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thechanelmuse · 5 months

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Kendrick, Drake, and Ethnic/Cultural Identity

One of the most discussed topics during this exchange between the two is if Drake is a culture vulture. In short, yes. He's always been. It boils down to inherited cultural identity and respected history, not the upholding of a social construct of “race.”

Race is a goofy non-biological caste system that operates in various countries and it’s a dumbass global push to get people to embrace a superior to inferior hierarchy in classifying the globe into 5 broad groups solely based on perceived skull sizes, hues of skin color, and perceived traits and phenotypic features via the teachings of François Bernier, Johann Blumenbach, Carl Linnaeus, and them other hoes. Get race tf outta here.

I’m gonna make this concise as possible, but fleshed out a bit for full understanding.

Kendrick Lamar is Black American on both sides with his roots most likely coming out of Mississippi and/or Alabama to Chicago to Cali by way of the Great Migration. (He may even descend from Duckworths from Louisiana). I haven’t done his genealogy, but now I may out of curiosity.

Black American is a double ethnicity. We’re citizens of America (nationality = US Citizen), and our ethnic group (Black) was created & descends from this land (ethnicity = American) through ethnogensis. It has nothing to do with one’s brown skin color or how the cops see us 🙃, but everything to do with the lineage of one’s parents and their parents, etc. (For info on lineage tracing, refer to my post here.)

Black Americans are an ethnic group (the largest from this land and largest in this country after Germans), while “white Americans” are a self-identification race to remove ethnic identity and conflate numbers. I can break this down further in another post if y’all want since American history is complex and will explain why Black Americans have been reclassified seven times by the US government 🙃.

Now.

Culture is largely passed down through your mother, and her mother, and her mother, and so forth for Black Americans (and I’m sure other ethnic groups). No matter if it’s a two-parent or single-parent household, she’s your ultimate teacher in setting the foundation of your cultural upbringing. It’s the same if one is raised by their grandparents. It largely stems from the grandmother. If one’s father is their main parent, that’s a different case of course.

Drake falls in line with this as someone from a single-parent household. He is half Ashkenazi of Latvian and Russian descent (ethnicity) through his mother and of half Black American descent (ethnicity) through his father. He is a dual citizen of Canada and America (nationality), who was raised in Canada with his Ashkenazi Jewish mother and Ashkenazi relatives with an Ashkenazi upbringing. He went to a Jewish day school and was engulfed in all aspects at home.

Kendrick is ethnically and culturally Black American. Drake is ethnically and culturally Ashkenazi. He is also ethnically Black American (through lineage), but not culturally Black American. Does that make Drake a culture vulture? No. He just didn’t have the cultural upbringing but could always immerse himself in learning, appreciating, and respecting the other half of his history and culture.

What makes him one is how he operates as an outsider. He participates in an aspect of Black American culture (Hip-Hop) for his monetary gain, adopts a manufactured image for his perception of believability, and disrespects the people of this culture. “…run to America to imitate culture.” It’s like a jacket to him. He takes it off to try on another (like a Jamaican accent) and swaps for another, etc.

A few examples that’s been touched on: He blackened his face to depict blackface while wearing a Jim Crow t-shirt… That’s specific disrespect towards Black Americans, mocking our history and our ancestors. “Whipped and chained you like American slaves.” That’s specific disrespect towards Black Americans, mocking our history and our ancestors. “[You] always rappin' like you 'bout to get the slaves freed.” Do I even need to explain this? Hopefully it’s understood.

The muthafucka is not like us.

#kendrick lamar #drake #they not like us #family matters #euphoria #black american culture

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warmbloodcomic · 10 months

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Warm Blood: Girls Mode

Written by Josh Tierney

Photo edit by Caitlin Soliman

Pt. 5

Penny and Eve arrived at the Mister Donut on Akihabara’s perpetually-busy main street. Maaya was standing out front with her back to the shop’s large windows and idly checking her phone. She was dressed largely in black, with pastel pink and blue paint strokes on her black t-shirt, which she wore under a black jacket that had several underground band pins on it.

“Good morning!” Eve greeted her enthusiastically.

Penny gave Maaya a small wave with a friendly smile as Maaya looked up from her phone. Maaya returned the smile as she put her phone away.

“Hungry?” Maaya asked them.

The Mister Donut was a two-floor coffee-and-donut place that reminded Penny and Eve of a certain ubiquitous chain in Canada, only better in every conceivable way, from the inventive assortment of donuts on offer (including matcha and cherry blossom-inspired donuts) to the cleanliness of the location.

Penny was more into savory foods than sweets, but that didn’t stop her from ordering the most chocolatey donut they had, and Eve picked out a pink-frosting-glazed donut shaped like a string of pearls. They didn’t want to overdo it on the caffeine, so Penny ordered a bright green watermelon soda and Eve just went with water.

Maaya ordered a limited edition “misdo meets” matcha donut and a black coffee. The trio then took the stairs up to the second floor, where they were lucky enough to find three available stools at the counter set against the window.

Happy New Year by Let’s Eat Grandma was playing over the PA.

The girls sat and enjoyed their donuts and drinks while watching the buildings and signs across from them and the movement of the people below.

“We were at Mandarake earlier and saw a maid outfit in the street,” Eve brought up to Maaya, as if just remembering it.

“Oh!” Maaya exclaimed. “That’s part of an ad campaign for an underground idol club. They’re running a Battle of the Maid Bands tonight.”

“‘Battle of the Maid Bands’?” Eve asked, concerned about a physical brawl involving maids.

“Four maid-themed groups are going to perform, and whichever receives the loudest cheers wins.”

Eve stared at Maaya in shock while slowly chewing a large bite of her donut. Maaya patiently waited for her to finish.

“That sounds amazing!” Eve said as soon as she was able to.

Maaya smiled knowingly.

“Are you interested in seeing it? I can get us in without tickets.”

“Through your maid connections?” Eve asked, intrigued.

“That’s right. In fact, some of the band members were working at the café yesterday.”

Penny continued looking out the window while finishing her donut. She looked down at the four flyer girls widely-spaced out on the sidewalk below, and wondered if any of them could be band members as well.

“Including you?” Eve asked Maaya with widened eyes.

“No,” Maaya answered, smiling. “I’m happy enough to be part of the scene, and to help my friends choreograph their dance routines. They’re also happy when I bring in audience members to cheer them on.”

“We’ll cheer,” Eve readily offered. “We’ll cheer for all the acts, but we’ll make sure we cheer loudest for your friends.”

“It starts at 7,” Maaya said, pulling out her phone to text Eve the event info. “Is that okay with you?”

Eve looked at Penny, who gave Eve a thumbs-up.

“I sent you the info for the event, in case you want to learn more,” Maaya said. “It’s in Japanese, but you can auto-translate it. It might help in case you do a video about it.”

“Thanks,” Penny said, finally speaking up. “We wouldn’t know stuff like this was happening without you appearing out of nowhere to tell us.”

“You’re the angel of Akiba,” Eve added.

Maaya laughed.

“It’s heaven, isn’t it?”

* * *

The middle of the day was spent popping into different stores, including a multilevel doujinshi shop and a toy store devoted to a single manufacturer, as well as eating a ramen dinner. With Maaya assisting on camera duties, Penny and Eve also recorded a walking tour of the streets of Akihabara for Girls Mode.

That took them to 7PM, and the line to get into Club Badman, the venue for the Battle of the Maid Bands. There were already fifteen people ahead of them, some carrying the day’s purchases from Akihabara’s shops, and a few wearing shirts, jackets and buttons of the bands they were about to see. Many already had their tickets out, which the maid with light pink hair at the door inspected as she let them in.

When Maaya, Penny and Eve reached the maid, she looked at Maaya with instant recognition, and the two briefly spoke together in Japanese before Maaya gestured for Penny and Eve to enter.

“Have a good time!” the maid said to Penny and Eve in English as she waved to them with a friendly but clearly practiced smile.

The Club Badman interior was dark, with a black floor, ceiling, walls and stage. The light in the club mainly came from the constellation of small purple, blue and green spotlights set up high on the stage’s walls and ceiling, and which were slowly rotating in different directions.

It was much less of the bright and frilly aesthetic that Eve had been expecting, and more of the type of punk-ish, atmospheric environment that Maaya’s brand of maid had stemmed from.

Ballet Mécanique by Etsuko Yakushimaru and Yoshinori Sunahara was playing loudly over the PA.

Penny and Eve looked around the club as they waited for Maaya to rejoin them. They noticed that the stage had some sound equipment with tiny levers and small flashing lights, as well as microphone stands off to the side, but no musical instruments.

The other attendees seemed to have mainly arrived solo, and several of them were either posting about the event or searching up other posts about it. Mutual fans then recognized each by the merchandise they wore, and teamed up to cheer on their favourite groups.

The more this happened, the more the club buzzed with anticipatory chatter, and Maaya finally rejoined Penny and Eve as the night’s MC – the same pink-haired maid from the door – took to the stage with a microphone in hand.

“Good evening, everyone!” the maid said to the decently-sized crowd in English, before going through the rest of the preamble in Japanese.

Maaya translated for Penny and Eve: “There are four groups tonight: No Time for Butlers, Hello Emeralds, Plus Seven, and the Eternal Blues (these are my friends, the maids from the café you went to). Whichever band receives the most cheers wins, but, in case of a draw, the judges will determine the winner.

“The judges are the club owner, a former underground idol, and a record label representative. The prize is 50,000 yen and a CD release with a small record label.

“The groups will be selling merchandise after the show. Drinks are available at the bar.”

“Now, let’s get started, shall we?” the maid MC announced in English, glancing at Penny and Eve with a big smile.

The maid skipped and then hopped offstage as No Time for Butlers began shyly filtering onstage from the back, the group members flicking nervous glances at the audience. The audience encouraged the group members with expectant applause.

No Time for Butlers were styled in Harajuku-inspired anything-goes fashion with bright, bold colours and accessories, including plastic pastel frogs attached to their outfits. The group members were all holding their own microphones.

“We are No Time for Butlers,” the frontmaid said once she had taken her spot in the middle, closer to the front of the stage. She did a short laugh, then counted up to their first number: “1, 2, 3, 4.”

No Time for Butlers performed to a pre-recorded backing track, as all the groups would, but with live singing and choreographed dancing.

The crowd cheered during the entire performance, even those who were there to support another group. The joyous vibe was enough for Eve to cheer and clap as well, and Penny managed a smile, which was her own way of cheering.

Their third song was their last, and afterwards the group members took turns thanking the crowd and politely asking them to cheer for them during the judgment phase.

No Time for Butlers left, and, after a short preparation period, Hello Emeralds came onstage. Hello Emeralds had outfits decked with costume jewelry, which caused them to sparkle whenever the spotlights hit them just right.

The group leader, who had slightly long and pointy ears, held the microphone with both hands.

“Thank you for coming,” she said to the crowd. “This song is a cover. It’s called ‘Summoning a Portal’”

She then dropped the microphone, and a red monolith rose up from beneath the stage, the monolith bleeding as Hello Emeralds performed an energetic J-pop number.

Penny’s nose started bleeding as well, and then she blacked out.

* * *

Penny was still standing when she came to. The sound of the audience cheering came to her ears as a rush of indistinct white noise, and it took several seconds for her to realise what was happening. Up onstage were two representatives from each group, the pairs standing together in different spots, with the pink-haired maid MC off to the right as she gestured to the Eternal Blues. According to her, the Eternal Blues were the recipients of the loudest cheers in Battle of the Maid Bands history.

“That was the most amazing thing I’ve ever seen in my life!” Eve exclaimed, clapping and hopping up and down, her eyes on the winning group members.

She then looked at Penny, who looked back at Eve with widened eyes, dried blood running from her nostrils to her chin.

Eve stopped smiling and looked over her friend in concern, her eyes inspecting the details of Penny’s face as if she were an emergency responder. Eve’s hands were holding Penny’s cheeks, squishing her face slightly.

“Are you okay?” Eve asked.

Penny nodded. But Eve knew Penny usually nodded in this type of situation.

“What’s wrong?” Maaya asked, taking notice of Eve’s squeezing of Penny’s blood-stained face.

“I just zoned out,” Penny said. Her eyes were somewhat teary and bloodshot from not having blinked for 40 minutes. “I think I missed most of the show.”

Eve and Maaya helped Penny out of Club Badman as some of the other audience members watched them leave in confusion. The trio exited the club just as the Eternal Blues received their cash prize, the cheering even louder than before.

There were just as many pedestrians as ever on the street, but it seemed strangely quiet to Penny, to the extent that the only sounds she could hear were coming from Eve and Maaya. The black of the night sky was visible past a sea of wispy black clouds.

“Want something to drink?” Eve asked.

Eve held Penny’s hand and led her to a vending machine serving cold drinks.

“Which one do you want? Wanna try another orange one?”

Eve opened up her coin purse and sifted through it, readying a 100-yen coin for the machine. She then smiled at Penny patiently while waiting for her to select a drink.

Penny pointed at an orange drink from a brand she had yet to sample. Eve paid for it and pulled the bottle out from the dispenser, handing it to Penny.

“Are you sure this will help? Wouldn’t water be better?” Maaya asked Eve, slightly confused.

“This is the best thing for her,” Eve responded. “Carbonated drinks are like healing potions, at least for Penny.”

The bottle made a satisfying kssht sound as Penny turned the lid, and she proceeded to drink down half of it in one go.

“Ahh,” Penny exhaled. “Okay, I’m better now.”

“See?” Eve said to Maaya proudly.

Penny pulled out her phone to check how much time she had lost.

“9:30 . . . We should go back to the hotel soon.”

“I’ll walk you back,” Maaya offered. “In case something else happens.”

The girls headed back in the direction of the hotel, stopping to watch a green commuter train cut through the sky as it barrelled across a bridge high above the street. The lights within were bright, and Penny and Eve could make out all the many people sitting and standing, the passengers shooting towards wherever the night was taking them.

“Let’s go somewhere else tomorrow,” Penny suggested.

#Warm Blood #Girls Mode #web novel

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style-chase-fashion · 2 years

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thomsonsharon347 · 2 months

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Style The Satin Bomber Jackets Like A Pro

Looking for some style tips to sport your recent satin bomber jacket purchase? Read this blog now!

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hemantgoel · 6 months

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Kilolab equipment | Glass Pilot Plant | manufacturer & suppliers | Goel Scientific | Canada

We serve best Kilolab equipment, Kilolab equipment price, best glass pilot plant, glass pilot plant equipment price, Assemblies Over Glass Lined Reactor Manufacturers, in canada

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researchcompany · 5 days

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Scuba BCDs Market

Reed Intelligence has recently added a new report to its vast depository titled Global Scuba BCDs Market. The report studies vital factors about the Global Scuba BCDs Market that are essential to be understood by existing as well as new market players. The report highlights the essential elements such as market share, profitability, production, sales, manufacturing, advertising, technological advancements, key market players, regional segmentation, and many more crucial aspects related to the Scuba BCDs Market.

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Scuba BCDs Market Share by Key Players

Johnson Outdoors

Head

Poseidon

Tusa

American Underwater Products

Saekodive

Cressi

Sherwood Scuba

Mares

Scubapro

Important factors like strategic developments, government regulations, market analysis, end users, target audience, distribution network, branding, product portfolio, market share, threats and barriers, growth drivers, latest trends in the industry are also mentioned.

Scuba BCDs Market Segmentation

The report on Global Scuba BCDs Market provides detailed segmentation by type, applications, and regions. Each segment provides information about the production and manufacturing during the forecast period of 2024-2032. The application segment highlights the applications and operational processes of the industry. Understanding these segments will help identify the importance of the various factors aiding to the market growth.

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Jacket-style

Back-inflate

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Recreational Diving

Professional Diving

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North America

U.S.

Canada

Europe

Germany

France

Asia Pacific

China

India

Japan

Australia

South Korea

Latin America

Brazil

Middle East & Africa

UAE

Kingdom of Saudi Arabia

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It provides valuable insights into the Global Scuba BCDs Market.

Provides information for the years 2024-2032. Important factors related to the market are mentioned.

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marketingreportz · 15 days

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Offshore Wind Energy Market - Forecast(2024–2030)

Offshore Wind Energy Market Overview

The Market for Offshore Wind Energy is forecast to reach $42bn by 2025, growing at a CAGR of 13.6% from 2020 to 2025. The offshore wind energy market is estimated to witness substantial growth over the forecast period primarily due to the growing demand for clean energy and rising focus on reducing carbon emissions. Offshore wind energy generation process is a renewable form of producing energy by taking advantage of the power of the wind that is produced on the high seas, where it moves at a much higher and more consistent speed than it does on land, due to absence of multiple barriers. Ongoing saturation of sites close to the shore, along with growing demand for high operational Capacity Utilization Factor (CUF) for offshore projects is projected to drive industry growth. Ongoing improvements in installation capabilities and availability of high wind speeds far from shore are major factors fuelling the installation of offshore platforms at higher depth levels. Additionally, regulatory frameworks, government policies and mandates are in favour of the global offshore wind energy market which in turn is estimated to drive the overall growth of the market.

Offshore Wind Energy Market Report Coverage

The report: “Offshore Wind Energy Market– Forecast (2020–2025)”, by IndustryARC covers an in-depth analysis of the following segments of the Offshore Wind Energy Market.

By Component — Turbine (Nacelle, Rotors and Blades, Tower), Substructure (Monopile, Jacket and Gravity Based, Others), Electrical Infrastructure and OthersBy Water Depth — Shallow Water (< 30m Depth), Transitional Water (30m — 60m Depth), Deep Water (> 60m DepthBy Installation — Fixed Structure and Floating StructureBy Capacity — Upto 3 MW, 3MW to 5 MW and Above 5 MWBy Application — Electric Power, Oil and Gas, Aviation, Transport and Others

By Geography — North America (U.S, Canada, Mexico), South America(Brazil, Argentina and others), Europe (Germany, UK, France, Italy, Spain, Russia and Others), APAC(China, Japan India, SK, Aus and Others), and RoW (Middle east and Africa)

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The Offshore Wind Energy Market is estimate to witness substantial growth over the forecast period primarily due to the growing demand for clean energy and rising focus on reducing carbon emissions.

In 2019, turbines accounted for maximum revenue share of the Offshore Wind Energy Market across the component segment.

Majority of the projects were installed in the shallow waters i.e., up to 30 meters due to ease of installation and low capital requirements in 2019.

Sample Report:

Offshore Wind Energy Market Segment Analysis — By Component Type

In 2019, turbines accounted for maximum revenue share of the Offshore Wind Energy Market across the component segment. Re-structuring across power markets along with swift technological developments related to the field of aerodynamics, and material composition are some of the key factors fuelling the wind turbines market. Additionally, industry operators manufacturing wind turbines are focusing on incorporating innovative and standardized product processes involving low installation costs, leading to rise in market demand of wind turbines.

Offshore Wind Energy Market Segment Analysis — By Water Depth

The market is segmented by the depth of water into shallow water (< 30m depth), transitional water (30m — 60m depth), deep water (> 60m depth). In 2019, majority of the projects were installed in the shallow waters i.e., up to 30 meters. Industry operators prefer shallow waters primarily due to ease of installation and low capital requirement. However, over the next few years, the market is expected to witness growth in the deep-water projects wherein the depth of water is more than 30 meters.

Offshore Wind Energy Market Segment Analysis — By Geography

Offshore Wind Energy Market was dominated by Europe with a share of 37.9% in 2019. The UK leads the European market with a total capacity of 9.9 GW in 2019 and is estimated to witness growth of over 28% during the forecast period, 2020–2025. Since 2015, the country has added over 5 GW of offshore wind energy in its renewable portfolio. Different policies and regulations have been implemented by the government of the UK such as Contracts for Difference to ensure stable long-term returns from electrical infrastructure projects, thus minimalizing the barriers to entry for new industry participants.

Inquiry Before Buying:

Offshore Wind Energy Market DriversTechnological advancement driving market growth

Industry operators are focusing on increasing energy production from renewable sources such as wind and solar power in order to reduce emissions. The Offshore Wind Energy Market players are allocating significant budgets toward project installation and R&D activities aimed toward enhancing the operational efficiency and product portfolio. The ongoing incorporation of advanced technologies to improve existing infrastructure is projected to further boost the market growth.

Schedule a Call:

Surge in initiatives by the government

Government institutions and policy makers globally are increasing efforts to successfully achieve the emission reduction targets. Respective governments and market players are investing aggressively towards clean energy sources. This has fuelled the industry growth as demand for installation of high capacity offshore wind energy projects is anticipated to witness significant growth during the forecast period, 2020–2025. Governments are focused on creating policies and regulations to fuel the growth of Offshore Wind Energy Market. In 2019, the U.K. government agreed to offer $739.3 million of state subsidies to industry players who agreed to invest in offwind energy projects $331.8million over the next 11 years. Additionally, supportive regulatory framework, government policies and mandates along with rapidly declining process for wind turbines will drive the North America industry growth.

Offshore Wind Energy Market Challenges

Negative impact on the landscape

One of the major challenges faced by the Offshore Wind Energy Market is the impact of offshore wind energy farms on the landscape. As these farms are installed in shallow waters and are near the coast it brings a lot of issues in terms of feasibility. However, with technology advancements, the wind farms are likely to move farther from the coast. Furthermore, these farms negatively impact sea life especially during the construction phase, and can be damaging to sea mammals. However, this issue can be solved by using bubble screens that also helps in reducing noise pollution caused by these wind energy farms.

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Offshore Wind Energy Market Landscape

Product launches, acquisitions, and R&D activities are key strategies adopted by players in the Offshore Wind Energy Market. The Offshore Wind Energy Market is dominated by major companies such Sinovel, MHI Vestas Offshore Wind, Prysmian Group, Nexans, Siemens Gamesa, Enercon, General Electric, Ming Yang Smart Energy, Doosan Heavy Industries, , Areva and Clipper Windpower.

Acquisitions/Technology Launches/Partnerships

In March 2020, Enercon installed a new prototype E-138 EP3 for their E2 wind turbines at the Janneby site which is situated in Schleswig-Holstein, Germany. The new prototype is estimated to increase the nominal power of E2 wind turbines from 3.5 MW to 4.2 MW.

In January 2020, Siemens Gamesa Renewable Energy announced the acquisition of Senvion’s European Service assets and Intellectual Property (IP).

For more Energy and Power related reports, please click here

#renewableenergy #wind power #energy #wind turbines

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topkinggear · 2 years

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sweaterproducer · 19 days

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