

serão abalados'. "Então aparecerá no céu o sinal do Filho do homem, e todas as nações da terra se lamentarão e verão o Filho do homem vindo nas nuvens do céu com poder e grande glória. E ele enviará os seus anjos com grande som de trombeta, e estes reunirão os seus eleitos dos quatro ventos, de uma a outra extremidade dos céus."

Mateus 24:29-31

Não teria sido esta a visão dos moradores de Hiroshima e Nagasaki, apesar de serem budistas?

O Budismo é uma doutrina espiritual e filosófica criada pelo indiano Siddhartha Gautama, o Buda, que considera o poder da reencarnação humana, de animais e das plantas, e acredita que as escolhas para se chegar à libertação dos sofrimentos estão no autoconhecimento ou seja da consciência humana.

Segundo Frei Beto em artigo para O Globo:

"Buda, a quem Hermann Hesse dedicou o romance “Sidarta”, se chamava Sidarta Gautama e viveu na Índia 500 anos antes de Cristo.

O século VI a.C. foi pródigo em sábios e iluminados: Tales de Mileto, Lao-Tsé, Confúcio e os profetas Jeremias e Ezequiel.

Há muito em comum entre Buda e Jesus. Segundo reza a tradição, os dois nasceram de uma virgem.

No caso de Buda, sua mãe, Maya, teria sido fecundada por um pequeno elefante que penetrou em seu lado esquerdo.

Buda e Jesus não deixaram nada escrito e formaram seus discípulos através de sentenças e parábolas emblemáticas.

Os dois não fundaram religiões; propuseram uma via espiritual centrada no amor, na compaixão e na justiça, capaz de nos conduzir ao que todo ser humano mais almeja: a felicidade.

Muito aprendi do budismo.

Em especial a sua principal lição, o modo de evitar, ou ao menos aplacar, o sofrimento.

Não há dor, que pode ser contida por medicamentos.

Mas o sofrimento que dilacera a alma, confunde a cabeça, tritura o coração, suscita sentimentos e atitudes negativas.

Buda descobriu que todo sofrimento decorre de um único fator: o apego.

A bens materiais, ao ego, a recordações nocivas, a ambições desmedidas, e também a cargos ou funções, como bem o comprova o atual cenário político brasileiro.

Jesus dirá o mesmo, séculos depois, com outras palavras.

Como se livrar do apego e, assim, evitar o sofrimento e desfrutar da felicidade?

Buda ensinou que, para isso, é preciso esvaziar a mente, e o método se chama meditação.

Ao olhar para fora, sonhamos; ao olhar para dentro, despertamos."

Mas afinal o que é consciência?

Segundo o dicionário Houaiss consciência é o sentimento ou conhecimento que permite ao ser humano vivenciar, experimentar ou compreender aspectos ou a totalidade de seu mundo interior.

Ou ipsis litteris: "Consciência, noção do que se passa em nós (...) Percepção mais ou menos clara dos fenômenos que nos informam a respeito da nossa própria existência."

Penso logo, existo, é a função de nossa existência e consciência humana e da humanidade.

Mas se pararmos para pensar que, em grande parte do que pensamos não são nossos pensamentos, mas uma apropriação individual e coletiva do que o SISTEMA ou os SISTEMAS GLOBAIS querem ou desejam ou esperam que pensemos?

Não estaríamos fadados e destinados a um golpe, golpe de Estado, golpe, falcatrua, corrupção,charlatanismo dominante quando ou quanto mais a ignorância nos domina ou somos dominados?

Não deveríamos todos duvidar para crer e não o seu oposto?

A aparição mais famosa de Tomé no Novo Testamento está em João 20:24–29, quando ele duvida da ressurreição de Jesus e afirma que necessita sentir suas chagas antes de se convencer.

Não teríamos que agir segundo São Tomé ou também conhecido como São Tomás ou, em grego, Dídimo, padroeiro do cegos é os que se recusam a enxergar!

Quando afirmamos que " a verdade prevalecerá! De qual verdade estamos falando?

Da verdade que os outros desejam ou da qual realmente desejamos?

A verdade no próprio Jesus Cristo Salvador ou pescador de almas e homens?

"Quanto ao mais, irmãos, tudo o que é verdadeiro, tudo o que é honesto, tudo o que é justo, tudo o que é puro, tudo o que é amável, tudo o que é de boa fama, se há alguma virtude, e se há algum louvor, nisso pensai."

Filipenses 4:8

O ser humano em sua complexidade afirma àquilo que deseja, mas nem sempre aquilo que deseja se faz presente ou se faz acontecer, e este se fazer presente e acontecer é o paradoxo entre o discurso e a prática, conheçamos o homem pelos atos e não por belas palavras, pelos seus anúncios ou prenúncio.

Em propaganda e publicidade temos a máxima que só podemos anunciar, comunicar ao público, propagandear àquilo que realmente temos a vender em produtos e serviços, sob as condiç��es, negociações, limitações legais, contratuais, de produção, logística, proporcional em qualidade e quantidade do que realmente temos, fora isto, corresponde ao " contradito" ou ao " contraditório " ou seja ao paradoxo, logo a mentira ou a falta grave ética e moral da venda de " sonhos" ou " utopias" constituindo- se num estelionato ético moral do discurso vazio ou da demagogia ou retórica para áqueles que são enganados ou desejam de " livre e espontânea vontade" serem enganados ou popularmente na expressão:" me engane, que eu gosto" e pior que realmente gostamos, pois como humanos nos sabotamos em quereres,síndromes, doenças psíquicas,poderes, e deveres, o que se revela no final na derivação de conflitos e guerras resultantes da dicotomia e ambivalência entre espectativas e realidades.

Em : https://doi.org/10.1590/S0103-65641997000200003

Dois tipos de Consciência: a busca de autenticidade, USP 1997- SciELO Brasil.

"Ceticismo é uma escola filosófica que se iniciou em Atenas no século V A.C. Contra as chamadas escolas dogmáticas, os céticos pregam a suspensão de julgamento ante qualquer afirmação.

Por exemplo, diante da afirmação de que os corpos leves apresentam a propriedade de se afastar da Terra, o cético suspende esse julgamento.

Vale tanto a resposta positiva, que vê na "leveza" o impulso para se afastar da Terra, quanto a resposta negativa, que nega ao pequeno peso a propriedade de levá-lo a subir por si só.

Ou, diante da afirmação de que o Sol esquenta a Terra, o cético suspende novamente o julgamento. Vale tanto a resposta positiva, que vê no Sol uma fonte de calor na Terra, quanto a resposta negativa, de acordo com a qual o Sol apenas brilha mas não envia à Terra qualquer calor.

Essa característica do ceticismo é válida desde seu início até hoje em dia.

Há vários tipos de ceticismo. Um desses tipos surgiu já na Antiguidade entre alguns céticos acadêmicos, isto é, membros da Academia de Atenas.

A Carnéades de Cirena é atribuído, além do critério básico, um princípio ou segundo critério de acordo com o qual todo julgamento apresenta um determinado grau de persuasão.

Assim, hoje em dia, haveria extremamente fraca persuasão do primeiro exemplo, a afirmação de que os corpos leves apresentam a propriedade de se afastar da Terra, e bem forte do segundo, de que o Sol esquenta a Terra.

Críticos contemporâneos acham que a crença no grau de persuasão, ainda que apresentada por Carnéades, não correspondia àquilo que o filósofo acreditava. Era um mero exercício dialético.

Entretanto, Fílon de Larissa, que não conheceu Carnéades, estabeleceu o grau de persuasão de Carnéades como um dos princípios básicos a ser aceito por todo cético. Enesidemo revoltou-se contra esse novo princípio e fundou o ceticismo pirrônico ou verdadeiro ceticismo (Burnyeat, 1983; Couissin, 1983; Sedley, 1983). De qualquer modo, desde o século I A.C., ceticismo pirrônico é a filosofia que acredita principalmente no critério básico e ceticismo acadêmico junta um outro princípio, isto é, a crença no grau de persuasão"

Cabe então questionar, posso ser cético e ter fé?

Sim!

A fé deriva da dúvida e do duvidar para acreditar com toda sua consciência interior, fora isto é fanatismo ou terrorismo,ou é dogmatismo político, religioso, cultural, econômico, social do dominador ou partido dominante sobre o dominado, líder sobre liderado, uma elite intelectual sobre uma população ignorante, ou desprovida de dados, informações, conhecimento e inteligência, logo massa de manobra.

Retornando ao relógio ao relógio do Juízo Final ou Relógio do Apocalipse ou em inglês: "Doomsday Clock" não estaríamos incorrendo num erro ou equívoco fatal em acreditar que o tempo é somente ou exclusivamente o tempo dos tempos finais?

Pergunte a um sobrevivente de Hiroshima ou Nagasaki o que é o Apocalipse ou o Armagedom e talvez tenhamos a real dimensão humana do SER, do EXISTIR, do penso logo existo!

Dimensionando o fato histórico das bombas atômicas lançadas em Hiroshima e Nagasaki foi:

(Uma das maiores tragédias da humanidade ocorreu nos dias 6 e 9 de agosto de 1945.

O número real de mortos não é conhecido, mas acredita-se que cerca de 140 mil da população de 350 mil habitantes de Hiroshima tenham sido mortos na explosão e que pelo menos 74 mil pessoas tenham morrido em Nagasaki.

Os ataques provocaram um fim abrupto da guerra na Ásia, com o Japão se rendendo aos aliados em 14 de agosto de 1945.)

Num testemunho:

"Não estive no inferno, então não sei como é, mas o inferno é provavelmente o que passamos. Nunca deve ser permitido que aconteça novamente", diz Teruko*

Ela continua...

"Há pessoas que fazem grandes esforços para abolir as armas nucleares. Acho que o primeiro passo é fazer com que os líderes do governo local tomem medidas."

"E então devemos alcançar os líderes do governo nacional e o mundo inteiro".

"As pessoas disseram que nenhuma grama ou árvores cresceriam aqui por 75 anos, mas Hiroshima reviveu como uma cidade com lindas áreas verdes e rios", diz a filha de Teruko, Tomoko.

"(No entanto) os hibakusha continuaram sofrendo os efeitos colaterais da radiação".

"Enquanto as memórias de Hiroshima e Nagasaki estão desaparecendo da mente das pessoas ... Vivemos em uma encruzilhada."

Vivemos um eterno relógio que revela as horas da eterna encruzilhada e não existe um Deus da bondade e um Diabo da maldade, o que existe é o próprio HOMEM e sua capacidade de fazer NASCER e fazer MORRER.Responsavel pela preservação ou manutenção da VIDA ou da MORTE ou do NORTE, afinal o grande inverno estaria chegando!

Havemos PAPA, havemos BISPO, havemos Buda, Jesus Cristo, Maomé,Mahatma Gandhi , Deus, Deuses, havemos fé!

É tempo de fé!!!!

** Na foto: Teruko (à esquerda) com sua irmã Tomoko (à sua frente) e sua neta Kuniko (à direita) em 2015.

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