#Izuku: hey this is my girlfriend ochako and her girlfriend himiko | Explore Tumblr posts and blogs

megansabode · 6 months ago

Text

Good Luck, Babe

She gets into her apartment and deadbolts her door after her. Her bag drops to the floor as she sighs, then goes to the kitchen and grabs a snack bar.

Her back leans against the counter behind her as she stares into the reflection of the tiles on the kitchen walls. And when someone appears behind her, she gasps and drops her snack bar, turning around.

Blonde hair. Red eyes. That stupid grin.

“Himiko?”

After Himiko died in the war, Ochaco has lost herself. She's hooked up with men to try and find some meaning in life, but that's difficult when you're lesbian and not over your highschool girlfriend. But when she's proposed to by the man she slept with, and Himiko shows up again, is this all a dream, or is it reality?

Himiko is actually alive and Ochaco needs dire help

wc: 2876

himichako/ togachako oneshot, originally posted on ao3 @megansabode

((i use ‘ochaco’ instead of ‘ochako’ when i write her name, it’s just how i write it lmao))

contains: swearing, car chase, lesbian ochaco, toga isn’t actually dead, kissing with tongue, bkdk, aged up pro heroes

Since Himiko died on the battlefield, Ochaco has lost herself. She’s scared to even look in the mirror because she knows she’ll see her ex-girlfriend behind her, mocking her for changing herself.

Ochaco is a slut.

She knows it. Everyone says it. Well, not everyone. Some people choose nicer words. But she is a slut. That’s what she calls it. She finds no reason to sugarcoat it.

She hooks up with men and feels nothing. Nothing at all. All of her classmates are fine. They have relationships, or friendships to fall back on. Even Mina, who’s cupioromantic, has decided to raise a kid with Kirishima as friends.

And Ochaco’s stuck mourning over a girl who died years ago.

“Hey.” The man next to her grins. “You alright?” Ochaco nods, pulling the robe further over her body. “Mm. That was good, wasn’t it?”

“Yeah.” It wasn’t. Ochaco thinks it was probably one of the worst nights she’s ever had.

“Mhm. You wanna know what I would do after this?” Ochaco doesn’t move her head or speak. “I would make you my wife and we’d do this every night. And then we’d have a bunch of kids running around and you’d just stay home while I get the money.” Ochaco feels like killing herself.

“Wow.” She says in a dull tone.

“Mhm. So.” The man moves in front of her and gets on one knee, pulling out a ring. “Will you marry me?”

What the fuck.

Ochaco just stares at him, a chill going down her spine. Half of her wants to be special, to settle for what. But the other half of her doesn’t want to be an object used for sex, tied to a bed to create children for the rest of her life.

“Uh, I’ll think about it.” She says. He grins and nods, handing her the ring. She’s tempted to throw it into the bin.

“Make the right choice, darling.” Oh, now she’s really going to jump off the fucking roof. She grabs her clothes and walks into the bathroom, shutting the door behind her.

She pulls her clothes on, and her phone rings. She picks it up. “Mhm?”

“So, what fuckward did you hook up with this time?” Katsuki asks. She groans. “How bad?”

“Terrible.” She says. “Oh, it was just horrible. Sometimes I feel bad that you’re gay.”

Katsuki laughs. “Yeah, but I’m dating someone.”

“Ha-ha.” Ochaco pauses, remembering the ring. “Oh, shit, Katsuki.”

“What?”

“He fucking proposed to me.” Instead of being horrified after hearing that, Katsuki just bursts out laughing. “What?”

“He gave you terrible sex and proposed to you after? What kind of fucking dick did you find, Ochaco?” He asks, still laughing. “Holy shit, get out of there.”

“I’m getting out.” She says. “He said he’ll make me his wife and use me as a sex slave, too.”

Katsuki stopped laughing. “He said what?”

“Yeah.”

“Are you sure you don’t want to live in mine and Izuku’s spare room?” He asks.

“Mm. I’m sure. I’m just…gonna go home.”

“Alright. Stay safe.” Katsuki tells her.

She nods. “Yeah. Tell Izuku I said hi.” Katsuki hums in approval and hangs up.

Ochaco pulls the rest of her clothes on and leaves while the man’s in the shower. She doesn’t even bother to leave a note—she doesn’t want to. She doesn’t want to see him ever again.

Her apartment isn’t too far away—which she probably needs to change. That man doesn’t seem like the type to just leave her alone after proposing to her.

Does he think that it isn’t just one night? Because that’s what she does—one night. Only one.

Not becoming a wife and giving a man children for the rest of her life.

She gets into her apartment and deadbolts her door after her. Her bag drops to the floor as she sighs, then goes to the kitchen and grabs a snack bar.

Blonde hair. Red eyes. That stupid grin.

“Himiko?”

Himiko smiles, her head tilting to the side. “Hey, Ochaco. Is this your new apartment? Much better than the old one.” Ochaco stares at Himiko as she walks closer. “Looks more expensive, too.”

Is she dreaming? She has to be.

“A-are you real?” Ochaco asks, her voice breaking. Himiko just laughs, and Ochaco feels a part of her heart mend itself.

“Of course I’m real, silly!” Ochaco reaches out her hand, and touches Himiko.

“W-what? But—but you’re dead! You died in my arms!” Himiko purses her lips.

“They—they got me back alive. At the Hospital. They threatened to send me to Tartarus, but then I made a deal…”

“What deal?” Ochaco asks. Himiko stays silent and Ochaco grabs her shoulders. “What deal, Himiko?”

“I—I go into hiding. And they don’t care about me. And I’ve…I’ve been stalking you, too. Not like, entirely, I don’t watch you…do anything. But I’ve missed you.”

“Why—why didn’t you ever tell me? You could’ve come to me, I would’ve kept you safe, Himiko.” She says, her hands going up to cup Himiko’s face. “I–I love you-”

“Someone who loves me wouldn’t go and hook up with a hundred men after I’m dead.” Ochaco’s breath hitches in her throat, and Himiko moves back. “How about you accept that proposal, huh? You could’ve chucked that ring in your pocket in the trash–why didn’t you?”

“I will!” Ochaco shouts. “I-I will, I promise, I-”

“No, you won’t. Because you want to feel special. And I’m not going to make you feel special because I’m a villain.” She bites the last word out, and Ochaco gasps. “I told you this would happen.”

I told you so.

Ochaco shakes her head. “No, I don’t–I’ve never cared that you’re a villain. Never.”

“So why are you sleeping around?”

“Because you died!” Ochaco screams. “You died and you left me and I fucking broke down! You died and I died with you! And, I can’t—I can’t even let myself think about you because I knew you would hate me, and look where that got me!” She yells, her voice raspy from shouting. “I—I can’t do this!”

Himiko stares at her as Ochaco grabs the ring and twists it, then throws it in the bin. “There. There—there, it’s gone.”

She doesn’t even realise she’s crying until Himiko hugs her, the soft and safe arms making her cry even more. “Ochaco-“

“I don’t even know who I am anymore, Himiko. I’m—I’m scared. I’m scared of myself, I don’t know why I’m doing this.”

“Ochaco-“

“Himiko, I don’t want to do this-“

Himiko grabs Ochaco’s face, her thumbs against the girl’s cheeks. “Ochaco. It’s fine.”

“But you said earlier-“

“Forget what I said. It doesn’t mean I don’t love you. Yeah, this is confusing. I’m confusing, you’re confusing, we’re confusing. But I fucking love you and I have ever since the first day I saw you and thought you’d look better covered in blood.” Ochaco laughs. “But now, I don’t care whether you’re covered in blood or not. I just love you.”

Ochaco stares at Himiko, then says those four words that many could find difficult to say, and four words that Ochaco could never say to anyone else. “I love you too.” She pauses. “Himiko.”

“I love the way you say my name.” Ochaco laughs. “And I love you.”

They lock eyes, and the unspoken words of everything they’ve wanted to say are spoken, silently. Ochaco stares at Himiko’s red eyes as Himiko stares at Ochaco’s brown eyes, and soon they stare into each other’s eyes.

And then they lean in.

And then they kiss. And Himiko’s hands go to Ochaco’s waist and Ochaco’s arms wrap around Himiko’s neck. Ochaco leans back as Himiko’s hands move to Ochaco’s lower back, holding her as she deepens the kiss.

Ochaco gasps as she feels Himiko’s tongue against her lips, and she parts them, letting out a small noise as Himiko’s tongue presses against hers.

This is different. This is different from the hook-ups, from the horrific sex Ochaco has put herself through with hundreds of men.

Because this is Himiko. This is Ochaco’s (kind of) ex girlfriend, this is the girl Ochaco kissed in the comfort of closets, this is the girl that everyone guessed after the war that Ochaco hated.

Ochaco has never loved Himiko more. And Ochaco has never hated Himiko.

They pull away quickly at a loud bang on the door. “Oh, no.” Ochaco whispers.

“Is that—oh, shit.” Himiko gets up. “Stay here.” Ochaco nods, moving back into her apartment, and she moves into the kitchen, her back flush against the wall.

The man who proposed to her is at her door. She just knows it—she knows he’s here. He’s probably been stalking her.

The door opens. “Hey!” Himiko says, leaning against the door. Oh, fuck. Himiko had opened the door.

Himiko’s supposed to be dead.

“T-Toga?” The man gasps, and Ochaco hears a foot move. “The villain? Where—where’s Uraraka Ochaco?”

Oh. Wait.

“Oh, I’m afraid she’s not around anymore.” The man gasps and Ochaco hears movement down the steps. The door closes and Himiko soon comes into view.

“I’m afraid the police may be here in the next four minutes, tops.” She says.

Ochaco sighs. “Fuck’s sake.” She grabs Himiko’s hand and gets her keys and phone, then goes to her room and grabs her hero costume, then goes back to the door.

“You’re not going to take anything else?”

“I don’t have anything else.”

“Oh.” They go down the stairs and get to Ochaco’s car. Ochaco gets in the driver’s seat and Himiko gets in the passenger seat. “Never thought I’d be a passenger princess.” Ochaco rolls her eyes and connects her phone to the car.

She presses, ‘Call’ and taps on Katsuki’s name. He immediately picks up. “The hell do you want? I’m busy here-“

“Hey, Bakugo!” Himiko shouts.

Fuck.

Katsuki pauses, then yells. “What the fuck?” Ochaco hears Izuku mumble in the background. “Toga?”

“Toga?” Izuku mumbles. Ochaco groans as she starts up the car and starts driving out of the car park.

“There she is!” The man yells. Ochaco checks the rearview mirror. The police have just pulled up.

“Shit. Himiko, hold on.” Himiko nods and Ochaco pushes the car into sport mode, then speeds down the long road outside her apartment complex. “Katsuki, I may be bringing the police to your house.”

“You may be what?” Katsuki yells into the receiver.

“What’s happening?” Izuku asks.

Ochaco sighs. “Do you remember when I said that guy proposed to me?”

Now it’s Izuku’s turn to yell. “When that guy what?”

“Long story.” Katsuki, Ochaco and Himiko say at the same time. Izuku just groans.

“Yeah?” Katsuki says. “Wait-“

“He stalked Ochaco and I went to the door and…insinuated I killed Ochaco. So now the police are after us and—holy shit, Ochaco! Ochaco turns around a corner, pulling the steering wheel completely to the side. “Do you want us to be roadkill or something?”

“Shut up and let me drive.” She pulls on the handbrake and they speed down the road, the police sirens getting louder.

“Are those sirens?” Katsuki yells.

“Katsuki, considering you used to be top of our class, I would think your comprehension skills would be better!” Ochaco shouts, the speed pulling her body back as she overtakes a car.

She just hears Katsuki groan. “Well, yeah, but you’re in a fucking car chase.”

“She’s in a what?” Izuku asks in a tired tone.

“Go to sleep, Izuku.”

“But I-“

“Go to sleep.” Izuku goes silent and Katsuki sighs again. “What’s your speed?”

“110.” Ochaco says, pulling around a corner again. “70. 120.”

“I’m sorry?” Katsuki yells, and Ochaco swears Izuku says something. “Sleep.”

“But you woke me up.” Izuku says.

“I really don’t care about your sappy shit right now, because Ochaco’s about to fucking kill us!” Himiko yells, holding onto the sides of her seat. “Fucking hell!”

“Ever heard of road rage, Himiko?”

“I joined the LOV at the age of 16, no, I don’t know what road rage is, Ochaco! Unless you mean chasing down a huge truck to steal quirk-cancelling bullets from Overhaul, but I wasn’t even really there for that!” Himiko shouts.

“Oh, fuck.” Katsuki sighs, and Ochaco can almost see him rubbing his temples. “When’re you gonna be here?”

Ochaco checks her side mirror. “Himiko, get in the back. Lay low.”

“While you’re going five times the speed limit? No!”

“Oh, that’s an exaggeration.”

“It’s what it feels like!” Himiko yells. “Oh, fuck, we’re dead.” Himiko climbs through the gaps between the front two chairs, sliding under them.

“Alright, Katsuki. See you soon.”

“Ochaco, you can’t be seriously-“ She hangs up before he can yell at her even more. Ochaco slows down and pulls over, then grabs her hero costume and presses a button, pulling it on quickly. Then, she gets out of the car.

“You are—Uravity?” The policeman closest to her shouts. “Wh—but-“

“Are you serious?” Ochaco yells. “I was about to capture a villain and now you’re chasing me down?”

“Wh—what villain?” The policeman asks.

“That one.” Ochaco points at the man who proposed to her just earlier.

His eyes widen. “What? No—no, Im not a villain-“

“On what charge?” The policeman asks Ochaco. “Uravity, you must have a reason-“

“Breaking and entering. And stalking. Oh, and can lying be added to that list, we all know that Toga Himiko is dead.” The policemen gasp, then one goes to arrest the man.

“What? No, you can’t seriously be doing this, you told me where you live!” Ochaco just crosses her arms, staring at him.

“Take him away.” The policeman says. “Thank you, Uravity. Sorry for the trouble.”

“Don’t let it happen again.” Ochaco says.

She turns and gets back in her car and drives away. She knows that the man won’t be in prison for long without foolproof evidence.

So it’s time to take up Katsuki’s offer.

Himiko pushes herself out from under the seats. “I hated that.”

Ochaco laughs. “I guessed as much. It’s only five minutes to Katsuki’s and Izuku’s, anyway.” Himiko nods, sitting in the back seat.

“What did you say to them?” She asks.

“Not much. They arrested the man for stalking and breaking and entering. Although, I don’t think that we should go back now that he knows where I live.”

“So…?”

“Katsuki’s and Izuku’s. I’m sure they won’t mind another person staying around.” Himiko sighs, but nods, and Ochaco drives on.

“We’re here!” Ochaco chucks her spare key on the kitchen table as Himiko looks around. Katsuki and Izuku are the top paid heroes in Japan, so they both have a house, instead of an apartment like the other heroes from Class 1-A.

“Holy shit…” Himiko mutters.

“What’re you gawking at?” Katsuki asks as he walks down the stairs. “It’s a house.”

“Mm. It’s a house with a villain who’s never had a proper family in it.” Himiko comments. Katsuki rolls his eyes and crossed his arms, leaning against the wall behind him.

Ochaco sighs. “Got the guy arrested. But I don’t think he’ll be there for long.”

“You can stay here-“

She cuts Katsuki off. “Why do you think I’m here?” He sighs. “I’m getting my shit together.”

“Finally.” Izuku says, in the middle of the stairs. Ochaco rolls her eyes and he smiles. “I was waiting for the day you stopped wasting away and never staying at your apartment.”

“Hm. Me too.” Himiko says.

Ochaco scoffs. “Is this slut-shaming?”

“Yes.” All three say at the same time.

“And if it’s on record, all the men you got with were fucking shit. I didn’t even need to meet them to know that.” Katsuki says.

“Wow. Great. Thanks for that.” Ochaco says, sighing. “So…can me and Himiko take the spare room?”

Katsuki nods. “Yeah, just don’t be too loud.”

“Homophobia.” Himiko comments.

“Shut up.”

“Yeah, yeah, get on with your gay shit.” Himiko says, grabbing Ochaco’s arm and pulling her towards the stairs.

“Touché!” Katsuki yells as Himiko puts up her middle finger and goes up the stairs. Once they’re up, Ochaco shows Himiko where the room is and they sit down on the bed.

“I like this place. Very nice.”

“Mhm.” Ochaco stares at her hand wrapped around Himiko’s.

Himiko grabs her chin gently, then turns her face to hers. “What’s wrong?”

“For some reason, I feel like I’m dreaming.” Ochaco says. “And I really don’t want to be dreaming.”

“...Of course you’re not dreaming, silly. But, are you tired?” Ochaco nods slowly. “Alright. Wanna go to bed?”

“Yeah. Yeah, that’d be nice.” Himiko smiles and Ochaco lays on her side, Himiko’s arms wrapping around her waist from behind. “Goodnight, Himiko.”

“Goodnight, Ochaco.”

And when Ochaco wakes up in the morning, she’s in the man’s bed again.

Maybe she should check herself into a mental hospital the next time she dreams that Himiko’s still alive again.

#bnha #mha #mhaoneshot #bnhaoneshot #bkdk #tgchk #togachako #himichako #gays #kissing #literature #writing

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bibibbon · 3 hours ago

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Hey. I want to ask is it weird to create a oc just for the sake to make someone who love Izuku so much they take his responsibility from him as being all might successor. There is a whole plot reason why OC is doing it not just for love but I am a huge sucker for hero being saved metaphorically and literally by their love interest.

Nothing makes me happy to see a self sacrificing hero being saved by one person who love them so much they rather change the fate of the world themselves if it mean to let the hero be return to bliss.

Like I say, it is your rewrite, so do what you want with it!!!

I don't think it's a bad thing to create a character for another character. I mean, horikoshi did it with Toga and ochako, didn't he?

However, it very much depends on your execution.

For example, I think the execution of toga and ochako in this sense is okay. It had some problems like how the ship itself revolved around a male character or other aspects of the two characters really lacking a lot of parallels between each other.

I have talked about my opinions on this pairing, and honestly, it could have worked had it been executed differently.

Another example of a writer creating a character for another character is the dragon prince. This, in my opinion, can be seen with claudia and Terry.

This is definitely my opinion, but from what I have seen and heard, the dragon prince writers were thinking of giving claudia a romantic partner early on in the series. Some speculate that it was supposed to be the protagonist callum, but it ended up being a character introduced in season 4 called Terry.

A few minority of people hold onto the belief that callum was supposed to initially be Claudia's love interest for a huge number of reasons, one of them being Terry being quite similar to arc 1 callum especially in mannerisms.

An example is the "trees to meet you" line.

Now, the problem isn't that Terry may have been created for this reason but how his character was used.

Terry, for the most part in the series, is literally just Claudia's boyfriend. That's exactly what he is in the series. He kills for claudia. He watches claudia kill for her father, and he is the comedic relief in his group.

He is a one-note character, and while I don't think it was intentional, it is true. Due to the lack of information and arc for Terry as a character, he ends up being a plot device type of character.

From what we know of Terry, which is implied in season 4, the earth blood elves didn't accept him for being trans so it does explain why he isn't connected to them or why he doesn't mention them much as that must of been scaring for him.

I would assume that the earthblood elves abandoned Terry and some time during the two years that viren was dead and Terry was stranded alone without anyone claudia and Terry found each other. Both alone and desperate for some source of interaction and companionship, they quickly became boyfriend and girlfriend.

For Terry, claudia is everything he has. She is his only companion, and in a way, she became something he depended on during the dark (his light in the darkness, who knows 🤷‍♀️). The same thing barely applies to claudia herself as her mission was focused mainly on viren and resurrecting her father no matter what it took.

Claudia DOES love Terry, yet their relationship is toxic at that. From what we see in season 4, claudia is seen to hold the type of belief that all elves are bad and that Terry is "one of the good ones."

Now obviously mixed with Claudia's own experiences pre season 4 with an elf being the one that is responsible for her father's death or an elf being responsible for king harrows death, that combined with what she previously was told about elves and what aaravos told her about elves and dragons it is understandable that she would develop the idea that "ALL elves and dragons are evil until proven otherwise."

While I did say it and will say it again claudia does love Terry yet due to the way she was taught how to love which in season 6 she claims that it was her father viren who taught her how to love (not a good look)we can come to understand that her love can have quite the toxic nature to it.

It is after all her feelings of helplessness that caused her to abandon Terry because she didn't want anyone she loved to abandon her again, so he chose to abandon him.

Now, enough talking about claudia going back to Terry, he is someone who is seen to have quite the optimistic outlook in things. While his love for claudia and overdependence on her (to a certain extent) is toxic that it's caused him to do actions such as killing ibis and watching sir sparklespuff be killed which he is seen to actively show signs of remorse about. Terry still seems to love claudia. He accepts her for who she is, and a part of this can definitely be linked to his trauma surrounding rejection from the earthblood elves (which I wish was explored more, we need a Terry backstory!!)

Now, in season 6, we see Terry actively oppose aaravos, which is definitely going to cause a strain on both his and Claudia's relationship. I definitely see Terry leaving, which would be a huge moment for his character, but due to the lack of information and backstory for him pre season 4, I fear that it may be underwhelming.

I guess what I wanted to say from this huge ramble is if you are going to make a character to be the other half or to be there primarily for another character please give both characters equal level of nuance and don't make them one noted.

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