#Isn’t a sustainable solution

[thelesbianthespianposts]

“Jason’s so rebellious”, “he’s the problem child” bro is NOT. He THINKS he is. But if anything he’s the kiss ass child trying to seem cool and rebellious. He’ll blow up a building and immediately be like “did Bruce see that?” “Did he see how rebellious I am??” “What’d he say???”. Rebellious my ass.

[crippl-hacker]

People passionate about sustainability need to realize that not everything can be reusable. Some things need to be disposable!

Inhalers, IV’s, Catheters, PIC lines, NG tubes, Adult Diapers, Cutlery and Dishes, Ostomy Bags, and many more things are all single use.

Most of these things aren’t easy to replace or have a reusable version of; especially when you are disabled and dealing with low energy.

If you want a more sustainable future make disposable products for us that use better materials and better manufacturing choices. Don’t pick on disabled people for needing them to live.

[faithfromanewperspective]

you know I’m conceptualising the art of being a sustainability influencer when I’m critiquing how critical and cynical they all are every time I open the internet

[floral-hex]

January 2024: well, I can’t get my antidepressants anymore and this withdrawal makes me want to kill myself. From now on I’ll just raw dog these feelings so I never have to deal with these side effects again.

June 2024: I’m gonna die. I’m gonna die. I’m gonna die. The world is ending. We’re all walking through the end times and whether I die soon or the world collapses in on itself, I can feel the simultaneous emptiness and crushing weight of the end. There is nothing.

[sunboki]

— HELLION INN. a Stray Kids fiction

🌖 : Lee Minho x implied! fem. reader

TROPE. dystopian! au, enemies to lovers, monster! au, apocalypse! au, “we have to get along to survive” au, angst, high stakes

WORD COUNT. 10k ⭑ 50min read

WARNINGS. gory descriptions, cursing, descriptive violence, implied intercourse, death, a dubcon kiss, talk of vomit/vomiting, lots of mentions of death, one mention of k*lling oneself, parasites, murder, inclusion of fire, injury, usage of guns, injury, knives, reader and minho are “hunted”, mature themes

AUG'S NOTES. it’s finished! i wanted to cry (out of happiness!!) closing the last part :) i truly love this piece, and, though it certainly isn’t all too lovey dovey compared to alternative fics of mine, i was so incredibly fortunate to be able to write for themes i adore! i hope my enthusiasm was able to be conveyed in the subject of monsters/apocalyptic au’s!! please enjoy<3

PLAYLIST.

SYNOPSIS. Receiving an ominous letter in the mail, a monster invades Seoul minutes later, carrying an uncanny sense of smell despite its blindness. Countless people have been slaughtered already, and with your letter as the only meager explanation to this madness, you find your feet leading towards the one place it said was safe: Hellion Inn.

or alternatively :

Minho won’t let you die. Not if it means letting this Monster get him or hell’s dawning itself. You’re going to survive. Together.

Run, something is coming. Go to Hellion Inn, you’ll be safe there.

Something? What is something? A terrorist attack? War?

Never had such a letter arrived at your doorstep other than this Tuesday, with the morning sunlight peeking through half-opened blinds casting your pajama-clad frame in its cascades.

And again, you reread and reread, questions raging in a distorted frenzy amidst your once just-wakening mind. 

Little were you aware what would come. What already roamed Seoul’s streets, approaching closer, closer. 

One objective resides in too many possibilities. 

Find Hellion Inn. 

.

.

.

Stuffing the letter in your pocket serves as the most sensible solution while you go over your options. If you didn’t have a clue about what dishes would be cooked, you’d check the ingredients first.

And yet, upon turning on the TV, you find your meal already served. 

On a platter, dripping with blood.

“This just in, an unidentifiable entity is making its way through Seoul in a rampage. The creature is highly dangerous. It appears to lack vision, and speculation has deemed it relies upon its smell to discern other beings. The creature has not been detained at this time. Under no circumstances should citizens leave their residences, and in the case you’re on the street, please evacuate to the nearest shelter immediately. Further information will be released.”

Your blood runs frigidly cold, enough you swear you could’ve turned to ice.

All of a sudden, war or a terrorist attack doesn’t sound nearly as daunting as before.

A monster. Ruthless, bloodthirsty. 

Monster. 

Instantaneously are news sites everywhere exploding, posting footage, pictures, and accounts of the creature each second. 

More and more and more until-

It all goes dark, your home plunged into a black abyss meagerly sustained by the sun’s rays, phone in hand ultimately powering off. 

Electricity down. Fully.

This isn’t like a usual predicament of a public threat, not something you’re prepared for, nor something anyone was prepared for. There’s no drill for a monster, no tsunami shelter or high rise building to reside upon. 

Was it obliviousness? Or were you all simply sheep to a ravaging wolf?

The latter seemed most convincing.

An exhale. No, a growl is what breaks your train of thought. Like the chuff of a tiger, curdling in its throat. 

Above. 

You can’t even bring yourself to move, can’t bear to breathe in fear you’d give yourself away as a shadow covers that once hopeful sunlight.

No shadow, but a thing. A monster. 

How did it get here so fast? How.. how the hell is this happening?

The sound of tiles shifting on your roof makes your fingers twitch, eyes stuck wide. 

The worlds apex predators turned into the prey. 

Each pound of your heart lies evident in ringing ears, listening to those low, horrendous gurgles, repeating that same chuff before it shifts again.

Again and again, and you’re unmoving.

Leave. Run. Anything. 

Yet, you can’t move a muscle, glued in place.

Until you do, and your legs act before you can process a thing. Grabbing for items, whatever it may be. Mind unable to process in its frantic state.

No. No.

A plea as your hand wraps around the doorknob, beginning down the apartment complex’s stairs in rapid descent, listening to the slow growls of the creature.

Don’t look behind, just go.

A mistake you find yourself making even when a life is on the line.

Your life is on the line.

And when you spare that single glimpse, murky lifeless eyes stare blindly back at you, bulging from its skull as if they never were intended to be there. Skin a hallowed, fleshy tone — ligaments hung awry. 

Disorderly, distasteful. If you look close enough, you swear you could’ve seen a beating heart, watched the oxygen cells rush through a pumping bloodstream. 

Gaping jaws hold copious teeth, ant-like incisors residing on either side of a ceaselessly smiling mouth, the corners of what appears to be lips ascending all the way up to nonexistent ears. 

Four legs, two antennae atop its head. At least two times the size of a human.

Horrific.

Never had such a thing appeared so terrifying.

With the letter clutched in one hand and your powerless phone in another do you run, praying that nonexistent vision truly is nonexistent.

Well, until a car alarm begins to ring, and you feel your stomach climb to your throat simultaneously.

Because it twitches. Not even a glance-sort of reaction. The entirety of whatever neck that monster hones twitches to look at you with a nausea-worthy crack! of its ligaments. Those jaws parted, a flattened nose breathing in.

And then it lurches, and you don’t think you’ve ever ran as fast as you did now.

Far, far. As far as you can go. 

It’s futile listening to gargled cries for help amongst rubble, the reaching of hands for your feet you can’t even spare a moment for as those scraping claws continue their perilous dance after you, scavenging on people as they go. 

So the second an intact person comes into view—a boy, looking about your age (and freakishly calm at that) with fluffy hair and rounded cheeks retaining such youth—you’re racing ahead before you can even think, ramming through those convenience store doors in a flurry of panic and fear.

“Monster— Monster- there’s a monster we have to go-“

“Do you like grilled cheese?” He mumbles, and you wonder if he’s talking to himself or you, no less asking such a question during this downright apocalypse.

“No, no there is—“ A shriek pierces the air in the distance, the clutter of debris alerting the monster’s proximity.

You, in a frantic attempt to redirect his attention, place either hand on his shoulders.

“A monster. There’s a monster out there and if we don’t hide, it’s going to kill us.” 

The boy licks his lips, cocking a contemplative brow before looking toward the freezer section. 

“Freezer?”

At this point the creature might as well be turning the corner, and you don’t need to respond for either of you to go running as fast as your legs will carry you, stuffing yourselves into the biting cold just as the bells above the entrance door ring.

Scariest part is this customer is intelligent enough to open doors.

This customer isn’t human. 

Like slow-motion you hear it. The pounding of your heartbeat in your ears, the lack of air in such a tight space, the monster’s rumbling.

Your hidden counterpart lodged himself into a freezer opposite to you, eyes squeezed shut the nearer clicking footsteps on tile sounded.

Click.

Click.

Click.

You don’t realize your eyes are closed until you open them, met with the monster’s face, hundreds of razor-sharp teeth lining its mouth, stretched into that same, chilling smile while it stares at you through the glass.

It can’t see you. It can’t see you. It can’t see you, You internally plead like a mantra, suffocating on the scream rising in your throat.

The loud clanging of a soup can the boy throws has the creature’s disfigured face whipping around, and you wordlessly communicate through mere terrified-eye-contact what either of you are thinking:

Run.

Without conscious you go flying, ramming past discarded groceries and tormented bodies into Seoul’s open roadway, void of any vehicle whatsoever.

Except for one.  

It’s a tow truck, key still lodged into the ignition, window broken with streaks of blood lining the door where a middle-aged man’s body had been dragged out. He rests lopsided below the front tire, abdomen severed in half.

Grotesque. 

“Car- Car!” You cry out, wildly gesturing for him to follow suit while you pry the driver’s door open, the monster’s frustrated growl enough motivation for the stranger to throw himself in as well.

In the nick of time you press down on the pedal, winding the wheel in a quick motion just as the hell-sent smashes itself from the shop, evidently angered.

“I’m Han!” The man occupying the passenger seat shouts, the hole through the windshield causing enormous amounts of wind to soar through the car and synonymously blur your senses.

“What?!” 

“My name is Han! Han Jisung!”

Squinting whilst looking through your mirror at the wickedly approaching Monster, you veer past as many obstacles as possible — most being corpses — as fast as the engine will let you.

“Oh! Uh, I’m Y/N!”

Han nods, grasp clutched onto his seat the more you speed increases, recklessly maneuvering left and right as if dodging a crocodile. 

Unfortunately, this wasn’t a crocodile, but a blood-thirsty beast wanting nothing more than to behead you. How sweet.

“Do you… Do you know how to drive?” He yells, and you raise your eyebrows, narrowly shifting past a shopping cart.

“If you count Mario-Kart as driving, I’m a pro!”

Han audibly squeaks his fear in response, eyes squeezing shut as if to not stare at the monster’s face nearing the mirror.

The speedometer cries out, vehicle shuddering as you near train tracks just at the edge of the city. 

Hopeful. 

Fleeting hope when the roar of a train’s whistle soars through the air, the look Han gives you doing little to sustain your already thinned sanity.

Perhaps you’ll die getting hit by a train than this monster.

Perhaps it’s better that way.

“We’re not gonna make it we’re not gonna make it we’re not gonna make i—“

“SHUT THE FUCK UP—-“ You screech, foot slammed as far down on the gas pedal as possible, the rumbling of the train’s engine deafening. 

“HOLY SHITTTT—“ The man screams, mouth ajar as you soar over the tracks, preparing for impact only for a hair of the train’s front barely brushing over the car’s bumper. 

Currently realizing you’re still breathing and not dead, you floor the brake, either of you launching forward in your seats while the endless train keeps the monster at bay on the opposite side. 

Both panting hysterically, you place a hand on your chest, hoping to slow down the terrifyingly fast pace of your heart — close to bursting out of your chest. 

Your passenger, Han Jisung, turns to look at you, eyes wide as saucers, a gradual open-mouthed smile growing upon his flushed, sweat-stricken face.

“That was.. sick.”

The flashlight flickers here and there, found in the tow truck’s trunk along with a med kit currently carried along by Han.

By chance did you end up in what remained of the red-light district, rubble dotting roadways as evidence of the Monster’s previous siege.

Amidst the held supplies, your pocket seems to ache with the weight of the letter, sitting there in its futile warning of what was to come, now arrived.

You hadn’t brought it up to Han yet, a persistent fear of blame lingering in the back of your mind. Was it your fault you didn’t react in time? Disregarded the letter?

No. There’s no time to regret now. Whatever past existed has been annihilated. 

Night is approaching, and with that comes rising unease and a desperate need to find shelter.

Seoul’s red-light district had always been a taboo for Korea’s upper class. A hushed word, quenched beneath harsh scolding and wrinkled noses at the mere mention.

As if their own well-off sons don’t get driven there on a daily basis, ignorant to their own affiliation as if it’s a genetically determined trait.

Quite funny how none of that matters now. Not when it’s the end of the world, that is.

Every (once) building looks the same. Rubble. Litter lines the roads, cars strewn awry, wrecked into buildings, run over people. 

A pattern lies in everything. 

This pattern consists of fear. 

Struck on faces, painted carelessly along torn apart surfaces and walls, splattering the cities ruby red.

Incessantly, you can’t help but fear. A natural biological response when in the presence of actual or perceived danger, inflicting sharp wounds throughout your body, mind on an endless neurological high of adrenaline-fueled paranoia. 

How could someone not be paranoid when they were being hunted?

“In here.”

Han’s voice pulls you out of your head, turning where he points to a brick building, multicolored beach towel draped over a window torn to shreds, soil from plants staining the cracks of tiles, floor a mixture of blood and bacteria. 

“It’s abandoned,” He notes, prying the creaking door open. 

Abandoned isn’t the word for it. The inhabitants left as most people did upon hearing the news of invasion, although they didn’t get far, you’re plenty aware of that. 

What a shame. Thinking they could escape, in their wake, slaughtered ruthlessly. 

Instead of abandoned, call it evacuated, barren.  

Inside, a radio runs in a constant string of white noise, the addition of broken air conditioning the only source of apparent life. Haunting, flickering lights cast the few rooms in an eerie, ghoulish green like that of a basement.

“I’ve been here before. There should be a mart nearby.”  

Allowing his remark to sink in, you pause, a slight grin drawing upon your lips. 

“You’ve been here before, in the red-light district?” 

Phrase lingering amusedly, he stops as well, shifting on his heel to grace you with a similar smile.

“What? Not everyone can stand high and mighty in this society. Plus, there’s no need to pretend anymore when death is so close by.”

Your smile drops, and you suck on the skin of your cheek, a loud breath through your nose enough to continue the descent.

Perhaps you should change the abandoned description. 

Just then, from the corner of your eye do you see a figure emerge, the glinting edge of a kitchen knife barely brushing your shoulder blade before you dodge to your left, the attacker colliding with an ironing board.

Mere seconds later the figure rises to their feet, identified as female, adorning lanky limbs and skin as pale and zombified as the surrounding room. Her lips are cracked and purple, eyes nearly black, blanketed with equally raven hair reaching the floor in length.

The girl looks like a creature, barely alive with the lack of coordination in her loose stabs, alienated stare vividly murderous. 

Only by narrowly pummeling into the wall do you manage to immobilize her, Jisung’s efforts stalled.

Liquid obsidian blinks back up at you from where you’ve caged her to the floor, her nostrils flaring in hasty breaths, your own panting ringing in your ears.

“Look kid- I’m not gonna hurt you, okay? Now if you calm down and let me—“  

A third of the steak knife puncturing the side of your thigh veers your head back, choked scream jostling your nerves tenfold. Bubbling blood slips from the wound, trickling warmth dizzying you into a foggy spell.

It’s not until a low bang! sounds that her arm, raised for another strike, falls limp to the floor, looking behind you to find Jisung holding a pistol, silencer attached to the muzzle, aimed directly at the girl below you. 

Immediately, before you can release the unheralded screech compressing your lungs, Han hoists you up by your elbows, the jarring movement beckoning a squealed sob you bite your tongue containing.

Snatching clothing from a closet behind the door, the man rips the fabric using his teeth, returning to your slumped frame.

Reminding you to hold your breath, he aligns the makeshift bandage prior to tying it, your reaction becoming quieted as your eyes roll back.

And the world falls into a dark abyss. 

By the time your lashes flutter open again, searing light invades your vision, the urge to open your eyes aiding a roaring headache.

Although, it appears you’re still in the same room, alternatively relocated to a futon on the floor, leg propped up using folded pillowcases and books. 

“You’re up.”

Han enters the room, two metal cans of mashed spam and rice held in either hand, one of which he gives to you. 

“You were knocked out cold,” He laughs, eyes crinkling at the corners, uncharacteristic to the fact he just shot someone.

“The shirt should staunch the bleeding. Eat.”

Staring down at your meal, you glance up, stomach churning in an unsightly manner merely considering food.

But you eat anyway, gulping the bites down despite the nausea.

“And the girl?” 

Han takes a bite, scraping every last grain from the noisy tin without so much as a shiver.

“I took care of it.”

It’s your turn to laugh, confusedly surveying the teenage-boy-looking friend of yours.

“What are you? A hitman?”

He clicks his tongue, eyes thoughtfully flickering to the ceiling. 

“I’m.. somebody who really wants to survive.”

All you do is return his tight-lipped expression.

Yet, truly accounting for your introduction, there’s a whole lot you don’t know about him. His past, his goals. What his life was like before. 

He comes off as cheery and good-natured, disposition claiming he wouldn’t hurt a fly. 

You’ve come to realize that isn’t the reality whatsoever. Because Han Jisung is exactly what Han Jisung said he was.

Somebody who really wants to survive. 

You can relate to that.

“So.. Random note, random warning, no location?” 

“Pretty much.” 

Seated beside you, Han surveys the letter, reading over the contents a few times before folding it back up and handing it to you. He’s redressed your wound, utilizing the medical kit’s antiseptic and gauze to wrap the skin.

“Hellion Inn,” Han repeats softly, brows knitted. “Never heard of it.”

You shrug once more from your place on the ground, leg still propped while he squats to your left.

“If anything, it’s likely it was destroyed if it’s an actual Inn,” He mumbles, tapping a puffy bottom lip with his index, earning your half nod before you pause.

“We can still try it though? We can find a stick or somethin’, I’ll use it as a crutch.” 

This time, it’s his turn to nod — rising up with a somewhat-assuring: “I’ll be right back” before leaving the room, returning after a few moments with a table leg, nearly comical in the proud manner he lifts the wood, jagged edges evidence of his severing with a knife. 

After copious laughter do you glance at him, brow cocked. “This is really all you’ve got?”

Asking from your place beside him, you brace more weight onto the makeshift crutch, granting Han a side-long glance.

“If I had more I’d use it,” He huffs, watching you hobble slightly but remaining upright with worried brows, hands poised to stabilize your steadying adjustment.

That’s most important, you deemed, no matter how puny. A drag to the team means death; you won’t be that drag.

Tomorrow morning you’ll head out. Find somewhere else to occupy whilst searching for Hellion Inn.

The one remaining routine amidst the apocalypse is time, and as the sun cracks above a horizon once able to be admired and not envied, you’re helped to your feet, gathering bags slung over each other's backs. Additional clothes, torn tablecloths. Anything of even insufficient use.

You don’t think these streets had been this quiet since your grandparent’s time, with bustling citizens and raging business overtaking wherever you look. Now, it might as well be a ghost-town. No more cries for help, no more groans and moans in agony.

And yet, it’s almost unsettling as it is reassuring. Suffering has ceased. Cries for help drawn to a close. 

Peace within death.

Trekking for only about a mile feels tumultuous, the ache already coiling in your bones like snakes seen slithering through rubble, waiting for rats to swarm decomposing carcasses in search of easy victims.

Seoul has become a jungle, eat or be eaten. It’s only a matter of time, a split-second ignorance, that can have you eaten. Perhaps by the true Monster, perhaps by your own kind.

The sight of broken columns and french doors parted in what looks to be a hotel in front of you redirects your focus, granting Han a hum of acknowledgment. His hand reaching for the pistol in a fashioned holster, yours coming to the kitchen knife held in your bag.

Wary, but slow steps paired with your hobbled ones make for the small bout of stairs, buzzing of flies caught in flurries littering goosebumps along your arms.

Something about this place is abnormal. That much is known. And if this is the so-called “Hellion Inn” (or what remains of it), your hope for sanctuary plummets in tandem with the temperature upon stepping in. 

Cold. That dead, stale kind of cold, warmth from the heart void, no longer beating.

Matchstick providing barely enough light, you carefully pry open the squeaking doors in the second doorway, blade wielded close to your being. The putrid odor of decay perplexes your gag reflexes, allowing Han to take the lead in his observing endeavor. 

Abruptly, your foot smushes against something below, and when you look down only to be met with a lifeless hand there, bulging, horror-stricken eyes staring back up at you, you hurriedly bite your lip to conceal the bubbling scream clawing from your throat, frothing like a brewing cauldron. 

Han can only grimace. 

It was here. You’re not sure when, but these wounds — these corpses mercilessly ripped apart — aren’t the doing of humans.

A bone chilling thought surfaces in your mind.

What if the monster is still here?

Your traveling companion spins around on his heel, hands placed on his hips. Honeyed irises momentarily flit between your paled frame to the obvious terror staining your features, his eyebrows raised.

“Hey, I know it’s scary, but the monster’s likely gone by now, and if we can find someone or a sign that’ll redirect us then maybe…”

His words trail off, suddenly all too familiar with the sound of chortled breathing ragged in his ears. Exhales stenching of rotted flesh, the scraping of sharpened claws on the floor.

And how you’re not staring at him, but above him. 

Your palms slowly reach up to cover your mouth, taking the tiniest step back manageable.

“..It’s right behind me, isn’t it?”

Yet, before the Monster can swipe a clawed hand and hack off a limb, deja vu strikes in the form of another gunshot, not silenced, booming,

It soars right past your shoulder with pinpoint precision to land within the Monster’s side, collecting a shriek in return. The beast flails wildly as Han races from its clutches towards the unknown savior of his.

Fluffy hair, a torn, mud-stained jean jacket over his shoulders, white undershirt equally unkempt. The four of you survey the monster’s descent deeper into the hotel, not appearing to execute anymore attack attempts.

For now.

No less, you’re helped outside in your wobbly state, the shot-gun boy leading, another seeming to take up the rear behind you and Han. His companion, maybe. Just as you and Han are.

Sharper features oppose the shotgun-carrying boy’s downturned eyes with inquisitive, apprehensive ones. Lighter hair, jeans bagging by his shoes, white tee’s once graphic design smudged, unrecognizable. His own weapon lies in spiked boxing gloves, nails seemingly ruptured through the cushioned layers.

And when his eyes meet yours, you feel fire in your veins. Blazing, warming you from your toes to your fingertips.

“You guys alright?”

Shot-gun boy, introduced as Kim Seungmin, speaks first, spinning on his heel to regard either of you. Though, it’s hard for your mind to stay attentive, the feeling of Seungmin’s companions’ eyes incessantly boring into your back causing a wary twitch of your fingers. 

“Lee Minho.”

His voice breaks you from that apprehensive spell, that watchful gaze of his surveying both you and Han with an unimpressed exhale.

“Don’t slow us down,” He scowls, shouldering past Han, lips drawn into a tight line. He heads for their own vehicle, a worn down truck narrowly resting in better condition than your earlier tow truck by the tracks.

Real friendly.

Seungmin, a tad bit more benign, gestures with a curt nod to the vehicle, ushering your injury-wielding self to sit in the passenger seat with Minho as driver, Seungmin and Han taking the truck’s bed.

Just then does the Monster make its return, bursting from the hotel in a seemingly rejuvenated spirit from before, gaping jaws aching to be filled.

You could only hope your flesh wouldn’t be the filler.

“This is why I hate introductions,” Minho, already slamming his foot onto the pedal, grumbles, not granting a response upon tires burning rubber over dusty roads as you speed off – a replay of your ride with Han on loop each time you see the Monster in your mirror.

Approaching closer, closer again.

It seems food becoming involved is a common theme, jarred when the truck swerves in front of a supermarket. Seungmin shouts from the back as he and Han race ahead, beckoning you two to follow them, your steps lightly hobbled with feeble help of the makeshift crutch.

“The hell do I have to be on babysitting duty for?” Minho, lifting your arm over his shoulder, grovels, and you fight the urge to whack him with your crutch, making through the desolate supermarket. 

Weapons in clutch, it grows taxing trying not to grimace hearing clattering glass, the mental picture of those bulging eyes doing little for your already queasy stomach.

“It’ll hear us!” 

With your horrible luck intact, this already dislikable stranger ends up being the same soul you're lodged into a bathroom stall with.

Minho hisses, furrow of his brows causing his face to scrunch with distaste, the loud clatter of soup cans and chip bags alike resounding from outside in the thick of the Monster’s carnage.

“No, it’ll hear you. More people means more death, and lucky for you, I’ll be off your hands in no time.” Now it’s your turn to retort, the man lacking of his usual boxing gloves, strap of Seungmin’s shotgun over a shoulder instead.

Wriggling yourself from his grasp, you hesitantly slide the notch to the door, movement only stopped by Minho’s lingering hand grabbing your sleeve. 

“And what the hell are you doing?”

“I’m repaying a favor.”

Weighing your ability to walk well, you snag the shotgun from his shoulder, granting the man a wink and a: “Thanks for the shotgun”, before slipping from the stall, leaving his starstruck figure in tow.

Ignoring the biting ache in your thigh thanks to a discarded crutch, you savor cool metal beneath your fingertips, watching the blur of the other two boys racing past the Monster’s attempts of attack. 

“Hey! Ugly fucker, over here!” You shout, chilled seeing blind eyes rip your way.

Cocking the gun, your eyes narrow, focusing the sight on its head and–

Bang!

Echoing around the supermarket does a copper bullet gnash into thin skin, puncturing straight through, shell casing crinkling onto the floor below in tandem with a low groan of the creature.

Minho bursts from the bathroom moments later, still sporting a starstruck visage. Han and Seungmin go thundering right past back to the truck, the wild goose chase persisting. 

What wasn't persistent was Minho’s arms wrapping around your back, hauling you over his shoulder like a sack of rice whilst chasing right after his counterparts.

As much as you’d like to thank him, your thigh still hurts like hell.

“Yah! That- hurts- asshole!” Shrieked between his hurried footsteps, you smack his shoulder blade defiantly.

Hopefully that serves as a thank you.

However, escaping is far from reach, and feeling presumably safe is equally residing far from grasp when, after finally being able to inhale without a stutter to your lung halfway down the road, the sharp snap of a tire blows.

And the truck flips over.

It was one thing maneuvering from the flipped car, shards of glass embedded in your skin beckoning pinpricks of blood, and another continuing on foot to wherever the two acquaintances planned to lead to.

The largest of things, however, was learning the name of this apparent destination.

Hellion Inn.

With Seungmin sustaining a minor head injury, Han luckily unharmed, and an also unharmed Minho reluctant to aid in being your temporary crutch, you’re given plenty of time for interrogation along the way — wondering just who the hell was responsible for the letter. 

As far as their replies go, not a soul knows.

And at this rate, you can’t bring yourself to care about pestering for answers anymore, not with Minho’s aggravating complaining and equally as irritating, stupidly good-looking side profile.

So, the torturous walk to this supposed ‘Inn’ prevails, which, turns out not to be an Inn at all. Instead, it’s this metal, bus looking contraption, like a trailer.

Silver of the exterior tarnished, it hides within a surrounding forest entryway, vines curling around door fixtures as if with time, what remained would be swallowed by the greenery.

From the bus two more men exit, and you can’t help but wonder if this so-called Hellion Inn has just as many residents as an actual Inn.

Christopher Bahng and Seo Changbin introduce themselves hastily, quick to rush back into the bus and retrieve a medical kit. After enduring both the painful removal of glass, your reopened wound stitched, and Chris’s heart wrenching smile of assurance (followed by a pat to your kneecap after, ensuring an imminent heart attack on your part), you’re finally invited inside, introduced to the others.

Three more. 

It’s a clown car. Definitely. 

Yang Jeongin, Hwang Hyunjin, Lee Felix. Boys- no, men, with features you’d like to deem frustratingly attractive. 

Maybe photoshoot, not a clown car.

No less, the seven interact with ease, Han intermingling as if he’d been by their side for eternity. A bonfire, expertly lit behind the bus hidden amongst foliage to conceal smoke, provides warmth in the night.

Cold, just as it’s always been. Even more so with autumn’s presence.

Yet, you find your eyes falling right back to him.

Minho.

Man of fire, whose gaze on yours feels like your ribs cracking apart, as if his fingers bend your windpipe every which way, rendering no air into your lungs. He is fire, licking at your skin in the most deplorable of ways.

And you crave it.

If he were Hades, you’d eat the pomegranate seeds like a fool just to feel his eyes on you again and again.

Selfish.

When he looks at you, you feel selfish. Perhaps it’s the stakes, perhaps your heart has grown too weak, beat too fast it falls for any and all. Adrenaline-induced love.

You aren’t naive like Persephone, aren’t blindsided by curiosity.

That latter is a lie. Especially when you shift on the log, purposefully scooting closer to catch bits and pieces of his conversation with Jeongin, listen to the perfect pitch of his voice, aided by the crackling of flames before you.

You wonder if touching him would rival those white-hot flames. Scalding your fingers till you grew numb. 

You’d take that bet.

Fluffy fabric placed over your shoulders makes you flinch in place, sympathetic eyes of chocolate meeting yours.

Honeyed. Chris.

“It’s cold, stay warm,” He ushers, crouching to take a seat on your left.

Then do you register his actions. A blanket, the material a survivor of water’s toil and plenty of stains. But it’s warm, durable, and most importantly, sweet. Chris is sweet, you decide, a bit like this warm blanket.

Your nod of thanks doesn’t feel like it even slightly compensates for his kindness, though, for now, it’s enough.

Tomorrow, Chris, Changbin, Minho, and Jeongin will relocate the flipped truck. Haul it back, fix it up again. That’s what your sensible mind discerns, seemingly adopted into the group like any other as sleeping arrangements in the bus are modified for both you and Han.

Strays, huh.

A flickering gas lamp keeps your gaze glued to the ceiling where you lie, watching shadows twirl like a strange ballet along the walls. Near the front of the bus does Chris sleep, Changbin glued to his side, Felix tucked beneath his arm.

It brings a smile to your lips, watching them. Even Seungmin, with his more boundary-oriented persona, close to the others, his hand brushing against Hyunjin’s shoulder, Jeongin’s head. 

Human beings, after all. Even when it all falls apart. And maybe, maybe in monsters as well, there is human. The need to be close, to feel skin on skin. 

Counting heads, you find one missing.

“You should be sleeping.”

Minho flicks a lighter on and off, waiting to relight the gas lamp. He squats down in front of you, jeans stretched over muscular thighs.

Your brow furrows, wondering if he’d been here this whole time amidst your ignorance.

“Are you scared?”

His words dull your ability to reply, retort something smart. But, the tone keeps your mouth shut. Cool and calm, like when he spoke to Jeongin by the fire. Not taunting, nor instigating.

“No.”

The words are a lie, unveiled in the crease of a dirt-stricken face, chapped lips pulled taut.

His pinky finding yours verifies that fire theory. From the tips of your toes to the very top of your scalp you feel it. 

Scorching. Hot.

Your skin seems to melt from your bones, but only you can see it.

There are lots of questions to ask. Wondering, hope. Why?

But he beats you to it. It seems you’ll have to get used to that characteristic.

“Go to sleep. Nothing can get you here.”

A lie, you know it well. Any second that monster can stumble here. Smell you, turn the perfect corner to find the bus, sheen shimmering beneath a full moon. Ravage each and every one of you beneath claws and blood.

But the letter, no, Minho says you’ll be safe here. That Hellion Inn will be your safe haven. 

Tonight, you choose to believe that, falling asleep with his pinky twined with yours, his back to one of the side booths, focus trained on your features.

Safe.

“Hnn..” 

Insistent poking to your cheek abducts you from your dream, bleary eyes straining to open. Jeongin sits up, bracing himself with his hands, youthful smile stretched over his face watching you. Meanwhile, the hellspawn guilty, Hyunjin, can’t help but laugh cheerily.

“Wah— I wish I had a camera!” Ebony strands peek from beneath a white ball cap, his voice carries from the bus for Felix’s head to peek in, echoing Hyunjin’s laugh with his deeper baritone.

Similar to Chris are you met with Felix’s kindness, his lithe form slipping past the bus doors to gently smooth back your bed hair, utilizing a hair tie on his wrist to bind the unruly strands before patting your head.

It’s easy to ache for anyone’s touch, you discover.

In the early morning, the car was retrieved by Minho, Chris, Jeongin, and Changbin, the low chatter of voices outside evidence of their progress restoring the once flipped vehicle.

When you step out, Changbin hands you a tin of steaming soup as meager breakfast you’re quick to thank him for, bringing the spoon to your lips whilst lingering near the car, watching them flit about, handing each other tools and screws alike like busied ants.

“You just gonna stand there or help out? Last time I checked you weren’t worried about appearances.”

Instantaneously, Minho becomes his normal, annoying self with each snidely sarcastic remark, cocked brows urging you to retaliate.

Unfortunately, your barely conscious mind can’t formulate something smart back, so you resort to serving as the tool-supplier, handing different ones here and there from a stool near where the Man of Fire works on the popped wheel.

His new title, apparently.

Man of Fire.

“Wrench.”

“Did you just call me a wench?” You scoff, eyes wide with shock at the murmured comment. 

Perhaps you were blindsided after all by his nice face.

“Wrench.”

Or not.

Begrudgingly, you extend the wrench, scowl embedded in your expression he can’t help but crack a bemused grin at.

Attaching the wrench to a bolt to crank does his vein-littered forearms flex, and your throat feels unnaturally dry, forcing yourself to focus on something else in order to school an unaffected facade.

Nevertheless, by night, he’s.. different. Lacking cockiness, harshness.

Unspoken things, like when you’re stirred from sleep, dazed gaze settling on Minho across the bus, his fingers tenderly patting Changbin’s head when he stirs awake. They speak in hushed whispers alternative to Changbin’s boisterous presence. 

And sometimes, amidst the other seven, you’re the one beneath his comforting hand. Those times nightmares plague your sleep, his careful hands tracing your knuckles, slow circles over your skin urging you back into the solace of sleep.

To you he doesn’t talk, just hums a low melody, wipes unshed tears from your waterline. Seeing his face makes you want to cry more, so you can be scooped into his hug.

Though, you doubt you’d ever let go, so you never allow yourself more tears. Maybe that’s for the better.

Because while you’re so selfishly enamored as night falls and he becomes that doting figurine bathed in moonlight, Minho is endlessly selfless. Wordless, but selfless.

The guardian of the night, sustaining a semblance of care and safety that silently engulfs the bus each time a star twinkles within the sky.

Then again, risks are always present. Missions out for food, stashing of possessions in case of invasion.

Windows of the bus covered, the group convenes that evening, leant over a book on the floor, huddled with knees held close to chests. Sharing things of value, adding more.

An old journal, spine tattered and moth-eaten. Inside looks to hold the secrets of the world, hidden within yellowed pages, hurried writing of smudged ink.

All of it, from the Monster’s mannerisms, exterior, presumed weaknesses. Written, documented. How such information was gathered is beyond you. Intricate, detailed.

Study after study, page after page. 

In two days, you’re arranged to head out with Chris for a medical restock. The pharmacy isn’t too far from the Inn, and it’ll only be a few hours of collecting before returning back.

The morning of, Seungmin hands you his shotgun, and Chris takes Minho’s—the Man of Fires’—nail-wielding boxing gloves. Two backpacks, one goal.

Fortunately, the journey isn’t too grueling, filled with quiet conversation and query till barely divisible characters reading ‘PHARMACY’ come into view, slipping into the hollowed, whitened confines of a once thriving business.

Eerie, with medication strung awry, unknown blood splattered along a wall behind the register.

It’s almost funny how the money there goes untouched. What use is it now?

Captured within your peripheral does a door become of topic, shielded behind a hanging towel in the far corner of the pharmacy that you slowly pad over to inspect, fingers tentative in nudging to the side. 

Though, it’s the sudden flick of lights, electricity, that makes you gasp, flashlight of little necessity as you part double doors.

The sight makes your heart stop.

Because beneath the disguise of a pharmacy rests a drug-den, a laboratory, first and foremost.

“Uh.. Does Seungmin have this in his journal..?” 

Building long since redlined by the look of it, Chris is quick to join your side, muttering an awestruck: “Holy shit” you would’ve laughed at if it weren’t for your combined surprise. 

Though, he places an arm in front of you as your foot moves to step inside, instead advising the muzzle of your shotgun to lead you, clearing the area before feasting on this monstrosity.

Countless test tubes litter every surface in sight, but it isn’t mixtures, isn’t a combo of products.

It’s insects, piled with them.

Many deformed in gruesome ways, trapped inside the tubes. Chris, hastily pulling an old camera from his bag, snaps photos, the shutter’s sound echoing around the room.

Yet, you can’t help but notice a near uncanny resemblance.

Incisors, bulging eyes, like the Monster.

No, it wouldn’t be. A mega ant? No, that thing is far from solely ant with its hulking size.

“Don’t you think this is just.. odd? I mean, they’re already up to their noses in cash from the drugs, I’m sure, so why the.. ants?” 

Chris exhales slowly through his nose, shaking his head.

“My guess is as good as yours. And calling it a ‘guilty pleasure’ just makes me nauseous, I mean look at them, they’re.. infected.”

Fungal growth is clear as day, that’s agreed. The true question rests in reason.

Just what were they doing here?

The longer you linger, the more unsettling it becomes.

Because somehow, your gut can’t shake that resemblance to the Monster.

Your walk back to the bus is quiet, shrouded in nerves and a wanting for familiarity. Safe to say you both sigh in relief seeing that silvery, unmoving vehicle.

It’s almost comical how the uneasiness spreads, like whatever fungus altered the insects, contorting them in disfigured shapes, features. Overtaking the nine of you similarly.

Merely thinking about it gives you chills, Chris’s description, as you’re coddled into the bus with the others to explain, doing little for the vomit tempting your throat.

Effortlessly, your same silence washes over the others, paled as they acknowledge the identical resemblance you’d conjured before.

“You don’t think..” You’re feeble in attempting to disprove the suspicions, trembling of your fingers stilled only when Minho’s index traces your wrist. 

Though, it isn’t night, and the look he grants you makes you wish for his touch even more.

Assurance, worn within the grooves of his face, repetitive stroke of his fingertip over a hammering pulse.

“I do think, show me the picture again.” Seungmin beckons, hurriedly flipping through his own notebook as he narrows his eyes on the photo Chris shows. 

Seungmin, you learned, used to be an entomology major in Seoul’s most prestigious university. Studious, with a bright future nearing.

Interesting how easy those aspirations can crumble apart within a day, within seconds.

But there’s no purpose in reminiscing, is there?

Now resorting to gathered notes of the past, he finally stops at a page, finger glued to the scribbled notes. His other hand reaches to the photo, pointing to a tiny label taped to a test tube halfway outside the frame, writing messy and uneven, barely legible against the blur of the camera.

Ophiocordyceps unilateralism, or, in easier terms, zombie-ant fungus. 

Thanks to Seungmin’s insight, his knowledge dictates the occurrence as “a fungus capable of infecting the mind of its host while simultaneously altering its body.”

So, in a horror-movie-esque, freakish way, a parasite. 

Jeongin pipes up, and you swear at least four of you flinch at the sudden sound of a voice against leaden silence.

“But the Monster’s too big to be an ant, right? How could the—“ 

“What if it wasn’t an ant, but another animal? A bigger animal. Some scientific breakthrough where the host was able to be taken over, not by an ant, but by something bigger.” 

The entirety remains consumed in a stillness, taking in the revelation they’ve just come to. 

Fear is almost palpable. Nearly able to be tasted, smelt. 

Han’s leg bounces anxiously, dirty fingernails reaching to claw at his hair, tearing at his scalp with visible shuddering Chris’s warm palm hopes to ease, placed on his shoulder.

“We’re being hunted by a parasite.” He croaks hoarsely in disbelief, tone pathetically cracking in terror. 

A parasite, yes. This, however, is different. 

The monster lurking through Seoul was planned, arranged accordingly under the guise of law and human greed for motive unknown.

A lone pharmacy, meant to cater to human health, now manufacturerers of human destruction.

This parasite is man-made. 

Your spirit could’ve been staunched easily, dampened by the weight of discovery. Grown unwilling to fight anymore, unwilling to try surviving.

Who are we if not going for each other's throats? Why must someone’s greed become everyone else’s problem?

Something so selfish, so horrid it grew out of control, festering like a seed of hatred in one’s heart till spiky leaves and branches poured from their lungs and suffocated them.

For a moment do you entertain the doubts, the scornful attitude over the boiled egg in hand. An early breakfast the day after the realization, with the nine of you seated along the bus’s roof, legs swinging off the side while watching the sunrise. 

You feel like the only people in the world. 

And a bit longer seeing shades of orange and crisp blue bleed across the sky does it feel like it’s all worth living for once again.

So instead, you adapt.

Jotting down more details about the fungus, figuring out ways to combat it. Continual stocking of food, the usual.

Fixing things, keeping up with communication. Laughter and smiling, momentary glances to that Man-of-Fire making you clam up, just like before.

At least that was predictable. 

A continual gas lamp, those same quiet visits of his within the night. And, more often than not, you’d find Minho’s pinkie linking with yours while he slept, without a nightmare or sleepless night as explanation. 

In the mornings, you’d pretend like it never happened. Go back to cat and mouse, square one.

Hold my hand, but keep quiet. 

I don’t want you to leave.

Plenty of things echo through your mind as dawn arises, when your lids twitch and disoriented eyes flutter open to find him beside you, peacefully asleep.

Most days, he’s gone by dawn, somewhere across the bus sleeping, leaving your groggy mind to configure his touch as a mere dream.

No matter the awe, your body betrays such an occasion, and you fall right back to sleep again hoping he could read your mind, keep that contact beneath the blanket.

Unbeknownst to you, the moment your eyes close, his eyes open.

But you’re already asleep when a gentle index traces your cheek, his lips parting with a slow breath. 

“Pretty,” Is whispered, failing to echo around the bus in its hushed volume, a pinch of normality within the chirping of birds, the breach of an emerging day peering over sparse clouds.

“Hm?” 

He wasn’t anticipating your response, breath catching in his throat.

“Hi Minho,” You murmur gently, greeting his surprised disposition as your lips wind into a tiny smile. 

Involuntary. Lips quirking upwards the longer you hold eye-contact.

And surprisingly, Minho cracks a smile too.

It’s feeble, barely divisible apart from the twitch of his lips. Your thumb traces the crinkle, too sleepy to speak, too comfortable to act. 

“Hi there.”

His hand returns your touch, finding your cheek to rest on, savoring the feeling of your skin on his, his on yours.

Stay here, don’t go.

I don’t want to be left alone again.

His brisk glance at your lips has your nerves buzzing beneath such a gaze.

Knowing, obliging.

Obliging as his head tips, as yours complies. Capable of fitting like the perfect puzzle as—

Seungmin mumbles something unintelligible in his sleep, and it’s all a dream once more how Minho slips from your hands as if he was never there in the first place.

Three and a half months at Hellion Inn passes in a flash. Research on combatants to the zombie-ant fungus prevalent, plenty of days spent crowded in the bus, throwing around possibilities and idyll conversation. 

Monster sightings have become sparse, with the vast majority of reports informing of its scavenging of the city’s copious bodies.

A sense of relief until it runs out of flesh and craves more, which is where your apocalypse began all over.

Starting with that same, chillingly bellowed chuff at least half a mile out from Hellion Inn.

You don’t think you’d ever seen the eight of them move so quickly. Gas lamp extinguished, weapons cocked and loaded with ammunition ready to fire. Minho’s studded boxing gloves, Seungmin’s shotgun, Chris’s dual pistols. Plentiful traps arranged about the bus, ones you never anticipated having to utilize up till tonight.

How foolish you were.

However, the bus’s roof isn’t caved in by a claw, the nine of you intact for the remainder of the restless night, void of any more sound from the Monster. 

Then again, the torment is far from yielding, with those same, restless nights becoming avidly frequent, Minho’s soothing capabilities tested as a nightmare per week triples in number.

In those times, you find comfort in each other, comfort in bodies snuggled together, in shared pain and happiness. In as much comfort support allows in the thick of a never-ending hailstorm. 

As for you, you find that longing has folded itself into squares of eighteen from a once meager eight. Folded over and over that, the greater the paper grows with each parted fold, the greater that longing burns. 

Burns, like the smoke billowing from a fire outside.

Location of the slow-to-set sun leads you to believe it’s around 3pm, your figure slumped to the floor of the bus.

Though, the missing factor rests in a lack of eight others who currently occupy the fire outside for dinner.

Yesterday, you and Jeongin took on a water restock, roaming about what seemed to be innumerable miles to repeat the walk with heavy packs of water all the way back, currently the cause of your exhaustion as you sleep into the evening the day after.

If only the sleep was peaceful, refreshing.

It’s not.

Well, it was. But not for long.

A shower, according to the flickering of your consciousness as you dream. Warm water droplets pattering on the tile floor underfoot, cleansing grime from your skin. Electricity.

And somehow, a peculiar name leaves your lips upon seeing a shadow behind the shower curtain.

“Minho.”

The sound of your voice is light in this dream. Awaiting, familiar. 

Yet, the pit in your stomach grows, unnaturally.

You find the cause when pulling back the shower curtain, that same, leering smile of the Monster staring back at you as it lunges.

Not Minho.

Your vision goes black, only able to hear the ringing screech of your scream, the heat of the shower now putrid metallic. Blood, replacing the water.

It fills your senses, suffocating you slowly but surely. Overflowing from your nose, your eyes, till you cry crimson.

A sharp twitch of your hand jars you awake.

You’re not bleeding, not in a shower, no Monster in sight. Although, you’d be lying to yourself to say you can just forget it all, act like nothing’s the matter.

More so when you see Minho—recalling his name uttered so sweetly in your dream—standing at the bus’s doorway, seemingly a witness to your horrors as he closes the door behind himself.

Ah. 

No, don’t look at me right now with that doting gaze, as if I’m something to be cared for, something delicate. 

For once I wish you away, so I don’t begin to cry, so my love for you doesn’t become my ruin.

“And it was- it was right in front of me and—“

He sees through you each time, through the toughened exterior, the shake of your head when he asks if you need anything, want to talk about it. 

He came in for an extra blanket, apparently. One long forgotten by now.

Spill your guts, but when it comes to him, you find your heart spilling with it. Words caught in a hyperventilating daze, your hands flail, eyes struck permanently bulging.

At some point, everyone starts to break. No time table to give you an estimate, forewarning.

It just bubbles until bursting.

“I don’t… I don’t want to do this anymore..” Voice a desperate plea, sobs wrack your body numb.  “Why can’t…” You begin, eyes flitting to Minho.

“Why can’t we all just die together?”

Heaved between sharp inhales is your face taken between calloused hands, his brows knitted.

“Cause who’s going to take our place? Who else is alive?” He whispers, kneeled upon the floor, staring at you nonsensically.

“This once, let me be selfish. I won’t let you die. You can’t die because I want you alive. Do you understand?” 

Slow to nod, bleary vision situates upon the man, cursing the dip to your usually strong tone — cracking, weakened.

“Can… Can I just.. forget?” 

His eyes flit to your lips if only for an instant, like that time a month ago, stolen. 

And for a moment, you think he may have just read your mind.

“Minho, please… I want to-“

Ah.

And he kisses you, and then, no, more. More and more, till you’re tangled up in sprawled blankets and sleeping bags. Smoke tainting the air from outside, calves dangling from his shoulders, toes curled. 

Minho makes you forget, forget and forget, leaving you to helplessly utter his name past chapped lips — till another round turns into what feels to be a lifetime. 

Your palms pressing to his jaw like a plea, head tossing back once more with a sound purely guttural. 

It’s sloppy, it’s clumsy. Sweat-stuck kisses to sweat-stuck skin. Nails digging into already moth-eaten clothing, his lips permanently pressed to your pulse, hammering and hammering in a wordless incantation of bliss. 

And yet, no amount of greedy, mindless sex, no amount of his doting kisses, his careful assurances, praises, can deter your mind from a reality unavoidable.

There’s no euphoria, no recovery your skin can even acknowledge as he flops to your side, both out of breath.

“.. Am I selfish for a pleasure I can’t even enjoy?” 

Silence breached, your eyes flutter closed, an involuntary tear slipping down your cheek where you lay upon the bunched sleeping bag.

This had been a dream, to be burned by the Man of Fire. Allowing his kiss to brand you, his touch searing every ounce of skin raw.

Little did you know you’d already scorched it all yourself.

Cruel. Irrevocably cruel.

Not even clarity grants your senses, emotion muddled between undergarments feeling too tight and grimy and the lack of fresh air rendering sticky bodies into a cold sweat.  

From beside you, his hand extends to your cheek, thumbing away the salty droplet with a weary smile.

“There is no selfishness, just… grasping onto what’s left. You’re not selfish for taking what you can get, not when everything is being taken from you.”

Hellion Inn was not your safety, it was the one gazing at you, the seven others outside. 

This is only a house, Minho is your home.

Fifth month arising, a conclusion is met. Amongst not-so-helpful input, bickering, and plenty of runs to libraries to gather more books on Ophiocordyceps unilateralism for a very studious Seungmin, he presents a possibility, an option.

Of its known enemies, the zombie-ant fungus doesn’t have many. There was the initial hypothesis on ways ants protect from the parasite, but with the Monster already infected, those methods were out of the question.

Then came the breakthrough.

Torrubiellomyces zombiae, or T.Z. An additional, fanciful word for a more powerful parasite. A Hyperparasitic fungi, zombie-ant fungus’ predator.

Create an ultimate beast without known opponents? Simply double the size, the power.

That’s where T.Z arrived, the species a core option for the Monster’s destruction. Get the spores on the Monster’s skin, and stay alive until it takes over and stabilizes the fungus’ infection.

Much easier said than done, which left room for the organized members of the group separating steps into phases.

Phase one focuses on collection of the spores. Extra photos Chris took that first encounter in the pharmacy unveiled the likely presence of the desired spores, which Felix, Hyunjin, and Seungmin have been elected to collect as Team C.

Phase two regards locating the Monster, introducing the presence of a harpoon gun (an idea Han loved (for the sole reason of fooling around with the harpoon gun)).

The point of the harpoon will be coated in collected spores, teams of three with three members each (A, B, and C) dispersed throughout the surrounding area the monster before Team A shoots.

And of course, courtesy of Han’s mention on what phase three should be: 

Run like hell. 

Phase two enacting in exactly a week, Hellion Inn spends its days in preparation, plaguing each breathing moment with gathering necessities and ensuring utilities are present.  

Between those lines comes the lividity.

Kisses in the night, his kisses. The shared cockiness, incessant teasing when the others are around as original as it comes despite such tenderness in private.

Your souls bared, secrets spoken into the air for only your ears to hear.

While the others sleep, you love till your heart hurts, watching him fall asleep against your palm where he’d kissed each of your fingertips minutes prior.

“I love you,” He whispers one night, his nose buried into your cheek with a heavy sigh. 

There’s not a single doubt within your mind, a hesitation, a hint of surprise.

Plenty of times it’s been said without words, repeated in the peck he presses to your skin.

“I love you too.”

And you repeat the words in a kiss to his lips. Slow, careful.

Savor. As if it were your last.

Dark clouds wrinkle your vision, spitting rain nothing short of irritating as you, Han, and Minho slip through cluttered underbrush.

Gathering of the spores had been successful by Team C according to the flare gun’s signal, and Team A—consisting of Changbin, Jeongin and Chris—tracked the location of the monster. 

Itaewon hasn't changed apart from the lack of bodies, assumed to be the Monster’s doing. Debris prominent, scavenging animals littering the streets without the usual congestion of people.

When the second flare blooms into shaded sky, that’ll be the indication the last stage: shooting the monster, is underway. For now, the three of you wait, listening in as hurried footsteps of Team C come thundering towards you.

Seungmin offers the vial, Minho lifting the harpoon gun to plunge into what appears to be an oddly shaped mushroom, your arm already lifted to the sky to fire Team B’s own flare gun.

Half way. Not done yet.

Now for Phase three, but, prior to the “run like hell” notion.

Jeongin is the retriever of the harpoon gun, angling through side streets past a lingering monster in the center to deliver the catalyst.

Almost there, almost–

His foot clashing against the metal of an alleyway trash-can disrupts that peace, and synonymously do you feel all breath held.

Chris was supposed to deliver the shot. Jeongin was supposed to make it to Team A unnoticed.

The world seems to grow mute, Han’s wrenching scream from beside you fallen upon deaf ears as the Monster’s gaping jaws beeline for Jeongin, claws extended, the boy kneeling to the ground.

Then, a ping! resounds, and your eyes are slow to open in fear his mutilated body would sit there, bright eyes lifeless.

It’s almost slow motion seeing it. Centimeters from Jeongin’s face does a palm outstretch, twice the size of his head, fingers twitching as if frozen in space.

Then you see it.

In the middle of that palm, the mere edge of the harpoon—only able to get halfway from its sheath—embeds.

Cavernous jaws of the creature part, incisors poised as if disbelieving of the matter itself. Disbelieving of the parasite taking over, altering its blood stream. 

Wilt.

White, almost decaying in the manner the alternate fungi destroys the weaker one, its muscles failing, body freezing.

You half anticipated the creature to at least try fighting in the meantime, land one last swipe. 

But the more time ticking past as you lean forward disproves any chance of movement, able to physically see the blood cells permeating the creature ashen, once curved claws diminishing simultaneously like that of crumbling embers.

Just then does Hyunjin’s voice breach your focus, curdled in urgency. It’s his cry that beckons Jeongin back to his feet, racing back after the others, tip of the harpoon still wedged within the Monster’s palm.

Oddly enough, as you watch the last of it dust into the wind as if melting, it doesn't feel real.

Too simple, uncanny. As if millions hadn’t extinguished in its horrid maw—a single parasite killing off the apocalypse bringer as easy as that.

Yet, it wasn’t easy at all.

Testing every last ounce of your wish for life, wish for a reality snatched from not just you, but eight others’ fingertips.

It was taxing. Surviving, experiencing the start of new love you didn’t think could sprout among a wintery wasteland included. 

But it did sprout, and the way you’re the first person Minho’s eyes drift to speaks that loud and clear.

Twin blossoms of the most brilliant colors, growing brighter the nearer they are. 

Closer than love, truly. 

We made it.

The Monster is gone.

There isn’t a word spoken as you make back for Hellion Inn, make back for home. The crunch of footsteps along gravel rings in your eardrums, breath exhaled from parted lips, matted, grease-ridden hair the least of your concern. No joyous shouting, no celebratory behavior in the slightest.

What is there to celebrate anyway? So many lives lost, too many to mourn.

Progression of your footsteps carries each soul with it, allowing them a final sleep in their eternal resting place.

Sleep well, Seoul. 

“It’s all over.” 

Whispered amidst roaring flames, you can only stare at the pharmacy as fiery flickers—vials, chemicals, ants included–swallow whatever has been left, torching hell’s origin once and for all.

One last stop. One last goodbye to all that was, the last chapter.

Without a word, Minho’s pinky links with your own.

sunboki, may 2022 ©

FIC TAGLIST. @linocvp1d

[reasonsforhope]

"In drought-stricken areas, communities facing water shortages, or even in residential and commercial buildings eager to improve their environmental footprints, atmospheric water generators represent a new frontier in water production.

While it might sound like a tidbit from a science fiction movie, even the driest places on earth have moisture in the air that can be extracted and used for everyday necessities like plumbing and drinking. 

Unlike traditional dehumidifiers, which also pull moisture from the air, AWGs utilize filtration and sterilization technology to make water safe to drink. 

And while there are plenty of AWG companies out there — and the science itself isn’t novel — AWGs are becoming more efficient, affordable, and revolutionary in combating water scarcity in a myriad of communities.

Aquaria Technologies, a San Francisco-based AWG startup, was founded in 2022 to help provide affordable and clean drinking water in areas most affected by climate change. 

Using heat exchange and condensation, Aquaria’s generators draw air into their systems, cool that air below its dew point, and as it condenses, capture that water and filter it for consumption. 

As the cycle continues, the generator’s refrigerant vaporizes and goes through a process that cools it back into a liquid, meaning the heat transfer cycle repeats continuously in an energy-efficient and self-sustaining system.

“I’m sure you’ve had the experience in the summer, you take a glass of a cold drink out of the fridge and then water droplets form on the side of the bottle,” Aquaria’s co-founder and CEO Brian Sheng, said in a podcast episode. “That’s actually condensation.”

Sheng continued: “The question is, how do we create condensation? How do we extract water out of the air in large volume and using little energy? That’s what our technology does. We have created both active and passive cooling methods where we use special materials, and we’ve created heat exchange and recovery systems and airflow design, such that we’re maximizing heat exchange, and then we’re able to extract large volumes of water.”

Aquaria has created a number of generators, but its stand-alone model — the Hydropack X — can replace an entire home’s dependence on municipal water, producing as much as 264 gallons of potable water per day. 

Other models, like the Hydrostation, can provide water for up to 1,500 people at parks, construction sites, or other outdoor public areas. The Hydropixel can make 24 gallons of water per day for a seamless at-home application, requiring a simple outlet for power. 

“Atmospheric water generators present a groundbreaking solution to the global challenge of clean water scarcity, leveraging the humidity present in the air to produce potable water,” the company’s website explains.

“This technology is versatile, functioning efficiently across diverse climates — from arid regions to tropical settings. From rural communities in developing countries to advanced cities facing unexpected droughts, atmospheric water generators have a wide range of applications… transforming lives and providing secure, clean water sources.”

Considering an estimated 2.2 billion people lack access to clean water globally — including in American cities like Flint, Michigan, or Modesto, California — innovative solutions like AWGs are vital to maintaining the basic human right to clean water. 

The World Economic Forum has begun to dip its toes into this technology as well, implementing public and private partnerships to introduce AWG units in Arizona’s Navajo Nation, where the machines produce about 200 gallons of clean water per day.

“When combined with an appropriate level of community engagement and triple-bottom-line business (people, planet, profit),” a blog post for WE Forum said, “this model can be a powerful stopgap solution where few exist today.”

Similarly, according to New Atlas, Aquaria has a partnership with developers to supply its technology to a 1,000-home community in Hawaii later this year, relying entirely on atmospherically generated water.

The company also has a “Frontier Access Program,” which partners with water-related NGOs, community project developers, and sustainable development groups to deploy this technology in areas most in need.

Regardless of their use cases — in homes, in communities facing water shortages, or at aid sites navigating natural disasters — AWGs have a minimal environmental impact. Sourcing water “from thin air,” requires no plastic bottles, no large-scale plants using up loads of energy, and no byproducts that can harm the environment."

-via GoodGoodGood, August 27, 2024

[flawseer]

On Mudwing Culture

My last deliberation on Seawings and their eccentric insult vocabulary seemed to be well-received, so here is another one of my headcanons:

Mudwings are seriously into food.

I know, pretty revolutionary take when there is only a handful of named Mudwing characters, and two of them love eating so much that it either almost or entirely eclipses their personality.

But Clay and Ochre are not what I am talking about. This isn’t about a love of eating (though many Mudwings admittedly do have that). I’m suggesting that, out of all the tribes from Pyrrhia, Mudwings are at the forefront of food preparation and culinary innovation, to the point where a large part of their culture revolves around it.

The State of Food Preparation on the Continent

Pyrrhia as a conglomerate of different cultures largely sustains its populations through hunting and gathering. The average dragon, when the hunger pangs set in, will make a hasty trip into the nearest forest, cave, or scavenger den and round up some prey animals. In most cases, this prey will go straight from the talons to the mouth, or, if the hunter is a bit more forward-thinking, into the pantry, and then from talons to the mouth.

There are a few variations of this practice; Skywings may give the carcass a quick roast on an open flame before eating it, Sandwings may dry the meat out so the excess moisture does not upset their internal water balance, Rainwings will prefer fruit over meat. Icewings will nearly always consume their prey raw and unseasoned, as their extremely delicate palate is easily overwhelmed by intense flavors that may be released through cooking.

More complex forms of food preparation seem to exist mostly outside the scope of the general populace. The practice of “cooking” appears to be limited to the ranks of aristocracy, with dedicated cooks only found within the court of a queen or in private households of other high-born individuals. It creates a sharp divide between commoners and social elites, between the wealthy and (as Sea Queen Coral once put it so succinctly) the “eel-eating masses”. All exemplified through the differing standards of food.

And yet somehow, standing in stark contrast to everywhere else on the continent, nearly every Mudwing-- from the most low-born runts of the Diamond Spray Delta to the most decorated head advisors in the Queen’s palace --knows how to cook, and will do so regularly.

Why is that, and how did it happen?

Historical Benefits of Cooking

Most things that form the backbone of a culture usually start with some ancient practice that was useful at some point in time and then, as people kept doing it, eventually got absorbed into public awareness and became “the way things are done”.

Mudwings face a unique challenge compared to anyone else, as they are the only tribe whose combat prowess is significantly affected by their environment, specifically climate, weather, and temperature. Sure, you can take any dragon, drop them into an unfavorable climate, and they will generally perform worse than under normal circumstances. But the unique weakness of Mudwings is that they lose their breath weapon when they get too cold. Place an Icewing into a burning room and they will still be able to use their frost breath. Pluck a Sandwing from their dry environment and drop them into the humid, sweltering hell of the jungle, their natural weapons will still function. But make a Mudwing cower between two piles of snow for a while, and their internal fire will go out quickly.

As you might imagine, this is a bit of a liability when you have to defend your territory from Skywings hiding and scheming among the frozen peaks bordering your country.

So the ancient Mudwings had to figure out a solution to their conundrum, and what they came up with was this: They got a large pot and filled it with water, threw in all manner of meats, plants, and herbs, whatever they could find where they were holed up, then boiled it until it was good and filling. The hot food in their bellies helped them stay warm even at high altitudes and allowed them to stand their ground against the northwestern invaders.

Soon it became tradition for troops to share a hotpot the night before battle, and a rich variety of hearty broths and stews developed from there, as these were simple to make from scraps and could be reheated easily. The practice became so popular, the Mudwings kept doing it even during peacetime. Soon, in addition to the hunting of prey animals that was commonplace, Mudwings began to cultivate vegetable gardens to have access to a more stable supply of ingredients. Eventually, their growing understanding of agriculture allowed them to grow rice, which was especially well-suited to the abundance of wetlands found in their territory. Everyone was cooking now.

The Role of Food in Mudwing Society

If you ask several Mudwings which core values represent their tribe best, many would likely put forward some variation of “camaraderie”, “family”, or “loyalty to your sibs”. They are a very social people who form deep bonds with those whom they grew up with, and one of the most direct ways to grow close to someone is to share your meals with them every day. As such, the preparation and consumption of food is a vital part in maintaining cohesion between members of a Mudwing sibling group.

Every one of these groups will have a “Bigwings”, which is understood to be a combination of a leader and caretaker role. The Bigwings is aware of all of their sibs’ culinary preferences and needs and has all of the troop’s recipes memorized. When mealtime approaches, he or she makes the call on what kind of dish will be prepared and delegates roles and tasks to the troop. This is a daily exercise that builds the Bigwings’ authority and communication skills, and reinforces trust and familiarity between all siblings.

Next to the Bigwings is the Gatherer, which historically was a role assigned to one or more troop members who foraged for wild vegetables or hunted more prey if the previous communal hunt did not yield enough. While this is still true today, many Gatherers also maintain a garden or wet patch to source fresh vegetables or grain for meals.

And lastly there is the Communicator, which is a role usually assigned to the most social and charismatic sibling. The Communicator is vital for coordinating battle strategies with other troops, which, while very important, is not really all that relevant for this deliberation. What is relevant however, is the role they fulfill during peacetime, which is to set up joint meals between two or more sibling groups. This practice is critical for maintaining morale, as doing this regularly helps expand the troop’s palette and keep their Bigwings inspired. That way the troop’s collection of recipes stays fresh and innovative instead of turning stale and rigid.

Of course how much each troop values culinary exploits varies between individuals. Some Mudwing groups are outspokenly passionate about cooking and advancing their craft. They might view their work as an expression of art and get very upset or offended if you indicate that thinking about food is unimportant or a waste of time. Some extreme cases may even get angry at you if you waste ingredients or refuse to elevate a dish to its fullest potential by not seasoning it well or doing something else to ruin it. Other groups may be more relaxed and casual about food preparation, and a few might even not think about it much at all.

If a Mudwing invites you to dinner, it is paramount to figure out which of these groups they belong to beforehand, so you may get an understanding of how much of a threat this outing may pose to your health, especially if you are an Icewing or Seawing with a limited palate.

Is there any evidence for this in the books?

To my knowledge, there isn't much. Mostly because there isn't much about Mudwings and their culture in general. Across all the books, only one of them has a Mudwing protagonist, and the vast majority of it is spent in the Sky Kingdom, so his roots don't get a lot of exposure. Then whenever another Mudwing comes into the story, they tend to exit it very quickly after, without being able to share more.

I made this theory for myself largely in response to Mudwing culture being such a big question mark. I initially came up with it when I saw a Mudwing gardener in Escaping Peril and thought "That could be a cool direction for the tribe." The guidebook that released recently gave me some additional pointers with regards to a few of the looser points of this theory.

I'm hoping it is interesting, or at the very least entertaining in some way.

[stealingyourbones]

Short DPXDC Prompts #1046

The Lazarus Pit’s water is unable to mix with ectoplasm. It’s like a lipid and water, or like two same poled magnets; They simply don’t combine. Jason is an undead man brought back fully by a Lazarus Pit. God knows what the two life sustaining liquids has done to him internally. (i'm imagining like an animal in formaldehyde that stays in solution for way too long and when you dissect it everything is already dissolved. Like the only thing inside its body that’s discernible is maybe a floating bit that could be a pancreas and some bits of intestine. No this isn’t from personal experience what do you mean.)

[my-darling-boy]

It’s horrible how my design course has killed my enjoyment in creativity because all they want is finished pieces founded in nothing but a spontaneous mark just to hang at some concrete art gallery or to sell to some “join our revolution” comfy business-casual company with a prison cell wellness room. I’m not saying that it’s “not art” —cos that’s a different post altogether— it’s that the ethos behind this particular formula for art education is ruining the way we think about creation.

Design courses (and other art courses I’ve heard?) are no longer teaching artists or designers techniques, drawing skills, art fundamentals and allowing them to find their own voice so much as they are only instructing how to tic boxes alongside pushing corporate and classist motivated style/methodology bias aimed at producing workers, not creatives, not to mention providing Adobe with endless funds for their despicable scam programs. That’s it. My creativity is only a means to money for them, and if they can extract the process of creation from me without the complex creative intimacy involved in it, they know they can churn out products and services faster and it’s concerning some lecturers don’t seem to be aware this is what they’re teaching? Like they’re buying into industry propaganda?

And the whole time it’s sold to you like you can be some trailblazer when the irony is they’re usually either prepping you for cubicle work or for some misguided high horse creative team pumping out design solutions completely divorced from the reality. I’m tired of all the talks about sustainability in a vacuum with no conversation about nuanced designs that factor in broader social and economic perspectives which lack thereof is leading to sustainable products being sold at a price only able to be afforded by wealthier people who are causing said economic and social problems and contributing to the rapid obsoletion of trades and crafts. Lecturers and speakers don’t seem to think that’s any of our concern and should just worry about producing the design for the hypothetical Bluetooth powered organic hairbrush or using the twigs to make the pattern for the £85 fabric square.

Like? Can I please make something that actually resonates with people outside the circle jerk of egotistical creatives and corporations? Something charming and maybe idk something that doesn’t make me want to tear my miserable portfolio in half with my teeth? And they’re like Mm nope sorry it has to be an extreme close up of a mark making abstract leaf you made from a recycled trash bag inspired by a stalled urban space which we will force you to price at £100 during your exhibition 5 people will bother to attend and no you’re not allowed any other style cos this isn’t the Dark Ages :///

I think the worst thing my lecturer ever said was, while looking around the room of our class work reduced down to a series of cubes and splatters and abstract typography, “Wow, I love how you can’t tell what anyone’s [main artist discipline] is!” Like awww conformity at the expense of a person’s individuality to make pieces for airport hallways and rich people’s living rooms wow so cool heehee like girl that’s not good?? Why on Earth are you complimenting us for that? Like I get it, I thought this course would boost skillset as an illustrator (as we were told), turns out the degree is really not for me, fair enough to anyone thinking that, but forcing students to produce modern abstract art because you think it’s the ONLY Logical Pathway for the future of design, judging them intensely for doing a different style, and thinking producing financially inaccessible art + design is the solution to things like climate change and community severance is an objectively bad take.

[absentwriterdoll]

896

C:"896, signal lost."

...

W:"896, still active."

C:"896, copy."

I can feel the hydraulics straining as I push against the controls.

As ever, if the reactor is still intact, it's not a confirmed kill.

The display shifts from dirt to the horizon.

Tracers streak across the sky.

H:[Warning. Internal bleeding detected.]

I can feel as much.

I scan my HUD.

Right side, lost. Left shoulder, depleted. Left arm at 35%. Left hip at 10%. Point defense at 20%, 45%, 30%, 10% respectively.

I sigh.

It hurts.

Even if I wanted to, there's not much more that I can do.

W:"896, munitions depleted, heavy damage sustained. Requesting permission to withdraw."

C:"896, granted."

W:"Harry, plot a course home."

H:[Acknowledged.]

I notice my point defense lighting up at far-off infantry.

I swap them to critical only. With this damage, I'll need the cover in case another mech realizes I'm still alive.

H:[Course plotted.]

W:"Send it."

I feel my legs shift under me - but I keep my eyes on the horizon, my weapons pointed toward the enemy battleline. A wounded mech is always a primary target.

Two missiles streak out from the infantry I saw earlier - nothing my point defense can't handle. Though, for good measure, I send a few rounds their way.

Everything hurts.

H:[Administering stimulant.]

A sharp sting in my neck - just a prelude to the pain lessening.

At least, in a minute or two, anyway.

Part of me wonders how much I could leave to the onboard AI. It already calculates most of the firing solutions.

My role is just selecting a target and pulling the trigger.

But it always has to be a human pulling a trigger.

Otherwise...

It becomes a question of when the AI starts deciding who is worth pulling the trigger on.

Can't let it start deciding who lives and who dies.

Best case scenario, it turns on its makers.

Worst case scenario, things devolve into a forever war.

…

Who’s to say that this isn’t a forever war already.

A mech raises itself on the horizon.

And I begin loosing rounds downrange.

My missing mass causes most of my fire to go wide initially.

A series of flashes.

And I react.

A round strikes me - but it’s off center.

Better than the alternative.

But my left hip doesn’t respond. I’m nearly defenseless.

W:“896, requesting support, relaying target.”

H:[Relaying target.]

It’s nearly all I can do to hope for the best.

M:“512, responding.”

H:[Radar lock detected.]

Tracers light up the mech from its side, causing it to buckle and flare - right as it looses a fusillade of missiles from one of its shoulder pods.

My point defense lights up, as does those of 512’s.

One zeroes out. I turn my hull to expose Three and Four.

Four zeroes out.

But Two and Three manage to clear the air with 512’s help.

10% and 5%.

W:“896, permission to request cover.”

C:“896, granted. Assigning 512.”

M:”512, moving to cover 896.”

W:“896, thank you.”

An unnecessary communication slips from me.

But it’s the truth.

I should be dead.

But I’m not.

C:“512, signal lost.”

In the corner of my eye, I see 512 light up - and vanish into fire.

And I see the one that did it. 

I loose rounds from my left arm - until it clacks empty.

And I hope to whatever gods may be listening that it doesn’t get back up.

Their reactor is still intact. It’s not a confirmed kill.

W:“896, relaying target, requesting kill confirm.”

A few moments pass - and then tracers streak in from afar.

Then a detonation.

L:“288, confirmed.”

W:“896, acknowledged.”

C:“288, cover 896’s retreat.”

L:“288, copy.”

In silence, I think my gratitude.

Part of me wonders if I should just withdraw on foot.

I glance at Harry’s AI core.

It would be a simple matter of-

L:“896, bogey.”

W:“896, munitions, defenses depleted, ejecting.”

H:[Radar lock detected.]

W:“Eject.”

H:[Ejecting. Give them hell.]

I pull Harry’s AI core.

And I’m launched into the air.

Tracers from the point defense flash out below me - until both remaining guns zero out. In the air, I release myself from my seat and spark my jumpjets.

Below me, my mech detonates.

On the horizon, I watch 288 engage the enemy.

288 closes with the bogey, tracers streaking between the two, maneuver jets flaring.

288 manages to get behind the bogey and tears the reactor core out - tossing it and firing a round at it before turning its attention back to the dying remains of the mech -

And slaughters the remainder.

I reach the ground.

I take a deep breath.

Thank Harry for the stimulant.

Thank 288 for the cover.

And run.

=====

Cast in order of appearance:

C - Control, the battalion’s handler. Used to be a pilot.

W - William, 896’s pilot. The most experienced pilot in the battalion.

H - Harry, 896’s AI. Leaves a copy of itself onboard when 896 ejects.

M - Maya, 512’s pilot. Relatively inexperienced. A rookie that tried to fill bigger shoes.

L - Liam, 288’s pilot. A vicious warfighter, leaving nothing to chance.

=====

Inspired by Armored Core VI and The Forever Winter.

[acti-veg]

hello, if you have time please could you respond to the Guardian article "If you want to save the world, veganism isn’t the answer"? thank you

Ahhh, her again. She does the same thing here as she always does, comparing realistic arable farming solutions to idealised animal agriculture which exists almost nowhere, and is how a vanishingly small minority of anyone’s meat, dairy and eggs are being produced.

She raises points that we are largely all already aware of, that crop farming can be harmful too, which of course also includes the crops that farmed animals are fed on. She touts the old fantasies of 'regenerative grazing' which is a contradiction in terms that has debunked many times over, perhaps most thoroughly in this report.

I think the best response though, is one from George Monbiot in his excellent book Regenesis: Feeding the World Without Devouring the Planet. Monbiot knows Isabella Tree personally, and has done the maths on her own farm:

"Only when livestock numbers fall so far that their husbandry scarcely qualifies as food production is animal farming compatible with a rich, functional ecosystem. For example, the Knepp Wildland project, run by my friends Isabella Tree and Charlie Burrell, where small herds of cattle and pigs roam freely across a large estate, is often cited as an example of how meat and wildlife and can be reconciled (..)"

"If their system were to be rolled out across 10 per cent of the UK’s farmland, and if, as it’s champions propose, we obtained our meat this way, it would furnish each of the people of the United Kingdom with 420 grams per head, enough for around three meals. This means a 99.5 per cent cut in our consumption (…) If all the farmland in the U.K. were managed this way, it would provide us with 75kcal per day (one thirteenth of our requirement) in the form of meat, and nothing else."

As you can see, this is pure fantasy. People point to examples like these despite them being almost unworkable at any kind of scale, and even in these idyllic, thoroughly unrealistic examples, animals are still being bred, exploited and killed unnecessarily.

Yes, plant agriculture has an impact too, but it is far more sustainable and less resource intensive, producing more food using less land. Even if you ignore animal rights entirely (as Tree always does), plant agriculture and alternative proteins are just objectively a better way to feed our population, which ever way you spin it.

[novlr]

How to write a harmonious and mentally healthy relationship between a couple in love who is in a long relationship?

This is a great question. Existing relationships have their own patterns and rhythms and are quite different from the flush of a new relationship. I’ll answer this within the context of a romantic partnership (or polyamorous relationship) though most of this will apply to platonic relationships such as close friends and family too. 

These guidelines can also be used to write less harmonious relationships by knowing how to best break them. I taught the Psychology of Human Development for many years as a lecturer, so I’ll be drawing my response from research on human development across the lifespan. 

What is a healthy relationship?

Let’s start with some definitions. The question is specifically asking about harmonious and mentally healthy relationships. Harmony is a state that people fall in and out of. It’s not something achieved and forever maintained. 

People will have disagreements and conflicts even when they are in love. Possibly because they are in love and value that relationship. What happens when couples (or polyamorous relationships) are pulled in different directions by careers, moral-value systems, or differences in problem-solving approaches? 

This is where having a healthy relationship comes in. Healthy relationships are sustainable and a foundation for everything else. Some hallmarks of healthy relationships include good communication, trust, and respect. 

Good communication includes active listening, empathy, and clearly stating needs, wants, and desires. There is a willingness to compromise and to recognize when that isn’t possible. If one partner can’t compromise, can the other work with that out of a place of respect? Is there some way to reshape the situation so that both parties can feel comfortable with the solution? These conversations may be heated at times. The important thing is that people return to the touchstones of respect and trust, and then move forward to a resolution of the conflict that all parties involved can accept. It’s hard work, and it means no one always gets everything they want. It also means doing relationship repair by acknowledging the sacrifices being made and finding ways to compensate for that. 

Relationship as a character

Think of the relationship as a character in the story in addition to each of the characters in that relationship. Develop the backstory and character arc for the relationship. How do the characteristics of the relationship and the story arc for it impact the characters in the relationship and the other characters in the story? Is it a minor background character, or is it the main character of the story? 

Give it the same degree of development you would for any other character in that position. How does the relationship impact all the other characters, and how is it impacted by the events of your story? How does it influence the direction of your story? 

Backstory

You still need to think about how the characters first met and the arc of their relationship up to the point they appear in your story. You won’t necessarily use most of this in your work, though it will give you a foundation from which to draw references and determine how they react to one another. Here are some excellent seeds for building their backstory: 

How did they meet? Was it love at first sight, an enemies-to-lovers story, or something in between? 

How long were they together before deciding to commit to a long-term relationship? Was it ever formalized or are they still together because it’s easier than breaking up? 

Are there children involved, either with each other or from previous relationships? If yes, how old? 

How often have they moved household? How do they decide when to move? Does one partner’s job take precedence over the others when it comes to deciding who stays home if there’s a sick child/pet/family member or if they need to relocate? 

How do they split the day-to-day chores of living – shopping, cooking, cleaning, paying bills? People in healthy relationships will balance workloads and decision-making with respect for one another’s contributions. They will play to one another’s strengths and step in to help when a partner can’t pull their usual load.

What are other major life events they have been through together? Which of these brought them closer together, and which pulled them apart? Healthy relationships will weather these events even if initially pulled apart. Conflict is a part of life. Conflict resolution and relationship repair are learned skills. How do your characters navigate these?  

Social Context

Relationships don’t exist in a vacuum. How does the world around them view their relationship? Do they have the support of family and friends? What are the societal rules about the type of relationship they have – is it the sort most people have, or are there any taboos being broken by them? 

Some examples to consider would be same-sex relationships, marrying outside the culture, sharing a household without being married, or deciding to remain childless. All of this will inform how your characters behave around others. 

Ebb and flow

One of the films I loved to show my classes was a documentary about couples who had been together for fifty years or more. I’ve put links to similar projects in the resources section. Here are some of the highlights: 

Being together for many years means you won’t always be happy. Working through those times is hard, but worth it. Are your characters happy with their relationship at the moment of the story? If not, are they working through that?

People change over time. One man said he felt like he’d been married to five different women over the years as his wife changed and grew as a person. How have your characters changed over time? How do they remember each other in the past? 

Most reported that their partner was their best friend. Do your characters feel that way about one another? 

The couples often helped each other remember things with prompts, corrections, and clarifications. What are some ways your characters aid each other’s memories or rely on one another to keep track of various sorts of information? 

Most couples had phrases or words or body language that they shared and could use to communicate in an abbreviated way that outsiders might not understand. What are some ways your characters do this? 

Companionate vs romantic love

Romantic love is most often written about in first-meets and blooming relationship stories. It is a fire that burns hot and bright in the initial stages. Over time, the fire settles into a more sustainable bed of coals. This is companionate love. 

Romantic love will flare up again intermittently and can be stoked with romantic dates. Companionate love is what allows people to get on with life and support one another over the long term. It is the process of becoming life companions. 

How do your characters express companionate love? Is it making a cup of coffee, helping with a project? Listening while the other brainstorms or rants? How do they express their deep and abiding affection? How do they stoke the flames of romantic love as a way of deepening their bonds? 

Fidelity

How do your characters feel about monogamy? Have either of them had an affair? If they are polyamorous, what are the rules for seeing others outside the primary relationship? Or is this relationship a secondary one for each of them? If it is an illicit affair, then does the primary partner(s) know about it? 

I know all (most) of your secrets

People in long-term relationships know a lot about each other. What secrets are they keeping for one another? Are there secrets they haven’t shared? 

People don’t always share everything, even in healthy relationships. The difference is in how they share when something is revealed and how they react to such revelations. 

The importance of people watching

Watch how couples interact in the real world, look for documentaries such as the ones linked below, and even draw on well done movies and books for inspiration. 

What moments of harmony have you observed? What telegraphed that to you? If you witness disharmony, how is it resolved? When you see a less functional relationship, what could have made it work better? Keep notes about your thoughts and observations so you can incorporate them into your writing and character development.

Summary

Long-term relationships can be a lot of fun to write. It provides a basis for supporting a character through difficult points in the plot and a touchstone when someone is uncertain of how to proceed. Don’t shy away from conflict between characters in a healthy relationship. The way they experience and resolve that conflict can move the story forward.

Resources

We spoke to couples who have been together more than 50 years — Los Angeles Times 

Couples Together 30+ years give us love advice — Great Big Story

Answered by Kimberley Long-Ewing.

[jadeazora]

Quite a long read below, but I have to admire the dedication to the meme 😂

Feeling blue? It’s because there’s too much water. Your mood can turn gray on rainy days. From a broader perspective, water is the cause of all the world’s woes. All life exists on land. It is where Pokémon hatch from their Eggs. Where they train, battle, and evolve. It’s the source of the Berries that heal and sustain them. Even the mighty Mudkip, Hoenn’s beloved Water-type first partner Pokémon, sees a limited future for itself in water. Why else would it evolve into the Water- AND Ground-type Marshtomp?

Deep down, we all recognize the dangers of water. Land rhymes with grand. Boom! Roasted. Speaking of which, you can’t roast anything in water, and roasting is one of the five best cooking methods—but back to water’s imminent dangers. Even a puddle can ruin someone’s day, so the only safe amount of water is none. While humans fall victim to technology, turning away from nature’s sanctity, Pokémon remain deeply connected to nature. And Pokémon know that water is dangerous; why else would Dragonite dedicate its precious time to flying over immense stretches of sea to rescue people from drowning? How far have we sunk morally that this noble Pokémon must exhaust itself rescuing humans from this dire threat when there is an alternative solution at hand?

If we’re being honest—which the anti-water faction can afford to be with the advantage of facts and Groudon on our side—water tastes terrible. There’s an entire line of products specifically designed to enhance its flavor. It’s worth noting that there are no products to enhance the flavor of earth, because it tastes fine exactly the way it is. If you were thirsty in the middle of the ocean, what would you do with all that water? Clearly, the deranged water apologists bent on marinating us all in this deadly liquid have failed to accurately assess the threat that it poses to humans and Pokémon alike.

It’s no accident that many sports and leisure activities are devoted to avoiding the water. Boats are the most common method of traversing the stuff, and yet their entire purpose is to help you stay dry. Surfboards, jet skis, wetsuits, and even ridable Pokémon like Lapras, Mantine, and Basculegion are all indicative of humanity’s natural and entirely logical aversion to water. In reality, you can enjoy all these activities on land. Sandboarding is every bit as thrilling as surfing. And from a purely fashionable perspective, life vests and flippers ruin any ensemble. Of course, to each his own. Who am I to judge if someone likes the frayed shorts and bandana look? As a person whose style is impeccable, though, I’m much more aware of how important it is to look your best.

Like any person of reasonable logic, I could pontificate on the many dangers, drawbacks, and downsides of water for longer than Groudon’s subterranean slumber, but I have responsibilities elsewhere. I hope I have managed to plant the seeds of doubt concerning this insidious substance. Should you decide to take up our cause, you know where to find me.

Seeing red? You probably need more water. Irritability is a proven side effect of dehydration. There’s no problem that can’t be solved by water. Water is life. Without it, there would be no Magikarp struggling heroically to overcome the limitations of its biology, inspiring us all with its courage. No surfing Pikachu lifting spirits with its gnarly moves. No Squirtle, and certainly no Squirtle Squad. Eager young Pokémon Trainers would visit Professor Birch, excited to meet the Mudkip that would become their first partner on their Pokémon journey, only to find an empty Poké Ball.

What’s so great about land, anyway? There’s a reason land rhymes with bland. You know what isn’t bland? Soup. Everyone knows soup is the epitome of culinary ambition and delight, and what is soup if not seasoned water? If only being bland were the land’s only crime. Land is dangerous—volcanoes, quicksand, drought, and so forth. You know what extinguishes volcanoes, liquefies quicksand, and ends drought? Water. In fact, Kyogre, that magnificent master of aquatic realms, is known to save people suffering the effects of droughts. Without the parched, overrated land, the world and its many beautiful Pokémon would never know the horrors of another drought.

If the land is so safe, explain shoes. While swimming or otherwise interacting with water, we shed our footwear, instinctively wanting to maximize our physical contact with water. When walking on land, though, we wear shoes, acknowledging the inherent danger and uncleanliness of the earth. It’s not unreasonable to theorize that any pro-land faction is secretly funded and driven by Big Footwear.

If land is so wonderful, explain the existence of swimming pools. What are these giant, land-bound containers if not an expression of humankind’s yearning for the soothing, invigorating embrace of that life-giving liquid? Similarly, we embark on cruises because we long for the sea. Without water, we would forever lose the majesty of jet skis, gliding as effortlessly as Lapras. Snorkeling, kayaking, diving, windsurfing, wakeboarding, and water polo would all cease to exist without water. Water aerobics, which we can all agree embodies the nobility of the human spirit and incredible capability of the human body, relies entirely on the presence of water. Without it, we would be left with just aerobics—a pale and paltry imitation.

Finally—our bodies are roughly 60% water. Without it, we would be dried, unrecognizable husks, which is an accurate description of anyone unfeeling enough to dismiss the beauty and wonder of soup, the sea, jet skis, Squirtle, and our existence. Long live the water. I hope these arguments have sufficiently piqued your interest and whet your appetite for knowledge about the benefits and necessity of water.

Article here.

[p-paradoxa]

i’m still early into Dungeon Meshi but I enjoy how much it concerns itself with ecology. no part of the dungeon exists in a vacuum. adventurers are not just an outside force that loots and kills, although adventuring does in some way end up sustaining cycles of oppression (read: orcs). rather, adventuring itself is integrated into the ecosystem—each kill they deal, every death a party incurs, any waste they leave behind is taken into account as being something a component of the environment is adapted to, from the individual to population level.

we even see adaptations that have evolved over short periods of time, as with senshi’s golems adapting to the nutrients used to farm on them

another detail I enjoyed from off the top of my head was when senshi warned marcille not to use a spell that would damage a wide area of the lake, because the fish would die and the merfolk, krakens etc. would suffer in turn, despite a general interest in keeping the monsters at bay. this is narratively smart because it leads to more creative solutions, and also communicates a value of animal life without reverting to “isn’t it just fucked up to hunt things.” the focus of cooking and eating in the manga feels very intentional as a way for the characters to interact with this premise. unlike accumulating treasure, trying to earn fame and fortune, or hunting specific monsters (besides the one that swallowed a party member), eating is a necessity to life, which life itself factors in as part of its cycle. the party members became a part of the ecosystem the very first time they entered the dungeon, but by choosing to sustain themselves from it, come to a better understanding of it—this isn’t a value judgment or an appeal to nature, at least to me, it’s just an observation about how these systems work that the series is making, and something the author wants people to be mindful of

a last point that really hammered it in is an explicit visual representation of the dungeon as an ecosystem—the flashback to the sprite project (analogous to real life insect cultures). the sprites thrive when the cultures mimic dungeon conditions. because that’s all a dungeon is: a self-sustaining ecosystem (as long as it has the resource of magic, as well as other life-giving resources), which is resilient and yet sensitive to change

so far I think it does subvert most of the sensibilities of the dungeon fantasy subgenre in a meaningful way, which is to say it draws the emphasis somewhat away from battling and racking up kills in favor of environmentally conscious problem-solving and acknowledging the lives therein as being in interaction with each other

this is all surface-level praise as I’m only on like chapter 20 but I’m saying. I think you should read it. don’t just take my word for it though. check this out:

oops that’s just a picture of marcille being a big big lesbian whoooops post cancwlled

[goblinhoursinsomniaramblings]

I Know Those Eyes Pt 2

why yes i am continuing this

“You’re certain.”

Batman’s words were clipped. Less a question than a threat of consequences. Tim nodded, no hesitation.

“I’d have to have access to a blood or skin sample for 100% confidence, but… yeah. As of 1:23 A.M. this morning, we have confirmed visuals of Lex Luthor and Damian Wayne, alive and mobile, in downtown Gotham City.”

He brought up images of the hotel.

“Hotel Spillane, originally used by the Falcone family, mainly used by the successors of their original business interests. Several legal and executive representatives of one of these interests arrived over the course of the night and previous evening, with Luthor and… Damian being the last to arrive.”

Keep it together, Tim.

“Oracle looked into Luthor’s new identity. It’s so obvious I am actually mad. He’s backstopped a whole life story as Lex Luthor’s estranged twin brother, Lionel V. Luthor, going by the nickname Vlad. Sole inheritor of all Lex Luthor’s assets.”

He brought up the images on file for ‘Lionel’ as well as his own analysis of the footage.

“The confusing part is what he did after inheriting–he has been spending a lot of money on sustainability research, alternative fuels, updated emergency service systems, things like that. As far as I can tell he wants to make premium versions of those things and sell them for a profit, but is playing the long game by flooding the board with cheap goods while gaining good PR.”

He called up the files on VladCo.

“The rest he used to get a tech startup running, VladCo. Apparently he’s interested in ‘standardizing the nonstandard’, whatever that means, but he hasn’t really made anything for the mass market yet. The closest we can find is he’s been making something classified for the U.S. government.”

He took a shaky breath and called up what he had on Damian. He felt Bruce’s pained, shocked exhale more than he heard it, but it was there all the same. So… there really wasn’t any doubt.

“Daniel Summers. On paper he’s 24, was raised in Chicago, and while he’s acting as Luthor’s bodyguard we couldn’t find any official records of him being employed in that capacity. Probably because Oracle was only checking every thirty seconds and his birth certificate didn’t show up on any records until just before they arrived at the hotel.”

He started counting off on his fingers.

“So, 1: whoever is adding them to the system isn’t done yet. 2: they don’t actually care if they get caught. 3: they, very specifically, don’t care if we catch them.”

“You’re saying he’s taunting us.”

“It’s looking–hang on, Oracle says there’s a situation developing.”

One quick shortcut and video of a meeting room popped up on the screen. ‘Lionel’ was smugly facing down his very angry looking investors and their representatives. Suddenly, each of them seemed to calm down. Unnaturally fast, and in unison, with a very particular dull look to their eyes. Tim felt a chill down his spine.

Mind control. Lex Luthor was a meta now, and he had mind control! No wonder Damian hadn’t reached out–

But why? What did he still need Damian for? Unless…

Oh.

He met Batman’s eyes. The taunting, the lack of discretion, finding his first victims in Gotham City.

This was a hostage situation.

***

“You know, badger, you’re perfectly free to walk away from this part of the plan.”

“No, I promised. … still really creepy to watch, though.”

All the papers were signed, all the signatories overshadowed. Now all they had to do was get out of range.

Danny frowned as he saw the receptionist reach for the phone. Right, spy games. Someone was probably supposed to give her a code word when the meeting was over–

Her eyes went glassy, hand freezing around the phone, and seriously that would never stop being creepy to watch. Still, non-violent solution, he’d take it.

As they approached their car, Danny scanned the quiet, ominously lit street. Not for obvious cameras–he knew for a fact Oracle would never allow one to be obvious–but for the best possible angle a camera could have. Eliminating the ones that would have already been used, that left–

He had thought about this moment. How he would give some signal to let them know he was back. That he had been thinking of them.

… Tt. Another time. Too many layers to communicate through, too little space to do so. His gaze had lingered with a purpose, he could only hope that would communicate that Damian was still a part of him too.

For now, that would have to be enough.

***

-major reveal of this chapter: ‘Lex’ has mind control powers

-lol damian/danny is the ghost king, vlad holding him hostage? ha no

-yeah they did not plan the hostage thing but vlad is gonna jump on it with both feet later. like he’s not gonna take credit for it, amirite

-some chapters will be longer. some will be shorter. the main thing is still vibes

-yes, the last little bit is going to make things so much worse with the bats

-why Summers? anything winter-related would be too on the nose, and using a name associated with a very different comic book universe felt appropriate

-i've been a touch stressed so this got put on the backburner. yes, because current events

@hinari @blankliferain @grimdarling69

[sunboki]

— HELLION INN. (TEASER) a Stray Kids fiction

🌖 : Lee Minho x implied! fem. reader

TROPE. dystopian! au, enemies to lovers, monster! au, apocalypse! au, “we have to get along to survive” au, angst, high stakes

WORD COUNT. estimated to be around 5k - 10k words

WARNINGS. gory descriptions, cursing, descriptive violence, implied intercourse, death, murder, usage of guns, injury, knives, reader and minho are “hunted”, mature themes

AUG'S NOTES. hi everyone! say hello to my long-rotting draft, turned fic! i tried something a little spooky for the october season, hopefully it’s to your satisfaction! i’m really looking forward to finishing this piece :)

PLAYLIST.

SYNOPSIS. Receiving an ominous letter in the mail, a monster invades Seoul minutes later, carrying an uncanny sense of smell despite its blindness. Countless people have been slaughtered already, and with your letter as the only meager explanation to this madness, you find your feet leading towards the one place it said was safe: Hellion Inn.

or alternatively :

Minho won’t let you die. Not if it means letting this Monster get him or hell’s dawning itself. You’re going to survive. Together.

Run, something is coming. Go to Hellion Inn, you’ll be safe there.

Something? What is something? A terrorist attack? War?

Never had such a letter arrived at your doorstep other than this Tuesday, with the morning sunlight peeking through half-opened blinds casting your pajama-clad frame in its cascades.

And again, you reread and reread, questions raging in a distorted frenzy amidst your once just-wakening mind. 

Little were you aware what would come. What already roamed Seoul’s streets, approaching closer, closer. 

One objective resides in too many possibilities. 

Find Hellion Inn. 

.

.

.

Stuffing the letter in your pocket serves as the most sensible solution while you go over your options. If you didn’t have a clue about what dishes would be cooked, you’d check the ingredients first.

And yet, upon turning on the TV, you find your meal already served. 

On a platter, dripping with blood.

“This just in, an unidentifiable entity is making its way through Seoul in a rampage. The creature is highly dangerous. It appears to lack vision, and speculation has deemed it relies upon its smell to discern other beings. The creature has not been detained at this time. Under no circumstances should citizens leave their residences, and in the case you’re on the street, please evacuate to the nearest shelter immediately. Further information will be released.”

Your blood runs frigidly cold, enough you swear you could’ve turned to ice.

All of a sudden, war or a terrorist attack doesn’t sound nearly as daunting as before.

A monster. Ruthless, bloodthirsty. 

Monster. 

Instantaneously are news sites everywhere exploding, posting footage, pictures, and accounts of the creature each second. 

More and more and more until-

It all goes dark, your home plunged into a black abyss meagerly sustained by the sun’s rays, phone in hand ultimately powering off. 

Electricity down. Fully.

This isn’t like a usual predicament of a public threat, not something you’re prepared for, nor something anyone was prepared for. There’s no drill for a monster, no tsunami shelter or high rise building to reside upon. 

Was it obliviousness? Or were you all simply sheep to a ravaging wolf?

The latter seemed most convincing.

An exhale. No, a growl is what breaks your train of thought. Like the chuff of a tiger, curdling in its throat. 

Above. 

You can’t even bring yourself to move, can’t bear to breathe in fear you’d give yourself away as a shadow covers that once hopeful sunlight.

No shadow, but a thing. A monster. 

How did it get here so fast? How.. how the hell is this happening?

The sound of tiles shifting on your roof makes your fingers twitch, eyes stuck wide. 

The worlds apex predators turned into the prey. 

Each pound of your heart lies evident in ringing ears, listening to those low, horrendous gurgles, repeating that same chuff before it shifts again.

Again and again, and you’re unmoving.

Leave. Run. Anything. 

Yet, you can’t move a muscle, glued in place.

Until you do, and your legs act before you can process a thing. Grabbing for items, whatever it may be. Mind unable to process in its frantic state.

No. No.

A plea as your hand wraps around the doorknob, beginning down the apartment complex’s stairs in rapid descent, listening to the slow growls of the creature.

Don’t look behind, just go.

A mistake you find yourself making even when a life is on the line.

Your life is on the line.

And when you spare that single glimpse, murky lifeless eyes stare blindly back at you, bulging from its skull as if they never were intended to be there. Skin a hallowed, fleshy tone — ligaments hung awry. 

Disorderly, distasteful. If you look close enough, you swear you could’ve seen a beating heart, watched the oxygen cells rush through a pumping bloodstream. 

Gaping jaws hold copious teeth, ant-like incisors residing on either side of a ceaselessly smiling mouth, the corners of what appears to be lips ascending all the way up to nonexistent ears. 

Four legs, two antennae atop its head. At least two times the size of a human.

Horrific.

Never had such a thing appeared so terrifying.

With the letter clutched in one hand and your powerless phone in another do you run, praying that nonexistent vision truly is nonexistent.

Well, until a car alarm begins to ring, and you feel your stomach climb to your throat simultaneously.

Because it twitches. Not even a glance-sort of reaction. The entirety of whatever neck that monster hones twitches to look at you with a nausea-worthy crack! of its ligaments. Those jaws parted, a flattened nose breathing in.

And then it lurches, and you don’t think you’ve ever ran as fast as you did now.

Far, far. As far as you can go. 

It’s futile listening to gargled cries for help amongst rubble, the reaching of hands for your feet you can’t even spare a moment for as those scraping claws continue their perilous dance after you, scavenging on people as they go. 

So the second an intact person comes into view—a boy, looking about your age (and freakishly calm at that) with fluffy hair and rounded cheeks retaining such youth—you’re racing ahead before you can even think, ramming through those convenience store doors in a flurry of panic and fear.

“Monster— Monster- there’s a monster we have to go-“

“Do you like grilled cheese?” He mumbles, and you wonder if he’s talking to himself or you, no less asking such a question during this downright apocalypse.

“No, no there is—“ A shriek pierces the air in the distance, the clutter of debris alerting the monster’s proximity.

You, in a frantic attempt to redirect his attention, place either hand on his shoulders.

“A monster. There’s a monster out there and if we don’t hide, it’s going to kill us.” 

The boy licks his lips, cocking a contemplative brow before looking toward the freezer section. 

“Freezer?”

At this point the creature might as well be turning the corner, and you don’t need to respond for either of you to go running as fast as your legs will carry you, stuffing yourselves into the biting cold just as the bells above the entrance door ring.

Scariest part is this customer is intelligent enough to open doors.

This customer isn’t human. 

Like slow-motion you hear it. The pounding of your heartbeat in your ears, the lack of air in such a tight space, the monster’s rumbling.

Your hidden counterpart lodged himself into a freezer opposite to you, eyes squeezed shut the nearer clicking footsteps on tile sounded.

Click.

Click.

Click.

You don’t realize your eyes are closed until you open them, met with the monster’s face, hundreds of razor-sharp teeth lining its mouth, stretched into that same, chilling smile while it stares at you through the glass.

It can’t see you. It can’t see you. It can’t see you, You internally plead like a mantra, suffocating on the scream rising in your throat.

The loud clanging of a soup can the boy throws has the creature’s disfigured face whipping around, and you wordlessly communicate through mere terrified-eye-contact what either of you are thinking:

Run.

Without conscious you go flying, ramming past discarded groceries and tormented bodies into Seoul’s open roadway, void of any vehicle whatsoever.

Except for one.  

It’s a tow truck, key still lodged into the ignition, window broken with streaks of blood lining the door where a middle-aged man’s body had been dragged out. He rests lopsided below the front tire, abdomen severed in half.

Grotesque. 

“Car- Car!” You cry out, wildly gesturing for him to follow suit while you pry the driver’s door open, the monster’s frustrated growl enough motivation for the stranger to throw himself in as well.

In the nick of time you press down on the pedal, winding the wheel in a quick motion just as the hell-sent smashes itself from the shop, evidently angered.

“I’m Han!” The man occupying the passenger seat shouts, the hole through the windshield causing enormous amounts of wind to soar through the car and synonymously blur your senses.

“What?!” 

“My name is Han! Han Jisung!”

Squinting whilst looking through your mirror at the wickedly approaching Monster, you veer past as many obstacles as possible — most being corpses — as fast as the engine will let you.

“Oh! Uh, I’m Y/N!”

Han nods, grasp clutched onto his seat the more you speed increases, recklessly maneuvering left and right as if dodging a crocodile. 

Unfortunately, this wasn’t a crocodile, but a blood-thirsty beast wanting nothing more than to behead you. How sweet.

“Do you… Do you know how to drive?” He yells, and you raise your eyebrows, narrowly shifting past a shopping cart.

“If you count Mario-Kart as driving, I’m a pro!”

Han audibly squeaks his fear in response, eyes squeezing shut as if to not stare at the monster’s face nearing the mirror.

The speedometer cries out, vehicle shuddering as you near train tracks just at the edge of the city. 

Hopeful. 

Fleeting hope when the roar of a train’s whistle soars through the air, the look Han gives you doing little to sustain your already thinned sanity.

Perhaps you’ll die getting hit by a train than this monster.

Perhaps it’s better that way.

“We’re not gonna make it we’re not gonna make it we’re not gonna make i—“

“SHUT THE FUCK UP—-“ You screech, foot slammed as far down on the gas pedal as possible, the rumbling of the train’s engine deafening. 

“HOLY SHITTTT—“ The man screams, mouth ajar as you soar over the tracks, preparing for impact only for a hair of the train’s front barely brushing over the car’s bumper. 

Currently realizing you’re still breathing and not dead, you floor the brake, either of you launching forward in your seats while the endless train keeps the monster at bay on the opposite side. 

Both panting hysterically, you place a hand on your chest, hoping to slow down the terrifyingly fast pace of your heart — close to bursting out of your chest. 

Your passenger, Han Jisung, turns to look at you, eyes wide as saucers, a gradual open-mouthed smile growing upon his flushed, sweat-stricken face.

“That was.. sick.”

sunboki, may 2022 ©