#It’s blocking the way for real analysis

[idkwhatimdoingbutslay]

I think the major disconnect is actually just people who believe caitvi are in love and people who don’t.

Without the context of their being in live with each other, not much of what they do makes any sense. I believe Caitlyn and Vi are in love based on their whole arc from s1 and I think s2 seriously banks in that fact. People who don’t understand why Vi would love Cait and Vi versa wouldn’t get any of that and I guess technically there’s nothing wrong with that.

I know many believed it in s1 but didn’t like how s2 was executed and I cant necessarily get angry at people for how they receive something. I just wonder what could have been believed in the first place? Like, what did you want from the narrative specifically?

[wyllapproves]

I have seen people put forth different theme songs for Solas and this is one my top contenders personally:

Solas during inquisition trying to not let himself see the people of Thedas as real people.

Solas grappling with the fact he is viewed as a god but doesn’t see himself as one. He also deals with the fact that he is an outsider amongst “gods” and also everyone who he would have considered his “people” are now dead.

He understand why the religion of the Maker is so important to the people of Thedas as they suffer (esp bc of the blight) but he seems to not believe in a true higher power.

Honestly there’s just so many more lyrics that fit but these are just a select few.

[innanzituttoticalmi]

i'm sorry if you genuinely think bozzi and leclerc "copied the other driver/engineer's strategy" i canttttttt take you seriously

[iamanartichoke]

I made the mistake of scrolling the dash last night, hoping to re-engage my Loki fandom feels, only to be reminded of why I've more or less quit this fandom - which, for the record, is bc I don't know if it's purity culture or "woke" culture or just "for the love of god, I'm begging you to touch grass" culture, but I'd like to engage with my blorbo without running into posts spouting takes like "saying Loki has small, slender hands is a feminization kink (and therefore bad)." Like?? I think there's something inherently anti-genderfluidity(?) to assume that men can't have small, slender hands or that having small, slender hands is automatically a feminine trait, and also Loki does have small, slender hands, and also even if it is being written as some kind of a kink, so what? Why are we kink-shaming?

I mean, I don't know, it just seems like there are more and more and more things that are being shamed, or criticized, based on an arbitrary sense of morality that undermines fiction as a creative, explorative form of art and it's just beyond exhausting - and fucking obnoxious - at this point.

[queers-gambit]

God's Plan

prompt: your boyfriend carries the worst parts of his job home, bringing to life one of your deepest-seeded insecurities. or when Carmy calls you clingy.

pairing: Carmen 'Carmy' Berzatto x female!reader -> pairing: Carmy x Peach

fandom masterlist: FX's The Bear

collection masterlist: Clingy Baby

word count: 3.3k+

note: she's short. she's to the point. author doesn't want to hear a GODDAMN THING about "glorifying" toxic relationships. shut the fuck up, eat your cereal, read the fic or just scroll away.

warnings: cursing, small angst, short fic, author mildly gave up, hurt with no real comfort, allusion to toxic family relationship, insecurity, not edited.

part two: Two to Tango

"Hey, what're you still doin' here?"

You glanced up from your computer, smiling at your coworker, "Just trying to get the study notes finished so they can be used for the analysis."

"Okay...? But you realize what time it is, right?"

You hummed, glancing at the analog clock, "Just about 7?"

"Yeah, so, go home," she chuckled. "Work's still gonna be here tomorrow."

"I'll see you then," you dismissed softly, watching her smile and turn away from your desk. You tried to get back into work, but the truth was, you felt overly burned out, but still wanted to work because it'd make you feel better being "good" at your job.

So, in reality, you didn't get home until 10:56 pm, yet still beat Carmy. You ate something simple, cleaned up, got a shower, and crashed into bed. You didn't know the time, but Carmy eventually came home; his arm heavy around you when settling for sleep.

You were the first up and out the door the next morning, just barely seeing Carmy when he got up for coffee. You managed a single kiss before rushing away, needing to get to work on time. When you got there, your entire morning was blocked for client meetings, then you took lunch, later, team meetings, and then the last hour or so of work was meant for individual recreation.

Another day of staying late, trying to finish work you thought was important. Another day of getting home late, missing your man, going to bed, and only seeing him the following morning.

However, this time at work, your boss told you that the analysis meetings were pushed back by a week... So, technically, you stayed late and busted your ass for no literal reason! And your coworker's entire cup of coffee spilled on you. And your Outlook email was under maintenance, so, you couldn't really work. And then, to top off a really shitty week, your car was hit in the parking lot and now had a huge fucking dent.

You were beat.

You were overwhelmed.

You were miserable, stressed, righteously confused.

You didn't stay late that night. Instead, you left at a normal hour and texted Carmy:

what time do you think you'll be off?

He replied when you got to your car:

maybe around 8?

You sniffled, nodding, answering:

okay, see you when you get home.

As you exited the parking lot, he replied:

what? you're off?

And you answered:

yeah, couldn't stand being there much longer. think you could get off a little early?

When you made three turns, he sent back:

i'll try, peach ��

When you got home, you felt utterly defeated. Life felt like a never ending shitshow that refused to alleviate most of the stress you forced to endure. You were in tears by the time you got in the door, angrily stripping and getting a long, hot shower. You cried a little longer. When you got out, you got dressed in cozy shorts and one of Carmy's sweatshirts; going about a few household chores when you realized it was already past 9.

You didn't really want to, but you texted Carmy again,

hey, are you gonna be much later?

You made a simple meal, eating it in silence. When you were doing dishes, Carmy answered,

i don't know, going over menu items with syd. text you on my way home

You just went to bed, exhaustion from the week catching up to you.

Sometime later, you felt Carmy crawl into bed beside you. You were only half awake, but still turned over and nestled into his chest, hearing him sigh. "You're home late," you mumbled.

"Sorry f'wakin' you, Peach," he whispered, pecking your forehead. "You good, baby?"

"S'been a long fuckin' week," you squeezed him.

He sighed, "Sorry it was rough, Peach, but hey, hey, back up a little, 's kinda warm."

"But I haven't seen you."

"I know, but it's just warm. We'll cuddle in the morning, okay?" You only sighed and turned back over to face away from him. You resettled with your pillow, just settling when he asked in a hardened tone, "You mad?"

"No, Carmen, go to sleep."

"You sound mad."

"I'm not."

"I don't mean to piss you off, it's just been a long night f'me and I don't want to cuddle right now," he said in a sharp tone that made your stomach coil and churn.

"Shut up, I'm not mad, Carmen, go to sleep."

He scoffed, your irritation spiking. "You're really fucking mad 'cause I don't want you laying on me right now?"

"No, Carmen, Jesus - "

"Callin' me fuckin' Carmen doesn't help," he snapped.

You sat up and turned to him, "You want me to be mad? Maybe I'm a little pissed off that I've barely seen my boyfriend this week! Not like you've made an effort to speak to me, but I've had a pretty shitty time at work, too - so, excuse the fuck outta me for feeling disappointed!"

"Disappointed in fucking what, Peach? In not wanting t'cuddle right now?"

"Maybe, yeah! I'm upset, stressed out, maybe I just wanted some comfort, God! Now you're all up in arms, I just wanted to go to sleep - but no, you want to pick at me!"

"Oh, Jesus, fucking Christ! You couldn't just talk to me about you having a shitty week, you gotta be laid up on me? When the fuck did you get so Goddamn clingy and desperate for fucking attention? Huh? So fucking desperate for love? Sorry you had a shitty week, darling, but you're not alone in that. Sorry if it's fucking hot and I just want to sleep."

Feeling yourself fighting a losing battle because he wasn't listening, you just sighed, "Okay, Carmen."

He scoffed again, turning over to face away from you, "Know what? Fuck you, sweetheart."

You stared at his back for a long minute, feeling shocked by his words. "You can be such a fucking dick, you know that?" You snapped, standing from bed.

"And you can be a dramatic bitch."

"Yeah, that's me, the bitch you chose, huh!?" You rolled your eyes and nodded sarcastically; taking the blanket from the end of the bed, figuring he wouldn't miss it since he was so fucking hot. With only your phone and charger, you went out to the living room and crashed on the couch; covering up and crying quietly into a pillow from the overwhelming stress built in your chest. You felt guilt plunging your stomach, tearing it apart; feeling as if it were your fault for having physical touch as a love language.

Sleep evaded you that night. About an hour before your alarm, you called in sick and shut your phone off, resettling in misery as Carmy left the bedroom for work. You didn't move, never opened your eyes. However, they popped open in surprise when Carmen shoved your shoulder, "Hey."

"What?" You muttered.

"You're late for work."

"Called in."

He snorted, "Yeah, must be nice."

You didn't say anything else, feeling utterly defeated by his sharp words. The lack of response made Carmy pause and glance over at you from the kitchen, honest surprise coloring his system because he usually knew you to bite back. But you were quiet and still, the only indication you were even alive being the slow drag of your shoulders.

He let the door slam after he left for work, and you instantly sobbed. What you didn't know was that Carmy had come back, forgetting something mundane, and came to a halt outside the door when he heard you crying. He felt guilty, but Carmy wasn't usually one to confront problems; he instead ran away, like always.

After a night of exhaustion, you finally cry yourself to sleep.

When Carmy got home that night after work, he found you still huddled on the couch. After a look around, he realized you hadn't moved all day; nothing to eat, nothing to drink... He wanted to wake you but still felt so fucking irritated from his job that the idea of reconciling with you felt far fetched. So, he did what he did best and isolated himself by going to the gym for a few hours.

You still hadn't woken up when he got back.

So, he just went to bed; hating sleeping alone but hating his pride more because it refused to let him get up and go get you. Carry you to bed. Smother you in apologies. Beg for forgiveness. He was cold that night.

You were awake around 4 am.

The entire apartment felt as cold and aloof as your boyfriend. You felt so silly for still being there, knowing you paid for an apartment of your own, but liking that Carmy's place was closer to your work. And he never asked you to leave, in fact, the times you went home, he was calling you within hours to beg you to come back because he hated sleeping alone.

Whatever happened to that lad? The one who was so in-love with you that he would desperately ask you to come "home" to him? Who was this man now? Who called you clingy, desperate... A bitch.

You could only stand to make coffee, feeling powerless in this tension. You didn't want him to ignore you any longer, feeling like you'd drop to your knees for his forgiveness if it would end this feud; but you weren't so naïve. You spent several long minutes mentally prepping yourself for more anxiety, telling yourself you could handle the day if you just powered through it. Everything should be fine so long as you didn't do anything else to upset him, as long as you didn't do anything to warrant him yelling at you - again.

You finally decided on an emotion, since you could feel so many at any given point in time, and since this situation was one you've never encountered before. Carmy had brought forth one of your biggest insecurities and then smashed it in your face like punk-ass siblings did to your birthday cake. You decided you were hurt by his words, tone, and actions; you were hurt by the man you loved unconditionally, and that was a terrifying thought on its own. He was once a man you thought couldn't do any wrong, to now being a man you were unsure of how to even speak to; fearful, as you once were as a child, to upset him and create hostility directed at you.

Carmy often forgot he didn't have a monopoly on toxic, complicated family dynamics, but being that Mikey was still so fresh for him, you kept quiet about your own issues in an effort to be a loving, supportive girlfriend. Yet even while trying not to upset anyone, to create tension, you somehow managed to. You felt your heart and soul shrivel into a withered raisin when you remembered your family and how they constantly put you down; saying that nobody wanted a girl like you who tried, tried, and tried again only to fail. They thought you were damaged goods, treated you as such and always smeared your name in the mud whenever you thought you had found someone to love you and be loved by you.

All that trauma was rearing its ugly head now, making doubt sink into the cracks of your relationship. No matter how hard he tried, Carmy couldn't ever take those words back once they've been said, and he had to understand that going forward, this would strain your relationship. Taking anger and frustration out on you was inappropriate, putting a bad taste in your mouth; making you wonder how the hell you'd ever move past this when his words circled your head like water draining from the sink.

Sometime around 9 am, you were curled up on the couch with your coffee and a book; Saturday dragging by slowly to allow you the reprieve of being off work. The bedroom door opened and you held your breath; sweat breaking out on your brow; heart stammering in your chest. When he came out, Carmy didn't look at you, which allowed you to watch him. He made a to-go cup of coffee, then shouldered his backpack before heading for the door.

"Carmy?" You asked softly in confusion, "I thought you were off today?"

"I am," he replied stiffly, "but I gotta run errands."

You didn't have time to respond before he was storming out of the apartment, slamming the door behind him. You blinked in shock, confusion plunging your heart to your feet as you realized he didn't ask you to join him, in fact, he didn't appear to want to tell you his plans until you had to ask directly when he was walking out the door. You felt terrible, more tears swelling in your eyes at the discord your boyfriend prolonged.

Something in your heart snapped and you stood from your seat. With anger coursing through your veins, you turned into a miniature tornado and quickly started gathering whatever you could get your hands on that belonged to you. You had enough, you felt hurt, yes, we established this, but then the disrespect started to overflow out of your heart to color your blood. Never linger where you're not wanted, you should never tear yourself down to that level. Never should have to second guess yourself, either - especially in a space where you're supposed to be safe.

You started to wonder: is it clingy if you made dinner and saved him a plate? Is it clingy if you did his laundry? What about cuddling? Is that clingy? Well, apparently! What else are you wrong about? If you texted him? Asked his opinion? What about if you held his hand - is that clingy, too? Probably!

Physical touch and quality time were your love languages, but after this reaction, you wondered if everything you'd do from now on would be judged? Would you be crucified for showing your love? For trying to participate in your relationship?

All day, you moved your stuff back to your apartment. All shoes, clothes, purses, make-up, haircare and skincare products - any and all period products, too. You left fucking nothing; going as far as to lay face-down the photo of your two on his bedside stand. You'd of taken it, too, but you felt sick at the thought so you left it for him. Sunday night, you didn't return to his apartment, and Carmy didn't call to say goodnight; both figuring the other was still pissed off. Your Monday was long and annoying, but once it was over, you had to admit, it was strange returning to an empty apartment, heat up leftovers, eat while watching some Netflix show, and then crashing into bed - moving mechanically.

Days passed uneventfully, albeit, a bit sluggishly. And then, Thursday arrived, and with it, the shit that would hit the fan.

You were enraptured in this book by Anne Tyler called "Dinner At The Homesick Restaurant," and couldn't stop reading it. You nursed a mug of tea, the outside darkening with an approaching thunderstorm that would talk to you in the silence and send bolts of lightning to illuminate the city. A shrill ringtone then played, making you jump slightly and glance at your phone only to see Carmy's contact name and photo.

You stare at your phone for a long moment, and then, after convincing yourself that ignoring him would only add fuel to the fire, answered quietly, "Hello?"

"Peach? Hey, uh... Are you, um, still at work?"

"No?"

"Where are you, then?"

"I'm home."

"No, you're not."

"Yes, I am."

"I'm standing right here and you're not, baby, unless you got superpowers or something?" He chuckled nervously, hearing nothing on your end. "In fact, I, uh... I don't see any of your things. You move 'em?"

He'd never admit it, but your personal touch in his living space transformed it into a home; and now that they were all gone, he hated how cold, dreary, and grey the apartment felt.

"Carmy, I mean my home. You know? The apartment I still pay for?"

"Oh, well... Why're you there?"

"Why wouldn't I be? I had to bring my stuff back and leave it somewhere safe."

"It was safe here, Peach," he argued.

"Yeah, but it's your space and last thing I need is to be yelled at and insulted again for being clingy 'cause I left clothes at your apartment."

"Fuc'k's sake," You heard him hiss under his breath, bringing tears to your eyes. "You know I don't mind, I want you to leave shit here so it's easier on you to commute. Look, you know it's Thursday, right? Does our standing date night ring any bells?"

"Okay, but we haven't honored that in weeks? You know, 'cause you've been really busy."

"I thought we could get back into it tonight."

You sighed, turning the page in your book, "No, I don't think so, but thanks anyway."

He took a long pause, asking nervously, "What's wrong, Peach?"

"Nothing. Is there anything else, Carmen? I'm in the middle of shit."

"Oh, uh, n-no, I guess that's it. You comin' over tomorrow?"

"No. I told my brother I'd help him this weekend."

"But tomorrow's... Friday?"

"Yeah, that's how a calendar works. I have to travel to get to him," you scoffed.

"You didn't think to tell me?"

"Why would I?"

"You tell me everything! You don't think that's something I should know? That my girl's not even gonna be here this weekend?"

"Well, you're the one who said I was fucking clingy, remember!?" You finally snapped. "So, I'm giving you all that space you wanted!"

"Baby - "

"No, it's a great idea. We need space, Carmen; this isn't fair to either of us anymore," you spoke seriously, the line going quiet.

"What?"

"We need space from this relationship."

"I don't. I don't need space, Peach, baby, no, just listen, okay? I'm so sorry, I came home stressed out and I took it out on you. I'm sorry, I really am, this isn't what I want. Okay? I'm sorry. Just - come back home and we can - "

"No, you know what? I think I'm the one who needs this space," you snapped. "You said some pretty fucked up things, Carmen, that you can't ever take back, and now that I know, I can't un-know what you think about me. So, I need time to sort myself out."

"What're you saying? A-Are you breaking up with me?"

"Not yet, no."

"Baby, don't do this. C'mon, okay? I'm sorry, baby, I-I-I was wrong for what I said, I didn't - I didn't mean it! None of it, okay? Know I love you, baby, please, just come home, okay? I'm so sorry, I love that you wanna be close to me, I shouldn't've pushed you away. I'm sorry, okay? Please, baby, I'm so sorry. I need you, Peach, please. Just come home, we'll talk it through, I promise, no yelling - "

"I think you already said it all. Your words were 'clingy' and 'desperate'. Oh, and you also called me a 'bitch', so, I'd hate to be the bitch that makes your already stressful life all the harder."

"I didn't mean that - "

"I gotta go, Carmen, we'll talk later, okay? Goodnight."

He froze when he listened to those three distinct beeps that indicated you hung up on him. Confusion and hurt now seeped into the cracks of Carmy's heart; wondering when the hell he'd become so Goddamn self destructive to ruin the best thing he's ever had - you. The apartment might as well turned into ice with the way the light left, your departure suddenly haunting him.

When will these boys learn? The love of a good woman is rare, they'd only ever be so lucky as to think they deserve a woman like you. Nobody ever gets to guilt you for your love language(s) and then grovel for forgiveness. You deserve better, you deserve more; whether you could see that right now or not, you deserved to be loved in the best way for you. And sometimes, that means walking away from something you once thought was exactly what you wanted, but perhaps, never what you needed - call that God's Plan.

[ part two: ] Two to Tango

requesting rules and masterlist

The Bear masterlist

Clingy Baby collection masterlist

[metanarrates]

Hello. Sorry if this a stupid question u can ignore if u want.

How can someone get better at media analysis? Besides obviously reading a lot.

Im asking this bc im in a point where im aware of my own lack of tools to analyze stories, but i don't know where to get them or how to get better in general. How did you learn to analyze media? There's any specific book, essay, author, etc that you recommend? Somewhere to start?

I'm asking you because you are genuinely the person who has the best takes on this site. Thank you for you work!

it sounds like a cop-out answer but it's always felt like a skill I acquired mostly thru reading a ton, and by paying a lot of attention in high school literature classes. because of that I can't promise that I'm necessarily equipped to be a good teacher or that i know good resources. HOWEVER! let me run some potential advice to you based on the shit i get a lot of mileage out of

first off, a lot of literary analysis is about pattern recognition! not just pattern recognition in-text, but out-of-text as well. how does this work relate to its genre? real-world history? does it have parallels between real-life situations? that kind of thing.

which is a big concept to just describe off the bat, so let me break it down further!

in literature, there is the concept of something called literary devices - they are some of the basic building blocks in how a story is delivered mechanically and via subtext. have you ever heard of a motif? that is a literary device. it's a pattern established in the text in order to further the storytelling! and here is a list of a ton of common literary devices - I'd recommend reading the article. it breaks down a lot of commonly used ones in prose and poetry and explains their usage.

personally, I don't find all the literary devices I've learned about in school to be the most useful to my analytical hobbies online. motifs, themes, and metaphors are useful and dissecting them can bring a lot to the table, but a lot of other devices are mostly like fun bonus trivia for me to notice when reading. however, memorizing those terms and trying to notice them in the things you read does have a distinct benefit - it encourages you to start noticing patterns, and to start thinking of the mechanical way a story is built. sure, thinking about how the prose is constructed might not help you understand the story much more, but it does make you start thinking about how things like prose contribute to the greater feeling of a piece, or how the formatting of a piece contributes to its overall narrative. you'll start developing this habit of picking out little things about a text, which is useful.

other forms of in-text pattern recognition can be about things like characterization! how does a character react to a certain situation? is it consistent with how they usually behave? what might that tell you about how they think? do they have tells that show when they're not being trustworthy? does their viewpoint always match what is happening on screen? what ideas do they have about how the world works? how are they influenced by other people in their lives? by social contexts that might exist? by situations that have affected them? (on that note, how do situations affect other situations?)

another one is just straight-up noticing themes in a work. is there a certain idea that keeps getting brought up? what is the work trying to say about that idea? if it's being brought up often, it's probably worth paying attention to!

that goes for any pattern, actually. if you notice something, it's worth thinking about why it might be there. try considering things like potential subtext, or what a technique might be trying to convey to a reader. even if you can't explain why every element of a text is there, you'll often gain something by trying to think about why something exists in a story.

^ sometimes the answer to that question is not always "because it's intentional" or even "because it was a good choice for the storytelling." authors frequently make choices that suck shit (I am a known complainer about choices that suck shit.) that's also worth thinking about. english classes won't encourage this line of thinking, because they're trying to get you to approach texts with intentional thought instead of writing them off. I appreciate that goal, genuinely, but I do think it hampers people's enthusiasm for analysis if they're not also being encouraged to analyze why they think something doesn't work well in a story. sometimes something sucks and it makes new students mad if they're not allowed to talk about it sucking! I'll get into that later - knowing how and why something doesn't work is also a valuable skill. being an informed and analytical hater will get you far in life.

so that's in-work literary analysis. id also recommend annotating your pages/pdfs or keeping a notebook if you want to close-read a work. keeping track of your thoughts while reading even if they're not "clever" or whatever encourages you to pay attention to a text and to draw patterns. it's very useful!

now, for out-of-work literary analysis! it's worth synthesizing something within its context. what social settings did this work come from? was it commenting on something in real life? is it responding to some aspects of history or current events? how does it relate to its genre? does it deviate from genre trends, commentate on them, or overall conform to its genre? where did the literary techniques it's using come from - does it have any big stylistic influences? is it referencing any other texts?

and if you don't know the answer to a bunch of these questions and want to know, RESEARCH IS YOUR FRIEND! look up historical events and social movements if you're reading a work from a place or time you're not familiar with. if you don't know much about a genre, look into what are considered common genre elements! see if you can find anyone talking about artistic movements, or read the texts that a work might be referencing! all of these things will give you a far more holistic view of a work.

as for your own personal reaction to & understanding of a work... so I've given the advice before that it's good to think about your own personal reactions to a story, and what you enjoy or dislike about it. while this is true that a lot of this is a baseline jumping-off point on how I personally conduct analysis, it's incomplete advice. you should not just be thinking about what you enjoy or dislike - you should also be thinking about why it works or doesn't work for you. if you've gotten a better grasp on story mechanics by practicing the types of pattern recognition i recognized above, you can start digging into how those storytelling techniques have affected you. did you enjoy this part of a story? what made it work well? what techniques built tension, or delivered well on conflict? what about if you thought it sucked? what aspects of storytelling might have failed?

sometimes the answer to this is highly subjective and personal. I'm slightly romance-averse because I am aromantic, so a lot of romance plots will simply bore me or actively annoy me. I try not to let that personal taste factor too much into serious critiques, though of course I will talk about why I find something boring and lament it wasn't done better lol. we're only human. just be aware of those personal taste quirks and factor them into analysis because it will help you be a bit more objective lol

but if it's not fully influenced by personal taste, you should get in the habit of building little theses about why a story affected you in a certain way. for example, "I felt bored and tired at this point in a plot, which may be due to poor pacing & handling of conflict." or "I felt excited at this point in the plot, because established tensions continued to get more complex and captured my interest." or "I liked this plot point because it iterated on an established theme in a way that brought interesting angles to how the story handled the theme." again, it's just a good way to think about how and why storytelling functions.

uh let's see what else. analysis is a collaborative activity! you can learn a lot from seeing how other people analyze! if you enjoy something a lot, try looking into scholarly articles on it, or youtube videos, or essays online! develop opinions also about how THOSE articles and essays etc conduct analysis, and why you might think those analyses are correct or incorrect! sometimes analyses suck shit and developing a counterargument will help you think harder about the topic in question! think about audience reactions and how those are created by the text! talk to friends! send asks to meta blogs you really like maybe sometimes

find angles of analysis that interest and excite you! if you're interested in feminist lenses on a work, or racial lenses, or philosophical lenses, look into how people conduct those sort of analyses on other works. (eg. search feminist analysis of hamlet, or something similar so you can learn how that style of analysis generally functions) and then try applying those lenses to the story you're looking at. a lot of analysts have a toolkit of lenses they tend to cycle through when approaching a new text - it might not be a bad idea to acquire a few favored lenses of your own.

also, most of my advice is literary advice, since you can broadly apply many skills you learn in literary analysis to any other form of storytelling, but if you're looking at another medium, like a game or cartoon, maybe look up some stuff about things like ludonarrative storytelling or visual storytelling! familiarizing yourself with the specific techniques common to a certain medium will only help you get better at understanding what you're seeing.

above all else, approach everything with intellectual curiosity and sincerity. even if you're sincerely curious about why something sucks, letting yourself gain information and potentially learning something new or being humbled in the process will help you grow. it's okay to not have all the answers, or to just be flat-out wrong sometimes. continuing to practice is a valuable intellectual pursuit even if it can mean feeling a tad stupid sometimes. don't be scared to ask questions. get comfortable sometimes with the fact that the answer you'll arrive at after a lot of thought and effort will be "I don't fully know." sometimes you don't know and that can be valuable in its own right!

thank you for the ask, and I hope you find this helpful!

[konigsblog]

I, personally, hate the r@pe things you write.

I feel very strongly about SA and I know my feelings aren't your priority. I used to read your stuff a lot then actually ended up blocking you, but I decided to unblock you for this message.

I know a lot of people use this as a coping mechanism if they ARE victims, but hey, to each their own. You can't save everybody.

I just don't fuck with it. It's not my forte, but I know, deep down, you're not a bad person. Your brain just doesn't completely function. I, myself, have weird fantasies about military men and serial killers, but only about one's from shows, movies, or basically anyone fictional. I, myself, am extremely weird and I think I have a few mental disorders but I haven't gotten tested.

The things you write are vial, disgusting, and down right crazy, but hey, I used to fantasize about r@pe and honestly can't even imagine myself fantasizing about being violated now. I guess I've healed in a way or whatever, but I'm still into rough play and knives and such.

What im trying to say is, I feel for you and don't like your stuff at the same time. Nobody with a normal functioning, properly working brain is into what your into. It's just plain wrong. But that doesn't mean you're bad. You're just...mentally unput. Or, that's my assumption from first hand experience.

I just feel like your brain is messed up. Not in a quirky " I'm so twisted⛓️" way, but there's actually something wrong in there. Like, you're actually missin' a few dozen screws.

I have awful intrusive thoughts about hurting, killing, and/or fornicating with them and I hate this because it's a mental battle that honestly makes me wanna commit, which is why I feel so strongly about r@pe, especially as someone who gets catcalled a lot, and I am in dangerous situations often.

R@pe is worse than murder in my opinion because you can't hurt once you're done and dead, but being a survivor is an actual psychological battle that's torture, and torture is ALSO worse than murder.

I'm glad to know you don't actually support real SA and have some actual boundaries unlike the tons of idiots that I've blocked that do. Most of them have never even come close to experiencing SA, or just plain don't care.

I just think you feel this way because an actual issue with your brain. I don't mean this hatefully, even though I hate what you write. But that's just my analysis. But I am curious to know what made you this way.

you're a disgusting piece of shit, you don't know me, and let's keep it that way

[avelera]

Saw someone say that jayce is narcissistic, and maybe media literacy is dying

I think Jayce has an ego, to be clear. But I don't think it's in any way excessive or pathological and indeed, I think he shows a lot of humility given his actual accomplishments. There's a bunch points I could make make on this.

From a story perspective:

Jayce's character arc is a subverted corruption arc and once it's subverted, it launches Viktor's actual corruption arc. But in order for Jayce's subverted arc to work, we have to believe he has a real potential of falling prey to his worst instincts, so we have to truly believe narcissism is a risk for him.

In addition to that, they had meta knowledge of Jayce Giopara, his League counterpart, to set up an expectation of a corruption/narcissism arc, so many people came into the story expecting Jayce to be an asshole. But this is Jayce Talis, not Jayce Giopara and it turns out, they're completely different characters (who would probably hate each other lol).

Arcane and Fortiche do an incredible job in S1 with their sleight of hand with Jayce seeming like an asshole. On the first watch, at least for me, I think I got the surface level of what they were going for, which is being meh to negative on Jayce, seeing mostly his flaws and mistakes.

Like, one example of Fortiche's sleight of hand is the moment Jayce gets on stage is probably the moment he seems most egotistical, most like he's going to start bulldozing Viktor to achieve his own glory. Except he invites Viktor on the stage, and then when Viktor gives him a clear, "No" he very graciously does not push Viktor any further, and then he goes up there and he does what his wiser mentor asked by not pushing a dangerous innovation before it's ready (I actually thing Heimerdinger was in the wrong there). But they also drop the mug over Viktor's face in what seems like a sign of Jayce's corruption but what later turns out to be Viktor's POV of how the Man of Progress image comes between him and Jayce from Viktor's point of view, even though Jayce is constantly reaching out to him and trying to include him. Again, subverted corruption arc, but it's hidden in the details.

Then, on each subsequent rewatch (of MANY) I began to like Jayce a little more, began to look beneath the surface more, and began to see things from his point of view instead of through the surface level direction and blocking of a scene. And the closer I watched/read the more I began to think, "Wait a minute, is this guy actually kind of a sweetheart and most of the "bad" things he did were out of his control??" Then of course, S2 Jayce's arc came in and blew the doors off my heart, but the basis of that character was there from the beginning.

But there are other things Fortiche/Arcane do to make Jayce seem egotistical but which on closer analysis are just sort of... normal things to do or are common with a lot of people from Piltover?

Preening and fixing his tie in a mirror while Viktor does research seems egotistical, it's a way egotistical characters are often signaled in visual arts. But actually, it's pretty normal to try to look your best before an important meeting or event, and the reason he's doing this while Viktor is working is so Jayce can spare Viktor this headache. Jayce would rather be in the lab too! But he goes out there and acts as the face of Hextech because one of them needs to do it. Don't get me wrong, Jayce could also like to look nice, but I think it matters that he's not seeking out a political career, it is literally thrust upon him and then he rises to the occasion.

Jayce is super duper buff, like insanely buff, in a way that feels like it should lead to egotism, but then we learn it's just a natural outcome of the fact he works with his hands. He doesn't really seem to notice it, or try to make use of it. If anything, he tends to cover up his musculature when not working, he wears his suits buttoned to the throat and wrists. His outfits do accentuate his already insane shoulders, but that's actually really a common look in Piltover, Caitlyn's uniform has the same shoulder pauldrons you'll notice. And his outfits are pretty tight which is really just a gift to all of us (lol) but again, is actually just pretty common in all Piltover fashion, people tend to wear form-fitting clothes there.

Jayce is clean-cut and clean shaven in a way that evokes a lot of pretty boy bullies. It makes his face seem extremely punchable, especially when he's mugging for the camera as the Man of Progress. But personally, I take that look as part of his people-pleasing. This does fall more into the headcanon range, but I'd point out that he's a big guy, one of the tallest in the show, with broad shoulders and what could be an intimidating build. But instead of trying to look intimidating, he leans into his boyishness, he tries to look like, "A nice young man."

I'd argue his look is actually him trying not to look threatening, because when he stops giving a fuck post-Anomaly, he stops shaving or cutting his hair and he looks super freakin' intimidating immediately (and hot as hell omg) but like, now he's a big guy with a beard and shaggy hair and he takes up space and you realize how much he's been avoiding taking up space or looking intimidating before that when he very much could at any time.

Look, Jayce is a good looking guy. I do think he has some ego. He takes care of his appearance, he dresses well, and he works at being perceived a certain way. But the idea that he cares about being the Man of Progress or that he is presenting himself for ego reasons is just... footage not found. I think he's got a normal guy level of ego and even is very humble considering what he's accomplished. And I think people are underestimating how much of his apparent "preening" is actually self-effacing and trying to present a polite, deferent image to others (he often stands with his hands behind his back when speaking to someone of higher rank, for example). The clothes he wears in public are mostly uniforms in S1, either an Academy uniform denoting him as an academic, or the House Talis colors to show him as a member of a House, which is how Piltover society functions. He does dress differently in the lab, but I'd argue not in a flashy way.

Anyway, I just like this guy a lot and got carried away rambling about him. I don't want to overcorrect and say he has NO ego but I would say he has a lot LESS ego than S1 Jayce haters would acknowledge.

[pastorfutureletthembe]

I actually started this blog for one post only. The theory is that the story we are following is currently the 5th timeline.

I would need to watch the donghua again to find hints in the show itself but for now this post is exclusively about the content we keep getting served as fanservice. Now, people nowadays see this word as negative but in this particular case, we are evidently caught in an ARG (Alternative Reality Game), which is AWESOME.

For those who aren't familiar with the concept, it is basically a treasure hunt outside of the original media. For example, if you gather enough clues during your playthroughs of OXENFREE, you'll find the coordinates of an actual place where a real object, a gift FOR FANS was hidden. In the context of Link Click, I believe the rules and answers regarding the worldbuilding are hidden in plainsight for us to discover!

I will make different posts on the clues in lyrics, but for now we're gonna have a talk about VISUALS only. And boy, do we have THINGS to talk about

First things first, let's start with

>>>>> Promotional posters.

I'm opening this analysis with this particular one because it is the most relevant to current events. Black circles are V and white ones are IV. The huge clock is the background isn't supposed to be oriented this way for starters. One V is where XII should be, which could mean our journey starts here. The other V is between Cheng Xiaoshi and Li Tianxi, on the light side, while both VI are on the dark side. Every other VI on this artwork is a broken piece taken out of a quadrant except for the one on the right near Qiao Ling which is still part of the biggest piece.

It is interesting that we don't see any clockhands here, only the quadrant, and the only whole number is 5, ONLY on CXS's introduction.

Not so subtil, the mirror or "painting" is labeled 'V'. Lu Guang is also looking directly at US, viewers.

Probably five lines of five x but we only see 3, of which only the first one got 5x. Four diformed shapes can be seen at LG's left, under V/VI, which could be the four previous failed timelines. You might notice that LINK CLICK is written 5times. The clock says 00:05. Oh, familiar, isnt it?

As you can see, the V is a light in the darkess at Lu Guang's feet. it is a broken piece, though. The fact it is the enlighted one could mean two things. 1) It marks the spot, where we're currently at. 2) Hope. I would argue that until then Cheng Xiaoshi always died and now, at the end of season 2, Lu Guang is in the dark because he never went that far.

VI is there too, in complete darkness, blocked from view by a ring. There is something to say about VII being completely obliterated but I honeslty don't know how meaningful that could be.

>>> It is my understanding that if a character change the past, it breaks the timeline. Past changed, present and future cannot be the same ever again. It doesn't create a new timeline like in MARVEL, there is actually no going back from a changing node, it unravels this world. Either it already happened, allegedly because of Lu Guang, or will happen in the next season, we can suppose that Timeline VI is the actual doomed one. The fact Cheng Xiaoshi is trapped is relevant too. Destroying Present and Future would trapped him in the Past, hence Come back from the dive back in time.

>>>>> Dive Back in Time

There are many things to say about this one, but I'll keep it simple since it's already a long post. Let's start with something a bit out of topic: colors. Why? It actually indicates that LG isn't from the same timeline than CXS and QL. And I swear it would be useful at the end of this post.

Blue and Red are on the same plan, no matter if we're talking about RGB or CMYK, but Green and Magenta are not. It's like CXS and QL are anchoring LG in this reality, but Magenta is not supposed to be part of the mix. Primary colors in photography are Red, Blue and Green; not Magenta. Since we're talking about photography and this is not the original timeline, I think it is intended.

I'll leave the count of squares to you (spoiler: either 5 or 3 (I'll explain this one in another post) :D).

>>>>> Overthink

I recommend you read this glorious meta about this ending. I'll just "correct" mimicha on one point:

The way the hands are "cutting a piece" of the clock; just like in the promotional poster for Train Trail. It indicates 5. I'll also add this one:

If you look carefully, you'll see two words: TIME PARADOX. As said above, a paradox should NOT be possible with the rules LC gave us so far, but it could be related to the possible 6th doomed timeline. The "dark side" could try and make it happen. Just food for thoughts.

If you want more meta on OPs/ENDs, I recommend you also watch this glorious analysis. That's all I have to say for this one regarding the number 5.

>>>>> VORTEX

Not much to say, except for this "blink and you'll miss it" screenshot. If I missed anything, feel free to share with the class!

THE TIDES has, sadly, nothing to offer on this current topic!

>>>>> 3rd Anniversary: Surprising Click

Oh boy, do I have THINGS to say. Don't be surprised when I'll make another post about this Link Click monument haha. Note: 5 PVs were prepared for this anniversary. Coincidence? (I think not).

N O W A N D F O R E V E R

The only 5 clue I found is what looks like a clock with one hand going backwards, from X to IV, it appears while the chorus is playing. That might be a bit farfetched but I'd mention it for archives purpose anyway.

B R E A K

I won't be a smartass by pointing out BREAK is a five letters word but- okay that's infuriating of them if it is on purpose.

Most of it is obvious, the same logic applies, except for the cogs and hourglasses, we see four of each falling. Since LG's shadow/light goes from IV to V, it's safe to assume that those symbolize the four failed/achieved timelines. The ones left behind. I'll probably post something about cogs and hourglasses one day.

A last one, for the road:

S U R P R I S I N G C L I C K

You should take a look at this fan's brain! They did a wonderful work. I already had this part prepared so I'm still gonna share the obvious. Five mics ("time is like music"), and five letters (with photographs inside I'm guessing). Magenta and Green are very flashy in this one.

Oh, here are LG's five magenta squares from Dive Back in Time ;D

Four failed timelines/tasks, and... loading the first out of three chances. (Again, I can't address everything in one post, this one will have a long meta on his own, don't worry :D)

T R A I N T R I A L

Two occurances worth mentionning. Once again, V is the only timeline enlighted.

B U R N I N G P A L A C E

Many things are happening in this one but only one regarding our current meta. If you pay attention, you'll see it several times, while the chorus is playing:

x x x x x

Now, if you remember correctly, green is the exact chromatic opposite, the complementary color of magenta. They aren't on the same plan (primary vs secondary)/from the same timeline. Usually, they color Lu Guang but here, there is no magenta and no Lu Guang. With this in mind, could it be the paradox OVERTHINK warned us about? We can only assume Vein is from the same original timeline as LG. Red and Green are primary colors so yeah, we'll see.

That's all for today folks!

I had this brainworm eating at my life for weeks so I'm very happy that it is finally out there.

| Part 2 |

[agatharkn3ss]

Episodes and story predictions (spoilers!)

My restless brain has been on another quest.

Full theory explanation and lots of plot side-notes included below, but the short of it - I think the episodes order is going to be something like this (including previous ones for completion):

Ep. 1 - Westview: Agnes of Westview Ep. 2 - Westview: Setting up the journey Ep. 3 - The Road: Water trial - Jen (blue road) Ep. 4 - The Road: Fire trial - Alice (orange road) Ep. 5 - The Road: Spirit trial - Agatha (purple road) Ep. 6 - Westview: Teen backstory Ep. 7 - The Road: Air trial - Lilia (yellow road) Ep. 8 - The Road: Earth trial - Rio (green road) Ep. 9 - The Grand Finale (Agatha all Alone?)

BACKGROUND ON THE SYMBOLISM First of all, thank you to the production team for their incredible attention to detail. It is clear they have done a lot of research and put a lot of thought into symbolism and telling the story from the visual point of view. This is what makes theorising so much fun!

The whole show seems to revolve around the Wicca religion (also known as "The Craft" - I see you Teen!) that uses the pentacle (5-pointed star inside a circle) and typically worships Triple Moon aka Triple Goddess aka Hekate (Maiden, Mother, Crone) and Horned God (could be Marvel Mephisto). The magic circle uses 5 elements - Fire, Water, Earth, Air and Spirit. Together they are believed to be the root of all matter. Each element has a set of values associated with them, often also colours. While the colours are not always coded in the same way, I found that this (totally Agatha-unrelated) graphic below fits so well with the show's imagery.

The moon phases also play a big role in here. There are 8 lunar stages, but only 5 elements, so it will be interesting to see how the show continues to link these two strands (so far we've had Full moon for Water trial and Waxing for Fire). Moon phases are also linked with the stages of life - I won't go into full analysis but check out @shutupineedtothink post who beautifully explained possible connections with our witches.

I only wonder whether the full moon in the first trial was maybe mistaken and it was New moon instead? So that we are just moving through the first 5 phases of the moon? After all, it was Teen who identified it - although he was correct about it being the Water phase.

Episode 3: Water Trial - Jen - Blue - Full Moon Colour: we already saw that as the events unfolded, the light took on the blue tint, because of the water outside. Jen's own nightmare was all in blue. And the road (leaves, roots, mushrooms) leading to the trial was all blue. Story: Jen being associated with Water elements makes sense. Healing, Expression, Peace and Compassion fit really well with her role as a midwife and influencer (did you all realise that it was the midwife work that Agatha referred to when she explained why she spared Jen and her powers because it was "good work that matters" - a nod to Agatha appreciating maternal values). I don't think we will see much more of Jen's backstory - at least not as a dedicated episode, but only through bits of conversations like by the campfire. It feels like Jen's struggles were to do with a mental block and I think Agatha's pep talk was the one that made Jen realise her real power and, though she might not realise it yet, she might be regaining her magic as she starts believing in herself again. Plus I like the idea of not giving an evil man too much of a screen time because it's not his story. Trial exit: oven... so into the fire (as next trial)

Episode 4: Fire Trial - Alice - Orange- Waxing Moon Colour: red/orange tints were so much more obvious in this trial and the road to trial was orange. Even Alice's hair have some red/orange streaks. And her nightmare in ep.3 had some orange tint to it. Story: Alice also fits so well with the fire element values. Passion, Inspiration, Intuition, Creation, Protection - all of these align with her role as an ex-cop, but also her emotional journey as she thinks herself responsible for everything. Then there is the nod to creation when she overcomes the curse with the aid of a song. She is also (except for Teen) the youngest of them all (Maiden). When she was playing, there were flickers of orange magic between her fingers. So I think she's had magical powers all along but just didn't know about it, because she didn't believe in it. Her Road wish was to break the curse, not to get powers. Trial exit: piano... so into the soul (as next trial)?

Episode 5: Spirit Trial - Agatha - Purple - Half Moon? Colour: post-fire trial the road is purple - the leaves as well as fluorescent mushrooms etc. The scenes look dark and it's hard to see if they have purple tint. Agatha's nightmare in ep.3 was very dark too though. Story: This is the 80s sleep over episode (judging from the episode 5 font). Spirit values are the Soul, the Devine, the Mystery. While it's true these kind of also remind me of Rio, I think it's fair to say that Agatha is a total mystery, with all those many layers and masks that she wears. She is also the soul of the coven and the guide of the trials so far. She might have lied and not have walked the Road before (although I begin to change my mind on that), but she definitely leads the coven. It was her pep talk who guided Jen to the solution. And it was her who figured out Lorna's protection spell and guided Alice to play the song. As the ballad says "(...) we carry on, Spirit as our guide" (for a long time I thought it would be the spirit of the dead guiding them). So in this episode we see Agatha's spirit becoming possessed. So the Road is not just testing Agatha, but the whole coven - see how they manage when their Spirit is not available to guide them - and I don't think it ends well. I believe this is the episode where Alice realises she has magical powers. But because she doesn't know how to use them yet, we might lose her. Peppered across the promos, we see images of Alice wielding her orange power - once inside the sleepover room and once when she's on a broomstick. We also get to see Agatha absorbing someone's power while wearing her 80s jersey. We also see at some point Agatha has a whisper of red/orange magic in her palm. My theory is that although the trial is Agatha's, Rio will play a significant role. After all, they are going to have ouija board that will spell "Death" was in the room with them. And one of the posters for the episode was Rio. Agatha will become possessed and everyone acts scared, and it will be Rio who talks Agatha down. I hope we will get some soft moments between them and that we see some flashbacks of their story to give it more meaning. But then maybe Agatha needs magic to return her soul. Rio can't give it to her (I wonder if they explain to the witches why), so Alice blasts possessed Agatha instead. She absorbs the magic and returns to normal. They exit the trial on broomsticks. However, I think as they are flying away, they get attacked by Salem Seven. This is where Alice tries to use her magic again, but she might be exhausted or just inexperienced and she falls off the broomstick and we don't get to see what happens with her? This is why I think Lilia from the future tries to send her the message "Alice, don't try to save Agatha!" (but it gets split in two visions). I also think we finally get to see Teen using his blue power - maybe to help defend from the Salem Seven? Then leave us all on a cliff-hanger when the other witches realise this. (This would explain why he's poster is for that episode as well - and he's dressed as Billy Maximoff Halloween costume - the Wiccan). The red moon silhouette shows only 4 witches in clear view - I think they are, from right to left: Agatha, Rio, Jen and Alice. In the far left, in the dark, it looks like Lilia is there as well. So maybe Salem Seven kidnapped Teen because he protected Agatha with his magic, and now the witches are chasing them? I think Lilia somehow ends up left behind (I'll explain in later episode).

Exit: On broomsticks - into the Air (next trial)?

Episode 6: Westview - Teen story The episode list has this one circled in red, so I wonder if it's the "odd one out". Maybe we don't get to follow the Witches on the Road, but see flashback to Teen's backstory, following his blue magic cliff-hanger from the last episode? Maybe we see his family car crash mentioned in episode 1. We see that his parents (the two "perps") maybe don't die, thanks to the air bags, but are in a coma? That's why Teen says he's 100% certain his parents are asleep (or he talks about Wanda and Vision who tucked the boys in their beds right before the end of the Hex). I wonder if the body that Agnes investigates in the woods isn't Wanda or Darkhold, as everyone thinks, but Rebecca Kaplan - Billy's mom. Anyway, Billy Kaplan is at the back of the car and dies. But then two things happen - Death appears (Rio) to collect him, but Billy Maximoff reincarnates into the body and he lives. Hence the "Near death in Westview" hint for Joe Locke's end episode credits. Rio is intrigued and sticks around, maybe finally finds Agatha who is no longer able to hide from her because she has no Darkhold. I think Billy will try to summon the Witches Road by himself - maybe he wants to find his brother Tommy, maybe he wants to bring back Wanda and Vision, or maybe he wants to get back his Kaplan parents? I hope we get introduced to the final character that's missing from the end credits!

Episode 7 - Air trial - Lilia - Yellow - Waning Moon? Colour: Lilia's nightmare in ep.3 had distinct yellow tint. We also see lots of promo material of scenes with very heavy yellow filters. Even the road is yellow-ish at some point. Story: Air values are Intuition, Knowledge, Renewal, Change - this fits well with Lilia's divination abilities, as well with her age. We know she is the oldest witch in the coven and has lived for some 450 years, through many tragedies and the many ways the women were persecuted. Lilia is also always so vocal about the negative stereotypes that surround witches - she mentions green skin, broomsticks, talking to goats. Episode 5 might already give us the broomsticks and in this trial we will actually see Agatha as the green-skinned Wicked Witch of the West, so maybe we will also have a nod to the goat talking bit? That would be funny! Anyway, in this episode we see that Lilia will be Glinda (the Good witch), Agatha will be Elphaba (the Wicked witch) and Jen looks like the Evil Queen from the Snow White, but in her old hag form. And even the "yellow" road would be a callback to the Wizard of Oz. So I think the trial will be about those negative stereotypes and how witches have been perceived. We know Lilia doesn't like having to predict all those tragedies and feels deeply for all the victims. So what if her tarot trial will be about her trying to predict something good because it's something she was never able to do? Or maybe about her trying to use her powers to manipulate the cards to change the prediction into a good outcome? Or - trying to reverse a tragedy that happened in the past. It's interesting that the card she holds in the promo poster is The Tower. The card stands for "sudden, disruptive revelation" - kind of like Lilia's 'blips', and the trial seems in a tower-like room. There will be swords sticking out of the ceiling, threatening to fall down. We also know Salem Seven make their appearance again. So I think Lilia tarot reading will be about sending all those messages to the coven in the past (check my other post to explain the detail) and to send herself the list of the witches name so she writes them down for Agatha. When she succeeds, the timer (sand glass) gets turn upside down, and everyone in the room gets inverted as well - so they are flying in the air? That could mean that the Salem Seven gets impaled on the swords... but eek, I hope Lilia doesn't share the same fate... I didn't see any other characters in the air though. There is also a rumour that we will get another version of the Witches Road ballad - this time focusing on Lilia, so we will hopefully see them using Patti's full potential.

Back to the rest of the coven... I think after the broomstick flight they get separated. Lilia gets to the tower/castle first as she was left behind. That's why we see scenes with only Agatha, Teen and Jen on the Road (yellow filter) and they somehow circle back to the start, where Agatha falls over a pair of shoes they left at the beginning. Alice and Rio are not there - maybe because Alice died and Rio is taking her to the underworld. Or maybe they just separated, fingers crossed. We also see Agatha and Teen looking at a castle in the distance - that could be the castle that Lilia is in, so that's how they rejoin her.

Trial exit: the ground - so that next trial is earth?

Episode 8: Earth trial - Rio - Green - New Moon? Colour: green? There are a few scenes with dark green filter but not much else has been revealed Story: Earth values are Fertility, Wealth, Abundance, Strength and Wisdom. I hope we get to see how Rio is connected to that. The trial itself is the one where we see Agatha and Teen inside a morgue. This ties in well with both Earth and Death - lots of buried bodies! So sometimes I think maybe Rio isn't Lady Death after all, but her powers make her connected to the dead bodies, maybe to bring life? Agatha has her hands on Teen's head, so I wonder if she's trying to finally get rid of his sigil. They somehow pass the trial - which they believe to be the last one. Maybe the trial room gets flooded with soil at the end, and they climb their way through it - back up to the surface in Westview - maybe we will find out that everyone else who "died" on the Road has actually just climbed back to Westview. But maybe Agatha doesn't get out that way and still has to find the exit. At some point she gets angry because she still doesn't have her powers back even though she passed her Spirit trial (she screams "I want my prize!"). Maybe she realises it's the hair locket (or the symbol behind it) that stops her from regaining her powers and she needs to sacrifice it? Can't really deduce huge amount about this episode yet, other than we see Rio in her full chaotic self. She blows a kiss to someone as well (Agatha?). I think this is going to be a big episode, where Rio's true intentions are finally shown.

Episode 9 - The Grand Finale I draw blank on that one. I don't want to guess how they tie it all those strands together and how they show the impact of the Road on the witches lives. But there is that thought that keeps eating at me - in ep.1 Agnes says "If there is one thing we can agree on is that these cases are always about the place. The specific small town, the history of it, the secrets buried beneath it. That's where the answers lie." I think this is important and there is some big foreshadowing going on in there. Because yes exactly - why did Vision choose Westview of all places for their forever home? (Was it even Vision who chose it or was Wanda just made to believe that? The reason she knew about the plot was that someone dropped a file in her car) And after the events, the traumatised people still choose to live there. And Mrs Hart mentioned she would've expected to see "remnants of a failed public transit system" under Westview. I mean, would such a small town need it? I think there is something going on with Westview itself, maybe there will be a big reveal about this Mephisto at the end?

But that essay will be for another time. For now, I think I need to give my brain some rest. What does everyone think? Have I missed anything or are the elements that don't quite line up with the above theories? I would love to know! Thanks to getting this far!

[antimony-medusa]

One of the things that I think sometimes gets lost when we talk about what's appropriate in fandom spaces is the notion that things can be appropriate in one space, but not for another. And that doesn't mean that the thing that's inappropriate in that setting is wrong, it just means that it's rude in that space. I think people want a single set of rules that's appropriate everywhere, but the thing is, you have to be able to assess the situation, and adjust your behaviour accordingly.

So an example. I have a fairly popular text post that was me asking about c!phil and religion in all innocence, and someone said "the only thing I have to say about c!phil is that he worships on his knees, thank you and goodnight". And I reblogged it like "I can't believe I forgot about how this fandom does phil analysis", cause it was at the height of the dilfza memes.

Anyways that's obviously a phil-is-happily-married/oral sex joke, in an oblique innuendo way, and on this site, where Phil is not here, and his friends are not here, with it being clear I was talking about the block man character, and we make jokes about sex and profanity (a very popular url scheme for a long time was "[name]shugecock" (or smalldick, depending on the joke)— that's a fine joke to make. I'm an adult, I can make sex jokes about fictional characters on the sex joke fictional character social media site.

If I was to make that joke in Philza's twitch chat, a) in his face, b) with his wife modding, c) in an enviroment where people aren't prepped for sex jokes, d) with it being not clear if I was talking about the cubito or about the real guy, that would be wildly inappopriate. I would be banned in every chat Philza mods in and I would deserve it.

That doesn't mean that it's inappropriate to make the joke in the first place though, just because I wouldn't do it at a Phil meet and greet. It means you gotta learn to read the room. (And like, sometimes it's hard to learn to read the room, but you can do it by pure brute-force memorization. I did.)

This is the same theory that underlies the fact that you can call your friends a bitch in a friendly way, because you are friends and you know each other's boundaries, but if you call your boss a bitch, you will be fired. There are rules about workplace appropriateness, and there are rules about what's appropriate in front of kids (I teach teens, I do not swear in front of them, I swear a LOT in front of my roommate), and there are rules about what's appropriate in different fandom spaces. Participating in an exchange about pregnancy and babies with your favourite blorbo of the moment? Great. Showing the actor gift art you got of him pregnant? No. Bad. Go directly to jail, do not pass go, do not collect two hundred dollars.

The thing that concerns me is that I think there are slight signs that as we get more comfortable with sexy jokes and offcolour remarks as a MCYT fandom (QSMP is the big banner example but it happens with other smps), we're taking what's appropriate in one space (tumblr, home of the brain worms, where I have seen the blog "philzaswetpussy" on my dash), and we're bringing it into places that it's not appropriate (sure, slimeariana is clearly canon, but maybe don't put the actual dicks-out fan art in the art tag on twitter that slime checks). Cause we can obviously tell that the rules twitter is going with are silly for here, so it's full speed ahead for roier/spreen etc, but the trick here is that it's full speed ahead HERE, or in fandom servers, and not necessarily in the streamer's faces.

We have a bunch of situations where creators have said that it's not their place to weigh in on shipping or nsfw etc, and people have taken that as a go ahead and that's fine, but thats still something where I'd like, caution people that just because they said "not gonna look at it not my deal", that doesn't mean that like, you should make it difficult for them to avoid looking at it. Talking about scitties is an honourable tradition, but telling scar that he makes you question your sexuality in his TTS— I made a horrified noise in real life and the cats came to look at me.

And I'm talking about the shipping, but this is also a thing with like— sometimes I see a streamer and I go "my friend you just vividly described neurodivergent symptoms" but it is ABSOLUTELY not my place to say that in their chat. It might not even be appropriate to make comments about it on my blog, with the amount of followers I have. I have to keep the "streamer just described the ADHD experience again :pensive:" comments for the group chat. And we all nod and go "yeah sounds like streamer", and we do not put it in his face, cause that's inappropriate.

We get to have fun with the fictional characters, including off-colour fun, but we still have to remember that there are real people who don't know us who are steering those fictional characters around, and it can be profoundly weird to see some of the (stuff that is appropriate in fandom spaces!) just up in your face in the regular fan art tag.

Just think about the space you're in, and who you're in front of, and if a CC notice is actually likely, and if a CC notice would be Very Bad actually with what you're doing, and keep the "world's sluttiest absent father" bracket (with associated slutty fan art) for here, not with the streamer tagged on twitter.

[larryisinlove]

I completely agree with this post by @apparentlybychance and what I write below is from my perspective. My understanding comes from the perspective of someone who studied marketing since 2019, is a community manager and currently works in a marketing agency. 

You are not compelled to take everything I say as the real and only way to look at it, this is my opinion and I respect others as well.

It's clear that Louis needs a new marketing team, as the current one doesn't seem to be doing its job properly or, worse, doesn't even seem to understand what they're doing. Their attempts to divert attention to topics such as his "fatherhood" or sexuality are way too obvious, while his music is poorly promoted. Many fans try to fill that gap by promoting his music organically, but it doesn't have much impact as we are not an enormous fandom and it's not our responsibility either. Moreover, the fan base shrinks with every failed "strategy", which generates disinterest, anger and abandonment of the fandom. This is also reflected in the organisation and promotion of their shows and music releases. 

The worrying thing is that this mismanagement is not new; it has been going on since the beginning of his solo career. Some justify this by saying that Louis prefers to be an underground/indie artist and be left alone with the usual fans, but that makes no sense, that's just a justification for the bad actions of his team. No artist seeks to stagnate or limit his growth. To advocate without questioning every decision of an artist's background doesn't mean being a "bad fan", and it is important to understand that questioning the strategy is not attacking the artist. 

It is frustrating to see that many fans believe that Louis doesn't really want to grow as an artist, which, again, makes no sense. The problem is the lack of planning and analysis on the part of his team, who act without foreseeing the long-term consequences. I don't understand this image they want to give him, because as a fan for years, this is not the Louis I grew up with. Maybe he's trying to distance himself from One Direction and avoid the mainstream stuff, which is admirable, but this kinda rude and distant image doesn't seem to align with his original (and real) essence. 

Those of us who work in marketing and communication have a different, more analytical and technical vision, which allows us to detect patterns and strategies (or the lack of them). This is not a justification to invalidate other opinions in any way, but to offer an informed perspective. With Louis, it is clear that there is no clear strategy. His team seems to improvise, as if every decision is made without a long-term plan, simply reacting in the moment.

The resurgence of the babygate stuff a few days ago is another example of this lack of planning. From the outset it seems to have been an idea launched without considering the consequences and, now that it has grown out of control, they don't know how to handle it or shut it down for good. This only creates more chaos as the years go by. The exposure of the child has been contradictory from the beginning: How can you justify wanting to protect his privacy when he was initially exposed so much by his whole family, from pregnancy onwards, and then included in the documentary "All of These Voices"? Nothing has any coherence if you analyse it at all.

As for the blocking on Twitter, it is hard to believe that Louis has blocked so many accounts without it being known beforehand. It's an absurd and ineffective tactic to manage the narrative of his public image. I agree with the post that "Louis and his team are no different. They like to use subtle tactics like blocking, following, unfollowing or general interactions on their social accounts (mainly X) to manage the narrative of their public image" as this is part of a strategy that has been carried over from One Direction, like when he tweeted "I am in fact straight" or "Larry is the biggest load of bullshit I've ever heard".

Or Another example we can name is this 2012 interaction with Rebecca Ferguson, where she expresses the overexploitation she was receiving and "Louis" replies "Success is impossible without proper hard work". That contradictory image does not fit with the Louis that many of us fans have known and followed for years. Why would an artist seek to lose fans and, therefore, limit his growth?

Over time, all this has made their actions feel fake and automated. As a fan, one ends up questioning and analysing every action from another perspective, as nothing seems genuine or truthful. His "Hope everyone is doing alright" tweets seem scripted and even programmed, lacking that closeness that used to exist. While we know that artists' social media accounts are controlled, the fan/artist connection remains crucial to maintaining public support and loyalty. When repetitive patterns and bad strategies accumulate, the authenticity of the artist is lost, turning him into a kind of "robot" with no control over his actions, which can end up damaging his image and damaging the relationship with his fans, often without him being fully aware of it. 

From a music marketing perspective, there are several key aspects that Louis' team seems to ignore. An effective marketing team should focus on  research and investigation of the audience, clearly identifying the artist's target audience, considering factors such as age, interests and content consumption platforms. The lack of consistent branding is evident, as Louis' public image doesn't appear to align with his musical and personal essence, leading to confusion.

A well-planned release strategy should include a pre-launch campaign with teasers, interviews and strategic collaborations, something that seems to be absent in most of his projects. In addition, multi-channel promotion is essential, using social media, interviews, streaming playlists and specialised press, without relying exclusively on fandom. A competent team should also focus on authentic storytelling, creating an emotional and genuine narrative to connect with the audience, rather than resorting to polemical tactics that distort his image.

Fan growth and retention is another key aspect. Good marketing seeks to expand the fan base while maintaining the interest of the current, as opposed to what appears to be happening. Finally, long-term planning is essential, with measurable goals and clear direction, rather than reactive and inconsistent decisions.

In conclusion, Louis' team is not managing his career professionally or effectively. Successful marketing requires planning, analysis and authenticity. His fans deserve a clear and respectful narrative, and he deserves a team that will really promote his music and his career. I hope that for LT3 we have a good promotion, that his team starts to get things right because I don't want his career to continue to suffer consequences from this, besides from his image to be ruined by the mismanagement of those working with him.

[sunderingstars]

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✩ ‧₊˚ ⌞ INTRODUCTION ⌝

sampo analysis m.list

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— hello & welcome to my dark twisted mind (full of sampo theories)

— this is the first major analysis project i’ve taken on, so i’m very excited to lay out all the evidence i’ve found — i’m trying to keep it as open-ended & -minded as possible, even though i’m biased out of sheer interest towards the aha!sampo theory.

— i’m sure there are things in here that are common knowledge, but since i tracked down every single sampo reference and voice line (literally) on the wiki during an obsession-induced state for the better part of two months, i’m hoping there’s some information here that may be new or less-discussed as well!

— i’ll be uploading each sub-topic as a separate post (because i have a lot to say about so many things), but depending on your preferences you can always follow/block the ⌞ 🎭 ⌝ tag, which is going to be the tag i use for anything relating to this project.

— here’s a brief outline of the topics i’ll be covering:

visual cues + art (aha splash art, kit, body language & confidence, performance & performative emotion, eidolons, etc.)

vocal cues + voicelines (third person references, voicelines, worldview, self-awareness, gender, etc.)

scene analysis (intro scene, belobog, sampo & sparkle’s conversation, fourth wall breaking, mr. cold feet, dream bubbles, etc.)

specific topics (placement in the narrative, jokes & situational comedy, the astral express, etc.)

specific theories (“retirement,” playing the long game, risk vs. reward, man or muppet?, “committed to the bit,” aha is not exempt from The Rules, etc.)

extra info on the masked fools as an organization, aeonic consciousness, and sampo character details outside of elation!sampo theories

as well as counterarguments and a conclusion + anything i feel like adding along the way!

— the next few posts i’ll be uploading will be my masterlists (yes, plural, i am insane 😔💔) so i can get ahead of the curve, then it’s onto the real meat of things. this is a passion project for me, so i am very grateful for everyone’s support thus far (seriously, y'all are so sweet) !!

— as always, feel free to send me asks if you want elaboration on one thing or another, or just want to talk about your own thoughts/theories. hope you enjoy!

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© analysis by sunderingstars. do not copy, repost, translate, modify, or claim my work as your own.

[verysium]

I’ve been seeing some discourse around twitter about the blue lock boys and whether they’d be a loyal bf or not 😭 Curious to know who do you think would be more inclined to cheat or who just wouldn’t at all!!!

I saw someone say sae would 100% cheat like whattt I feel like he wouldn’t even bother looking at anyone else if he already has someone (Cuz I mean dating him would likely mean you actually mean something to him) but I digress

ok anon you had me pulling up a whole argumentative essay here cus WHO TF SAID SAE WOULD 100% CHEAT??? 😔 that mischaracterization is so painfully inaccurate. twitter really took the whole emotionally unavailable itoshi archetype and ran with it. let me just clear the air here because my man deserves some explanation.

sae itoshi would not cheat. as in capital N and capital O. he took nearly an entire decade off his life just to work on his own issues and finally form a functional and healthy relationship with another human being. and you're telling me he's just going to let all that wash down the drain for someone else? 😒 twitter logic really be showing its illogical side here. apparently a man can be loyal to a professional sports career for eighteen years, but he can't be loyal to his significant other.

i think this misunderstanding probably happened cus of shidou. people read the manga and saw that sae dropped rin for a bug-eyed freak and automatically assumed he was disloyal. 😑 let me just say two things here:

(1) sae and shidou's relationship is strictly professional. imagine being stuck in an god awful corporate office with coworkers who bore you with their weaponized incompetence and a boss who annoys the living shit out of you. and then one day, the company hires a new recruit who is probably the most unhinged and debauched creature known to man. you're probably left wondering how he even got hired in the first place. but then you find out...he's useful. he takes risks and gets a high return on what he invests. it's impulsive and stupid, really. but at least it's unconventional and outside-the-box. he has your interest piqued. that's basically sae and shidou in a nutshell.

(2) just because sae gave shidou his number after the u-20 game does NOT mean he would do the same to any other person who would try to encroach on your relationship. and let's be real here. sae would get one text from shidou and block his contact.

anyways, here is my analysis on the bllk boys in general. introducing the anti-cheating to pro-cheating spectrum:

(A) cannot cheat under any circumstance (as in they already hate the fact that they live on a planet with 8.1 billion other people who are not you):

itoshi brothers (atp they don't even have the physical or mental capacity to entertain a third party), ness, reo

(B) cannot cheat due to physical incapability (literally cannot pull anyone within a five-meter radius to cheat with):

ego, igarashi, raichi, bachira (not that he's in any way unattractive...it's just...i feel like he would purposefully act weird to drive off people who aren't you)

(C) could not cheat (basically option A and B but less problematic version)

yukimiya, barou, kunigami, noa, loki, gagamaru, chigiri, niko, hiori, karasu (baby boy literally felt inferior cus his crush was the cutest in his class), kurona (head empty, just you)

(D) would not cheat (on you but everyone else is not included)

isagi (unintentionally a homewrecker to others but would never let anyone homewreck his relationship with you), leonardo (idk why but i just don't trust him entirely)

(E) could cheat (depends on what they get out of it):

kaiser, shidou (honestly what did you expect when you willingly dated a blonde man...)

(F) would cheat (either proven by canon or they accidentally fucked up somehow):

otoya, oliver, nagi

[slamdunktheories]

Sendoh Akira: A Character Analysis (Translated)

One of the best and most memorable Slam Dunk character analyses I’ve ever read was actually an answer to a question hilariously titled: “How do I marry Sendoh Akira?” (Author: 木子妞 - Link). The first half of the answer was particularly incisive and made me consider things I'd never noticed about Sendoh.

The original is in Chinese but here's an English version of the first half thanks to a nifty translating tool (I've edited for clarity and brevity; parts in bold for emphasis). Let's dive in!

~ Start of translation ~

Question: How do I marry Sendoh Akira?

Answer: 1) MENTAL SPEED

First, you have to be excellent - not in a Mary Sue protagonist way with incredible beauty and tremendous wealth etc.— these aren’t relevant in Sendoh’s eyes. Instead, your emotional intelligence needs to be genuinely outstanding.

Why? Because it’s important to understand Sendoh Akira as a person, and he’s not an easy person to understand. I’m not talking about his interests either; those are secondary; it's mainly about understanding his inner world.

The thing is, Sendoh is actually a very lonely person, and I think this loneliness is not by choice. No one in Ryonan really understands him; they are not on his level and don’t genuinely understand him. Case in point: in the match against Kainan, right at the end of regulation time Sendoh went for a dunk but deliberately went at a slower speed to allow Maki to catch up to him.

Sendoh’s idea of drawing a foul from Maki to turn the shot into a 2+1 would’ve meant that Ryonan would win the match by a point. But in that entire arena, only Maki, Fujima and Aida understood this plan. Even Coach Taoka got excited about getting into overtime without realizing that if the 2+1 plan failed, Ryonan would almost certainly lose.

Sendoh's mind works too fast for most people to keep up with, and his standards are high. He also can’t be bothered to explain more than is necessary and so as a result is forced into solitude. Which is why if you want to draw his attention, you need to be sharp enough to keep up with him mentally — imagine how high your IQ must be for that!

2) IDOLISATION

Second, don’t treat Sendoh like a genius or idealise him too much, and definitely don’t put him on a pedestal to worship. Accept the real him, including his flaws. And there are a few.

For one, Sendoh is quite stubborn. In the aforementioned match against Kainan, Maki at one point said, "Don’t think I'll let you dunk easily." To which Sendoh responded, "I'll definitely dunk to show you. Just once in this match..." And he was as good as his word, pulling off the dunk right at the end of regulation time as part of the aforementioned 2+1 plan.

Sendoh also holds grudges. In the prefecture match against Shohoku, after Miyagi managed to score against him, Miyagi mocked him, saying, "Did you think I'd always wait for you to block?" Later, when Sendoh noticed Shohoku was running into foul trouble, who did he target first? Who did he go after to draw another foul? Miyagi.

Sendoh can also be petty. When Rukawa scored quickly, everyone marveled at the speed of his shooting that even he, Sendoh, couldn't block, and Sendoh responded by scoring right away using the exact same technique as Rukawa.

In other words, the so-called basketball genius/living legend isn’t necessarily the real Sendoh Akira himself. Sendoh the basketball player gets lionised a lot but the real Sendoh actually has a temper.

The main difference that sets him apart from others is that he isn’t as easily bothered by things. Sendoh is more mature than his peers, and he’s able to keep most of his emotions in check or bury them deeper so it's harder for people to notice them.

But if you really want to draw his interest on the romantic front, you’ll need to treat him as an ordinary person. That’s how you'll earn his respect. To be clear, it’s not about playing hard to get; it’s about seeing him with a calm mind.

Because of Sendoh's relatively mild temperament and easygoing nature, when it comes to piquing his genuine romantic interest, Sendoh Akira is the most difficult man to deal with in all of Slam Dunk. Much more difficult than Rukawa.

Rukawa can be lured by some top class basketball intel, but Sendoh Akira has almost no weak points to exploit, precisely because so little gets him worked up. The only seeming weakness is his loneliness.

If you can 1) make him feel understood and 2) do so without needing to say it out loud, then you might have a chance with him. These two points are prerequisites. And if you feel you could pull off both points and truly love him to the point of marrying no one but him, then continue reading for some specific methods, though they're not guaranteed to work.

~ End of translated first half ~

We'll skip the second half since it's not that relevant in terms of character analysis. (But it is worth a read if you are a Sendoh fan. It covers a rather elaborate plan!)

On the topic of Sendoh, I would also add that him misremembering Sawakita's name isn't pure coincidence/a gag but perfectly in keeping with his character IMO. He seems the type that is competitive right in the middle of a match but once the match is over, he doesn't hold on to losses as tightly as, say, Rukawa. I mean, let's face it. If the same thing happened to Rukawa (losing big time to Sawakita) you can bet he'd remember Sawakita's name till the end of time. But Sendoh doesn't take such losses quite so personally, and that's why he'd be the type to misremember the name of someone who beat him.

[mellosdrawings]

Twisted boys worst to best, GO!!

I'll make it my fav to my meh if thats fine with you. I fear I would spend hours on a detailed analysis for what I consider to be perfect chara design and motivations otherwise.

-Azul (perfect, 12/10, makes my autism go brr, I still need to do that full analysis for him because I love him too much and have too many thoughts, must pull)

-Jamil (perfect, 11/10, someone please give this man freedom and his weight in cookies, must pull)

-Cater (perfect, 10/10, flashy guy with completely dead eyes, reminds me of Childe, pull if possible)

-Rook (perfect, 10/10, makes my autism go brr, perfect world view ideology, rewired my brain chemistry, pull if possible)

-Idia (perfect, 10/10, peak brother, family angst makes my heart go brr, insufferable asshole, pull if possible)

-Jade (9/10, creepy, would go mushroom hunting with him so we could see who's the most autistic about fungi, sometimes pull)

-Vil (9/10, perfection, made me fall in love instantly during his chapter despite me expecting to dislike him, fawn whenever I see him, pull if possible)

-Leona (8/10, absolute asshole, insufferable dick, wish his flashback was done better so we could see how horrendous it could have truly been, plan on rewriting something someday about that, should be on the pull if possible list but I have no self control for this fucker so I always pull for him)

-Riddle (7/10, made me fall in love with the game, used to kin him in all the wrong ways lol, would've overblotted too in his place, no pull)

-Ruggie (7/10, freaky evil little guy syndrome, has the funniest synergy with Leona, love him, would pull for him if I was rich)

-Kalim (10/10, best character ever and people underestimate him and his potential too much, would smother him in kisses, despite being perfect he is still low on the list coz I'm a mess, sometimes pull)

-Floyd (7/10, creepy asshole, love his mood swings and how everybody just works around it, perfect trio with the two others, sometimes pull)

-Deuce (6/10, lovely little mama boy, doing his best, I want to cheer for him, no pull)

-Trey (6/10, perfect house husband, love how hard he tries to be normal even though he's just as much a freak as everybody else, no pull though was tempted once)

-Sebek (5/10, I see potential but I'm not yet familiar with him, golden retriever vibe, would give him a smooch, no pull though I was tempted once)

-Silver (5/10, not familiar with him yet but he has very interesting themes, no pull)

-Epel (5/10, little dick, needs to learn to move past his misogyny and I love that theme for him, but keeps being done dirty by the story who refuses to have him learn the lesson, no pull)

-Lilia (4/10, should be one of my fav coz I absolutely love the "retired war god who settled down to become a father" trope, but I just can't get the spark with him for some reason..., no pull though I was tempted once)

-Ortho (5/10, best baby bro, has a lot of potential, but rarely ever used properly, no pull)

-Jack (4/10, best tsundere boy but kinda boring in my opinion, no pull)

-Ace (5/10, very good character but I would've blocked him so hard coz I can't stand that kind of behavior lol, no pull)

-Malleus (3/10, just like Lilia his trope is usually one I love but I seriously can't care about him no matter how hard I try, no pull)

Others:

-Crowley (10/10, peak character, would punch him in the face if he was real, must pull)

-Sam (9/10, very interesting, would love to see his card or have him more often on screen, would pull)

-Crewel (9/10, dom daddy, gives a mix of Vil and Leona vibe lol, must pull)

-Trein (9/10, father and widower, cat dad, would make him tea and scones, must pull)

-Vargas (3/10, surprisingly one dimensional when the game is so good at fully fleshing its characters, waiting to see more)

-Rollo (9/10, absolute asshole, desperately needs a hug and therapy, should also probably go in prison lol, very interesting fodder for Idia, would have pulled if I had any extra gems)

-Fellow and Gidel (10/10, brothers, assholes, completely out if it and loving them for it, still need to read their stories but I already love them, must pull)

-Skully/Skelly (10/10, looks like the weirdest little shit, super cringe, already loving him but still need to see, must pull)