#It's intimidating 😂

[amethystina]

Following you here from AO3 (I am teacup_gremlin there) and just had to send you a quick message, as I am a mid thirties librarian too 😆 Nice to meet you! I loved your fic and will look out for more of your writing.

Oh hi! Nice to meet you, fellow librarian! 😄

I must admit that I'm not currently working at a library, however. It's library adjacent, though! I'm one of the people in charge of a children's website (available in six different languages!) funded by the libraries in my region. So I'm technically some sort of IT person now. It feels weird 😆

I'm so glad you liked the fic! To be honest, I'm not sure if I'll ever write more Cherik, though. As I mentioned, this one was old to begin with and even if I rewatched all the X-Men movies recently — which was why I even remembered that I had this fanfic to begin with — I'm also a little intimidated by the prospect. They're characters with a long, complex canon and I have only ever watched the movies and some of the cartoons when I was a kid. I don't really feel qualified to write anything more substantial than the short one I just posted, if you know what I mean?

(Though, not going to lie, the thought of a finally-getting-together, painfully domestic and fluffy slow-burn fic set after Dark Phoenix is very tempting. That ending felt like a blessing to fanfic writers to just grab Charles and Erik and run.

"I'd like to do the same for you."

Mr. Magneto. Sir. Sir.)

Anyhow! I wish I could give you more hope for more Cherik fics but, as mentioned, I'm a little scared 🤣 And, tbh, a little too busy at the moment >_>

Still! Thank you so much for the compliments and the message! Please take care 💜

[wickedcriminal]

HELLO AGAIN I'm glad to see you got my ask (it was important to me that you knew how much I ADORE this au) but now I've just gone back through the tag, I have some questions, if you don't mind! There's a good chance you've answered some of them before but I wanted to ask anyway:

First of all: with both Snotlout's being one character, and in Elder's age group, how does that work with some of the book specific scenes where Snotlout is being cruel to Hiccup during training (as the older ones have already gone through pirate training)?

Also slightly related: are either Adelaide or Gustav in Younger's pirate training programme or is it just the book people we hear about?

Also also slightly related (and you can tell I have a bit of a theme to my questions): what is Adelaide and Snotlout's relationship like? And what is Adelaide like full stop since she's barely mentioned in the books after all, so if you do have anything characterisation wise, that would be quite cool?

AHHH THANK YOU 😭😭 ALSO I LOVE THESE QUESTIONS SO MUCH BECAUSE I GET TO DRAW ADELAIDEEE WHOO

So Snotlout basically did all the book bullying to Elder back when they were both in the Pirate Training Program, (including the sabatoge and attempted parricide,) and he continued to do it through the Dragon Training Program and up until Elder saved everyone from the Red Death. Ever since starting the Dragon Academy, Elder has been receiving much more respect from his peers, and Snotlout has been having to draw back on the bullying to save face. Elder and he still have that chief-heir rivalry, of course, and it becomes a gag that Snotlout casually tries to kill him and Elder rolls his eyes like "oh, you" and then everyone laughs it off. Through RTTE he'll mellow out, and by the time of HTTYD 2, the murder theme will pretty much be gone with Snotlout having begrudgingly become real friends with Elder.

As for Adelaide!! I made a post about her a few years ago, but I decided I wanted to give her a bit of an update since I found a better slot for her in the larger story! (And also because I wanted to redesign her agahagah)

Adelaide is indeed in the Pirate Training Program! She pretty much becomes Younger's book!Snotlout, sans the murderous tendencies. Unlike Snotlout, Adelaide has nothing to gain from killing her Hiccup, but she has seen Snotlout heckle Elder enough times for her to mirror that onto Younger. Taking book!Snotlout's place also gives her all of his book lackies, like Dogsbreath! (Gustav is also a Pirate and one of her lackies, though he's less of a bully to Minicup and Fish and moreso just a mild annoyance 😂)

Adelaide and her friends' usual up-tos around Berk include sailboat racing, hunting rats and fish with their hunting dragons, basheyball, and other mischievous preteen activities (though never quite as destructive as what the Thorston twins get up to.)

Adelaide's relationship with Snotlout is amicable enough, though they probably bicker thrice as much as the Hiccups normally would. Snotlout likes to embarass Adelaide around the other Pirates and it annoys her to no end, but despite this (and she'd never say it to his face) she's often heard praising Snotlout up and down for being the coolest person ever. She likes to taunt Younger about how her cool and awesome big brother is gonna clobber his wimpy crybaby big brother. Even after Elder defeats the Red Death, she still has a habit of talking him down in favor of Snotlout, and continues to do so even through Race to the Edge and HTTYD 2.

She'd get some skull tattoos in RTTE, and her riding dragon would be the Devilish Dervish that Snot had in the books! I also wanted to give her a unique weapon, so she uses a flail mace!

Her role gets bigger from book 9 onward, as she and Snotlout's relationship with each other as well as their differing thoughts about who deserves to be King become extremely relevant.

Let's just say she's got a good throwing arm.

[moondaepuppy]

I'm sorry chungwoo can BREAK AN APPLE WITH HIS BARE HAND????

[f1-stuff]

Austrian GP '23 // Carlos Sainz and Sergio Perez in phenomenal cat & mouse chase for P3

[starleska]

bit of a rough day but i bought this hot chocolate bombe way back at the start of December specifically for a difficult time because the packaging just fills me with joy. and i am happy to report it was delicious 🥰💖

[nikkoliferous]

keep your trash mouth shut you pussy ass bitch and we wont call the police

Strangegodsloki

hahahahaha finally found the alphabet did you? how many days did it take you to work up the courage to send this stroke of eloquence?

Update:

I have been contacted by @strangegodsloki off anon (so unless they have been hacked, it is verifiably them this time) and they claim not to be the real author of this ask. As I just wrote in my response, I am inclined to believe this is the case if only because of the sheer incompetence one would need in order to take advantage of the anon function to send abusive messages, only to sign one's name at the end of said messages. It's... fishy, to say the least.

To SDL, I again deeply apologise for any distress, confusion or other ills my publishing of this ask has led to. Honestly, I felt iffy about publishing it to begin with for the aforementioned reason (using anon but then signing it being sus, that is). I should have gone with my first instinct there, and I did not. For that, I am genuinely sorry.

I also want to make this unequivocally clear: I do not ever, under any circumstances, condone or encourage people to send hateful asks to anyone for any reason—including as retaliation for that same behaviour. I do not send them myself, nor do I fuck with people who do so. It is entirely unacceptable, be it in my defence or anyone else's. Defending oneself on one's own blog when one is being harassed is one thing, but chasing people down on their blogs and flooding their inbox with abusive language, threats, suicide bait and the like is 1000% indefensible. Full stop. If you engage in this sort of behaviour, you are pathetic and I feel sorry for you. Grow the fuck up.

/update

[aloysarrow]

Me, who's never played an mmo before bc they're all years and years established, have super toxic community stories, and/or have a kinda steep price entry for a type of game I may not even like after starting:

T&L being f2p and available on ps5 without requiring PS+:

Me: yeah, ok.

[neil-neil-orange-peel]

I love reading your asks, so I wanted to ask you if you had any favorite female characters from Rik and Ade projects?

Helloooo! Thank you, that's so sweet. ❤️ Let's see... I'm going to single out some TYO characters specifically and then talk more generally. This post is absolutely going to become a big, incoherent mess. 😂

Sue from Sociology is my favourite minor TYO character. Don't get me wrong, I love Helen the Murderess too, but there's something that draws me to Sue. To be fair, I'm just seriously weak for Jennifer Saunders in general, and she's basically done up as a female Rick here, if Rick was actually cool. I like inserting her into fanfic sometimes (okay, once... but I have plans). She's very much a background character for the majority of Interesting, but Interesting itself is one of the first (and only, possibly the only?) time there are lots of women in a TYO scene at once, even if they're not getting to do much. Shout out to Dawn's Christian who gets crushed by the gigantic sandwich too, of course! (As an aside, I find it funny that both Jennifer and Dawn got to strangle/smother Mike on the sofa on different occasions.)

Vyvyan's mum. Pauline Melville pops up a couple of other times in TYO as well, and she's just very good whenever she does. I believe she gave French & Saunders a bit of guidance when they were all on the standup circuit. Vyv's mum is a great character because she's just SO awful. Let female characters be awful! She's so spiky and sharp in every way, and she's probably the only semi-developed female character who appears on the show. I think letting the audience meet her gives Vyvyan a bit of texture and depth - sure, we could imagine any family background for any of them, but we're being told THIS HERE is Vyvyan's. Poor Vyv. Pauline Melville herself, of course, is a prize-winning writer now! The dream.

The devil and her condemned soul is one of my favourite TYO cutaway segments. The condemned soul is Helen Atkinson-Wood, who is most well-known for playing Mrs Miggins in Blackadder the Third. She also has a small role in the Comic Strip episode Consuela (and possibly others, but I looked up the cast list to that one yonks ago because it's my favourite). I wonder if Lise wrote this sketch, considering the subject matter. Either way, Dawn and Helen's delivery is great, especially the faux discrete way Dawn says "period pains". I hope it put stuffy men's heckles up.

Aside from TYO, Jen and Dawn were often the only female presence in the Comic Strip episodes, particularly the earlier ones. Of the first two series, Dawn wrote Summer School and Jen wrote Slags - neither were standout episodes of their series, the kind often recalled today, but with Slags especially, the female characters within them were given more agency and stake in the plot than usual. Jen played five different characters in Happy Families in 1985 - a little gem written by Ben and also starring Ade.

I'd like to give a little shout out to Helen Lederer, who popped up a lot in Rik and Ade's - and French & Saunders' - comic output, while never really being given her own opportunity to shine on TV. Oh, and I'd also like to give a shout out to Marsha Fitzalan, who played Sarah B'Stard in The New Statesman - she did such a good job of playing an intensely flawed, funny female character. There are countless male characters who are basically terrible people - I mean, Alan B'Stard for one - and it's vital women are also allowed to be that awful in comedy.

Comedy has always been a pretty male sphere. Even these days, there are definitely still men Ricky Gervais who believe women can't be funny. Misogyny is still massively prevalent in society. Male comics attract female attention; female comics attract male abuse. That's a simplification and generalisation, of course, but it's broadly true. And I don't see younger generations of men getting better with this, to be honest. Actually, I see them getting worse (thanks, Andrew Tate). Sorry to be all doom and gloom!

When Rik and Ade started out in comedy, women getting to play characters other than wives or the like - that is, straight characters and caricatures there largely for the male characters to bounce off of for their laughs - was still uncommon. Despite the existence of successful female comics across the pond like Lucille Ball, and beloved 1970s sitcom The Good Life having a main cast split evenly gender-wise (I know Richard Briers technically had first credit, but Penelope Keith as Margo Leadbetter was absolutely the funniest of the four of them), there was a genuine belief that women couldn't (and maybe shouldn't) be doing comedy.

Women like Victoria Wood were pushing boundaries in important ways around the time of the alternative comedy boom by writing specifically about women (and, quite often, northern women - which I personally think is important, since Last of the Summer Wine had such a chokehold on portraying almost all of its female characters as ostensibly the same). Her sitcom dinnerladies was both melancholic and hilarious. Her sketch shows and other comic output, quite often featuring Julie Walters (her friend and muse), Celia Imrie, and many others, were all written entirely by her. She was also a gifted pianist and wrote several comic songs.

All of this is to say, Victoria Wood definitely helped pave the way for French & Saunders. She even referred to herself as an alternative comedian in her material. But honestly, I don't think it was until much later that women stopped being regularly restricted to straight roles in comedies created by men (which, of course, most comedies were). This was part of why Absolutely Fabulous, written by Jen, was such a breath of fresh air in the 1990s. For once, every single major character was a woman - men were the scarcity! And Jen has mentioned before that producers would constantly pressure her to write more roles for men. Meanwhile, we can observe that Girls on Top (dubbed the female TYO, which is... sort of true and sort of not), which Dawn and Jen starred in with Ruby Wax and Tracey Ullman in the 1980s, isn't very well-known today. I'm not 100% sure how well it was received at the time, but clearly it wasn't as popular as TYO had been before it. Ruby Wax and Tracey Ullman have both also had successful careers in comedy, but I'd argue that's mainly thanks (particularly in Tracy's case) to opportunities in America.

So I'm not saying women never got to be the funny (also I'm just talking about the UK), but the fact is: if your comedy has a completely/majority male cast, with women only popping up in supporting roles or in guest appearances, it's obvious which characters are going to be better developed, more beloved, and just funnier. I mean, even the Vicar of Dibley, which was obviously written for Dawn and showcases her comic prowess, features a supporting cast of funny men (there was also Emma Chambers as Alice and Liz Smith as Leticia - before she was killed off - but the women were outnumbered by the men). I get that this perhaps fits with the idea of a tiny, slightly backwards village in Oxfordshire - and the fact Geraldine was a female vicar shocking these men was very important to the premise - but still.

We know certain men just REALLY struggle at writing women, too, so they've either done a really bad job or just avoided trying altogether. I do have an example for this, but I don't want to name them since I do love the show they created - it's just, y'know, writing women is definitely not their strong suit! And I'm really not trying to poo poo any shows here by pointing this out. I'm just making observations. All of these comedies I'm referencing here are very old now.

So! To get back to where I started with this!

I love that Lise Mayer was one of the writers of The Young Ones. In some ways, the fact one of the writers was a woman feels pretty incredible for 1982. At the same time, though, it's not surprising that she's often the forgotten one when people talk about who wrote TYO.

Rik and Ade were/are feminists, and it obviously wasn't their fault as individuals that comedy was so male - comedy was also restrictive in other ways before them. In terms of social class and political attitudes, they were definitely something refreshing and new. That said, it wouldn't be until later, with people like Caroline Aherne (who really changed the fundamentals of the sitcom genre with The Royle Family), that working class voices who weren't fucking Bernard Manning actually got some notice in comedy. And I've not even mentioned race in this ramble. If comedy was male, it was even more pale. There were comedies starring black and Asian comics in the 1980s and 1990s that started to break through - The Lenny Henry Show, Chef!, Desmond's, The Real McCoy, Goodness Gracious Me - but there's no denying BAME people, BAME women especially, have had to struggle a lot for a voice in comedy. Comedy is more diverse today than it was 40 years ago. There has been progress. But it's absolutely still male dominated, and still very white, at the top.

Rik was pegged as the golden boy of the alternative comedy movement, and he was and is undoubtedly remembered for so many different comedies. But in terms of pure success and fame? Actually, I think Dawn and Jen have been the standouts of their cohort. I don't think anyone would've predicted this 40 odd years ago - I mean, Christ, Rik had to speak up just to ensure they got equal pay at The Comic Strip. The boys were given their chance to shine first, there's no doubt about that. But it was Dawn and Jen who were the subjects of a BBC documentary last Christmas.

...Maybe there is hope for funny women, after all.

[embyrinitalics]

Don't get me wrong. Tears of the Kingdom is a fantastic game. I'm still having so much fun with it. It delivered on so many fronts. It has my favorite final boss in the series. And the new mechanics really do make BotW feel like a tech demo.

But.

My Big Complaint is: TotK should not have been a sequel to BotW.

(spoilers below the cut!)

I understand why they did it, and think it was inevitable. Getting to reuse the assets and maps saved so much time. And BotW was such a huge success that they couldn't not give it a sequel.

But seriously, what the heck?

TotK's storytelling basically ignored or erased everything that happened in BotW. What happened to the Sheikah tech that was literally everywhere? The Divine Beasts that had been plaguing the four regions for a century? Zelda's incorporeal battle with evil incarnate for 100 years and the inevitable trauma she and Link must have after everything that's happened to them? Nah we don't talk about that. Half the NPCs don't even know who Link is despite having plenty of canonical interactions.

And I'm like, ok, I get it, sure. We are so 100% into this new plot we don't have time to explain away the old stuff and I'll just have to deal with it. All right, sure! BotW had very cool and well crafted lore, I'm sure TotK will too! I can't wait for this airtight new story!

Except 🤨

Who are the Zonai actually? Why did they come to Hyrule and from where? Why do we only meet two of them? If Rauru and Sonia are the first of the Royal Family, is she part of the goddess' bloodline (a direct descendant of SS Zelda)? Did she die childless? If they had a child, was it distinctly half Zonai? SO MANY GANONDORF QUESTIONS I DON'T EVEN KNOW WHERE TO START??!?! What's the deal with the secret stones anyway? Who made them? Why do they cause draconification? Is that what happened to Dinraal, Farosh, and Naydra? The Sheikah Shrines were trials left behind by devoted monks who underwent self mummification to train the Hero, but what's the deal with the Zonai ones again? And if they're supposed to be for Link too, when did Rauru have time to build them? And like the Depths?! Make zero sense??!

I could go on and on. As much fun as this game is and as cinematic as a lot of it was, the whole thing is riddled with holes and would've been SO MUCH BETTER if they just made it its own pocket universe like they did with Termina. Trying to have it make sense in the world BotW already established is impossible, and honestly just sort of like. Disrespectfully shoves BotW's dead body off a cliff and hopes no one finds the remains.

So, yeah! Great game! Beefy cutscenes! Fantastic ending! Awesome mechanics! But really really disappointing BotW erasure.

(I also feel like it suffered from trying to follow the same open world formula? Lots of people found the Tears in the wrong order and felt like they spoiled the story for themselves. And the way you were going around doing "search for Zelda" sidequests when you knew where she was but couldn't tell anyone seemed like an oversight. And I wouldn't have minded some more traditional dungeons, like what the Fire and Lightning temples had going on, but just, like. More.)

[ageless-aislynn]

I have to be real with you right now... I feel a little afraid, lol! I've heard various opinions: "Do your first playthrough completely blind and just take whatever outcome you get" vs "If you know you'll be bothered by certain outcomes, then look up how to avoid/get them."

Knowing myself as I do, I'm going for the second one. However, I'm not planning on doing a super rigid type of playthrough where you use a guide for every step and decision. But there are a few things I definitely want to avoid for my first proper introduction to the OG Mass Effect. 😬

I'm also not worried about achievements at this point. I just want to play the whole thing through and come out on the other side feeling happy that I took the ride, you know?

Strangely enough, I'd always planned on playing first as Fem!Shep but now I'm leaning towards Male!Shep. I dunno why, it just feels like the right choice to me. 🤷‍♀️

Anyway, wish me luck, friends, I'm going in!

No, wait, I mean, I'M GOING IN!

Lol! 😉💖

[airs-headspace]

Not Touya being the easiest person to pick Pokemon for because my iteration of him loves Elegant Things That Can Kill You.

[good-beanswrites]

🎬: About Es being a past prisoner and the secret 11th prisoner in your AU. But advance apologies if I'm overstepping into your AU!

I had this idea from a story that pretty much did the same thing. Going off there are novels/manga on Milgram and there being another Es and their own prisoners running another Milgram (but differently) I imagine this Milgram projects has been going on for a while, and our Es was from a previous project who might have gotten the worst verdict (or the most spared out of everyone), and was given this final task as a warden for the next group of prisoners. This is why they so readily agreed and had their memories wiped for this Milgram project instead of being weary on a shady project on judging an almost crime, they've already been through this.

(BTW is it bad and worrying for one of our ten fav prisoners to be the next Es if this is legit...)

Anyway, that's why Es is in Milgram in your AU, I guess? And the lore drop that Kotoko picks up on them being the 11th prisoner, I can imagine her also talking to Kazui since he's a policeman to see if she could cross out any theories on who Es is (Did they look familiar. Possible missing child. Any cases to do with an almost crime by a child other than the 10 of them here). Kazui knows Kotoko wants to investigate, but reminds her that, like in their prison while the trial is on, the facilities they're in have high security too. They do have the freedom to move about, but still limited.

If they're trying to investigate Es, maybe Fuuta, Kotoko and Mikoto can try to do the hacking on the comp Mikoto's allowed to use to Photoshop some shots for the MVs and photos (Fuuta and Kotoko seem to be able to search up info they need I think...). Yuno, Mahiru and Muu can work on charming the staff to see if they can spill more deets on Milgram. Not sure how much the group can gather, but oh boy fun times in Milgram can turn into another sort of stress in this AU...

No worries!! Like I said before, this whole au has been a fun collaborative project, so there's no overstepping :) I am sorry I won't be writing a lot on the ending until we get more info, but that's just the perfectionist in me who doesn't want to be proven wrong 😅 Still, I love tossing around and digging into ending scenarios, I really love this!

Because that would make a lot of sense why they're so willing to subject themself to the whole experiment! They remember how tough their experience was, and are confident they can care for the new set of prisoners while doing their job. I'm imagining they get the opportunity to return as guard, and get to have a nice talk with their own guard first. Once they fully understand what it's like, they're know they can handle it and sign up. It adds a bit of drama, too, since they must have been really young committing their crime in order to complete a years-long experiment prior to this one. They would have been like 10? Oof. (Now I wanna see their three trial songs 👀)

And like you said, that also brings up the question of the new warden. Though I think it's based on verdict results, I can just picture Jackalope keeping an eye on everyone during filming. He studyies their interactions and personalities, keeping his own set of notes on who would make a good successor. (I'm not going to go through every character but there are pros to any choice, it's very fun picturing them all taking the job.) Haha, on the other hand, maybe the reason Kotoko keeps bringing up her role as Es' partner/bringer of justice is because she did discover the truth. She drops as many hints as possible so she can be chosen next 😅

Ooh, I love her working with Kazui on an investigation! The fact that eh may know details on recent crimes (and almost-crimes) is super fun to work with. He's the last person who's going to spill a secret, so the group could go several trials without realizing Kazui had actually heard all about their situation this whole time.

(Getting sidetrack for a sec, I'm suddenly realizing that he and Kotoko may have heard things about the crimes in canon, too. They're a bit unclear about how much time passed between the murders and arriving to Milgram, so maybe he heard some things. I don't know how well-connected Tokyo police departments are, but Yuno, Fuuta, Muu, and Shidou are all nearby. There's definitely a chance he caught word of the vigilante nearby, and she heard about the odd policeman's suicide. Both of them could have heard about the tragic housefire, the disgraced doctor, or horrible schoolgirl murder nearby.)

Anyway, I like that idea of Kazui wracking his brain for any similar cases. Though, if he had, Milgram may have had the foresight to wipe parts of his memory, too. Maybe he does end up using his call to reach out to Hinako and have her look into it from the outside. Sadly, Kotoko seems the type to sacrifice her personal call to reach out to a connection who can help as well. I'll have to think about how closely Jackalope monitors those calls, hm.

I'm going crazy over prisoner investigation team !! Kotoko and Fuuta had the online knowledge to find some good info, and Mikoto and Kazui seem like they'd have a huge network of people they can ask for info and favors from. Haha, I'm torn whether Mahiru would have flirting down to a science or if she'd refuse to do it since it wasn't real love 😂 Still, she's very good at reading people and could definitely help the others charm and bribe their way into some restricted areas. Amane and Haruka can also charm with their innocence/cuteness (though I'm not sure Amane would). Shidou seems very organized, he'd have a plan and backup plan and backup-backup plan ready, no matter what happens. I think it's even funnier, then if Milgram had run several experiments prior. Jackalope would think this was just another runthrough, and for the first time the ten subjects decided to organize together and Cause Problems.

I think there's a beautiful irony in a story featuring ten prisoners planning a jailbreak to save the prison guard...

[longeyelashedtragedy]

damn...it is honestly a bit intimidating just how much trauma has fucked up my entire life. there's virtually nothing it hasn't touched. it's a wonder i made it this far and had fun along the way.

[cherry-bomb-ships]

I'm not gonna lie I feel like a lot of my attraction for most of my f/os (not ALL but most of them) comes from a desire I have to kinda... be perceived like they are? Idk its hard for me to explain but I think so many of my f/os are so COOL and badass and confident and I want that swagger they have 🥺💖💖💖💖 Maybe this is why I end up copying their mannerisms, both intentionally and sometimes not, because if I would love to be just a quarter as cool as they are!! 💖💖💖💖💖

[link-sans-specs]

Did I fall? Where's Rhett? What time is it? Does my mom know? Evidently, I've hurt my head. (Note the order of those. 😏)

I busted my ass! 🎶

Mythical Society

Never Before Seen- Broken P elvis Song

BONUS: See it right there? That's my pelvis.

[definitelynotshouting]

(Hunger au) I'm going into ecology and it's fascinating looking at your au's ecosystem, especially since this doesn't necessarily seem driven by natural selection and instead by just. The universe creating what it needs, with a purpose in mind. That's so different from our world that it's fascinating to think about the implications. Rather than existing to take advantage of and respond to resources and selective pressures, theyre basically creating said resources/pressures. The watchers are having to manually adapt to survive after a bottleneck effect, which to be fair even if there was natural selection they'd probably have to cuz adaptation takes a looong time in species with long reproductive cycles. Do they have a genome? Or are they just being arbiters of mutation themselves (by that i mean theres no genome so theyre changing their species themselves since theres nothing to mutate)? Do offspring inherit traits? What does this mean for natural selection (cuz like. If they survive differently depending on how their traits match up to the environment and selective pressures there is)? With the seekers gone are expected to have a population rebound barring any other selective pressures/fitness independent factors on their population? Their reproductive strategy seemingly aligns with the low pressure they're facing... I read a paper to understand this and it's really cool:

(From https://www.nature.com/articles/s41598-019-42562-7)

They seem to be an r-selected species and invest a lot in their offspring, but they just naturally have low infant survival rates. This is the sort of species that does not do well in the long run so that adds urgency to their efforts to edit themselves.

All this to say that I'm rotating the concept of an ecological system that has one of ecology's core tenants (evolution) heavily altered/removed. Tis fascinating.

between you and chem anon im going to have a heart attack over sciency people looking at my silly au /lh

I really did want to go like vastly different from how our world works since this is such a video game setting-- it was really fun to noodle about what a universe made out of code instead of DNA would look like!!! and having the universe be quasi-sentient, affected by a form of evolution itself as well (thank you julien gough for the universe evolution theory that i have wholeheartedly adopted into my worldview).... idk its led to some very interesting worldbuilding for sure 😂😂😂

Watchers-- or any entity in this universe, actually-- dont really have a genome like we'd understand it. Instead, theyre made up of code and code blocks, which i guess would sorta mimic that to a certain degree, but its more tipped in favour of computer programming than biology. The whole au sorta just wholesale marries the two together, along with physics and chemistry (i am currently percolating on how crafting works in this au rn and my current idea involves the concept of the crafting table acting somewhat like a catalyst, which. okay dont take that as gospel yet i havent fully cooked on that one) etc etc etc.

But the Watchers did intentionally change their coding to help defend against the Seekers when they were being hunted into extinction!!! Watchers already had a natural affinity for deep coding, so while it took a lot of effort and caused a lot of damage to themselves, they managed to rapidly change their code structure (aka this universe's version of genetic makeup) to get better at, well. Watching. Seeing the Seekers coming far enough in advance to run before they got there became their primary defense against getting voraciously hunted, and by the end of it the Seekers starved out and went extinct bc they'd gotten so adept at avoiding them.

Offspring is interesting because in my mind at their base level (so genetically/code structurally speaking), Watchers are identical clones of each other. They reproduce asexually-- think uhhh mourning geckos and some species of aphids, which reproduce via parthenogenesis. So yes, in a sense they do inherit traits, but its in a direct line from the parent as a genetic copy. Their memory codes and surface code layers are what differentiate themselves from each other

Reading this chart is so interesting.... i'd say you're right in that Watchers would be considered an r-selected species!! I think if they werent like. Essentially made out of tissue paper thats constantly getting damaged and having to be repaired, they would be able to bounce back to the point of population rebound for sure. The problem with that though is there are only about 40 Watchers left-- thats how bad and out of control the situation got. And since they have such a long reproductive cycle, and such a high infant mortality rate, and their experiment with Grian went so wrong, AND the universe formed Listeners to replace them via direct competition (Watchers cant feed from Listener-infected Players!!), they are unfortunately headed right for extinction too.

Hopefully this makes a modicum of sense and isnt just me totally talking out of my ass wkdnjedjkejdke but i hope this answered most of your questions!!! Im really glad you like the direction ive taken this, its a lot of fun to conceptualize a world that works on different rules than our own :]