#J. C. Mora

[milliondollarbaby87]

The Black Phone (2021) Review

When Finney Blake is abducted by the serial killer than has been named The Grabber, he must use all of his wit to stay alive. The mysterious black phone in the basement keeps ringing and it’s the previous victims of the killer who all try and help him. ⭐️⭐️⭐️ Continue reading The Black Phone (2021) Review

[ma1dmer]

The Elder Scrolls - Miraak NSFW

i read a very specific smut fic,,,,,girl,,,,,,,

A = Aftercare (What they’re like after sex): he let's you stay close to him as he returns to his 'research' ,he’ll let you place your head on his lap and play with your hair as you drift off to sleep

B = Body part (Their favourite body part of theirs and also their partner’s): he loves your mouth, will trace his fingers over your lips before every kiss, or simply shove them into your mouth for you to wet, getting distracted by the warmth and the way your tongue circles each digit as you look up at him 

C = Cum (Anything to do with cum basically… I’m a disgusting person): definitely has a breeding kink, always growls about the possibility of knocking you up right as he is about to cum, telling you to be good for him and not let anything leak out

D = Dirty Secret (Pretty self explanatory, a dirty secret of theirs): his imagination runs quite wild, has some fantasies that he sometimes brings up in the form of dirty talk but so far hasn’t actually sat you down to discuss about fulfilling them , some include using some magic on you, maybe some of the stuff he has learned throughout his time under hermaeus mora and some of fucking you as a group of his followers watch

E = Experience (How experienced are they? Do they know what they’re doing?): he has a lot of experience, he is the first dragonborn , and even without the big title and ego, he has been alive for so long, this man fucked and still fucks

F = Favourite Position (This goes without saying. Will probably include a visual): you on your knees or bent over some surface, your legs and arms restrained so he has full access to your body, his hands bruising your hips

G = Goofy (Are they more serious in the moment, or are they humorous, etc): he is definitely more serious, he can be quite intense and he does enjoy the way he can make you nervous, he’ll chuckle about how you are scared but your body still reacts to him

H = Hair (How well groomed are they, does the carpet match the drapes, etc.): he is very hairy but keeps himself surprisingly tidy

I = Intimacy (How are they during the moment, romantic aspect…): he can be quite the charmer, he enjoys a bit of a classical courtship sometimes, playfully trying to woo you, wants to play the role of finally winning you over before he has his way with you

J = Jack Off (Masturbation headcanon): he’d much rather have someone else to help him but if he can’t , he likes to take his time , does some light edging on himself and thinks of how he'd like your next meeting to go, how he’ll have you scream for him 

K = Kink (One or more of their kinks): bdsm, praise and degradation etc

L = Location (Favourite places to do the do): has no shame, after being in apocrypha for so long where privacy probably wasn’t much of a thing he just got used to being watched, would honestly not care if someone walked in on you

M = Motivation (What turns them on, gets them going): submission, he wants to see you kneel for him, wants you to expose yourself for him and plead, leave yourself at his mercy 

N = NO (Something they wouldn’t do, turn offs): not much he couldn't be convinced into trying at least once with the right wording

O = Oral (Preference in giving or receiving, skill, etc): loves cock warming , loves having you on your knees simply letting you do your thing for hours before he remembers you are there and thrusts up in the heat of your mouth

P = Pace (Are they fast and rough? Slow and sensual? etc.): it really depends ,he is definitely rougher, but whether he goes slowly or not is up to his mood

Q = Quickie (Their opinions on quickies rather than proper sex, how often, etc.): wants to take his time with you , he has nothing but time in his hand, hates being rushed

R = Risk (Are they game to experiment, do they take risks, etc.): he generally knows what he likes but is more than happy to indulge your interests every now and then

S = Stamina (How many rounds can they go for, how long do they last…): he has a lot of stamina and a lot of pent up frustration to burn out

T = Toy (Do they own toys? Do they use them? On a partner or themselves?): wants to watch you use various toys on yourself, things he bought or made for you, telling you exactly how to use them and constantly stopping you right as you get close to finishing because he wants to make you cum himself

U = Unfair (how much they like to tease): can be quite mean with his teasing in and out of bed

V = Volume (How loud they are, what sounds they make): he does not stay silent, he groans deeply and speaks a lot ,no reason to keep quite, he wants you to hear how much he is enjoying himself

W = Wild Card (Get a random headcanon for the character of your choice): he is surprisingly sensitive, loves when you rake your nails over his chest or when you drag your teeth over his throat, he always has to restrain you just so he can keep more of a semblance of control, otherwise he gets lost in the pleasure of your touch

X = X-Ray (Let’s see what’s going on in those pants, picture or words): i wish i could say he is compensating for something with that ego of his, but its big and it curves slightly

Y = Yearning (How high is their sex drive?): he has a really high sex drive but has a very good grasp on his needs, always weighs his options, does he want you right now, or does he want to wait for later in the night so he can take his time

Z = ZZZ (… how quickly they fall asleep afterwards): i don't think he sleeps very well in general, he'd never admit so but having somebody next to him definitely helps a lot

[football-and-fanfics]

GIF masterlist

Basically just what the title says: a masterlist of the GIF's / GIF sets I've made 😇. Clubs / players are listed in alphabetical order (players by first name).

A: Aaron Ramsdale Alisson Becker Andy Robertson Antoine Griezmann Arsenal FC

B: FC Barcelona Bart Verbruggen Ben Chilwell Bernd Leno

C: Caoimhin Kelleher César Azpilicueta Chelsea FC Christian Pulisic Cody Gakpo Conor Gallagher Curtis Jones

D: Darwin Nunez Declan Rice Dele Diogo Jota Dominik Szoboszlai

E: Ederson Moraes England NT Eric Dier Erling Haaland Euro 2024

F: Fabio Carvalho Frenkie de Jong

H: Harvey Elliott

J: Jack Grealish James Milner Joao Felix John Stones Jordan Henderson Jordan Pickford Jude Bellingham

K: Kai Havertz Kasper Schmeichel Kepa Arrizabalaga Kevin de Bruyne Kostas Tsimikas Kyle Walker

L: Liverpool FC

M: Manchester City Manuel Neuer Marc-Andre ter Stegen Marcel Sabitzer Martin Odegaard Mason Mount Mo Salah

N: Nathan Aké Netherlands NT

P: Phil Foden

R: Reece James Remko Pasveer Robert Lewandowski

S: Heung-min Son

T: Thiago Alcantara Timo Werner Tottenham Hotspur Trent Alexander-Arnold

V: Virgil van Dijk

W: Wout Weghorst

[leaping-laelaps-art]

Conulariids are an extinct group of probable cnidarians with 4-sided pyramidal thecae. They are relatively uncommon fossils but ranged from the Cambrian (possibly Ediacaran?) to the Triassic, comprising tens of genera and hundreds of described species (Lucas 2012).

Here are the reconstructed thecae of a small selection of species from every period of the conulariids' range, starting from the Cambrian in the top left and reaching all the way to the Triassic in the bottom right.

Since their soft parts are virtually never preserved (due to them being cnidarians and all that) (Van Iten & Südkamp 2010), most of our knowledge of conulariid biology and evolution is based on their more fossil-friendly thecae, which were composed of thin organophosphatic lamellae (Leme et al. 2008). Live conulariids were attached to the substrate by the apex of their theca; they probably captured suspended food particles or small prey using tentacles, just like other cnidarians, but it's hard to go in any more (non-speculative) detail without preserved soft tissues.

References:

Babcock, L. E. (1986). Devonian and Mississippian conulariids of North America. Part B. Paraconularia, Reticulaconularia, new genus, and organisms rejected from Conulariida. Annals of the Carnegie Museum, 55, 411–479. https://doi.org/10.5962/p.215204

Guimar��es Simões, M., Coelho Rodrigues, S., Moraes Leme, J. de, & Van Iten, H. (2003). Some Middle Paleozoic Conulariids (Cnidaria) as Possible Examples of Taphonomic Artifacts. Journal of Taphonomy, 1(3), 163–184.

Hughes, N. C., Gunderson, G. O., & Weedon, M. J. (2000). Late Cambrian Conulariids from Wisconsin and Minnesota. Journal of Paleontology, 74(5), 828–838. https://doi.org/10.1666/0022-3360(2000)074<;0828:LCCFWA>2.0.CO;2

John, D. L., Hughes, N. C., Galaviz, M. I., Gunderson, G. O., & Meyer, R. (2010). Unusually preserved Metaconularia manni (Roy, 1935) from the Silurian of Iowa, and the systematics of the genus. Journal of Paleontology, 84(1), 1–31. https://doi.org/10.1666/09-025.1

Leme, J. M., Simões, M. G., Marques, A. C., & Van Iten, H. (2008). Cladistic Analysis of the Suborder Conulariina Miller and Gurley, 1896 (cnidaria, Scyphozoa; Vendian–Triassic). Palaeontology, 51(3), 649–662. https://doi.org/10.1111/j.1475-4983.2008.00775.x

Lucas, S. (2012). The Extinction of the Conulariids. Geosciences, 2, 1–10. https://doi.org/10.3390/geosciences2010001

Sendino, C., & Zagorsek, K. (2011). The Aperture and Its Closure in an Ordovician Conulariid. Acta Palaeontologica Polonica, 56, 659–663. https://doi.org/10.4202/app.2010.0028

Slater, I. L. (1907). A monograph of British Conulariæ. Printed for the Palæontographical Society.

Thomas, G. A. (1969). Notoconularia, a New Conularid Genus from the Permian of Eastern Australia. Journal of Paleontology, 43(5), 1283–1290.

Van Iten, H., Konate, M., & Moussa, Y. (2008). Conulariids of the Upper Talak Formation (Mississipian, Visean) of Northern Niger (West Africa). Journal of Paleontology, 82(1), 192–196. https://doi.org/10.1666/06-083.1

Van Iten, H., Muir, L., Simões, M. G., Leme, J. M., Marques, A. C., & Yoder, N. (2016). Palaeobiogeography, palaeoecology and evolution of Lower Ordovician conulariids and Sphenothallus (Medusozoa, Cnidaria), with emphasis on the Fezouata Shale of southeastern Morocco. Palaeogeography, Palaeoclimatology, Palaeoecology, 460, 170–178. https://doi.org/10.1016/j.palaeo.2016.03.008

Van Iten, H., & Südkamp, W. H. (2010). Exceptionally preserved conulariids and an edrioasteroid from the Hunsrück Slate (Lower Devonian, SW Germany). Palaeontology, 53(2), 403–414. https://doi.org/10.1111/j.1475-4983.2010.00942.x

Waterhouse, J. B. (1979). Permian and Triassic conulariid species from New Zealand. Journal of the Royal Society of New Zealand, 9(4), 475–489. https://doi.org/10.1080/03036758.1979.10421833

敏郎杉山. (1942). 156. 日本産Conularidaの研究. 日本古生物学會報告・紀事, 1942(25), 185-194_1. https://doi.org/10.14825/prpsj1935.1942.185

[compneuropapers]

Interesting Papers for Week 35, 2023

Decoding Trans-Saccadic Prediction Error. Barne, L. C., Giordano, J., Collins, T., & Desantis, A. (2023). Journal of Neuroscience, 43(11), 1933–1939.

A cortical zoom-in operation underlies covert shifts of visual spatial attention. Bartsch, M. V., Merkel, C., Strumpf, H., Schoenfeld, M. A., Tsotsos, J. K., & Hopf, J.-M. (2023). Science Advances, 9(10).

Granger causality analysis for calcium transients in neuronal networks, challenges and improvements. Chen, X., Ginoux, F., Carbo-Tano, M., Mora, T., Walczak, A. M., & Wyart, C. (2023). eLife, 12, e81279.

Computational modeling of human multisensory spatial representation by a neural architecture. Domenici, N., Sanguineti, V., Morerio, P., Campus, C., Del Bue, A., Gori, M., & Murino, V. (2023). PLOS ONE, 18(3), e0280987.

Social signal learning of the waggle dance in honey bees. Dong, S., Lin, T., Nieh, J. C., & Tan, K. (2023). Science, 379(6636), 1015–1018.

Inferior temporal cortex leads prefrontal cortex in response to a violation of a learned sequence. Esmailpour, H., Raman, R., & Vogels, R. (2023). Cerebral Cortex, 33(6), 3124–3141.

Neural learning rules for generating flexible predictions and computing the successor representation. Fang, C., Aronov, D., Abbott, L., & Mackevicius, E. L. (2023). eLife, 12, e80680.

Dopamine error signal to actively cope with lack of expected reward. Ishino, S., Kamada, T., Sarpong, G. A., Kitano, J., Tsukasa, R., Mukohira, H., … Ogawa, M. (2023). Science Advances, 9(10).

Working memory control dynamics follow principles of spatial computing. Lundqvist, M., Brincat, S. L., Rose, J., Warden, M. R., Buschman, T. J., Miller, E. K., & Herman, P. (2023). Nature Communications, 14, 1429.

Variability in training unlocks generalization in visual perceptual learning through invariant representations. Manenti, G. L., Dizaji, A. S., & Schwiedrzik, C. M. (2023). Current Biology, 33(5), 817-826.e3.

Neuronal excitability as a regulator of circuit remodeling. Mayseless, O., Shapira, G., Rachad, E. Y., Fiala, A., & Schuldiner, O. (2023). Current Biology, 33(5), 981-989.e3.

Flexible tool set transport in Goffin’s cockatoos. Osuna-Mascaró, A. J., O’Hara, M., Folkertsma, R., Tebbich, S., Beck, S. R., & Auersperg, A. M. I. (2023). Current Biology, 33(5), 849-857.e4.

Dorsomedial prefrontal hypoexcitability underlies lost empathy in frontotemporal dementia. Phillips, H. L., Dai, H., Choi, S. Y., Jansen-West, K., Zajicek, A. S., Daly, L., … Yao, W.-D. (2023). Neuron, 111(6), 797-806.e6.

Flexible reuse of cortico-hippocampal representations during encoding and recall of naturalistic events. Reagh, Z. M., & Ranganath, C. (2023). Nature Communications, 14, 1279.

Temporal continuity shapes visual responses of macaque face patch neurons. Russ, B. E., Koyano, K. W., Day-Cooney, J., Perwez, N., & Leopold, D. A. (2023). Neuron, 111(6), 903-914.e3.

Dynamic attention signalling in V4: Relation to fast‐spiking/non‐fast‐spiking cell class and population coupling. Sachse, E. M., & Snyder, A. C. (2023). European Journal of Neuroscience, 57(6), 918–939.

A process model account of the role of dopamine in intertemporal choice. Soutschek, A., & Tobler, P. N. (2023). eLife, 12, e83734.

Model-Based Approach Shows ON Pathway Afferents Elicit a Transient Decrease of V1 Responses. St-Amand, D., & Baker, C. L. (2023). Journal of Neuroscience, 43(11), 1920–1932.

The connectome of an insect brain. Winding, M., Pedigo, B. D., Barnes, C. L., Patsolic, H. G., Park, Y., Kazimiers, T., … Zlatic, M. (2023). Science, 379(6636).

Spontaneous recovery of reward memory through active forgetting of extinction memory. Yang, Q., Zhou, J., Wang, L., Hu, W., Zhong, Y., & Li, Q. (2023). Current Biology, 33(5), 838-848.e3.

[donnatroyprincessofthemyscira]

DC Comics New Releases for Wednesday, August 30, 2023

Absolute Superman For All Seasons HC, $100.00

Action Comics Presents Doomsday Special #1 (One Shot)(Cover A Bjorn Barends), $5.99

Action Comics Presents Doomsday Special #1 (One Shot)(Cover B Lucio Parrillo Card Stock Variant), $6.99

Action Comics Presents Doomsday Special #1 (One Shot)(Cover C Puppeteer Lee Card Stock Variant), $6.99

Action Comics Presents Doomsday Special #1 (One Shot)(Cover D Clayton Crain Card Stock Variant), AR

Action Comics Presents Doomsday Special #1 (One Shot)(Cover E Jon Bogdanove Card Stock Variant), AR

Action Comics Presents Doomsday Special #1 (One Shot)(Cover F Dan Jurgens Card Stock Variant), AR

Batgirl Volume 8 The Joker War TP (Rebirth), $16.99

Batman Catwoman The Gotham War Battle Lines #1 (One Shot)(Cover A Jorge Jimenez), $5.99

Batman Catwoman The Gotham War Battle Lines #1 (One Shot)(Cover B Joe Quesada Card Stock Variant), $6.99

Batman Catwoman The Gotham War Battle Lines #1 (One Shot)(Cover C Kael Ngu Card Stock Variant), $6.99

Batman Catwoman The Gotham War Battle Lines #1 (One Shot)(Cover D Blank Card Stock Variant), $6.99

Batman Catwoman The Gotham War Battle Lines #1 (One Shot)(Cover E Jonboy Meyers Foil Variant), $7.99

Batman Catwoman The Gotham War Battle Lines #1 (One Shot)(Cover F Otto Schmidt Card Stock Variant), AR

Batman Catwoman The Gotham War Battle Lines #1 (One Shot)(Cover G Kael Ngu Black & White Card Stock Variant), AR

Batman Catwoman The Gotham War Battle Lines #1 (One Shot)(Cover H Joe Quesada Black & White Card Stock Variant), AR

Batman Knightwatch TP, $16.99

Catwoman Uncovered #1 (One Shot)(Cover A Jamie McKelvie), $5.99

Catwoman Uncovered #1 (One Shot)(Cover B Frank Cho), $5.99

Catwoman Uncovered #1 (One Shot)(Cover C Olivier Coipel), $5.99

Catwoman Uncovered #1 (One Shot)(Cover D Stanley Artgerm Lau Foil Variant), $7.99

Catwoman Uncovered #1 (One Shot)(Cover E Babs Tarr), AR

Catwoman Uncovered #1 (One Shot)(Cover F Jeff Dekal), AR

G’nort’s Illustrated Swimsuit Edition #1 (One Shot)(Cover A Vasco Georgiev), $5.99

G’nort’s Illustrated Swimsuit Edition #1 (One Shot)(Cover B J Scott Campbell Card Stock Variant), $6.99

G’nort’s Illustrated Swimsuit Edition #1 (One Shot)(Cover C Adam Hughes Card Stock Variant), $6.99

G’nort’s Illustrated Swimsuit Edition #1 (One Shot)(Cover D Pablo Villalobos Card Stock Variant), AR

Harley Quinn The Animated Series The Eat Bang Kill Tour TP, $19.99

Knight Terrors Night’s End #1 (One Shot)(Cover A Howard Porter), $5.99

Knight Terrors Night’s End #1 (One Shot)(Cover B Simone Di Meo Card Stock Variant), $6.99

Knight Terrors Night’s End #1 (One Shot)(Cover C Mico Suayan Card Stock Variant), $6.99

Knight Terrors Night’s End #1 (One Shot)(Cover D Howard Porter Darkest Hour Neon Ink Card Stock Variant), $7.99

Knight Terrors Night’s End #1 (One Shot)(Cover E Dan Mora Card Stock Variant), AR

Knight Terrors Night’s End #1 (One Shot)(Cover F Kendrick Kunkka Lim Card Stock Variant), AR

Knight Terrors Night’s End #1 (One Shot)(Cover G Mico Suayan Card Stock Variant), AR

Phantom Stranger Omnibus HC, $150.00

Riddler Year One #6 (Of 6)(Cover A Bill Sienkiewicz), $4.99

Riddler Year One #6 (Of 6)(Cover B Stevan Subic), $4.99

Riddler Year One #6 (Of 6)(Cover C Jock), $4.99

Riddler Year One #6 (Of 6)(Cover D Martin Simmonds), AR

Sandman Universe Nightmare Country The Glass House #4 (Of 6)(Cover A Reiko Murakami), $3.99

Sandman Universe Nightmare Country The Glass House #4 (Of 6)(Cover B Matteo Scalera Card Stock Variant), $4.99

Sandman Universe Nightmare Country The Glass House #4 (Of 6)(Cover C Cathy Kwan Card Stock Variant), AR

Superboy The Man Of Tomorrow #5 (Of 6)(Cover A Jahnoy Lindsay), $3.99

Superboy The Man Of Tomorrow #5 (Of 6)(Cover B Adrian Gutierrez Card Stock Variant), $4.99

Superboy The Man Of Tomorrow #5 (Of 6)(Cover C Carlo Barberi Blue Beetle Movie Card Stock Variant), $4.99

Superboy The Man Of Tomorrow #5 (Of 6)(Cover D Scott Kolins Card Stock Variant), AR

Superman Red Son TP (2023 Edition), $19.99

Wonder Woman 1987 #1 (Facsimile Edition)(Cover A George Perez), $3.99

Wonder Woman 1987 #1 (Facsimile Edition)(Cover B Blank Variant), $4.99

Wonder Woman 1987 #1 (Facsimile Edition)(Cover C George Perez Foil Variant), $5.99

Merchandise

POP And Tee DC The Flash T-Shirt Large, AR

POP And Tee DC The Flash T-Shirt Medium, AR

POP And Tee DC The Flash T-Shirt Small, AR

POP And Tee DC The Flash T-Shirt X-Large, AR

0123DC114 ComicList: DC Comics New Releases for 08/30/2023 0623DC135 ComicList: DC Comics New Releases for 08/30/2023 0623DC136 ComicList: DC Comics New Releases for 08/30/2023

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0723DC012 ComicList: DC Comics New Releases for 08/30/2023 0523DC262 ComicList: DC Comics New Releases for 08/30/2023 0623DC191 ComicList: DC Comics New Releases for 08/30/2023

0623DC192 ComicList: DC Comics New Releases for 08/30/2023 0623DC193 ComicList: DC Comics New Releases for 08/30/2023 0623DC194 ComicList: DC Comics New Releases for 08/30/2023

0623DC195 ComicList: DC Comics New Releases for 08/30/2023 0623DC196 ComicList: DC Comics New Releases for 08/30/2023 0623DC203 ComicList: DC Comics New Releases for 08/30/2023

0623DC204 ComicList: DC Comics New Releases for 08/30/2023 0623DC205 ComicList: DC Comics New Releases for 08/30/2023 0623DC206 ComicList: DC Comics New Releases for 08/30/2023

0523DC271 ComicList: DC Comics New Releases for 08/30/2023 0623DC015 ComicList: DC Comics New Releases for 08/30/2023 0623DC016 ComicList: DC Comics New Releases for 08/30/2023

0623DC017 ComicList: DC Comics New Releases for 08/30/2023 0623DC018 ComicList: DC Comics New Releases for 08/30/2023 0623DC019 ComicList: DC Comics New Releases for 08/30/2023

0623DC020 ComicList: DC Comics New Releases for 08/30/2023 0623DC021 ComicList: DC Comics New Releases for 08/30/2023 0123DC213 ComicList: DC Comics New Releases for 08/30/2023

0623DC213 ComicList: DC Comics New Releases for 08/30/2023 0623DC214 ComicList: DC Comics New Releases for 08/30/2023 0623DC215 ComicList: DC Comics New Releases for 08/30/2023

0623DC216 ComicList: DC Comics New Releases for 08/30/2023 0623DC220 ComicList: DC Comics New Releases for 08/30/2023 0623DC221 ComicList: DC Comics New Releases for 08/30/2023

0623DC222 ComicList: DC Comics New Releases for 08/30/2023 0623DC164 ComicList: DC Comics New Releases for 08/30/2023 0623DC165 ComicList: DC Comics New Releases for 08/30/2023

0623DC166 ComicList: DC Comics New Releases for 08/30/2023 0623DC167 ComicList: DC Comics New Releases for 08/30/2023 0523DC278 ComicList: DC Comics New Releases for 08/30/2023

0723DC206 ComicList: DC Comics New Releases for 08/30/2023 0723DC813 ComicList: DC Comics New Releases for 08/30/2023 0723DC814 ComicList: DC Comics New Releases for 08/30/2023

PLEASE NOTE- not all of these titles will actually arrive in all stores. Please let me know if any of this information is inaccurate. Use the ComicList Printable Checklist to create shopping list to use at your local comic book shop. Visit GoCollect and use their next-generation, near real-time comic book price guide. Subscribe to our New Releases Lists and The Comic Collective.

© 1995-2023 Charles S. LePage. This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. Any questions regarding the use of this work should be directed to Charles LePage at comiclist@gmail.com.

081722C5-1 ComicList: DC Comics New Releases for 08/30/2023

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[typingtess]

NCIS: Los Angeles Season 14 Rewatch:    “Of Value”

The basics:  The team works to save a married team of architects with DoD contracts who were kidnapped in front of their children and nanny

Written by:   Kyle Harimoto wrote "Omni", "Merry Evasion", "Chernoff, K", "Command and Control" as episode 150, "Granger, O.", "Ghost Gun", "Kulinda", "767", "Se Murio El Payaso", "Assets"/"Liabilities", "Venganza", "Superhuman", "One of Us", "Let Fate Decide" (season 11 premiere), "Decoy", "Answers" , "Watch Over Me", "Cash Flow", "Fukushu", "Bonafides" and “Come Together” (season 13 finale).  He co-wrote "Three Hearts", "Leipei", "Humbug", both ends of the "Matryoshka" two-parter, "Smokescreen" part two, "Searching", "A Fait Acompli" and "A Tale of Two Igors" (season 12 finale). 

Directed by:   Diana C. Valentine who directed "Lokhay", "Fallout", Three Hearts", "The 3rd Choir", "Forest for the Trees", "Beacon", "Unspoken", "Seoul Man", "Crazy Train", "Under Pressure”, "Better Angels" and “The Circle”.  This is Valentine’s first episode with the series since season 11.

Guest stars of note:  Bar Paly as Anastasia "Anna" Kolcheck and Duncan Campbell as NCIS Special Agent Castor are both back from “Come Together”.  Gregory D. Gadson as Army Colonel Jackson Ladd, Sigrid Owen as Mila Curren, Regina Ting Chen as Navy Commander Cheng, Melanie Hawkins as Linsey Sandhagen, Lawrence J. Hughes as Emmett Sandhagen, Elester Lantham as Jerry, Dominic Zamprogna as Paul Figueiredo, Kaya Jackson as Sophia Sandhagen, Devin Looc as Ty Sandhagen, Matthew Law as Josh McCall, Alain Mora as Chito Aldana, Torshawn Roland as Jay and Glen Steele as Man.

Our heroes:   Are oddly paired up in this episode.

What important things did we learn about: Callen:   Wanted to be an architect when he was a kid. Sam:   Taking Raymond to a specialist in Orange County. Kensi:   Parent teacher meeting attendee. Deeks:   Getting in required time at the range. Fatima:   Likes the Lakers, especially Lakers games with her dad. Rountree:  Running Ops like a boss. Kilbride:  Searching for a friend.

What not so important things did we learn about: Callen:   Misses Sam while teamed with Deeks. Sam:   Absent. Kensi:   Not a big sister to Fatima, certainly not a favorite aunt. Deeks:  Writing essays and not doing calculus. Fatima:   Using the entirely wrong skincare products according to her mom. Rountree:   Arguing with Kilbride about college football. Kilbride:  Arguing with Rountree about college football.

Where in the world is Henrietta Lange?  Not a mention.

Who's down with OTP:   Kensi and Deeks spent almost no time together in this hour.  The chatted about Rosa to start the episode and grabbed a bite with Callen and Fatima to end the hour.  Callen and Anna had a nice coffee run to start the day and some wine in the garden at the end.

Who's down with BrOTP:  Forget the bros, Kensi and Fatima were sisters doing it for themselves.  They had a lovely chat in the Kensi’s Audi, worked hand in glove to save the day. 

Fashion review:   Callen wore a blue/green/white plaid button down shirt.  A white with thin black stripes henley for Kensi.  A grey long-sleeve tee for Deeks.  Fatima is wearing a white turtleneck under a royal blue sweatshirt.  A denim jacket with a pink tee-shirt for Rountree.  A blue three piece-suit with a white dress shirt and red tie for the Admiral.

Music:   Lots.  This is season one level of music usage.  “Collect Your Things and Run” by Hot Water Music opens the episode in the teaser.  “L’enfant roi” by Noir Desir plays as Kensi and Fatima are taking out the bad guys.  “Blue on Black” by Kenny Wayne Shepherd is playing at the bar where Col. Ladd is drinking.  “Good Things Come with Time” plays while Callen and Anna are having a moment at the end of the episode.

Any notable cut scene:   Not today.

Quote:  Col. Ladd:  “When I was a junior officer, I was a door kicker.  First one through every time.  Every time.  Then I moved to Intel, where I protected and led some of the toughest, most well-trained men on the planet.  And you know what happened on Sunday?  I'm walking into the store.  Old lady runs ahead of me opens the door, looks at me with those eyes.  Like I was less than.  I was a damn super hero, Hollace.  And now I got some old lady's pity.”

Anything else:    A young guy is skateboarding down a street with a friend recording him.  As they wrap out this shot, a delivery robot, Yum Inside, tries to pass them.  They think about stealing the food inside when an older neighbor tells them to not to steal.   Things get tense until a van comes barreling down the street.  It runs over Yum Inside (RIP) with food and beverages going everywhere.  A woman runs to the older man and the skateboard crew yelling “stop that van!”

Callen and Anna are walking home from a great coffee shop near their new home.  She has a job interview with the Surfrider Foundation, an environmental group.  Callen is bit surprised Anna is leaving law enforcement but remembers she made up a story about working in an area destroyed by fires when she was looking for Katya.  They pass an older man gardening.  Callen has a Pembrook flashback.

Updating Deeks by phone, Kensi is leaving a meeting with Rosa’s teachers, who are impressed with how well she is doing considering the turmoil she been through over the last six months.  The teachers did notice that Deeks helped write one of her essays and that Rosa could use a math tutor.  Deeks thinks they should be the people Rosa turns to when she has problems.  Kensi agrees.  She’s ordering a calculus text book and Deeks can start tutoring her immediately.  For the sake of the economy, Deeks thinks they should hire a tutor.

Callen arrives to a nearly empty office.  Fatima is there with news that Sam is taking his father to see a specialist in Orange County.   She also mentions that Kilbride and Rountree are fighting over college football but she quickly tuned that out.  Callen is surprised – Fatima said she was a sports fan.  No, she’s a Lakers fan and a Lakers fan when she can go to a game with her dad.  Callen asks about Fatima’s mother, who is doing well.  So well, in fact, that she can focus her attention on all the things Fatima is doing wrong with her life.  Starting with skincare.  Callen finds this all interested so he’s joining them for the next family brunch.  Rountree texts Fatima – he's in Ops and they have a case.

The case is the kidnapping of Linsey and Emmett Sandhagen from their Westwood home.  The kidnapping was witnessed by their nanny, Mila Curren.  The Sandhagens have two children – a boy and a girl - and are architects.  Callen asks why NCIS is involved.  Rountree explains that the Sandhagens specialize in designing secure facilities and are civilian DOD contractors working close with the Seabees.  Callen details Kensi and Fatima to Port Hueneme to talk to the Seabees while he and Deeks will interview Mila Curren.

With Agent Castor, the Sandhagen children are playing a game in the interview room.  Juice boxes for everyone.  Curren is being interviewed in the boatshed’s main room.  She was getting the kids ready for school when she heard Emmet yell.  Three men with ski-masks were in the kitchen as she started down the stairs.  Seeing the men, she ran back upstairs and put the kids in a secure safe room.

Deeks asks if the men went after the kids – they did not.  Curren is confused since the house has a lot of pricy items, expensive pieces of art.  The only thing the kidnappers wanted was the Sandhagens.  Asked about any stress points in their lives, Curren is stunned – the Sandhagens are the nicest people.  Everyone loves them.  They took her on a family vacation with the kids to Hawaii.  There were no money issues.  Curren is upset for the children and Deeks looks worried too.

In Ops, the Admiral arrives, asking if Kensi and Fatima are at Port Hueneme yet.  They are about 20-minutes out.  He asks Rountree for information about a Col. Jackson Ladd.  Rountree finds some info but it likely isn’t current.  The address had Col. Ladd’s name removed from the utilities a while back.  Rountree asks about Ladd.  The Admiral calls Ladd the finest the man to ever serve in the Army in every conflict going back 25-years.  In his last deployment, Ladd lost both legs in a door breech explosion.  Ladd is struggling to figure out where he belongs in the world after being the best of the best and losing it all in an instant. 

Driving to Port Hueneme, Fatima asks Kensi about “the whole parenting thing” – easier or harder than they thought it would be.  Kensi says it isn’t easier or harder, just different.  She was so worried about how Rosa would be emotionally after settling in with them but things are going really well. 

Kensi asks about Fatima about Akhil.  Fatima thinks they are solidly in the friend zone.  Fatima isn’t sure what she wants.  The last time she was dating, she was acting, partying, going out all night every night.  After the accident, she changed everything about herself.  Literally, everything except her family.  Kensi thinks it is a good thing.  Fatima agrees but New Fatima doesn’t know how to do relationships the way Old Fatima did.  Kensi likes the New Fatima and is honored to consider her a friend.  Fatima is happy since she admires Kensi.  Kensi stops Fatima and tells her not to compare her to an older sister.  Fatima wouldn’t, she thinks of Kensi more like a favorite aunt.  That didn’t go well.

Exiting interrogation, Castor tells Callen and Deeks how much he likes the Sandhagen children. Callen thinks for their safety, Castor should take the kids and Curren to Seal Beach and have them guarded at the base.  On the plasma, Rountree has the Sandhagens’s financials.  No credit card debt, large savings and retirement accounts.  There is a vacation home in Hawaii.  Deeks thinks he and Kensi are just like the Sandhagens except for the vacation home, saving and retirement accounts and oh yeah, money. 

Signing off with the boatshed, Rountree turns to a returning Admiral with questions about Ladd.  Rountree hasn’t found any credit card or ATM activity in days.  The Admiral wants LAPD to do a welfare check at Ladd’s home. 

Finally at Port Hueneme, Kensi and Fatima meet with a Commander Cheng.  Cheng supervises the work done by the Seabees.  The Sandhagens were well-regarded by both the Seabees and the Navy staff.  Kensi asks about what the Sandhagens did for the Navy.  As soon as Kensi asks a question, Cheng stops and asks about the Sandhagen children.  She is relieved to hear they are safe.

The Sandhagens are civilian contractors currently working with on three of the Navy’s top projects.  Fatima explains that the SECNav has been in contact with Kilbride.  The three projects all have enhanced security since the kidnapping.  The three locations include a weapon depot at Camp Pendleton and an underground drone control base in the Mojave.  The third location was the Sandhagens’s “masterpiece”.  Kensi and Fatima were not briefed on that project and could only speak in person with Cheng about it.

The third location is a multiservice missile deterrence command and control center built directly into a mountain in a classified location.  Cheng can’t share the location with Kensi or Fatima.  The command center is responsible for over 300 missiles on US soil.  If a hostile foreign government or terrorist get control of that location, they could “take out most of our domestic military operations with the ballistic missiles,” according to Cheng. 

Back on the plasma, Rountree found a partner in the Sandhagens business.  Paul Figueiredo has some money but it all pales in comparison to the Sandhagens fortune.  And he has a ton of credit card debt.  They are all equal partners in the firm.  Deeks wonders if the Sandhagens are funneling company profits right into their accounts.  Callen thinks they could be selling classified info to the highest bidder. 

Paul Figueiredo is in the boatshed’s main room – Castor picked him up.  He’s sick about what happened to the Sandhagens and will do whatever is needed to help.  But first he asks about Ty and Sophia – the Sandhagen children.  He’s also asking if Mila is with the kids.  He’s relieved to hear they are all in a security location.

Callen asks about the business.  Figueiredo owns a third, Linsey owns a third and Emmet owns a third.  Looking at the Sandhagens’s financials and Figueiredo’s, Callen points out the difference.  Figueiredo is a bit surprised he was being investigated but he has nothing to hide.  He explains that while he is a partner in the military contracting business, the Sandhagens have a civilian business and he’s not a part of that.

It is Deeks’s turn to be surprised since there is no record of that business in any of the Sandhagens’s financials.  That was intentional, according to Figueiredo.  The business is held by a series of trusts so make sure nothing could be traced back to the family.  The civilian jobs were safe rooms in houses and businesses, “bug out” cabins in the mountains.  Wealthy people are willing to pay for safety. 

Figueiredo was offered an equal share in that business but he wasn’t interested.  Unlike the Sandhagens, he doesn’t live to work.  Working allows him to camp, hunt, surf, do jujitsu – things he wants to do.  Callen asks if he has any remorse about not joining with the Sandhagens when he saw the money coming in.  He doesn’t because the Sandhagens worked 24/7/365 to get the business launched.  And it was a huge accomplishment.  While Figueiredo does not know who the Sandhagens’s private sector clients were, he knew all business was done from their home office. 

Driving back from Port Hueneme, Kensi tells the Admiral they are about 40-minutes out.  The Admiral is going to send Kensi and Fatima a list of the Sandhagens’s private clients.  This makes more sense – anything the kidnappers could get from private clients would be a lot easier to sell than military items.  The SECNav is still protecting the military projects.

Deeks is blown away by the Sandhagen home.  Being an architect pays.  Callen mentions wanting to be an architect as a kid.  Deeks thought he’d like it too without the math and engineering.  Near the door is a group of fun family photos of the Sandhagens – family events, skiing, bike riding, just living their happy lives.  Deeks is horrified they were taken from their own home.  Callen asks about Rosa.  Deeks is in awe – Rosa fit in a like a champ though he’s pretty sure she’s really sick of him asking if there is anything she wants to talk about.  “Well, I think we all are at this point,” Callen snarks. 

Deeks asks about the engagement.  Callen tells him that Anna is looking at life in Los Angeles without a career in law enforcement.  Deeks is sorry that Anna wants out of law enforcement but understands better than anyone the downside of a “two badge family.”  Deeks starts talking about future Callen-Anna kids but Callen is happy to have found the Sandhagen office.

With Rountree, Callen and Deeks get a list of the Sandhagen clients.  The Admiral is now back in Ops.  There are a lot of banks, stores and high net-worth individuals on the client list.  Kensi-Fatima and Callen-Deeks are going to check clients near their locations, the FBI HRT will also help.

Rountree breaks the news to Kilbride that LAPD found nothing but some empty whiskey bottles and a lot of empty beer cans in Col. Ladd’s home.  The Admiral is waiting for another bit of bad news but the empty bottles and cans were Rountree’s sad story.  The Admiral is outraged.  Long before meditation and mindfulness unleashed by Rountree’s generation, “many, many generations before you achieved the exact same result using a combination of whiskey and beer.”  The Admiral storms out.

Kensi and Fatima checked out an armored truck depot and a fancy watch store.  Next on their list is a Santa Monica bank, a place called Even Mavrik and a high-end cigar and wine place.  Kensi wants to go back to Even Mavrik, which in Hebrew mean “brilliant stone.”  They are diamond brokers.

As Callen and Deeks leave and Sandhagen home, Rountree calls.  The client list was last downloaded a month ago.  Callen thinks it could be for quarterly taxes but the Sandhagens were working on a project in Port Hueneme.  Commander Cheng verified they were with her.  Mila the Nanny becomes a suspect.

Castor brings Curren to the interrogation room.  She notices it is a lot more cramp than the outside area where she was questioned earlier.   Deeks want to clarify that Curren was working for the Sandhagens since she graduated from Harvey Mudd, one of the country’s top colleges for engineering.  Curren explained that it took her a little longer to finish college because she didn’t have rich parents but she graduated with a computer science degree. 

Deeks mentions the $230,000 in student loan debt.  And while the Sandhagens pay well, with rent, cellphone bills, Wi-Fi costs and food, that doesn’t leave much for monthly student loan payments.  But even with all money going out, Curren hasn’t missed a loan payment.  She tries to explain that she’s worked hard but Deeks cuts her off.   He knows it is hard to come up with spare cash like that every single month to buy a money order from the local 7-Eleven to pay for the monthly loan.  Curren asks if that is a problem.  It isn’t, Callen tells her, as long as she has records for the incoming cash.  She sells clothes to Buffalo Exchange and they pay in cash.  It’s not a problem for Deeks, he’ll just get the records from Buffalo Exchange.

Nervous, Curren explains that her parents were so excited when she got into Harvey Mudd.  They just didn’t understand how much debt she’d wind up incurring by getting her degree.  She actually makes more money as a nanny than she would working and using her degree.  With a sick mother, Curren has to live in Los Angeles but it is impossible with the debt she has.  Playing bad cop, Deeks wants to know who gave her the money.  Good cop Callen knows that Curren doesn’t want to see the Sandhagens hurt and wants the kids to see their parents again. 

Curren explains she met a man in a restaurant.  He was so nice.  She now owes him so much money there is no way to pay her back.  The man wanted to rob a place the Sandhagens designed.  She never thought they’d be kidnapped, she never thought anyone would get hurt.  The man’s name is Josh McCall – Deeks is on the phone with Rountree trying to track McCall down.

Kensi and Fatima come up to the building  – a very locked-up building - housing Even Mavrik.  One of the vents has been removed.  Kensi and Fatima go in.

Josh McCall, according to Rountree, has been in and out of the system his entire life.  DUI, assault, grand theft auto to name a few of his crimes.  LAPD RHD believes he is working with Chito Aldana, who runs a high-end heist crew.  They robbed an art gallery in Beverly Hills recently.  Callen and Deeks are going to check out McCall’s home.

Kensi and Fatima are checking out the insides of Even Mavrik.  While they are looking around, Aldana is checking in with McCall.  He wants to know what is taking so long.  The diamond dealers locked themselves inside in their diamond vault.  Since the Sandhagens built them, they can probably get into the vaults.  Kensi and Fatima worry that once the Sandhagens get into the vault, they’ve outlived their usefulness.  Kensi tries to call the office but there is no service.  Without their cellphones or ability to use their guns (too much noise), Kensi and Fatima have to rescue the Sandhagens on their own.

Callen, Deeks and the tactical team go into McCall’s home.  It’s empty.  Deeks keeps talking and Callen misses Sam.  Deeks finds some lottery tickets and is bothered that Callen misses Sam.  He sends a photo of the tickets to Rountree.

The Admiral and Rountree are concerned that Kensi and Fatima are offline.  Rountree goes back to when they last had cell service and found that McCall and Aldana have a scrambler.  He has no idea where they are.

A guard is walking through Ever Mavrik when Fatima stun guns him.  As she and Kensi hide his body, a co-criminal calls for the guard.  Kensi puts him in choke hold.  She drags him to the room with the guard.  Taping both of the bad guys’ mouths closed, the women lock the men into a janitor’s closet. 

Outside the vault, Kensi tells Fatima she sees the Sandhagens working on the vault.  McCall starts yelling that Red and Bobby are gone.  Kensi and Fatima hide while McCall and Aldana talk.  Aldana thinks Red and Bobby ran but McCall has Red’s guard hat.  It fell off during the struggle with Fatima.  Aldana believes the facility has more real guards on duty.  Aldana wants the guards found now.  “You won’t leave this building alive.”

Rountree traced the lottery tickets to a gas station outside of Ever Mavrik.  Callen and Deeks are on their way.  Deeks asks if Kensi and Fatima are on their way.  Rountree mentions they are missing and Deeks is not pleased.  “Find them.”

As the Sandhagens manually drill through the vault, Aldana is getting impatient.  When Emmett tells Aldana it will take as long as it takes, that gets Emmett a gun pointed at his chin.  Fatima wants to go in but Kensi stops her – Aldana needs the Sandhagens.  McCall returns with an extra goon.  Extra goon is going to stay with the Sandhagens, Aldana and McCall are going to search the building.  Kensi is going to distract Aldana and McCall while Fatima works to rescue to the Sandhagens.

Kensi breaks some glass on the first floor so Aldana and McCall are on the move.

Deeks tells Rountree he and Callen are five minutes out.  When he asks about Kensi, Rountree doesn’t haven an answer. 

Aldana finds a door ajar.  Opening the door, he finds Red and Bobby.  Kensi finds a pipe and whacks Aldana in the head.  He joins Red and Bobby in the unexpected nap room.

While the Sandhagens are working, the goon hears some noise from a printer room.  He find a copy machine making hundreds of copies of a smiley face.  Fatima comes up from behind him and starts beating him with her baton.  Several kicks to the head later, the goon is out cold on the ground. 

On the first floor, McCall gets several shots off at Kensi.  The two have a good old fashion fight.  He tosses her around, she does the same.  She gets him into a sleeper hold and the Rock would be proud as how quickly he went down. 

Fatima gets the diamond brokers out of the vault.  The Sandhagens are assured their children are safe.  They are incredibly grateful. 

LAPD is taking the bad guys away.  The Sandhagens are facetiming with their kids, who are happy Agent Castor got them ice cream.  LAPD is bringing them home.

The team recap the case.  Fatima is thirsty.  Deeks knows about a Cuban place nearby.  Kensi is hungry and Callen is paying.

At a bar, Col. Ladd is drinking alone.  The Admiral joins him, wondering why Ladd “no-showed” a job interview.  Ladd is grateful for what the Admiral and “the guys” are trying to do for him but he’d rather “do a deep dive with a weight belt and no tank” than do phone sales in a cubicle.  The Admiral admits the job wasn’t the best match for Ladd.  Ladd explains that he was a door kicker as a junior officer – the first one in every time he was sent out on a mission.  When he moved to Intel, he led the toughest, best trained soldiers in the world.  On Sunday, he was going to the supermarket and an old lady ran to help him at the front door.  He felt that she saw him as “less than”.

The Admiral agrees that Ladd was never meant for the private sector.  Ladd was a soldier, always was, always will be.  Getting him a job with people who don’t understand that was a mistake.  And if Ladd puts his drink down, the Admiral will get him a job fit for a soldier.  Ladd doesn’t want charity.  This isn’t charity.  Kilbride won’t be holding the door open for Ladd.  The Admiral leaves.  Ladd stands up with the help of a cane. 

Callen and Anna are hanging out in their garden, sipping wine.  Anna got the job but didn’t take it.  She would be in the office all day and it wasn’t what she was trained for.  Instead, she looking at a company that specializes in finding kidnapped children.  She isn’t sure that what she wants either.  Anna turns the conversation to Callen.  She knows he thought he saw Pembrook earlier that day.  He says he did.  She understands that he needs to track Pembrook down.  “But,” Callen says.  So much had to go right for the two of them to wind up together, maybe they should just enjoy the good.

What head canon can be formed from here:    The Kensi-Fatima scene during the ride up to Port Hueneme was terrific.  The program did a great job over the year with the Kensi-Nell friendship and there, they were planting the seeds for a Kensi-Fatima friendship.

The Admiral’s whiskey and beer rant looked like it had Caleb Castille laughing just a bit.

Col. Ladd was a character this program needed years ago.  In seasons one and two, Daniel Hugh Kelly popped up as an unnamed military person who knew things.  The program needed that type of character.  Kilbride was that character for a while until Nell decided running off with Eric was more fun than running the team.

Finally, this episode had a Covid season feel.  Everyone was siloed with another team member and basically worked that that member only.  Yes, Callen had a chat with Fatima but that was in a perfectly empty office.  There was a short scene with most of the team (save Kensi) in Ops and the meet-up at the end.  Not a bad episode but I like the team when they work together.

Episode number:     Season 14, episode two.  This is 304 overall. 

[czolgosz]

list of pdfs on my phone because i know everyone wants to find out

race, discourse, and the origin of the americas: a new world view (many authors. i'm not writing all that)

what is to be done? (vladimir lenin)

"chemistry and the 19th-century american pharmacist" (gregory j. higby)

the torture garden (octave mirbeau)

"the vane sisters" (vladimir nabokov) + questions for discussion

"the tell-tale heart" (edgar allan poe)

"the lottery" (brainerd duffield)

slideshow about different english cities during the industrial revolution

the compleat works of nostradamus

"terms of endearment in english" (julia landmann)

"speech reflections in late modern english pauper letters from dorset" (anne-christine gardner)

"slopjank prographilose" (rose q. drifting & magnesium oxide)

a few pages of the 1897 sears, roebuck & co. catalog + some other related things

orientalism (edward said)

"in event of moon disaster" (bill safire)

ragtime (e. l. doctorow)

enough to make you blush: exploring erotic humiliation (princess kali)

"you're a mean one, mr. grinch" (dr. seuss) + close reading questions

merry muses of caledonia (robert burns)

"women and the english civil wars" lesson outline

"the concept of the left" (leszek kołakowski)

"kids in the early 1900s" (betty debnam)

"heterosexualism and the colonial/modern gender system" (maría lugones)

"for heidi with blue hair" (fleur adcock)

"flowers for algernon" (daniel keyes)

excerpt of the beginning of m*a*s*h (tim kelly)

tristan tzara poetry collection

"the nature of the beast: the portrayal of satan in the ballads of seventeenth century england" (christopher bailey)

"all the king's horses" (kurt vonnegut)

"conditional divorce in ottoman society: a case from seventeenth-century erzurum" (bilgehan pamuk)

"gender oppression in the enlightenment era" (barbara cattunar)

who's afraid of virginia woolf? (edward albee)

"visual difference & disfigurement in the arts"

"trans-misogyny primer" (julia serano)

the brothers karamazov (fyodor dostoyevsky)

the other victorians: a study of sexuality and pornography in mid-nineteeth century england (steven marcus)

the mistborn trilogy (brandon sanderson)

"the life of an unknown assassin: leon czolgosz and the death of william mckinley" (cary federman)

the brothers karamazov (fyodor dostoyevsky) again

spanish idioms with their english equivalents: embracing nearly ten thousand phrases (sarah cary becker & federico mora)

a sensation novel (w. s. gilbert)

basic principles of marxism–leninism: a primer (jose maria sison)

russia under the old regime (richard pipes)

tristan tzara: dada and surrational theorist (elmer peterson)

pan tadeusz (adam mickiewicz)

psycho nymph exile (porpentine heartscape)

1984 (george orwell)

neath to reach zine: the traveler's guide to [illegible] (i am not writing all that!!)

the dada painters and poets: an anthology (i continue to not write all that)

machine of death (still not writing all that)

"merchants, proto-firms, and the german industrialization: the commercial determinants of nineteenth century town growth" (gavin greif)

"introduction to the history of mental illness"

"girl detective & the mystery of the sap-stained skirt" (porpentine heartscape)

gadsby (ernest vincent wright)

feeling very strange: the slipstream anthology (authors galore.)

english women's clothing in the nineteeth century (c. willett cunnington)

socialism: utopian and scientific (friedrich engels)

the waste land (t. s. eliot)

"debility and disability in edith wharton's novels" (karen weingarten)

death of riley (rhys bowen)

"the black vampyre: a legend of st. domingo" (uriah derick d'arc)

raoul hausmann and berlin dada (timothy o. benson)

flight out of time: a dada diary by hugo ball

art and production (boris arvatov)

"the culture industry: enlightenment as mass deception" (theodor adorno & max horkheimer)

a gilded lady (elizabeth camden)

"changing narratives of martyrdom in the works of huguenot printers during the wars of religion" (byron j. hartsfield)

112 gripes about the french

"the spelling of the country name "romania" in british official usage: from uncertainty to standardization" (paul woodman)

"sarajevo 1914: trial process against young bosnia – illusion of the fair process" (veljko m. turanjanin & dragana s. čvorović)

[gifmeakiss]

Gifs of Actors A-J

. . . for K-Z click HERE

A

Alice Braga

Alinne Moraes

Allison Scagliotti

Álvaro Morte

Amita Suman

Andreas Pietschmann

Anya Chalotra

Aya Asahina

Ayaka Konno

Ayame Misaki

B

Bianca Comparato

Boyd Holbrook

Burn Gorman

C

Camila Mendes

Candice Accola King

Clemens Schick

Cote de Pablo

Courteney Cox

D

Daniel Brühl

Daniel Gillies

Daniel Kaluuya

David Duchovny

David Tennant

Dominic Cooper

E

Elyas M'Barek

Emilia Jones

Emma Appleton

Emma Mackay

Emmy Raver-Lampman

Eve Myles

Ewan McGregor

F

Florence Kasumba

Freema Agyeman

G

Gugu Mbatha-Raw

H

Hannah John-Kamen

Harold Perrineau

Hayley Law

I

Ian Somerhalder

Ícaro Silva

Idris Elba

Ilkka Villi

Iwan Rheon

J

Jade Tailor

Jella Haase

Jenna Ortega

Jessica Parker Kennedy

Jessie Mei Li

Jodelle Ferland

Joey Batey

John Boyega

John Simm

[collectorscorner]

CC New Arrivals @ Collectors Corner : WEDNESDAY - 3/8/23.

Collectors Corner Parkville - HQ : OPEN for IN STORE SHOPPING -1-410-668-3353. CC Parkville - 2023 STORE HOURS, Sunday 12-6, Mon-Tues 12-7, Wed 9-8, Thurs 11-7, Friday & Saturday 11-8.

Collectors Corner - Bel Air Outpost Location : OPEN for IN STORE SHOPPING - 1-410-838-1777. CC Bel Air - 2023 STORE HOURS, Sunday 11-5, Monday/Tuesday - Closed, Wednesday 11-8, Thursday 11-7, Friday/Saturday 11-8.

Complete list of items shipping to the stores, some items may be limited in availability. If you see anything you want to purchase on the list and are not a subscription member at Collectors Corner, just contact us and let us know if you want an item held at the stores

Email - collectorscornermd@comcast.net

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Maryland's Coolest Stores! Since 2001.

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7911 Harford Rd

Parkville, MD 21234

&

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Bel Air, MD 21014

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PUBLISHER/TITLE/PRICE

ABLAZE PUBLISHING

Children Of The Black Sun #3 (Cover A Letizia Cadonici), $3.99

AFTERSHOCK COMICS

Samurai Doggy #4, $3.99

AHOY COMICS

Gimmick #1 (Of 5)(Cover A Erica Henderson), $3.99

ARCHIE COMIC PUBLICATIONS

Archie Jumbo Comics Digest #338, $9.99

Betty And Veronica Friends Forever Rock And Roll #1, $2.99

AWA STUDIOS

Black Tape #2 (Of 4)(Cover A Dan Panosian), $3.99

BOOM! STUDIOS

Briar #3 (Of 4)(2nd Printing Cover A German Garcia), $3.99

Know Your Station #4 (Of 5)(Cover A Liana Kangas), $3.99

Know Your Station #4 (Of 5)(Cover B Becca Carey), $3.99

Know Your Station #4 (Of 5)(Cover C Liana Kangas Cardstock Virgin Variant), AR

Know Your Station #4 (Of 5)(Cover D Ming Doyle Virgin Variant), AR

Once Upon A Time At The End Of The World #1 (3rd Printing Cover A A.L. Kaplan), $4.99

Power Rangers Volume 6 TP, $16.99

COMIC SHOP NEWS

Comic Shop News #1855, AR

DARK HORSE COMICS

Assassin’s Apprentice I #4 (Of 6)(Cover A Anna Steinbauer), $3.99

Berserk Deluxe Edition Volume 13 HC, $49.99

Clear #1 (Of 3)(Cover A Francis Manapul), $4.99

Clear #1 (Of 3)(Cover B Francis Manapul), $5.99

Clear #1 (Of 3)(Cover C Francis Manapul), $5.99

Clear #1 (Of 3)(Cover D Francis Manapul), $5.99

Space Job #2 (Of 4)(Cover A Alvaro Sarraseca), $3.99

DC COMICS

Adventures Of Superman Jon Kent #1 (Of 6)(Cover A Clayton Henry), $3.99

Adventures Of Superman Jon Kent #1 (Of 6)(Cover B Zu Orzu Card Stock Variant), $4.99

Adventures Of Superman Jon Kent #1 (Of 6)(Cover C Rafael Sarmento Card Stock Variant), $4.99

Adventures Of Superman Jon Kent #1 (Of 6)(Cover D Yasmin Flores Montanez Card Stock Variant), $4.99

Adventures Of Superman Jon Kent #1 (Of 6)(Cover E Al Kaplan Card Stock Variant), $4.99

Adventures Of Superman Jon Kent #1 (Of 6)(Cover F Clayton Henry Card Stock Variant), $4.99

Adventures Of Superman Jon Kent #1 (Of 6)(Cover G Megan Huang Card Stock Variant), $4.99

Adventures Of Superman Jon Kent #1 (Of 6)(Cover H Lee Weeks Shazam Fury Of The Gods Movie Card Stock Variant), $4.99

Adventures Of Superman Jon Kent #1 (Of 6)(Cover I Jordi Tarragona Card Stock Variant), AR

Adventures Of Superman Jon Kent #1 (Of 6)(Cover J Clayton Henry Foil Variant), AR

Adventures Of Superman Jon Kent #1 (Of 6)(Cover K Dan Mora Design Spot Gloss Variant), AR

Batgirls Volume 2 Bat Girl Summer TP, $19.99

Batman #133 (Cover A Jorge Jimenez), $4.99

Batman #133 (Cover B Joe Quesada Card Stock Variant), $5.99

Batman #133 (Cover C Stanley Artgerm Lau Card Stock Variant), $5.99

Batman #133 (Cover D Derrick Chew Card Stock Variant), AR

Batman #133 (Cover E Stanley Artgerm Lau Foil Variant), AR

Batman #357 (Facsimile Edition)(Cover A Ed Hannigan & Dick Giordano), $3.99

Batman #357 (Facsimile Edition)(Cover B Ed Hannigan & Dick Giordano Special Foil Variant), $4.99

Batman #357 (Facsimile Edition)(Cover C Blank Variant), $4.99

Batman And The Joker The Deadly Duo #5 (Of 7)(Cover A Marc Silvestri), $4.99

Batman And The Joker The Deadly Duo #5 (Of 7)(Cover B Whilce Portacio Batman Variant), $4.99

Batman And The Joker The Deadly Duo #5 (Of 7)(Cover C Whilce Portacio Joker Variant), $4.99

Batman And The Joker The Deadly Duo #5 (Of 7)(Cover D Gary Frank), AR

Batman And The Joker The Deadly Duo #5 (Of 7)(Cover E Marc Silvestri), AR

Batman And The Joker The Deadly Duo #5 (Of 7)(Cover F Daniel Warren Johnson), AR

Batman Superman World’s Finest Volume 1 The Devil Nezha HC, $24.99

Blue Beetle Jaime Reyes Volume 2 TP, $16.99

Flash #794 (Cover A Taurin Clarke)(One-Minute War), $3.99

Flash #794 (Cover B Marco Dalfonso Card Stock Variant)(One-Minute War), $4.99

Flash #794 (Cover C George Kambadais Card Stock Variant)(One-Minute War), $4.99

Flash #794 (Cover D Jerry Ordway & Alex Sinclair Shazam Fury Of The Gods Movie Card Stock Variant)(One-Minute War), $4.99

Flash #794 (Cover E Eleonora Carlini Card Stock Variant)(One-Minute War), AR

Flash #794 (Cover F Taurin Clarke Foil Variant)(One-Minute War), AR

Flash One-Minute War Start The Clock #1 (One Shot)(Cover A Roger Cruz/Wellington Dias/Luis Guerrero), $5.99

Joker The Man Who Stopped Laughing #6 (Cover A Carmine Di Giandomenico), $5.99

Joker The Man Who Stopped Laughing #6 (Cover B Lee Bermejo), $5.99

Joker The Man Who Stopped Laughing #6 (Cover C Kendrick Kunkka Lim), $5.99

Joker The Man Who Stopped Laughing #6 (Cover D Jeff Spokes), AR

Monkey Prince #12 (Cover A Bernard Chang), $3.99

Monkey Prince #12 (Cover B InHyuk Lee Card Stock Variant), $4.99

Monkey Prince #12 (Cover C Bernard Chang Card Stock Variant), AR

Nice House On The Lake Volume 2 TP, $19.99

Nightwing #100 (2nd Printing Cover A Bruno Redondo), $6.99

Nightwing #100 (2nd Printing Cover B Dan Mora Card Stock Variant), AR

Poison Ivy #10 (Cover A Jessica Fong), $3.99

Poison Ivy #10 (Cover B Jenny Frison Card Stock Variant), $4.99

Poison Ivy #10 (Cover C Joshua Middleton Card Stock Variant), $4.99

Poison Ivy #10 (Cover F Skylar Patridge International Women’s Day Card Stock Variant), AR

Static Shadows Of Dakota #2 (Of 6)(Cover A Nikolas Draper-Ivey), $3.99

Static Shadows Of Dakota #2 (Of 6)(Cover B Paris Alleyne Card Stock Variant), $4.99

Static Shadows Of Dakota #2 (Of 6)(Cover C Sanford Greene Card Stock Variant), AR

Teen Titans Robin TP, $16.99

DYNAMITE ENTERTAINMENT

Cherish #5 (Cover A Stuart Sayger), $3.99

Cherish #5 (Cover B Ben Templesmith), $3.99

Darkwing Duck #1 (Facsimile Edition)(Cover D John Blair Moore Gold Foil Logo Variant), AR

Darkwing Duck #1 (Facsimile Edition)(Cover E John Blair Moore Purple Foil Logo Variant), AR

Darkwing Duck #2 (Cover T David Nakayama Virgin Variant), AR

Darkwing Duck #2 (Cover U Mirka Andolfo Virgin Variant), AR

Dejah Thoris Volume 4 #1 (Cover A Lesley Leirix Li), $3.99

Dejah Thoris Volume 4 #1 (Cover B Joseph Michael Linsner), $3.99

Vampirella Vs. Red Sonja #5 (Cover A Lucio Parrillo), $4.99

Vampirella Vs. Red Sonja #5 (Cover B Joseph Michael Linsner), $4.99

Vampirella Vs. Red Sonja #5 (Cover C Steve Beach), $4.99

Vampirella Vs. Red Sonja #5 (Cover D Drew Moss), $4.99

IDW PUBLISHING

Dungeons And Dragons Honor Among Thieves The Feast Of The Moon Official Movie Prequel GN, $14.99

Genius Illustrated The Life And Art Of Alex Toth TP, $34.99

Godzilla Rivals Mothra Vs. Titanosaurus #1 (Cover A Ferio Wind), $7.99

Godzilla Rivals Mothra Vs. Titanosaurus #1 (Cover B Sophie Campbell), $7.99

Godzilla Rivals Mothra Vs. Titanosaurus #1 (Cover C G. Romero-Johnston), AR

Teenage Mutant Ninja Turtles The Armageddon Game The Alliance #5 (Cover A Roi Mercado), $3.99

Teenage Mutant Ninja Turtles The Armageddon Game The Alliance #5 (Cover B Pablo Verdugo), $3.99

Teenage Mutant Ninja Turtles The Armageddon Game The Alliance #5 (Cover C Mateus Santolouco), AR

IMAGE COMICS

Almighty #2 (Cover A Edward Laroche), $3.99

A.R.C. #1 (One Shot)(Cover A Stjepan Sejic), $4.99

Blood Tree #2 (Cover A Christian Alamy), $3.99

Gospel #5 (Of 5)(Cover A Ver), $3.99

Rogue Sun #11 (Cover A Luana Vecchio)(Massive-Verse), $3.99

Rogue Sun #11 (Cover B Paris Alleyne)(Massive-Verse), AR

Spawn #339 (Cover A Simone Bianchi), $2.99

Spawn #339 (Cover B Kevin Keane), $2.99

Spawn #339 (Cover C Blank Variant), $2.99

Stoneheart #1 (Cover A Emma Kubert), $3.99

Two Graves #5 (Cover A Ming Doyle), $3.99

Two Graves #5 (Cover B Annie Wu), $3.99

MARRS MEDIA

Rue Morgue Magazine #211 (March/April 2023)(not verified by Diamond Distribution), $13.95

MARVEL COMICS

Amazing Spider-Man #21 (Cover A John Romita Jr.), $3.99

Amazing Spider-Man #21 (Cover B Dustin Weaver), AR

Amazing Spider-Man #21 (Cover C Jan Bazaldua Stormbreakers Variant), AR

Amazing Spider-Man #21 (Cover D Vitale Mangiatordi Disney100 Hulk Variant), AR

Amazing Spider-Man #21 (Cover E Vitale Mangiatordi Disney100 Hulk Black And White Variant), AR

Amazing Spider-Man Epic Collection Volume 4 The Goblin Lives TP, $44.99

Avengers #66 (Cover A Javier Garron), $3.99

Avengers #66 (Cover B Alex Ross Timeless Ultron Virgin Sketch Variant), AR

Avengers #66 (Cover C Alex Ross Timeless Ultron Virgin Variant), AR

Avengers #66 (Cover D Daniel Hainsworth Connecting Wraparound Variant), AR

Avengers #66 (Cover E Stefano Caselli Past Future Avengers Assemble Connect Variant), AR

Avengers #66 (Cover F Federico Vicentini Stormbreaker Variant), AR

Black Panther #15 (Cover A Alex Ross), $3.99

Black Panther #15 (Cover B German Peralta), AR

Black Panther #15 (Cover C Ken Lashley Infinity Saga Phase 3 Variant), AR

Bloodline Daughter Of Blade #2 (Cover A Karen Darboe), $3.99

Bloodline Daughter Of Blade #2 (Cover B Betsy Cola), AR

Bloodline Daughter Of Blade #2 (Cover C Peach Momoko Women’s History Month Variant), AR

Bloodline Daughter Of Blade #2 (Cover D Ivan Tao), AR

Bloodline Daughter Of Blade #2 (Cover E Ivan Tao Virgin Variant), AR

Fantastic Four #5 (Cover A Alex Ross), $3.99

Fantastic Four #5 (Cover B Alex Ross Solo Variant), AR

Fantastic Four #5 (Cover C Chris Bachalo), AR

Fantastic Four #5 (Cover D Alex Ross Timeless Super Skrull Virgin Variant), AR

Fantastic Four #5 (Cover E Alex Ross Timeless Super Skrull Virgin Sketch Variant), AR

Gambit Thick As Thieves TP, $15.99

Mary Jane And Black Cat #4 (Of 5)(Cover A Paolo Siqueira), $3.99

Mary Jane And Black Cat #4 (Of 5)(Cover B Russell Dauterman), AR

Mary Jane And Black Cat #4 (Of 5)(Cover C Alex Ross Black Cat Virgin Variant), AR

Mary Jane And Black Cat #4 (Of 5)(Cover D Alex Ross Black Cat Virgin Sketch Variant), AR

Mighty Marvel Masterworks Daredevil Volume 2 Alone Against The Underworld TP (Jack Kirby Direct Market Cover), $15.99

Mighty Marvel Masterworks Daredevil Volume 2 Alone Against The Underworld TP (Leonardo Romero Book Market Cover), $15.99

Moon Knight #21 (Cover A Stephen Segovia), $3.99

Moon Knight #21 (Cover B Alex Horley), AR

New Mutants Lethal Legion #1 (Of 5)(Cover A Javier Fernandez), $3.99

New Mutants Lethal Legion #1 (Of 5)(Cover B Nao Fuji), AR

New Mutants Lethal Legion #1 (Of 5)(Cover C Paulina Ganucheau), AR

New Mutants Lethal Legion #1 (Of 5)(Cover D Greg Land), AR

New Mutants Lethal Legion #1 (Of 5)(Cover E Luana Vecchio Planet Of The Apes Variant), AR

Nightcrawlers #2 (Of 3)(Cover A Leinil Francis Yu), $3.99

Nightcrawlers #2 (Of 3)(Cover B Arthur Adams), AR

Nightcrawlers #2 (Of 3)(Cover C Todd Nauck Sins Of Sinister March Connecting Variant), AR

Nightcrawlers #2 (Of 3)(Cover D Jonah Lobe Marvel Anatomy Variant), AR

Predator #1 (Cover A Giuseppe Camuncoli), $4.99

Predator #1 (Cover B Bjorn Barends), AR

Predator #1 (Cover C Jen Bartel), AR

Predator #1 (Cover D Paolo Siqueira), AR

Scarlet Witch #3 (Cover A Russell Dauterman), $3.99

Scarlet Witch #3 (Cover B David Nakayama MCU Variant), AR

Scarlet Witch #3 (Cover C Nabetse Zitro), AR

Scarlet Witch #3 (Cover D Alex Ross Timeless Mephisto Virgin Variant), AR

Scarlet Witch #3 (Cover E Alex Ross Mephisto Virgin Sketch Variant), AR

Scarlet Witch #3 (Cover F Carmen Carnero Women’s History Month Variant), AR

Silver Surfer By Slott And Allred Omnibus HC (Mike Allred Wraparound Book Market Cover)(New Printing), $100.00

Silver Surfer By Slott And Allred Omnibus HC Mike Allred Last Days Direct Market Cover)(New Printing), $100.00

Silver Surfer Ghost Light #2 (Cover A Taurin Clarke), $3.99

Silver Surfer Ghost Light #2 (Cover B Alex Maleev), AR

Spider-Gwen Shadow Clones #1 (Cover H Brian Stelfreeze), AR

Spider-Man Vs Venom Omnibus HC (Mark Bagley Direct Market Cover)(New Printing), $125.00

Spider-Man Vs Venom Omnibus HC (Todd McFarlane Book Market Cover)(New Printing), $125.00

Star Wars Bounty Hunters #32 (Cover A Giuseppe Camuncoli), $3.99

Star Wars Bounty Hunters #32 (Cover B Chris Sprouse Return Of The Jedi 40th Anniversary Variant), AR

Star Wars Bounty Hunters #32 (Cover C Peach Momoko Womens History Variant), AR

Star Wars Bounty Hunters #32 (Cover D Rachael Stott Inferno Squad First Appearance Variant), AR

Star Wars Sana Starros #2 (Cover A Ken Lashley), $3.99

Star Wars Sana Starros #2 (Cover B Natacha Bustos), AR

Star Wars Sana Starros #2 (Cover C Peach Momoko Women’s History Variant), AR

Star Wars The High Republic #6 (Cover A Yanick Paquette), $3.99

Star Wars The High Republic #6 (Cover B Phil Noto), AR

Star Wars The High Republic #6 (Cover C Rod Reis), AR

Star Wars The High Republic #6 (Cover D Peach Momoko Womens History Variant), AR

Trials Of X Volume 6 TP, $19.99

Wakanda #4 (Of 5)(2nd Printing Cover A Julian Shaw & Natacha Bustos), $3.99

X-23 #1 (Facsimile Edition), $3.99

X-23 Deadly Regenesis #1 (Of 5)(Cover A Kalman Andrasofszky), $4.99

X-23 Deadly Regenesis #1 (Of 5)(Cover B Jan Bazaldua Design Variant), AR

X-23 Deadly Regenesis #1 (Of 5)(Cover C Mike Choi), AR

X-23 Deadly Regenesis #1 (Of 5)(Cover D Peach Momoko), AR

X-23 Deadly Regenesis #1 (Of 5)(Cover E Elena Casagrande Stormbreaker Variant, AR

X-23 Deadly Regenesis #1 (Of 5)(Cover F Aka Women’s History Month Variant), AR

X-Men #20 (Cover A Juan Frigeri), $3.99

X-Men #20 (Cover B Giuseppe Camuncoli Trading Card Variant), AR

X-Men #20 (Cover C Joshua Cassara), AR

X-Men #20 (Cover D David Baldeon Planet Of The Apes Variant), AR

X-Men #20 (Cover E Alex Ross Timeless Dark Phoenix Virgin Variant), AR

X-Men #20 (Cover F Alex Ross Dark Phoenix Virgin Sketch Variant), AR

VAULT COMICS

West Of Sundown #9 (Cover A Aaron Campbell), $4.99

VIZ MEDIA

Black Clover Volume 32 GN, $9.99

ZENESCOPE ENTERTAINMENT

Gretel Seeds Of Despair #1 (One Shot)(Cover A Jeff Spokes), $5.99

CARDS

TOPPS COMPANY

Topps 2021 Garbage Pail Kids Series 2 Collector Trading Card Box, AR

Topps 2021 Garbage Pail Kids Series 2 Trading Card Box, AR

TOYS - T-SHIRTS & COLLECTIBLESCreature Of The Black Lagoon 1/8 Scale Model Kit, AR

Demon Slayer Bandai Spirits World Collectable Figure Volume 8 12 Piece Assortment, AR

Demon Slayer Hikkake Hashira Kyojuro Figure (Another Version), AR

Demon Slayer Hikkake Hashira Mitsuri Figure (Another Version), AR

Demon Slayer Hikkake Hashira Obanai Figure (Another Version), AR

Dungeons And Dragons Movie 3D Foam Bag Clip 24 Piece Display, AR

Elvira Vinyl Soda Figure, AR

House Of The Dragon 3D Foam Bag Clip 24 Piece Display, AR

Marvel Avengers Endgame Black Panther 1/6 Scale Bust, AR

Marvel Legends In 3D Comic Magneto 1/2 Scale Bust, AR

Marvel Legends Vintage 6 Inch Action Figure Assortment 202301, AR

Mechagodzilla Figural Bank, AR

One Piece Look Up Series Tony Tony Chopper PVC Figure, AR

One Piece Look Up Series Trafalgar Law PVC Figure, AR

POP Games Pokemon Espeon Vinyl Figure, AR

POP Games Pokemon Munchlax Vinyl Figure, AR

POP Games Pokemon Oshawott Vinyl Figure, AR

POP Movie Poster Disney Dumbo Vinyl Figure, AR

Star Wars Clone Wars Wrecker 1/7 Scale Bust, AR

Star Wars Disney+ Obi Wan Kenobi Darth Vader Bust, AR

Star Wars Premier Collection Disney+ Obi-Wan Purge Trooper Statue, AR

CC MID-MARCH Customer Appreciation Sale!

(3/10-3/12) Both Stores!

Store-wide sales at BOTH Collectors Corner locations...

*20% Off ALL Bagged & Boarded Sticker Priced Comic Book Back Issues Not Dated Within 30 Days.

*20% Off ALL Action Figures, Funko Pops, Toys & Statues, Not Dated within 30 Days of Arrival On Price Sticker.

50% Off ALL NEW Cover Price Hardcover Graphic Novels, Manga, HC Omnibi & HC Collected Editions, Excludes Only New This Week Titles.

*50% Off ALL BOXED BOARD GAMES Not Dated within 30 Days on price Sticker, (Excludes ALL Role Playing Games & RPG Accessories).

80% Off ALL HEROCLIX Miniatures, Booster Packs, Bricks & Fast Forces Not Dated within 30 Days.

*Excludes ALL Products Dated within 30 Days on Price Sticker. (*)

10% OFF MEMBERSHIP DISCOUNT, ADDITIONAL DISCOUNTS & BELLY REWARDS DO NOT COMBINE OR STACK WITH IN STORE SALES.

*Excludes Subscription Boxes, Subscribed Titles and Special Orders, Pre-orders, Items on Hold, New Comics, Candy, Snacks & Refreshments, All Sealed Trading Card Game Products - Magic the Gathering, YuGiOh, Pokemon, etc, All Collecting Supplies & Accessories for Comics and Gaming, Dice. Pinback Buttons, Keychains, Lanyards, Stickers, Gundam Models, Posters & ALL Clearance Items.

$1 COMICS EVERYDAY!

ALWAYS15 for $10

NEW BOXES ADDED WEEKLY...

[besedar]

Se opravičujem, ampak mogoče kdo poglobljeno ve, zakaj se reče vitezom in ne vitezem?

Zdaj pa celo vem :D !! Več ali manj in ne preveč poglobljeno, verjetno tudi s kupom napak, vsekakor z ene desetimi vprašaji in podvprašanji. Oprosti, da mi je vzelo ......... pet mesecev in pol ........................ Če karkoli pomaga, ni vprašanje niti za hip zapustilo moje nesrečne glave 😅

Opozarjam, da sem klovn s piškavim lešnikom za betico in da nimam o ničemer pojma.

Torej: preglas je sprememba kvalitete vokala zaradi vokala ali konzonanta nekje v bližini — oziroma: samoglasniki se spremenijo zaradi drugih samoglasnikov ali soglasnikov, ki (ponavadi) samoglasnikom sledijo. Ni nujno, da so ti, ki vplivajo, prilepljeni tik ob vokal, ki ga gledamo, več kot en zlog stran pa tudi ne smejo biti. Načeloma preglas povzročijo j oz. j-jevski glasovi ali pa drugi (sprednji ali zadnji) vokali, ki prvi vokal potegnejo nekako proti sebi. Diagrami!

(Trikotniki kažejo položaj vokalov v ustih)

J naredi enako kot sprednji vokali, ker je podoben i-ju in palatalen.

To se zgodi na primer v nemščini, ko tvoriš množino. Gans (gos) in potem Gänse, ker je bil na koncu namesto e-ja menda nekoč i, ki je zdaj ošibel in ki je takrat a povlekel v e-jevski glas. Takole:

Zdaj pa končno k vitezu! Ta vrsta preglasa je bojda (v indoevropskih jezikih?) načeloma redka, v slovanskih je pa pogosta: element, ki preglas povzroča, namreč stoji spredaj in ni vokaličen, pač pa konzonanten in mora biti palatalen (kolikor vem). Kaj pomeni, da je konzonant palatalen? V teoriji to pomeni, da ga izgovoriš s pomočjo trdega neba, moramo pa potem prišteti še tale citat: "Vse, kar je nastalo v palatalizaciji, je de facto palatalno." Na to me boste vprašali: "okej, ampak zakaj?", na kar lahko odgovorim samo z: "o, glejte tistole tam" in hitrim begom. (Če kdaj izvem, se vrnem in povem, ampak bi znalo biti še dodatnih pet mesecev.)

Za slovanske jezike je še to značilo, da preglas ni samo na naglašenih vokalih, kot je drugače tipično. Vprašanje: kje pa potem se zgodi? Kako veš, kdaj se bo, kdaj pa ne? Odgovor je ... Zaenkrat še ne vem. Upam si zatrditi, da se ne zgodi povsod, mislim tudi, da ni odvisno od tega, a je vokal naglašen ali ne. Od položaja v besedi, recimo samo na koncu? Kaj pa vem. (Ponovno: se še vrnem? Upam?)

Za c, č, š, ž in j se o v slovenščini ponekod preglasi v e.

Pobrskamo po e-učbeniku za slovenščino, ki pravi:

Kar bi pa potem za nazaj osmislilo tisto o de facto palatalnosti, se mi zdi! Če preglas sprožijo palatalni konzonanti in je j je tako ali tako palatalen, c, č, š, ž so pa produkti palatalizacije ... To bi šlo, ne? Saj ne, da bi mi bilo kaj bolj jasno, zakaj bi se npr. š štel za palatalnega, če slučajno pride iz h-ja (? kruh in krušni?), ampak naj zaenkrat bo.

Z pri vitezu torej ni palatalen in na o nima vpliva, tako da vitezov ostane na -ov.

PS: Glede oblike "vitezov" — pridevnik in genetiv plurala sta enaka, ne? Vanda Babič pravi, da je to zato, ker je pridevnik prišel iz "nekaj, kar je od vitezov", torej iz tega genetiva. Luka Repanšek pravi, da ti dve obliki nimata zveze, ker sta si bili zgodovinsko različni in sta potem samo formalno/po obliki sovpadli. Meni se zdi njegova razlaga bolj prepričljiva, ampak to je mogoče tudi zato, ker imam rodbinsko pogojeno nezaupljivost do Babičeve, ki je pa ona tudi z ničimer ne izpodbija.

[trastornadosrevista]

DILLOM, ACRU, CLARA CAVA, BENITO CERATI, YAMI SAFDIE, FARAONIKA: ALGUNAS DE LAS PROPUESTAS DEL BUENOS AIRES MUSIC+VIDEO FESTIVAL

El Buenos Aires Music+Video Festival (BAMV) se complace en anunciar toda su agenda de actividades, destacando la innovadora colaboración entre artistas musicales y artistas audiovisuales. Este año, el festival contará con la presencia de Dillom, Acru, Clara Cava, Yami Safdie y Benito Cerati, entre otros, y las entradas ya están a la venta.

CLICK AQUÍ PARA ADQUIRIR TUS ENTRADAS

El BAMV se realizará del 28 al 31 de octubre, con paneles, música en vivo, muestras inmersivas y proyecciones en dos sedes. Los días 28 y 29 de octubre, el festival se llevará a cabo en Cinépolis Recoleta, mientras que el 30 y 31 de octubre continuará en el C ART MEDIA, ubicado en Chacarita, donde contará con tres escenarios destacados. Este año, el BAMV ofrecerá una programación emocionante, que incluirá diversas actividades y proyecciones especiales en ambas locaciones.

Entre las actividades destacadas, Dillom protagonizará un panel titulado “Irreversible: Bohemian Groove y las nuevas identidades en la industria musical” junto a Noduerm0, su director creativo donde compartirán cómo transformaron su visión en una identidad que deja huella en la industria, focalizando en el álbum Por Cesárea, recientemente nominado al Latin Grammy. El panel tendrá lugar el 30 de octubre en el escenario Foro del C ART MEDIA, y será uno de los momentos más esperados, centrado en ejes que abordan la economía cultural y las nuevas miradas.

El 28 y 29 de octubre en Cinépolis de Recoleta se podrá disfrutar de una programación única en pantalla grande presentada por sus creadores: Estreno de los documentales de Acru y Saramalacara, los formatos largos “166” de Milo J y “Grasa Movie” de Nathy Peluso, proyecciones de videoclips internacionales y de la competencia Dolby Atmos, además del estreno del cortometraje "Get well soon" de Ian Pons Jewell que llega desde Inglaterra para presentar su film y dar una charla magistral.

El Festival contará también con música en vivo, el miércoles 30 de octubre, en el Escenario Billboard, con capacidad para 2000 personas, donde habrá shows en vivo que prometen ofrecer experiencias únicas, por ejemplo la presentación de la excéntrica y talentosa Clara Cava, headliner del evento. Benito Cerati, además, presentará temas del disco que habrá lanzado unos días antes mientras que Faraonika ofrecerá una puesta en escena visualmente impactante, integrando elementos teatrales que harán que su espectáculo vaya mucho más allá de la música. Otros artistas también aportarán propuestas innovadoras que combinan música, visuales y narrativas, asegurando que cada show sea una experiencia imperdible Entre los artistas destacados se encuentran:

Clara Cava

Benito Cerati

Faraonika

El Club Audiovisual

Lautaro Lopez

Sofía Mora

En el Escenario Foro, se llevarán a cabo importantes paneles, incluyendo:

Panel “El desarrollo del concepto de un artista”, por Acru y Agustin Guevara

En esta conversación entre Agustín Guevara, Label Manager de YouTube, y el rapero ACRU, explorarán cómo la visión artística de un músico puede expandirse y amplificarse a través del video. Desde la narrativa visual hasta el proceso creativo detrás de sus videoclips, ACRU compartirá su experiencia en la creación de obras conceptuales que no solo acompañan su música, sino que la enriquecen y la transforman en una experiencia audiovisual completa.

Panel "De la autogestión a la firma discográfica" por Yami Safdie, Ornedevir y Guido Moran

Este panel reúne a la artista musical y compositora Yami Safdie, junto a sus directores creativos Guido Morán y Ornedevir para discutir cómo se construye un proyecto musical desde cero hasta su consolidación en la industria. A través del caso de éxito de Yami Safdie, exploran cómo se fusionan disciplinas y roles para crear una identidad artística sólida, transitando de la autogestión al mainstream sin perder autenticidad. La dirección creativa juega un papel clave en el desarrollo integral del proyecto, con Yami como artista, Ornedevir como directora y manager, y Guido aportando su visión creativa y visual.

Panel "PURA: La nostalgia como motor creativo", BB ASUL, Stefania Mosto, Karen Zen Eckell y Bruno Gentile

El panel sobre PURA, el último disco de BB ASUL, reúne a la artista musical junto a Karen Zen Eckell, Stefania Mosto y Bruno Gentile, directores creativos del proyecto, para explorar el proceso colaborativo que fusiona arte musical y audiovisual. A través de una mirada nostálgica, PURA aborda temas como el amor, la obsesión y los excesos de una generación. Los panelistas compartirán cómo dieron vida a este proyecto creativo, combinando sus diversas herramientas y perspectivas.

Panel "Direccion Creativa para proyectos musicales", con Julia Conde

Julia Conde, referente en animación y directora creativa detrás del proyecto .mp3 de Emilia, comparte cómo transformar una idea en una propuesta visual con fuerte identidad; en este caso inspirada en los 2000. Este panel explora el proceso de dirección creativa para proyectos. Un espacio para reflexionar sobre los desafíos y oportunidades al definir y materializar una propuesta artística, y cómo una identidad visual sólida puede marcar la diferencia.

Panel "Las remeras también sufren" por Kevin Zelaznik

El director Kevin Zelaznik, también conocido como Ibupirac666, reflexiona sobre el proceso creativo y cómo los objetos, como las remeras, se conectan con nuestras emociones. En este panel se exploran temas como la creación de contenido, el arte del remix, y el impacto de la inteligencia artificial en la creatividad. A través de esta conversación, se plantean preguntas filosóficas sobre el origen de la inspiración y cómo las ideas pueden surgir de los lugares más inesperados.

Panel "Independencia creativa: ONErpm y YouTube como socios estratégicos", por Abril Olivera, Agustin Guevara, Santiago Secco y Sylvie Piccolotto

Panel “Irreversible: Bohemian Groove y las nuevas identidades en la industria musical”, con Dillom, Noduerm0.

Bohemian Groove presenta "La independencia de asociarse: el recorrido de un release", una muestra que explora el proceso completo de un lanzamiento musical usando el álbum Por Cesárea como caso de estudio. La instalación destaca a los socios clave, como Spotify, YouTube, productoras audiovisuales, y diseñadores de shows, desde la estrategia de lanzamiento hasta la creación del show en vivo, revelando el trabajo detrás de cada obra.

En el escenario Networking, tendrán lugar cuatro talleres, entre los cuales se encuentran:

“Destilando ideas: desde la inspiración al impacto visual”, por Julián Levy.

Julian Levy, director creativo de María Becerra, liderará un taller inmersivo junto a su equipo de “Asalto”, donde se transformarán conceptos en producciones audiovisuales. Se definirá la visión del proyecto como el eje central del proceso.

El taller incluirá ejercicios prácticos y estrategias para conectar ideas, nutrirse de referencias audiovisuales y adaptarlas a la realidad del proyecto, abarcando desde la inspiración hasta la ejecución visual. Una oportunidad para aplicar el enfoque 360° en la creación audiovisual y generar herramientas clave para proyectos.

“Bienestar y respiración consciente para el proceso creativo” por Diego Bravo.

Un espacio dedicado al bienestar y la respiración consciente para potenciar tu proceso creativo. Diego Bravo, A&R de Altafonte Chile y entrenador mental, ofrecerá un taller práctico para construir resiliencia, manejar las emociones y desbloquear la creatividad. Ejercicios de respiración y herramientas prácticas para desarrollar una conexión más profunda con las ideas y el entorno. Una experiencia integral que combina música ambiente y técnicas de bienestar para impulsar el crecimiento creativo y emocional.

“ClipLab: laboratorio express de proyectos audiovisuales”, por Miche.

ClipLab es un taller dirigido por Miche, guionista y directora en PARDA, que ofrece una clínica personalizada para artistas y creadores de la Comunidad BAMV. El objetivo es transformar ideas en piezas audiovisuales de alto impacto, brindando retroalimentación "uno a uno" y estrategias para mejorar proyectos en desarrollo.

Y por último, el escenario “Networking” concluirá con un  Taller a cargo de Kevin Zelaznik titulado “El consultorio del Dr. Ibupirac666” donde el creador de contenidos conectará con una audiencia en modo uno a uno.

Además en el C Art Media se podrá disfrutar de dos muestras inmersivas donde el público podrá descubrir e interactuar con el trabajo de grandes exponentes de la música y el audiovisual:

"La independencia de asociarse: el recorrido de un release", una muestra que explora el proceso completo de un lanzamiento musical usando el álbum "Por Cesárea" de Dillom como caso de estudio. La instalación presentada por Bohemian Groove, destaca a los socios clave, como Spotify, YouTube, productoras audiovisuales, y diseñadores de shows, desde la estrategia de lanzamiento hasta la creación del show en vivo, revelando el trabajo detrás de cada obra.

"Footage Hunters", una instalación que exhibe imágenes capturadas por seis de los mejores filmmakers de aventura de la actualidad de la mano de Sony Alpha. Este recorrido está diseñado para los amantes de los viajes y los destinos exóticos, creadores de contenido tanto profesionales como aficionados, y para aquellos que disfrutan de la fotografía y comparten sus experiencias en redes sociales. Es una experiencia inmersiva que nos permitirá apreciar la belleza que nos rodea de una manera completamente nueva.

El festival cerrará su jornada el 31 de octubre con los Video Prisma Awards, una ceremonia que celebrará los mejores videoclips del año, incluyendo actuaciones en vivo y sorpresas especiales. En los próximos días se estarán anunciando los nominados y las presentaciones en vivo.

Juan Montes, Director General de BAMV, destacó: “El festival representa un espacio donde los artistas musicales y artistas audiovisuales se unen para crear una sinergia única. Queremos hablar de la importancia de la dirección creativa y cómo la colaboración puede llevar la música y el audiovisual a nuevas alturas, permitiendo a cada creador expresarse de manera auténtica y conectar profundamente con su audiencia.”

Eric Dawidson, Productor General de BAMV, comentó: “Este año, hemos creado una puesta en escena que destaca la dinámica de múltiples situaciones sucediendo simultáneamente. Los showcases, instalaciones, proyecciones y paneles se entrelazan para ofrecer una experiencia inmersiva. La muestra que tendremos de Dillom es un claro ejemplo de cómo la música y el audiovisual se unen para crear un impacto cultural, permitiendo a los asistentes explorar la evolución del arte y la dirección creativa en cada rincón del festival.”

Con más de 30 categorías competitivas, el BAMV busca resaltar el talento y la creatividad de aquellos que se encuentran detrás y delante de la cámara. “La conexión entre los filmmakers y los artistas es fundamental en esta edición del festival. Cada videoclip es una obra de arte que refleja la visión conjunta de sus creadores,” añade Montes.

[docrotten]

THE WEREWOLF (1956) – Episode 186 – Decades of Horror: The Classic Era

“When the rest of the world has been destroyed, we will be the only normal thinking persons left.” Heck, that’s already true. Right, Grue-Believers? Join this episode’s Grue-Crew – Daphne Monary-Ernsdorff, Chad Hunt, Doc Rotten, and Jeff Mohr – as they check out an underappreciated low-budget horror, The Werewolf (1956).

Decades of Horror: The Classic Era Episode 186 – The Werewolf (1956)

Join the Crew on the Gruesome Magazine YouTube channel! Subscribe today! And click the alert to get notified of new content! https://youtube.com/gruesomemagazine

ANNOUNCEMENT Decades of Horror The Classic Era is partnering with THE CLASSIC SCI-FI MOVIE CHANNEL, THE CLASSIC HORROR MOVIE CHANNEL, and WICKED HORROR TV CHANNEL Which all now include video episodes of The Classic Era! Available on Roku, AppleTV, Amazon FireTV, AndroidTV, Online Website. Across All OTT platforms, as well as mobile, tablet, and desktop. https://classicscifichannel.com/; https://classichorrorchannel.com/; https://wickedhorrortv.com/

Two scientists receive an unconscious man who has been in a car accident. In their lab, they inject him with a serum they’ve been working with. Sadly, the serum turns the man into a murderous werewolf.

Directed by: Fred F. Sears

Writing Credits: Robert E. Kent & James B. Gordon

Produced by: Sam Katzman

Cinematography by: Edward Linden (director of photography)

Makeup Dept: Clay Campbell (makeup artist) (uncredited)

Selected Cast:

Steven Ritch as The Werewolf / Duncan Marsh

Don Megowan as Sheriff Jack Haines

Joyce Holden as Amy Standish

Eleanore Tanin as Mrs. Helen Marsh

Kim Charney as Chris Marsh

Harry Lauter as Deputy Ben Clovey

Larry J. Blake as Hank Durgis

Ken Christy as Dr. Jonas Gilcrist

James Gavin as Mack Fanning

S. John Launer as Dr. Emery Forrest

George Lynn as Dr. Morgan Chambers (credited as George M. Lynn)

George Cisar as Hoxie

Don C. Harvey as Deputy (uncredited)

Jean Harvey as Ma Everett (uncredited)

Charles Horvath as Joe Mitchell (uncredited)

Fred F. Sears as Narrator (voice) (uncredited)

Low-budget films driven by fads were the forte of producer Sam Katzman (Rock Around the Clock, 1956). Pair that with director Fred F. Sears (Earth vs. the Flying Saucers, 1956), who is known for bringing films in on time and under budget. Now add Clay Campbell, makeup artist for The Return of the Vampire (1943); Don Megowan, the on-land Gill-Man in The Creature Walks Among Us (1956); and a cast filled with extraordinary character actors, and you get The Werewolf (1956), a surprisingly good science fiction version of lycanthropy! The Grue-Crew had great fun in their talkabout of this lesser-known werewolf film that preceded I Was a Teenage Werewolf (1957).

At the time of this writing, The Werewolf (1956) is available to stream from Tubi and PPV from Amazon and AppleTV. It’s also available on physical media as one of 4 films included in Cold War Creatures: Four Films from Sam Katzman (4-Disc Standard Special Edition) [Blu-ray] from Arrow Video. The other films included are Creature with the Atom Brain (1955), Zombies of Mora Tau (1957), and The Giant Claw (1957).

Gruesome Magazine’s Decades of Horror: The Classic Era records a new episode every two weeks. Next in their very flexible schedule – this one chosen by Doc – is The Ghost in the Invisible Bikini (1966)! Yes, the last of the Beach Party movies starring Deborah Walley, Tommy Kirk, and a bit of Basil Rathbone and Boris Karloff. Eric von Zipper, anyone? 

Please let them know how they’re doing! They want to hear from you – the coolest, grooviest fans: leave them a message or leave a comment on the Gruesome Magazine YouTube channel, the site, or email the Decades of Horror: The Classic Era podcast hosts at feedback@gruesomemagazine.com

To each of you from each of them, “Thank you so much for watching and listening!”

Check out this episode!

[identity-library]

Mental Health (Books)

A:

Alice Isn't Dead (Joseph Fink)

Keisha Taylor (Anxiety)

Sylvia Parker (Anxiety)

Lennon Davis (OCD)

All Our Broken Pieces (L.D. Crichton)

A Step Toward Falling (Connie McGovern)

Belinda Montgomery (PTSD)

Lucas (Stage Fright)

Richard (Depression)

B:

Blind Spot (Laura Ellen)

Tricia Farni (Addiction - Drugs)

Bruised (Tanya Boteju)

Daya Wijesinghe (Grief, Self-Harm)

C:

D:

Doctor Sleep (Stephen King)

Daniel "Danny" Torrance (Abuse, Addiction - Alcohol)

E:

Exit, Pursued by a Bear (E.K. Johnston)

Hermione Winters (Sexual Assault, Trauma)

F:

Fight Like a Girl (Sheena Kamal)

Trisha (Abuse, Guilt, Trauma)

G:

H:

Handle With Care (Jodi Picoult)

Amelia O'Keefe (Bulimia, Self Harm)

I:

Icebreaker (A.L. Graziadei)

Mickey James (Depression)

I Hope You're Listening (Tom Ryan)

Delia "Dee" Skinner (Trauma)

Indian Horse (Richard Wagamese)

Saul Indian Horse (Abuse, Addiction - Alcohol, Racism, Sexual Assault, Trauma)

J:

K:

L:

M:

More Happy Than Not (Adam Silvera)

Aaron Soto (Depression)

N:

Nothing but Life (Brent van Staalduinen)

Wendell "Dill" Simms (Trauma)

O:

P:

Power Play (Eric Walters)

Cody (Abuse, Addiction - Alcohol, Sexual Assault)

Punk 57 (Penelope Douglas)

Annie Grayson (Addiction - Drugs)

Manny Cortez (Addiction - Drugs, Depression)

Misha Lare (Depression, Grief)

Q:

R:

Rush (Jonathan Friesen)

Jake King (Addiction - Adrenaline)

S:

Sketches (Eric Walters)

Dana (Sexual Abuse, Trauma)

Six of Crows (Leigh Bardugo)

Inej Ghafa (Trauma)

Jesper (Addiction - Gambling)

Kaz Brekker (Trauma)

Nina Zenik (Addiction - Drugs)

Somebody Told Me (Mia Siegert)

Aleks/Alexis (Trauma)

T:

The Agony of Bun O'Keefe (Heather Smith)

Bun O'Keefe (Abuse, Neglect, Trauma)

Chris (Abuse, Homophobia)

The Beauty of the Moment (Tanaz Bhathena)

Malcolm (Abuse, Trauma)

The Buried and the Bound (Rochelle Hassan)

Leo Merritt (Depression)

Tristan Drake (Abuse, Trauma)

The Good Hawk (Joseph Elliot)

Jaime (Anxiety)

The Immeasurable Depth of You (Maria Mora)

Brynn (Anxiety, Intrusive Thoughts, OCD)

The Luis Ortega Survival Club (Sonora Reyes)

Ariana Ruiz (Sexual Assault, Trauma)

The Love and Lies of Rukhsana Ali (Sabrina Khan)

Rukhsana Ali (Abuse, Homophobia, Sexual Assault, Trauma)

The Mosaic (Nina Berkhout)

Gabriel Finch (PTSD)

Twilight - Series (Stephanie Meyer)

Isabella "Bella" Swan (Depression)

U:

V:

W:

Warriors (Erin Hunter)

Bluestar (Depression)

What Unbreakable Looks Like (Kate McLaughlin)

Alexa "Lex" Grace (Abuse, Sexual Assault, Trauma)

Wings of Fire - Series (Tui T. Sutherland)

Cricket (Abuse)

Fathom (PTSD)

Indigo (PTSD)

Qibli (Abuse)

Sora (Anxiety)

X:

Y:

Z:

[ehcirbnats]

Mai 2024

Mercredi 1er: Shooting Joel-Alain Dervaux, Paris

Du 3 au 26: Exposition Irrévérences, présentation de photos de C. Leprince, Galerie Amarage, Saint-Ouen

Dimanche 5: Carmen, G. Bizet / M.e.s R. Gilbert / Prod. Opéra de Rouen Palazzetto Bru Zane, diffusion France 3 & Culture Box

Du 8 au 9: Tournage Une assiette froide, réal. M. Desvignes & S. Mora, Bois-Colombes

Vendredi 10: Shooting photo A. Rodriguez, Saint-Ouen

Samedi 11: Tournage L'Agent d'Entretien/ The Janitor, réal K. Philippe / 90secondsofterror, Paris

Dimanche 12: ANNULE Performance Body painting, dans le cadre de la remise de prix du Street Art Olympic Game, Paris

Lundi 13: Tournage BRI, réal. J. Guez, Canal +, Paris

Du 13 au 17: Workshop Pop Star Eclatée, Z. Hagen, Garage 29, Bruxelles, BE

Vendredi 17: Work Your Pop Star Eclatée, Z. Hagen, dans le cadre du Offestival, Garage 29, Bruxelles, BE

Du 17 au 19: Paris Ass Book Fair, sortie & présentation du fanzine Glory Hole Paradise, Ftsd x M. Turlan, Palais de Tokyo, Paris

Du 20 au 25: Résidence de création BAL SURPRISE, Das Kollektiv Mahu, Les Dominicains, CCR, Guebwiller

Samedi 25: BAL SURPRISE, Das Kollektiv Mahu, Les Dominicains, CCR, Guebwiller

Lundi 27: Projection Une assiette froide, réal. M. Desvignes & S. Mora, EICAR, Ivry-sur-Seine

Lundi 27: Tournage Dites-lui que je l'aime (figuration), Réal. R. Bohringer, Paris

[compneuropapers]

Interesting Papers for Week 21, 2023

The geometry of representational drift in natural and artificial neural networks. Aitken, K., Garrett, M., Olsen, S., & Mihalas, S. (2022). PLOS Computational Biology, 18(11), e1010716.

A Common Neural Account for Social and Nonsocial Decisions. Arabadzhiyska, D. H., Garrod, O. G. B., Fouragnan, E., De Luca, E., Schyns, P. G., & Philiastides, M. G. (2022). Journal of Neuroscience, 42(48), 9030–9044.

Statistical perspective on functional and causal neural connectomics: The Time-Aware PC algorithm. Biswas, R., & Shlizerman, E. (2022). PLOS Computational Biology, 18(11), e1010653.

Weakly Correlated Local Cortical State Switches under Anesthesia Lead to Strongly Correlated Global States. Blackwood, E. B., Shortal, B. P., & Proekt, A. (2022). Journal of Neuroscience, 42(48), 8980–8996.

Dendrocentric learning for synthetic intelligence. Boahen, K. (2022). Nature, 612(7938), 43–50.

Nonequilibrium dynamics of adaptation in sensory systems. Conti, D., & Mora, T. (2022). Physical Review E, 106(5), 054404.

Brain connectivity meets reservoir computing. Damicelli, F., Hilgetag, C. C., & Goulas, A. (2022). PLOS Computational Biology, 18(11), e1010639.

Adaptive multi-objective control explains how humans make lateral maneuvers while walking. Desmet, D. M., Cusumano, J. P., & Dingwell, J. B. (2022). PLOS Computational Biology, 18(11), e1010035.

Deaf individuals use compensatory strategies to estimate visual time events. Domenici, N., Tonelli, A., & Gori, M. (2023). Brain Research, 1798, 148148.

Binary and analog variation of synapses between cortical pyramidal neurons. Dorkenwald, S., Turner, N. L., Macrina, T., Lee, K., Lu, R., Wu, J., … Seung, H. S. (2022). eLife, 11, e76120.

Sleep prevents catastrophic forgetting in spiking neural networks by forming a joint synaptic weight representation. Golden, R., Delanois, J. E., Sanda, P., & Bazhenov, M. (2022). PLOS Computational Biology, 18(11), e1010628.

Coordinated multiplexing of information about separate objects in visual cortex. Jun, N. Y., Ruff, D. A., Kramer, L. E., Bowes, B., Tokdar, S. T., Cohen, M. R., & Groh, J. M. (2022). eLife, 11, e76452.

Synaptic reshaping of plastic neuronal networks by periodic multichannel stimulation with single-pulse and burst stimuli. Kromer, J. A., & Tass, P. A. (2022). PLOS Computational Biology, 18(11), e1010568.

Perceptual confidence of visual stimulus features is associated with duration perception. Liu, B.-H., Mao, L.-H., & Zhou, B. (2022). Perception, 51(12), 859–870.

Object Boundary Detection in Natural Images May Depend on “Incitatory” Cell–Cell Interactions. Mel, G. C., Ramachandra, C. A., & Mel, B. W. (2022). Journal of Neuroscience, 42(48), 8960–8979.

Temporal Dynamics of Competition between Statistical Learning and Episodic Memory in Intracranial Recordings of Human Visual Cortex. Sherman, B. E., Graves, K. N., Huberdeau, D. M., Quraishi, I. H., Damisah, E. C., & Turk-Browne, N. B. (2022). Journal of Neuroscience, 42(48), 9053–9068.

Training diversity promotes absolute-value-guided choice. Solomyak, L., Sharp, P. B., & Eldar, E. (2022). PLOS Computational Biology, 18(11), e1010664.

Predictive steering: integration of artificial motor signals in self-motion estimation. van Helvert, M. J. L., Selen, L. P. J., van Beers, R. J., & Medendorp, W. P. (2022). Journal of Neurophysiology, 128(6), 1395–1408.

Look twice: A generalist computational model predicts return fixations across tasks and species. Zhang, M., Armendariz, M., Xiao, W., Rose, O., Bendtz, K., Livingstone, M., … Kreiman, G. (2022). PLOS Computational Biology, 18(11), e1010654.

A neurocomputational theory of action regulation predicts motor behavior in neurotypical individuals and patients with Parkinson’s disease. Zhong, S., Choi, J. W., Hashoush, N. G., Babayan, D., Malekmohammadi, M., Pouratian, N., & Christopoulos, V. (2022). PLOS Computational Biology, 18(11), e1010111.