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#It sometimes feels like my parents don't have much interest in me the human
queen0funova · 1 year
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The other day I had someone say they thought it sounded like I would be happier focusing on writing instead of coding (they're not really wrong but we're not getting into that)
I mentioned the comment to my dad yesterday and he responded with something that really pissed me off: "Well writing is going to become pretty obsolete soon thanks to AI like Chat GPT"
First of all, GPT is a stupid idiot. It can't even write a poem that doesn't rhyme when specifically directed to do so, or when it's told to remove the rhyme after failing to write a free verse poem in the first place.
It's never going to top human creativity. It won't make a rant about romantic attraction wrapped in a prayer to frozen yogurt. It won't pull off Amphibia's Rube Goldberg machine of Chekov's guns. It won't do a good job telling the story of a Latina, neurodivergent, bisexual girl. These are all human things that humans will do better than the stupid AI. I'm tired of people having more faith in Chat GPT than other people
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isfjmel-phleg · 1 year
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#random personal stuff#I get it everyone in church wants to fuss over the babies#who are very cute and I'm glad that they're loved! they should be!#but I'd like to put in a good word *also* for a group who tend to get overlooked and undervalued#and that's older kids#once you get past baby age in the church circles I'm familiar with#you are no longer an object of adoration and are now a nuisance a burden and a problem that needs to be suppressed and contained#parents will openly complain about them and heaven forbid anyone reach adolescence because then they're regarded as next-door to a monster#and not many people are really listening to older kids or thinking about what they might need as human beings#which is connection and knowing that people give a darn about them personally#and don't just see them as something to be 'kept busy' or as free labor/babysitting for younger nuisances#I have the most interesting conversations with these kids#they're bright and hilarious and passionate about all kinds of things#and they're dealing with more than most adults seem to realize or take seriously#I remember being that age very vividly and the adult whom I wanted to be around the most was my aunt whenever she visited#because she actually took the time to listen to me and put up my jawing about [current obsession]#probably took a lot of patience on her part but I appreciated it so much#it made me feel like I mattered#sometimes the kids at church will talk to me and I want to be for them the kind of adult my aunt was for me#they ARE worth listening to!#everybody at every stage of life is worth caring about
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stupidphototricks · 23 days
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Dwarf tradition, in The Truth. Long quote but there is so much to unpack here.
"A dwarf needs gold to get married." "What… like a dowry? But I thought dwarfs didn't differentiate between--" "No, no, the two dwarfs getting married each buy the other dwarf off their parents." "Buy?" said William. "How can you buy people?" "See? Cultural misunderstanding once again, lad. It costs a lot of money to raise a young dwarf to marriageable age. Food, clothes, chain mail… it all adds up over the years. It needs repaying. After all, the other dwarf is getting a valuable commodity. And it has to be paid for in gold. That's traditional. Or gems. They're fine, too. You must've heard our saying 'worth his weight in gold'? Of course, if a dwarf's been working for his parents, that gets taken into account on the other side of the ledger. Why, a dwarf who's left off marrying till late in life is probably owed quite a tidy sum in wages—You're still looking at me in that funny way…" "It's just that we don't do it like that…" mumbled William. Goodmountain gave him a sharp look. "Don't you, now?" he said. "Really? What do you use instead, then?" "Er… gratitude, I suppose," said William. He wanted this conversation to stop, right now. It was heading out over thin ice. "And how's that calculated?" "Well… it isn't, as such…" "Doesn't that cause problems?" "Sometimes." "Ah. Well, we know about gratitude, too. But our way means the couple start their new lives in a state of… g'daraka… er, free, unencumbered, new dwarfs. Then their parents might well give them a huge wedding present, much bigger than the dowry. But it is between dwarf and dwarf, out of love and respect, not between debtor and creditor… though I have to say these human words are not really the best was of describing it. It works for us. It has worked for a thousand years." "I suppose to a human it sounds a bit… chilly," said William. Goodmountain gave him another studied look. "You mean by comparison to the warm and wonderful ways humans conduct their affairs?" he said. "You don't have to answer that one. Anyway, me and Boddony want to open up a mine together, and we're expensive dwarfs. We know how to work lead, so we thought a year or two of this would see us right." "You're getting married?" "We want to," said Goodmountain. "Oh… well, congratulations," said William. He knew enough not to comment on the fact that both dwarfs looked like small barbarian warriors with long beards. All traditional dwarfs looked like that.* *Most dwarfs were still referred to as "he" as well, even when they were getting married. It was generally assumed that somewhere under all that chain mail one of them was female and that both of them knew which one this was. But the whole subject of sex was one that traditionally minded dwarfs did not discuss, perhaps out of modesty, possibly because it didn't interest them very much, and certainly because they took the view that what two dwarfs decided to do together was entirely their own business. — Terry Pratchett, The Truth
I super love the footnote, of course, but unexpectedly now I kind of want this version of a dowry to be a thing. I mean, the dowries of the bad old days where the man basically bought the woman from her parents, that's not okay. But this.
I'm a parent, and in no way do I feel like my kid owes me for their upbringing, education, or even (I'm anticipating) a few years of post-college living at home. Not at all. I can't imagine not taking care of them or attaching any strings to that care.
But that's not what this is. Really, ideally, it's a way for parents and children to give each other the gift of the child's independence, their autonomy, their adulthood. To officially and tangibly say that their relationship from this point on is no longer parent/child, but something more on an equal level.
For that matter, I imagine the child is free not to have a relationship with their parents any more at all, if they want. No obligation, no guilt. If parents want to be in their kids' lives when they're adults, they'll need to make sure their kids actually like them as people.
Well. I know that our world of humans doesn't work like this. Even if we put a monetary value on what we owed our parents and paid it, we'd still feel obligated to them, at least a little. Even if our kids paid us back, we'd still feel like we had the right to control them, at least a little.
But man. That g'daraka thing sounds wonderful.
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the-moon-files · 4 months
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YESSSSS I BEG GET INTO THE CULTURAL DIDFERENCES BETWEEN HYLIANS AND HUMANS 🙏🙏
...now ur just sweet talking me 🥰 /lh
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Not years, well maybe 1 year-
but i have wanted to ramble desperately to smone, even the tumblr void if i had to, abt humans vs. hylians so much, esp with a guide reader or male reader bc whatdya know im into niche stuff that only u and like 2 other ppl like lmao ¯\(ツ)/¯
Anyway im so shocked, since ur like the third person to be interested in this and wanna hear abt it 🥺 🤲💌 here u go!! Hope u like it <333 👉👈
Sun: Masc!Reader (he/him)
Orbit: Humans are Not Hylians/Humans are Space Orcs AU, Headcanons-ish, long overall but each section is kinda short
Stars: Mostly worldbuilding! you've been warned, don't get mad me for not talking abt the boys too much✌️
Comets & Meteors: Content Warnings: mild cursing, mentions of private area/joke in the clothing headcanons, & Trigger Warnings: none known.
Please comment if I missed any. /gen
just some quick headcanons bc tbh i haven't given it too much thought, and i feel like I've been able to somewhat get into it in other posts? or maybe im thinking of stuff i have in my drafts idk-
Imma make another list, so buckle up for the short ride lol
Courting periods/dating/marriage
individual/small groups society-based hylians v. large personal groups/large community society-based humans
simpler foods hylians v. complex food humans
clothing modesty/style/relationships with fashion
fighting styles/strategies
entertainment complexity/differences
and language
1st one, not much yet, im also making a separate post bc someone else asked me to talk abt that more 🥺
(tysm for all the enthusiastic asks guys <33)
anyway, basically hylian courting is a lot shorter, think “lesbians with the uhaul” type of energy, like sort of the classical medieval “does thee wish to pursue marriage with this one?” ← how hylians ask u out for the first time lmao
if it helps, they do tend to get to know one another well, talking about morals/kids/life goals/preferred lifestyle/house/etc. pretty clearly and quickly, then using the in between time to sort of stew on that information
id say the total time is sort of something like 6 months? maybe 3/4 if they're really compatible
(so bc i love interpreting video game logic for real world building, I actually blame this on how fast Zelda/link get together in games despite having sometimes never met before that moment lol)
like i said, ill be posting about this later
2nd one!!
pretty basic, just saying we don't really see hylians in big groups, despite the organizations they form, like kingdoms/knights or on a more personal level, towns/families/etc.
(once again, in-game appearances/video game logic translated to real life to draw these conclusions)
like not only are family units pretty small, like nuclear family setup, with like 2 parents and 2 kids, or single parent 1 kid type of situation, but the towns or collections of these families arent very big either
hylians kind of use their government the way it was intended lmao?
like the villages and towns matter more for everyday decisions than the kingdom/royalty, like Zelda would esstientally just be the mayor of Castle Town for those constant decisions,
while occasionally is called on to make decisions like for several towns or like is a natural disaster happens
meanwhile humans are, in comparison, in Way Bigger groups, both on an organization scale, and a personal scale
like u have all these specific branches of government, whereas im sure the population difference doesn't help,
and on a personal level, humans can easily have like multiple parents, lots of siblings, and once u combine that with each parent having family too, and those families like to meet up? All together??
yeah, itd look insane to any hylians (who’s smaller extended family may just make up their own village and that's it)
3. I've touched on this
like the use of spices, syrups, seasonings, etc
but also the complexity of dishes too, like chilling cream and mixing it for awhile to make ice cream, or even just getting ordering a pizza,
that's a lot of processing, like making the dough from flour and other ingredients, to letting it rise, to making the tomato paste, making cheese, then combining those things with any other toppings, all into one dish??
i like to think that hylians have only just started to touch on actual complicated cooking processes (as in BOTW, where they sell flour and salt, so people besides Link/Wild must know what to do with it)
this has the advantage of impressing any hylian with what a “creative genius” you are lol
4. look im just a fan of medieval time periods Links
so i think its funny if the hylians are used to like 4/3 layers and ur over here like, “wym, if i take off my shirt there's nothing underneath?”
one of them gets bold enough to ask, “d-do you not. do you not have undergarments??”
you “just my boxers? like just to cover my di-”
also this makes its easy to seduce people here? LMAO
clothes are def higher quality, after all there's not as many artificial processes or materials interfering,
plus u usually get some sick embroidery on it too!!
5. so like i get it, Link is the main fighter in games
but like, the few times there is a war/army in loz games, there's rlly not a lot of strategy, beyond just finding the enemy and fighting
tho im partial to that hylians/most inhabitants of Hyrule abide by the “lets meet up either literally by inviting each other or just between our territories to fight”
with occasional guerilla warfare (by any means necessary/stealth/ambush attacks/strategy) that's only rlly used either by Demise/Ganon, or by the wilder individuals/races in games
or maybe even the more civilized fighters in an emergency
and so that means by this logic that all of the Chain use kind of wild techniques compared to their race/kingdom lmao
id imagine its not too surprising to also see “every fight is a bar fight if its for my life” from individual travelers, so im sure they're not viewed too crazy (esp when ppl know their the hero that constantly has to deal with guerilla warfare from Ganon)
but its be hilarious to watch the reactions of both the Links realizing they’re in a bigger group that should be using “proper” fighting strategies and seeing the general publics reaction to this absolutely feral, armed to the teeth, trained hylians with their equally wild human lol
LMAO everyone thinks ur the reason they started using the more brutal fighting methods bc ur human, ur a bad influence lol
(humans would use it primarily, esp after we converted to use that method in warfare a couple hundred years ago i think?)
changing course a bit, hylians tend to use weapons (to compensate for difference in strength compared to humans, and since they don't experience/get a lesser version of adrenaline)
while humans tend to equally rely on weapons and our body as a weapon (marital arts/basic self-defense)
6. this is mostly bc the hylians only rlly seem to have the basics of music, books/stories, theater, and art
i have, surprise surprise, another post abt how i think this came to be,
mostly based on how human curiosity is indomitable and insatiable and the endless force that has not yet met its immovable object.
or at least an immovable object they haven't at least poked a little, out of curiosity lol
like we went to space for that reason, we reach the most dangerous corners of our planet (deep underwater/volcanoes) out of sheer curiousity/for the sake of simple knowledge of the thing
so needless to say, curiosity can absolutely drive any field to its limits, including the arts, which is why we can have stained glass, or movies/tv shows, hell, the marvel that is Hatsune Miku lmao
(fully for entertainment, a projection of light and sound, what is essentially magical illusions but u did it hte hard way, to the hylians)
on a different entertainment related note, i don't know if the hylians would be super into sports, or not really at all? mostly bc they have to use their fighting/training against real threats, not the sort of “fake” threats that sports are
but on the other hand i could see people like knights wanting to use their abilities for something other than violence and fighting bc their life or their villages lives depended on it
bet the Links would enjoy it for those reasons especially, what with at least sumo wrestling being a sport or activity for them at some point in history, and practically beg u for any new games to play, or to ref their games, bc whewwww
im sure they could get pretty competitive lol
7. obviously, their mostly influenced by the Japanese language
id almost like to imagine a sort of, if not outright Japanese (like with earlier heroes like Sky) then a sort of English-Japanese hybrid further along the line
sort of like how English has German/Greek/Latin roots and therefore u can see what words or structure comes from where, or even how u can understand a fair amount of basic words when other languages share the same roots (english, pants = spanish, pantalones)
would make for some funny miscommunications
or even better, most hylians liking ur unique accent or the Links love to hear u talk bc of it lol
well the fever has broken, i am now free of the sickness that made me hack this up geez
i hope u got some enjoyment out of these my beloved anon!! esp since u were so nice as to ask abt it <33
hope u guys have a great weekend, look out for some more posts, bc its been great to get some more asks in lately and very motivating,
not to mention i actually have time to write now that my siblings graduated/we’ve moved several states over 💀
so i have reliable internet now too! sheesh :’)
Peace out,
🌙
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yazthebookish · 8 months
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I loved all of what Sarah highlighted in her interview today and I'll elaborate a bit especially on the romance part:
In Maas’ fantasy worlds, love interests often exist as fated “mates,” with invisible strings between them that are powerful and often poetic. Readers can see the literary metaphors, like complementary powers between two characters. But other times, there are no metaphors, with their connection initially seeming random.
She's too attached to the mate trope and I like that she gives us different cases and scenarios for it, otherwise it'll be boring.
“Sometimes, I will write a scene with two characters that I’ve planned for them to get together, and then they have no …” She shakes her head slightly at me. “It’s like holding two dolls and being like, now kiss! And they won’t. … And then sometimes a different character will walk in and they will just” — she snaps.
I yelled at this part because it's as if she plucked the scene from Azriel's bonus chapter and used it as an example. Those parallels between Elain and Gwyn are intentional. It doesn't mean Elain is bad it's just their dynamic doesn't work as a couple and it was obvious to the author. I know she didn't specify who this was about but like, come on, who tried to kiss and which character showed up in a bonus chapter after that depressing scene and gave a glimmer of hope?
“It feels like magic in a way where, as much as I tried to plot out things years in advance, I let my characters guide a story. And they usually wind up with the people that they need to be with and who offer them the most growth and joy.”
I love this so much and allow me to speak about my favorite ship and its because the snippets we saw of Az and Gwyn together especially in the bonus chapter brought out a lighter version of Az. His scenes with Gwyn were light-hearted and the bonus chapter ends on a hopeful note for them. It's hard to deny that connection between them whether you theorize she's luring him or they're mates, those theories wouldn't exist if she had no ties to him (she's in his own chapter like come on).
I go the philosophical route with my next question: We’re talking about fate here, but at what point is a character the agent of their own fate? What happens if someone rejects their mate? (Listen, if I were Fae and I didn’t like my mate, whatever God chose for me is not my business.)
People are jumping the gun and assume this example is set to be Elucien but... we have Helion and Lady of Autumn likely being an example of a tragic rejected mates story (if you read ACOWAR and their history it's obvious they're mates). Maybe it's Mor and Eris and that's the secret that ties them to each other. We have other characters from other series too.
For a convincing mate rejection story in my opinion, it needs more than one book or it's a case that we see with side characters where we can see their history and the long-term implications of a rejected bond.
It's too easy of a story to have one person's central conflict be the words "no I reject you" and they're done. Again, this is not exclusive to ACOTAR but also her other series.
“That’s something I find to be very interesting,” she replies. “What if the forces that be put you with the wrong person? Or what if you just decide, eh, I’m not interested. … There’s a lot to explore within the concept of mates and your agency about it.
The concept of agency is something many readers in the fandom discussed especially when it comes to mating bonds and there were arguments on (would Rhys fell for Feyre if she wasn't his mate or would have Cassian fell for Nesta if she wasn't his mate). We know that some mates don't work out but stay together because their dynamic is unhealthy (Rhys's and Tamlin's parents). We got examples of a loveless mating bond already.
We also saw that Nesta didn't immediately accept the term "mate" because it would mean cutting off her last tether with humanity. It's not a matter of "you're my mate" "yes I'll be with you", the dynamic between the mated couple is important to explore.
“I’m not going to say if I am exploring it in future books or not,” she continues, “but it definitely offers a wealth of things to explore with this concept of freewill and what is true love. Is it something that’s destined? Or is it something that you make? Is it both?”
This part aligns with what I think about Elucien. We never had a mated pairing who knew they were mates but are not in love with each other. Every mated couple found out they're mates when they were already in love.
Can a destined love turn into true love? Or do you settle for a destined love without love being in the equation. Love wasn't in the equation for Rhys's parents, but love was the equation for Feysand and Nessian. Elucien was left unexplored for a reason and both Elain and Lucien view each other by label "mate", they didn't have a chance to get to know each other. So it's going to be very interesting to see them navigate their feelings for each other despite the mating bond.
I didn't expect her to elaborate a lot on this but I love that she did and I hope in future interviews she gives us more good bits about her writing and examples of the decisions she took for some characters and couples.
Didn't expect this post to be long but happy reading! I'm still reeling from HOFAS 🥲
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furiousgoldfish · 4 months
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I had a conversation the other day, with a person who seemed to have some respect for me, but couldn't understand why I'm still having trauma symptoms, and can't be normal already. I took it as a chance to try and explain my symptoms, but it seemed to fall on deaf ears;  I was told I just needed to tell myself that 'I am a new person now', and forget about the past. The person then explained to me how they weren't always the same person either, and they would sometimes cringe at their behaviour in the past, but then they would be proud of themselves for being smarter and more reasonable today. I couldn't quite explain to them that my situation was not the same.
They gave me various suggestions like 'just don't think about these things anymore', and 'these people are not going to hurt you anymore', which I strongly doubted was true. I tried to explain that I am not purposefully thinking about it; in fact, I was doing everything to avoid it. But with intrusive thoughts, flashbacks, nightmares, and the symptoms of the dissociative disorder, I had no control over it, the past was at my throat, holding me and unwilling to let go. I could tell that they still believed I was doing it on purpose, holding on and refusing to stop living in the past.
I very rarely get a chance to talk to someone about anything trauma related, so I was originally grateful that anyone was even showing an interest at 'attempting to help me', but later when I thought about the entire thing, I got pissed off.
Firstly it doesn't make any sense for me to be 'normal', in any timeline, regardless of how much time has passed. You can't have a person living first few decades of their life in belief that their life is worthless, in environment where they're getting locked up, beaten, humiliated, tortured, threatened with death, brainwashed to believe they're not human, severely neglected, and without any kind of genuine caretaker or a parent. And then leave it to this person to 'deal with it alone', never getting any help, never even getting reassured that what happened to them was wrong. That is complete abandonment by human society, and I find it sick and twisted that this person should be expected to adhere and integrate into society afterwards, for what? This person will logically feel betrayed, untrusting, bitter, feral and unnacepting the society's standards, especially their standards for victim blaming and ignoring abuse. Society continually fails these people expects them to 'fix themselves' so nobody would feel uncomfortable about it.
Secondly why is it up to me to change as a person? I am not like this because 'I was not a good enough person', I am not the one who needs changing. I am good as I am. It's worse that after being failed in every aspect, I am now being seen as the one in 'the need of change', for not acting normal and being haunted by my past. I am not hurting anybody! I am the only one suffering from this. God forbid my reality leaves someone uncomfortable, I better try to hide it better. Which I actually do unless sometimes is actively asking me about it.
And the last bit of my anger is about making it seem like the actual problem is 'me holding onto the past', and not my life being severely different and harmful in a way that isolates me from other people. I don't have the same formative experiences other people had. I don't remember being cooed at and hugged, I don't have endless experiences of being taught that I'm important, that someone will care and intervene when I'm in pain, that the figures of mother and father are safe, warm, comforting and reliable. That childhoods are a positive and fun part of life. That families work as an environment for children to be raised on. I don't have the experiences that formed all other beliefs that this culture holds, I hold nothing sacred that is sacred to everyone else, I don't believe in the authorities, I don't believe in family, I don't rejoice with holidays, I don't want children, I don't trust religion, I feel contempt towards capitalism, I don't relate or connect to people who are receptive to any of it.
And it turns out I'm right to feel as I do. Because people in this society will actively come to me asking me to 'stop being like that', while never asking any abuser to 'stop being like that'. Victims who make them uncomfortable can be spoken down to, should be told to stop being traumatized, even in private, while the abusers just need to be 'ignored' and 'hopefully they stop doing it'. What a great plan. Surely it will fix everything.
Humane thing to do would be to approach me with awareness that I've been treated like a worthless creature and address it and allow me to act genuine about it. If I'm still feeling betrayed, abandoned and outcast from society, I should be able to express that. I deserve to react with genuine responses rather than this insane preformance art I have to do every single day to make sure nobody else is aware or uncomfortable by my peril.
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sleepytoycollection · 2 months
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In Which Moose Toys Made a Dislestia Child and I Am Amused
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This isn't really a review proper, but this Magic Mixies set was brought to my attention by @sparklyaxolotlstudent after they pointed out that the "pegacorn" of this set looked like a MLP Discord fankid lmao.
So needless to say I became interested.
After just getting into MLP this year, and especially being a fan of the draconequus character Discord, I thought the idea of another toy company taking a stab at a the idea of horse/dragon creature was funny.
Granted, MLP didn't invent the horse-dragon. Qilins and longmas long predate our colorful horse friends. So it's not necessarily borrowing from MLP, but come on. When was the last time you saw one in a little girl's toy line?
The set comes with all this stuff to do the magic potion thingy. Call me lacking in whimsy, but I didn't wanna do all this shit. I just wanted the toys.
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It also comes with some info about our new friends.
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Moose Toys call this creature a pegacorn. Now "pegacorn" is sometimes used to describe a unicorn/pegasus. It's what MLP calls an alicorn, but there's no way this creature isn't also part eastern dragon too. It has scales. And Claws.
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Let's back up a bit tho, and look at the dolls fully.
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I really like the Pixlings dolls. This is actually my third one now. They're what Enchantimals could've been if they were good. I wish their shirts weren't molded on, but it's not a deal breaker if only because they're so nicely painted.
The only reason I haven't acquired more is that they have a LOT of leftover trash. The potion bottles these come in can't really be used for much else, and they're not worth donating either. So that's a LOT of plastic going to waste. Wish I could just buy the dolls without all that mess tbh.
Still a cutie of a doll.
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I also appreciate they gave the pegacorn articulation! It's so rare anymore to see animal friends in doll lines that don't feel like cheap afterthoughts.
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Now to address why this set, the pegacorn especially, makes me think MLP. -deep inhale-
Rainbow Star looks like a Celestia/Discord fankid.
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Look at this child and her divorced parents. Tell me she doesn't look like the designer at Moose Toys ships these two.
Even the name "Rainbow Star" fits.
Hell, if her dad were Discord is would explain the nonsensical butt wings. Nonsense is kind of a given for a child of chaos. Plus Discord in the show flies with magic, and his wings are useless when he's de-powered. So placement wouldn't matter if she's using magic to fly as well.
Now I don't personally go for this ship, but it's still pretty funny. Either this was on purpose or one hell of a coincidence.
Putting MLP aside tho, I do like these little guys.
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Unia could use a little bit of a restyle...
Wait a minute, if you imagine the blue replaced with purple, doesn't Unia look a little like human Princess Cadence?
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Okay that's enough for today. Bye.
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another-lost-mc · 1 year
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Bedside Manner
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Beel gets sick and both of you are in denial.
Beelzebub x gn!Reader
SFW // Content: (Domestic) Fluff, Hurt/Comfort, Friends to More-Than-Friends. Family dynamics, other demon brothers/characters mentioned, brief descriptions of minor illness. 4.9k words.
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It’s not unusual for you to visit Beel when he has Fangol practice after school. You’ve taken an interest in his hobbies and he keeps you up to date with his practice and game schedule. Sometimes you leave the RAD campus later than his brothers; it makes sense for you to wait for him so you can both walk home together.
Today, you stayed behind to review instructions for an upcoming assignment. You can hear distant sounds from the Fangol field while you scribble a few notes into your workbook. When you’re finished, you wave goodbye to the professor and head outside to find Beel.
When you arrive, your attention is immediately drawn to a small group of players gathered around one of the bleachers. Someone notices your approach and waves you over; the frown on his face worries you.
You have a bad feeling already but when you get closer, you realize something is going on with Beel. His voice has a slight wheeze like he’s having trouble catching his breath and he looks awful. His face is pale except for the flush tinting his cheeks, and his skin is tinged a sickly shade of green. You don’t think all the sweat dotting his hairline is from practice, either.
His teammate pulls you aside. “He nearly collapsed during the last set of drills—“
“I did not!” Beel insists weakly from his seat, but the tremor in his voice is hardly convincing.
“—and we’re sending him home for the day. We don’t want to worry about him losing consciousness before he gets there.”
You glance at Beel and try not to panic. “What’s wrong with him?” He eats so much food but you can’t imagine it’s food poisoning from lunch that afternoon. Only Solomon’s cooking is horrible enough to upset Beel’s stomach, and he’s in the human world right now.
His teammate shrugs. “Probably just the flu. He should be fine in a few days but he needs to rest.”
You’ve heard of the Devildom flu, but Beel has never been this sick before and you’re more than a little anxious.
Beel sits with his head in his hands while most of his friends disperse and go back to their drills. The thought of walking home with him alone makes you nervous - there’s no way you can help him if he does pass out.
You touch his shoulder gently to get his attention, and you can feel the chills raking through his body. “Are you okay, Beel? Ready to go home?”
He looks up when he hears your voice, but his attempt to smile at you looks more like a grimace. “Yeah, let’s go,” he mumbles as he stands up on shaky legs. He takes an ambitious step forward but he stumbles, and he sits back down when his lingering teammates prevent him from falling over. 
Right - walking home alone is a no-go, then.
You look through your bag and pull out your D.D.D. “Don’t worry, I’ll figure something out.”
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The House of Lamentation (8) You: Is anyone still at RAD, or close by? Mammon: Nah, I’m on my way to a photo shoot. Leviathan: I’m checking out the new gacha machine downtown but I’m not far. Satan: I’m in the school library. You: I’m at Beel’s Fangol practice and he’s sick. He needs help getting home. Leviathan: On second thought, I’m actually very busy right now. Satan: Seriously? Leviathan: I don't want to die if Beel falls over and crushes me! Satan: And you think it would be better for Beel to crush MC instead? Lucifer: It seems like I should put parental controls back on the Akuzon account. Leviathan: Wait, I’m on my way!
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Despite Levi’s initial protests, he arrives on the Fangol field not long after Satan does. They manage to keep Beel upright for the walk home while you continue texting Lucifer about his condition. Belphie is waiting anxiously at the front door by the time you arrive, and he helps his brothers take Beel to their shared bedroom.
You deposit your school bag in your room and head to the kitchen. Lucifer is cooking tonight and he happily accepts your offer to help (and your company); you’re worried about Beel and need a distraction. He tries to soothe your anxieties - it’s not much worse than a human cold, he’ll be better in a couple of days - but Lucifer’s words are a poor comfort to you.
You can’t help but think of Beel, one of the strongest demons you’ve met in the Devildom, literally brought to his knees before you by something like a cold. It’s more upsetting than you want to admit and you have no idea how you can help him.
Dinner that night is a quiet affair and it’s odd. Mammon isn’t home yet from his modeling gig and Beel is resting in his room; their absences are noticeable. The others don’t seem to mind, but you miss Beel’s vocal enthusiasm while he eats - he’s always complimenting the food and he’s so appreciative of whoever cooked that night. 
Lucifer sets aside a plate of food for Beel and you offer to take it to him. When you knock on his door, Belphie’s quiet voice beckons you inside. He looks at the plate in your hands skeptically, but shrugs and goes back to reading the book in his lap.
Beel groans and rolls over when he hears you enter the room. His eyes brighten when he sees you, but he shakes his head at the food you’ve brought him. You hoped he would be willing to eat something, even if it’s just a small amount. Belphie offers to dispose of the plate for you and leaves the room.
When you’re alone with Beel, you sit on the edge of his bed and hold his clammy hand in yours. He squeezes your hand back, weaker than you expect, and you realize you’re uncomfortably close to crying for some reason.
“Is there anything I can get you?” you ask him worriedly. 
He shivers under his pile of blankets. “Maybe some soup tomorrow,” he croaks. “I don’t want anything right now.” He doesn’t say anything else as his eyes slip shut and his head tilts to the side.
Belphie returns and goes back to reading his book, but you don’t notice when he glances at you occasionally from the corner of his eye.
You remain at Beel’s side until his grip on your hand grows limp.
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You: Are you still in the human world? Solomon: For the moment. The meeting took longer than I anticipated and I have a few more errands to run before I return to Purgatory Hall. Why? You: Can you pick up a few items for me? I’ll pay you back. Solomon: No need to pay me back if you agree to have dinner with me instead. I have a new recipe I’d love to make for you. You: Oh. You: How about lunch at Hell’s Kitchen next week? I might be too busy in the evenings if Beel is still sick. Solomon: You drive a hard bargain, my dear. Send me your list and I’ll see you soon.
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The next morning you head straight to the kitchen so you can start preparing homemade soup for Beel. It’s a recipe that you used to make for yourself back home. You hope it’s more enticing to him than the heavier Devildom fare his brothers might try to feed him; you want to avoid a repeat of last night’s dinner attempt.
Solomon did as you asked and bought all the human world items on your grocery list, including enough ingredients to make two large batches of chicken soup. You offered to give him a small container of soup when it’s ready, as a token of appreciation, and he readily accepted.
It’s supposed to be Mammon’s turn to cook today, but he won’t have to worry about dinner because there’s going to be enough soup for everyone. He got home late from his photo shoot last night, but you think he can still handle making a simple breakfast on his own.
You’re chopping onions, carrots and celery for a mirepoix base when Mammon finally drags himself into the kitchen. His hair is sticking up all over, and dark smudges from the eye makeup he didn’t remove before bed make him look like a very fetching raccoon. 
“Good morning, Mammon,” you say cheerfully.
He mumbles something that you think is supposed to be a greeting, and he starts making breakfast - sort of. He tosses a random assortment of whole fruits onto a plate and puts it on the table. He grabs a loaf of bread, looks back and forth between the bread and the toaster, then he unplugs the toaster and puts that on the table too.
“What are you doing?” you ask him curiously while trying not to laugh.
“They can make themselves toast,” he yawns. “I’m going back to bed.” He shuffles away and you can hear the faint sound of his door slamming not long after.
You decide to take pity on him and help him out since you’re already in the mood to cook. It’s not too much extra work to cut up the fruit he picked out and make a fruit salad with it. You make a pan of scrambled eggs with a sprinkling of Hellfire cheese. Finally, you put the toaster back in the kitchen where it belongs.
You’re buttering toast when the other demon brothers start to trickle in (Mammon excluded, of course). Satan makes a beeline for the coffee maker while Asmo offers to set the table. Lucifer doesn’t look impressed when you explain why you’re making breakfast instead of Mammon.
When they’re all seated at the table, you give everyone a head’s up that you're making a human world soup recipe for dinner that evening. Belphie looks like he wants to say something, but when you raise your eyebrow questioningly he just smirks and takes another bite of his toast.
You also mention that the other items Solomon picked up for you - a case of ginger ale in the fridge and a box of saltines in the cupboard - are off-limits. There’s a low grumble of complaints about that. But when you remind them that you helped Mammon make breakfast for them, they know better than to squander their good fortune.
(Lucifer makes a note to speak to Mammon about his abuse of kitchen appliances later.)
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The Angels (3) Simeon: Good morning. Luke: We heard you’re making soup from one of your human world recipes! Simeon: Solomon told us about it this morning and he’s very eager to try it. Luke: Simeon wants to have some too. He and Solomon argued because Solomon doesn’t want to share. You: I can bring enough for all three of you. Simeon: That would be wonderful, thank you. You: You know, all this cooking has put me in the mood for some freshly-baked cookies. Luke: You got it!
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While the soup is simmering on the stove, you visit Beel to see how he’s doing. Belphie’s been doing his best to keep him hydrated, but he’s still reluctant to eat very much of anything. He’s sleeping when you check on him; Belphie invites you inside but you don’t want to wake him by accident. 
“I think he was asking for you earlier,” Belphie mentions off-handedly when you’re about to leave. “I told him you were going to bring him lunch and he went back to sleep.”
You go back to your room and relax. You wonder why Beel asked for you, and you ignore how nice it feels that he did.
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The Royals (3) Diavolo: It’s been a while since I’ve had the chance to visit with you. Diavolo: Do you have any plans this afternoon? You: Beel isn’t feeling well so I’m helping his brothers care for him. Diavolo: That’s all the more reason for you to enjoy a well-deserved break. You: Let me guess - someone told you about the soup. Who was it? Diavolo: No one. Barbatos: Luke told us about it earlier, my Lord. Diavolo: One of the angels might have mentioned it in passing. You: I can come for a short visit after I stop by Purgatory Hall. I have extra soup I can bring for both of you. Barbatos: I’ll have tea and sandwiches prepared for your arrival. Diavolo: I look forward to seeing you.
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The soup is finished and you’ve portioned everything into containers just before lunchtime. You label three of them for the freezer and set them aside. You have one large container ready for your friends in Purgatory Hall, another container for Diavolo and Barbatos, and the rest are for Beel and his brothers.
Belphie sends you a message letting you know that Beel’s awake and is willing to try eating something. You prepare a tray with a small bowl of soup, ginger ale from the fridge, and a handful of saltine crackers. You pass Belphie on the way to their bedroom - he yawns and tells you he’s going to the attic to sleep.
When you enter their bedroom, Beel is propped up with a bunch of pillows against his headboard. He looks a bit better than he did last night, but not by much. You set the tray on the nightstand and pull over a chair so you can sit next to him.
“How are you feeling today?” you ask quietly. 
He turns away from you and coughs. “Not bad,” his poor voice croaks. You can’t help but smile when his mouth twists into a pout at the way his voice sounds. 
“I made you some soup,” you tell him when you set the tray on your lap for him to see. 
“You made this for me?” His eyes widen a bit and he stares at you.
Your face feels warm all of a sudden and you look down and stir the soup to distract yourself from the sensation. “Of course. You asked for soup last night and this is what I like to eat back home when I’m sick.”
He looks stunned by your admission, like he has trouble believing you would do that for him, but he accepts the tray you slide onto his lap.
You explain the items on his lunch tray: the soup (“It’s sort of like a roasted roc soup”); the ginger ale (“It’s a little sweet and bubbly”); and the saltines (“They’re bland but easy to eat when you don’t have an appetite”). He’s so genuinely interested in what you’ve prepared that it makes the effort feel worthwhile.
You can tell there’s a problem right away when he picks up the spoon and tries to eat. His hand is shaking slightly - from hunger or exhaustion or both - and a little bit of the soup spills back onto the tray. He drops the spoon with a frustrated grunt and exhales; you hate the way you can hear his lungs rattle when he tries to breathe too deeply. You help steady his tray when he coughs.
He’s visibly frustrated and he looks away from you like he’s ashamed. “I can’t even hold a spoon properly, and you made this for me.” He grumbles under his breath about wasting your time and wasting the food you made him.
You motion for him to move over a bit, and he shimmies his hips so you can sit on the edge of the bed. You lift the spoon with a bit of soup, blow on it gently to cool it, and hold it in front of his mouth. You hope he doesn’t think you’re treating him like a child. You decide these are special circumstances because you know he’s normally a very proud and capable demon.
He doesn’t hesitate though, because he opens his mouth and swallows the soup down. You freeze in place, worrying whether or not his stomach can tolerate it, if he even likes it–
But he smiles a true, genuine Beel smile for the first time in what feels like ages, and you can’t help the delighted chuckle that escapes you. When he nods, you lift another spoonful to his lips. You help him slowly eat his meal. When you leave his room nearly thirty minutes later, Beel is sleeping contentedly and the dishes on his lunch tray are empty. 
Once Beel is fed and resting again, you deliver soup to your friends at Purgatory Hall and the Demon Lord’s castle. Luke hands you a giant tin of cookies before you leave, and Barbatos packs up the leftover sandwiches for you to take back to the House of Lamentation. You put your goodies in the fridge with the small hope that Beel might be better enough to have some with you in a day or two.
When it’s time for dinner later that evening, you return to Beel’s room with another tray of bland food and warm soup. You decide to take a larger portion of soup this time and hope his appetite has improved since lunch.
You enter his room and notice that Beel is awake - and still looks quite unwell - but he seems happy to see you. Belphie is nowhere to be seen.
You sit on Beel’s bed again and feed him spoonfuls of soup at a slow, steady pace. His throat doesn’t sound as raspy, and he tries to make small talk between careful sips of his dinner. It takes a little longer, but he finishes the bigger portion of soup without a problem.
You stack the empty dishes on the tray and stand up, but his hand suddenly reaches out to you - he can’t reach your arm, so he grasps the hem of your shirt instead.
“Wait,” he murmurs suddenly. “Can you stay for a while?” The look in his eyes is pleading, and you assume he’s lonely from being stuck in his room. Since he’s gotten sick, he’s only had you and Belphie for company. Most of his brothers have stayed away to avoid getting sick too, and Beel hasn’t been using his D.D.D. much since he’s spent most of the day sleeping.
Whatever his reason is, you’re happy to stay and visit longer if he’s feeling sociable. The joy that flickers across his face when you sit back down makes you feel shy all of a sudden.
You don’t talk very much though - he’s still coughing and he seems exhausted again. He smiles and thanks you quietly when you offer to get him some more water, or when you lean over and fluff the pillows propping him up. You sit in comfortable silence.
When he’s ready to sleep for the night, he rolls onto his side and stretches out his arm so his hand is palm-up next to yours. You lace your fingers together, and he squeezes your hand so carefully - whether it’s because he’s still weak, or if he’s trying to be especially gentle with you, it’s hard to say.
His eyes close and he starts to snore lightly, and he doesn’t hear your whispered promise to return tomorrow before you finally leave his side.
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While Belphie and his brothers are eating breakfast together the next morning, you put your breakfast on a tray alongside Beel's and head to his room. When you get there, he’s already awake and sitting up in bed. You can tell immediately that he’s feeling better - his skin doesn’t look as green as it did, and his eyes seem clearer and more alert.
He sent you a message earlier that morning asking if he could try some different foods today. You made yourself some oatmeal with cinnamon and chunks of poison apple; you sliced the rest of the apple for Beel.
You take your usual seat on the bed beside him and balance the tray on his lap. You eat a few spoonfuls of your own breakfast first while he reaches for an apple slice and takes a hesitant bite; when he manages to keep it down, he eats the rest quickly.
When he's ready to eat his soup, you pick up the spoon out of habit and he waits expectantly, opening his mouth when you bring each spoonful of hearty soup to his lips.
“The soup is almost gone,” you mention casually while he sips his ginger ale and nibbles on some saltines. “Two big pots doesn’t last long when it comes to feeding a bunch of demons.”
He has a bashful smile on his face. “I still can’t believe you went to that trouble for me,” he admits. He nods towards the soup in your hands when he’s ready for more.
“I was scared when I saw how sick you were. I don’t mind doing things like this for you, if it helps you feel better.” The confession feels intimate and you smile bashfully. 
He catches your gaze when the bowl is empty and he’s finished eating. The look in his eyes is startlingly intense, but when you think he’s about to say something, he shakes his head. 
“I’m still hungry. Is there more soup left?”
It’s the first time he’s asked for seconds of anything since he got sick and you can’t help the silly grin that spreads across your face.
“Of course there is!” You tidy up a bit and put all the other empty dishes on the tray. 
“I’ll be right back,” you promise when you head to the door. “Don’t go anywhere!” You wink at him playfully and rush off to the kitchen.
By the time you return with more food, Belphie is back from breakfast and stretched out on his bed. He and Beel are talking about him going to school next week.
“There's no need to rush,” you warn Beel gently when you sit back down on his bed. “Take a day or two off if you need it. I can always bring you your homework so you don’t fall behind.”
Same as before, you help Beel eat his second helping of soup. Belphie makes a surprised noise across the room but you don’t bother glancing over - you’re too focused on making sure you don’t spill anything on Beel or his bed.
What does concern you is the new flush spreading across Beel’s cheeks. Did he push himself too far this morning?
The bowl is nearly empty when you set it on the nightstand. You raise the back of your hand to Beel’s forehead, as pointless as that is - demons have different body temperatures than humans do. You have no idea whether or not his temperature is in a normal range, but you’re still concerned for him.
“I should let you sleep, I don’t want you to overdo it.” Beel looks like he wants to argue but you reach for his hand. “Take it easy. I promise I’ll be back with your lunch later, and you can text me if you need anything.”
You gather the bowl and turn towards Belphie who looks utterly amused for some reason. You wish he’d take Beel’s condition just a little more seriously. 
“He’s flushed again, can you make sure he’s not getting another fever?” you ask him. 
“Oh, I think he’s just fine,” Belphie muses with a smirk. You have no idea what that means, but you wave goodbye to them both and head to the kitchen to tidy up.
Once you’re gone, Belphie glances at his twin who is determined to avoid eye contact with him all of a sudden.
“So, how’s that ‘fever’ of yours, Beel?” Belphie asks innocently. 
Beel throws a pillow at his brother’s face with surprising strength.
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Despite your initial worries, that morning seems to be the turning point in Beel’s recovery. When you bring him lunch a few hours later, he’s sitting up in bed reading a sports magazine. You plate up the remaining soup and saltines, plus a generous portion of fruit salad. You set his tray on the nightstand so you can go back to the kitchen for your own lunch.
He’s already spooning soup into his mouth hungrily when you rejoin him. His hand isn’t shaking like it was before, and you’re so happy to see him acting more like himself. He’s not coughing as much now, and it’s enjoyable to eat a proper meal together again.
Beel makes quick work of his lunch. His face falls with obvious disappointment when you remind him that the soup you made is all finished. You hand him half of your sandwich in consolation - leftovers that Barbatos gave you yesterday - and he wolfs it down. 
By dinner time, Beel is up and shuffling around the house - a bit slower than usual, sure - but you’re amazed at how much better he’s doing. Belphie comes to your room to see you while Beel showers in the bathroom down the hall.
“This is typical for demons,” he tells you with a shrug. “Once the worst passes, it doesn’t take long for us to bounce back.”
“I’m glad he’s feeling better.” For reasons you don’t quite understand, or maybe you do but you don’t want to admit them to Belphie, your eyes tear up. It’s like an emotional dam bursts inside you, and tears start rolling down your cheeks.
You think Belphie’s going to tease you, but he wraps you in a hug instead and lets you cry into his shoulder. “He’s lucky to have you,” he murmurs. “I’ll make sure he doesn’t forget it.”
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House of Lamentation (8) Satan: How are you feeling tonight, Beel? Beelzebub: Better. I’m starving. Satan: It’s my turn to prepare dinner. Is there anything in particular you want? Beelzebub: A Gigadeath burger. Leviathan: LOL Beelzebub: With extra cheese. Satan: That’s not what I meant. Beelzebub: And a large milkshake. Beelzebub: Actually, make that two Gigadeath burgers. Satan: Forget that I asked. You: You should’ve known better. Lucifer: Indeed.
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Nearly two weeks after he had the flu, Beel is rummaging in the kitchen for something to make for dinner. He just got home from practice and he forgot it's his turn to cook tonight.
Any lingering symptoms of the Devildom flu have long since passed, and he’s back to his regular club activities. He doesn’t get sick often which is why the severity of his initial symptoms caught everyone off-guard. The first day or two are still a hazy blur of disjointed memories, but there’s one thing he does remember with clarity above all else.
He ignores Belphie’s teasing and not-so-subtle hints about you, and your feelings for him, and his feelings for you. Beel tells his brother he doesn’t want to misinterpret how sweet and loving your gestures felt when he was sick; Belphie tells him he’s an idiot and that he’s in denial.
Sure, you took care of him when he was sick, but only because you’re a thoughtful person. You made him food because it was a way to show him you care. When he saw you tear up on the sidelines of his first Fangol practice after his illness, it was because you were thrilled to see him back to his normal self.
You’re just a friend, Beel thinks. A kind, warm, beautiful friend.
But he secretly likes the way you spend more time in his room now, and how you invite him to the kitchen and teach him more about your favourite foods. You accompany him when he goes shopping for snacks after school. You always offer to share what you buy for yourself, and he does the same for you.
On a particularly warm day, he took you to a diner after class and ordered a large sundae for you to split. You didn’t notice there was chocolate lingering at the corner of your mouth. He pointed it out to you before he did something selfish like swipe it away with his finger, or his tongue.
You’re just a friend, he reminds himself more and more often these days.
Beel doesn’t learn until later that you agreed to a lunch date with Solomon in exchange for the ingredients you needed to make his soup. He spent most of that night complaining to his brother about that damn sorcerer taking advantage of your generous nature.
Belphie just smirked at him with a mischievous twinkle in his eye, and he suggested that Beel make his move before someone else does.
Maybe he is in denial.
His stomach grumbles hungrily and he has to shove aside thoughts of you so he can focus on making dinner for everyone. He checks the cupboards and fridge but nothing catches his interest. He’s starving, but he’s not sure food is the only thing he wants anymore.
He opens the freezer and notices a stack of containers he doesn’t recognize. They’re pushed to the back like someone was trying to hide them on purpose. He grabs one and stares at the label written on the lid:
Beel’s Soup ♡
He puts the container back in the freezer and heads straight to your room.
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The Demon Brothers (7) Beelzebub: Can someone cover cooking duty for me tonight? Lucifer: This is sudden. Why the change of plans? Beelzebub: I’m taking MC on a date. Mammon: Wait, what?! Satan: Have fun. Asmodeus: Aww, they’re so cute! ♡ Leviathan: Gross. Belphegor: FINALLY.
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Read more: Beel Masterlist | Obey Me! Masterlist
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aerodynamicentity · 10 months
Text
Dalien Howlter has been in my mind and that fuck isn't getting out!!!11!
Here. Headcanons.
He still talks with his bio mum once every month just to check in
His alien form doesn't really have bones so he can hide anywhere. That made hide and seek a very interesting and irritating game
He stole Dil's and Tabitha's emo phase clothes
He thinks he got away with it
He didn't.
Dalien makes fun of Dab's phases and Dab makes fun of Dalien's emo phase
His hyperficsation is biology
He fucking loves it
Pretends to hate how dotting his parents are, but he loves it
He's aroace. At least he's on the spectrum
Hangs out with the weirds and/or quiet kids that don't have friends since he knows how it feels to feel different
Listens to MCR religiously and Tabitha couldn't be more proud
His playlist consists of 2000's and early 2010's emo songs
With the occasional indie-pop song
Doesn't use his alien form often because of how much he has to be outside
For a long time he hated the fact he was different and wasn't biologically both of his parents kid. He tried to dye his hair when he was very young because of how little he looked like the rest of his family. Dil found him crying in the bathroom with badly dyed hair and everything stained.
It took a while, but Dalien calmed down and they talked it out. Dil reassured that they both loved him just as much, that they didn't care that he was an alien or that his human form doesn't look like them.
Dalien still dyed his hair, he told them because he just wanted it black, but something in Dil knew he still hated the fact he looked different.
Hangs out with his club a lot after school (Tabitha makes snacks)
Dab thinks Nuki loves him more, Dil, Tabitha and Dalien know she likes Dalien more
Despises the taste of cheese. He can and will freeze ray it.
He sits on the kitchen counters a lot, as does Dil
Wasn't freaked out with the de-aging of his parents, don't get me wrong it was weird, but not much of surprise since his mum told him about it.
He can float, so he sometime's unconsciously starts floating
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codemiracle · 11 months
Note
Can you please tell me the backstory of the ocs...they are so gorgeous omg...thank u !!!...
My first ask... omg....!! (tries to seem calm about it) Thank u for asking!!! I'm glad you like them :((<3 The backstory of my ocs is still mostly a wip even to me (i change my mind often about things, especially when my mind fixates on different topics) But I can tell you more about the two ocs in this post here. tw: mentions of death, stalking, unhealthy behavior, dark stuff overall, and mentions of self-harm on Yuuta's part. (All of the images used here are CGs for the game.)
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Yuuta is a deeply troubled person. His mother died when he was very young and he's been dealing with the loss of literally his only parental figure since (his father is literally the leader of a pyramid scheme cult and doesn't know about his existence) He despises how fragile humans can be and since then he tries to understand his own mortality through inflicting pain upon his own body. His mother died due to an illness he also has, an illness that causes parts of his body to suddenly get badly bruised or bleed without warning, his blood is really thin so stopping bleeding is hard for him too. He eventually finds some escape from his solitude exploring his darker side by meeting the MC (the character you control in the game) He gets deeply obsessed with them since he finds that inflicting pain on them (don't worry it's all consensual) is more relieving than doing it to himself. He loves the feeling of power it gives him, the feeling of a life hanging in between his fingers. And this time he won't let go so easily. He might be a little bit of a sharp-tongued person and sometimes can seem pretty harsh with people and even the MC, but it's due to the fear of losing someone again. When he really really gets into you he won't let you go, that's for sure. He can't let go of someone again.
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Yotsuya it's quite the opposite of Yuuta, he doesn't hide his true feelings behind a mask of hatred and coldness, instead, he's a more shy but polite person, much more pleasant to be around tbh. But don't let that fool you. He has his own inner turmoil too. He's been following the MC for a while now (for unknown reasons) and seems pretty fixated on them, taking the same train as them after work, trying to make small talk as they bump into each other in conveniently the same places. He's always stressed from work, often you can find him just crying outside his workplace while he smokes (like in the drawing) or standing eerily quiet in the dark of night in the middle of the street. Not much is now about Yotsuya, but the fact he truly despises cheaters, often making remarks about cheating culture and hating on people who cheat on their partners. He seems to know the MC from somewhere else but refuses to say where they met the first time. Doesn't seem to have any connections or family, living alone in some simple apartment. I can't tell you much about him because I want you to discover who the "True" Yotsuya is (that's the point of his route.) But I can tell you, this guy isn't anything like it seems, he's quite the opposite of his sweet and shy persona when he's inside his home. That's his place, his playing field so to speak. He's no longer the meek office worker, but his true self.
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Sorry, that was so much text.... and I feel like I didn't say anything interesting... feel free to ask if you need to know anything else!
<3
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lazywrites · 4 months
Note
Hey I was wondering if you could write a piece about my OC Dina Khoury x Kurt wagner, I'll be giving her info in jot note from because that's my best way of doing it.
I wasn't sure which info would be useful for whatever you plan to write, but ig having the whole picture helps
-Dina was born to human x-gene carrier parents, a Palestinian mother and an afro Egyptian father. She also has an older brother who tormented her as a child.
-she was born into a strict religious household(Christian) and suffered spiritual abuse because of them, being shamed often(religion is a very spiky topic for her because of it but it doesn't effect how she feels about Kurt)
-she ran away from home at 10 after discovering her powers, which unfortunately lead to her being snatched off of the streets and thrown into mutant fighting rings.
-she has scars all over her body from these fights and feels sickened looking at them, for some reason her powers can't get rid of them.
-after escaping the ring she was discovered have dead in the street by Magneto and her took her in as his daughter.
-dina believed in magneto's cause after hearing about it and reflecting on how she doesn't want to continue experiencing like the way she has been as a mutant, why should she settle for being tolerated?
- appearance wise Dina has dark skin, dark brown(almost black)eyes, and light blond 4a texture hair thats in a different style almost every day.
-she loves wearing hair accessories like loc charms and jewels hanging by gold twin wrapped around the ends her braids/locs, and she wears purple all the time with different shades and color pairings.
-she's trans mtf and used her reality manipulation abilities to make the physical transition easier.
-She's funny, asertive, intense, and will go above and beyond to protect her loved ones, usually violently if the situation allows it; she's very adamant about the rights of mutants and is not going to be undermined in anyway shape or form much like her adoptive father.
I hope you like Dina and I hope you can come up with an interesting fic idea for her and Kurt. If you have anything you wanna ask me about feel free to message me😊😁
I had a lot of fun designing this character, and she's got such an entertaining backstory as well, i'm inclined to draw her later sometime again
sorry for the delay this week has been especially busy, if anyone else wants me to design an outfit for their OC just send an ask, i love drawing superhero outfits so much.
You are free to color it how you like, i don't know which colors you would've wanted her outfit to be besides the jacket, thanks for telling me her story!
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Also she's into this weird little guy idk why lol
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winterlogysblog · 6 months
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4KOTA FANFIC
Note: I wrote this on a whim so it may not be good, but please enjoy
"Sin, what's wrong?" Nasiens asked, wondering why the small pink fox stopped walking.
Lancelot shook his head and started walking again. "It's nothing, I just remembered something, it's not anything you have to worry about."
He looks like them, the similarities are uncanny. He didn't think of too much in the looks department at first, it's just a coincidence he argued to himself but as days passed by he's sure of it... Nasiens... Nasiens is his cousin. He's the child his Uncle lost a long time ago, an event that tormented his heart and soul to this very day. Sometimes, he considers his heart reading to be a curse simply because he can hear everything, he can hear all the things that he shouldn't hear.
"Anne should calm down now." He changed the subject as quickly as he could.
"Yes, your method might be questionable but it certainly made her let out all of those feelings." Nasiens nodded. "Besides, what happened is quite unfortunate, losing his daughter like that."
Lancelot stayed silent for a while before hopping into the topic that would hopefully lead to his desired conversation.
"What about you? We're told that your grandfather found you in the Gorge, ever wonder about your real parents."
"I don't think my parents care about me anyway, they wouldn't abandon me like that if they did," Nasiens answered, glancing at Sin and wondering to himself what made the fox so chatty today.
"You're so sure about it, why is that?" Nasiens picked up a sudden shift in Sin's tone, it's like he's hurt.
"It's just... I can't help but think that they don't want anything to do with me. I mean, they left me in a forest, they probably think I'm already dead."
"Nasiens... Ever heard of a changeling."
"A changeling???"
"It's a ridiculous 'prank' that some fairies like to play where they would switch a fairy baby to a human baby, the Fairy King banned this practice, however, there are always some thick-headed miscreants who are too stupid to listen."
Nasiens gasped. "That's horrible!!"
"I know." Lancelot nodded.
"But, what does that have to do with... Do you mean to tell me that..."
"Don't jump to conclusions yet. I'm not certain, but it's a possibility."
"But, the others didn't tell me anything about this."
"They most likely didn't think of it that way," Sin answered.
"Then, why did you?"
Sin deeply sighed. "It's your magic... Mix Venom, it makes you completely immune to poisons right?" Nasiens nodded in response
"Immunity to poisons is rare in humans, it's commonly found in fairies though, and also one more thing... your scent."
"What about it?" Nasiens fiddled with his fingers, his curiosity about what Sin had been talking about turned to nervousness.
"A faint natural smell of Jasmine, quite interesting for a human."
"It's just a hunch, but you may just be a fairy, my friend." Sin chuckled. "But, what do I know!! It's your choice if you trust me or not."
Nasiens lowered his head. "The fairies in the forest also pointed that out when I was young but... I can't be a fairy!! I can't even fly or have wings!"
"Flightless fairies are surprisingly quite common, and as for the wings... I've been told that the Fairy King was once wingless."
"Sin... what exactly are you trying to say to me?"
"I dunno, like I said it's a hunch, you're found in a forest filled with fairies after all. It could be that your parents just lost you because of this stupid prank, fairy or not."
Nasiens smiled a bit, he didn't understand where it came from but he couldn't help but be glad at the idea of it. But a small thought did cross his mind.
"How do you know all this?" Nasiens asked.
"I'm acquainted with the Fairy King, he's quite knowledgeable about a lot of things."
"Really?! That's amazing!!"
While they're in the conversation of Fairies, Nasiens asks Sin a few things.
"What is he like?"
"Who?" Sin turned to Nasiens.
"The Fairy King, what is he like?" Nasiens asked.
Sin smiled warmly which Nasiens never thought was possible. The fox hopped up and rested on Nasiens' shoulder. "He's the kindest King I know." Sin started talking.
Nasiens smiles as Sin talks, seeing him like this makes Nasiens look at the creature from a different angle, Sin seems happy and cheery, Nasiens doesn't expect the ever-so-serious fox to laugh and giggle as he tells these stories.
"You seem to be more than acquainted with him you two seem to be rather close, for you to act as you do."
Sin chuckles. "I'll probably introduce you guys to him someday."
"Okay, you don't have to go that far." Nasiens sweated nervously.
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dcxdpdabbles · 8 months
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I recently had a dream that wouldn't leave me alone so I feel the need to share it with someone else.
I can't remember the name of the fic that had been rereading at the moment but it's a crossover DC/DP/MLB. In the fic Danny, Damien and Marinette are called the three headed beast. At the time I was also reading a fic with Captain Marvel and I got it stuck in my head that what if Danny, Marinette and Billy were the three headed beast and Damien was their baby sibling.
Like hear me out they were made by Ra's without even Talia knowing. He wanted to raise his potential heir without even his daughter interfering. When the three are about 7 some magic bs with a Lazarus portal happened resulting in them living in a separate dimension for decades away from Ra's before being de-aged and sent bad under their grandfather's thumb (honestly I don't really remember what happened, my dream confused me). Once back they quickly jump ship and fake their deaths making sure nobody's are left to try and revive.
Roughly 2-3 years later Talia had Damien. I don't remember why but he knew about the triplets and had been on multiple family bonding trips with them without Ra's or Talia knowing so when Tim said Bruce was alive he just said ok, called his older siblings sounding sad and said find him. And then I woke up (and thought about it a lot).
Sorry for the rant this idea just wouldn't leave me alone.
I can just imagine Phantom and Marvel being entirely different people. Like Captain Marvel doesn't happen until after leaving the league neither does the portal incident so both Phantom and Marvel are completely different heros. The three went their separate ways once out of the league, yes they love each other (and the baby sibling they occasionally pop in on and kidnap for a few weeks to month to for adventures in dimensions that have different time flows) but they are grown adults they have their own lives they want to lead and they definitely haven't needed a parent in decades.
Anyways I'll stop now I just need to share this.
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That's honestly such a cool dream. I don't read a lot of Miraculous Ladybug crossovers with DC but I do know the show.
It's interesting how all of them would be extremely powerful for their respective hero personas, but no one would link them as the Three Head Beast.
Also since Danny and Billy would be different heroes, I like to think that maybe Danny would have become more like a meta-human instead of a halfa. Maybe it was due to all his dimension-hopping as I can see him being the triplet that would enjoy exploring the Infinite Realms.
Danny has wanders lust- he hates lingering in one place too long so he is always on the move, always wanting to see new worlds and new timelines.
Maybe he would become Clockwork's human lesion as he can't be King. He happily goes to the living realms of the timelines Clockwork needs him to observe for the stars.
Danny believes the stars are a reminder of his freedom because it's one of the first things he saw the day they faked their deaths. He loves seeing new constellations and can't wait to jump lines again to discover new ones.
Billy meanwhile would fall into Magic again but this time it would be his own magic. He has the highest potential in magic to make him a candidate for the Wizard, but his past of being in Ra's thumb mucked up his purity soul bit.
Still, he finds out that "You're a Wizard, Billy" while traveling dimensions and unlike Danny chooses to stay in a lot of them for long periods just learning all he can of magic.
Marinette, unlike her brothers, is much more willing to stay in one place. Yes, she'll sometimes join them on trips or go looking for an adventure but she wanted to build a home. Danny and Billy see it as a cage, far too used to Ra's locking them up to not get itchy to move about, but she saw it as having control.
She picks her house. She picks the dimensions. Marinette is the one that decides when and where she wants to go. Nothing is bigger "I made it out. I survived you" then staying in their native dimension with Ra's on the other side of the world. If he finds her and tries to bring her back, welp she escaped before she can do it again.
But she didn't want big adventures or conflicts with Ra's, she was comforted. So Marinette opens a bakery in France, living as mundanely as possible but with years of deadly training under her skin and a strong link to Spirits.
Marinette didn't get her Kawami when the Guardian needed to pass them on, because she wasn't there, but years of Lazarus Water, Ectoplasim of the Infinite Realms, and just her aura she can see them.
Alongside thousands and thousands of Spirits that are everywhere. Some get attacked by her and her little bakery. Marinette allows them to live with her and respects them and their domain, so it's not really a surprise when they start bestowing small Blessings on her. She may not possess a miraculous that powers her up but she has a bag of tricks that are close and her own training that practically makes her a miraculous holder anyway.
And that's them the three heads of the Ra's Three-Headed Beasts- monsters, killers, weapons from birth- who lived on as what they wanted.
An explorer with a love of stars.
A mage with a love of study.
A Baker with a love of everyday life.
One day, when a little ninja wanders into Marinette's bakery on a break from his first real mission, the three gain a new love for their little brother.
Damian may not understand his older siblings desire to not be a cape but he respects them all the same. He still trains every day in the hopes of one day besting them but not to prove his worth.
Only to make Danny, Marinette, and Billy proud.
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imaginebetterfutures · 10 months
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I'm back with another sculpture! To be completely honest, this one was a real struggle for me to work out, idea wise. I love working abstractly (see earlier pieces!) but for this one our prompt in class was "objects and identity." We were asked to cast an object from life, and use it to speak to some aspect of ourselves that we want to explore. Not only am I an extremely closed book (pour one out for my therapist) but I'm also really not that interested in replicating objects?
So... I sort of cheated. This isn't *really* a cast of VHS tapes (although I did try to do that, and it failed miserably) but I'm still pleased with the outcome. Sound on for what I think is the best part — the pleasing and/or sinister snick snick snick sound of the tape unspooling and piling up.
If you like long, corny artist statements, boy howdy do I have one for you!
~~ GEODE ~~
My day job is as a journalist, and while I find a lot of the posturing that journalists do about our role as storytellers to be pretentious and often egotistical, I also can't deny that I got into this because I love to see into people's lives. Why do people do what they do? Why do we make the choices we make? How did we get here, as individuals and as a collective?
Much of journalism is about the big moments — wars and chaos and game changing plays. But those don't come out of nowhere. They come from a history, both personal and communal. We are products of our childhoods, our cultures, our teachers, our parents. We come from places that have smells and sounds and textures. And we document those things — and here I don't mean "we" journalists, I mean "we" as people. Humans have, for our entire history, recorded ourselves in one way or another. We write on walls, we tell each other stories, we come up with words that have deep meanings that stretch back into time.
Some journalists see their job as speaking truth to power. Or telling the important stories in the face of chaos and misinformation. Or staking a claim to truth, and defending it. All of that is true, of course. But when I think about my job I don't think about those things. I think about excavation. About telling the story in such a way that you can feel the texture of the people in it. I think of stories like geodes.
Do you know how a geode forms? They start with a volcanic eruption. Lava flows from a hot, angry vent, and mixes with the gases in the air. Most of the time, those gases don't stay put — they escape into the air and go off to become the wind in your hair, or carry pollen, or sweep under a bird's wing. But sometimes, bubbles of gas can't escape the boiling weight of the lava and become trapped. As the lava cools, those bubbles remain. It is only then — held tight and encased in cooling rock — that the crystals characteristic of geodes form.
There is something sad about opening a geode. It can reveal a great beauty, but it is also inherently destructive. You are taking a hammer to something hard and protected and asking it to open, to be seen, to be commented on. Not all geodes want to open. Not all geodes should be opened, perhaps. Not all geodes are beautiful inside. How do you know when to break one, and when to leave it be?
Once you break a geode, you open the crystals up to damage. UV light can bleach the colors inside and the oils on your skin can slowly eat away at the glittering growths.
I think a lot, as a journalist, about the stories that we lose when people die. The small things that they knew — the color of a lover's hair, the name of their neighborhood dog, the true identity of a soldier — that go to the ground with them. I have to stop myself from buying home movies when I see them at garage sales and thrift shops — each one, to me, a geode. Inside they might contain nothing, or everything. Wrapped tight in metallic film they recorded things people thought were important, things people wanted to remember. Trapped in plastic and now, broken open.
My piece is a VHS geode. I have broken it, and it is unspooling, and we are forgetting. It is beautiful and terrible all at once.
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moodymisty · 1 month
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Something i find very interesting about the Horus Heresy is the general absence of female influences. The core characters are all male, and conduct themselves in typically masculine ways. Excepting the general absence of libido, (most of) the Primarchs are pure manliness.
I find this dynamic very interesting. Men behave differently towards each other when women aren't around to observe them. Sometimes this is positive (e.g. brotherly affection), but sometimes it's negative (e.g. resorting to violence as a means of conflict resolution). The same is roughly true of women when men aren't around, except that women exhibit different behaviours (e.g. cattiness rather than violence).
If you have mixed group of men and women, the two sides tend to temper each other. Men break up female conflicts, and women break up male conflicts. Likewise, the presence of men motivates women in unique ways, and the presence of women motivates men in equally unique ways. This motivation isn't always positive (e.g. a woman could spread malicious gossip about her romantic rival), but it can certainly be positive in many cases.
This isn't a hard rule, as everyone is different, but it's a tendency i've witnessed. Men and women affect each other just by being around each other. It's just human nature.
On this basis, then, the Horus Heresy is interesting because it essentially represents how men react when there aren't women around to temper them. Lots of ego clashes, lots of petty one-upmanship, lots of violence, and very little consideration given for anything other than dominance. Even though there are certainly respectable female characters present in 30k, many of whom influence the Astartes and Primarchs around them, they don't play any tangible role within the politics of the Legions, and there is no female equal to the Primarchs whom they would have reason to listen to. They are all "mortals", and therefore not of any great concern to most of them, even in the best of cases.
(For the record, i'm not arguing that masculinity is inherently barbaric and ego-driven. I'm just saying that such is the "dark side" of manliness. An example of the "light side" of manliness is chivalry, which - you've guessed it - is partly motivated by the presence of women.)
In essence, the Horus Heresy is - to me - a story about what happens when masculinity is left to run rampant without a female voice present to call out all the shitty behaviour, and make the men feel bad about their childishness. It's basically like Lord of the Flies, but the fate of humanity is at stake. That's what makes 30k so tragic and engaging; it's all so avoidable.
The closest thing the Primarchs have to such an influence is The Emperor, who fulfils the role of a father figure. Although patriarchal (fatherly) figures are necessarily judgemental and punitive when necessary, it's not the same as being scolded by a mother figure or a spousal figure. Being scolded by Dad feels different to being scolded by Mum, or by your wife. With the exception of Guilliman, mother figures are not present in the lives of the Primarchs, and it reeeaaally shows. Also, the Emperor is a very absent parental figure to the Primarchs, meaning that they're mostly left to their own devices despite behaving like teenagers. This is another reason why 30k feels like Lord of the Flies.
Now this is purely speculation on my part, but if the Primarchs started getting married off to stable and well-adjusted women close to an equal footing with themselves (say, powerful perpetuals), the women would be a positive influence on them, and the Horus Heresy would be much more mild, if it happened at all. Sure, you might get different stories (such as Horus being deceived by a daemon disguised as his late wife), but that's not what Warhammer is about. Warhammer is about big men/robots/aliens hitting each other for assorted reasons, and the tempering influence of women would detract from this, in some areas. So... No wish fulfilment dreams for us :'(
I love the idea that the HH never happens because a few of the primarchs actually got pussy.
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noveratus · 1 month
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I just watched Fairly Oddparents a new wish, and here are my thoughts.
I love this show. Genuinely, this is my probably my favorite reboot/sequel show that I have ever watched along with Fiona and Cake. It is fantastic and if you have not seen it yet, I recommend you do.
The best way to describe this show is that it feels like someone took the concept of Fairly Oddparents and applied it in modern times, and it works so well. The original show was wackier and full of more hijinks, while this show follows the trend of modern cartoons being more mature, with characters feeling more realistic and human. Yes, there are still plenty of cartoon shenanigans, it is very funny, but it is also so good at writing characters. No longer does it need to rely on over the top cartoony satires. It uses its modern setting and its realism in its favor, blending it with the shenanigans and magic that the show is known for.
I have seen some people say that Peri is the only good thing about the show and I couldn't disagree more. Yes, I do think the show is stronger in its second half, once he appears, however, I think he is alright. To me, the real star is Hazel and her relationship with Cosmo and Wanda as well as her own parents. It is so refreshing to see genuinely good parents trying their best, but who sometimes screw up instead of idiots who treat their child as trash. Dev is also a highlight, he is a very deep character for a show like this. But yes, I love that Hazel feels like a character more mature for her age, because that allows her to have issues that relate not only to kids, but adults too. It is incredibly smart. And those are the best episodes, the ones where things that things that are actually important, like dealing with anxiety (which is explored several times in the show), learning to appreciate your age, and accepting who you are are beautiful.
The first part does have the slight issue of having episodes whose main purpose seem to be introducing new characters to potentially explore them later and very little more, but those are just a couple of episodes and they do learn pretty quickly how to mix character introductions with life lessons. It is an overall brilliant show.
There were some episodes that were a little boring to me- or rather random since they didn't really deal with any characters learning anything truly, but if the writers were having fun with their concept I don't mind.
I think that my real biggest issue was the last episode of the show that felt a little rushed with Dev and Irep just taking over Fairy World like that and then getting it back felt too easy, but I won't complain too much. Having Dev lose Peri after he said he cared about him, the only thing Dev really wanted hurt. It does lead to the issue with fairies, because, for Hazel, losing Cosmo and Wanda will be sad, but she still has loving parents and friends, and even her teachers love her. She will be fine when the time comes. But Dev is in a similar spot as Timmy, where their fairy is all they have. That's their entire family and you will take that away from them, potentially leaving them to end up as Crocker.
I wonder if they will explore that at any point. I have hope. Speaking of exploring, I do hope that we see more of the side characters, like I would love it if Hazel took a step back for a few episodes and let Winn shine (fuck yeah, nb rep), or another one of the kids or even Cosmo and Wanda. I do want to know how they feel about their retirement and their relationship since it is so much better than it was before. They are a genuinely great couple in this show and incredibly funny, too. Their love is contagious.
Now, for ships, because so far I have seen some, uh, let's say interesting ships for this show, and yet, I have not once heard the mention of what is my personal favorite ship (which is technically a crackship but shhh) and that is Peri X Anthony. Anthony is shown to maybe be having relationship issues, and I think Peri is incredibly queercoded, not to mention, I think they would really get along. Also, Anthony is the only adult who can't forget fairies. Here is my fanfic: together, they create a place to help people who lost their fairy godparents and have no one left, much like how Timmy was most likely left when we last saw him. As for what happened to Timmy, I'm honestly not too fussed about him. If they want to bring him back, I hope they do with the intent of developing him further rather than just a cameo. And even then, I think that it would be far more interesting to bring back other characters first, like Trixie or any of the female characters who were done so dirty in the original. But if I had to bring him back, I'd do so by having him be working for AJ as a paranormal investigator. Much like crocker, he never grew past his fairies, but he knows how to mask it better. Deep down, he is trying to fill the hole he fills he still has deep down, which stops him from fully growing. That's just my fanfic, though. For now, all that I ask is more focus on the side characters.
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