#Jacopo Ferretti

[lampioneditrieste]

26/04/-5/05/'24 - "La Cenerentola" di G.Rossini - Stag. Lirica e di Balletto 2023/24 - E.Calesso, dir.- Teatro Lirico "G.Verdi" - Trieste

Vi informiamo che, presso Teatro Lirico “G. Verdi” – Trieste, vi sarà, nell’ambito della Stagione Lirica e di Balletto 2023/24, l’esecuzione dell’opera “La Cenerentola” di G.Rossini. dettagli italiano, sopratitoli italiano/inglese LA CENERENTOLA di Gioachino Rossini Dramma giocoso in due atti su libretto di Jacopo Ferretti Prima rappresentazione: Teatro Valle, Roma, 25 gennaio 1817 Maestro…

[delectablywaywardbeard-blog]

La Cenerentola di Rossini diventa accessibile e Senzaspine

L’esplorazione dell’universo operistico di Rossini da parte dell’Orchestra Senzaspine approda, dopo ll barbiere di Siviglia, a un altro capolavoro comico del pesarese, La Cenerentola, in scena al Teatro Duse di Bologna il 27 e 28 aprile.     Melodramma giocoso in due atti su libretto di Jacopo Ferretti, La Cenerentola sarà diretta da Tommaso Ussardi con la regia di Giovanni Dispenza. Lo…

[vgrigory]

Askungen from Folkoperan on Vimeo.

ASKUNGEN på Folkoperan 20/9 – 26/11 2023 Trailerfoto: Oskar Hökerberg. Trailerregi: Caroline Gentele.

Upphovsmakare Musik: Gioacchino Rossini Libretto: Jacopo Ferretti efter en saga av Charles Perrault. Orkesterarrangemang: Jonas Dominique Översättning: Rikard Bergqvist

Team Dirigent: Henrik Schaefer Regi: Nora Nilsson Scenografi: Julia Przedmojska Kostym: Matilda Hyttsten Ljus: Sofie Gynning Mask och peruk: Therésia Frisk Dramaturgi: Tuvalisa Rangström Ensemble Angelina (Askungen): Josefine Andersson Prins Ramiro: Conny Thimander Dandini: Sebastian Durán Clorinda: Susanna Andersson Tisbe: Katija Dragojevic Don Magnifico: Peter Kajlinger Alidoro: Sami Yousri Tre hovmän: Joakim Larsson, Viktor Rydén och Wiktor Sundqvist Hammarklaversolist: Daniel Beskow Folkoperans orkester

[monotonous-minutia]

I can’t get over these two

[operaweekly]

Happy #Selection Sunday, folks! This week’s selection is none other than La Cenerentola, music by Gioachino Rossini and libretto by��Jacopo Ferretti. Full discloser, this is probably my favorite opera of all time as of right now--it’s a refreshing take on the story of Cinderella and is one of the few operas where no one dies at the end. One of my favorite differences on this take of Cinderella from others is that the role of the fairy godmother is replaced by a Alidoro, a philosopher and former tutor to the prince--which I think can make for an interesting gender-fluid character design.

Keep reading for a synopsis and links to a full performance!

Act 1 Poor Cenerentola is treated like a slave by her stepfather Don Magnifico and step-sisters, Clorinda and Thisbe. Together, they live in a run down castle that Magnifico can’t afford to repair. He’s spent all of his money, as well as Cenerentola’s on himself and his spoilt daughters.

Suddenly, Alidoro, the prince’s teacher and adviser, turns up at the castle, but he’s disguised as a beggar. The sisters are disgusted by the sight of him and try to send him away, but Cenerentola takes pity, and gives him food and coffee. Alidoro is very impressed by her kindness.

Prince Ramiro arrives. He’s been ordered by his father, the king, to find a bride or else forfeit his rights to the throne. Desperate to be loved for whom he is, and not just because he’s a prince, Ramiro has disguised himself as his own servant, Dandini. When he and Cenerentola set eyes on each other, it’s love at first sight. But now, the prince’s servant Dandini turns up, but disguised as the Prince! He invites Magnifico and the step sisters to the ball. ‘If only the prince would marry one of my daughters’, thinks Magnifico, ‘I’ll be rich again, and finally be shown the respect I deserve!’ After they’ve left, Alidoro removes his beggar’s disguise and assures Cenerentola that she too will go the ball.

When she arrives at the palace looking totally gorgeous, everyone is amazed by the beauty of this unknown guest. But Magnifico and the two sisters sense something familiar about her. They fear that trouble lies in store for them...

Act 2 In the meantime, Dandini, the prince’s servant disguised as the Prince, has fallen in love with Cenerentola himself! She tells him ‘Thanks, but no thanks –you see I’m in love with your servant.’ The prince, disguised as Dandini overhears this, and comes running in. ‘Not so fast!’ Cenerentola says. ‘I’ll give you one of a pair of matching bracelets. I’ll wear the other. If you really love me, you’ll come and find me – you’ll know you’ve found me when you see that the bracelets match’. And she leaves.

Back at the fireplace, and dressed in rags once again, Cenerentola is all alone. Magnifico and his daughters return from the ball- angry at the mysterious guest that could have wrecked their chances with the prince. Suddenly a storm rages outside, and a carriage breaks down outside the castle. It’s Prince Ramiro’s carriage. He and Cenerentola are overcome with joy as they recognise each other.

But the continuing arrogance of Magnifico and the sisters starts to make Ramiro’s blood boil. Cenerentola begs him to show mercy, and she and the prince leave together.

Now that she’s a princess, Cenerentola announces in her new- found happiness that Don Magnifico and her two step sisters must be forgiven and welcomed as friends. Amazed by her compassion, all agree that no one deserves to be princess more than Cenerentola, who vows that her days of slavery are finally over!

Synopsis provided by OperaLand.org

Enjoy a full performance of this opera via the following links: Act I Act II Alternative option

[uriello-bello]

"A historical chronological depiction from an imaginary Italy: a guess the reference game". 100th Anniversary

Unknown: Pdor Mythos Unknown: Appears the superheroes gene "Vip" 10'000 A.C: In the Mediterranean basin lives a society of amazoness 89 A.C: Marcus Aemilius Scaurus is born 71 A.C: Spartacus leads a slaves rebellion 55 A.C: Tros of Samothrace takes the parts of the Breton resistance against the Roman conquest of Britain 50 A.C: Julius Augustus Caesar's complete conquest of Gaul finds resistance against a village in Armorica 11 March 44 A.C: Julius Augustus Caesar is murdered 80: Barbarian Ardarico's conquest of Rome miserably fails; Flavian Amphitheatre is inaugurated and Timo becomes a gladiator 128: Architect Lucius Quintus Modestus repeatedly travels through time until the 21st century and visits the modern Japan 536: Martinus Paduei, a mysterious genius ahead of his time, leaves his mark in history as inventor, business owner, strategist and politician 569: King Alboin befriends and welcomes a sly and smart peasant to his court in Verona 726: Girolama Pellacani is raped by the Longobards 1050: Brancaleone of Norcia is born 1076: The saint hermit of Bismantova is sent to Aquileia in search of allies at the behest of Pope Gregory VII, but is hindered by the devil 1080: Brancaleone of Norcia takes part at the first crusade 1141: Baudolino is born 1150: Various supernatural events take place at the castle of Otranto 1249: The company of Selva Bella participates at the mission to free Enzo of Sardinia 1271: Marco Polo begins his travel toward the Orient 1280: Marco Polo reaches the court of Kublai Khan and tell him about the 55 cities 1295: Marco Polo returns to Venice Early XIV Century: To win the maritime war against Venice, the Genoese captain Luigi Gottardi builds the underground canal of Meloria 1300: Poet Dante Alighieri visits the afterlife in a week 1327: William of Baskerville is involved in a murder case sets in a benedictine abbey 15 April 1452: Leonardo da Vinci is born 1478: Takes places the quests of the "Company of the Gallows" 1506: Arte Spalletti becomes an artist 1534: Two english brothers find a passage for a subterranean world where the time flows more slowly and is populated by a society of pygmies 1537: During the battle of Turin a french soldier mysteriously survives to several deadly wounds 1570: To save her lover, war-prisoner at Famagosta in Cyprus, the duchess of Eboli wears an armor and under the alias of Captain Storm fights several battle against the Ottoman Empire 1595: The suicide of two lovers leads peace in a longtime feud between two Veronese families 1630: The black plague continues its killspread, Spanish local lord Don Rodrigo is found dead 1643: Nobleman Roberto de la Grive is presumed lost after a shipwreck in the Pacific Ocean 1650s: Alchemist Girolamo Fumagalli develops the basic technique of thanatography 1660s: Viscount Medardo of Terralba returns changed and maimed in a strange and impossible way from the Ottoman wars in Bohemia 1686: After losing his brothers during the Franco-Spanish war at the hand of Duke Wan Guld, the Lord of Ventimiglia Emilio of Roccabruna promises to avenge them and becomes the notorious Black Corsair 1711: A group of alchemists evoke a demon to gain eternal life 1713: Sir Frances Varney commits suicide by throwing himself into Mt. Vesuvius 7 January 1730: In Siena is approved the Notice of Violante of Bavaria 1741: Antonio Salvatore "Totò" Sapore invents pizza to bring peace between French and Neapolitan armies 1750s: Armando "The Scorpion" Catalano seeks the Templar treasure 1762: Reverend Yorick, friend of Tristram Shandy, visits France and Italy for a health issue 1764: Father Schedoni is involved in a conspiracy 1767: Cosimo Piovasco of Rondò, future baron of Ombrosa, climbs up a tree and will live his entire life on the trees 18 October 1775: Carlo Altovivi is born 1790: Scandal of the fallen noble family Mazzini 1798: Nobleman and soldier Fabrizio del Dongo is born 25 March 1799: Jacopo Ortis dies 1801: Vampire Giovanni Nosferatu is born 1812: Soldier Lazzaro Scacerni is one of the survivors of the retreat from Moscow and, after returning in Italy, becomes a wealthy miller 1825: History professor Mercurio Loi disappears 1826: Dr. Weiss solves the Fritzheim case 1829: A frenchman discovers the Spada family's treasure located in Montecristo Isle 1850: Count Isidor Ottavio Baldassarre Fosco reaches England to plan a political conspiracy 1855: Princess Teresa Uzeda of Francalanza dies 1860: The wooden puppet Pinocchio becomes a real children 1863: Three persons, claiming to be part of a scientific expedition, are spotted been ejected from Mt. Stromboli 1864: Countess Marina Vittoria Crusnelli of Malombra gets possessed 1870: Enrico Bottini is born; Edwin Drood mysteriously disappears leaving a secret still unsolved 1874: As social experiment some prisoners are released in a deserted island to create a self-managed isolated colony; Arsène Lupin is born 1878: Rosso Malpelo dies 1885: A frenchman from Tarascon survive to a fall during an attempt to reach the peak of Mt. Blanc 1887: Professor Sandrelli develops a substance that cancels gravity 1888: Full of remorse, baron Carlo Coriolano of Santafusca admits of being a killer 1889: Masked hero "Hidden Face" and Ugo Pastore take part at the Treaty of Wuchale; Escorted by english explorer Adam Wild, Count Narciso Molfetta explores Africa 7 December 1891: Vito Andolini is born 1893: Marco Pagot is born 1895: Architect Emilio Varelli starts the construction of the Three Mothers' manors September 1897: Giannino "Gian Burrasca" Stoppani is born 1898: The suppression of Milan riots are sabotaged by Tommaso Reiner 1899: Vadim Vadimovich N. Storov is born 29 May 1899: Giuseppe "Peppone" Bottazzi is born 30 May 1899: Don Camillo Tarocci is born Early 1900s: Paolo Zeder hypothesizes the "K-Zone" theory; Actress Maria Sarti gains notoriety under the stage name Ninì Tirabusciò 1910: Architect Emilio Varelli finishes the construction of the Three Mothers' manors; Aldovino reaches the moon to marry the princess Yala; Count Emilio Ponticelli partecipes at the Daily Post air race 1911: Famous composer Gustav von Aschenbach dies during a holiday in Venice WWI: Flying ace Marco Pagot turns into an anthropomorphic pig and assumes the identity of the bounty hunter Porco Rosso; Aviator Luciano Serra, aviator Matteo Campini, Private Lazzaro Scacerni and Private Italino take part at the conflict; Baron Cesare Stromboli helps the Triple Entente; Private Piero dies 1915: Air piratess Filibus terrorizes southern Italy performing several thefts 15 October 1915: Emilio Largo is born 1919: A man dressed in red and constantly speaking in rhyme becomes one of the richest italian 1920: Famous film director Guido Anselmi is born; Pugilist Furio Almirante emigrates in America 1927: Dr. Artemio Zacchia founds a medicine and natural science academy and starts his studies on immortality March 1927: Detective Francesco "Ciccio" Ingravallo solves the Via Merulana mystery June 1929: Fascist militia suppression at Fontamara 1930: Dominetta Vitali is born; Scientist Pier Cloruro de' Lambicchi creates a substance that gives life to the images 1933: Gastone Uliani investigates the faun's case 17 July 1934: Ugo Fantozzi is born 1935: Italy's invasion of Ethiopia is obstacled by local spy Bara 1936: Lawyer Gino Motta is locked up in an asylum after claiming that in the sea near Levanto lives a colony of mermaids 29 September 1936: Lolito B. Lassica is born 1938: Benzino Napaloni signs an alliance with Adenoid Hynkel; The launch of hierarch Gaetano Maria Barbagli's expedition for Mars takes place; Primo Cossi chooses to undergoes at the EPRA experiment; Dr. Emilio Lizardo and Professor Tohichi Hikita build the oscillation overthruster, Lizardo trying to enter into the 8th dimension becomes insane; American archeologist Martin Padway travels through time until 535 1939: Count Zero becomes a fascist agent; Film director Salvatore Di Vita is born 10 May 1939: Hierarch Gaetano Maria Barbagli and his troop land on Mars WWII: Captain Alberto Bertorelli, Captain Antonio Corelli, Major Oscar Pilli, Sergeant Nicola Lo Russo, Lieutenant Gino Rossati, Marmittone and Galeazzo Musolesi take part at the conflict; Partisian Johnny loses his life; Partisan Natalino "Capellone" Tartufato saves the life of the english spy Charles Harrison, Private Antonio is considered as straggler in Russia 1940s: Marcella Valmarin becomes a famous actress under the stage name of Alba Doris 25 December 1942: Photographer Valentina Rosselli is born 1943: The Finzi-Continis family is exterminated in a German Nazi lager, along with other jews 1944: In a hidden palace in the Republic of Salò, tortures takes place by hand of four wealthy personality of the republic 1945: End of World War II in Europe and the prison camps are freed, Giosuè Orefice is among the survivors 3 March 1945: Nicola "Nico" Giraldi is born 6 July 1945: Roberto "Rocky" Balboa is born 1950s: Bianca Castafiore is recognized as one of the best soprano in the world; Amelia Bonetti and Pippo Botticella become two renowned tip-tap dancers 6 September 1950: Salvo Montalbano is born 1952: In a laboratory comes to life a creature made of rubber 1953: Michele Apicella is born; During a diplomatic visit in Italy a princess escapes through the streets of Rome 1955: Criminal and con artist Mr. Ripley lands in Italy 1956: Painter Buono Legnani commits suicide 1957: Exorcist Don Zauker lands in Livorno 19 September 1958: Renato "René" Ferretti is born 1959: Topo Gigio debuts and becomes a television star; Detective Nero Wolfe moves to Rome after some "problems" with FBI 1960: Authoress Enrica Valldolit wins the Nobel Prize in Literature 1961: A british spy agent kills the terrorist Emilio Largo; A cemetery man has a close encounter with the Death 15 August 1962: A young university student loses his life in a car accident caused by an overtaking 1963: Medic Duca Lamberti loses his license and is imprisoned for practicing euthanasia; Calimero is born; "The Alphabet Killer" is caught 1966: Criminal Mastermind "The Fox" evades from prison 4 October 1967: Deboroh La Roccia is born 1968: Diabolik is presumed dead; Primo Cossi wakes up from hibernation and becomes a hitman related to the events of the Years of Lead 1969: A british criminal gang robs the FIAT industry 1970s: A criminal uses the sewer of a metropolis as hiding place and house; At Milan a group of bounty hunters form the C.T Association 1971: Fumagalli's thanatography is used to solve the four flies' mystery; Alberto Valle becomes the new Avio Motor CEO 1972: Somewhere in northern Italy, inside the Military Area 36, Professor Endriadi and his research team build the first AI February 1973: Four men commits suicide through planteration in a villa near Paris 1 June 1973: A terroristic attack blows up the Madonnina statue atop Milan Cathedral 1974: Andrea Straniero is born; Approved the healthcare reform "C.M.G"; Camilla Cagliostri is born 1975: After months of shipwreck on a deserted island in the Mediterranean sea, the wife of the industrial Lanzetti and a sailor are saved; The corpses of the Crespi d'Adda cemetery are resurrected; At Rome, German psychic medium Helga Ulmann is brutally killed 1976: For having inflicts severe damages to the organized criminality all over Italy in just few years, mysterious killers murder the police commissioner Betti 1977: Virginia Ducci survives at a murder attempt thanks to her clairvoyance 1978: Science fiction writer Della Spigola is abducted by the martians of Phobos; Discovered a breed of talking dog with a particular white fur with red spots; Famous chef Fausto Zoppi is killed by drowning; It ends the Filippo Carducci's kidnapping case; Riccardo Finzi begins his career as P.I 1979: 1980s: The ministry of the Great Hunt is founded; 1980: "Caterina" an American brand of robotic housekeeper goes on sale; Neapolitan camorra boss "The Marseillaise" and his gang are killed after a showdown; Rocky Giraldi is born, so named in honour of the famous boxer 12 August 1980: The Matchstick Man is spotted near the Abruzzi countryside 3 October 1980: Leonardo Zuliani is born 1981: The criminal known as "The Human Beast" loses his life in a gunfight 1982: The "K-Zone" theory is confirmed and Paolo Zeder is resurrected as zombie 1983: For the first time, alive people witness the "Palio di Siena of the dead contrade"; It is archived the case of the serial killer known as "The Killer Dwarf"; Naples F.C pays three billion for the acquisition of Brazilian footballer Paulo Roberto Cotequinho, he'll lead the Naples to the victory of its first championship four years later. 1984: Two men inadvertently travel through time back the 1492 August 1988: The first issue of "Bloody Eye" is published 1989: During a conference in Rome, experts try to discover the truth behind the Edwin Drood mystery; Deboroh La Roccia becomes Rat-Man 20 March 1989: Commissioner Corrado Cattani is killed in a mafia ambush 1990: FIFA World Cup scandal, the Italy team hires two pornstars to win; Salvo Montalbano becomes a police commissioner 1991: 1992: Sicilian gangster Johnny Stecchino uselessly resort to a person exchange to avoid death; During the annual Milan Film Festival, mystery fiction writer and amateur sleuth Jessica Fletcher resolves a murder case; During the quadrennial pallastrada world competition the St. Catherine prophecy comes true burning up the entire state of Gladonia November 1992: Daria Marchesi is jailed for the Baldacci murder, thus Marino Strano becomes Bloody Eye's head writer 1994: "The Florence Monster" is finally arrested; A feud between two families ends with the use of a low-potential atomic warhead; After various vicissitudes experienced in India, Marco Donati is exposed at the Aquarium Berlin as "The boy with the gills" 1995: Marco Buratti aka "The Alligator" starts a new career as P.I. 1996: After his death Ugo Fantozzi returns to life until 1998 1997: Police agent Napoleone di Carlo abandons his profession and moves in Switzerland 1999: Ugo Fantozzi is cloned; "The Fish in Love" becomes an international bestseller 2000s: Jimi Dini works at the development of his videogame "Nirvana"; Dr. Bartolomeo Zacchia continues his father's studies 2001: A romanian vampire is sighted in Rome April 2001: Giorno Giovanna becomes the Gangstar of the mafia association "Passione" 2005: Police agent Rocky Giraldi enters in service 2006: Rise of nationalism in Italy brings to the birth of Captain Padania July 2006: Activist Leonardo Zuliani disappears 2007: Mater Lacrimarum is killed 2009: During a spiritual séance, Gualtiero Marchesi conjures the Emily Ann Faulkner's spirit 2013: Long Wei becomes a local hero for the chinese communities in Italy; Celestine VI becomes the new pope 2014: An amateur gang of smart drugs dealers is arrested; Michele Silenzi gains superpowers 2015: Low-grade criminal Enzo Ceccotti gets superpowers and becomes the superhero Jeeg Robot; Arsène Lupin's grandson is spotted in Italy 2016: Benzino Napaloni is cloned; Intellectual Mario Bambea survives at his suicide attempt, contemporaneously begins the rise of popularity of the comedian Fabrizio "Bizio" Capoccetti 2017: In Calabria a farmer befriends a rare specimen of unicorn 11 September 2077: An asteroid falls in northeast Italy sweeping away Padoa, Vicenza and Verona while Venice is half submerged

|Cities&Places| The Seven Cities  Meloria Canal  Gualdana Pine Forest  Nepente Isle  Stranalandia Island Desolation Isle  Pescespada Island  Malapunta  Clerville  Porcionia  Bacteria Kindaor  Gladonia  Tristalia  The Land of Toys  Gerolstein  Lotto Valentino  Bassavilla  Lancimago  Vigata  Montelusa  Loquasto  The 55 Invisible Cities  Pratofungo  Ombrosa  Pineta Sagunto  Pista Prima  Frittole  Sevalio  Brigantes  Sompazzo  Monzurlo  Salsiccia  Acqua Traverse  Buffalora  Roccaverdina  Nofi  Norbio  Solara  Scasazza  Ponteratto Idrasca  Giancaldo  Pieve Lunga  San Michele  Borgo Tre Case Borgo Dieci Case  Accendura 

|Fiction in Fiction| Urban X (Pope) Astrubal I (Pope) Pius XIII (Pope) Celestine VI (Pope) Luke I (Pope) Libero I (Pope) Teomondo Scròfalo (Painter) Dùdron (Painter) Amos Pelicorti (Sculptor) Jep Gambardella (Writer) Cornelio Bizzarro (Writer) Leo Cordio (Writer) Ulisse Isolani (Writer) Ubaldo Terzani (Writer) Vincenzo de Fabritiis (Writer) Thomas Prostata (Writer) Giovanni Pontano (Writer) Giuseppe Marchi (Writer) Morgan Perdinka (Writer) Antonio Casella (Writer) Enrico Puzzo (Writer) Arturo Vannino (Writer) Edoardo Lasagnetta (Writer) Ugo Redy (Writer) Carlo Sperato (Poet) Giancarlo Santini (Film Director) Lippini Bros (Film Directors) Gambalesta (Actor) Enzo Melchiorri (Actor) Franco Melis (Actor) Saverio Crispo (Actor) Marco Salviati (Actor) Sofia Barlow (Actress) Giorgio Fini (Tenor) Carlo "Vitalis" Balzani (Tenor) Tony Corallo (Singer) Pat Rubino (Singer) Luca Pappacena (Singer) Quartetto Basileus (Band) Martino Piccione (Guitarist) Mariottide (Songwriter) DJ Vomito (Rapper) Bud "Bomber" Graziano (Boxer) Franco Fibbri (Soccer Player) Antonio Pisapia (Soccer  Player) Gli occhi del cuore ("The Eyes of the Heart") (Tv Series) Medical Dimension (Tv Series) La Bomba ("The Bomb") (Tv Series) Redenzione ("Redemption") (Movie) Paura d'odiare ("Fear to Hate") (Movie) L'usuraio licantropo ("The Werewolf Usurer") (Movie) Thor e le regine nude ("Thor and the Naked Queens") (Movie) Il vortice equestre ("The Equestrian Vortex") (Movie) La regina del pianeta nero ("The Queen of the Black Planet") (Movie) La palude del caimano ("The Caiman Marsh") (Movie) La vendetta del cobra ("Cobra's Revenge")  (Movie) I ragazzi del Bronx  ("The Bronx Boys") (Movie) Il caimano ("The Caiman") (Movie) Cataratte ("Cataracts") (Movie) Mocassini assassini ("Assassin Moccasins") (Movie) Maciste contro Freud (Maciste Versus Freud") (Movie) La mamma di Freud ("Freud's Mom") (Movie) Natale con la casta ("Christmas with the Caste") (Movie) La Febbra ("The Fever") (Movie) La polizia s'incazza (Movie) Sinite Parvulos (Movie) Margas (Movie) Il terrore di Parigi ("The Terror of Paris") (Play) Space Queen Vega (Videogame) Amedeo's Revenge (Videogame) Il codice indecifrabile ("The Indecipherable Code") (Novel) L'albicocco al curaro ("Apricot with Curare") (Novel) La paura del giorno ("Fear of the Day") (Novel) L'apparato umano ("The Human Apparatus") (Novel) Evoluzione digitale ("Digital Evolution") (Novel) Cortocircuito ("Short Circuit") (Novel) Folgore su Policastro ("Thunderbolt over Policastro") (Novel) La ninfa e il cadetto ("The Ninphe and the Cadet") (Novel) Il pesce innamorato ("The Fish in Love") (Children's Book) Bloody Mario (Comic Strip) Bloody Eye (Comic Book) Megaditta (Company) Nosferatù (Company) Finmor (Company) Centovetrine (Company) Auto Avio Motor (Company) SOFRAM (Company) Tekne (Company) Wondercomics (Company) Tondello Spa (Company) Digitex (Company) Sbav (Company) Famburgher House (Company) Trattoria Aldini (Company) Smack-O-Mat Corporation (Company) Partito Regressista (Politic) Partito Socialista Unificando (Politic) Italia in Marcia (Politic) Grande Destra (Politic) Longobarda (Football Club) Borgorosso (Football Club) Marchigiana (Football Club) Olimpia (Football Club) Eat it! (Product) Fido Uomo (Product) Io Cane (Product) Pandoro Sauli (Product) Cacao Meravigliao (Product) Cioccolato Spagnoli (Product) Marmellata Puffin (Product) Acqua pulita (Product) Coralba (Product) Sarchiapone (Animal) Colombre (Animal) Jaguar Shark (Animal) Tropelio (Animal)

[persinsala]

La Cenerentola

Jusqu’au 1er janvier 2018 l’Opéra de Lyon présente La Cenerentola de Rossini. Si Stefano Montanari soutient la composition avec brio et légèreté, Stefan Herheim conçoit des décors emboitables et une mise en scène que soulignent le jeu et la suite parfaite des événements qui amènent au triomphe de la bonté. E che trionfo sia !

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[robertbrancatelli]

Blog Pod #3: "Chi Po Non Vo"

Blog Pod #3: “Chi Po Non Vo”

Blog Pod image by Jukka Aalho For original post, see “Chi Po Non Vo,” July 17, 2016. Want more? Go to Robert Brancatelli. The Brancatelli Blog is a member of The Free Media Alliance, which promotes “alternatives to software, culture, and hardware monopolies.” “Zitto Zitto, Piano Piano,” from La Cenerentola (1817). Music by Gioachino Rossini, libretto by Jacopo Ferretti. Performed by Francisco…

[huntersc72]

La Cenerentola Rossini

Rossini’s music has an irrepressible quality, bubbling up effortlessly throughout this retelling of the story of Cinderella. The invention is unstoppable, from Cenerentola’s plaintive song about a king who loves a poor girl to the lavish coloratura of her final aria when goodness triumphs and all ends, for some at any rate, happily ever after. Angelina (aka La Cenerentola) is mistreated by her two sisters, Clorinda and Tisbe - as their father, Don Magnifico, looks on in approbation. Alidoro, Prince Ramiro’s advisor, arrives at the house, disguised as a beggar. Rossini: La Cenerentola. Teresa Berganza (Cenerentola), Luigi Alva (Ramiro), Renato Capecchi (Dandini), Paolo Montarsolo (Don Magnifico) London Symphony Orchestra, Scottish Opera Chorus, Claudio Abbado. Rossini's Cinderella is a fairy-tale without a fairy, but no less bewitching for that. In fact the replacement of the winged godmother with the. La Cenerentola Libretto English Translation. Characters: DON RAMIRO, Prince of Salerno (tenor) DANDINI, his waiter (baritone) DON MAGNIFICO, Barone di Montefiascone (bottom) CLORINDA and (soprano) TISBE, his daughters (mezzo-soprano) ANGELINA, under the name of Cinderella, stepdaughter of Don Magnifico (mezzo-soprano). La Cenerentola (Cinderella), Rossini’s nineteenth opera, was composed in a remarkable twenty-four days before premiering in Rome on January 25, 1817. The original story of “Cinderella” had been written by Charles Perrault, a Frenchman who lived in the seventeenth century.

La Cenerentola Rossini Synopsis

Cenerentola Dublin Annovazzi Dalle Molle

La Cenerentola Rossini Metropolitan Opera

Sources:

The famous fairy Tale Cendrillon, ou La petite pentoufle de verrefrom Charles Perrault's Les histoires ou Contes du temps passé(1697).

Nicholas Isouard's opera Cendrillon staged in Paris (1810) ona libretto by Charles-Guillaume Étienne.

Stefano Pavesi's opera Agatina, o La virtù premiata(Milan, 1814), libretto by Francesco Fiorini.

Rossini staged his

La Cenerentola Rossini Synopsis

Barbiere di Siviglia at the Teatro Argentina inRome in the year 1816. The first performance was sabotaged by the devoteesof Paisiello's Barbiere

Cenerentola Dublin Annovazzi Dalle Molle

, but it enjoyed growing success, and afterseveral performances it turned into a triumph. The Teatro Valle, a rivaltheatre in Rome, offered a contract to Rossini for an opera buffa to bestaged the following season: Rossini accepted, then returned to Napleswhere he had his primary engagement with the Teatro San Carlo.

His fulltime contract with Naples allowed Rossini to work for other cities,but he had to arrange these performances on very short time schedules.In December 1816 he went to Rome to write and prepare the new opera.The theatre proposed a libretto by Rossi, on the subject ofFrancesca di Foix (a subject later set to music byDonizetti in 1831), but thecensor vetoed it, a major setback because of the extremely short timeavailable. The theatre manager asked the librettist Jacopo Ferrettito help. Ferretti later wrote a detailed report of the creation of thisnew work (see the complete Italian text):

Two days before Christmas Day of the year 1816 I was invited by thetheatre manager Cartoni and Maestro Rossini for a meeting with theVatican censor. (..) (The existing libretto) could not be modified ina suitable way, so they begged me to find another subject and write anew libretto on the spot. I said «they begged», and so it was,because there were bad feelings between me and Rossini, due to a littlewrong he had previously done me.

(Rossini had refused a libretto by Ferretti the year before,preferring Cesare Sterbini's version of the Barbiere.)Ferretti, however, did not refuse this new opportunity to have a librettoset to music by Rossini: they all went to Cartoni's house 'for tea'and Ferretti began to suggest many subjects.

I proposed some twenty or thirty subjects. But one was too dramatic forthe carnival season, another too tricky, another required an expensivestaging or did not suit the singers (..). Sick of proposals and nearlyprostrate with weariness, I yawned: 'Cinderella'. Rossini, in order toconcentrate, was lying on his bed. He abruptly stood up likeAlighieri's Farinata and said: «Would you have the heart for writingme a 'Cinderella'?» - I replied «And you for setting it to music?», and he asked «when would the draft be ready ?»;and I: «despite my sleepiness, tomorrow morning!»; and Rossini:«good night!»: he wrapped himself in the sheets and fell asleep(..)

Ferretti discussed the financial aspects with a relieved Cartoni, thenwent home and wrote his first draft. Rossini was satisfied with it,but insisted on stripping all magical elements from the plot. Perrault'sfairy tale was the primary source, but it is easy to recognizethe influence of the then-famous Neapolitan opera buffa La Cecchina,ossia La buona figliola, by Piccinni on Goldoni's libretto.Piccinni's work is often cited as a milestone in the development ofopera buffa, and it was a source of inspiration for many other works:the latest of them (before Cenerentola) was Stefano Pavesi'sAgatina, o La virtù premiata (Milan, 1814), on a librettoby Francesco Fiorini. Pavesi's work must have been well-known to Rossini,for it was staged at the Teatro alla Scala in the same season as hisTurco in Italia and Sigismondo.In addition, Nicholas Isouard's opera Cendrillon, staged in Parisin 1810, on a libretto by Charles-Guillaume Étienne, must have beenknown to both Rossini and Ferretti, having been a major success inFrench theaters.

La Cenerentola did suffer some trouble when staged in Frenchtheaters. The substantial differences from Perrault's fairy tale, as wellas the popularity of Isouard's competing version of the same subject,led the French critics to be negatively disposed . Of course thefavourite argument of its opponents was the 'betrayal' of Perrault'sideas. An article in a Paris' paper (Journal des débats,10 June 1822), criticizes the libretto for the substitution of a braceletfor Cinderella's shoe, jesting that the substitution might have beenmade for a prima donna with a beautiful arm and ugly feet.Gertrude Righetti Giorgi, for whom the opera had been written, was notamused, and displayed her stage temper in an open letter to the press:

'You miserable people who soil paper to earn undeserved attention fromyour readers! On Roman stages, it is not permitted to display the same situations that are seen in France. It seemed that decency might be offendedby displaying a slipper, and since it was a musical comedy it was easyto substitute a bracelet. But Sig. Parisian Journalist should not thinkthat I say this to defend my feet: he does not know me, and if he didhe might say that I have more to gain by adopting the original slipperthan by clinging to the bracelet.'(Italian Text)

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Panda vpn pro. Characters: DON RAMIRO, Prince of Salerno (tenor) DANDINI, his waiter (baritone) DON MAGNIFICO, Barone di Montefiascone (bottom) CLORINDA and (soprano) TISBE, his daughters (mezzo-soprano) ANGELINA, under the name of Cinderella, stepdaughter of Don Magnifico (mezzo-soprano) ALIDORO, Philosopher, teacher of Don Ramiro (bass) CHOIR Courtiers. Damigelli. Paggi

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ACT ONE Sala earth in the castle of the Baron CLORINDA No, no, no: there is not, there is not Who is to chop so Lightweight shaved. TISBE Yes, yes, yes, it's okay there. Better there, no better here; Stand out more than it does me. CLORINDA, TISBE To this art, to this beauty Slippage each one. CINDERELLA Once there was a king, That he just got bored, Search, search, find again: But the volean marry in three. What does he do? He despises the pomp and beauty. And at the end he chooses for himself Innocence and goodness. There, there, there, there, there, there. CLORINDA, TISBE Cinderella finish it With the usual song. CINDERELLA Near the fire in a canton Go away let me sing. Once there was a king: One time .. CLORINDA And two, and three. A TWO Do you finish it yes or no? If you do not shut up, I will give you. CINDERELLA One time .. A TRE. Who will be? GOLD WINGS A tantin of charity. CLORINDA, TISBE Beggar! Out of here. CINDERELLA Shut up, shut up: pick up This little breakfast. Ah I can not stand up to the passion! What cruel fate! GOLD WINGS Perhaps Heaven is guiding Pria at night will give you. CLORINDA, TISBE Awaken sweet passion Nobody knows more than me. But what I see! still there! Even a bread? even coffee? Take, take: this to you. CINDERELLA Ah! rescue who gives me! GOLD WINGS You stop for pity. CHOIR Or amiable daughters - of Don Magnifico, Ramiro the Prince - or will come At his palace - he will lead you: We will sing - we will dance: Then the beautiful - among the other woman Dearest bride - for him it will be. CLORINDA, TISBE But then the prince? CHOIR Now it will come! CLORINDA, TISBE And the beautiful? CHOIR We will choose! CLORINDA, TISBE Cinderella comes here. My shoes, my baby. Cinderella comes here: My pens, my collie. In the brain I have a forge: I am more beautiful and I triumph. To a smile to a glimpse Don Ramiro has da cascar. CINDERELLA Cinderella comes here, Cinderella goes there, Cinderella goes up, Cinderella goes down .. This is really a scramble! Do you want to make me crepar? Who at the party, who at the solace, And I stay here to blow. GOLD WINGS A forge in the brain It's the crazy hammers: But ready, it's ruin, I want to laugh and squirm. CHOIR Already in the head a forge The women are hammering; The trial is approaching The great point to triumph. MAGNIFICENT My feminine scions, I reject you; I'm ashamed! A magnificent dream of mine You came to baffle me. How are mortified! Worthy daughters of a baron! Via: silence and attention, You are the dream to meditate. I dreamed of the gloomy and the clear A beautiful donkey; A donkey, but solemn. When suddenly, oh what portento! Over a hundred to one hundred shoulders The feathers stuck out, And on high he flew! And at the top of a bell tower With a pause he stopped. They are heard below The bells to indulge .. With the cì, cì, ciù ciù, of bang You made me wake up. But d 'a dream so hampered, Here is the symbol explained. Does the bell ring at a party? Allegrezza at home is this. Those pens? are you: That great flight? Plebs, goodbye. Do you stay the ass? But that donkey is me. Who looks at you sees clearly That the donkey is the parent. Fertilissima marries Both will become; And the grandfather a dozen Of scions will hug. Thirty dolls here, A thousand posterity from there, And my glory will be. CLORINDA Know that soon .. TISBE Prince Ramiro .. CLORINDA What are three days, that in the delicious .. TISBE Near half a mile Venuto is to live .. CLORINDA Choose a bride .. TISBE He sent us to invite .. CLORINDA And between moments .. TISBE It will come to get us .. CLORINDA And the choice The most beautiful will be. MAGNIFICENT Daughters you say! That principon! Although I do not know it .. Will choose! .. he invited you .. bride .. more beautiful! I fall faint. Cinderella early, Bring me my coffee. Viscere mie, Half of my building has already collapsed, And the other is to collapse. Do yourself honor. Let's put a prop. Daughters are in the brain. Speak in semicolon, For heaven's sake: think about dressing up: It is nothing less than begging you. DON RAMIRO Everything is deserted - Friends? No answer - In this Simulated semblance The beautiful ones I will observe - Does not come any? And yet he gave me hope The wise Alidoro, That here wise and charming Worthy of me finding the bride will know. Get married and do not love! Tiranna Law, What in the flower of my days Hard to choose condemns me! Let's see, let's see. CINDERELLA There was once .. ah! it's done. RAMIRO What's this? CINDERELLA What a heartbeat! RAMIRO Maybe a monster is me? CINDERELLA Yes .. no sir. RAMIRO A sweet I do not know that In those eyes he sparkled. CINDERELLA I would like to know why My heart palpitated. RAMIRO I would say them, but I do not dare. CINDERELLA I want to talk and I'm silent. A TWO A grace, a certain enchantment Par that shines on that face. How expensive is that smile! It comes down to the alma and gives hope. RAMIRO I ask the baron of the daughters. Where are they? I do not see them here. CINDERELLA Stan there in the other rooms. Now hopes will come. RAMIRO But of grace, who are you? CINDERELLA Who am I? Eh I do not know. RAMIRO Do not you know? CINDERELLA Almost no. What is a father is not a father .. Then the two sisters .. My mother was a widow .. But it was still mother of those! This father is full of pride .. You're going to see that I'm cheating. Deh! sorry, forgive To my simplicity. RAMIRO It seduces me, falls in love with me That simplicity. MAGNIFICENT, CLORINDA, TISBE Cinderella from me. RAMIRO How many voices, what is it? CINDERELLA To the west, and to the east, A scirocco is a tramontana, I have not a single moment's calm, Everything, everything, it's up to me. I come, I come. Goodbye, sir. Ah! I leave the core, This is not mine anymore. RAMIRO That accent, that semblant It is a human thing. I lose myself in this moment; Already more I can not find myself in me. What innocence! that candor! Ah! the core is in vain. This is not mine anymore. I do not know what to say. As in so rude spoils A face so kind! But Don Magnifico It does not appear yet. I would like to nunziar The arrival of the masked prince. Lucky advice! From a simple squire The heart of the females, Better to let you know I'll know. Meanwhile, Dandini Acting as a prince .. MAGNIFICENT I ask A million of forgives. Say: His Highness the prince? RAMIRO Or now arrives. MAGNIFICENT And when? RAMIRO In three minutes. MAGNIFICENT Three minutes! Daughters ah! Hurry up: be better Go and hurry up. Excuse me: with these Blessed girls A century is needed for toilets. RAMIRO What a fool! And Alidoro my teacher Sostien that in these walls It is the purest goodness. Enough, enough, vedrem. To his daughters Convien that you approach me .. What a fragor! .. I am not deceiving, here is Dandini. CHOIR Choose the bride, hurry up: Sen flies the age: Your sublime line If not, it will be extinguished. DANDINI Like a bee on April days It goes flying light and playful, He runs to the lily, then jumps to the rose Sweet a flower to look for itself: Among the beautiful m 'around and get away. I have already seen many and then many; But I can not find a judgment, a semblant, An exquisite morsel for me. CLORINDA Prence .. TISBE Sire .. CLORINDA, TISBE But how many favors! MAGNIFICENT What a flood, what an abyss of honors! DANDINI Nothing, nothing. Vezzosa! pretty! Am I right? All are daddy. RAMIRO Beast! careful, move away, go there. DANDINI For pity those lowered eyelashes, Galoppando sen va reason, And between the blows of a double cannon The breccia diggià is wide open. But at the end of our comedy What a tragedy - here it will be born. CLORINDA, TISBE He looks at me, sighs - deliriously, There is no doubt it is my slave diggià. RAMIRO Ah! because it does not come here With that air of grace and goodness! MAGNIFICENT It is already cooked, - overcooked, dried. For pride that he does not know. DANDINI Mostly, what a beautiful picture! What a mouthpiece, what eyelashes! You are the eighth and ninth wonder. Already tales patris, talem filias. CLORINDA Thank you. MAGNIFICENT Height of heights, That says? it confuses me: weaknesses. DANDINI True Etruscan figures. Am I right? RAMIRO You start telling her big. DANDINI I act great, and great being Big I have to shoot. MAGNIFICENT Nice prince! That you do not flee: watch out! DANDINI Now therefore, following that speech, That I did not start, From my long journeys, I have been repeating, And my dad found, Which among the quondam is tumbled, And expiring ordered, That in view of what change I am married, Or I am disinherited; Done I have an invitation to the whole neighborhood, And finding a delicate bite. For me, I designed it: I said, I said, and now I take a breath. MAGNIFICENT What a sublime eloquence! CINDERELLA Oh what a beautiful dress! And that other looks at me. RAMIRO Here it is. How the heart palpitates! DANDINI Beautiful girls, If you deign yourself to roll up your arm To our knights, wood is ready. CLORINDA Let us go. TISBE Dad, Excellence, Do not delay to come. MAGNIFICENT What are you doing here? The hair and the stick. CINDERELLA Eh! Mr. Yes. DANDINI Persue soon With respectful feet My magnificent royal quarters. MAGNIFICENT Mounted in a carriage and I come. RAMIRO And yet she I'll see you again. MAGNIFICENT But leave me. RAMIRO The scolding? CINDERELLA Feel. MAGNIFICENT Time flies. RAMIRO What will he want? MAGNIFICENT Do you want to leave me? CINDERELLA A word. Lord, one word; In that prince's house, One hour, one hour, Bring me to dance. MAGNIFICENT Hee! hee! the beautiful Venus! Vezzosa, pomposetta! Sguaiata, hatching - ash! Leave me, let me go. DANDINI What's this; here is the statue! RAMIRO Silence and we observe. DANDINI But let's go or do not we go? RAMIRO I feel torn. CINDERELLA But half an hour, a quarter. MAGNIFICENT But leave me, or crush you. RAMIRO Stop. MAGNIFICENT Serenissima! But go boldly! Servaccia ìgnorantissima! RAMIRO, DANDINI Servant? CINDERELLA That is .. MAGNIFICENT Vile. A very low extraction; He wants to do enough, The dear, the attractive, And it's not good for nothing. Go to the room, go to the room The dust to sweep. DANDINI My dear Don Magnifico, Do not overdo it. RAMIRO Now my anger I can not stop anymore. CINDERELLA Gentlemen, persuade him, Bring me to dance. Ah! always among the ashes I will always have to stay. GOLD WINGS Here in my code Of the spinsters, With Don Magnifico Stan three sisters. Now that the prince goes The bride to choose The third daughter I ask you. MAGNIFICENT What a third daughter Are you fucking me? GOLD WINGS Third sister. MAGNIFICENT She - died. GOLD WINGS And yet in the code It is not so. CINDERELLA Ah! of me speak: No, he did not die. MAGNIFICENT Be quiet there. Look here! If you breathed, They get you here. ALIDORO, CENERENTOLA, MAGNIFICENT Did she die? MAGNIFICENT Height yes. ALIDORO, CENERENTOLA, MAGNIFICENT, RAMIRO, ALIDORO In the ecstatic face Of this and that The vortex is read Of their brain. Which sways and doubts And it is uncertain. MAGNIFICENT If you are more murmuring Just a syllable, A cemetery Here it will be done. CINDERELLA Deh! assist me, Deh! do not leave me .. Ah! of me miserable What will never be. RAMIRO Come, console yourself, Mr., leave it. Already my fury Growing up. GOLD WINGS Via less noise: Shut up, Or some scandal Here it will be born. DANDINI I am a prince, Or am I a cabbage? I send you to the devil: Come here.

La Cenerentola Rossini Metropolitan Opera

SECOND ACT Cabinet in the Palace of Don Ramiro GOLD WINGS Look. Silence. Clothes, gioje You will have everything from me. Fasto, richezze Do not bother your heart. Dama you will be; You will not have to find out. Love only everything will teach you. CINDERELLA But this is history; Or a comedy? GOLD WINGS My daughter, Joy and sorrow Son comedy and tragedy, And the world is scene. Pure preserves your candor May the gentle heaven granted to you; In this case, it will be turbar The pure lily of your faith. The inestimable beauty, and the goodness Riches, amor, gioje, piacer, They are nothing but larvae, dreams of the heart. You are driving each Simplicity constancy and honor And your life will be like a flower. CINDERELLA Which grows expands soave odor. GOLD WINGS It will be what a growing flower Expands soave odor, Or daughter! Or daughter! Hall in the palace of Don Ramiro RAMIRO Shut up, shut up: slowly Without noise and noise. Which is the mood of both? Accuracy, and truth. DANDINI Under the heading, by thunder, In absolute confidence, They are a mixture of insolence, Of caprice and vanity. RAMIRO And Alidoro told me, What the baron's daughter .. DANDINI Eh! the teacher has a great head, Equal goose is not given. I know two real weather vanes .. But convien dissimular. RAMIRO If the spouses, even those who want, We continue to recite. CLORINDA Principino where are you? TISBE Principino where are you? CLORINDA, TISBE Ah! why are you abandoning me? You will make me despair. CLORINDA I want you .. TISBE I want you .. DANDINI But we do not give in bagatelle, To be married to two sisters All together we can not. A groom .. CLORINDA, TISBE And the other? DANDINI And the other I'll give it to your friend. CLORINDA, TISBE No no no, no no no, no; A squire! oibò oibò. RAMIRO Sister docile, loving, Tenderissimo of core. CLORINDA, TISBE A squire! no sir, A squire! This no. CLORINDA With a plebeian soul! TISBE With a cheap air! CLORINDA, TISBE It hurts, it hurts me Only to imagine. DANDINI, RAMIRO The scene is original: Really to be counted. CHOIR Ah! if veiled again From the bosom the heart has been taken from us, If you reveal that voice - What will be? CINDERELLA I despise those who pour Capricious luck, M 'offer, who I marry, Respect, love, goodness. CLORINDA, TISBE We will see the great miracle Of this rarity. ALL Ah! FOUR AND CHORUS Talking - thinking - I would like to. Talking - thinking - I do not know. This is a deception oh Gods! This is a charm oh Gods! That face landed me. GOLD WINGS Talking - thinking - would like, Talking - thinking - can not. Amar already should, The shot was not wrong. Ballet MAGNIFICENT Mr. .. Height on the table .. What .. co .. who .. yes, what a beast! When you say the likes! Does not it look like Cinderella? CLORINDA, TISBE It still seemed to us, But to look at it then .. Ours is clumsy and abstract: This is a little more well done; But then it is not a Venus To be scare. MAGNIFICENT It's the one in the ash, He has rags for clothes only. CENERENTOLA, ALIDORO The old man looks, and doubts. RAMIRO He looks at me, and it seems like you are beating. DANDINI But we will not do the statues, The individual suffers. Let's go early to the table, Then we will dance the Taice, And so the beautiful .. With me, he has to marry. ALL Come on, let's go to the table, You fly to jubilar. DANDINI Or that a good lunch happens For four I will eat. ALL It seems to me to be dreaming Between gardens and among groves. The streams whispering, Warbling the augelletti, In a sea of ??delights They make the soul swim. But I fear, that under the ground, Slowly, little by little, A certain focus develops, And suddenly unknown to everyone, Leaving an earthquake out Which collapsing - rattling, Smashing - disrupting, Then I wake up. And I'm afraid that my dream Go to smoke to disappear.

ACT THIRD Hall as in the first Act RAMIRO Ah! this beautiful unknown With that resemblance to the unhappy That struck me this morning, He is awakening in my chest Certain unknown concern .. Even Dandini He seems in love with it: Here they are: to hear them here I will be able to hide. DANDINI But do not flee for bacchus! four times You made me measure the gallery. CINDERELLA Either you change language, or I go away. DANDINI What? the talking of love Is it maybe a jab? CINDERELLA But yes, I'm in love with another! DANDINI And you tell me in the face? CINDERELLA Ah! my Lord, Deh! do not go angry If I speak sincerely. DANDINI And do you love? CINDERELLA Sorry .. DANDINI And do you love? CINDERELLA His squire. RAMIRO Oh joy! my soul! GOLD WINGS It goes wonderfully! RAMIRO But the degree and the richness Does not seduce your core? CINDERELLA My splendor is virtue, wealth is love. RAMIRO So you would be mine? CINDERELLA Plan, you must first Search for me, meet me, see me, Look at my luck. RAMIRO I support you, Dear, I'll fly. CINDERELLA Stop: do not follow me. I tel command. RAMIRO And how dunqne? CINDERELLA Here, Look for me, and on my right The companion will see; And then .. if you do not mind .. then you'll have me. RAMIRO Dandini, what do you think? DANDINI Eh! I say that as a prince I went on to act as a witness. RAMIRO »And then .. if I do not mind you .. then you'll have it.« What mysteries are these? ah! my wise man Venerable teacher. My heart is obscured Never tried love. What to do? GOLD WINGS What the heart recommends. RAMIRO Prince you are no longer, of so many silly ones You empty my building. Olà, my trusts! So I could have the wings of the winds. Ah how to hide The voracious flame, If in the chest this alma Smarita à la pace If love makes me a victim Of a raw duty. DANDINI So, then, am I a former? from all to nothing Rushed suddenly? Actually I did it A beautiful figure. MAGNIFICENT Excuse my concern. But those two girls Stan with fever on him. It could Solve the choice. DANDINI It's done, man. MAGNIFICENT It's done! Ah, pity, say, talk! It's done! and my shoots .. In these vegetarian rooms will they come? DANDINI Everyone will then know: Now it's a great secret. MAGNIFICENT And which, and which? And Clorinda, or Tisbetta? DANDINI Do not be in such a hurry. MAGNIFICENT Tell a daddy. DANDINI But silence. MAGNIFICENT You know, go ahead soon. DANDINI Do not you hear us? MAGNIFICENT Up in the air You do not see a fly. DANDINI It is a certain arcane That will make you dumbfound. MAGNIFICENT I'm on thorns. DANDINI Let's sit down. MAGNIFICENT Soon for charity. DANDINI You will hear A very bizarre case. MAGNIFICENT What did he want Marry with me. DANDINI I recommend. MAGNIFICENT But let yourself be served. DANDINI Be sealed How much now you will hear from my mouth. MAGNIFICENT I keep an answering machine in my body. DANDINI A secret of importance, An interesting arcane I owe you palesar: And something extravagant, It will make you trasecolar. MAGNIFICENT Without batting your eyelashes, Without even taking my breath, I ask myself to listen: I will stay here petrified Each syllable to count. DANDINI Wise, seasoned man It's always better to recommend us, If I married one of his daughters, Why do I have to treat you? MAGNIFICENT Consiglier is already printed. But what an excess of clemency! Therefore, let me be your Excellency .. Indeed, Height to listen. Always have them ready in the hall Thirty servants in full gala, Dukes, counts and marshals To invited guests, One hundred sixteen horses; A million of parrots, Always lunch with ice-creams, Then carriages, then landò. DANDINI I answer you without arcana, That we are very far; I do not use to have lunches, I always eat leftovers; I'm not near great lords, I always treat servants; Always on foot I'm going. MAGNIFICENT Not corbella? DANDINI I promise you. MAGNIFICENT So this? DANDINI It's a novel. The principality is a prank I am a masked man; But come is the true prince, M 'has torn the mask off, I return to my job, Son Dandini the waiter, Read beds, sweep clothes, Shave and comb. MAGNIFICENT Of this insult, Of this affront The true prince He will give me an account. DANDINI Oh! not uncomfortable, It will not be anything: But leave immediately At once. MAGNIFICENT I will not leave. DANDINI She will leave. MAGNIFICENT We'll see again, We'll talk to each other. DANDINI We'll see again, We'll talk to each other. MAGNIFICENT I will not leave. DANDINI She will leave. MAGNIFICENT I hold in the cerebro A double bass, What a low bass Whisk goes. From top to bottom, Power of the world! What a slip, What a great waterfall! Here it is, here it is, Everyone will say, They will make fun of me For the city. DANDINI Poor devil! It's a big mess, What high up Piombar does it. Our Excellence Have caution; If you want satinjo, Soap and comb, I'll know how to curl it, Unblock it .. Ah! ah! watch it, The tawny is there. Room on earth as in Act 1 CINDERELLA How expensive you are! and those Whose name is your partner? It's more expensive than you. That mister prince What do you pretend with those grimaces? Oh beautiful! I do not mind embroidery, and I only love it Beautiful face, and sincere heart, And I give preference to his squire. My sisters in the meantime .. But what are you looking! Pareano stralunate! - what noise! Uh who I see! what a joke! Back! I do not think he'll be back before the day. CLORINDA But I told you .. MAGNIFICENT But before him! Very similar they are by no means at all. That is the original, this is the portrait. You did everything? CINDERELLA All. Because that ugly mug Do you do me that? MAGNIFICENT Why why .. For a certain witch, What looks like you. CLORINDA On your shoulders I would almost give it away. CINDERELLA Poor shoulders! What do they have to do? TISBE Oh it's bad weather! Thunderstorm threatens. MAGNIFICENT Other than a storm! I wish lightning, What the waiter incinerated. CINDERELLA But say: What happened? you have Some secret punishment? MAGNIFICENT Silly, go there: go get dinner ready. CINDERELLA I go, I go. Oh what a bad mood! Ah! my squire is in my heart. DANDINI Friend, forgive me, The prince's carriage Ribalt .. but who did I see? MAGNIFICENT Uh! are you? But where is the prince? DANDINI Do you know him? MAGNIFICENT The squire! oh look .. RAMIRO Lord, forgive me, If a combination .. MAGNIFICENT That says? Imagine you, my master. Eh! not without why it came here. The bride, my daughters, will be among you. Hey! soon Cinderella, Bring the noble chair. RAMIRO No, no; a few minutes: another car Ready will come back. MAGNIFICENT What a! do you think so? CLORINDA He hurries you, Cinderella. CINDERELLA I'm here. MAGNIFICENT From the prince, beast, there it is. CINDERELLA This .. ah I see! Prince! RAMIRO It stops. What, the smaniglio! it's her: what a joy this is! Are you? .. CINDERELLA Are you princes you? TISBE, CLORINDA What a surprise! DANDINI The case is beautiful. MAGNIFICENT But .. RAMIRO Be still. MAGNIFICENT Goodbye brain. Self .. RAMIRO, DANDINI Silence. RAMIRO, DANDINI, MAGNIFICENT, TISBE, CLORINDA, CENERENTOLA What will be! This is a tangled knot, This is a traced group. Who develops, the more it envelopes, The more one groups, the more groups; And in the meantime my head Fly, fly, and then stop, Vo 'tenton for the dark air, And I start to delirate. MAGNIFICENT But in short of the sums, Height, what do you want? RAMIRO Plan: no more words; This will be my bride. A TRE Ah! ah! he will say to laugh. Do not you see, what are you barking at? RAMIRO I swear: mine will be. MAGNIFICENT Among my scions, It seems to me that I will believe .. RAMIRO For them it is not me. I have a plebeian soul. I have a cheap air. DANDINI Finally on the bracelet Here the pallon came back: And the master player He raised it in the air. RAMIRO Come to my sen; I impose it. CINDERELLA On this hand at least; And first to this breast .. MAGNIFICENT It moves you away. CLORINDA, TISBE He drives you away. RAMIRO Perfidious insane people! I will make you tremble. THE OTHERS The one grumbles, and mutters; This noise, and it is angry; That quivers, this swarm; Who threatens, who sighs; It goes to finish, that a 'pazzarelli They will have to drag us. RAMIRO, DANDINI Come come; amor guides you Envy to triumph. Hall with throne CHOIR Of unstable fortune The revolubil wheel, As it reaches the vortex For you it stops motionless, Pride in dust falls, Goodness triumphs. Ballet RAMIRO Bride .. CINDERELLA Mr., forgive The tender uncertainty That still confuses me. Poc 'indeed you know Between the filthy ash .. And noble Serto surrounds me. MAGNIFICENT Height .. you bow down. CINDERELLA Do not you ever hear me call your daughter? RAMIRO Those proud .. CINDERELLA Ah prence! I fall at your feet. The ancient insults I vanish from my mind. Great I get, and I want to Deserve this gift Surrendering me with forgiveness. Born to trouble, to tears, He suffered by keeping his heart silent; But for sweet charm From my age in the flower, Like a quick flash My fate changed. No, no; wipe the edge Why tremar, why? At this speed, Daughter, sister, friend, You find everything in me. ALL M 'softens and m' agita, It is a nume in my eyes, Worthy of the prize six, What data comes to you. CINDERELLA Father .. Spouse .. Friend .. oh instant! No longer saddened by the fire I will be alone in gorgheggiar. Ah! it was a flash, a dream, a game My long palpitar. ALL Everything changes gradually: He ceases to sigh. Fortunately, you were the game; It starts to jubilate.

[architectnews]

Residenza Q, Abruzzo

Residenza Q, Abruzzo Building News, Construction Design, Southern Italian Property Photos

Residenza Q in Abruzzo

22 Nov 2020

Residenza Q

Design: Architect Valeria Aretusi

Location: Abruzzo, Italy

In Abruzzo, halfway between sea and olive trees, a ruin had been transformed by architect Valeria Aretusi into a villa with a clean and Nordic design, flooded with light and blue, fragrant of wood and salt.

“To me, Residenza Q is the scent of wood, the emotion of blue and the balance of form, all overlooking the sea”.

“An organic dialogue between inside and outside, the villa and the surrounding landscape, the olive trees, the hill, the Adriatic Sea”.

“In this project I combined the geometric and neat design of Northern Europe, which I am fascinated by, with a touch of Morocco, coming to life in a small and secluded conservatory as an homage to the Majorelle Garden, which the owners would have loved to bring back from their travels”. Arch. Valeria Aretusi

Residenza Q is a villa surrounded by olive trees on the hills of Abruzzo, resulting from the demolition and enlargement of a ruin located on top of a hill overlooking the sea, on the slopes of the village of Montepagano.

Q is the letter chosen by the architect Valeria Aretusi for the owners: the master pastry chefs of the Ferretti family. The Q represents a closed nucleus, symbol of the house, with a descending curve which simulates the incline that leads to the coast, since the house was built on a soft hill facing the Adriatic Sea.

A project with minimal architecture, Scandinavian style and a solid eco-sustainable foundation, which has an area of 120 square meters for each of the two floors. The ground floor of the module on the southern side consists of a living room with fireplace, kitchen, study room, utility room and bathroom, while the attic houses two bedrooms with private bathrooms and a solarium. The module on the northern side, instead, is a large open space with attic, bedroom, bathroom and solarium.

Residenza Q has a gabled roof which – shifting on the main ridge axis – allows the two units a staggered placement. This choice gives privacy to each of the modules, thus maintaining the identity of a single dwelling surrounded by greenery.

The clean and geometric design, reminiscent of Danish and Norwegian homes, is surprising for the warmth of its interiors, thanks to the use of wood, the exposed beams in the sleeping area and the window/floor surface ratio. The front door frames the sea, the first element in perspective that can be perceived as soon as you enter. The windows are designed to have specific points of view towards the outside and the surrounding nature, without visually interfering with pedestrians, cars and the property nearby. To enhance privacy and give color to the light of the interiors, the architect created a conservatory with coarse-grained blue plaster, inspired by the Majorelle garden in Marrakech. The courtyard of the conservatory – rich in succulent plants – is overlooked by large rough-cut wooden beams, designed to filter daylight without obscuring it. Here the inspiration comes from Luis Barragàn: from the blue courtyard the light flows through the interiors acquiring a new dimension, creating a state of mind.

The rhythm of the façades is marked by the verticality of the cladding staves, and interspersed with the free positioning of windows and French windows. On the east façade, instead, there is a return to geometry, thanks to a couple of specular sliding windows, of about 8 meters each, facing the sea.

The structure has a linear shape with two pitches that converge with the perimeter walls, without overhangs, thus respecting the minimal style of the project. The roof is covered with matte grey sheet metal with a retractable rainwater collector. The same invisible system was also used for the terraces.

The eco-sustainable approach of the building is highlighted by the use of the biological system with aerated percolation: a purification system that allows to transform and recover water for the irrigation of the garden and vegetable garden. Moreover, the residence is realised with ecological materials and technologies – X-Lam wood structure, covered in Déco – and both internally and externally uses shades of a grey palette. The external covering is vertically assembled to match the linearity of the project, while the grey tones on the wood grain are used to enhance the texture of the construction. The variation of the sunlight affects the perception of the color on the surfaces, according to a chromatic range that goes from dark tones to dove grey and light grey.

The material used for the exterior is a natural composite wood – WPC (wood polymer composite) – assembled as a ventilated wall: an effective coating to solve the problems related to the protection of buildings from humidity and atmospheric agents, while improving the thermal and acoustic insulation.

If the exterior has a compact and monolithic appearance, the materials chosen for the interiors give warmth to the setting: natural larch wood and umber oak wood, glazed brass details, mud flat lacquered carpentry, terrazzo effect quartz tops and herringbone oak parquet.

The kitchen, which naturally develops from the living room, is the space that best emphasises the harmony between the house and the nature of the surrounding environment: the conservatory is, in fact, fully integrated structurally and visually in this room.

For the back wall of the kitchen, moreover, a smoked reflective background in a bronze tone has been chosen to evoke the gleaming sun on the sea, while the blue Majorelle of the winter garden, in Moroccan style, creates a dialogue with the view of the Adriatic Sea.

The staircase, made of anthracite-colored bent iron sheets, is light and veiled by the wall of cross perforated sheet. The velvets in primary colors which embellish the interior were also used for the restoration of Chiavari chairs in wood and brass.

The interiors of the house also boast prestigious names: Ernestomeda’s kitchen, specially designed for this villa, is Riflessi Mare on a Bavuso design model, the wallpapers are by Cole & Son and Gucci, while the fabrics are by Morris & Co. and Gastón y Daniela.

Residenza Q in Abruzzo, Italy – Building Information

Project: Architect Valeria Aretusi Location: Roseto degli Abruzzi (Teramo), Piana Grande area Property: Ferretti family – (owners of the historical Ferretti Pastry Shop, Academy of Italian Master Pastry Chefs)

About Valeria Aretusi Valeria Aretusi – born in 1983 – is an architect with a penchant for wooden houses and vertical gardens. She lives between Livorno and Abruzzo, working all over the Italian territory. She trained in Rome and Paris, where she studied architecture while starting a career as a DJ at the same time. She worked for several years with the Claudio Nardi Architects studio in Florence, dealing mainly with retail, residences and large-scale commissions. She currently focuses her work on private projects related to eco-sustainable wooden houses and renovations of apartments and houses in Nordic style, with a particular attention to the past and memory through the recovery of abandoned urban and architectural spaces.

In 2017 she founded the street art gallery Uovo alla Pop in Livorno, a dynamic exhibition space and home of her personal studio. She is the curator of the settings and installations of the gallery. Moreover, with the rest of the team she creates educational projects and public art initiatives aimed at urban regeneration, by merging art and architecture.

Respecting nature – and connecting to it – is essential for Valeria’s work, having the mission to lead the client towards this research. Therefore, in her projects we find great attention to the use of light or the development of vertical gardens for those who live in small spaces.

Photography: Erwin Benfatto

Residenza Q, Abruzzo images / information received 221120

Location: Abruzzo, Italy

Italian Power Station Buildings

Italian Power Station Building Designs – architectural selection below:

Punibach Hydroelectric Power Station, South Tyrol, northern Italy Design: monovolume, architecture+design photo from architects Punibach Hydroelectric Power Station Building

Hydroelectric Power Station Winnebach monovolume architecture+design photo from architects Hydroelectric Power Station

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Pompeii Maximall, near Pompeii Architects: Design International image courtesy of architects office Pompeii Maximal Shopping Resort

Afragola Station, Napoli, southern Italy Design: Zaha Hadid Architects photograph : Jacopo Splimbergo Afragola Station in Napoli

Naples Subway Station – Università Station at Metropolitana di Napoli Design: Karim Rashid ; Architect of Record: Atelier Mendini photo : Peppe Avallone for M.N. Metropolitana di Napoli S.p.A., all rights reserved Naples Subway Station Building

Piscina Mirabilis contemporary art museum Architects: Vazio S/A, Brasil image courtesy of architecture firm Pompeii Maximal Shopping Resort

Università Station at Metropolitana di Napoli Design: Karim Rashid ; Architect of Record: Atelier Mendini photo : Iwan Baan Università Station at Metropolitana di Napoli

Monte S Angelo Metro entrances + tunnel link, Traiano Design: Amanda Levete Architects + Anish Kapoor ; initially by Future Systems, UK image courtesy of architects / artist Monte St Angelo Subway

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Comments / photos for the Residenza Q, Abruzzo – Italian Architecture page welcome

Website: Visit Italy

The post Residenza Q, Abruzzo appeared first on e-architect.

[ladystylestores]

Italian Chamber of Fashion Confirms Carlo Capasa as President – WWD

https://ift.tt/2Vgye5K

The board of the Italian Chamber of Fashion on Wednesday confirmed Carlo Capasa as president of the association until 2022.

Capasa joined the Milan-based association in its role in April 2015. He succeeded Mario Boselli, who headed the fashion organization for 15 years and is now honorary president, along with Beppe Modenese.

Capasa will lead the organization through the complex phase of the industry’s relaunch after the coronavirus pandemic has forced brands to reconsider their overall strategies.

“Our association has never been more united, today all the most important brands are our members,” he said, after thanking associates for their contribution in the “Italia we are with you” charity initiative that raised 3 million euros to donate to the country’s Civil Protection Authority.

“Our goal in the next years is to enhance and affirm even more the Italian fashion industry in the world. We count on the collaboration and support of our partners and prestigious board to carry on and represent the values of fashion as well as implement the association’s strategic pillars.”

Since his appointment, Capasa has been developing a strategy focused on several axises, including sustainability, inclusion and diversity, digitization and support to young designers. Last year, the association issued a manifesto to guide companies in implementing inclusive practices. He has also forged tight relationships with international institutions and promoted Italian fashion through compelling storytelling.

In particular, during his tenure, Capasa has hosted roundtables and collaborated with specialized associations aimed at defining practical guidelines to promote sustainability across the whole fashion chain, along with launching the Green Carpet Fashion Awards Italia project in collaboration with Livia Firth, founder and creative director of Eco-Age. Last year, the organization additionally joined the Kering-led Fashion Pact initiative with the role of coordinating Italian brands.

On Wednesday, the board also elected — or in most cases reelected — the presidency committee with a mandate until 2022. In addition to Capasa, the board comprises executives and designers from the country’s main fashion groups: Patrizio Bertelli, Marco Bizzarri, Serge Brunschwig, Jacopo Etro, Giovanna Gentile Ferragamo, Massimo Ferretti, Luigi Maramotti, Angela Missoni, Renzo Rosso, Remo Ruffini, Carla Sozzani, Jacopo Venturini and Gildo Zegna. Dolce & Gabbana’s chief executive officer Alfonso Dolce also joined the board following the brand’s return to the association after two decades.

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قالب وردپرس

from World Wide News https://ift.tt/3ewbTcd

[informer82]

Titel: LA CENERENTOLA - Theater Osnabrück Text: LA CENERENTOLA Dramma giocoso in zwei Akten von Gioachino Rossini Libretto von Jacopo Ferretti In italienischer Sprache mit deutschen Übertiteln -Inhalt- Jedes Kind kennt die Geschichte von der ungeliebten Stieftochter, die von der Familie unterdrückt und zum Zusammenfegen der Asche verdonnert wird. Im englischen Sprachraum heißt sie CINDERELLA, zu Deutsch ASCHENPUTTEL. Am Theater Osnabrück ist sie in dieser Spielzeit als Familienstück zu erleben. Auch als italienische Oper existiert das Märchen. Doch bedienten sich Rossini und sein Librettist nicht der Vorlage der Gebrüder Grimm, sondern bearbeiteten eine französische Fassung des Märchens. Innerhalb weniger Tage für den Karneval 1817 in Rom entstanden, wurde LA CENERENTOLA bald zu einem internationalen Erfolg. Angelina, so heißt das Aschenputtel hier, wird von ihren Stiefschwestern gepiesackt und auch der Stiefvater lässt kein gutes Haar an ihr. Von einem besseren Leben kann sie nur träumen. Aussicht darauf bietet die Nachricht, dass Prinz Ramiro auf Brautschau ist und zu einem großen Fest geladen hat. Der Prinz greift zu einer List und tauscht die Identität mit seinem Kammerdiener, um herauszufinden, wer ihn wirklich liebt. Als solcher verliebt er sich sofort in die warmherzige Angelina … Natürlich hat die Sache ein gutes Ende. Bei Rossini sorgt dafür aber keine gute Fee und auch den berühmten Schuh gibt es in dieser Fassung der Geschichte nicht: An einem Armreif erkennt Ramiro Angelina schließlich wieder. Die Oper macht aus der fantastischen Märchenhandlung eine zutiefst menschliche Geschichte. Mit ihren scharf umrissenen Charakteren, der Lust am Verwechslungsspiel und nicht zuletzt ihrer spritzigen Musik wurde Rossinis LA CENERENTOLA zu einem Vorbild der italienischen komischen Oper. Regisseurin Béatrice Lachaussée wurde u. a. mit dem Götz-Friedrich-Preis ausgezeichnet und stellt sich mit LA CENERENTOLA erstmals dem Osnabrücker Publikum vor. -Besetzung- Musikalische Leitung: Daniel Inbal Inszenierung: Béatrice Lachaussée Bühne, Kostüme: Nele Ellegiers Choreinstudierung: Sierd Quarré Dramaturgie: Christoph Lang Don Ramiro: Miloš Bulajić Dandini: Jan Friedrich Eggers Don Magnifico: Genadijus Bergorulko Clorinda: Erika Simons Tisbe: Gabriella Guilfoil Angelina (La Cenerentola): Olga Privalova Alidoro: José Gallisa Opernchor des Theaters Osnabrück Osnabrücker Symphonieorchester Statisterie des Theaters Osnabrück ��� Filmproduktion Siegersbusch, Wuppertal, Hochgeladen von: Theater Osnabrueck, https://ift.tt/2bg6CEt

[navigamus-blog-a-vela]

SAIL 2016 - VELA: MAROTTA-SENIGALLIA 2016  UN CONNUBIO VINCENTE - 2016

Il 2-3 luglio 2016 a Fano si sono svolte le seconde e ultime selezioni zonali (regionali) per i campionati italiani che si terranno a fine agosto/inizio settembre a Trieste. I ragazzi del Club Nautico Senigallia, della Lega Navale Italiana sez. Senigallia e del Vela Club Marotta si sono particolarmente distinti portando questo team a livelli ragguardevoli. Infatti i ragazzi dei tre circoli, allenati da Giacomo De Carolis e da Marco Clementi, hanno ben figurato ottenendo dei risultati eccellenti nelle sette prove effettuate: si sono infatti qualificati ben quattro atleti dei diciotto che hanno partecipato alle due regate di selezione. Gli atleti qualificati sono Jacopo Mattioli (Vela Club Marotta) e Sebastiano Valenti (Senigallia Vela) nei cadetti 2007 e Marco Gambelli (Senigallia Vela) ed Elia Sgarbi (Vela Club Marotta) negli Juniores: complimenti a loro e a tutta la squadra perché questi risultati si ottengono grazie a costanti allenamenti e allo spirito di squadra instauratosi in questi anni. Ecco in ordine i risultati dei ragazzi alla fine delle due selezioni disputatosi una a Senigallia e l’ultima a Fano: negli Juniores su 43 partecipanti: –        1° Marco Gambelli (Senigallia Vela) con due ottimi primi posti in due prove; -          5° Elia Sgarbi (Vela Club Marotta) con due ottimi terzi posti in due prove; –        8° Serena Montesi (Vela Club Marotta) con un ottimo terzo posto in una prova; –        9° Giulio Conti (Vela Club Marotta); –        10° Alessandro Pellin (Vela Club Marotta) con un ottimo primo posto e un secondo posto in due prove; –        15° Luca Pizzuto (Senigallia Vela) con un buon sesto posto in una prova; –        17° Leonardo Giulianelli (Vela Club Marotta); –        23° Samuele Mattioli (Vela Club Marotta) –        26° Virginia Valenti (Senigallia Vela); –        27° Emma Chiofalo (Senigallia Vela); –        37° Riccardo Ciabocco (Senigallia Vela); –        41° Ettore Seddio (Senigallia Vela); nei Cadetti su 26 partecipanti: –        8° Vittorio Bittoni (Vela Club Marotta) con un buon quinto posto e un sesto posto in due prove; –        10° Jacopo Mattioli (Vela Club Marotta); –        14° Diego Leghissa (Vela Club Marotta); –        15° Sebastiano Valenti (Senigallia Vela); –        21° Anatolij Gambelli (Senigallia Vela); –        24° Irene Ferretti (Senigallia Vela). Un grazie speciale va ai genitori che si sono prodigati nella trasferta per dare una mano sia al coach che ai ragazzi!

FROM http://www.navigamus.info/2016/07/vela-marotta-senigallia-un-connubio.html

[retegenova]

Prossimi Spettacoli del Teatro Verdi di Genova Sestri Ponente

  6 novembre 2018 – ore 16.00

LA CENERENTOLA

dall’Opera di Parigi

durata: 2 ore e 40 minuti

Musica:  Gioacchino Rossini

Libretto: Jacopo Ferretti

Direttore Orchestra: Ottavio Dantone

Cast: Juan José De León, Alessio Arduini, Maurizio Muraro, Chiara Skerath, Isabelle Druet, Teresa Iervolino, Roberto Tagliavini

  Domenica 11 Novembre 2018 – ore 16.00

Compagnia Palco Giochi

8 donne e un mistero

di Robert Thomas

regia di Federica Menini

Anni ’50. Il Natale è il periodo migliore perché la famiglia si riunisca. C’è aria di festa e tutti si sentono più buoni…quasi tutti, si, perché questa volta qualcuno non si è comportato molto bene ed in una famiglia della provincia parigina c’è stato un omicidio. Un omicidio? Sospettate otto donne, ognuna con un valido movente, ognuna con qualcosa da nascondere.  Sembrerebbe la classica pièce teatrale dove le apparenze ingannano, i parenti si rivelano serpenti. Emerge una buona dose di misoginia e l’uomo appare quanto mai fragile e vulnerabile, alla completa mercé degli intrighi orditi con l’inganno, arguzia e poco amore dalle calcolatrici, avide e per nulla romantiche donne, anzi femmine. Una serra di fiori carnivori. Un eremo squisitamente carcerario. Un inverno del diffuso scontento nel quale rancori e rivalità si rivelano attraverso stilettate (non solo verbali) dolci e letali.

  Ingresso € 12.00

      Cooperativa Battelieri del Porto di Genova

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Genova Celebra Colombo

Teatro Verdi Genova Novembre 2 Prossimi Spettacoli del Teatro Verdi di Genova Sestri Ponente   6 novembre 2018 – ore 16.00 LA CENERENTOLA…

[luciamosca14]

La Cenerentola alle Muse di Ancona – in scena nuovo allestimento e nuova produzione La Stagione Lirica della Fondazione Teatro delle Muse di Ancona presenta il secondo titolo in cartellone. Venerdì 12 e domenica 14 ottobre sul palcoscenico del Teatro delle Muse è in scena La Cenerentola ossia La bontà in trionfo, dramma giocoso in due atti di Jacopo Ferretti, musica di Gioachino Rossini con direttore Giuseppe Finzi, regia e scene Francesca Lattuada, costumi Bruno Fatalot, luci Lucio Diana.

[qdmnotizie-blog]

JESI, 30 agosto 2018 – Da una brillante idea di alcuni amici, è rinato il Largo Europa, storica Società calcistica Jesina, fondata nel 1975.

luca sapio

Il ricordo dell’indimenticato Luciano “Lisbona” Bocchini, che del team è stato da sempre anima e cuore, ha fatto da molla per far partire l’ambizioso progetto, con la piena soddisfazione dei figli, Juri e Luca, entrati con piacere nella compagine Societaria.

Celebrativa quindi la nuova la denominazione sociale: “ASD LARGO EUROPA LUCIANO BOCCHINI”.

Presidente è stato nominato Luca Sapio, mentre tra gli altri dirigenti ci sono anche alcuni ex soci della Jesina Calcio, come Sandro Eposito e Marco Catani.

Invece, sono smentite dai fatti, le voci estive che vedevano un impegno diretto di Marco Polita.

Si riparte dalla terza categoria, dove con Aurora, Spes e Junior Jesina, si rivivranno infuocati derby dal fascino antico.

Obiettivo è quello di far tornare la squadra in categorie più consone al proprio blasone, e soprattutto organizzare un settore giovanile che negli anni possa diventare un punto di riferimento per tanti ragazzi.

Guida tecnica affidata a Paolo Ferretti, che come vice avrà Daniele Palombini. I portieri saranno allenati da Davide Pucci, mentre la preparazione atletica spetterà a Giovanni Bordoni.

Di seguito la rosa completa che affronterà la stagione 2018/19. PORTIERI: Nicola Amagliani, Nicola Sgubbi, Davide Pucci. DIFENSORI: Riccardo Federici, Marco Nicodemi, Alessandro Bove, Matteo Capotondi, Lorenzo Carletti, Samuele Vito, Jacopo Zamporlini. CENTROCAMPISTI: Andrea Alessandrini, Paolo Termentini, Luca Bocchini, Alessandro Marchegiani, Giulio Paoloni, Andrea Costarelli, Isljamoski Dear. ATTACCANTI: Riccardo Fabbri, Peter Onorah, Adama Sylla, Davide Malatesta.

Marco Pigliapoco

marco.pigliapoco@qdmnotizie.it

©RIPRODUZIONE RISERVATA

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CALCIO/ RINASCE IL LARGO EUROPA, NEL NOME DI LUCIANO “LISBONA” BOCCHINI JESI, 30 agosto 2018 - Da una brillante idea di alcuni amici, è rinato il Largo Europa, storica Società calcistica Jesina, fondata nel 1975.