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demonslayedher · 3 years

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Ramble on the Limitations of Looking for KnY Interpretation based on Japanese Mythology

One thing I notice a lot in the Japanese side of KnY fandom theories is a lot of deep dives into religious and mythological reasons behind Gotouge's creative choices. It is super interesting stuff, and Gotouge borrows enough and does homage to enough that there is a clearly a solid knowledge base there. While I find historical details handy for interpreting the characters, ultimately, I find that the canon of demons and Breaths can be interpreted in a vacuum without relying too heavily on the uncanny coincidences lurking in deep dives. This isn't going to be a well-supported essay, this is going to be a ramble that may include a bunch of interesting nuggets. (And then she went on to ramble for 3249 unedited words...)

First things first: I'm a nerd. I like to say I broke the weeb scale a long time ago, but I'm not exactly a university professor or anything like that. That said, I do read a lot of stuff from experts who have jumped on the KnY trends to talk about how elements in KnY are taken from, say, the sword making traditions of the Okuizumo region that results in black swords or simply making comparisons to famous swords, or local legends of supernatural encounters that resulted in split rocks, or comparing specific oni with and the heroes who slayed them or at least comparing elements of specific characters to other famous oni legends, or that Hinokami Kagura is based on a specific Shinto legend and has 12 forms based on existing Kagura traditions, etc. And I love reading this stuff, because I wouldn't had learned about some of it without my interest in KnY leading me to those articles, or as I read it I cheer because they're making references to things I already (as a nerd) really enjoy and therefore it strokes my inner echo chamber bias, or I nod along and think, "oh, yes, why of course, that makes total sense, Hinokami Kagura must be based on the dance Amenouzume performed to enticed the Sun Goddess Amaterasu out of the cave, how silly to think it could be based on anything else" but I then also take a step back to think, "...but it also doesn't have to be." For as many similarities as there to existing legends, it feels to me that Gotouge made it a point not to make specific reference to any particular mythological or religious elements. As an example, Gotouge considered titles with reference to a Shinto fire god named "Kagutsuchi" but never made actual reference to any fire god (or sun god) by name in the finalized direction canon took. Granted, a lot of fan theorists have read into that, going so far as to say because Nezuko's fire powers she represents Kagutsuchi, Yoriichi represents Amaterasu, etc., but while I find the idea of borrowed elements makes for highly interested interpretation of canon, one-to-one comparisons really don't work for this series. By not invoking a name like Kagutsuchi in the title or otherwise, Gotouge succeeded in not being boxed in by the canon of any particular deity. (Granted, "canon" for mythology can vary significantly by whatever historical writings you're looking at, with standard interpretations going through many big changes throughout the centuries. It can be as loose as it is limiting, depending on what sort of historical/mythological/religious figure you're talking about.) I feel there's more evidence of this avoidance by never invoking Amaterasu as a deity, despite the emphasis on the power of the sun in slaying demons. Even looking back and trying to figure out who Akeno placed so much faith, it was only called a "god of sunlight" as opposed to a "sun god." It's as though KnY works with a generic approach to religion. Even if the use of Buddhist element, the Nenbutsu prayer is called such, and Himejima's repeated phrases are legit Buddhist practice, but there is a huge variety of Buddhist sects and practices and theologies, and throughout history, many of them didn't get along. Going back to Akeno and wondering if she might had been Buddhist, I went so far as to suspect she was influenced by Nichirin sect philosophy based on its emphasis on the "Nichi" (sun) representing Japan and incorporating Shinto gods into its philosophy, and for its likely influence in the Kanto area in Akeno's time period, and for its encouragement for the salvation of women and therefore popularity among women. I felt pretty satisfied that it was all lining up, but also, none of this is necessary for a quality interpretation of canon. If Gotouge wanted to say specifically what informed her religious conviction, then it would had been said. But that's not what was important, was it? What was important, and therefore focused on, was Akeno's feelings toward her son and wishes for his sake.

While KnY's worldbuilding feels richer with all the clear religious influence, the details are not actually important. If anything, I feel like Gotouge dove into the heart of the elements of, say, Shinto mythology, and played those core elements up. It's different, yet still familiar, to take sun-associated elements and used them in a way that serves the story without being boxed into existing traditions. The sun is clearly important, and once you start looking for it, you find subtle recurring references to it. Like, Akeno's name? The "Ake" is one way of writing "red," and there are all sorts of uses of other ways of writing "red" throughout the series, in everything from the sand used for making Nichirin blades to the way that Haganezuka calls Tanjiro an auspicious "red" child with a very rarely used kanji. Our commoner main characters, though, just use regular old ways of saying "red" when referencing Tanjiro's appearance without thinking deeply into it, like there's something special right in front of them but they don't recognize it. Similar to how something as special as Sun Breathing was hidden right in front of them in Hinokami Kagura, with a name so generic and simple that it's entirely unsurprising that the Taisho era Kamado family would interpret it as "fire god." The very lack of limiting real-life details is what allows Gotouge to sprinkle these deep touches around, cover them up with branches and leaves, and then sit back and wait for readers to stroll through and invitingly pleasant looking field and then trip and fall down a rabbit hole. This is also what I think gives Gotouge the freedom and malleability to work with the sun in a way that serves the story, especially in ways that tie it to fire. While I don't think there's strong ties for this is general Japanese culture, the way canon is written implies a close tie between fire and the sun as being a very closely related element, hence the influence on the Kamado family, Tanjiro's appearance, his suitability for Sun Breathing based on a history of tending fire for careful charcoal burning, and Tanjiro and Nezuko capability as demons to overcome the sun. Here is where I go into a bit of a tangent about the purification element. This, again, is not strictly tied to any particular Shinto canon (and Shinto does place heavy emphasis on purification), but instead is an example of Gotouge getting to the underlying heart of a lot of common religious elements. Fire is associated with spiritual purification in everything from Buddhism to Catholicism, it's very easy to apply Nezuko's fire abilities as something which burns away something evil (demon poison) so as to purify something good (human flesh, or even other physical substances). Maybe lesser known, but very deeply entrenched in Japanese culture, is the purification element of charcoal. While it may be known around the world for soaking up undesirable elements and therefore used in everything from fish tank filters to treating food poisoning, in Japan, there's a bit of a spiritual side to it as well. For something so closely tied to the way of life for citizens throughout hundreds of years of history for everything from cooking to heating the home, it's unsurprising that quality charcoal would receive as much emphasis as good water and rice. Japanese charcoal is especially known for not producing undesirable smoke or odor, making it appropriate for use in a lot of settings. Charcoal farmers have often not just been that; they've been caretakers of the forest. Keeping the right trees, at the right sizes (both for use as charcoal and for how you pack it together when making charcoal), and in the right numbers to ensure you have stock for coming years, requires management of the forest. (Other tangent side note: many of the other names in the Kamado family are references to plants. Sumire both has the "sumi" sound of charcoal and is the word for violet, Kie is in reference to hollyhock, Nezuko is in reference to red beans (and the asanoha pattern of her kimono is in reference to hemp leaf, an

auspicious symbol of strong and quick growth), Takeo is in reference to bamboo (ironically bamboo can be a problematic plant for charcoal farmers, because it may spread too fast and take resources from other trees--stop stealing all the takuan pickles, Takeo!), Hanako is in general reference to flowers, Shigeru is in general reference to (plants) flourishing, and maybe by the time they got to Rokuta they gave up and said "he's our sixth child, let's just call him 'Six-Boy', lolz." BUT I DIGRESS.) That means the Kamado family not only had careful management of fire in the actual days of charcoal production, but of a wide variety of natural resources to ensure the trees were healthy. Natural weather phenomena, clean water, pest control, minerals from rocks getting into the soil, hmm, so many elements to pay attention to. Hmm. These sure sound a lot like other Breaths. And Breaths all stem from Sun Breathing. That means there may be certain elements of Sun Breathing that have been emphasized in each of them, but none of them encompass so many qualities of the natural world. The natural world which Yoriichi saw with such clarity than nature accepted him with open arms, practically, in how well animals took to him. Sun Breathing, while especially using that all-important purification aspect of sunlight which burns evil demons, is like an all encompassing embrace of nature. While being closely tied with fire is hugely important, there's more to it than just flames. While Shinto is very much so closely tied with nature (the extent to which this is emphasized may vary from shrine to shrine, scholar to scholar), what I see in KnY is a clever use of emphasis on spirituality in nature as opposed to emphasis on Shinto mythology. And I think that was a smart move. While stories based more directly on various theologies, mythologies, and religious ideologies often use those building blocks often wind up having very creative takes on them (even and especially with the confines of them), ultimately, the story of KnY is whatever Gotouge wants to do with it, and it does not seem guided by the specific conventions of more specific religious elements. But again, those deeper elements are still everywhere. You know what color Japanese charcoal burns? It's a gorgeous jewel tone red, spanning many of those rare shades of red Gotouge make reference to. And, in wider Japanese culture, red is the color of the sun (as opposed to how other cultures may represent it as yellow or orange or white or so on). (Not as exactly a KnY tangent, just personal: Japanese charcoal is so freaking pretty, I had no idea until I saw it used in the tea ceremony at parts when guests crowd around to enjoy the sight of it as the host prepares it for boiling the water. I can stare and stare and stare, it is so so so so so pretty, but also this element of the ceremony has gotten rarer both as many places have made a more practical switch to electricity, and tea ceremony quality has gotten more rare both due to fewer producers and due to beetle-related damages to the trees used, and I will always state HOW DISAPPOINTED I am that Kanata and Sumihiko are not out there raising charcoal, because charcoal is precious and I'm always so terrified of wasting charcoal in my practices because its so precious, but seeing the amazingly beautiful burn of the charcoal is absolutely one of my favorite elements of the ceremony and this of course gives me an extra soft spot for Kamado Tanjiro BUT I DIGRESS AGAIN, I TOLD you this was going to be a ramble, but SERIOUSLY IT IS SUCH A GORGEOUS RED).

So anyway. My point is, as interesting as incorporating outside elements may be, I don't find them necessary in interpreting KnY's canon. Even if it takes tons of Taisho Secrets to do so, Gotouge presents the details necessary, and that's more than enough to work with. After all, despite all the care taken in historical details in building the setting, KnY takes place in a fictional universe, it can make its own rules when it comes to things that don't actually exist in our universe. Demons, for example, follow a chronology and power system with sources and limits that is unique to a this universe, as tempting as it is due to general cultural familiarity, it does not call for a one-to-one comparison with existing demon legends. Breath as well, as a power system, is very interesting. Again, this is because it has a lot of basis in core concepts of real life physical and spiritual training. It's presented as a method available to anyone who can pick it up, not drawing on a mystical outside power or summoning the actual superhuman elements of nature. Other stories that present their power systems like that are well and fine, but when it comes down to it, this is a story about mere humans doing everything in their limited power to wave swords around and defeat creatures that seem so likely to outpower them. This is a common, relatable basis of stories throughout history, and a lot of analysis I've heard of KnY's success says that it shows how classic this story structure is. Many Japanese demon stories have their origin in epidemics, and some people suggest that the world looks for hope in stories like KnY in times of seemingly insurmountable crises like coronavirus. I think that's an oversimplification of KnY's success, but again, because of Gotouge's use of core cultural elements, it can be applied easily. OKAY BUT ON THAT NOTE we can do some really interesting digging if we want. : D Gotouge does make some highly specific references, included religious ones (granted, not in ways that impact the plot). The example coming to mind is the Seventh Form of Thunder Breathing, the "Flaming Thunder God." In Japanese, this is "Honoikazuchi-no-Kami," the name of a lightning deity who had a very, very brief mention in the Kojiki and who appeared among a handful of other lightning deities named in reference to other aspects/phenomena of lightning, like the sound or the rumble through the ground. Honoikazuchi is not so much the lightning itself, but the fires started by lightning. Stick with me a bit longer, I'm building up to something here. You've probably heard of the twelve animals of the Chinese (poorly translated as) Zodiac, right? Well, the system is way more complex than that, and really, if you want complexity, skip Japan and go dive straight into ancient China. I laugh and cry at myself for having a graduate degree in Chinese studies, the extent of my knowledge is is pitifully small, I know nothing, nothing. Suffice to say, China has its own five element system of water/wood/metal/fire/earth, it's more a philosophical application than a more physicality-based four element system popular in the west (fire/water/air/earth, why hello there, Avatar), with attributes of these elements assigned to every about anything through Chinese culture, from medicine to, you guessed it, the Zodiac animals. Japan saw all this and said "cool, we'll do that too" albeit their sort of mixed and matched a bit and made their own take on it in Onmyodo. An Onmyoji, who keeps track of, like, really any other-worldly matter you might have on your hands as a Heian noble, is someone who is paid to know all this stuff (it was very likely an Onmyoji who told the Ubuyashiki clan, "yeah, you got an evil family member to blame for your curse, squash him"). Yours Truly is not an Onmyoji and therefore will not attempt to go into more detail, save the one that a handful of Japanese theorists in the KnY fandom love to bring up: The Boar is a water sign. This means that, especially in Shinto practice, boars are considered an animal that protects against

fire, hence, a lot of practices to protect against fires were done on days of the Boar, in the month of the Boar, etc. So? So-o-o-o-o-o? You see it? You see it??? Boar = Water, Honoikazuchi = Fire, Inosuke and Zenitsu are basically foils to Tanjiro? Yes, yes, see it, yessss??? Deep dive Kamaboko theory, yes?????? Hahahaha. Naw. It's just a fun coincidence. ^_^ Again, I find these details completely unnecessary, for we are already given so many details in canon to work with on its own, and I think Inosuke and Zenitsu as foils to Tanjiro works entirely well simply based on their personalities, not because of any supernatural elements that require a high level of nerdery to have any hope of appreciating. Besides, once you start reaching too hard for cultural details Gotouge might have used and clinging too tightly to those ideas, there's likely something in canon to make it doubtful. For instance, Inosuke more widely presented as a king of the forest who wears deer and bear hide as well, and the fanbook state that Beast Breath is considered a likely offshoot of Wind Breathing. Even if we rely more strictly on historical detail, there's still the question of, say, what one of the basic Breaths, Thunder Breathing, even was when it was but a thunder inspired sword form not necessarily powered by Breath, you know, back when swords were longer and it would have been harder to make the fast draws katana would later be better suited for. Maybe they called it Thunder because it was practiced by swordsmen who stomped around really hard, and then when they added Breath technique, they figured out "oh dude, we can use our strong legs to go fast"??

Those are the kinds of things I find more fun to play around with in interpreting canon by bringing in little outside details, because as a work of fiction, there are already so many fun details to work with already even when treating it in a vacuum. But, giving Gotouge extensive and subtle use of cultural elements, especially core elements, it sure makes a lot of outside details applicable. Which is all to say, it's all super interesting, and I think the more people realize these things, the deeper they read into it, to an extent more than canon calls for. As much as I like it, and as much as I've enjoyed pulling outside elements in to fanfiction (like Kagutsuchi and lightning god tidbits), ultimately, if Gotouge thought these things were necessary, they'd have been included. Since they are not, I try to stick to canon details and Word of God-touge in answering Asks (lolz, I didn't plan on becoming a meta blog, it just kinda happened). BUT ALSO, JEEZ, I AM SO EXCITED IF PEOPLE TAKE A DEEPER INTEREST IN JAPANESE CULTURE BECAUSE THEY LIKE KIMETSU NO YAIBA, YOU CAN HAVE SO-O-O-O-O-O MUCH FUN PLANNING A TRIP TO JAPAN AROUND KNY THEMES, DO IT DO IT DO IT, GO TO YAGYU AND POSE IN A TANJIRO HAORI AND STICK YOUR SWORD IN A SPLIT ROCK, THE LOCALS THERE LOVE IT, DO IT but also like maybe learn about the tea ceremony and appreciate how beautiful the charcoal is with me k thx bye

#kny fandom theories and meta #sooooorta #kimetsu no yaiba #demon slayer #am I a Pillar or a Demon?#neither #I am but a nerd

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picturebookshelf · 2 years

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How do you suppose a CYOA spinoff of Usborne Puzzle Adventures called Choose Your Own Usborne Puzzle Adventure would have gone?

Ooooh, assuming you're talking about genuine genre crossover, I think it could be incredibly cool! (I hope you're ready for an essay, anon, because now you've got me thinking)

Both of them basically make for more interactive stories, but one focuses on text and narration but is more heavily rooted in luck, while the other focuses on visuals and problem solving and is more heavily rooted in logical thinking. They’re both fun in their own rights, but melding them together sounds like you could create a really fun, well-balance story experience.

Especially since it, by necessity, gives more weight to the puzzles! You can’t skip a puzzle or breeze through it if there’s a chance that finding the wrong answer will lead you down a dead-end plot thread. If you don’t actually try to help the character solve the puzzle, you could be getting them killed, unlike most Usborne Puzzle Adventures where no matter what you do you can just continue seamlessly onto the next page. And on the other side, it makes a CYOA book feel more like something that can be solved using critical thinking skills, rather than guesswork since the endings you get from those are completely rather arbitrary. I think it would ultimately make the experience much more rewarding for both genres.

How to actually style this is the big question, I suppose. I assume you’d either have to stay more true to the Puzzle Adventure style, or the CYOA style.

If you stuck with the Puzzle Adventure style, you would need every single page spread has a different puzzle, where the solution to the puzzle will either send you along the correct or incorrect plot route, depending on if you solved it correctly. (For example: if you think the maze spits you out by the fountain, turn to page 3; if you think the maze spits you out by the statue, turn to page 12, etc. Page 3 will continue along the correct plot thread to get the best ending, where as if you thought it was page 12 you'll end up running into a dead end of some sort / getting killed if we go Classic CYOA). Of course the challenge with doing it in that style means you would have to create a LOT more puzzles than a standard puzzle book, since you’d still need to populate those “dead end” routes. (Otherwise you have a single linear narrative and it's not longer a CYOA Puzzle Adventure.)

Conversely, if you went with a CYOA style you would have a lot more narrative. I imagine you'd have an amount of the book as JUST text, with a few puzzles spread through out to support the narrative. A bit more of hybrid, I guess. This would be nice for having a more fleshed out story and decrease the number of puzzles you’d be required to create… or potentially allow for the possibility of more text-based puzzles as well? However if the puzzles are the main draw, then this might feel like a bit of a rip-off.

It would also necessitate a slightly older audience than a lot of Usborne Puzzle Adventures… Though including puzzles into a chapter book would act as a good stepping stone for reluctant readers. They would provide “resting points” where the child wouldn’t have to be actively reading but also wouldn’t break the narrative; honestly that could be great motivation.

As long as we’re talking about Choose Your Own Adventure puzzle books, I do feel the need to give a shout out to The Haunted Castle by Leo Hartas, which was one of my all-time favourite interactive books as a kid. (My copy is very literally falling apart at the seams.) It wasn’t very puzzle heavy, but it did send you to different pages depending the routes you took, and could end in death/restarting until you figure out the proper way to get through the castle. And the way they handled narration was insanely creative. I’ve never been able to find another book that scratches this specific itch, but what your suggesting, anon, sounds like it would fit so well with this.

(Seriously, that art... I'm pretty sure I haven't made a post for this one yet and I really need to. I gotta get some close-ups because it's really stunning Hartas is an amazing artist.)

Anyway, I hope you were expecting this sort of rambling, anon, because I love talking about children’s lit xD I would love to hear what your thoughts are as well, because this is a really neat suggestion! Interactive literature like this does NOT get enough love, but it can be such a fun way to draw kids into reading! Let reading be play!

#book talk #anon #choose your own adventure #interactive books #usborne #usborne puzzle adventures #the haunted castle #leo hartas #hey anon you're my first anon on this blog! thank you! it's exciting to get to talk books with people!

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cricket-boyy · 2 years

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Just gonna ramble a bit about what my ideal Digimon game would be like.

It would definitely need to be a jrpg but not a monster collector. I feel like the comparisons to pokemon are the main reason for why that's the go to concept for a Digimon game. But whereas pokemon's thing is "gotta catch em all", Digimon's is something different. The core point of Digimon has from the very start been the bond between digimon and their partners. Therefore to stay true to that theme in a videogame would to me mean a focus on narrative, where instead of playing as a blank slate silent protagonist you'd control a fully fleshed out character. I would also want the partner digimon to be a proper character in their own right (personally I'd love Veemon who evolves into the Veedramon line). You could still have a choice of who your partner would be like in the Cyber Sleuths but then they'd all just be written as the same character. Only the model and names would change.

I believe Digimon would lend itself well to being a traditional story driven jrpg with set party members. Now if you really need monster collecting in there, I'd have it as a slapped on side thing and have the story be about needing to build an army to revolt against the villain who's a ruler of some sort. I'd definitely write a Digimon story with heavy anti-capitalist themes. But I think ultimately the story should have a simple plot and be mostly character focused. Characters get isekai'd to the digital world, get partnered up with their digimon, explore, a problem is presented (ie bad guy is doing bad things), they solve it, shit gets fucked, more bad guys, stakes are raised, maybe go back to the real world cuz villains go there, solve that, get back to the digital world cuz gotta take care of the big bad, the end.

Dialogue choices and branching paths would be cool but not necessary. Maybe a social link type mechanic that unlocks side quests or something. I wouldn't wanna tie evolutions to those though. One of many things that was disappointing about Survive was that evolutions past champion were these missable side things. Evolution scenes should be hype pop-off character developing moments but taking them out of the main story and having the writing be flimsy and just bad (I mean all of the writing in Survive is bad), ruins one the most fun parts of Digimon. They didn't even have voice acting.

Gameplay-wise I'd take heavy inspiration from SMTV, at least with the exploration. Open world is a recipe for disaster, so multiple open levels is the way to go. I'd also love to see environments in the digital world that we don't usually get to see like a big city. Exploring jungles, deserts, ruins and then going to a huge busy city could be a great moment.

Combat should have some kind of a gimmick. I'm often disappointed by turn-based combat systems due to them being too simplistic to me. I have a bunch of ideas I'm not gonna list here, but something that encourages you to use all of the tools available and keeps you on your toes. The last thing I want is just using your strongest attacks over and over, and the only strategy to keep in mind is some rock-paper-scissors weakness system.

Also the vibes should be Y2K heavy. I'm talking trance and prog house music, late 90's-early 00's style fits on the main characters.

When it comes to videogames the Digimon franchise has so much to offer, which is why it's so sad to me to not see that potential realized. The Cyber Sleuths are difficult to go back to cuz they don't respect your time, Survive is a badly written visual novel, and I doubt whatever comes next will quench my thirst for a Digimon game that I could love. It's great to see how much effort they're putting into the card game, I just wish Bandai would take a chance and put a similar amount of effort (and money) into a videogame. I mean the Cyber Sleuths, despite not being very good, got a lot of attention on them for being better than what had come before, having a bit more mainstream appeal and good old fashioned word of mouth. Imagine how a game that's on the level of, say Shin Megami Tensei V (but with a better story pls) could do.

So yeah, here's hoping one day a Digimon game can rock my socks off.

#probably not though #digimon

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cooltrainererika · 4 years

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A Star Wars Noob’s ideas for fixing the Disney sequels

Okay so just to get this out there, because it won’t leave my mind.

So I’ve been binging on SW lately and the sequels only annoy me more and more by the day. So just wanted to throw my character ideas out into the world. Focusing on characters because I like writing characters way more than plot. Hopefully if I ever actually write this thing, or even somehow pitch it to someone with the right connections to animate it with the actors as voice actors, this wouldn’t have gone viral. But since no one looks at my blog it probably won’t lol. Hopefully.

But just in case, I’ll say that this will probably contain spoilers for a story which may or may not exist by the time you read this.

I’ve deliberately been trying to avoid as much emotional spoilers and normal spoilers as I can before the sequels despite the temptation, so sorry if some stuff is a bit off. Augh I hope I can get the time to watch the full OT and PT soon. I was too tired from hiking when I watched SW4 and I now really wish my dad didn’t show me when I was half-asleep.

Rey: Rainbow of possibilities; Cynical Scavenger, Adventure-seeking Audience Surtogate Geek, or Lawful Good to the core Paladin Padawan with a personal grudge, and may be descended from a family line, maybe not, but currently most likely a Skywalker by blood. Story and other character arcs change dramatically depending on which route chosen.

Finn: Stoic soldier man learns power of friendship, finds meaning of life, causes Stormtrooper mutiny, probably becomes a Jedi and second main character and hooks up with Rey. “What‘s a joke?”. Awkward dork and stunted socially but doing his best. May instinctively find it hard to disobey orders. He may be the one wanting to find his family; but that’s dropped soon enough to focus on what’s ahead.

(Alternatively: Proud warrior guy who acts like a stereotypical North Korean soldier who finds himself outside the First Order, learns power of friendship etc. The rest is the same)

Poe Dameron: What we Japanese people call The Aniki. The funny charismatic ace pilot who keeps everyone sane, overall bro. Wholesome but a bit rough, that guy you would want to share a beer with. But within that easygoing nature burns a hotblooded, determined, dutiful streak, and an even stronger snarky streak. The one with the social skills. Loves his droid like his son though Cynical!Rey and Finn find that initially kind of stupid/strange.

Kylo Ren/Ben Solo: Appears to be yet another quietly imposing Star Wars villain with added edgelord factor, but actually a mentally unstable, borderline yandere berserker of a man crushed under the weight of a legacy, with a horrifying inferiority complex, identity issues, and an unhealthy obsession with familial honor, constantly stuck between Dark and Light. Despite his high rank, basically the First Order’s attack dog. Usually has the emotional maturity of a 16-year-old, if not younger. If anyone is, he’s the damsel in distress of this story.

Luke Skywalker: Cuddly sunshine headmaster sage doing his best, has been on many adventures before that are hidden ads to future Lucasfilm projects. May have gone to search for answers as to what is causing recent events, or is still present at the beginning. May survive at the end. He could be anywhere from kind of jaded but at his core still that sweet optimist, to Basically Uncle Iroh, to can-literally-summon-Porgs-by-whistling/Space Sage Mr. Rogers.

Han Solo: General of the Republic Armed Forces or courier who decided military life just wasn’t for him and now delivers important messages through still unstable areas of the New Republic, a war hero, and a dad doing his best. Wants to hold hope but may have at least outwardly given up on Ben, with Poe filling in the void. Has gone clean from his life of crime and still married 30+ years strong with Leia. He would be the one who is the closest to Poe if he’s still in the military and Leia is a Jedi, with Poe being seen as his likely successor. He might die at the end of 8? Maybe Hamill and Carrie would somehow talk him into sticking around past 7? He might still die in 7?

(Side note: I wish we could have seen Old Harrison Ford in a military casual coat-cape. He would have looked awesome in it. I mean no one would really complain that he plays fast and loose with the dress code if there even is one, he’s Han freakin’ Solo and he gives no f*cks.)

Leia Organa-Solo: Preferably a Jedi Knight, leader while he’s away if he’s away as well as their tactician, or senator considering her personality; maybe have basically what Colin Trevorrow planned for her (I mean… why not just use CGI at this point? They’ve done it before. I’m sure Carrie wouldn’t have wanted her swan song to be such a passive role either), with her bond with Luke being a major factor and us actually being able to see it in practice. May have outwardly given up on her son as well, but still is at the end of the day a mom doing her best. Basically a strong, smart lady like how she’s always been.

Chewbacca: How he always is, but he plays more of a role than basically the guy bussing the cast around, an active combat role definitely. Han’s second in command and maybe fellow dad. Possibly the part-time chaperone of the mess that is the new main duo. Also was Ben’s first friend, and you bet there will be drama here.

Lando Calrissian: Business mogul who probably helps the heroes out, maybe by selling them stuff and using his many connections to get information. And/or he’s basically an economic diplomat for the Republic. Has known Ben since he was a child and may have snuck him on too many joyrides without telling Leia, to her chagrin and Han’s amusement.

Grand Admiral Armitage Hux: Basically how he was in SW7. Calculating, manipulative, coldhearted, intelligent, and ruthless, the brains to Kylo’s brawn. Son of former Imperial officers, killed his own father to get where he is. Gives no f*cks, except when he goes full ham. Maybe even he goes cold and pale if Kylo starts getting angry, just to show how terrifying he can be, but I also like the idea of him being one of two people who can manipulate Kylo out of a tantrum and not end up a pile of flesh or choked to death.

Captain Phasma: How she is in supplemental material probably. A walking chrome machine of merciless death. Probably not very talkative, and probably does not take defectors lightly. She may defect at the end or not depending on how truly evil she’s portrayed to be, but I’m thinking she’s likely this cruel disciplinarian who expects complete and utter, machine-like obedience to the end, and Finn flinches at the mere mention of her, though she herself is equally as extremely loyal to the cause.

Snoke: A mysterious being, the likes of which are not of this galaxy. Probably some kind of ancient eldritch abomination who can torment vulnerable minds with an untraceable curse. Not your average Sith, and despite how it may seem it may not be connected to them at all… Or perhaps it is. Or perhaps it itself serves a larger master. It wants to use Kylo Ren for… something. Just what it is is what Luke has been trying to find out for years.

Knights of Ren: Idea borrowed from Thor Skywalker (check him out on YouTube!); possibly a military cult of Sith/Vader worshippers who see Ben as the second coming of Vader, and have aligned themselves with Snoke. Probably basically Kylo’s personal guard and troops. Or possibly directly liked to whatever otherworldly entit(ies?) Snoke is, not being of this galaxy themselves.

Anakin Skywalker: Determined grandpa doing his best for his kids, grandkid(s), and the galaxy. Doesn’t appear often, but plays a major role in the story; maybe he’s the one who led Rey to his lightsaber, and maybe he advises Luke while training Rey, or secretly follows Kylo, trying to speak to him but unable to be seen or heard by him. He’d be the one who ultimately convinces Ben to return to the light, and to, in an echo of the words Ben heard when he was being impersonated, “finish what I started”.

Rose Tico: A probably relatively new, wide-eyed young recruit in the Republic Military, and maybe seeks revenge on First Order for killing or kidnapping her sister. Not sure if she will be needed, but if there’s room for her she might be interesting. Maybe she’s one of Poe’s friends or part of his squad. She could also be the resident girly girl because there aren’t many of those here.

Vice-Admiral Amberlyn Holdo: She’s in the Aftermath books, and those seem pretty good, so she’s probably how she is there. A quirky mostly background character that is probably at most there for Han and/or Leia and Ackbar to give commands to and salute back, but most importantly she actually does her job properly, even if she’s still a bit of an odd person. Also Poe knows her and they have a way more amicable work relationship. Also give her something which actually looks like something military personnel would wear. She could even be a legitimately good tactician who comes up with off-the-wall tactics.

(Side note: I heard that she basically has the Star Wars version of Autism, and while I’d appreciate that as an Aspie myself, I’ll also have to say that Autistic people would probably be terrible military leaders due to us not being able to adjust to sudden changes well and our bad communication skills. So yeah, sorry, unless she’s recast to something like, say, a mechanic or logistics or medic or any other more Autistic-friendly job, that’s going to have to go)

Maz Kanada: …Admittedly not sure what to do with her. But she’s more likely to be an acquaintance of Lando before Han, if she doesn’t know both. In fact, Lando may be introduced early alongside her. But she would still have the important role of keeping Anakin’s saber; how she has it, either Lando found it, or basically what was cut from TFA showing that she’s indeed pretty awesome.

BB-8: BB-8 doesn’t have to change. He’s perfect as he is. Maybe what he can do should be more consistent though. Poe and him are basically Ash and Pikachu, they stick together whenever possible. If Rey or Finn need a droid to tag along and Poe isn’t in the party at the moment, R2 is right there. I once read a fanfic in which BB-8 was actually a droid Luke made for Ben and I liked the idea… though it probably would be a bit of an unnecessary detail in practice.

R2-D2 and C3P0: They’re basically business as usual. They would still have that boke-tsukkomi dynamic they had going on, sometimes with the added childlike cuteness of BB-8 in the mix. If there’s any extra time left for comic relief scenes, or if they’re sent on some kind of mission together, I can see these three messing around doing their thing (or rather, BB being childlike, cute and curious, Threepio being overly nervous, and Artoo being too old for this sh*t and/or BB’s cool uncle/older brother) being both cute and hilarious.

Also Worldbuilding stuff will be featured at the bottom

Elaboration on the “big four” of the sequel cast:

Rey: Aged 19, speaks with Daisy Ridley’s normal accent, not RP (I mean really, her accent isn’t that hard to understand). A whole rainbow of possibilities with this lady, though many don’t realize it. I might be leaning towards her being Luke’s daughter, though her being Just Rey may also be interesting, and her still being a descendant of Palpatine or the main villain could also have potential, though if Finn is a Jedi I don’t think there’s any need for her parents to be nobody. But the three main routes I can think of for her are these three: Cynical!Rey, a Rey with a backstory identical to the canon Rey from her abandonment onwards, Fangirl!Rey, a sort of estimation of a dorky female Star Wars nerd in-universe and the most lighthearted start out of the three, and Padawan!Rey, a Rey who is already Luke’s Padawan at his academy. Maybe making her starting point less crushingly bleak and Fangirl!Rey could work, but it might dilute both ideas, and that characterization might be a bit too similar to ANH Luke.

As is apparent, Cynical!Rey, is, well, cynical. She’s strong and independent, but extremely distrusting, on-edge, and not used to friendly interaction. Think Female SW4 Han Solo but even more antisocial and probably not even bothering with the bravado, and basically with Anakin’s upbringing except she doesn’t even have a loving mother like Anakin did. Fangirl!Rey was my initial idea but I’m starting to become less partial to it because of the aforementioned similarity to ANH Luke, but my idea was she’s basically Harry Potter, living with stepparents who hate her, or she’s still used as basically child labor but her conditions are nowhere near as bad as Cynical Rey’s, and she would have grown up on stories about the Rebels and the Jedi and everything else in the past movies, collecting every single bit of memorabilia she can get her hands on. If one wants to go for very lighthearted and slightly meta for SW7 this is the route. Padawan!Rey could go anywhere, but I’m thinking she would basically be our D&D Paladin; ever since Ben Solo went berserk and ran off to join the First Order, she’s become very protective of her fellow students and has a really understandable personal grudge against him. She might be the strongest pupil left after the Second Jedi Massacre, and by the end maybe she becomes the successor to headmaster of the academy. It is possible that she was found abandoned on Jakku or Luke’s doorstep, however, so the theme of growing up lonely is there, and because being a Jedi is what has given her meaning in life it means a lot to her. But while I don’t want her parentage to be revealed early if it is Luke, it does raise the massive plot hole of why this was never disclosed to her or to Ben.

And yes, I did say fellow students and academy. Wiping the new Jedi Order feels really cheap and it makes the whole hopeful Jedi Starting Anew implication that I’m 90% sure the OT ended on feel very pointless. I’d prefer them still being there, though their inclusion would be obviously way more natural in the Padawan Route. This also has tons of marketing potential for Disney, because I wanted to take IRL realism into account; what’s in it for Disney? Maybe potential to expand on other students and Luke’s academy? It could be like a smaller Jedi Hogwarts/Xavier Institute basically. Though the survivors wouldn’t be too numerous; just, like, four at most. Maybe there would be elements of an Avengers/Infinity War/Endgame-esque team movie, even if the rest are a bit out of focus.

I did think maybe the heroes would still go to Ahch-To after SW7 where Luke would have been hiding with his students researching the new threat, but maybe I could have him stay and sort of take a few cues from Harry Potter by introducing the heroes to the world of the Jedi early and giving them a break in the action as they settle in their new homes, so there’s more time to develop the padawan side characters, what the academy is like, and Luke gets to appear in SW7 as well so there can be a OT trio “reunion” (not a reunion in-universe). Though that kind of messes with other parts I want to include like Rey and Finn having to take on Kylo and getting completely whipped because he’s a rampaging madman before having to be saved by Luke. Also Rey getting kidnapped has potential for developing her trust in others, and her and Finn getting a breather moment at the Republic after the heroes and Han regroup would kind of remove a point where that could be easily slotted in the story. It would also require everything before this to be crammed in the first act.

(Newer edit 5/27/21) I also like her getting a golden double-bladed saber like many fans depict her. It’s not only awesome looking (because she only gets her own saber at the end of TROS… Why?), but it’s more toys for the moichendise! It fits her starting with a staff, it has more reach, and it would fit Cynical Rey especially for her to have a style centered around keeping as much of herself defended as possible. Watching Battlefront 2 footage has made me think about fighting styles a bit, and if she and Finn are a duo how their styles of combat might compliment each other, especially as their relationship develops (coincidentally she and Finn apparently are a very good combination in BF2). A Cynical Rey would probably contrast the most, with a fighting style based on keeping enemies away, trickery, and defense (a good choice for a blade made of light), maybe a bit wild at first but initially her goal in fighting would be to hold out until there is an opening to get the hell out, only staying to fight if she has no other option. Fangirl Rey wouldn’t really have a fighting style initially, and it’s gonna be very dependent on where her arc goes. Padawan Rey would have the most Prequel Jedi-esque, choreographed style, showing a lot of skill though not quite mastering it and with tons of openings at first. A Cynical Rey may have an uncanny skill to detect suspicious people, which would make her trusting the heroes easier, and though this ability isn’t super strong and is more “a slight gut feeling but it could be nothing” than “human lie detector” it could maybe be honed more. And while not quite wall vision like in BF2 (because wat? Where do they come up with this stuff?), maybe she’s good at detecting people’s presences too. These are very apt ambient skills for someone in her position. Meanwhile, Fangirl!Rey would have probably suspected she had the Force already, and her ambient abilities could be whatever, just rather passive abilities unless trained.

If she is Luke’s daughter though, that would open up the can of worms of who her mother is. Just making it so that she died before the events of SW7 might seem a bit… unfortunate? I kind of want Luke to have found love sometime (and seriously with how much of a bombshell young Luke was, in addition to him being such a hero, I’m shocked that he never got one. I can see why Mara Jade wanted a piece of that. *wolf whistle*), but then I’d have to figure out how to incorporate her in this already character-dense story without her having cheaply died offscreen. I might be able to think of something? I could always go digging in the dusty pile of old fan theories, I might find something good. Thor Skywalker did hint at her but his story stopped at the end of where SW8 would have. If I do name her Mara there’s probably going to be extra pressure to do something with her. …But I can’t be the only one who thinks that Daisy Ridley kind of looks like Natalie Portman. Then again I’m pretty face-blind. I guess blond hair and blue eye color genes are also recessive traits for Star Wars humans. Though it seems the height genes skipped a generation because she’s actually pretty tall for a woman at 170 cm - I’m sorry what. That’s as tall as the average Japanese man! Holy sh*t Daisy! She only looks a bit small because she’s often depicted with Kylo and Kylo makes everyone not Phasma look diminutive. I guess Ben would get it from Anakin and Han (though he’s still taller than both of them…), so maybe a taller actress would be cast as Mara (?). And despite Rey’s malnourishment in the Cynical route, this actually isn’t that implausible, because stunted growth apparently only happens if children are deprived from gestation to about 2 years of age.

And again, why wouldn’t Ben know about this? But if this isn’t the Padawan!Rey route (the hardest to incorporate Rey The Actual Skywalker into), maybe Ben took Rey’s assumed death as even more of a reason to burden himself with the entire Skywalker legacy? This would give him a reason to already care about her.

Further edits: According to the Aftermath books, Jakku was a “Lightside Nexus” planet. Maybe this has to do with her powers? (Perhaps she was kept sane by the Force speaking to her on occasion, in dreams or as she lies staring at the ceiling after a long day, showing her the loving life she used to live and unknown to her she will return to someday). Or why she was dropped there? Maybe she was supposed to be living with Lor San Tekka (the old guy Kylo kills at the beginning of TFA), but got lost one day or was kidnapped by bandits to be a scavenger because her small size would have been perfect for getting loot from small spaces? Why not take her back then? This probably is one of the biggest plot knots in the Cynical Rey Skywalker route, alongside who her mother is.

Small detail lightning round before moving on: I once read a Japanese fic, and in it she mentioned she hates alcohol because she saw how it turned people into monsters. I actually kind of liked this headcanon, and maybe a bit unexpected. Though there’s also the route of her just being too used to it, setting her apart from previous more wholesome protagonists even more. Also Daisy would have to start hitting the gym and protein shakes because I think her character design evolving from her thin build to a very athletic, Wonder Woman-esque body type would be pretty good in representing her growth as a character, and combined with her height she would be so very badass looking.

Finn: Probably around 23? Infamous for lost potential, so his backstory is the same. However, I’m thinking that due to his dehumanizing upbringing, he’s a bit robotic and pretty stoic initially, a total opposite to Poe. He doesn’t understand jokes or sarcasm, and now that he’s completely left the life he’s always known, he feels pretty lost. He would basically act like a male Rei Ayanami, though I was going more for Drax at first. Alternatively, he’s a proud warrior type, imagine a stereotypical North Korean/Prussian soldier. He’d be a bit more emotional and probably less cartoonish here (I mean I have compared Star Wars to anime but full-on anime tropes in live action probably looks super corny), and he’s a massive hardass who also doesn’t get sarcasm or jokes and fanatical and would have thought of his fellow soldiers as a collective as his band of brothers and comrades, collectively serving the FO like a smoothly running machine. My initial thought was that after a life of war crimes and the influence a certain pilot whose cell he was guarding who gave him his name, and maybe witnessing the death of a comrade, he had defected from the FO, but I started thinking it would be plausible if he defected from the FO probably by accident. Highly likely to be the second protagonist, if not POV character, and if so I think it’s logical that it’s Finnrey that becomes the canon ship here. In the Padawan!Rey route, he’s the newcomer protagonist, not Rey. If they’re shipped, or even as friends, they may bond over their dehumanizing, harsh backgrounds and the feeling of being lost in the world. Also he likely starts a mutiny. Like it was such an obvious plot point but they never use it for some bizarre reason. It’s like the DM didn’t read his character sheet at all. Actually one didn’t and the other kept forgetting it in the third campaign.

There’s two ways I think his arc could go; first would be a focus mainly on his search for identity and becoming his own person. Second, his guilt about having done the First Order’s bidding for so long. Probably a combination of the two, though I’m not sure how to address them both. He also wants to see his colleagues free from slavery. But I am sure about I’d that he’d have to overcome his conditioning, learning to regain his humanity.

Especially if Rey is a Skywalker and he becomes a Jedi, he’d be the one who the movie makes a point about being from nowhere. He has no idea who his parents are, but it would not even matter in the end, it’s what he makes of his life from here on out. And if he and Rey end up together, which is extremely likely in this scenario, he not only finds his family in the figurative sense with the other Jedi and his new friends plus girlfriend, but in the literal sense as well, going from nameless Stormtrooper FN-2187, to just Finn the ex-Stormtrooper, to Finn the Padawan and then Jedi Knight, to finally, Finn Skywalker, Jedi Knight; maybe the last movie ends with one of them proposing to the other, with SW8 having previously ended with the climactic big damn kiss that cemented that they are a thing now. (Cue Luke jokingly asking when he’s getting grandchildren and How It Should Have Ended!Anakin squeeing over him getting great-grandchildren lol) His name would have this real symbolic value to it with how it changes as he goes from nobody to somebody. Not to mention “Finn Skywalker” is just a freakin’ awesome name. If they make up the leading duo, he and Rey may have some kind of inherent connection, or they progress into two parts of the same whole, even attaining something like a Dyad.

I thought an interesting thing to do if Rey is a Skywalker, and this is Cynical Rey, is a twist on the expected pattern by making him the one who sees the good in Kylo, not Rey. Because while Rey might be his cousin, she’s also a very distrustful person who couldn’t afford to think deeply about people act the way they do when she was growing up and fighting to survive. Meanwhile, Finn knows Kylo, and he also knows what it’s like to be determined to be a killing machine from a very young age, and if he has to forgive himself, or if he’s able to see the light, that Kylo deserves a chance as well. It would be the ultimate show of kindness from him, to show him forgiving the man who works so loyally under the same organization that enslaved him. I can also see Kylo being angry at himself for being unable to sense the Force-Sensitive in their midst.

Maybe he was born on a “Lightside nexus” planet too so that it makes sense that he can keep up with other characters? Presuming he’s in his early 20s, I don’t think him being raised by the Order since he was a baby is that plausible, so maybe he was already an orphan? I can see the First Order spinning their Stormtrooper program kidnapping street orphans as “rehabilitating” them, which combined with good old Victorian style citizen apathy to street children allows them to get away with it. But if he was, say, around 6 years old when he was taken away, it would make sense why he was able to break out of his programming. Perhaps Poe showing him friendship awoke the humanity long dormant in him. But on the other hand, the younger, adolescent soldiers may be beyond saving, and I can see that being absolutely heartbreaking.

I can see his fighting style with a saber being direct, forceful, and pragmatic, but unlike Rey the emphasis would be on engaging and keeping up the fight, and be very disciplined, calculated, and controlled in contrast to Cynical Rey. At least he’d attempt it while he gets used to the properties of a lightsaber, before there would probably be a lot of awkwardness as John is directed to swing this weightless prop blade with a weighted hilt like he would a club or sword. If he isn’t a Force Sensitive, he’s a good sniper just like in BF2, in fact this would be his primary combat ability, though still able to hold his own in melee combat. Though even as a Jedi he’d probably still use a gun as a sidearm, and his good aim would also translate to him being very good at spotting openings and spotting danger from a distance, as well as enhanced ability to dodge.

Poe Dameron: Age 29 (?). A total bro. I’ve kind of come to think of him as this embodiment of the good, wholesome side of traditional masculinity. I can best describe him as the guy you expect to think of when you think of the guy who takes the boys to the bar for beers on the house and hosts Super Bowl night (for the Americans out there). Basically just that big bro/cool uncle everyone likes. I think he’s the least changed from how he is in SW7; he’s a laid-back pilot with no special powers, and while he’s probably the most static and admittedly flat character (and unfortunately more minor than the other two) he has tons of charisma and optimism to compensate, though being the one who keeps everyone sane definitely helps. Not to mention his piloting skills; which, note, are never eclipsed by Rey, because that’s dumb. His skills are a bit more downplayed here, but he’s still extremely good, especially for his age. Despite being the pilot he’s the most down-to-earth, and may be the only one of the big four with any social skills, even if he’s a bit dorky, especially regarding BB-8.

Son of Rebel pilots, graduated top of his class in the Republic Flight Academy, and his background is squeaky clean, no drug trading involved, though he spent a lot of his adolescence and his adulthood in the Academy or in the military, just like in pre-TROS supplementary material. He’s the main source of jokes and wisecracks out of the trio in all but the most dorky of Fangirl!Rey routes probably, teaching Cynical!Rey and Finn what it’s like to smile and laugh. He still has a close relationship with Leia and Han; possibly closer to the latter due to the latter being a pilot and likely still a General. Not sure about him keeping his rank because him starting and staying at the top might mesh awkwardly with the rest of the trio, but maybe he’s still a Commander; whichever makes his inclusion in the main cast most plausible. Due to an adorable Pixiv comic I found he may have been inspired to become a pilot by Luke or Han. I’d like to think that he breaks the hotshot pilot cliché a bit by not being too overly arrogant, immediately setting himself apart from Han by being a wholesome guy there for his buddies from the start, even if he is fond of wisecracking and snarkiness (probably from hanging around Han and Leia), and inside that laid-back personality lies a hotblooded, passionate, unwavering core. Like, he’s not exactly hotheaded like a Latin stereotype (*ahem*), but he’s got this more subtle, but still apparent, underlying fiery hotbloodedness to him, something that especially makes itself apparent in high-stress situations and when it comes to his loved ones. He’d also be Rey and Finn’s mentor of sorts in stuff that doesn’t involve the Force, being their role model for what a functional member of society is. He may make some self-depreciating jokes about being “normal”, but I think mostly he’ll take it in stride. Though I can see him and Han having a chat about this in a more quiet scene.

Ironically, out of the trio he could maybe be said to be the most suited to be a Jedi personality-wise, despite the fact that he has no Force Sensitivity whatsoever; he goes with the flow, he isn’t troubled, he’s happy with the simple pleasures in life, he’s just a good, genuine guy who does good things, passionate but not obsessive, and he’s forgiving, willing to give even an enemy soldier a chance, appealing to the humanity in him. The last one is particularly Luke-like, don’t you think? Oh, to elaborate on the escape; I still like the idea of him giving Finn his name (though another idea I love is a fallen friend giving Finn his name, that would change stuff around a lot from what I am thinking at this moment). I also think that perhaps supplemental material or some flashbacks, or even an animated short could be made showing just how Poe broke Finn’s programming; by showing him genuine kindness, because somehow, despite his lack of Force Sensitivity, he saw that FN-2187 could be talked out of his programming if he was constantly nice to him, befriending him, starting up casual chatter with him, and after a while the trooper starts opening up to this pilot. …Yeah, Luke-like indeed. Though since there is the plot hole of why Finn could be convinced in mere days and why he’s the only one guarding such a high-profile prisoner, a more realistic idea may be that they talk to each other this way a few times, then Poe escapes and Finn goes after him before they both crash on Jakku and have to work together, with Poe immediately being friendly with Finn and later Rey, to his (and her) confusion. (I can just imagine Poe being all chipper and trying to engage Finn in conversation, or telling him “Good job, sport!” after they fight off bandits or something, and Finn just is all deadpan and “We are enemies, we have no reason to fraternize” and I find that kind of cute).

He may ultimately be the most static of the main cast, but I can see him having a huge impact in more subtle ways; like maybe Rey and Finn think of what Poe might do in a given situation in their training, and he could be the catalyst behind why Finn thinks that Kylo can be redeemed, just like how Poe was able to light another way when it felt like there was only one path for him. He also definitely wouldn’t be the type to be so reckless with his men like he was in TLJ, if he’s still a Commander; he cares about his men a lot, and in fact they may be the reason why he tends to act like an older brother. I can imagine a pretty poignant scene with Finn where Finn sees Poe by himself and BB-8 paying respects to his fallen comrades by this handmade cenotaph, as he sets some flowers down and pours a drink to them, and Finn once again is able to see how different the culture outside the First Order is, as he would have never been mourned like that if he died on the battlefield, nor can he imagine he ever would have done so himself. Or maybe Rey is there too, because if this is Cynical Rey she’s only known a life where people exploited each other. Maybe other characters like Jessika (who he’s already close to I think? Did she show up in the movies though?) or Rose would have the opportunity to be more than background characters by being part of his crew, and we’d get some charming scenes about the bond he has with his squadron.

Again, admittedly he’d be the least deep character out of the big four, with his feelings not being explored nearly as much. But he probably doesn’t really hide his feelings much anyway. For any supplementary shorts involving him, they would be mainly lighter stories about his relationship with the OT cast and their families and his friendship with BB-8 and his crew, or action-y ones about missions he’s gone on; as opposed to, say, Finn, which would show his life as an expendable trooper who knew nothing but war, Cynical!Rey and her crushing loneliness and growing disillusionment to the world as she struggles to survive, or Padawan!Rey and her anguish and grappling with the Dark Side in the aftermath of the Jedi Massacre.

I can also imagine him being this adorable Shipper On Deck for Finnrey lol. Just looking at his two friends, all proud, maybe even tearing up like “*sniff* I’m not crying Buddy, you’re crying!” when the inevitable big kiss scene happens. I can also imagine him being the one to tell Finn that “Hey Finn, what you’re feeling is love!”…And then he has to spend hours trying to explain what love even is to him lol. He always has his friends’ back after all. Again, he’s most likely the one guy who isn’t completely socially inept among these dorks. I’ve also had the potential idea that he could maybe be a good cook, and he’d be the one who introduces Rey and Finn to actually good food. Some fics I’ve noticed tend to show him cooking stuff probably for that reason. It’s just kind of cute, and it sets a good example if despite his traditionally masculine, salt-of-the-earth character, he likes some less “manly” stuff like such and sees no shame in it.

He may sacrifice himself in a blaze of glory towards the end, especially because quite frankly he may lose his plot relevance as the story goes on, though it would definitely be way more respectful than a lot of deaths were treated in the sequels. But I also want him to stick around because I want to imagine him being all proud of Rey and Finn after they propose to each other and giddily planning their wedding, and I feel he could have some very good interactions with Ben to build on for any spinoffs taking place after the trilogy. Speaking of…

Kylo Ren/Ben Solo: AKA Yet Another Ball Of Lost Potential: Anti-Villain Addition. This is gonna be a doozy, so strap in. He was probably the most developed character here but that just makes his lost potential stick out even more, so I have so much to say about him.

About 27 probably. While people complain about it, I actually like him being a manchild. It makes him a bit unique in this series. It’s kind of like Vader if he didn’t get stuck in that suit and kept acting like Anakin. In fact, that could make him even more terrifying if that feeds into how destructive he can be; at first he seems like your typical intimidating SW villain, not even that bad a leader with a seemingly calm if tense, imposing air, but it eventually becomes clear he’s this terrifying, volatile berserker who can throw some of the most destructive tantrums ever, and is ultimately a pathetic, broken, pitiful shell of a man. …He just happens to be a very powerful shell of a man. Maybe if he becomes emotional or angry enough, he can unleash powerful shockwaves that basically blow up everything around him, or cause mini Force Storms, or cause any number of unpredictable effects. Though he’s not quite constantly raging either; these berserk states are indeed triggered by anger, but I’m thinking that they are also basically weaponized panic attacks, there’s a sense that it’s also a self-defense mechanism that he lapses into when emotions overwhelm him or when he otherwise feels threatened (though whether it’s necessarily involuntary all the time I’m not so sure; but while he’d definitely want to be able to trigger them voluntarily, there will always be some sense that he doesn’t have full control over it). Also a lot of his rage is directed inwards as well, much like with his grandfather. I thought that maybe his unpredictability in these rages would be the key to his destructiveness, though I can see how someone who is out of control would also pose a problem, no matter how powerful; so maybe this is when he becomes the most focused, becoming locked onto the elimination of the perceived threat at all costs, and/or he can be controlled by his Master more directly like some kind of attack animal.

Luke’s first padawan, or at least after Leia or Grogu (I might make him show up as Luke’s first knighted pupil and allude to this, providing more exposition on Kylo, and being one of the Jedi who help fight in the final battle as the Skywalkers go on to take on the final boss (and Grogu’s name being revealed would be a massive hype moment in The Mandalorian)). Due to his storied family, plus the name of his uncle and grandfather’s own master, he had heavy expectations on his (at the time) small shoulders from an early age. However, he had long been tormented by the Dark Side due to an untraceable curse placed upon him by Snoke, and probably a pre-existing anxious personality. The expectations placed on him, or maybe perhaps just self-imposed expectations, only worsened his turmoil, resulting in a festering mess of self-hatred, extreme perfectionism, and an obsession with familial honor and obsessive attachment to his family, especially Luke, that is a nasty combination of hero-worship and the abovementioned complexes and may border on almost incestuous.

There’s three ways for his backstory to go; “Underachiever Ben”, where Ben is either mediocre as a Jedi or still good but outperformed by others, or “Elsa Ben”, where he’s basically like Elsa from Frozen, possessing an extreme amount of power but barely able to control it, possibly due to Snoke’s curse, and a sort of middle ground, where Ben was super strong and a quick learner, but the dark side in him made Luke feel mixed about Ben’s increasing power, which Ben sensed. If the former, Ben becomes increasingly frustrated at himself for being such a “failure”. If “Elsa Ben”, there’s that, and also the added pain of him growing up terrified of himself and able to sense the terror he causes to those around him, so he was taken in by Luke so hopefully Luke could figure something out; he could have been destructive from the start, or maybe he started to become increasingly destructive despite his training. If the middle ground route, he takes Luke’s mixed emotions to mean that he doesn’t think he’s good enough. How severe Snoke’s curse would have been I’m not fully sure on; he could have voices in his head and nightmares keeping him up for days, chipping away at his sanity, tempting him to accept the darkness, or it may have just been an amplifying of his already unstable emotions. They could have even started as the latter and escalated to the former. But I’m thinking that to best explain his behavior I’m leaning towards the Elsa route. Eventually, his nightmares morphed into repeated visits by Darth Vader, his grandfather, who told him about the truth of his lineage and how he became Vader, slandering everything and everyone he ever admired or loved, telling him of his “true” destiny, and how he should give up and embrace it; unable to hear the real Anakin’s ghost screaming at him to not repeat his mistake. This extended campaign of mental torment stunted his emotional growth in many aspects, and at times he may seem to regress even more. Maybe other padawans were afraid of him because of this dark side presence, avoiding him, and/or were jealous of him because of his lineage and relation to Luke. He often felt entitled to be Luke’s right hand, getting jealous at other students and taking any reprimanding, no matter how gentle, extremely personally. Luke would have needed to struggle between not seeming to be biased towards his nephew and giving him the attention he needed, especially because Ben would feel like Han and Leia abandoned him because they weren’t able to help him, but considering how attached he is to Luke this would hurt him. So when Luke went to speak to him one night, or rushed in sensing an overwhelming dark side presence in his room, and was suddenly attacked by Snoke with a vision of what his nephew would become and making him go into fighting mode for a split second, drawing his weapon to protect Ben, and/or earlier admitted in anguish that he had no idea what was tormenting him despite his efforts, the straw broke the pedestal and he resigned himself to his “destiny”. Ironically he’s just exchanging one sky-high ideal for another, but he’s too emotionally immature to realize this, nor does he fully realize the fact that Snoke merely sees him as a malleable, gullible means to an end. Yet he still feels that pesky pull to the light, and he becomes increasingly frustrated with himself that even as a Dark side user, he still can’t be “perfect” or “worth” anything, not even able to sink himself into the darkness and finally rid himself of his pain. For all the privilege and power he has, or because of it, he always feels worthless.

Basically I want to break him down and make his pitifulness obvious, but that’s what makes him sympathetic. He’s nowhere as far gone as Vader, even if he wants to be, kind of like a reverse Jekyll and Hyde situation where the Hyde is dominant but Jekyll hangs on, so to speak? Maybe? Is that the right analogy? Or I guess it is kind of like Anakin but sort of not, but he’s rapidly going down the same route of hurting his family like his grandfather.

From researching a bit, his proposed behavior seems pretty close to the symptoms of BPD, which is actually pretty fitting because I was thinking Luke’s philosophy on the Force would be influenced by a more modern understanding of psychology, and Dialectical Behavior Therapy actually seems pretty in tune with what I understand to be how the Light Side of the Force works (I mean it even has basis in religious meditation…). Perhaps a mystical version of DBT was one of the things Luke was studying in exile. Though obviously it isn’t exactly BPD; portraying an actual, named mental illness not only has way too much baggage behind it, but it breaks immersion. And with him a lot of it will be the influence of the curse, though I think I would rather him have a personality that made him vulnerable to it from the start, so the curse had something to latch onto.

Going with the “Elsa Ben” scenario, his “real” personality is anxious and even a bit shy. While I like the idea of him being cheerful when he was very little, the shyness always being there is also a characterization I like. Combined with his lumbering physique from his teenage years onwards, this made him a kid who gave off an impression of being extremely dorky (an act that would probably be very natural for Adam Driver to pull off lol) and/or withdrawn and aloof, the latter of which may have made some other padawans think he thought highly of himself and start to resent him. Unlike Anakin he’d be probably a dutiful student, almost creepily obedient, probably actively distancing himself from rebellious behavior, though his way of speaking isn’t exactly super formal either because of the influence of the adults around him. In his obsessions lies a genuine love, even if twisted, of his “favorite person” so to speak. He was also a genuinely sweet kid who wanted to please these special people in his life. He could be said to be actually really selfless in a weird way, because ultimately he values familial honor and being “good enough” for whatever higher purpose more than he values himself. TROS implied some sassiness with that Han-like shrug, and while I can maybe see some of Han rubbing off on him like that, that might be something that started from him trying to copy his parents’ air of confidence, and another coping mechanism. He might, like Vader, have a 501st legion 2.0 which Phasma is in charge of and Finn is part of, and show a more nicer side to them. Perhaps he opened up one or two times to Finn specifically; I can see this image of him venting to him while Finn stands still like how someone might vent to their dog, not really expecting Finn to be listening (also sarcasm might help Kylo obscure his true anguish from Finn, because FO troopers don’t understand sarcasm probably).

He will be redeemed at the end… and live. Even if not necessarily paired with Rey. I’m neutral on Reylo (though admittedly I have a weak spot for pairs involving a strong woman and a troubled guy, so it’s kind of growing on me), but I really think this ship, or even centering the story strongly around a platonic relationship between these two, could have worked if it was built up strongly (Though if I were to go this route Finn would have to be established as a secondary character from the start, with Rey as the definitive main character, to focus on this). But either way, he’s definitely going to have to face the consequences of what he’s done, make up for his atrocities at least somewhat, and think about what he truly wants to do from now on. I can imagine him quietly reading stories to younglings as Rey, Finn, and Luke train some other pupils outside, or thanklessly working behind the scenes in other ways. For his haters out there, I could make the pill easier to swallow not just by making the reasons for his fall and how he was slowly and meticulously gaslit more clear, but also making him not as awful. Yes, he’s extremely destructive, but he could show more reluctance, or pause after his berserker rages, staring at the destruction he’s caused as the weight of what he’s done sinks in. He’d of course resent that he still has mercy left in him though. I don’t think that there will be a Starkiller Base, but even if there was he might argue with Hux a bit over whether it’s really necessary, until Hux sneers at him for having mercy, saying that Vader never hesitated when blowing up Alderaan, and Kylo reluctantly backs off.

…Actually, what about making him and Rey cousins? On one hand, if Rey is a Skywalker by blood, a direct daughter of the Master himself no less, Ben is now suddenly freed from carrying the weight of the family legacy on his own. On the other hand… He basically loses the thing he has spent his entire life building his identity around; since his fall would have partially been because of his obsession with Luke, he may become jealous and extremely resentful of her, and/or take this as even more reason for Luke to not “need” him anymore. Or perhaps, he pulls a reverse of “I sense the conflict in you” with her, wanting to “save” her from embracing the Light and wanting her to embrace the “true” Skywalker destiny with him. He could even be overjoyed that he could have someone else alongside him to carry on the legacy with; in this scenario he could have an unhealthy obsession with her that might also start crossing into “are you sure this isn’t incest?” territory. Yeah it’s a “join me and we can rule together” scenario again, but it would be done differently. Or perhaps it’s a mix of some of those. Exploring that and how he chooses to take it could be extremely interesting. Maybe it’s resolved when Anakin tells him to “finish what he started”… not just by saving the galaxy, but by also living the rest of his life loving his family not as an ideal, but as family, like Anakin wasn’t allowed to. And platonic Reylo sounds nice too. Though that’s going to make all that shipping fanart so awkward lol. Well it’s not as if Star Wars shippers haven’t been cockblocked by incest before (though his obsession with family and extremely questionable mental state would probably make such shippers go nuts anyway…).

And going off of Poe being close to his parents, while the main interactions with Kylo from the heroes would be Rey, Finn if he’s the second protagonist, Luke, and his parents, I can see potential for an interesting dynamic and some interesting conversations between them too. Much like how he might react to Rey being Luke’s daughter, I can see him being jealous of Poe and resenting him for being his “replacement”, but after his redemption I can see potential for seeing the start of a friendship between them in epilogue comics, novels, or a mini-series. It would be pretty in-character for my version of Poe to want to help rehabilitate his sort-of stepbrother. Also I now have the adorable mental image of Ben quietly helping Poe (and maybe the rest of his squad) decorate and arrange Rey and Finn’s wedding, or the two surprising Finn with a very elaborate bachelor party, though I’m not sure if those exist in this universe. And because of a certain Inside Llewyn Davis scene I’m also imagining Poe getting Ben to sing with him and BB-8. It’s adorable.

Also if both Rey and Finn are the main heroes, he might have some kind of link with both of them, and the main duo would both contrast him in their own way (lonely scavenger who no one expected anything of and nameless trooper who defected from the First Order vs. someone who grew up in greatness but seemingly threw it away and chose to be in the First Order; and much like Kylo Finn in particular has been manipulated from childhood to do heinous things, so he may sympathize with his situation). Maybe he’s the missing piece needed for both him and the leading duo to reach their full potential, or the main duo are the last piece needed to finally break Snoke’s curse on him, or something. Or it could simply just be Finn showing his growth and strength of character by understanding and forgiving Kylo, despite him now understanding just how badly the First Order treated him, which makes Rey (who, again, might start as this super cynical scavenger or may have seen Kylo go berserk and massacre her friends and betray her Master) come around to the idea. In this scenario it may actually be even more important to emphasize that Rey and Finn are two making up a whole, so as not to bog stuff down. It’s possible to ship Finnrey and want Kylo to have a better ending, what a shock!

Maybe Rey and Kylo could switch places, and he comes back to the light in SW8, which is an idea I’ve seen floated and is something that would make the story truly unique. He would seem like basically a less stable Vader 2.0 at the start, but over SW8 he could be seen breaking more and more out of his own terrible mindset, coming to a head in a cathartic realization that bring him back into the arms of his beloved family. It would also add an interesting dynamic that he and Finn have to be equals now. But that may mean that Rey would have to be killed off and I’m not so sure about that.

Though speaking of her, since in all these scenarios a common thread is that she understandably doesn’t like him, it would be a bit of a twist if Finn sees the good in him but Rey, if she’s a Skywalker, his cousin, doesn’t.

And to bring up Poe again, I also really like the idea of them having been childhood friends and thus knowing each other before the events of SW7; after all, they’re around similar age, it isn’t that far-fetched to think that former Rebel families would be still pretty close to each other, and I’ve seen some adorable fanfics with the concept. It also adds connection between them and adds even more tragedy, even if this relationship may have to be elaborated more in supplementary material due to time. I can definitely Poe speaking like an old friend to Kylo and constantly calling him “Ben”, to his irritation. The abovementioned feeling of being replaced could be what caused Ben to suddenly break off the friendship. And making the main cast kind of tight-knit like this might also help make the cast easier to manage.

Granted, there is the possibility of killing him off, though. I heard that one of the initial ideas for TFA was apparently that Kylo would be a reverse Vader, falling deeper and deeper into the Dark Side as the trilogy goes on. In fact, this may have been where Kylo killing Han may have been leading to. This actually sounded like a super cool idea, but considering the backstory I laid out I thought it would be way too bittersweet for the concluding movie of the saga, and if one were to say Kylo basically has BPD… That might lead to some unfortunate implications. I mean nothing is stopping me from not using the Elsa backstory, and if I didn’t use it maybe this route would be pretty viable, but I’m kind of starting to get attached to it.

—

Other characters:

Hux: I’ve never really been a villain person. I mean I liked sympathetic villains, yeah (but even then I preferred anti-heroes for a while; I’m talking like nothing beyond N from Pokémon levels of “evil”), but straight-up villains I just have merely seen as obstacles. Like back in my Smash fic days I was often like “Eh… They’re there… Because they want to take over the world I guess?”. It’s why I’m having trouble with Snoke probably lol. But for some reason Hux interests me. If I take a guess it’s probably because of the potential he had as an actual foil to Kylo in his own faction. He had so much potential as a villain, and in having this tense dynamic play out. In fact he does seem to have been set up that way in SW7. But yeah, I imagine him as one coldhearted bastard. His backstory, though not elaborated on in the movies, would be much like TFA supplementary material set him up; he’d still have killed his father, but while yes, Brendol was abusive and strict, Armitage didn’t kill him completely because he was a young man who wanted to break free from his strict father, but also genuinely because he knew doing so would be good for his standing. Unlike Kylo when he (most likely) kills Han, he doesn’t regret killing Brendol at all. While he might have a tragic backstory kind of explaining his behavior, it doesn’t bother him at all, while Kylo, who considering what happened to him and how he’s literally under a curse you’d think would have a much steeper fall into unabashed evil, is constantly conflicted. It’s a very Sith Lord-like backstory funnily enough… In fact I’m pretty sure that Palpatine had a backstory very similar to this with his parents.

He’s a very logical, analytical, brutally pragmatic person, and he looks upon Kylo’s emotional state with condescension. I’m increasingly starting to like the idea that he’s somehow able to talk Kylo down, while still being hardly nice. Perhaps he preys upon Kylo’s constant need for approval from others, even if he doesn’t like the person in question (this may also be why Kylo reacts so strongly to Finn escaping as well, in fact. He genuinely cares about people’s loyalty, even from literal no-name soldiers). Though I can’t decide whether he’s this deceptively charming snake or basically an evil Spock. I also can’t decide between him being in this constant state of “Why do I have to babysit this manchild” or giving absolutely no visible f*cks around Kylo no matter what happens, or even straight-up trolling him often, toying with his emotions because it amuses him; preferably two or a bit of all somehow? I can see him using having met Vader as a child to mock Kylo for how much of a pale, childish imitation he is, or reminding Kylo of how much better he is as a leader objectively; perhaps that’s what he holds over Kylo’s head. Or him explaining to Kylo how he was raised by less than stellar parenting and tried so hard to live up to his strict father too… So he brutally murdered Brendol in cold blood (possibly with Phasma’s help), became a better admiral than he ever was, and got over it “Like an adult. Unlike you.”. They’d be in this constant state of delicate, tense equality; Kylo can easily overpower Hux if he pisses him off a bit too much, but Hux is able to walk that fine edge seemingly without much effort.

But when he realizes whatever grand cosmic plot he and the entire First Order has been participating in this whole time is when, ironically, there would probably be a really dramatic villainous breakdown from him. It’s kind of a Zuko and Azula situation with Kylo and Hux perhaps? Or is this Hux more a mix of Azula and Zhao’s roles rather?

——

Worldbuilding stuff: Since I’m more a character person, there isn’t much here, but because the worldbuilding was another issue in the movies I’ll also be adding these.

The New Republic isn’t nuked in the first movie. In fact it stays there for the duration of the trilogy and the hero faction is now its armed forces, not The Resistance (Also that name makes no sense. Seriously. At least name them The Peacekeeper Corps or Vigilantes or something, or since they’re basically Leia’s personal military maybe the Organa Free Army or Organa Corps or something of that sort. No wonder people mistakenly call them The Rebels sometimes. It’s a similar setup to Chrom’s Shepherds in Fire Emblem Awakening, albeit with a better relationship with the kingdom; it would be downright strange if the Shepherds called themselves The Resistance despite literally existing with the queen’s permission, and it still is here. Hell, Leia’s Shepherds is a better name). There would be elaboration on the political stuff going on behind the scenes, and if Leia isn’t a Jedi that’s her plotline probably, though a big part of me wants her to be part of the action instead of being stuck on the homeworld.

Meanwhile, The First Order is made up of Imperial Remnants and people and planets who were unsatisfied with the democratic but still new and fragile New Republic. Basically think White Russians if the Soviets weren’t also awful. It happens a lot in history. While it may have some mining planets in its orbit (not literally, you know what I mean) so it can plausibly refurbish anything Kylo wrecks with his tantrums, Starkiller Base is probably a bit much, and a lot of their equipment might be old Imperial or Rebel stuff, or stolen from the New Republic, with new stuff being produced but not in overly high quantity. Some of the equipment deemed less important might even be kind of crappy due to how old they are. They’d probably be at most an equally powerful faction to the Republic, if not smaller than them, seeming more like a terrorist cell. I don’t have much of an idea why Snoke would want to be involved in it yet though.

But while the First Order might be smaller, the New Republic is hindered by it just now finally gaining its footing, and the military previously only having been used for peacekeeping and sniping stray Imperial remnants. Because it’s peacetime, it might have been kept pretty small, and also the military academies are literally not even 30 years old at this point, so new that it’s possible Poe, despite his youth, was one of the earliest graduates; one of the military’s most high-ranking officers is literally a scoundrel with no formal training - even if he is good at his job - it isn’t exactly a well-oiled machine, though its less rigid, casual structure also does benefit it in some aspects. Also the FO can easily use Kylo as intimidation, and its upper staff is nothing if not driven and motivated as well as ruthless. They may engage in more underhanded actions like sabotage and suicide bombers, or rely on small elite units like the Knights of Ren or small companies of troopers, to poke holes in the enemy just as much as open combat. And maybe if all else fails Snoke causes something really bad to happen seemingly out of nowhere.

While I do think that making the baddies an Empire 2.0 is an… uncreative decision, I want to keep Finn’s backstory, plus it fits Kylo’s story too so blah, I kind of have to keep it. Plus I want to do Phasma and Hux justice. Maybe Snoke or whatever it serves turns into a giant Eldritch abomination and have no use for the FO anymore. And again, reactionary forces are a thing that have existed throughout early modern history. But as already mentioned, due to the nature of the First Order’s existence, maybe the Stormtroopers aren’t kidnapped, but they were orphans picked off the streets, and/or some more dedicated Imperial parents gave them their children? I had the idea that Troopers like Finn are “Junior Troopers”, the child slave type, while older members, “Senior Troopers”, would be legit Imperial revanchists and former troopers. Maybe there’s a separate company of Juniors who think they’re cool by fighting for the First Order, but generally Juniors would be the lowest on the social rung, though some might make it into higher positions, and don’t know any other life than what they have now. Though I also like the idea that Finn was part of an elite unit directly connected to Kylo Ren like the 501st, so he has a reason to be particularly hurt by his betrayal (but that could throw a wrench in the whole Finn was a faceless cog in the machine thing). They’re pretty Prussian in command structure; officers work under mission-tactics, but the rank-and-file are machine-like in their discipline, more than even some actual droids. The Republic’s forces also probably engage in mission-tactics a lot, except how far it is acceptable goes way further down the chain of command, so stuff like the Holdo situation doesn’t happen. If that situation were to happen when mission-tactics were to be expected Poe’s independent action would be seen as reasonable. This would have potential for very interesting battles and tactics, though I’d need a lot of help with those because I’m the furthest thing from a tactician you can find (but even I can tell the bomber scene from TLJ was dumb, which should say something).

I kind of realized that it’s possible that the four OT legacy characters may end up basically representing four major aspects of the New Republic; the Jedi (Luke), law and justice (Leia, if she’s a senator), the military (Han, if he’s a general), and economics (Lando). I think some worldbuilding into how the republic functions should be explored through these characters as they move the story forward, except for the Jedi since they’re obviously a central focus, and Luke might very well be introduced after them, and the military will also get focus for obvious reasons, and Poe exists. The information definitely needs to be conveyed as efficiently and organically as possible through the story, because there’s two, likely three, equally important main characters and an unholy amount of secondary characters who aren’t exactly minor.

May write more later idk. I need to be doing other stuff…

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oftenderweapons · 4 years

Text

Introducing: the girlfriends — Lace

Hello cherry blossoms!

Since the girlfriends will feature as original characters in some of the pieces I’ve planned, in this small serie you will find some general information about the girls, presented with their aesthetics. Here you will find Taehyung’s Lace. She will also be featured, together with Princess, in the next piece so I think this introduction will help you get acquainted with her as a character.

NSFW material included. Read at your own risk.

Here you can find my masterlist :)

Enjoy!!!

Lace is a lady through and through. She is tough and elegant, apparently cold but extremely affectionate with those she loves. She is close friends with Vixen. During her university years, she was Princess’ flatmate, even though they got out of touch because of Princess moving out of the neighbourhood and both of them getting really busy with their jobs.

Just like Princess, Lace too works in the fashion industry, more precisely she is a shop assistant — soon shop manager — in a store of an extremely famous and expensive brand of lingerie. She is also a skilled tailor and has her own lab where she makes customised lingerie: she dreams of it becoming her main occupation someday. She is maybe the same age as Taehyung or a couple years older.

In terms of physical appearance, she is curvy and quite “fleshy” — imagine a diva from the Sixties like Liz Taylor or Sophia Loren. She perfectly knows how to wear her curves, chinching her waist and pushing up her breasts in tailored corsets and bustiers, however she is often dressed up in pretty and elegant vintage style, complimenting her sinful physique in classy and modest outfits. She most definitely has love handles and round, soft hips: her body is the definition of femininity and she struts in it like a model. Her confidence is what makes her look so sexy, even if society might not approve of her body.

Taehyung has a very soft spot for her body; he loves the feel of her under his fingers, gripping her flesh. He loves the texture, consistency and the concrete materiality of her, her body making her look like a diva (and totally his wet dream) but also feeling so real and carnal.

Lace and Taehyung are basically a real life example of Gomez and Morticia Addams. They’re passionately, foolishly, sinfully in love with each other. He worships her like a goddess and follows her with heart eyes like a tail-wagging puppy. Lace might look like a cold minx, but behind closed doors she literally adores him, in every possible way.

Taehyung fell for her with a coup de foudre — as if struck by a lightning — literally love at first sight. Lace was more wary about her crush: she takes it easy because she is awfully afraid of the intensity with which Teahyung entered her mind and her soul, and she hopes that such power is not a spur-of-the-moment kind of thing.

Their dates include mostly art galleries and parks, but also old movie marathons, which she watches for fashion inspiration and for their dreamy romance. During said marathons, they lay side by side, with Taehyung’s hand toying with her hair, and Lace’s nails gently scraping against his nape. Sometimes they watch a film they have already seen so that they can make out without missing out on anything. Expect romantic getaways. Lots of them. Taehyung loves big European cities such as Paris, London, Amsterdam and Prague, and Lace likes following him whenever she can, enjoying a few days of art and food and steamy romance.

They are not afraid of being affectionate in public: at the beginning she is a bit shy and cold, but as she gets used to continuous public exposure, she grows more comfortable and daring, indulging Taehyung in his very public gestures of affection. He often places his arm around her waist, leaning down to whisper things in her ear, exchanging flirty smiles with her and comfortably placing a kiss on her lips every now and then, though I think they leave more thorough tongue tango for the bedroom. Yes, they are king and queen of making out, and if they’re tipsy enough, they would most definitely do that in front of friends and acquaintances, not really caring about by-standers.

Taehyung is her little cuddlebug, hugging her and rubbing his face against her chest whenever he comes home after a bad day. He likes it when she scrapes his scalp gently, as if petting a cat, and when she tuts at him because he’s tickling her with his hair. Her affection is often very sensual, with nails drawing patterns on his naked skin, always trying to get beneath his clothes, where she can feel his warmth and the goosebumps she causes with her touch. On the other hand, Taehyung can be extremely playful and innocent in his affection, drawing every feature on Lace’s face with his fingers, kissing her head and rubbing his face against her chest and neck to feel her skin against his lips and the peculiar scent of her perfume. He gifts her a lot of presents, from small inexpensive ones to extremely costly items — yes, you can guess what they are.

Lace is Taehyung’s girlfriend and lover — she perfectly embodies the duality of a refined, confident lady, and the kinkiest freak in the sheets — giving him the love and support of a relationship and the sinful desire of an affair.

She is a domme. During her university years she went through hard times which brought her closer to the BDSM culture. Through learning dominance and discipline in fields like bondage and sadomasochism, she gained strength, maturity, self-esteem and confidence. Her aplomb and savoir faire attract Taehyung immensely, and he gladly lets her take control every now and then; however since their very first encounter, Lace felt something change within her when she was around him, and her sudden willingness to yield to Taehyung made her realise that he was a man she’d gladly be submissive and sell her soul for. Even though there’s not much power imbalance between them, they do partake in extremely daring practices, involving principally sensation play and various forms of bondage, but occasionally also impact play. They experiment with several varieties of sensations, from temperature, to tickling, to pinching and grazing. Their tactile dimension is very strong, and both like focusing on touch during foreplay and intercourse, which often leads to blindfolds or making love in a completely dark room. On the other hand, they both enjoy watching and being seen, in a magnificent combination of voyeurism and exhibitionism. It isn’t rare for them to sit at the opposites end of the bed and masturbate in front of each other. Their "blind" sensorial explorations and their openness have removed shame from their relationship — Taehyung's extremely thorough perlustrarion of Lace's sensitive body allow him to play her like an instrument with sage, talented fingers.

Lace likes showing her submission through blowjobs, especially with Taehyung standing on his feet while she’s kneeling before him. Taehyung likes tormenting her with long edging sessions before making her come undone round after round, with his fingers, mouth and cock. He especially enjoys wrecking her, using her toys to stretch her out, but also making her cum before he enters her, enjoying her tightness after an orgasm. He experiments without prejudice, sometimes improvising extravagant tricks to turn her on in some genial way. He is ruthless, but also fully and recklessly devoted to Lace’s pleasure, his only goal seeing her spent and naked on his sheets, possibly with his length still sheathed inside her. No matter how harsh or soft the scene, their ultimate goal is the sense of unity they feel once they’re done and ready for a nap or for sleep. Napping while cockwarming is a must: they won’t stop until they’re completely spent and once they've finished, they simply lay there, looking at each other, exchanging small kisses and feeling like one single soul without a body.

Taehyung sleeps thrown all over Lace and although at the beginning she’s not entirely comfortable, especially since he’s a furnace in his sleep, after a while she gets used to having him cuddled into her side, pushing his face into her neck and hair while his arm and leg are wrapped around her middle and her hip. And for the problem of being too hot, well... She just forgoes clothes. Which is extremely useful when he wants to wake her up with his mouth around hr nipple. Or between her legs.

In conclusion, Lace and Taehyung are a very passionate, vey intense young couple, whose relationship is based on an attraction that goes beyond looks and digs deep into the very essence of their character, reaching an almost religious devotion and sacred adoration. Taehyung is charmed by Lace’s magnetism and composure, while Lace is deeply enthralled by Taehyung’s consistent and reliable admiration for her. A satisfying sex life is perfectly matched with the quiet way they show each other support, but most importantly by the way Taehyung’s introspection and artistry plunge into Lace’s sensitivity, showing her a level of understanding she has never felt before. They’re both highly sensitive to the other’s emotion and this spiritual connection, put together with the physical one, offers them a sense of unity that makes them comfortable and completely open to each other.

#introducing the girlfriends #Introducing lace #bangtan smut #bts headcanons #bts blog #Taehyung headcanons #Taehyung x reader #Taehyung smut #Kim Taehyung

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aion-rsa · 3 years

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Mortal Kombat Easter Eggs and Reference Guide

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This Mortal Kombat article contains spoilers.

There’s a new Mortal Kombat live-action movie out on HBO Max, and it comes after nearly 30 years of games, cartoons, and movie adaptations. With such a long history to pick through, it shouldn’t surprise anyone that the new movie has more than a few easter eggs and references to the series’ most famous moments and characters. Why wouldn’t there be? Why even make a new movie if you’re not going to throw your fans a bone or twenty exploding skulls?

We’re keeping track of all the neat easter eggs that fill the 2021 film, from obscure character references to loving nods to the games’ most gruesome Fatcalities. Here’s what we’ve found so far:

Kombat Jargon

Cole Young rightfully notes that “Mortal Kombat” is spelled incorrectly. Series creators Ed Boon and John Tobias each have their own explanation for the spelling. Boon claimed that “Combat” was a workshopped name for the game and someone added a K to be weird. Tobias said that the K was there just so they could trademark the term.

As it’s custom for the Mortal Kombat announcers to say who won each match, Kano takes care of this himself when he kills Reptile and smugly says, “Kano wins.”

When Kung Lao kills Nitara, he notes, “Flawless victory.” That’s what the announcers say in-game whenever someone has a perfect round. At least it’s used correctly here, unlike the original movie, where people would say, “Flawless victory,” in regards to fights where both sides took blows.

There are many deaths in the movie, but only Liu Kang announces, “Fatality,” like in the game.

Scorpion and Sub-Zero

Bi-Han killing Hanzo Hasashi has been depicted many times in Mortal Kombat media, though canonically in the game Mortal Kombat Mythologies: Sub-Zero. The version in this movie more closely resembles the events of the animated film Mortal Kombat Legends: Scorpion’s Revenge. The big difference that sets this movie apart from the others is the fact that Hanzo existed centuries ago and not in the present. That, and the depiction of Sub-Zero as pure evil. While Bi-Han is no saint, his killing of Hanzo is usually depicted as strictly business. In the games, the murder of Scorpion’s family is the doing of Quan Chi, who uses the tragedy to manipulate Scorpion into his service.

Outside of his feud with Scorpion, Sub-Zero’s villain status in this movie more closely matches the origin of Erron Black, the anachronistic Wild West gunslinger who first showed up in Mortal Kombat X. Centuries ago, Shang Tsung felt threatened by a potential challenger in the Mortal Kombat tournament. He hired Erron Black to assassinate the threat, and in return Tsung would teach Black the secrets to living for thousands of years.

Scorpion pulls off his classic Toasty Fatality, which also turns his mouth into charred bone. Scorpion’s always had this weird situation going on with his face where sometimes it’s flesh and sometimes it’s just a skull. Here, we get a bit of both!

Sonya Blade and Jackson Briggs

On Sonya’s research wall, there’s a book excerpt on a Native American tribe called Matokans, focusing on shamans and warriors. The clipping mentions a tribe member known as “the Night wolf.” Nightwolf is a character (and title) introduced in the third game. He strongly resembles the sketch included in the clipping. “Matokan Warrior” is one of his variations in Mortal Kombat 11.

Also on the wall is a photo of a sculpture of the Mayan God of War, Buluc Chabtan. In Mortal Kombat lore, this is the Outworld warrior Kotal Kahn, who for a time ventured into Earthrealm and was worshipped as a god by the Mayans. The character was introduced in Mortal Kombat X when he took over Outworld in the aftermath of Shao Kahn’s death. While still barbaric, his rule was considered more progressive than his predecessor’s.

While Sonya’s rings attack is treated as a superpower here, in the games, it’s treated as more of a high-tech wrist weapon.

The subplot about Sonya’s worth due to her lack of dragon tattoo could be interpreted as a commentary on how the original movie handled Sonya in the third act. Shang Tsung kidnapped her and chose to make her the finalist in the tournament, which everyone treated as a fight Sonya could never win in a million years. The way the original movie turned Sonya into a damnsel in distress annoys many fans to this day.

The origin of Jax’s metal arms has been told many different ways through the decades. He’s lost them at the hands of Baraka, Ermac, a Special Forces goon, and Goro. This is the first time Sub-Zero has been responsible.

Jax splattering his opponent’s head with a clap of the hands is a Fatality he’s had since Mortal Kombat II.

Kano and the Black Dragon

Kano has trouble using the GPS to track Raiden’s temple. This is probably a callback to the original movie, where Shang Tsung’s Island caused Sonya’s compass to go haywire.

Kano’s face gets clawed up, and later he’s able to shoot a red laser from his eye socket. In the games, Kano has a metal plate over his eye, giving him that laser ability.

The heart rip was Kano’s Fatality in the first game. He’s since introduced many variations of it.

The Black Dragon is brought up a few times. A scummier offshoot of the terrorist organization the Red Dragon, Kano’s group has included such characters as Kabal, Jarek, Kira, Kobra, Erron Black, and Tremor.

Kabal blames Kano for why he’s stuck in his respirator-based costume. In the games, Kabal was a Black Dragon member who left the group and became a cop. During the events of Mortal Kombat 3, Kabal was burned alive by Kintaro. Kano actually saved Kabal and hooked him up to the respirators in hopes of recruiting him. Shang Tsung tried to use magic to heal Kabal’s lungs, which gave him super-speed as a side-effect.

Kano refers to Raiden as “Gandalf” and considers his comrades’ magical attacks as “Harry Potter shit.” Fitting that Kano’s references keep with properties owned by Warner Bros.

Kano’s overall story here is a lot like the ’90s comic book Mortal Kombat: Rayden and Kano. In the comic, Rayden (they spelled it differently back then) attempted to hire Kano to help destroy Shao Kahn, as he was the descendant of a hero who liberated Outworld long ago. Kano ultimately betrayed Rayden, just as he betrays his teammates in this movie.

Liu Kang and Kung Lao

Kano refers to Liu Kang as “MC Hammer” due to their shared love of puffy pants.

Liu Kang brings up Master Bo’ Rai Cho, a character introduced in Mortal Kombat: Deadly Alliance. Bo’ Rai Cho (a play on “boracho” meaning “drunk” in Spanish) is an Outworld warrior who sympathized with Earthrealm and chose to protect it from Shao Kahn. Being from Outworld, he could not enter Mortal Kombat without it counting against Earthrealm. Instead, he’s dedicated thousands of years to training Shaolin warriors in hopes of one of them winning the tournament and ending Outworld’s streak. He mentored Liu Kang and Kung Lao firsthand.

Kung Lao mentions being the descendant of the original Kung Lao. The Great Kung Lao was a Shaolin monk who regularly defended Earthrealm in Mortal Kombat. He even defeated Shang Tsung at least once. But his streak came to an end at the hands of Goro. Later games revealed that the modern Kung Lao is a reincarnation of the original.

Games

Mortal Kombat: Sub-Zero and Scorpion’s Rivalry Explained

By Matthew Byrd

Movies

Mortal Kombat: The Challenges of Making the Movie Reboot

By Gene Ching

Liu Kang is able to get the better of Kano by spamming the leg sweep. This is a reference to a very annoying tactic in the early games.

The way Kung Lao kills Nitara is similar to his Fatality from Mortal Kombat 9, the difference being that, in the game, the victim is cut apart crotch-first.

Kung Lao dying to drive Liu Kang’s story forward is a regular trope in Mortal Kombat. Lao’s death first came in Mortal Kombat 3. But in the Mortal Kombat 9 reboot, Kung Lao went on a major winning streak during the retelling of Mortal Kombat II, but then Shao Kahn grabbed him from behind and snapped his neck. Liu Kang reacted by punching a hole through Kahn’s chest.

Raiden’s Temple

The paintings depict the Great Kung Lao standing over a beaten Shang Tsung. Kung Lao is probably the victim of the painting of Goro tearing a poor guy in half. Other images show Bi-Han murdering Hanzo and the rule of Shao Kahn, the true villain in the Outworld invasion.

One painting shows Argus and Delia, protectors of the realm Edenia, watching over the prone body of a bearded man with some kind of war going on in a cloud above. This man appears to be one of their sons, either Taven or Daegon. Both were put in a slumber as part of a prophecy/contest to stop Armageddon, an event where so many Mortal Kombat characters were at war that it threatened to destroy reality itself.

There’s a fan on display belonging to Kitana. Kitana is Shao Kahn’s adopted daughter and brainwashed assassin. She tends to betray Outworld and align herself with Liu Kang. Strangely, while she isn’t in this movie, her clone Mileena is.

Shang Tsung and Outworld

While Reptile has been around since the first Mortal Kombat game, the design used for the movie is based on Mortal Kombat: Deadly Alliance. Like in the game, Reptile’s abilities include invisibility, an extended tongue, and acid saliva.

In the games, Nitara first appeared in Mortal Kombat: Deadly Alliance. She’s depicted as a loner and manipulator who wants to bring back her lost vampire realm. A very random choice to be sure, but she also had a cameo in Mortal Kombat Legends: Scorpion’s Revenge, so somebody out there really digs her.

General Reiko was first introduced in Mortal Kombat 4 as one of Shinnok’s henchmen. He was given an extremely vague ending that had him running into a portal to parts unknown, but certain home ports expanded on it to show him putting on Shao Kahn’s mask, suggesting they were the same person. This was later handwaved away as Reiko just really liking Kahn’s mask and wanting power for himself.

cnx.cmd.push(function() { cnx({ playerId: "106e33c0-3911-473c-b599-b1426db57530", }).render("0270c398a82f44f49c23c16122516796"); });

When Reiko was brought back in Mortal Kombat: Armageddon, he was given the giant warhammer as his weapon stance.

When killing Kung Lao, Shang Tsung tells him, “Your soul is mine!” That hammy quote was Shang Tsung’s go-to threat in the first movie. Also, eating souls is Tsung’s go-to Fatality in just about any game.

Goro threatens to tear out Cole’s spine. While that is more of Sub-Zero’s thing, it’s also the iconic Fatality that Mortal Kombat is remembered for. Fellow Shokan warrior Sheeva also has a spine-ripping Fatality in Mortal Kombat 11.

Johnny Cage

The movie ends with a teaser for Johnny Cage, who will presumably appear in the sequel if that project happens. In the final shot of the movie, we see a cropped image of a movie poster for Citizen Cage, one of Johnny’s many established movies from the game’s lore. The poster shows him wearing his large “CAGE” belt buckle, which was introduced in Mortal Kombat 9. That makes it all the more likely that he’ll have “JOHNNY” tattooed across his chest.

There’s another movie poster to the side that we can’t see too much of other than it having “Fist” in the title. Going on the games, this could be The Gist of My Fist or Dragon Fist.

Let us know in the comments if we missed anything!

The post Mortal Kombat Easter Eggs and Reference Guide appeared first on Den of Geek.

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fanwright · 4 years

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Gladiator: 200th Chapter Celebration

Tagging: @kigozula @seyaryminamoto

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Seyary, this is a great milestone for you. Just want to let you know that I’m happy for you and impressed by the work that you have done over the long years of writing this story. You’ve inspired others to get into Sokkla as well as to have fun with the ship. Its been a great pleasure!

When I first picked up this story, I was still in college and rediscovering ATLA. Gladiator, as well as your other stories (which I recommend that others read as well) really cemented my liking for this ship. Years later, I’m still here, though all the ups and downs.

Now, despite me liking Gladiator a whole lot, I’ve admittedly fallen behind on catching up with it, chapter by chapter. That said, I do want to read it at my own pace and as I read more I still find myself loving the story, as there is much to enjoy.

So, to that end, I’ll be commenting on the parts of the story I have been caught up with, Chapters 1 to 100. I hope that’s okay.

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1.) Favorite Character: Sokka

Now, this doesn’t mean I don’t like Azula. Of course not. And choosing one over the other is such a hard call to make that I would rather have them both occupy the same spot. But I decided Sokka in this case for a number of reasons. Others have commented on Azula in their own posts, so I thought giving my reasons for Sokka seemed only fair.

We’ve seen Sokka change a lot over the course of the story and I seeing him morph into the character he is now is such a stark contrast to the one we saw at the very beginning. He hated the Fire Nation and was unwilling to cooperate with Azula. And yet, after trial and error and harsh circumstance, we have seen become a great warrior in his own right and the closest companion Azula has ever had, being her secret lover. It has been such a treat seeing him change and adapt and grow in this story. And as someone who really does like him as much as Azula, it was (and still is) a thill to see him get an all-star treatment in a story.

And yet there are lingering complexities within him in this story, as far as I have gotten in it. There is still that awareness within him of who he serves and what he is doing, along with a nagging feeling of inadequacy that has hounded him at every turn. Bit by bit, either by his own efforts or with a little help, he is clawing his way forward internally to find some reconciliation. And I find that very compelling.

And also its fun to see him thrash gladiators.

2.) Least Favorite Most Dreaded Character: Ozai

Well, that’s not true really. I don’t dislike any of the reoccurring characters actually.

The best way to describe this particular choice is “Most Dreaded Character”. I chose Ozai for this one because I dread the moment in when he finds out Azula and Sokka’s little affair. Now, again, I’m only on Chapter 100, so things could have changed by now. Yet, I believe still that if Ozai finds about about all this... a lot is going to change for Azula, Sokka, and even the Fire Nation. He will be a consequential character in the chapters to come and dread to see the his wrath and what that will mean for everyone else. It will not be pretty.

3.) Favorite “Antagonist”: Toph

When I first picked up this story and saw Toph introduced as an adversary, I was hyped. Like, you have no idea how hyped and pumped up I was for them to brawl. And I was not disappointed.

See, for me, Toph represented more than just a metaphorical torn in both Sokka’s and Azula’s side for a good chunk of this story. She is at times a very compelling mini-villain, as if she is straight out of a Disney movie. She loves what she does and enjoys it, and knows just how powerful she is. And flaunts it in spectacular display. She has such a simple yet understandable motivation and was a very real threat to Sokka’s own life in the very first fight they were in. And despite both Sokka and Toph eventually learning to respect and even befriend each other, there was always the nagging thought that they would eventually fight again, and each one knew they wanted to win that rematch. Toph provided Sokka and Azula a reoccurring adversary to strive toward beating. Even as other gladiators came and went, they always knew Toph would be their biggest obstacle. So much build up was focused on training for that eventuality. And all of it was compelling enough to paint Toph as this great rival to them. Her being a part-time ally in some cases and even being a friend didn’t really change that until after they had fought a second time.

Its because of this that I now believe firmly that Toph should be used as an antagonist more, if a story needs one. She is just so fun and so good as villain that hope others come to use her as one in AUs.

As I read more, I’m sure this might change in time. But, even with all the fights Sokka has had, I firmly maintain that Toph was his greatest adversary on many levels.

4.) Favorite OC: Rui Shi

Honestly, I think this guy is a sprit animal to someone out there. He’s just a guard trying to do his job right and the person he protects consistently makes that job harder for him in the most ridiculous ways. “Oh great, my princess is in an affair with her Gladiator and that won’t stop fucking like rabbits. Joy.”

Honestly, this man needs a vacation. A long one. And Seyary hasn’t given it to him, because she likes to make his life hard. Rude.

For the longest time, I actually thought Rui Shi was much older than he actually is in the story. So until a picture of him was finally made, I pictured him as a 40 year old veteran with a graying mustache and beard. Even with how he actually looks, I wouldn’t be surprised if his job made him grow gray hair from all the stress.

Good OC, one of a few I like.

5.) Favorite Suitor: Zhao

Should probably be no surprise. Where I am at right now, he’s essentially the suitor to beat as well as having the ultimate Gladiator for Sokka and Azula to defeat. Azula even admired him at some point. Though that has changed, I feel that Zhao has his eyes set on courting Azula further. Its a move that Ozai would likely not object to, provided Zhao pulls off something grand to earn that honor. And although every suitor has made Sokka angry, I feel Zhao would anger him on a deeper level as his interest in Azula grows.

I look forward to seeing him more.

6.) Favorite Gladiator(s): Jet and Suki (For Chapters 1-100)

Jet being a brainwashed Gladiator highlighted a dark aspect to the games. He was also a brutal berserker when in the ring and one of Sokka’s most bitter adversaries. Suki to me was an interesting contrast to Sokka his situation with Azula. She was to me a kind of noble gladiator, an Amazon in the ring put gentle when out of it. Putting the canon characters in as Gladiators was always a treat for me and actually lends itself to some world-building.

7.) Favorite Gladiator-Canon Pairing: Sokka/Azula

This should not be a surprise :P

I could go on and on about it, but for the sake of brevity, I’ll keep things short. This should not be surprise because the driving force and the very soul of this entire story is about a warrior-princess falling in love with a tribal gladiator. Their differences and how they reconcile them, their fears and pain, their passion and drive, all propel this story forward. Things have changed in this story because of them and they themselves have changed because fate brought them together.

If that isn’t enough to make them my favorite, then I’m sorry I don’t know what else to say to convince you XD

8.) Favorite Arc(s): Rough Rhinos Arcs

Two arcs hit me hard on an emotional level - The end of the introductory arc and the Rough Rhino’s arc. They literally crawl out of quagmire, find a dragon in the process, and have one of the most touching and sincere heart-to-hearts in the story thus far. It was one of my favorite arcs to read and the emotional stakes were high. As I read more and continue, this might change, but for now I maintain this is one of my favorite arcs.

9.) Favorite Places/Locations: To Be Determine

This is the down side of having to catch up. There are a lot of locations in the story and in the ATLA universe that I like, and its always a hard choice for me to decide. I am a big fan of settings for a story and when I find a setting I like I usually latch onto it in all its locations. So for now, I will not decide on a solid choice.

... however, in any AU it might show up in, Bs Sing Se is my first choice by biased default. I just love that city and I always appreciate when a story fleshes it out in little ways. Gladiator being set for a fraction of its time in the city was great for me as I got to read more about the city I like so much.

10.) I wish to see Sokkla in...: More tender, couple-like moments

Surprising, I know. But I what I mean is this - moments where they refrain from arguing, don’t bicker, and just enjoy being around each other, doing small things together. And its hard for them, they have to train they, have to keep their relationship a secret, they can only be a true couple for fleeting moments because of how dangerous and vulnerable it will leave them. And it claws at my heart every time. So I cherish the moments they have when they can be themselves around one another, fleeting as they sometimes are.

11.) I believe Sokka and Azula’s relationship will be revealed when/like/because of...:

... when they get careless. When they feel that they are safe in their secrecy, complacaent in their routines for keeping their relationship hidden, that’s when it will be revealed. Its a kind of Hubris of sorts.

And when its revealed, it will lead to something bad and irreversible for the both of them. You can only hide something like this for so long. Even historical royal affairs were never as secret as theirs. And they have taken painful precautions to keep it all under wraps.

So when it finally does, it will change everything. And that’s going to be quite the wild ride.

12.) I believe at the end of Part 3...:

... that a sacrifice will be made. A death or a relinquishment of something. Sokka and Azula will be together, but something will have to be given up, and it will test them for the final time.

I can’t say what it will be, but I’m going to enjoy finding out.

#Sokkla #Sokka #Azula #Gladiator Chapter Celebration

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bevvydraws · 4 years

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This is going to be my feelings/opinions towards all of the main characters in Danganronpa: Trigger Happy Havoc. This is directly related to my interpretation of events in the series! If you disagree with my thoughts/feelings that’s totally cool but this isn’t meant to be a debate!

A lot has been going on right now and I don’t have the energy to do much digital art right now, so I figured I’d just open up a little more about one of my favorite series! Maybe I’ll do my opinions on characters for the other games next.

** This post will contain information that will spoil the series for you, so continue at your own risk**

Makoto Naegi:

Honestly I really like Makoto. He is really average but honestly I think that’s what makes him so appealing. Not only that, but he comes off with a type of charisma that only “average” people can pull off. He has a base knowledge on a variety of subjects that allows him to talk to the other students. That and I find the concept of his “luck” very interesting. Also, side note, but that sprite of him focusing with his finger under his chin is probably one of my most favorite DR sprites ever. It’s just so cute! (I might redraw it someday hehe)

10/10

Aoi Asahina:

While I adore Hina, I really wish that they would have made her more than just a ditzy character who was obsessed with donuts in this game. I loved her energy though! Her interactions with everyone always made me smile. My appreciation for her character just increased exponentially after watching the Despair Arc of Danganronpa 3. All in all I’m super glad that her character survived in THH.

8/10

Byakuya Togami:

Honestly, I have mixed feelings about Byakuya. I think he’s a great antagonistic character, truly, but beyond that I’m not sure. I definitely think that his character is humbled throughout the course of the game, and in later games/animes he seems a lot less asshole-ish, but I’m not sure if I like him or hate him. I guess that just goes to show just how great he is as an antagonist. One thing I thought was hilarious though was how he casually admitted to being a true-crime nerd. I’m really glad he survived because I think his “talent” was really important for the Future Foundation.

6/10

Celestia Ludenberg:

Okay so real talk, I used to be a huge Celestia fan when I first stumbled across the series. But now, I don’t really like her character all that much. I think that out of all of the killers in THH her motive was the most shallow and that really is terrible considering how much potential she had. Her disconnect with her true identity could have made for an interesting character arc. And I really hate how they gave her literally the most complicated murder scheme when it would make sense for her to take a little risk as possible. Her character design is really cute though.

5/10

Chihiro Fujisaki:

I think Chihro’s death was one of the hardest for me in the game. I played through all of his freetime events and was super attached to him (I know, a horrible idea in a game like DR), and as soon as he died I was just in shock. One thing I love about how they portrayed his character was truly allowing the brilliance of Chihiro shine through even after his death. He created the AI that not only helped aid in their escape, but ultimately saved Makoto's life. I also really liked the juxtaposition of Chihiro and Mondo (the seemingly weaker one ultimately being stronger after all). All in all, Chihiro is a great character.

10/10

Hifumi Yamada:

I’m not really a fan of Hifumi, but I definitely think he gets wayy too much hate or just gets overlooked completely. I think that the creators leaned a bit too far into the stereotypes for him, and that made him come off as stiff and just… there. I knew from the very beginning that he wouldn’t survive, and honestly he’s the only character I had that feeling with (minus Leon). There are some quirks about him that I like, though, like how he never fails to refer to the others politely.

4/10

Kiyotaka Ishimaru:

So I originally found Taka annoying but after playing THH again he became one of my favorite characters. I find his enthusiasm adorable and his free time events boosted my admiration of him. He’s the only Ultimate that makes a conscious effort to prove himself and not rely on his prodigy-type status. And his relationship with Mondo, albeit short-lived, was so pure. It was so obvious to me that he was happy to have a friend (because Mondo is the first friend he’s ever had), and having that suddenly ripped away and listening to his desperation at the end of chapter 2 made me sob.

10/10

Kyoko Kirigiri:

Kiri’s background made me feel really sad for her. I first thought she was just the aloof, cold, smart type that was a bit snobbish. But then you realize that she’s been raised to not be in the spotlight, to work alone and without credit behind the scenes. Detective work is basically her birthright and she’s clung to that like a vice. Her character development throughout the game was really nice, and I think her and Makoto are super cute for each other. The side plot with her and her dad in DR3 made me really sad, too. I really liked overall that she was unapologetically holding true to her beliefs, even if it made her come off as cold. She was a solid, strong female character.

8/10

Leon Kuwata:

It was super obvious from the beginning that Leon was gonna die. There was 0 attachment to his character for me and he just came off as just...kinda there. I don’t really have much to say about him, other than that I’m not a fan.

1/10

Mondo Owada:

Mondo was such a big sweetheart in his freetime events. I thought his character was really well rounded and I was so sad that he ended up killing Chihiro. Despite that, I thought it worked really well for the story and played off of both of their weaknesses. Again I really loved his friendship with Taka, and having it formed and ended so quickly surprisingly hurt.

8/10

Sakura Oogami:

Honestly I didn’t like how they made her character the spy, because it seemed ridiculously out of character for her. Honestly I think this would be something better suited to Celeste, as she would view it as a way to increase her chances of living if she’s in “kahoots” with him. I dunno, I think the spy thing was unnecessary anyways. I loved her character though and her friendship with Hina was super cute. I also loved how they mentioned that she wanted to embrace her femininity while also not wanting to give up being the strongest person in the world.

7/10

Sayaka Maizono:

Honestly even though I’m not the biggest fan of Sayaka I really like the role she played at the beginning and I think they played it off perfectly. Her desperation fueled by the fear and harsh reality that comes along show business and easily being forgotten really works in the narrative. She seemed like a well-rounded character but I think that if she had lasted past chapter 1 I would have liked her less. All in all her character did a great job of kicking off everything.

6/10

Toko Fukawa:

I hate how they portrayed her character in THH, but her obsessive and odd behavior (outside of her split personality) is easily explained by her traumatic past. She obviously has a warped sense of what “love” is, and that plus her intense delusions turned into obsession for Byakuya. I started loving her character a lot more in UDG, when she started becoming more well rounded and open around Komaru.

Also, I loved Genocider Syo’s personality. While I obviously don’t condone serial murders, I think that her character is extremely interesting. She doesn’t try and condone her own actions, admitting there is no rhyme or reason. Plus I think it’s really interesting that she considers herself a “professional” and is incredibly particular about the details.

Overall 6/10 in THH

Yasuhiro Hagakure:

I feel like Hiro gets a lot of shit as a character because they think he doesn’t contribute anything. I think he adds a lot of much-needed comic relief. Also I think that everyone glosses over the fact that once Taka goes silent he actually tries to encourage him to speak up again. And then tries to do his part and keep everyone together and upbeat. I really think that Hiro is a fun character who deserves more love, even though I can’t say he’s one of my favorites.

7/10

Mukuro Ikusaba:

I wish Mukuro’s personality would have been able to actually show through in the game. The only glimpse we really see of it is in the bonus school mode while she is still posing as Junko. I wish in the anime they’d have harped less on her odd obsession with Junko and focused more on her internal struggle. I think her character has potential but I can’t say I was particularly attached to her (I suppose that was kind of the point, though).

4/10

Junko Enoshima:

Junko is probably one of the most well-written villains I have ever seen in a series. At first I thought it didn’t make sense, and was confused how one person could have so much influence on a mass amount of people. Then it was revealed in later installments that Ultimate Fashionista was not her real talent, just a cover she forged for herself to help her blend in to the school. Her real ultimate talent as the Ultimate Analyst allowed her to predict people’s actions and more importantly, their reactions. Her innate ability and incurable boredom made her seek out something unpredictable: despair and chaos. I think what made me love her as a villain was the line “You can’t argue with me, because there's no reason for anything that I do.”

As a villain I give her 15/10. If I were to rank her as a person? -11037/10

Overall Opinion:

I really find most of the characters charming but it’s super obvious when comparing this game to the others that these characters were not as fleshed out as characters in other games. I found it hard to be super attached to most of them and felt that some of their actions were really uncharacteristic. However I really do like the characters and what they add to the story, even if some of it doesn’t add up completely. I’m the least attached to these characters out of all of the characters in the DR series, although there are obviously some exceptions. I think there couldn’t have been a better opening cast of characters.

#bevvy talks #bevvy rambles #bevvy's opinions #danganronpa thh #danganronpa thh characters #danganronpa opinions

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pynkhues · 4 years

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fortheloveoftagalog replied to your post “I just read the new TV Insider interview with Bans and Krebs and I...”

@pynkhues thanks for this post...what strikes me and I think a big part of the Fandom is the work taken to redeem Dean when we still have very little POV for Rio. Its sad that the fans have to be using snippets of Brio to try to understand the underlying meaning of the actions when there are so many creative things the writers could do...you guys do it all the time in your writing and these are professionals. While their aim may not be to do what the fans want the success of the show rests with fans. I know as a shipper from a previous show that got canceled because of poor writing and development. This season was very poorly done and I believe Bans and Kerbs( i may have gotten his name wrong) will need to go back to the drawing board. The whole issue of marketing Brio is also terribly deceptive on their part because I do believe the plan was to make fans side with Beth and the girls with trying to kill Rio because he ordered the hit on Lucy not realizing that him doing this inspite of her innocence was the best thing to do for the business that ultimately involves the girls we are all cheering for. Fans love Rio because of how Manny plays him which is not one dimensional...he plays him like how thugs really are...human just probably mostly bad but capable of good and love and in his case respect and a code. Why redeem Dean and not give Rio a POV?

You’re welcome, and thanks for commenting! :-)

SO. There are a few things to unpack in your reply.

I’ll start with the simplest - the writers don’t have any say in the marketing of the show. It is frustrating that the promos feature Brio so heavily when the story itself doesn’t, but that’s an NBC thing, and it’s based on what the network knows picks up traction, not a Good Girls creative team thing. So you can’t blame them for the way the show is promoted (hell, never forget that the NBC marketing team called Annie Amy in a press release! I will never not be furious at the disrespect, haha). If there’s anyone to blame for Brio-focused promos, it’s all of us, for being so obsessed, haha.

I also strongly disagree that this season was very poorly done. It’s cool if you didn’t like it, and there are definitely things I didn’t like about it too, and places I felt the scripts needed further development, and sure, places where I personally would’ve made different creative decisions, but on the whole, I actually found the overall writing strong, the angle compelling (albeit sometimes frustrating), and most of the payoffs pretty satisfying.

I also....hmmm. I don’t really know how to articulate this, haha. But look, as somebody who writes professionally and works for a successful, internationally-touring theatre company? I can guarantee you whose side the audience is on is very rarely at the forefront of any writer’s’ mind.

Stories aren’t about sides or teams.

They’re stories.

And stories are usually designed to pose questions, to explore moral lapses, to better understand psyches. Stories – in my experience – like to splay people out and dissect them, not champion them or cheerlead.

This show has never been a superficial, ra-ra-sisterhood story that tells us Beth, Annie and Ruby are perfect gals just doing what they have to. In fact, it’s the opposite. It’s positioned them, since the very first episode, as three deeply flawed women who are broken by their respective circumstances who want to survive and thrive for their children. We’re not supposed to agree with all their choices, but we should understand them (and the spaces where we don’t are reflective of the flaw in the writing, not the character making the choice in the first place).

As for Rio, yeah. I get it. I agree in a lot of ways. I do think Rio’s role should’ve been fleshed out more in s3 (not heaps or anything, but a bit, yes), and I think the show teased opportunities for it – particularly through Turner and Rhea, and then pivoted away at the last minute whether through cold feet or narrative confusion or thematic frustration or wanting to keep the mystery alive, I’m not sure! But the last minute dip-out definitely happened!

I do actually understand the hesitation of pulling attention too far away from the girls though. The thing is, Rio has functioned as a narrative island which I talked a lot about in this post, and the reality is that building out his world would require a drastic narrative expansion, a deep financial investment in terms of the production itself (something we can get away with in fic because, y’know, we’re creating for free), and a pull away from the story that the show is trying to tell.

I know, I know, we’ve seen storyworld expansions with both Dean and Stan this season, but both those expansions fed directly back into the girls’ stories – from Stan and Ruby’s push-pull to the heist, to Dean almost (definitely) cheating and Beth buying Four Star Pools and Spas, but I mean...

Haven’t we seen storyworld expansion with Rio this season too? It might not have been what everyone wanted, but we got to know his bar really well, got to meet his ex, got to know his boy better, and his tastes and habits a little more.

That’s actually pretty massive for a show that introduces minimal details about it’s main characters (I mean - - I dare you - - try to tell me five three things each about Beth and Annie, and Ruby’s respective parents).This show thrives as a plot and pace driven show, not a character study, and the result is we don’t know as much as we want about the characters unfortunately. Which is a bit of a shame! Because man! This show has some wonderful characters.

#fortheloveoftagalog #beth boland #rio #gg season 3

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oh-phineas · 4 years

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Emma’s 2020 Questionnaire!

Your Name: Emma Characters: Phineas Flynn, Tiana Truitt, Aquata Triton, Henry Charming, Evelyn Deavor Pick one of your characters and talk about their growth (we recommend choosing an older character, but it’s up to you!) What about their story has surprised you? What are you proud of? How have they changed from their original inception to now? I’m going to talk about Phineas because I’ve had him for the longest and I think he’s the one I’ve been able to spend the most time developing. So basically something I struggled with when I first picked up Phineas was how he deals with people he doesn’t like, because in the show I don’t think he really dislikes anyone. And I feel like this drama with Tony recently has finally helped me crack what Phineas’s deal is when it comes to conflict-- he doesn’t really feel down about it unless he feels like his character is being questioned, and that’s why with Wilbur he’s mostly like whatever while with Tony and Lock (in the past) Phineas has gotten petty and vindictive-- he doesn’t like the role he’s found himself in and he takes that personally if that makes sense. (Also Phineas just way prioritizes his job with Cornelius over getting back at Wilbur, even if he’ll make the occasional jab at Wilbur in Among Us or on Twitter). So that’s been really cool to explore. And I think he’s also gotten a little less finance-bro-y than I originally intended, but I think that side of him will definitely come out once he graduates and goes to uni. I think the thing I’m most proud of with him is kind of maintaining that balance between being totally likeable and fun while also pretty infuriating and obtuse, like he’s a sweet and well-meaning person who’s also really annoying and idk I think I do that balance well.

Pick another character (or the same character if you only have one) and talk a little about where you WANT them to go. What are your plans for them going into the new year? I’m really excited to see where Tiana goes! Ever since I picked her up, I’ve been focused on this goal of getting the restaurant to happen and now that I’ve done that, there are a lot of possibilities. I want to see Tiana burn out from the stress a little bit-- maybe take on more than she can handle because a big part of her arc has been learning to accept help and collaborate with people, and I got to do that a lot with planning Tiana’s Place, but I would also really like to see that continue because those tendencies don’t really go away. I also want LOVE for Tiana even though I keep saying she doesn’t have time for it-- I want her to get a stupid crush that distracts her from work lol I think it could be really fun. And I’m also really excited to keep developing all her friendships, I love all of her Swynlake native connections and PRINCESS HOUSE and other small business owners and now that she really feels like she has put down roots with her restaurant, I want to see her branching out more.

Pick a thread or a plot that you’re proud of and talk about why you loved it. In terms of your own writing, identify 1-3 strengths and talk about why you think it’s one of your strengths. Ok sorry to keep talking about Tiana I promise I have other characters but I’m really proud of all of the different characters I incorporated into the Tiana’s Place opening. My goal was to make a real community effort to show that, no matter how much she wanted to do it on her own, she still has a whole group of people supporting her and who have a stake in it-- from Nuka and Ratigan in the beginning with the financial stuff to Clara and Toulouse and Laszlo with the music/art to Jun and Al for business advice to all the people who donated to the raffle. And the raffle was so fun and I hope people use that for plots!!

I also gotta shout out one more: writing the pirates AU Phineas and Ferb stuff was so much fun and really pushed me as a writer I think. I was a little uneasy going into pirates because action/movement/fights are not my strong suit and I knew there would be a lot of that. But the generated stuff was really helpful in kickstarting some ideas and Sid was so great to work with on that. I thought we got really creative and personally I had so much fun and I hope other people did too.

In terms of strengths for my writing-- I think I’m good with flaws? Like even characters who are really sweet and nice (I’m looking at you Henry) I think I try to show the different sides of them and explore how you can be both really well-meaning and really misguided at the same time. And I think that’s good because it has the potential to cause conflict and drive forward more plots where there’s no clear ~bad guy~ just flawed people trying their best and that’s the most interesting stuff to me. Of course I also love big bads! I think macro plots are really important. I think my niche though is those petty little conflicts and I think I do a good job with them.

I’m adding another too because you know what why not. I think I've gotten pretty creative recently?? Like I’ve done some really weird fun stuff this year-- Henry and Jake’s acapella audition is up there as one of my favorite threads, and I’m really excited about Tiana and Aurora’s fake date and Greg and Q doing Santa’s Workshop and I think Henry’s first open was one of my favorite opens I’ve done. Idk I think one of my insecurities about RP has always been that I worry I don’t bring enough ideas to the table with plotting and I think I’m getting better at letting my brain dream up weird cool stuff.

In terms of your own writing, identify 1-3 areas of improvement.

Like I said, plotting is still something I struggle with-- I spent the majority of my early RP experience in a very gif-chat-heavy open-heavy fly-by-the-seat-of-your-pants rp, so coming to BDRP even back during round 1 in 2017, plotting was a big surprise to me. And this is also something that I struggle with in my non-RP writing-- story arc and structure is something I have always wanted to improve. But I think I’m getting better at fleshing out ideas and not putting too much pressure on myself. And I think I’m also getting better at stepping out of my comfort zone and messaging people I don’t write with as often which is important because literally everyone here is so fun and talented! So I want to keep doing that. I know I can be a little shy sometimes (this sounds SO weird I never shut up lol but it’s how I feel) and I don’t want that to hold me back

In terms of actual writing stuff, I’d like to expand my vocabulary a bit more? I think I use certain words and phrasing so often that it annoys me and maybe it annoys no one else and my writing will be worse if I try to throw in unnecessary words but yeah. I think reading more will help with that. And in general I just really want to get better at thinking stuff through and building story arcs.

Pick one of your plots, or even just a character, and come up with a list of 3-5 “mentor texts” where you can look for inspiration or research, then write a short (2-4 sentences) why you picked those texts. (They don’t have to be books, either!)

Ev is the one I feel like I need to do the most development on so here goes!

1. Red White and Royal Blue by Casey McQuiston, specifically the character Nora

Messy nerd girls! Messy nerd girls! Please recommend me more things with messy nerd girls! Nora is basically Ev’s exterior, the person people know her as. She’s chaotic and fun and relatable, and also kind of a genius.

2. Macbeth, specifically the character Lady Macbeth

This is one I wanna dive into! I’ve seen a heavily abridged version of Macbeth and that’s about it but I have a copy sitting on my desk. I love a villain who likes to stay behind the scenes and pull the strings, and while Ev is in this for “moral reasons” (lol) she’s also in this for #power. I’m not used to playing manipulative villains-- I’m usually more of a henchperson type deal, so the ultimate 4-D chess gal would be some good inspo.

3. Harry Potter and the Sorcerer’s Stone, specifically Professor Quirrell.

Ok I am really sorry to bring Harry Potter into this but I think something that’s important about Ev is that one of the things distracting from her villainy is her vague air of incompetency. We know she’s very smart and she has the whole nutty-professor thing going, but she’s kind of a mess and I want characters to underestimate her. I think Quirrell’s vibe of being nervous about everything is similar to Ev’s messy exterior and I would love a good end-of-the-book villain reveal. And now, a wishlist! Jot down a few themes or stories or genres etc that you want to maybe pursue in the upcoming year! (i.e. a good ol’ fashion forbidden romance, maybe you want to dig deep into racial identity etc) This doesn’t have to necessarily be attached to any characters or stories you have now– it’s just meant to help you see for yourself what kind of stories call to your heart.

Oooh so many things. Generally more romance-- I always hesitate a little with shipping IDK WHY maybe it’s insecurity about jumping into what always feels like a bit plot to me lol. But I wanna take that plunge more-- especially with Tiana! But I’m pretty much open to stuff with anyone, especially really silly rom-com type stuff. I also think that my shipping niche is super complicated stuff with villains (the irony and craziness of the Henleigh situation is so FASCINATING and FUN and I want MORE OF THAT) so just saying a I’m-flirting-with-you-because-you’re-a-good-ally-to-have-on-my-side-oh-no-I’m-actually-falling-for-you thing with Ev could be really fun (LISTEN her entire tag is just shipping content. I scroll through so much of it so of course it gave me some ideas)

I’m also REALLY jazzed about the uni stuff going on right now. Like I’ve said before, I think college is a really interesting place and so much weird shit happens there because you have all these 18-22 year olds living in close quarters and they come up with weird ways to entertain themselves. The secret santa/RA stuff has me loling every day and I just love stuff like that. Like, I’d love to have shenanigans like people sneaking into dorms and staying up until 3 am in the library and all that stuff. I just love that stuff.

Also I am really trying to do big bad stuff with Ev!! As I have mentioned... plotting and story arcs are a major thing I’m trying to work on, so it’s a lot to think about, but I would really just love to do all kinds of things-- I’d love to have her enable small-time villains, or manipulate people who are easily swayed, or to trick people. It’s a new area for me, but it’s something I’m excited about and I want to challenge myself.

OPTIONAL: Why do you RP?

Because I literally can’t stop apparently lol. No but the thing I love about RP is getting to collaborate on a story and getting surprised by people, getting to geek out about something that I can also participate in, and having NO RULES. I think there’s something really special about having an interest that I can’t monetize or market, that I can do for pure fun out of my love of creating and writing. And I love having a community of people on the ride with me. It’s so much fun and I’m so grateful for you guys!

I always end with a gif so here’s my favorite gif it legit makes me laugh out loud

#bdrptask #this is just word vomit #enjoy

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meieuys · 4 years

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And from I, to You

[Summary: It’s the day after the ball—the one where the Prince Charming picks his cinder-bride by her shoe size. Absolute insanity, yes, and Anastasia Tremaine knows of it. But she also knows a lot more other things, such as her gone-mad mother and the thoughts of oh-so-silent Drizella, her older sister. Holding the only slipper in existence, Anastasia also knows who the shoe fits exactly, but since when was she a good girl?]

It would not fit.

The glass slipper just wasn’t right.

It didn’t seem like it’d be a matter—at the time.

Now, Ana had chosen to help Mother slice Drizella’s heels off to fit.

“It’s only a little, Anastasia. Help your sister. Now.”

She was always helping. Surprised no one when she gave a curt nod, soon retreating to her room. The silent walls welcomed no one when she entered. Hadn’t this been Cinderella’s room before Mother took over? Even now, the room rejected her, as the slipper did.

The glass slipper was fortunately larger than her foot, so she hadn’t had to slice her heel to fit.

Perhaps Drizella’s heel would be the finishing touch, and she would go live with the prince after all; abandoning her mother and her duties, helping no one no more. Well perhaps she could help the prince, after all, she had a many ideas of how to be the perfect princess. Balls, curtsies, you could name whatever it was, and Ana would be there. She was the helper—the only helper around these parts. Even then, as it was, rejected her too.

The happy memories with little Drizella and sane mother seemed to coerce her back into the depths of her both internal and external cocoon. She let out a short, deprecative chuckle. Ana was out of it, that or more. Thinking about it, she reached a conclusion. If Drizella had just let her be oh-so-nice to Cinderella at least once more, she thought, maybe she would spare a thought of whisking them away from Mother once and for all.

Alas, Drizella would never allow that, with her enormous pride, and so-so, ruling out fleeing to another continent. Plus—if it was possible to reach heights of peak intoxication before dropping dead, it would not hinder Mother before she walked up and bashed both Ana’s and Drizella’s skulls with her leather slipper. The poets speak about it, but experience is never the best teacher.

And if you’d ask her how she knew the slipper would fit on Cinderella’s dainty feet, she would’ve mumbled an incorrigible set of words and slumped on her prep-table, as she did now. Occurrences fit of insanity always seemed to happen to Cinderella. Drizella had joked of it being some kind of curse following the time Cinderella’s cursed birds had bit her nose, but Ana knew it was more.

Ana considered shattering the glass slipper—watching the pieces break into completely immeasurable shards of her glass and glass, thorough. She hoped it might help her, but it wouldn’t, really. She stared at the slipper in her grip, the familiar sound of glass cracking.

Mother often got violent with Cinderella, and sometimes, Ana would pause outside Cinderella’s door, hoping she was alright and well. It was just her inner desire—to make sure that even with the chaos and their desire not to let any of it change, they would at the least be alive to relish it.

She remembered the time Cinderella caught her, her face bruised and tired. In Ana’s hands were several bandages, and she placed them down. They stared at each other for a long time before resuming to their duties, fractures of both their words hesitant to make the step. Cinderella had signalled to speak first.

Ana remembered a short conversation they had, where Cinderella relayed her fears and wants. It seemed like they weren’t from separate worlds, just two girls, having a chat despite their differences.

Cinderella had talked and talked, oh-so-long, desperate for Ana to listen. It seemed like she was concerned with her own significance in the eye of it all. Mother’s violent tendencies would definitely impact any sane person’s health, but it had completely pushed Cinderella to a conclusion where she felt like she didn’t understand why she was there, then and why. Her father was dead, her mother was dead, and her stepsisters treated her as close to horse-dung as possible. And horse-dung just... stank.

But one of her stepsisters was there, listening intently, so she had toned the abrasiveness of her words. Still, it stung. Under normal circumstances, Ana wouldn’t have condoned her actions toward Cinderella, but she had no excuse. She could speak days of what Cinderella really meant under her subtle glances and rushed words, but Cinderella had tried to be acceptable towards her. Cinderella had isolated her identity from the world under the pain, and she really did not seem to attempt speak of herself as in the ways of any normal person.

To her, she was lowly and confused, and it was integrated oh-so-deep. She had lost everything. She blamed herself for everything. For... every single of the things. Ana could see how withdrawn she was from both the world, and her true self, and it disgusted her so much she felt direly uncomfortable in her own skin. Why had she let this happen? She ached and ached to reach out to Cinderella and help her realise that she just understood, to tell her how much she cared for her wellbeing and safety, and how much she resented and realised how much her actions hurt Cinderella. But ultimately, she could not. She didn’t know why, but she knew how much it felt—and she hated it.

Anastasia hated every fibre in her being. It was not pleasant. She had the flesh, but her body would not call it hers. She despised herself, and even Mother and Drizella were not to be free from her seemingly endless refusal-to-blame.

Years of Mother’s and Drizella’s repression could not be erased by one simple girl. Ana knew that, oh-so. She tried. Cinderella got more dependent on Ana as the times went and passed, aching for the instability that Ana seemed to emanate. Ana’s complex feelings and the overwhelming betrayal she could’ve caused her sense of morality to fluctuate wildly, and along with her muddled blame, continuing to bring out the absolute worst in her.Cinderella should not have wanted that discord so strongly that she did. It was the only thing she had, but it wasn’t... right. It wasn’t just, and to that, it wasn’t right. Cinderella deserved better. She did.

Weeks of mood swings and migraines had, of course, alerted Mother and Drizella, and one evening, while strolling through the garden, Mother had noticed the two girls chatting. It had been the last straw. For some reason unknown to man, she exploded. There was to be a ball to display eligible girls for the prince, and even though Ana found it quite distasteful, she agreed to go. If she was some kind of runner-up, at least it would be bountiful news. It upset Cinderella when Mother ordered her not to go, among other things, and Ana was pleasantly surprised to see that she wasn’t the slightest bit bothered by it after.

Nevertheless, it wasn’t a competition.

Ana sighed, stepping out from her room. It seemed like everything wasn’t going right. The prince had been with a seemingly ghost throughout the ball, never pausing to entertain another noble lady. Her thin, small frame glided through the corridors, stopping at the stairs. Mother had already shattered the other shoe. Who was to say they had another replica at their disposal? She closed her eyes and pursed her lips.

Cinderella’s calloused fingers shook her out of her thoughts, her hand resting on Ana’s bare shoulders. She didn’t say a word. Cinderella didn’t have to. Ana... knew. Her eyes had inevitably found hers at the ball. Poets would argue it was because of their common insanities. Ana didn’t know of any poets. Still, Ana forced herself to turn away from the inevitable. Now, it faced her on all sides.

Ana handed her the slipper, but Cinderella’s hands didn’t leave her shoulder. Her mind drifted. Sometimes, she didn’t think. Her mind was blank, and her eyes only focused on the girl before her.

“And from I, to you,” Ana smiled, her words hazy. “Be alright, cinder-girl.”

“Am I fine in thinking you would not want to come with me?” Cinderella inquired. There was no malice, no silently laced words. There was only Cinderella.

And she knew that by leaving everything Ana ever wanted—someone to truly love her as her, and not by obligation—there was no second “Oh, have you been faring well?” This was the end.

“Yes. I’ve realised some things,” she sighed, a sad smile on her face. “Half of those, I have no idea what are. But I understand the thoughts behind those things. Mother—Drizella—I can’t leave them.”

“I know. Will you stay?” The word hanged in the air, but Cinderella refused to say them. Ana smiled, the edges of her eyes crinkling.

“Forever...? I need to, Cinder. I’m not so sure it’s a question. They’ll run themselves mad. Mother probably would, at least.”

They shared a chuckle. Setting the slipper down, Cinderella hugged Ana, squeezing her tight. She attempted one, but the air felt too heavy for any goodbyes. Instead, she waved awkwardly and set downstairs for her prince.

She deserved him, after all. Ana wasn’t so sure if he did, though. She laughed at the thought. Clutching the banister, Cinderella turned one last time.

“Thank you.”

Turning to their duties, they both returned to their worlds. As different or similar they might’ve been, none mattered now. It was the end, and that was true and true.

• i wanted to integrate some character personality stuff i learned of recently,, but... i was too lazy to do anything since i wanted to focus on the characters, and not the setting, so i... did something.

• it is rushed, yes, and in the—as some published writers like to call it 😔—the horrible rough draft phase. there is no plot, as many as my works are going to be. i do not confine myself to pains of plot elements till the third date draft :D

• i really really love character psych!! that’s it!! (disclaimer: if the writing does not meet up to your standards i’m an amateur writer, so you can go ahead and tell me “oh iu, this stuff is really good omfg!! you should publish it!!!”) ;D

• not all of this is actually right. since i barely focused on some other aspects i choose to focus on one part of my characters, and not everything, so there will obviously be some lack. i also loooove minimalistic writing and will shorten sentences like crazy and have many people weirded out because of it but i just like to play around (there’s not a lot of it since my auto correct kept being trash) also it’s not spell checked

• don’t own any of these characters, they belong to disney. i just wrote the wrote! ty for reading

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rebelsofshield · 4 years

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Far Far Away Comics: 9/23/20-10/12/20

Oh wow. Look what I did. I missed several weeks of Star Wars comics again. I promise this shouldn’t be a pattern. Hopefully. We’ll see.

Anyways, here are multiple weeks worth of Star Wars comic reviews featuring every major series that IDW and Marvel are releasing right now.

Star Wars #7 written by Charles Soule and art by Ramon Rosanas (Released on 10/7/20)

After a stellar conclusion to his first arc, Charles Soule moves forward with his second major storyline in Star Wars with a showdown between a scattered rebellion and a new Imperial enemy.

With the Rebellion still recuperating after its routing at Hoth, Leia tries desperately to not only reconnect with the disparate Alliance groups but also strike back at the Imperial forces hot on their tail. Unfortunately for Leia, Commander Zahra leads the Imperial fleet tasked with this mission and she has a bone to pick with the former Alderaanian princess.

Charles Soule has more than shown that he excels at writing villains. His takes on Darth Vader and Kylo Ren have become character defining story arcs and even some of his best work on Poe Dameron came in the exploration of the hapless First Order Intelligence Agent Terex. Now, Soule gets to introduce a new antagonist of his own making and she’s pretty stellar. Commander Zahra is introduced as not only a calculating and cunning Imperial naval commander, but also one that has a cruel streak to her and a need for vengeance. Her past connections to a Wilhuff Tarkin display an unexpected but consistently menacing take to this classic Imperial officer. It makes for a surprising and engaging issue even if it mostly amounts to an extended flashback to catch us up to speed on Leia’s newest nemesis.

Thankfully, the match up should prove interesting. Not only do Leia’s actions at the Battle of Yavin give Zahra a personal vendetta, Soule also positions Leia in a role where she can demonstrate her skills as a military commander. It puts the Rebellion and the Empire on close to equal footing which is a fun spin on a story that could have easily felt like a retread of Kieron Gillen’s outstanding “Hope Dies.”

Ramon Rosanas takes over for Jesus Saiz this issue and while his work doesn’t have the detailed flair of the comic’s usual artist, his pencils live up to the visual style established by the series. He particularly excels at large scale action scenes displaying expansive fleet combat with a sense of size and scoped. His characters prove slightly less impressive with a tendency to draw characters in the same stern mood throughout.

Overall, Soule and Rosanas have set up a strong follow up to the series’ standout first arc and set up one hell of a confrontation to come. Let’s see some blaster bolts fly.

Score: B+

Star Wars Adventures #1 written by Michael Moreci and Nick Brokenshire and art by Nick Brokenshire and Ilias Kyrias (Released on 10/12/20)

Yup, you read that right. Star Wars Adventures is starting fresh with a shiny new #1. The reasoning for this isn’t quite clear for as far as I can tell, the series is operating with close to the same status quo as it has been from the start. Offer two all ages stories of adventure set in the Star Wars universe with lots of colorful art. Even the stories feel like a neat continuation of the ones we were getting in our pre-Covid reality. Regardless, new numbering or not, Star Wars Adventures remains its same charming self. Bursting with energy and good natured enthusiasm, it’s still one of the best Star Wars comics out there.

The meat of the issue follows a story of Finn, Poe, and Rey set between The Last Jedi and The Rise of Skywalker. Any story following the sequel trilogy trio is appreciated and Michael Moreci crafts an enjoyable little tale of Finn and Poe trying their best to assist Rey in her new steps into Jedi training. Of course, being Star Wars, things never go as easily as planned and soon the crew run a foul of some pirates. It’s definitely fun to get to see some of our three heroes together and one can’t help but wish that maybe the adventures of Rey, Poe, and Finn could be a regular feature. Ilias Kyrias’s pencils are sure to be controversial with their overly stylized proportions and character designs, but they make for a unique looking story and capture some of the energetic action of the piece with a cartoony flair that feels right at home with the Adventures mission statement. It’s not going to be for everyone, but it hardly needs to be.

The one tangible difference between this volume and the previous is that the fun but static “Tales from Wild Space” has been replaced with a different back up feature, “Tales from Villainy.” As the name would suggest, these are shorter and more serious stories focused on the various members from the Dark Side. This week, we begin with an appearance by Darth Vader written and drawn by Nick Brokenshire. The result is a fun, well-drawn little bit centered on Vader’s role in the Battle of Hoth. Brokenshire renders Vader with a PG rated wordless intensity and the result is fun and dynamic even if there isn’t a lot of dramatic meat to chew on.

Score: B

Star Wars Adventures: The Clone Wars Battle Tales (Released on 9/30/2020) written by Michael Moreci and art by Derek Charm and Philip Murphy

Over its unnaturally extended run, Star Wars Adventures: The Clone Wars Battle Tales proved to be a surprisingly entertaining little tribute to the fan favorite animated series. With a gorgeous looking frame story by Derek Charm and creative clone centric anthology stories, Battle Tales was both colorful and surprisingly smart, often times telling stories that felt surprisingly more consequential than the standard Adventures outing.

Unfortunately, its finale ends with a bit of a whimper. It’s not that this final outing by Michael Moreci, Derek Charm, and Philip Murphy is bad. Not by any means. It’s just as colorful and delightful as any other Adventures comic. But that ultimately proves to be its biggest disappointment. After several issues of meeting and exceeding the expectations of a standard Adventures script, writer Michael Moreci more or less falls back to familiar tricks. It’s fun to see Obi-Wan and Commander Cody team up with ice Ewoks to fight General Grievous, but it’s not something particularly new to this brand and it doesn’t expand on the clone’s understanding of the Jedi like the previous issues have. It’s fun and Moreci seems more than content to leave it at that.

After weeks of build up, the finale to the Battle Tales frame story ends with little fanfare. There’s not much of a conclusion to speak of and lacks the artistic or storytelling fun of some of the previous Adventures mini-series heights like Vader’s Castle.

I still would recommend this series to any fan of The Clone Wars, but not as emphatically as I may have a few weeks back. There’s definitely joy and explosions to be had, but in the end, they turn out to be the familiar kind. As odd as that is to say.

Score: C+

Star Wars Bounty Hunters #5 written by Ethan Sacks and art by Paolo Villanelli (Released on 9/23/20)

Bounty Hunters is back for more face slamming violence, cool character designs, and questionable choices.

With Boba Fett, Vance Beilert, and Boba Fett all locked together in a close quarters space ship, the truth of their mission to Corellia all those years ago is finally out and it turns out it was a bit of a mess all around. Sure, Nakano’s act of mercy may have been the first act of chaos, but Vance Beilert’s inexperience and Fett’s bloodlust lead to the thorny crime war that they all find themselves involved in now.

It’s a smart idea, but it all feels a little cluttered. Ethan Sacks’s script looks to not only give us the full truth of the disastrous Corellia job, but also flesh out Nakano Lash’s past and also wrap up the double crossing bounty hunter beatdown that has dominated this arc so far. As a result, it all ends up feeling a bit confused and there often isn’t much of a clear thread to carry the reader through. The continued presence of violence against women as a central plot point to this series also can’t help but feel off putting at this point. Sure, Bounty Hunters is a brutal book, but when you have two issues in a row of new female characters killed off and imperiled pregnant women, it begins to feel in poor taste.

Thankfully, Paolo Villanelli is there to distract us with some gorgeous art and brilliant fight sequences. Villanelli along with colorist Arif Printo still manages that magic trick of providing dynamic action sequences that feel violent and energetic without ever losing detail or clarity. The smackdown between Vance and Boba Fett is particularly satisfying, with both hunters employing all members of their arsenal for some great panels of punching, slashing, and blasting.

It can’t all just be cool fights though. Bounty Hunters is going to have to really start digging into its characters and fix its creeping misogyny if its going to be a must read comic, but as it stands, this a book best rifled through. Look at the pictures, wince at the fights, and put it back.

Score: C+

Star Wars: Darth Vader #6 written by Greg Pak and art by Raffaele Ienco (Released on 10/12/20)

Darth Vader’s been bad. Well, not the right kind of bad. Turns out that failing to turn your son to the Dark Side and running of on a personal crusade to discover the truth about your deceased wife, isn’t the best look for a Sith Lord. And Ol’ Palpy sure ain’t happy.

Greg Pak and Raffaele Ienco provide some interesting personal consequence for Vader after the over the top and sometimes emotionally clouded first arc. With Sidious’s apprentice once again letting him down when his assistance is most needed, the Emperor unleashes a painful and total punishment. The resulting issue is a brutal and humiliating stripping away of the life that the former Anakin Skywalker has built for himself. Palpatine looks to make Vader rebuild himself from the ground up if his place in the Empire is to continue. It’s a simple read, but one that carries big consequences for the character down the line and some smart connections to The Rise of Skywalker. (Maybe Pak can help us make sense of that mess.)

Raffaele Ienco turns in his best work to date here. Ienco draws a creepy as hell Palpatine and his take on Mas Amedda feels both intimidating and appropriately slimey. Ienco also manages to nail Vader’s emotions here. The awkward sad face mask from issues past is stripped away and some smart framing and posing makes for a Sith who has clearer emotional depth while keeping the violent menace of his character.

This issue itself may be rather simple, but it sets up an exciting second arc for the series and even some long lasting emotional implications for our broken and battered Sith anti-hero. Let’s see how this burns.

Score: B

Star Wars Doctor Aphra #4 written by Alyssa Wong and art by Marika Cresta (Released on 9/30/20)

The second volume of Star Wars Doctor Aphra continues to disappoint. The decision to revert back to Aphra’s tomb raiding roots is a smart one and Alyssa Wong is undoubtedly a smart writer to spearhead the character’s next chapter, but four issues in and this comic is still sputtering out the gate. Maybe I have just too high of expectations for this character given how stellar Kieron Gillen and Simon Spurrier’s writing was for the last several years, but something about this latest volume is failing to connect.

It may be that after four issues the majority of the characters are failing to really congeal into anything substantial. We finally get some backstory on Just Lucky that adds a bit more drama to his betrayal last issue, but it still feels too little too late. The numerous hidden agendas throughout the first several issues may have done more harm than good as it kept the characters too distant and now that we know their true goals, the circumstances are too chaotic to really get a sense of person.

Aphra herself also feels like a bit of an afterthought here. While previous Aphra stories have certainly been full of big action and big ideas, they still came around to being morality stories about our lonely, morally bankrupt title character. I’m not clear what Wong is trying to say about Aphra here. In fact, at times she feels like something of an afterthought.

There are some bright spots though. Wong’s spooky approach to space archaeology still feels eerie and inventive in all the right ways, and one can’t help but wish that maybe she had leaned into it harder and delivered a Doctor Aphra cosmic horror comic.

Marika Cresta’s pencils prove serviceable. Her character designs are for the most part still largely unimpressive even if she gives surprising life to some of the Tagge henchmen. Like Wong though, Cresta is best served by all things ancient. Whether it’s old spaceships or ancient tombs, Cresta brings eerie and sometimes beautiful detail to the galactic old world.

Now if only Doctor Aphra could get its mind off the past and more into the brains of our main cast.

Score: C

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