#It's been an interesting experience so far

[starlightreign]

I am autistic and I experience hyper fixations (like that time I played Far Cry 5 for 10 hours without taking a break) and I literally do not care that people are using the word. Same with the word “Special Interest”. Y'all are so chronically online that it's insane. None of this matters. Go outside and touch grass. Language evolves words and it has for longer than any of us have been alive. It's like how gay used to mean happy and now it's a synonym for homosexual.

never should have let the Internet replace the words "obsession" "hobby" and "interest" with "hyperfixation" tbh

[meanbossart]

im so curious-- how well does DUDrow get on with the other companions? I've only seen your art and going off that I feel like: he gets along with Shadowheart, Gale I think he borderline cant stand, and Wyll/Lae'zel/Karlach I have no idea how he'd feel about them but id love to know!

So, funfact, because I was not familiar with these kinds of games at the time I played BG3, I practically stuck with the same exact party the entire playthrough. I distinctly remember swapping Wyll in for Astarion once at the end of act 2 because I thought he NEEDED to be there to find Mizora, and I replaced Gale with Karlach when I went to kill Gortash. Otherwise... It was pretty much always just DU drow, Shadowheart, Astarion and Gale. I did this because they were the characters I liked most, so I wanted to see all they had to offer.

Anyways, I mention this because it reflects how DU drow related to everyone - which is to say that he didn't. He picked his favorites (two because he liked them, one because he has fireball) and didn't get particularly close to anyone else.

BUT, there were definitely notable dynamics!

Lae'zel: She's dead. He killed her night 3 or something. Before that he thought her annoyingly demanding and over the top. I don't think DU drow even remembers her by the end of the game.

Gale: Just to add to your original observation, Gale and DU drow have a little bit of history. Gale tries, for about half of the campaign, to pursue him romantically. DU drow keeps turning him down and is either misinterpreted or ignored, and by the time Gale does give up on him their relationship has completely soured to the point where they are constantly shooting daggers at each other. (this reflects a romance bug I got in my first run, except I didn't realize it was a bug. Either way I think its more interesting storytelling than the intended experience.)

Wyll: DU drow was profoundly frustrated by Wyll every step of the way. He found him to be incredibly naive and a bit delusional in his pursuit for heroism, and could never relate to Wyll's perspective or choices - the few he made for himself, at least. They definitely had the least in common and DU drow avoided interacting with him most of the time.

Halsin: He didn't care for Halsin much. He was vaguely helpful but by the time they got to the shadow-cursed lands DU drow had the impression he'd only been dragged here to help him clear his conscience, which he didn't appreciate. Also, he couldn't bear to have someone in camp be taller than himself. Halsin was left behind in Act 2.

Jaheira: DU drow fucking loves Jaheira. They bickered and borderline insulted each other and had a great time doing it. He can respect anyone who will call him a monster, threaten to murder him in his sleep, and make light fun at him the next day. It helps that she's hot, also.

Minsc: Weird hamster man. Ocasionally rendered him speechless. Puzzling human being.

Karlach: He didn't get Karlach, but he was often amused by her and curious enough to want to hear what she had to say. There was a similar issue here as Wyll's where he just couldn't relate to her enough to have much to discuss, but Karlach at least had an edge to her that made her far better company. They got along pretty well when the topic wasn't serious, but when it came to the problems she actually faced their perspectives shifted significantly. DU drow thought everything could be fixed, that accepting her own demise was a cowardly thing to do - and as they approached the end, and she asked him if he would stay with her when she died, he thought she was weak. I don't know if he ever discusses it with anyone, but he feels guilty about her death to this day and sees it as personal failure.

[genderkoolaid]

While 4B has been a topic of conversation online for a few years, sporadically gaining popularity among U.S. TikTok users in moments like the “I chose the bear” trend, Trump’s reelection brought it front and center again. In the days following Trump’s win, online searches for the 4B Movement saw an unprecedented spiked. Across social media, women are posting that they need to divest from men, amassing hundreds of thousands of likes and millions of views. But the conversation about 4B in the U.S. is rife with misconceptions about the movement, including false assertions that 4B accounts for the majority of feminist thought in South Korea. It’s important to note that despite the global attention, 4B is a fringe movement in South Korea, and Han says the vast majority of South Korean feminists do not abide by it. “I just want to make sure that people understand that 4B does not speak for Korean feminism,” Han tells Them. “4B is not representative of Korean feminist politics. A lot of us see something a lot more diverse and a lot more intersectional than what 4B calls for.” Though the 4B movement is quickly gaining wind in the U.S., this is far from the first time American feminists have called for a divestment from men to combat misogyny. In the 1960s, political lesbianism emerged from the second-wave feminist movement as a means of decentering men from the lives of women. Like 4B, political lesbians aimed to divest from dating and having sex with men. They asserted that any feminist can be a lesbian, defining lesbian as any woman who did not have sex with men. “We call it 4B now, but it's political lesbianism,” Han says. “Essentially it's the same thing too, but the one aspect of being a political lesbian was you may or may not [actually be a lesbian], and sometimes you really didn't have sex with other women, but [instead lived by] the idea that you prioritize your relationships with other women, that you prioritize your solidarity with other women.” But with the 4B movement both in South Korea and the U.S., Han says this isn’t the case, as men still find themselves front and center in the discourse. She adds, “I've never heard so much discussion of straight men. Can we just decenter them?” [...] Han says that they hope this blip in interest about 4B fades into the next news cycle, as there are so many other forms of intersectional South Korean feminism that do include queer and trans people. Ultimately, many of the current discussions about 4B are coming from a place of privilege that queer people don’t have the luxury of accessing. “Queer and trans folks know that isolation or imagining a life ‘just on our own’ — that's not our reality,” Han says. “That's not our vision. In many ways, I think our experiences tell us that we have to live with people who hate us. We have to work with and against and fight folks who mean to harm us and simply disavowing them or refusing to interact with them or somehow running away and keeping to ourselves, that's never been possible.”

[sitp-recs]

re - your last post, as a writer i find that to be an absurd take. people who write exclusively for validation probably shouldn't. if discovering your work is enjoyed and loved - just privately - is a dealbreaker for you, i think there are probably bigger issues that need to be worked through. the idea that we write fic for free and yet this discussion about "payment" through kudos/comments persists is so backwards and obnoxious.

sorry to tag you on this, obv you have nothing to do with op, but i just wanted to say - as a writer recs are a HUGE deal. to know that you liked something enough to share it with others is the biggest compliment for me personally. thanks for doing what you do.

I’m happy you reached out because this is a really interesting perspective. I definitely see increased messaging around comments = payment that pressures readers into thinking they are required to leave comments, and I agree that there are many layers to this convo that point out to a not-so-healthy relationship with fandom.

I find it hard to join this discussion not being an author myself, because I only have the privileged perspective. I understand how important feedback can be to boost newcomers and those who don’t feel part of the community. We all deal with insecurity in different ways and it’s hard to navigate a big fandom when you don’t have a group of friends to rely on. In the end the fandom experience is about a sense of belonging and it saddens me to realize that I might be part of the problem since my recs can only reach Tumblr and my ao3 comments are far and few in between.

It’s funny because my blog has always targeted other readers: at the beginning I didn’t even tag authors and did not expect them to find or engage with my posts. Over the years the recs became more and more personal, until I realized I was writing them for myself. Sure, they are love letters to the fic and might help more people find them, but at the end of the day this is my little therapy corner where I can let go and babble around to my heart’s content 🙏🏼 I’ve always been proud of this blog and seeing that post gave me mixed feelings about it for the first time, so thank you for your message!

Again, I think this discussion has many layers and I’m a bit wary to get involved being a reader, but I’d be curious to see how others feel about it…

[copperhawks]

You're not the first person to make this comparison on this post, but when I wrote this, I hadn't done a re-read of SOTL yet (and the last time I'd read In the Hand of the Goddess was... a LONG time ago, so I couldn't really make a good comparison between these two scenes), but I have now and I've been sort-of thinking this over and have some thoughts on it.

For me, this isn't so much an indication of them being similar so much as it is just an unusually similar narrative beat. A character chooses to disobey an order about not crossing a border during a war in order to go save someone who has been captured and, in so doing, takes out a major antagonist that leads to the end of the war.

But the MOTIVES behind the two actions seem very different to me. Jon goes to save Alanna because he's in love with her and can't bear to lose her. Kel goes to save the refugees because she's responsible for them and takes that extremely seriously. She does CARE about the people, obviously, it's still being done out of love, but she's not doing it because she can't stand to live without them so much as that she's INSANELY duty-driven. She goes up to save Lalasa for similar reasons after being told that a noble's duty to their servants is basically sacrosanct. Kel goes across the border because she believes it's the honorable thing to do. Jon's motives aren't about honor and are, arguably, somewhat more selfish in origin.

So while this is obviously a very similar storyline, I don't find that it's an example of these two characters being similar to each other.

Kel is willing to give up EVERYTHING out of a sense of duty to the people she's responsible for. While Jon is someone who does a LOT of things for his people and spends a lot of his time and energy making life better for them, I can't recall a moment where Jon is ready to give up everything he wants and everything he's worked for just to save his people. Jon actually tells Kel in Squire that he and Thayet work pretty hard to keep themselves OUT of that kind of danger whenever possible, that's the point behind all of the compromises. All of the arranged marriages for his kids are to try to ensure peace through political connections and stop fighting in wars.

This is where they DO differ because Kel feels like someone who, at least at this point in her life, is willing to die to protect her people. But Jon is someone who will do whatever it takes to LIVE for his people for as long as possible. Jon understands that, in his position, it's more beneficial for everybody for him to make compromises in order to stay alive so he can keep making changes that will make people's lives better in the long run. This is a lesson that, while we do see Kel LEARNING it a little during Lady Knight, isn't one that really plays into the final conflict of the book. It's possible that Kel will end up being even more like Jon in this way as she gets older, more willing to stay back herself and trust others to do what needs to be done in her place, but by the end of Lady Knight, that just isn't who she is yet.

And maybe that's what's interesting about the comparison. Kel isn't all that much like Jon YET, and she's certainly not all that much like Jon when HE was 19, but Kel shows signs of being a lot more like Jon as he is during HER series as she gets older and gains more experience. Kel is very righteous, very inclined to just act and get things done, but over the 9 years we get to know her, she has to learn more and more about when to act and when to WAIT. She has to learn when to push and when to bend a little.

As a woman, she's going to be held to different standards than her male counterparts like Raoul or Wyldon, she'll be dealing with different limitations and setbacks than they ever did. And so her approach to leadership will, by necessity, have to be different than theirs was. She does look to them for inspiration, but in execution, I think she'll likely end up far more like Jon. Jon is obviously not a woman himself, but as King he's ALSO held to different higher standards than his compatriots and he was very young when he took the throne and has been very progressive throughout his reign which means he's dealing with certain limitations and setbacks that more conservative people might not.

Kel has strong opinions and firm ideas of what the world SHOULD be like, and that's going to lead her down a similar path of trying to CHANGE things, but she'll be dealing with all of the same limitations that Jon is, which will force her to approach things the way he does. She's going to have to compromise, she's going to have to bend, she's going to have to learn when a fight is worth having, she's going to have to learn to give a little in order to get a little later.

Kel would probably not have crossed the border for just one person. If it had been Neal, for example, and Neal alone, she may not have decided to take that risk. Neal is a trained knight like herself and probably won't thank her for giving up everything to come save him. Kel could probably have been convinced not to cross the border for him, as much as it would've pained her. And Jon I think would not necessarily give up everything to save a few hundred people the way Kel did, even though it would pain him to have to make that choice.

Kel IS like Jon and will likely become even more so as she ages, but crossing the border just isn't one of those places where their similarities are showcased to me.

The funniest thing to me about Kel, and maybe one of the most interesting because of how understated it is, is that Kel becomes a good commander in the end, not by emulating Wyldon who was cold and implacable and insensitive, or by emulating Raoul who mostly only disobeys orders out of principle or because he has an issue with what the order says about his personal relationship with Jon, but by emulating JON.

Kel doesn't even LIKE Jon, she BARELY respects him as a person. He's a good enough ruler that she's willing to fight for him and swear loyalty to him and to at least mostly believe that he wouldn't work with Blayce to make his own killing monsters, but that's as far as it goes for Kel. If he's kind to her, she finds it uncomfortable and almost untrustworthy because she assumes he doesn't care about her and so his kindness and respect towards her must be fake.

But from the outside, as readers, we know just how much Jon fought for Kel. We know how much he does respect her right to be a knight. Jon is the sole reason that Kel DID get the opportunity to prove herself, if he'd capitulated to Wyldon completely, she just wouldn't have ever been allowed to join. Kel doesn't KNOW THAT, obviously, but we do. We know that Jon did everything he could to find a way to convince Wyldon to let Kel become a page. While Wyldon claims later that the reason he chose to let her stay at the end of the probation year was because his better judgment convinced him she'd earned it, I'd be willing to bet that part of that better judgment also included knowing if he couldn't prove to JON that she needed to go, then he'd be in trouble. Kel was training and working in front of plenty of other trainers and teachers who could easily contradict Wyldon's lies if he'd tried it, many of whom are closer to Jon than they are to Wyldon.

Kel's experiences and feelings about that experience are entirely valid, and she doesn't have the knowledge we do about how hard Jon fought for her, so it's not shocking that she's upset with him for a good portion of her series. She never even discovers this truth by the end of her series, even though she does get a lesson from Jon and Thayet (and Raoul to some degree) about how politics and compromises work in order to make changes happen. So her opinion of him by the end is boiled down to the quote from Squire: "good kings weren't always good men." It makes sense for her to think this, but because Kel's knowledge base is so limited (and her worldview so black and white for much of her series), it makes her an EXTREMELY unreliable narrator about this particular issue.

Kel believes that while Jon generally does his duty and keeps the peace, he doesn't actually care all that much about his people as individuals. But in their only meaningful conversation in Squire, Jon is able to point out that he (and Thayet, who is actually equal to Jon in power, something Kel either doesn't know which would be a failure in her education or just tends to ignore so she can focus her ire on Jon) has to make a LOT of compromises in order to get ANYTHING useful done at all. Sometimes, often, it means making deals with people he doesn't like or people he just fundamentally disagrees with, because it's the first step in a multi-step plan to help more people in the long run. He also points out that just throwing his weight and authority around in order to be able to change everything he wants to change immediately regardless of what anyone else thinks about it is a great way to get himself and his family killed. Because even if he had good intentions, that would be tyranny. It does make Kel think a little, but she doesn't tend to like him much still afterwards, her resentment from her page years will always color her opinion of him a little.

However, then she gets to Haven and she's suddenly tossed into a position of leadership over a lot of other people, many of whom disagree with each other or disagree with her or both. And all of the sudden, Kel has to make compromises. She doesn't LIKE the way the sergeants often treat their men, especially the sergeants whose men are convicts, but there's very very little she can do about it without really pissing off those same sergeants and that's not something she can afford to do. There's a moment when Neal starts getting frustrated about the treatment of the convicts and she takes him out to vent to her so he doesn't vent to the sergeants, something that the sergeants would then take out on their men. Kel's reasoning as she does this is that she "preferred to avoid battles with them now so she would have authority with them later if she needed to use it." Later, Kel is talking to Daine and she says "That's all this job is... Trying to please everyone and pleasing no one. And it will only get worse, not better."

Both of these moments showcase Kel choosing to make compromises. She may not like the way the sergeants treat the convicts, but she needs to stay on the sergeants' good sides because she doesn't have enough resources to butt heads with them nor enough authority to just force the issue, and even if she DID, it could cause the sergeants to become troublesome or take out their frustration with her on the men in ways she can't see as well. But staying on the sergeants' good sides might mean letting some of their maltreatment slide if it's not physically harming the convicts. And even setting that aside, she's dealing with nearly 500 refugees eventually, all of which are from different towns in the area and have different needs, not all of which she can accommodate. This requires compromise. Sometimes she can please some of them and not others, but mostly she probably just ends up not pleasing anybody because that's often how compromises WORK.

She never makes the active connection to Jon and his lesson on leadership from Squire while she's in Haven, but that quote up there about how this job (aka being a commander) is all about trying to please everyone and pleasing no one? It sounds a HECK of a lot like "good kings weren't always good men." You can try your best to help others, but often doing the right thing can involve making everyone unhappy. You can't be everybody's friend if you're going to get anything done.

Some of this she might've learned from Raoul's style of command, but Raoul commands a fairly small amount of people (at least in comparison to a King), and so we see him able to be pretty friendly to the people he commands in a way that Jon is perhaps unable to do. And she might believe that she learned some of this from Wyldon, but Wyldon had a tendency to be very unfair and biased due to his raging bigotry and conservative values, as well as the fact that he doesn't actually even LIKE being a training master and that likely impacted the way he treated the pages (he's almost never that kind to the pages, whereas we see him capable of being quite kind with the refugees later, which is where Kel comes to the conclusion that he hadn't enjoyed being a training master).

But Jon makes an entire speech about how he (and Thayet) have been working THEIR ENTIRE REIGN to change laws that help people. He explains how they have to consider the needs of merchants, nobles, farmers, street people, priests/priestesses, and mages. They have to consider not only what these people might need or want, but also what they could do when they feel sufficiently offended and how that could impact not just the royal family or the nobility but the realm as a whole. Jon points out that they HAVE made changes, for the better, and that just because they don't always succeed at everything or because they have to compromise sometimes, doesn't mean they aren't working at making changes or that they don't care about helping people. Not everyone you have power over is going to be your friend, they might not even be someone you like. But if you're going to take on the job of leadership, that's something you have to be willing to accept and work with, which often means making compromises with people whose needs and values are contradictory to your own.

Jon probably knows when he makes the compromise with Wyldon that it will likely impact a lot of people's good opinion of him. Alanna is right there and clearly angry, and we know Thayet doesn't like the decision, either. And it's entirely possible that Jon knows in the moment that Kel herself will put the blame on him because he's the King. But he also knows that if he insists on Kel being allowed to be a page without trying to compromise with Wyldon, Wyldon will quit over it and he'll end up with ten DIFFERENT problems that could cause a lot bigger issues to far more people than just one girl. So he makes the compromise. He sacrifices Alanna and Thayet and even Kel's good opinion of him in order to ensure that Kel gets the opportunity to become a Knight without turning all of his nobles against him which could ultimately lead to a civil war. Is it fair? No, and he knows it. But it's the best option he has in order to get the outcome they all actually want which is just for Kel to have the chance to prove herself.

Kel has to make similar choices once she's finally in a position of leadership of her own. And whether she realizes it or not, without ever even spending more than a few minutes with Jon, she ends up emulating his leadership style more than anybody else's because it WORKS and it works WELL. She'll probably never admit it, she might never even realize it herself, but she's so much more like Jon than any of the other men she sees as role models. And I love that. I love the dramatic irony of that, that the one person Kel only barely respects because of a compromise he made on her behalf that she'll never even know about, is the person Kel ends up most resembling. Jon is the reason she has the opportunity to become the Protector of the Small in the first place, Jon is the person who created that environment that allowed her to nurture those values, and she'll probably never even really be able to acknowledge that, because sometimes that's what being a good leader means.

[ladyohdeath]

i have something to say as well about this actually. i love female ocs. i have been writing with them since i first started on this fuckass website. i have a ship with a good friend, their female oc, that has been going on literally since i think 2014. as a community, we are awful to female ocs. i watch them get ignored, shamed, sent anonymous hate. i made a blog for a female oc many years ago and i remember deleting it after a week because the dynamics were nonexistent. i really admire anyone and everyone who has a female oc, and they deserve all of the love. please know if you have one you can always, ALWAYS write with me. ship with me too, baby!

on a similar note, i have been writing lesbians on this website for a long time. and there is a very significant difference in interactions when it comes to writing men and writing a lesbian.

the moment i put the word "lesbian" on my bio or character page, interactions drop. people do not want to write with me.

it's better now than it used to be, but still, i get male characters refusing to follow me, because we can't ship. i had an incident many years ago where i found out one of my close rp partners was sending anons to my elsa blog asking "why are you playing her as a lesbian". i've gotten anon hate for it. i've gotten bullied for it on discord and rpc spaces. i've had MULTIPLE male muses send me shipping memes, ignoring my info. once had, god forbid, a writer ask if their male character could be an "exception".

and like to consider myself a fun, flexible writer. i love all kinds of dynamics with all kinds of people. i am not here to write only ships. and yet, i know, the moment i make a new blog and write the word "lesbian" in my character info, that i WILL get less interactions than i would if they were straight.

i've come to accept it, citing both the internet and the rpc as a male-centered space, but really, i don't think i should have to accept it. i think we should have that conversation. why are we so male-centered as a community that we shut out muses who aren't interested in shipping with men?

let me add as one final note: i am eternally grateful for all the dynamics i've reached on this blog. i have many rp partners with male muses who have created interesting dynamics with me, and who love me and rio, and i really fucking appreciate that. please don't take this as a slight at anyone who i follow. so far, writing on rio's blog has probably given me the best overall experience so far in writing a lesbian muse on this website. i just think this warrants a conversation.

[manitole]

Emmrich x Rook = Ideas for Fanfic

 (This is going to be a REALLY long post)

Context: I’m an awkward millennial that doesn’t know Tumblr very well. I apologize in advance if this post is weird and not perfect, I’m still learning. My activities on this platform are mostly resharing awesome post on my page. Since the last few weeks, I must admit that the communities here around my tags are incredible, positive, academic and just kind of healing my heart. For this reason, I feel comfortable trying to be a little more invested. Introduction to the main theme: I’m really happy to see that I’m far from being the only one to be obsessed and hyperfocused on Emmrich Volkarin, especially his romance with Rook. His personality is different from my typical fictional crushes: this fact had opened new possibilities about scenarios in my imagination. The main theme: I love to write, but I have a thesis to finish. Plus, I’ve already started two fanfictions and I’m not close to be done with those two stories. Since I’m lacking time, experience in fanfiction, knowledge in the DA universe and expertise in the English language (I’m a native French speaker), I must conclude that writing a fanfic Emmrich X Rook would not be the best idea right now. I would LOVE to share some of my ideas if it can inspire some people out there:

A – Too much rigidity versus chaotic (Mortal): I would LOVE to see a fanfic which addresses the mountain struggles of Rook and Emmrich living together after the story of the game. This man has been alone for a long time. We don’t know if he already lived with someone else during a long period of time. Emmrich likes to have his books ‘’pristine’’. I’m also guessing he has a strict routine regarding mealtime. I see Rook being kind of chaotic, as letting their underwear lying around where they needed to remove them (around a bed, coffin, or on the dinning table after some sexy time… why not). I could also see Rook inviting old friends for a late dinner, at the last minute, while Emmrich is already in his night gown, ready to sleep. Anyway, I would LOVE to see character’s development around those struggles: Emmrich learning to be a little more flexible while Rook is learning to be a little less disorganized.

B – Feeling bored after saving the world (Mortal): Could be related with point A or not. I know that everyone has different opinions, but so far, I preferred Rook to also be a Mourn Watcher. It seems natural to think that after the end of the game, Emmrich, Rook and Manfred are going back to Neverra. I could see Emmrich going back to teaching. I could see both possibilities where he is satisfied with this (with Rook and Manfred in his life) VERSUS feeling bored after travelling so often for saving the world. I’m not sure what Rook would want to do with their life after the war. Could they even be able to stay at one place? I could see them needed to travel and leave Neverra for sometimes for fighting or geopolitical stuff. I could also see Rook being done with that kind of life and wanting a normal happy and almost boring routine. Let’s talk about marriage. We all know that Emmrich always thought he would get married someday. Would he be ready to marry Rook? If yes, does it mean that he has outcome the age gap problem (?). I don’t know about Rook since the character vary from person to person. They could want to wait for marriage. I see this possibility more in the Mortal route since I have NO idea how Lichdom works and if a Lich can marry someone…

Now. I must explain before going on with my next idea. I’m not a fan of any pronatalist outcome. I don’t think a couple should have children to be happy or have some news goals. I also love stories and fanfic that show childfree happy people. Having children is not and should not be seen as a normal progression of life. It’s a choice and it should be a free and informed joint decision. Childfree couples are NOT less interesting than parents. But I also can see the difference between real life and fiction, especially in a fantastic universe like DA. I think some fanfic that adds children into the story can be a good thing, especially if those are kind of REALISTIC (happy rainbow sunshine without any struggles at all) and talk about more than only the positive of parenthood. Now, we could argue about Manfred. For me, as a couple, Emmrich and Rook are already parental figures to Manfred. While it’s not a typical experience, there is still something there. Manfred doesn’t need to eat (nor to sleep?) but he can still burn some books by accident, requiring some ‘’parenting’’ from Emmrich or Rook.

C – Parenting: I could see the couple adopting a kid while the opportunity is there. I also think that Manfred would be an awesome big brother. Now, let’s talk about a Rook that could be pregnant (trigger for some people, so please go to point D if you don’t want to read about this idea or about parenting and or reproduction).

1 – Pregnancy (Mortal): I’ve been thinking A LOT about the last scene between Rook and Emmrich when they have sex in a coffin. I’m an artist geek but also a nerd scientific with a nursing degree. Both don’t always match well together. I don’t know a lot about contraception in fantastic universe, especially DA. I can’t stop myself thinking: did Emmrich and or Rook THOUGHT about this? One part of me think that Emmrich would not be the type of person to forget about any risk regarding that subject. It would seem easy for him to cast a charm for preventing a pregnancy? I don’t know. But on the other hand, the end of the world is happening, and him or Rook could not survive to the last battle. The party banter between Harding and Emmrich show that the necromancer can forget some things important when he is with Rook or just by being in a new relationship. So perhaps Emmrich didn't think about it. I could see Rook having sex without having that in mind at all, kind of like a YOLO attitude. They love Emmrich and they are like '' let’s have awesome lovemaking before perhaps dying or whatever''.

Nooooow. Let’s talk about that accidental pregnancy if we could agree that because of those circumstances, no one thought about contraception, because you know… ‘’ End of the world ‘’. Plus, while an accidental pregnancy could be the end of the world for some person, it could not be as horrible for others, like Emmrich and or Rook. So, the team beat Elgar’nan, Solas linked himself to the fade and all. The world is safe for now. It’s the time of celebration. Even after some rest, Rook doesn’t feel really good. They are kind of tired all the time but again, it’s normal since they have been on high adrenaline during the last few months (?). It could explain things. Them and Emmrich could think it is related to the fade or perhaps a curse. Eventually, I’m pretty sure Emmrich would realize the situation before Rook. He was able to spot that stiff wrist. He could see subtle difference regarding Rook. I could totally see his shocked face while understanding the situation. As for Rook, I could see them not thinking about that possibility because perhaps they weren’t having regular periods in the first place because of the hard activities while trying to save the world. Now, let’s ad point A and perhaps point B to this scenario. The couple is trying to live together in a new routine while also learning they are expecting a baby. I waaaaaant to read about that 52-53 years old necromancer realizing his partner is pregnant with his child. Everything is going too fast, and Harding could make snaky remarks on this. I want to read how Emmrich feel about this: He always wanted a family, and he already has Manfred and Rook, but having a child could be something positive to him for different reasons (legacy and pronatalist blabla). But because of his age, it could also be an experience kind of sad, realizing that he could not see his kid grow as much as he would love to. The reaction of Rook about all of this could be really different since again, Rook vary for each player. I would love to see some struggles (perhaps with a big fight?) with a pregnant Rook who still wants to fight and live their ''normal'' life and an overprotective Emmrich (with only good intentions) kind of overwhelming. I could also see Emmrich taking his retirement from teaching sooner than expected, since he wants to spend as much time as possible with his children. I also think he could be the main parent, as the most ‘’maternal’’, kind of overprotective, again.

I see Emmrich having a girl. I’m not sure why, but it flows better in my imagination. It would make a lot of sense if this girl had the name of a flower or a plant, and her middle name could be Emmrich's mother. With Rook and Emmrich as parents, this little girl would become a badass woman with high self-esteem, taking bullshit from no one. She would LOVE her big brother, and Manfred would also LOVE her. I like to think he will learn faster while being a brother figure. I really see the young girl saying to everyone she has a big brother called Manfred without ever explaining that he is actually a spirit in the body of a skeleton. I could see everyone kind of shocked while meeting Manfred for the first time without that context.

Plus: Vorgoth must be one of the godparents, please. And the family should eventually adopt a pig.

Bonus: a time jump where Emmrich is dying, more than satisfied with his life, and all of his family is around him. I don't mind crying.

2 – Lich route (kind of a silly idea): This idea is kind of a joke. I don’t know how Lichdom works, but I’m pretty sure that once you are a Lich, you are sterile? Now… An accidental pregnancy could happen if Emmrich and Rook had sex BEFORE Emmrich became a Lich. I think it would be really hard on him to outlive not only Rook but also his children and perhaps his grandchildren. I could only see this as possible and not heartbreaking if Rook and Emmrich have a kid who is also a mage and would eventually also become a Lich. I could totally see an awkward family tradition that goes on generation after generation where each child gifted with magic MUST become a Lich before they are 60 years old or something. Imagine: you are like 25-year-old mage and Lichdom don’t appeal to you at all, nor does necromancy. Your sibling doesn't have magic so all the expectations are ON you (and that sibling is, of course, jealous of you).  One of your parents is getting close to becoming a Lich, and the ceremony is approaching. You have a grandparent and a lot of great-grandparents who are also Liches, and the festivity dinners are always awkward. Your family is like famously known in Nevarra but from the inside, you just feel weird. Eventually, you take your courage to break this tradition, coming out to your parents, and they tell you: “You are too young to decide this yet. Your great-grandmother thought the same thing at your age. You will change your mind.” To prove your point, you decide to join the Grey Wardens (or any action making it impossible for you to become a Lich), and half of your family is MAD and saying, “Omg, your great-great-great-great-grandfather is SO disappointed in you.” Done. I just find this possibility really funny.

D – Age gap: I would also like lots of scenes where Rook reacts the opposite of expected regarding the age gap between Emmrich and them (this post as an example). I could see Emmrich being a little annoyed sometimes when people talk to him about this subject, but I would love a Rook who doesn’t seem to understand the problem and just reacts possessively, as if the people talking about it are just jealous. That would also reassure Emmrich (I think).

E – Cute little scenes: I want to read about Emmrich and Rook snuggling on the couch in front of a fire, while Emmrich reads aloud a book about some academic stuff. I also would love a scene where Emmrich gives a powerful massage to Rook (since he knows anatomy so well…).

This is it. Thank you very much for reading. Now that all of this is out of my system, I can go back in peace to my boring thesis. If you already know some fanfics with one of those subjects, please tell me. I’m trying to check on AO3 often, but I don’t always have the time.

[whentherewerebicycles]

ok and now some thoughts about my early experience of parenting.

it kinda rocks... i really like it. i will definitely have a second kid if finances and biology work out. my life is so much better with this little guy in it. the sacrifices so far are mostly minor and are much more logistical than personal. i have to work more hours than i'd ideally want to because there's only one paycheck. i have to try to cobble together more sleep than i used to because i am pretty tired at the end of the day. i can't go to the gym or run an errand or go write at a coffeeshop for a few hours without hiring a sitter or asking my friends to help out. but the tradeoff is i get to be this little kid's mom. he thinks i'm pretty funny and he's interested in everything i do and he calls to me to get me to come over to his mat and talk to him and he likes to grab my face and hold it still so he can study it real intently and when he's upset he wants me to snuggle him until he feels better. i would pick that over getting to run into a store without the stroller a million times over.

i remember reading this book years ago where someone (paulo freire? someone influenced by freire's pedagogy?) recommended that all teachers, no matter how long they'd been teaching, carve out time every six months to reflect on their teaching practices and consider whether those practices were aligned with their core/guiding values as educators. i obviously love this idea because i was born to engage in sustained reflective journaling about my values lol. but also: i do think there's value in setting aside time at regular intervals to check in with yourself about the way you are living, or about whatever you are practicing, whether it's teaching or your work with others or, in this case, parenting. so idk i might try using his birthday and half birthday as time to journal both about my kid and about my own practice of parenting.

do i have a practice of parenting?? that sounds too fancy for someone who is only six months in lol. but i do enjoy thinking about what i'm doing and i like trying to connect the day-to-day choices i'm making to larger principles. i have written about this before but idk i think i am somebody who derives a strong sense of security and groundedness from having a loose framework of guiding values i can refer to when making decisions. and i guess in this first round of reflective journaling i will try to articulate what some of those emerging values/principles are. here we go:

I am making a conscious effort to not sweat the small stuff. there are one million things you can be worried or stressed about in parenting. and there are one million ways you can fall into the trap of thinking that if you just control every single variable nothing bad will happen to your kid. i am trying, inasmuch as i can, to avoid at least a few ways of falling into that trap. i have worked really hard to choose flexibility instead of rigidity when it comes to, for instance, letting other people care for my kid. it's okay if people do things differently than i would - as long as he's safe, he can only benefit from being exposed to different caretaking styles and adapting to different people's ways of engaging with him. i also made a decision early on to not engage with any parenting content on social media (this means ignoring the dozens of insta reels my mom sends me every week lol) and that has been really healthy/good for me. there is TOO MUCH information out there. it is way too overwhelming. you could spend your whole life worrying and i want to spend my life doing other things, like funny accents and comedy bits for the baby.

i am working hard to not interpret other people's parenting choices as a judgment of my own. i really believe that there are lots of different ways to raise healthy, well-adjusted kids. we can make different choices (small and big choices!) and still arrive at the same outcomes. i just really don't want to be the kind of person who takes it personally when people do something differently than i would've! i want to be secure enough in my choices to be able to accept and appreciate a whole range of other parenting styles. i also want to be humble enough to realize that i don't have it all figured out and might learn something from reflecting on someone else's parenting choices. anyway this has been a challenging one as i sometimes DO feel quite judged or shamed by other people's choices. but i also think it's ok to feel that reaction as long as i can keep making space for myself to take a deep breath and think through why i feel like that. idk! work in progress but i've only had six months of practice lol.

i am also trying not to interpret other people's anxieties as anything other than them working through their own stuff. to give one example: i love my mom so much but she is just, like, vibrating out of her skin with anxiety at all times about literally everything. and she has really found an outlet for that anxiety in grandparenting. i get dozens of texts a week about what exercises i should be doing with him and what experiences i should be making sure he has and where i should be taking him and what i should be saying to him and what i should be asking the doctor about and so on and so forth. this obviously could be pretty stressful, and i know that my brother and SIL find it so stressful that it is kind of negatively impacting their relationship with her. but idk i feel like with my mom i spent a lot of my life taking her anxieties personally, thinking that she thought i was incompetent/incapable/irresponsible/whatever. and then at some point in the last few years i was just like oh... this isn't about me at all, is it? this has absolutely nothing to do with me. this is just her fear and her terror of doing things wrong and her overwhelming need to avoid shame, and all of that emotional stuff just happens to be playing out in this relationship because we are close enough that she can lets her emotional walls down and let me see the churning river of anxiety that runs through the heart of her life. i wish that she didn't feel like that. but it's also not something i can fix or change. the only thing that is within my control is the choice not to take it personally, which in turn helps me put some guardrails around it so that it doesn't impact our relationship. idk i think this will probably be an ongoing thing i have to sort through for myself. but also she is who she is and i love her and it is important to me that she be a big part of owen's life. so we will figure it out.

I refuse to optimize my parenting because i refuse to see my child as a thing that needs to be optimized. this is in some ways hard for me because in many respects i am all-in on the very american philosophy that everything can be improved endlessly, including yourself and your family, if you just work harder and care more and give endlessly of yourself to the work. but nope! nope. not for parenting. not for my kid. i want him to have experiences and be exposed to new things, but not so he can "get ahead" or excel in things. i want him to be curious, engaged, interested, flexible, alive to the world, open to new things. i do not care if he is bilingual by age four or has a STEM curriculum at his daycare or goes to a top college or whatever. and i want the choices i make about what we do together and how we spend our time to reflect that. idk he's still so little that this is not super relevant yet but i can feel some of it creeping in.

lastly: i am trying to approach all aspects of parenting with the fundamental belief that i am and will be a good parent. i feel like our culture wants women in particular to spend all their time feeling guilty and inadequate as mothers. we also don't get a lot of external feedback on whether or not we're doing a good job as parents, which i think can make us frantic for validation and riddled with self-doubt over whether we are doing Enough. but i want to just like, try to cut some of that out and just answer it for myself. i'm doing a great job. i'm a great mom. i love my kid and my kid loves me. as i learn more about my child and myself as a parent i will undoubtedly adjust my approach to parenting many times, but making adjustments doesn't mean i was doing something "wrong" or "bad" before. it just means i want to try something new or shift gears a little bit. idk maybe this sounds dumb but i actually think it is proving kind of powerful so far as a strategy for managing parenting anxiety. i just assume that my parenting instincts are reasonably good and will guide me to make reasonably good choices, and if something turns out not to work, i assume i am a good enough parent to figure it out and adapt accordingly.

ok!! good journaling session and now it's time for bed!!

[albinoxherbalist]

"So..to your kind, blood is a drug?" Rose tilted her head as she took in the information. She nodded as his question. "I think I understand." It was quite interesting really. Blood being some sort of drug was not the kind of answer she expected, but the way he described it, it all made a lot more sense. For a moment, she wanted to ask about his experience, since he mentioned he was recovering. Then again, it was probably for the better not to pry. She had gotten her answer. There was no need to remind him of unpleasantries or cause discomfort. He probably had to remember enough unpleasant things that day.

"Thank you for answering." she spoke before getting lost in thoughts once more. She thought about something he had said before. "You said my blood doesn't affect you and you suspect it might be because of my albinism, right?" she spoke again after a pause. His conclusion made sense given he probably never encountered an albino human like her before. Rose was rather special in that regard. Then again something about this bothered her. "I'm not so sure about that though." she shrugged slightly. "As far as I know, my mutation doesn't really affect my blood. I mean as far as I can tell, it's just like anybody else's. Maybe..hm.." Rose thought about it for a moment. There was something else that came to mind. "I'm not sure, but maybe it has to do with my father? My mother was human, but I don't know anything about him. She always refused to talk about it." Sometimes she thought about who her father might have been. Where he went, why he left and why her mother refused to even mention him. Usually these thoughts never really went anywhere. It was not like she'd ever get any answers after all. She always assumed he was human. Then again, how could she know? "Are there any beings who's blood doesn't affect you?" she asked.

"You mentioned earlier that my blood doesn't have an affect on you. I ate food with me. Do higher vampires not..need blood for nourishment?" she asked. She knew this must be kind of a touchy subject, so she was careful how to word it. Rose had of course known about vampires like katakan's and such and those indeed required blood to live. Regis didn't seem to need it as far as she could tell and it made her curious.

The herbalist observed his reaction carefully, hoping not to hit any nerves. It was probably a question he heard before, altough probably not quite as direct.

[silentbeaves]

Here's a short speed animation of the Jesse angst!!

Now, unfortunately I did not get all of the footage of me animating the whole thing, but Petra angst so far has been... a lot longer. Been piecing it together between my animation sessions, and boy is it a big file at the moment. 😭😭😭never do animation guys this stuff takes ages.

I will say though, it's interesting in the Petra angst to see how my plans change LITERALLY in the middle of animating LMAOOO (my fault for not storyboarding 😭). You can even see it in this Jesse angst. Some things I abruptly decided, "No this looks bad". However, all changes are for good reasons.

I also can't wait for ya'll to dissect the Petra angst... You guys have no clue how much those cute little reblogs mean to me with all the tags pointing out little details in my animations. I love it and appreciate them very much 💖💖

All of my animations hold some meaning, and Petra angst currently holds the most for me as it's based on SOMEWHAT personal experiences in my life, and I can't wait to show you guys the animation and explain some of it! But first, I must continue cooking it.

Ah well, I'm done yapping now, goodbye.

Songs used:

[koqabear]

ugh FINE i’ll give you guys another spoiler scene for psycho rich kid beomgyu 😒😒 fine!!!! since literally everyoneeee is asking for it !!!!! (do you guys still remember this fic.)

sfw, unedited

Beomgyu gave you twenty minutes. 

He knows better than to have high expectations for you; it's a foreign, overwhelming experience, with watchful eyes in every corner and reputations at stake. He’s always thought the Huening’s foyer was over the top— tacky, really, an arrogant display of wealth that only serves to intimidate newcomers. 

The catering choices for this year however, have improved. Beomgyu has found that he prefers the palette selected this time around, remembering the foods that had him grimacing and holding back a gag last year— when his mother ushers him to accept a caterer’s offer, he doesn’t feel as apprehensive to obey. It’s a small food that’s easy to pop in his mouth, and Beomgyu takes this moment to sneak a glance at the analog watch on his wrist, much too heavy for his liking. Five minutes have passed. 

Your head must be spinning; your stomach must be tied up into a complex rollercoaster. He allows his mother to place a heavy hand on his shoulder, bringing him into her side as a display of affection. Briefly, he recognizes Mr. and Mrs. Jang, their daughter beaming prettily between them— her eyes have a glassy, empty look to them, ruby lips stretched into a permanent smile. She doesn’t speak once in the conversation that’s all about her. 

Beomgyu’s eyes begin to wander, looking up at the chandeliers and the winding stairs that lead to the second floor; he observes the rest of the patrons around him, dressed in formal gowns and pristine tuxedos— everything is polished to perfection, from the floor beneath him to the pleasant smiles the people around him exchange. Looking at this must be suffocating you. 

Ten minutes. Ten minutes should be enough for you to gather your courage and come to him, right? You must be pacing in circles right now, watching from a distance and unable to cross the boundary that separates you— he thinks of the back entrance the you’ve been taken to, the gaping doorway behind him, and goes to sneak a glance over his shoulder, a quick look just to see if you’re there—

His mother’s nails bite through the thick material of his blazer and dig into his skin, stiletto points that burrow into his tender flesh. Beomgyu masks the wince of his body for a smile that he gives to Mrs. Jang, catching her eyes as he listens to her compliment him, an exchange that goes back and forth between her and his mother. 

Fifteen minutes. What’s going through your mind right now? Have you found complacency in the back tables with mediocre store-bought desserts the employees brought for each other? His parents have wandered off to the dance floor, bumping into the Huenings and talking animatedly, as though they were having the most interesting conversation on earth. He worries that his mothers face might rip open from the strain of her smile— Beomgyu doesn’t remember the last time his father laughed so loudly. 

Twenty minutes. He’s been dumped off with the Jang’s daughter, a robotic girl that can only muster small talk and ask superficial questions, round eyes absorbing the light around them and plump lips stretching to show a perfect, pearly smile. 

Are you enjoying the party so far? 

Beomgyu merely glances at her before he’s back to observing his surroundings, wondering if you’re just lost in the crowd. He looks over at the catering table, with towers of pastries, expecting to find you gawking at the magnificent display. 

It’s empty and untouched. 

“It’d be better if the music they played wasn’t trying to put me to sleep,” he remarks, unsure if he can take another classical piece droning on in the background. 

Her eyes light up and she laughs; a delicate sound, like windchimes moved about by the wind. Beomgyu wonders if he should be endeared by the noise. 

Twenty-five minutes. Thirty. Forty. 

Beomgyu feels a pressure behind his eyes, incessant and just as uncomfortable as the stiff suit that’s beginning to drive him mad— it’s stuffy in this corner he’s found himself in, the Jang’s daughter— Wonyoung, he remembers— continuing to cling to him despite his insistence that she doesn’t have to. Three failed attempts to shake her off and she’s still glued to his side. 

“I have to go to the bathroom,” he murmurs, looking around the vast foyer and to the back entrance, where you must still be— when he takes a step back, Wonyoung takes one forward. 

“I’ll go with you,” she smiles, her voice sweet and song-like. Beomgyu shakes his head at her offer, pressing his lips together before he finds the right words to say.

“It’s alright. Really,” he reassures, glimpsing over at his parents, still distracted by the Huenings, then scanning the room for the Jang’s— when he confirms that both have been consumed by other matters, he turns around to send Wonyoung a stern look. “Neither of our parents are paying us any mind now.

“Please excuse me,” he says, uncaring of the way Wonyoung tries to open her mouth to speak, “I have more important things to tend to.”

His steps hasten the further he gets from her— ducking his head to ensure he doesn’t make eye-contact with anyone, his parents least of all. It’s only when he’s escaped the public and stepped into the back hall that he finds a weight slipping off his body. 

He stands at the doorway, a blank expression on his face as he begins to scan his surroundings; it’s a quiet, dull place, with workers and cooks coming and going from various places, carrying dirty dishes or a new pretty plate with delicacies to hand out— he watches the commotion from a distance, scanning through bodies in search of your anxious face. A cook, a maid, a caterer that stares down at their dirtied shirt with disdain and quiet curses— but no you. 

If anyone spots the boy amidst all the chaos, wandering around places he shouldn’t be, no one bothers to point it out— they’d rather not cause any potential problems, anyways. Beomgyu can feel the glances spared to him, the confusion in their eyes before they’re going back to work; he peeks his head curiously in every room he can, opening every door he finds. 

When he realizes you’re nowhere to be found, a strange sensation begins to bubble inside him. 

It starts in his stomach; a heavy pang, a sinking sensation that ebbs into the rest of his torso, speeding his heart rate and pumping adrenaline into his veins. His hands begin to tremble, and he finds himself oddly haste to check any room he hasn’t yet, or double check any he has— his legs feel like jelly, his hurried steps reminiscent of a deer learning to walk; he thinks he might just trip over his own feet if he isn’t careful enough. 

Where have you gone? Where could you have possibly gone? Beomgyu has triple checked the employee area— you’re not there. Not in the closets, not in the bathrooms, not in the corners in the back of the rooms. 

He steps out to the hall, and turns to the only option left; the hallway is far from the main event and strictly off limits to anyone that’s not the Huenings. You wouldn’t, he thinks to himself, eyes narrowing at the portraits that seem to glare down at him, you’d never. 

From the distance, he sees someone approaching: a boy seemingly younger than him, with dark hair and bangs that have been neatly swept away from his face— his face is twisted into a stressed expression, eyes darting back and forth as though in search of something; it is only when he’s a few feet away from Beomgyu that the boy seems to spot him.

A myriad of emotions seems to flash through his eyes— panic, concern, worry— only to settle on a curiosity that swims in the deep, brown irises, like honey that threatens to trap Beomgyu in. He watches as the younger wrings his hands absentmindedly, hidden beneath the sleeves of his suit— Beomgyu remembers him as Hueningkai.

“You’re… son of the Choi family,” he begins, gulping nervously and scanning the said boy’s appearance, “right?”

“Choi Beomgyu.” is all he cares to respond, too impatient to deal with any distractions.

Looking over the younger’s shoulder, he continues to gaze down the hall, as though searching for any movement. Hueningkai hesitates before he speaks again. 

“Choi Beomgyu…” Hueningkai murmurs, the formality of his tone causing Beomgyu’s gaze to snap back down to him.

“I need your help.”

[red-balloon12]

My Thoughts On “The Art of Murder”

(Spoilers below)

*Sees Detective Twink Boy for the first time* Oh no….he’s gonna be the fan favorite tumblr sexy-man, isn’t he? (I WAS RIGHT-)

Oh, hello Pomni from the popular indie show “The Amazing Digital Circus”-

Is Winn saying “Hot Soy Sauce”? (It’s honey soy sauce)

Is…..is that Sasuke?

The princess is gonna be the least liked….isn’t she? (That’s still being determined but I’m leaning towards yes)

An Ace Attorney reference in MY INDIE ANIMATION PILOT??

OC looks like he’s straight out of Cuphead…but he’s adorable

….did they say “Hot pops” or “Hop-pops”? (It’s Hop Pops)

Damn…they’re all kinda assholes huh?

HELL YEAH MUSICAL NUMBER!

The lyrics are a little redundant but the song still slaps!

Okay so all of them have a motif for killing OC. Interesting…

And we’re back to the beginning

DOGGO ALERT!!

Oh shit, Soskue is on the chopping block first

So you guys are probably wondering who I think killed OC. I think no one killed him. But there are three theory’s as to why.

First: I think everyone tried to kill OC at some point but everyone failed by either chickening out at the last minute or by failing the execution. All four of them had a motif for killing OC since all of them were scared by the idea of OC replacing them. Sosuke and Winn are the obvious suspects because Winn has water on her and Sosuke has mud on him. Sosuke could have been in kahoots with Weeaboo (b/c of the name) and he might have had the dog rip out OC’s page. He might have accidentally gotten trampled by Weeaboo in the process.

BUT I want to shed some more light on Giorgio. He was quick to rule himself out both because he’s the detective and he has a self proclaimed alibi of waking up after everyone else. But a good detective knows that everyone is a suspect including themselves. So for him to say that is already sus to me. And then there’s Albie. Admittedly, she doesn’t have a or of dirt on her but that doesn’t erase her having a motive like everyone else.

Here’s what I think happened. If we aren’t counting the dog, Sosuke, Giorgio and Winn probably tried to do the deed themselves and failed due to the dog coming in and ripping the page out itself. Albie might not have had it in her to do it because her being a princess (princesses are usually kind and just) might have been part of her conscience. (Although that could have also been a motivation to do it as well since she clearly doesn’t want to be a stereotypical princess.)

Second theory: No one tried to kill OC and it was an accident aka: Weeabo did it.

So it’s very likely no one tried to kill OC. After all, the dog has the paper on its paws. Weeaboo probably has access to the outside and the outside is muddy. He could have gotten wet and muddy, went back inside and to Pip’s room and then accidentally ripped out OC while getting Winn and Sosuke dirty. The “water” on Winn could have also been dog saliva.

The only thing that makes me not confident about the water being drool is that dog drool has a smell to it..a bad one. And when Winn tasted the water, she said it tastes/smells like disappointment. Ya know what else tastes like that? Water.

Third and most far out theory: Pip ripped OC’s page herself.

This theory has the least evidence advocating for it but I’m still gonna argue. As we saw in the beginning of the video, we say Pip struggling to draw OC’s other arm. She could have simply scrapped the whole drawing together. I know from personal experience that if I get stuck on one aspect of the drawing, I’m scrapping the whole thing. There’s another thing. Pip could have just not liked OC’s design anymore. It’s normal for artist to say “I like this” one night, sleep, wake up the next morning, looking at the art and say “Oh I don’t want you anymore.” And then scrap it. This all could have been Pip.

One thing is for certain though….

I REALLY liked TAOM!

[casscainmainly]

I know your not really much of a Jason Todd fan but I kinda wanna hear your opinion on this. Is the Bruce Wayne Brainwshing Jason Todd still canon? If so so you think it’s out of character for Bruce to do this.

Also how do you feel about Bruce’s characterization in modern comics in general actually?

Honestly it’s one of the reasons I’m kinda hesitant to read the comics, because while I’m super interested in all the lore- both Batman himself and his family (especially Cassandra she sounds awesome I love characters that show unwavering, intense dedication to compassion)I DONT want to read comics where Bruce is like, a completely awful paranoid asshole with none ofhis redeemable qualities (I got interested in Batman via clips of the JLU/BTAS)And according to a lot of Batman fans his characterization in this respect has been on a downward spiral for years now.

Like I’m not even a “god dad Bruce Wayne” person, I think his actions regarding Stephane Brown make a lot of sense for him actually and play into the effect that Jason Todd’s death has on him well and kinda wanna read me about that outside of fanfiction.

PS.Sorry if this ask is long and kinda random, I know this is mostly a Cassandra Cain blog.

Interesting question!! I'm not an expert on Bruce or Jason, so I'll answer to the best of my knowledge. I'm assuming Bruce brainwashing Jason is a reference to Gotham War, when he injects fear toxin into Jason's brain to make him afraid anytime he experiences adrenaline. I haven't read this so I can't comment too much, but this breakdown is useful if you want context for what led Bruce to this moment; it did happen in an in-continuity comic, so yes, it is (unfortunately) canon.

Some things to note for the context of Gotham War is that Bruce is grappling with Zur-En-Arrh, a sort of second personality. While this doesn't make it good writing, Bruce is not 100% in-character when he injects Jason. Whether or not that absolves him of wrongdoing is questionable, but it's a little unfair to Bruce as a character, and even to Chip Zdarsky as a writer, to think the thing with Jason was meant to be an in-character moment. So while I do think injecting Jason is out of character, that's kind of the point of the arc.

That's not to say the run is well-written. I can't judge myself, but many people dislike this run for numerous reasons. But this is just one of Bruce's modern runs - there are many more amazing Bruce comics out there. Ram V's Detective Comics and Scott Snyder's Absolute Batman are two fantastic takes on Bruce (though the latter is an alternate universe and ongoing, it's so far extremely entertaining!).

There will always be better and worse times for a character's characterisation, and you will encounter some horrible stuff in canon, but you'll find some life-changing stories too. You sound like you genuinely want to delve into comics, so please do! Don't let the risk of reading something bad stop you - there is so much good in here, stories that will make you laugh and cry and stick in your mind forever.

Since you're specifically looking for dad Bruce Wayne stuff, here are some recommendations!

Batgirl (2000): a very nuanced portrayal of Bruce as a dad to Cass. Definitely not a Good Dad Bruce at all, but he genuinely loves her and tries his hardest. 5/10 on the Good Dad Bruce scale.

Tynion's Detective Comics (2016): very good starter comic in general for the Batfam, and Bruce has numerous sweet moments with Tim and Cass (Steph too, if you count her as a kid). 8/10 on the Good Dad Bruce scale.

Robin & Batman (2021): not 100% sure if this is in continuity, but it's 3 issues and a lovely depiction of early Dick and Bruce. Features very realistic mishaps on Bruce's part, but sets up the foundation for a strong, beautiful relationship. 6.5/10 on the Good Dad Bruce scale. (This is also getting a sequel featuring Jason!)

World's Finest: Batman/Superman (2022-): an ongoing series that is pure comic book fun. Robin!Dick features heavily here, and there's some wonderful Batdad moments. 8.5/10 on the Good Dad Bruce scale.

Tom Taylor's Nightwing: probably the best dad Bruce in modern comics, and has very sweet moments with Dick throughout. One big caveat is the characterisation can be off, so I recommend this only in the context of Bruce being a good dad to Dick. 10/10 on the Good Dad Bruce scale.

You also can't go wrong with either Batman and Robin (2011) or (2023), which focus on Damian and Bruce (haven't read either but 2023 in particular seems to have good dad Bruce). Batman & The Signal and Batman & The Outsiders (2019) have great Duke-Bruce moments, while Bruce Wayne: The Road Home: Batgirl is the best Steph-Bruce stuff we'll ever get that isn't wildly out of character. Batman and Robin: Year One is currently coming out for more Robin!Dick and Bruce relationship cuteness and drama.

I hope that answered your ask! I am mostly a Cass blog but I do love to talk about other characters so no need to apologise :)).

[aspoonofsugar]

What do you think so far of season 2 of Arcane ? Honestly I think for my part that it’s too rushed and there are too many storylines it’s so confusing. Besides they completely destroyed Vi and Caitlyn relationship lol the disappointment is high

Hi!

I am sorry you are not enjoying the season very much. On my part I am loving it and I am looking forward to the final act!

I think much criticism I have seen stems from the very own premise of Arcane as a show tbh. I think there are two things to clarify.

First thing to clarify

Arcane is in the end a League of Legends show. Its main commercial goal is to explore the Lore of the Game, so that new fans can be brought in and old fans can have fun spotting easter eggs. As a result, it takes some choices that in another story you wouldn't have. Two examples:

1- Mel's arc feels out of the blue, but it ties into the lore of the game (I heard they wanted to make Mel into a new champion? If so, she is probably going through an arc where she is receiving magical abilities, as smart as fuck and good at politics isn't exactly a set skill that works in LOL). It is a storyline you would not usually add, as you would not usually add the Black Rose shenaningas. They added it because it probably lets them add a new champion to the game and it lets them play homage to another popular character of the game. That said, Mel's own storyline has the potential to tie nicely with the main plotline:

a) Mel's disappearance does in fact have an impact on the narrative, i.e. it lets Medarda do as she pleases in Piltover. If Mel were around, there is no way she would have let her mother establish Martial Law without a fight. I think Mel could have also had a positive influence on Cait. Not only that, but Medarda's love for Mel humanizes her character and gives more depth to her relationship with Caitlyn. It is obvious Medarda and Cait's bond is one where they are projecting on the other a loved one. Cait finds a new mentor figure/mother after Cassandra's death. Medarda finds a new mentee figure/daughter after Mel's disappearance. They are not mother and daughter, but they project on each other a need they both feel, as they are both grieving.

b) Mel has always been linked to Jayce and Viktor's B plot aka Arcane plot, as she, Viktor and Jayce are the ones who created HexTech. This season Viktor and Jayce have both "touched" the Arcane, which has traumatized them in opposite ways. In a sense, they have both lost their humanity in the pursue of progress. Moreover, they have both become entangled with magic. Well, even if I know very little of LOL Lore, I think it is safe to assume Mel inherited some kind of magical ability. The fact she is trapped in some kind of magical dimension where she has to decipher old runes makes me believe her experience is not very different from Viktor and Jayce, thematically. They all pursued progress through science, only to now face something of wild and irrational. Also, Mel being the one with the higher magical potential among the trio could be pretty interesting.

2 - I would not have wanted Vander to come back in any other series and was skeptical about the choice of having him be Warwick. That said, I also understand it makes a very interesting background for the champion, so I understand why they made this decision. What's more, I actually like a lot how he has been used. Instead of being reduced to a simple agent of chaos, he has been used as a catalyst in Vi and Jinx's arcs.

Basically, they are taking choices, I would not recommend in any other story. However, they are making them work pretty well both for Arcane and for LOL.

Second thing to clarify

It is true Arcane is an ensembled cast and it balanced different pov rather well in season 1. However, this does not mean that ALL characters have the same importance. I think both season 1 and this season so far have made very clear that the story has ONE main character, that is Jinx:

She is the one given the major focus BY FAR.

The whole first season is her journey to become the Jinx in the games, which is symbolically why the season ends with her embracing this alterego. Every other major character's plotline in the main A plot is after all tied to her. Vi wants to save her. Silco wants to control her. Caitlyn wants to arrest her. She is the reason why Cait and Vi meet each other in the first place. Not to count she also unwillingly kicks off the B plotline by having Jayce's research come to light.

The second season so far has revolved around her, as well. This time she is going through a journey, where she tries to fix what she has broken. At the same time, she has to accept the consequences of her own actions. She grieves Silco, connects with Sevika, adopts Isha and tries to mend her relationship with Vi. Meanwhile, all the other major characters are impacted by her. She is at the centre of the conflict between Vi and Cait, for example. She is the one who almost kills Viktor, so that Jayce tries to resurrect him. Finally, she becomes the centre of the major conflict between Piltover and Zaun.

In short, I think it is fair for people to be annoyed their faves are not receiving the screentime or focus, they had hoped. However, I think that so far the series has been coherent in keeping Jinx at its center. We'll see if it will be so for the ending, as well.

Finally, I don't think Vi and Cait's relationship was ruined. I think the conflict among Vi, Cait and Jinx is actually my favourite part of this season. I will add that their conflict is actually a mirror of the first season:

Season 1 has the first act focused on Vi's relationship with Powder and it ends with their separation / Season 2 has the first act focused on Vi's relationship with Cait and it ends with their separation

Season 1 has the second act focused on Vi and Cait's relationship, as Vi looks for her family / Season 2 has the second act focused on Vi and Jinx's relationship, as they look for their family. Both relationships start as conflictual and slowly grow better

In season 1's third act, Vi fails to reconcile her relationship with Cait with the one with Jinx. We'll see if in the final act of season 2, she will fare better.

In short, it has never been only Vi and Cait, but always Vi, Cait and Jinx, as her lover and her sister represent two different sides of Vi. Just like Jinx has to reconcile both Jinx and Powder, so Vi has to reconcile both Jinx and Cait. Similarly, Cait needs to reconcile Vi and Jinx as two parts of Zaun.

In conclusion, I do agree that there are a little bit too many storylines, some of which might feel out of the blue. I also understand people wanted some characters to be explored more. However, I also think they are doing a great job at telling the story they want to tell and they are giving the viewers all the elements to understands the characters' developments. Surely, it would have been great to have some dynamics and psychologies explored more, but the writing level stays pretty high.

This does not mean you should like it, though. You probably were more interested in some dynamics and storylines that ended up being sidelined and it is totally valid to be annoyed by it.

Thank you for the ask!

[archduchessofnowhere]

The tropification of Elisabeth of Austria and the perils of historical dramas without history: A review of Die Kaiserin season 1

Back in 2022 Netflix long awaited (by me at least) new historical drama about Empress Elisabeth of Austria premiered. And to my great disappointment, the series had little to nothing to do with history. Now, two years later, we are on the eve of the premiere of the series’ second season. Since I’d forgotten most of the story, I decided to do a rewatch of season 1, despite my deep dislike of it back in the day. I usually don’t do this, I truly believe that (unless you’re a paid reviewer and it’s your literal job) the only reason for watching a series should be that you like it. If it wasn’t because of my completionist drive to finish every piece of media relating to Elisabeth and analyze the hell out of it, I would’ve dropped it two episodes in. But I promised a review in 2022, and I still feel bad for not finishing writing it then. So at last, here is my review of Die Kaiserin.

Revisiting Die Kaiserin was an interesting experience, if just as frustrating as my first watch was. The character assassination of literally every real person depicted in this series is still infuriating, the costumes and hairstyles are dreadful, and the portrayal of the few historical events is so bad it makes any person with some knowledge of the time period roll their eyes and wish the series had gotten canceled in pre-production. And yet, looking at it from the outside, trying to watch it as if I were an spectator who doesn’t know nor cares about the time period and only wants to kill time with Netflix’s shine new period drama series, Die Kaiserin reveals itself exactly for what it is: a mediocre soap opera set in a half-assed court setting. Upon this rewatch I realized that the biggest crime of this series isn’t that it’s inaccurate, but how boringly predictable it truly is. It’s not that the characters are nothing like their historical counterparts, it’s that they are not characters at all. They are stereotypes, walking tropes crashed against each other like dolls in the hands of a child. And the entire plot of this series is built around serving these tropes.

Although we are not given a clear year at any point on-screen, the story begins in 1853 as it always does when it comes to Sisi media: with a young and rebellious Elisabeth learning that her elder sister Helene is going to be the emperor of Austria’s future bride. The first episode proceeds to re-imagine the fated encounter of the Duchesses in Bavaria with Franz Josef and his family, finishing with the climatic moment in which the emperor reveals that he will marry the younger Elisabeth instead of her sister, shocking everyone present (in fiction, for in real life the entire family realized right away that he had fallen in love with his cousin at first sight).

So far, the typical beginning of every piece of media about young Elisabeth under the sun. But then the series makes the bizarre choice of setting the entire season in an atemporal space in which nothing of note happens. The episodes usually take place during a brief period of time (from a couple of hours to a single day at most), yet it is uncertain how much time passes between them: days? months? Who even knows. The timeline is fuzzy, bending to the whims of the script.

You now may wonder: why does that matter? Plenty of good series don’t have clear timelines. And I agree, there are indeed good series which don’t need a clear timeline. I just don’t believe historical series about real people whose lives are well documented are one of them. Why am I tuning in the history based series and finding no history at all? Why can’t I even guess in which month are we supposed to be in?

In the later years there has been a boom of period dramas which are historical satires, historical fantasies and/or alternative history. These series take history and throw it out of the window for the sake of their plot (whether it’s romance or comedy or both). And I don’t hate them, in fact I thoroughly enjoyed plenty of them. But Die Kaiserin doesn’t belong to this genre. Die Kaiserin is supposed to be a serious historical drama. I still remember that before the series premiered the screenwriters talked about how they wanted to follow the steps of The Crown. Yet the quality of the script is far more reminiscent of the alternative history teen drama Reign. If Reign thought it was The Crown.

What is the point of taking these real people, ignoring the entire context in which they lived, and throwing them into completely fictional settings, while still claiming you’re adapting their lives? If Die Kaiserin had owned what it was, if it had not pretended to be a serious historical drama, I don’t think I would’ve been as upset as I was when the series was released. 

I realize this is a personal frustration since I know and care for the real history, and that someone who doesn’t probably didn’t notice the dozens of inaccuracies that plague this series. That’s okay. But I can’t help but feeling a deep disappointment in the fact that I’m not the target audience of a series about one of my favorite women from history. Which also makes me wonder: if not us, the people with a genuine interest in history, then who is the audience for this series?

I don’t have an answer. Not only “the general public” is as vague as it gets, time and time again “the general public” has shown they can and will love historical dramas more grounded in fact. I wholly disagree on this notion that you must “dumb down” history in order to make it more palatable. Again, audiences have shown they can enjoy complex writing - a memo I wish the screenwriters of Die Kaiserin had received. 

Because even putting the inaccuracies aside, I ultimately just don’t think the writing of this series is good. Going back to the beginning of the review, upon my rewatch I realized something: this series is almost entirely made up of well defined but poorly developed tropes. This series feels written as if it was one of those viral Tiktok books whose entire plot is just a list of popular tropes. “Love triangle with a villain”, “fierce FMC”, “betrayal”, “falls first/falls harder”; and I could go on. Any complexity is simplified in order to create an easy to watch story, every character is made into a one-dimensional caricature. It is also ironic that, despite the screenwriters’ clear attempts to distance their series from every previous portrayal of the empress - to the point of having Elisabeth disdain her nickname “Sisi”, which is never be used after the first episode - they fall into almost every already existing stereotype on Sisi media anyways. Elisabeth as a humble country girl deemed the “troublemaker” of the family? Check. Sophie as an evil mother-in-law who manipulates her son and daughter-in-law? Check. The empress reconciling the discontent masses of the empire with her kindness alone? Check check check. 

I highly doubt I’ll ever watch this season again. I simply do not like it, and I know it may not seem like it given how much I’ve been talking about this series lately, but I don’t enjoy being a hater. It’s just that I’ve been following this series since the project was first announced years ago, and I’m still mad about how much it missed the mark. Will there ever be an Elisabeth - or just 19th century Habsburg/Wittelsbach - historical series with actual history in it? As of now, sadly, it still feels like an impossible dream.

[thyandrawrites]

You mentioned being Italian, how did you learn to speak or at least write English so well? Your Japanese translations are also pretty good too! I want learn Italian so what would you recommend that would help learn to read and write another language?

Thank you!

The genuine answer? Fandoms. Really. I've been studying languages for most of my life (english since elementary school, french in middle and high school, german since hs and japanese since college) but so far I've only gotten truly fluent in the only language I didn't just approach from a textbook learning angle. My fluency probably also comes from speaking english the longest, but what really improved my proficiency was consuming and engaging with my passions in my target language. Something that I struggle a lot with is staying motivated in the long run. I tend to run out of steam after a while, and I lose all the progress I made. But fandoms feed on my passions, so engaging with them helps me find the motivation to keep going, while also making it less like a chore that needs to be taken care of.

I was a B1 until I graduated high school, but then I started reading copius amounts of fanfic and meta in english, and began writing my own. Reading taught me a lot of common new words I had never encountered before in my textbooks, as well as several idioms, and the longer I kept at it, the more stuff I assimilated into my vocabulary. I spent a couple of years just reading ff, not thinking I had it in me to truly begin writing in my second language, but then it sort of... Just happened. I got a fic idea late at night and wrote a 6k oneshot in one sitting during an all nighter. The fact that I was tired and inspired probably lowered my remaining inhibitions and temporarily muted that part of my brain that was self-conscious. But suddenly, english didn't seem so scary anymore. When I reread what I wrote the next day, after getting some sleep, it wasn't as agrammatical and terrible as I had feared, and that motivated me to keep doing it. I find that a lot of the time what stops us from improving is the fear of making a fool of ourselves. I also didn't comment on fanfic for years in fear of outing myself, and on the rare occasions I did, I always prefaced my comments with an apology for my english. But when you finally get in the mindframe that people don't really care about any mistakes you might make, it was really liberating. Honestly, just have fun! Who cares! Native speakers make tons of mistakes too! I can see that so clearly now.

This was around the time I got into Tokyo Ghoul meta and timidly approached my first analyses. Meta is fairly different from creative writing, but it also helped me improve because it taught me essay writing better than my english teacher marking my mistakes in angry red. When you're trying to explain a concept so that others understand it, rather than just to get a passing grade, you will attempt to break it down into easier concepts and pace it better, instead of just paying attention to SPaG. This also had the side effect of teaching me how to better sort my thoughts and get them across clearly, which has always been a struggle for me in spoken conversations. My thoughts tend to be messy, and I trip over my words a lot (in my native language too), but thinking about going from point a to point b like I'm writing an essay helps me a lot, personally.

The last step was joining a discord server in 2019. I can't stress enough how language is constantly evolving, and how slang and everyday language isn't something you can passively learn from textbooks or online courses. Those are only good as the foundation of your skills. They teach you the grammar and the basic vocabulary, but then you have to engage with real people, you know? I've always struggled to hold a conversation because I'm socially awkward, but discord is useful to me because it is a group chat, so there is less pressure on my end to keep a conversation going. Interacting with people from all over the world taught me to be less self-conscious about my skills, and meeting people of different age ranges taught me a variety of slang expressions to pass for a not-boomer myself, at least at first glance :'D

Moral of the story, do follow courses and use textbooks (those are important!), but also keep in mind those are not the be-all end-all of language proficiency, like school and academia tries so hard to teach you. If you find yourself hitting a wall and not getting any better anymore, take it as a sign your grammar is good enough to take the next step in your journey. So then, try to think of something you have fun doing. A hobby of yours. And then think of ways you can engage with it in your target language.

I had different phases in my life where I explored various things thay way. I got obsessed with a band in middle school and started watching and rewatching the videos they posted online, trying to understand everything they said. This improved my listening skills considerably. Years later I got really into WoW and I learned vocab by playing it and by looking for tutorials online. If you read a lot, consider looking for titles in that language you want to learn. Stuff like this. Listening to music, watching movies or tv series with subtitles (esp if the subtitles are in your target language too). All this stuff helps a lot! And the added plus is that for however challenging it might be at first, you'll stay motivated because it relates to something you already enjoy