#It kind of resonates with you

[giftboxxworld]

So I was in the middle of practicing entropy (chemistry lol) and I pondered… I’m scared for the future of this nation (I’m from America), and honestly I sometimes feel a very sad feeling, that feeling of doom over circumstances you tried to control and fix, but couldn’t. And especially how it’s affecting people. And it makes me feel so, so sad..

Here’s some drawings of Peppino feeling this way

Like and or reblog to give Peppino a warm hug and his favorite snacks

He could really use some love and comfort right now.. poor guy.

[luguangs]

though the movie might be cancelled, yuri on ice will live forever in our hearts. thank you yoi fandom, it's been real ♡

[noodles-and-tea]

i love your art SO much!!!! it reminds me of eating candy at a sleepover :D

could i maybe request teen reddie?

Miss the dorks

[vaguely-concerned]

purple hawke who, at malcolm's death, lost not only a father, a mentor, the single most stable and safe point in their world up until this moment. but also the only person in their life who would consistently, gleefully 'yes, and — ' them. the loss, in one fell swoop, of both a beloved parent and your sole willing — no, not only willing, enthusiastic — improv partner. truly, the most unkindest cut of all that the maker could have seen fit to deal. (there's always so much less laughter in the house, after malcolm's gone.)

and then after all the horrors of the blight and trying to make a new life in the shithole turned shithome of kirkwall....... they meet varric. and something that's been slumbering deep within their soul dries a tear of relief and joy and whispers 'oh we are so back'. and they are so right

[poorly-drawn-mdzs]

Remember: The burning sensation is part of the process.

[genericpuff]

Hello! I'm someone with autism (and I'm suspecting ADHD too) who's planning multiple projects. Do you have any advice when it comes to overthinking a lot about decisions on a project? Be it the first step, planning, questioning if you're moving too fast, etc?

ouuuu I think the biggest thing I struggle with personally is just like... the overbearing weight of expectation that isn't necessarily even there. Like, expectation to do everything right all the time, to never make mistakes, to never fall through on promises, to never break any 'rules' (real or imaginary) and most of all, for everything I do to matter in some big, recognizable, memorable way - but the steps to that goal aren't defined, I just know what the goal looks like, with no clear path as to how to get there, and so it often results in me aiming at my own "best guess" and then beating myself up for not hitting the target LOL which is completely unfair to myself and my own work!

What I try to regularly remind myself of is that I am one person, who is only capable of what one person should reasonably be able to accomplish on their own, no matter how much my auDHD tries to convince me otherwise that I "should" be able to handle more than what's reasonable. And in that same sense, there isn't any more pressure on me to put out something perfect than there would be on any other person. I am not Atlas carrying the fate of the greatest work known to mankind on my shoulders - I'm a chronically online dweeb making stuff that's interesting to themselves and sharing it in the hopes that even just one other person will like it too. That isn't a diss on myself, that's me embracing what I am so that I can keep doing it better and more confidently each time.

Though I don't know if this exactly applies to you, I'm gonna say it just in case: I know when it comes to balancing multiple projects, it can be hard not to go "oh well I SHOULD be working on xyz!" but at the end of the day, you're not a failure for preferring to work on something else or needing space from projects that used to thrill you and have now become monotonous. In fact, it turns out that's how it is for most neurotypical people too! I know they make a lot of shit look easy, but even they have shit they loathe doing - they just don't have to deal with the unique hurdles of being neurodivergent.

Always remember to set boundaries with yourself and your work. Remember, just because you're really excited to work on something, doesn't mean you have to work on it all the time. I've learned to appreciate those moments when I'm stuck doing my day job and I'm excited to get home and work on my passion project, because it means I can actually look forward to it and it'll feel all the more rewarding when I finally get to do it! Pushing yourself too hard to fulfill that excitement all at once right off the bat often just means you're gonna spend it all way too quick, and that won't feel good because then you'll be left wondering where all the love went.

Set little goals for yourself. Stuff that's manageable and achievable within a reasonable amount of time. I know we tend to dive into thinking huge right off the bat, because that's what's exciting to us, but when it comes time to actually do the work, those smaller goals can keep us moving forward far better than the big, far off, ambiguous goal hiding somewhere off in the horizon. While it's good to plan ahead, not setting smaller milestones for yourself can burn you out faster because it's really hard to work towards an "end goal" that might be too far away for us to even conceptualize. The small goals allow us to reward ourselves along the way, and they do ultimately still build up to the bigger picture in the end, even if it feels like we're "not doing much". It can be anything like "get to this chapter that I can finish in the next few weeks" or "fully write out this scene that's been living in my head rent-free".

As for the overthinking... yeah, I wish I had some magic solution to that, but it's really just about learning what you enjoy doing vs. what you don't, so that you can have confidence in knowing when your creative decisions suit the project you're working on. This is something that gets better with practice and experience, but I feel like it's better tackled by reminding yourself that any project, no matter the outcome of how popular it gets or whether or not it "takes off", is an opportunity to learn and grow. Treat every project as a learning experience and you'll hopefully find the process itself more enjoyable, which will subsequently buff up your confidence. It's all a process of honing in on what works for you, what you excel at, and what you enjoy doing; while learning what doesn't work for you, what you could improve at, and what you don't enjoy doing.

Finding a writing buddy or someone who's willing to read your work and give you feedback is super helpful for this, too, because sometimes it takes another perspective to help us navigate the fog of indecision and find a solution.

And again, remember - you are one person, and you are under no obligation for any of your projects to be some perfect, infallible holy grail. You will write stuff that you will inevitably look back on with disgust and cringe. You will create projects that you will eventually outgrow or move on from. That does not invalidate the time and effort you put into those projects - it's proof of experience and growth. Embrace the growing pains, find peace in the process in whatever way you can.

It's not a question of right or wrong - it's asking yourself what feels true to you and your voice, and finding out along the way.

[quadrantadvisor]

Alright new Jason Todd headcanons in a dpxdc setting:

Danny is a "liminal" ghost, rather than a "half" ghost. He's alive and dead at the same time. (He's like Jesus Christ (in the church denomination I grew up in), fully ghost and fully human.) Danny, in human form, can go through a ghost shield, because he IS a living human.

Jason, however, is a reanimated corpse. He isn't a ghost, wouldn't have a ghost core, etc, he has a normal human system that runs ON ectoplasm. Jason CANNOT go through a ghost shield, because he is always an ectoplasmic entity. Danny can go through the Fenton Ghost Catcher and be split into a ghost and a human; if Jason went through the ghost catcher, he would straight up die.

(For my purposes I'm gonna say that Jason became an ectoplasmic entity upon his resurrection, but wasn't very stable. Dunking in the Lazarus pit stabilized his system but also poisoned his ectoplasm.)

I do think that Jason could learn certain ghost abilities if he learned to harness his ectoplasm, especially if they detoxed him off the Lazarus waters. He's probably already enhancing his stealth and strength in ways he hasn't really noticed. I think he's held back by the amount of physical matter he's lugging around, so maybe he couldn't fly, but I'm imagining temporary invisibility, or intagibility of like, a limb at a time. Maybe he can't walk through walls, but in a fight he can dodge by instinctively making the targeted part of his body intangible.

[clockworkvampyre]

good morning here are some things that i just never really got around to posting

[birdricks]

thinking again.

[bochedogmeat]

Hi F451 tumblr. Can i go on an insane ramble. Montag is kind of just like the hound. Montag hound allegory 100…. Both because All We Put Into It is Hunting Fighting and Killing What a Shame If Thats All It Will Ever Know but ALSO i just know Beatty loves that damn hound. I can see him kneeling before it in my mind’s eye, lovingly adjusting chemical balance and making sure its joints are oiled and move comfortably, shining its exterior, cleaning its led eyes, taking it with him on jobs, slip lead held loosely around its great accordion rubber neck, giving it rats and mice to kill by hand, stroking that great chrome head with tenderness and adoration unbecoming of a man of Beatty’s status, and is Montag not his own hound? His best man? Does he not lovingly feed him books to destroy? Lies to believe? Did he not train him, build him in his own image? What love beatty feels is like how a god feels love, it’s retribution, punishment, ownership, in a way. Montag is his Hound, and does Beatty not take excellent care of his hound?

[fallingtowers]

there's a genre of youtube video where people do deep-dive analyses of scenes from movies, like talking about camera angles and shot composition &c and the techniques the filmmakers are using and how they relate to the movie's themes/plot/&c. and every time without fail if you go into the comments you'll find some dork being like "i guarantee you've put wayyy more thought into this than the people who made this movie did 🤣🤣"

and obviously this kind of "sometimes the curtains are just blue" point-blank refusal to engage with the material on any level but the most superficial is annoying because it's boring and anti-intellectual and all but. it also just bothers me because i think it speaks to a complete lack of understanding of the kind of timeframe most creative work operates on. like making a movie from start to finish is a multi-year endeavor i PROMISE you every last little detail of the production has been considered at SOME point by SOMEONE involved

[julykings]

having insights etc

[itspileofgoodthings]

I don’t even fully know why but “what do I do when I miss you so much?” / “Just wait, and pray desperately” was a knife to my heart in the best way.

[beloved-child-of-the-house]

i stand with you in the face of a defensive misunderstanding of what critique is.

i think understanding what a critique actually is is a skill that increasingly is not taught. i remember going through freshman art courses feeling the frustration that all negative, nasty, unhelpful, and missed-the-point-entirely feedback is so commonly conflated with critique, and then critique gets a bad name because everyone remembers the time someone said their painting looked like an asshole (true story, altho now i think i would take it as a compliment) instead of the time a teacher or friend or classmate helped them uncover a hurtful bias or think of new ways to explore the same idea or how to connect it to related ideas or how to look up and understand other people's ideas on the same topic.

anyway i think you're great.

ahhh you're so kind to me!! i appreciate your support, and i think you are great also.

i have experience with giving and receiving critique as a student myself, and i think it was the best part of my degree! i majored in creative writing in college, and critique was just a generally accepted part of learning to become a writer. i don't even remember people being especially worried about receiving critique on their work. we had guidance on what kind of feedback was useful, but we were still at liberty to give it as we saw fit as like messy 19 year olds. the standard was that we gave it both written on printed copies of the work AND aloud in front of the whole class, and the writer receiving it was not permitted to speak during the critique. understanding how people are perceiving your work is important!

i don't have any particularly negative recollections of the critique process, although once in a high school writing class, the boys in the class told me that my male characters touched each other too gently and real boys are more rough with each other. in particular, they took issue with me writing that one boy nudged another. nudging is too soft. nudging is for girls. that was more than 20 years ago, and i still think about it sometimes because it was such an interesting perspective! i did not take their advice, though.

i should dig up that piece and see if it reads queer in any other ways. i think that's what they were getting at. (actually i once had a non-fiction class tell me i was in love with my roommate after reading an essay i wrote about her)(i did not listen to that advice either, but having 12 acquaintances tell you that you're gay in 2006 before you realize it yourself is Truly Something!)

i think people have conflated criticism and critique and think that being more openly analytical is the same thing as being negative. but analysis is so fun to me! analysis is why i joined fandom in the first place, and it's why i write fic! can we trust each other to be respectful and to speak in good faith even when we're not singing each other's praises? for me fandom would be better if we could.

oh i also want to clarify that i don't think it's impossible to demonstrate that you've thought deeply about a piece of fanwork while remaining completely positive. people do it all the time and do it very well!

i know i sometimes have tunnel vision wrt my own perspective. in a lot of situations, i wish it were more acceptable to be more direct, and i know people sometimes find the way i express myself to be kind of shocking. i know a lot of people like to be spoken to more indirectly than comes natural to me, and i don't mean to imply that my perspective is the only correct one or that there's no good reason to err on the side of gentleness/politeness in our responses to amateur art and writing. i just think that at a certain level of circumspection, it feels like we're all holding each other at arm's length.

i think for people who can't bear to feel exposed, making and sharing art is always going to be painful and difficult, and maybe too painful and difficult to enjoy the process unless they're sure of a soft landing. but like. the rewards of being loved only come after the mortifying ordeal of being known, right?

[kaelidascope]

Saw this tag and wanted to assure possible readers that I am super super careful about pre-warnings! I have this note tacked on explaining how I manage overly sensitive content at the start of the fic;

Most of the tags come from off-screen mentions, implications, or said in passing by the characters. Any and all actual depictions of the graphic tags are skippable and isolated in their own chapters. I'd say this one focuses more on artistic depictions and symbolic imagery versus actual dead dove - do not eat. Sometimes one is harder to stomach than the other, but rest assured it's not terrible <3 But it's totally fine if themes like that in general are not up your alley! If you want to give it a try tho, I go overboard with pre-warnings of every chapter

some examples of what they look like;

[invinciblerodent]

anyway, I really, really love how, if you romance Davrin, there's that beautiful moment in the final goodbye when he refers back to (at least one of-) the lines that can be said in the main romance scene:

[Davrin: You said you wanted the road less-traveled. Seems like we've got it right here.

Davrin: All I care about is that I'm there with you.]

after a personal storyline that's in large part about him overcoming an aversion of uncertainty, and embracing the potential for change and choosing who one wants to be (like most of the others, but it's arguably even more pronounced in his, as it's reflected through the griffons' story), that's just a really beautiful sentiment.

after spending so long thinking of himself as a weapon, believing one's destiny to be set in stone, even believing himself -and by extension, the griffons- to be "meant" for one immutable thing by their very nature...

it feels very satisfying and touching to know that he's willing to head into an unknown future with nothing truly secure, except for the hand holding his.