#Isekai Complex
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firefromthegodspro · 2 months ago
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Oh Dear Heavens, Look at the Time!
Hm, time to hop on Tumblr once again! It surely hasn't been that lo-
What do you mean its the 29th?
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Well, anyways, I'll get the boring stuff out of the way now:
Links to Isekai Complex chapter 3 out now!!! FP and AO3 went up like 10 days ago actually, I just slacked off on the Wattpad mirror because it usually doesn't save my formatting when I post on my laptop.
...Anyways, this month's chapter was posted to Wattpad from my desktop where it does save formatting so needless to say I will be doing it this way for the foreseeable future (the end of time).
I have no other updates (for this post) besides this tbh. I recently got off a 6-day work week and have been really eepy. I have set myself up with a weekly task list, though. So hopefully productivity will increase!
Editing to say that said 6 day stint has led to me working on a Patreon/Ko-fi so I can hopefully earn some pocket change. Look forward to those links once I finish setting them up
Until next time, peace out my fellas
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meamiki · 3 months ago
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some random reverse entry au [office + reverse isekai loop] drawings :thumbsup:
[mildly interested in this silly au? here is a link to scroll through for all the stuff i've made for it! i'll make a proper master post... someday.....]
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threepandas · 5 months ago
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Eve: Part 2
Prev: <-
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He had clothes for me. And It would not have been so unsettling, had they been less... precise. Less flattering. Fit less perfectly. But they DID. A sundress, in a flattering cut. A lovely color for my skin tone. The sort of thing a man who wore only variations of the same outfits? Day in and day out? Definitely researched.
At least I had fucking underwear now.
Even if I still couldn't move under my own power, farther then an inch or so.
He didn't even have the decency to dress me like a doll. Fondly but with some detachment. A bit of distance I could cling too. No, I was the paralyzed toddler, to be cradled and cooed over as he manhandled me. Praises as though I DONE anything. Kisses pressed to bio-gel wet hair and skin.
Weren't I SUCH a good girl? Letting him do as he pleases. Unable to stop him. Weak as the newborn I was. Fuck. The echoes of pain still howled along my near weeping nerve endings. Begging for rest. For the finest pain medication cocktails money can buy. Anything.
Instead I got this.
Clingy hands and the near bitter cold of a lab.
A lab coat was pulled onto me next. It didn't match my little dress up outfit. But? At least it was WARM. Thank god. Already, the goo was making my clothes stick to me. Sucking away my heat. Leaving my... my EVERYTHING feeling gross and sticky. I wanted a shower. Not to be dressed up.
But I had a feeling I wouldn't be getting what I wanted.
"There we are~ All nice and covered up. We'll get you cleaned up soon, sweetheart. Daddy promises." The madman who held me hummed. His face tucked against my gel filthy hair as his hand rubbed up and down my limp arm, as though trying to draw warmth to it. A mockery of caring. This was possession. "Now let's get out of here, hmm?"
Scooped up like a princess, I felt more like a toy too be carted around.
I was carried, for the first time, from the lab that had been all I'd known.
I wish he'd left me there. Forgotten I even existed. Instead, I got to see firsthand, EXACTLY what he had done. And... and I knew... KNEW that none of those dead around me were innocent. They all had hand in atrocities, either directly or by compliance. Inaction. But.... but did they deserve this? Indiscriminate execution?
He didn't even glance down, as he strolled through the carnage he had made.
Too the elevators, where he casually kicked the corpse blocking the door, out of the way, before steeping inside. We rode in near silence. Just me, him, and the corpses of three security gaurds and a scientist. He was humming. Soft but pleased, as though the day had turned out surprisingly well.
He had to rest me on a hood, when we reached the carpark. So he could dig out his keys. I was swept up again. Though not carried far. Fancy. Good to know being a morally bankrupt, weirdly clingy, DEEPLY fucking cracked, mad scientist pays well... I guess...
Placed down on another hood while he...
Are you kidding me?
With a near skip in his step, I watch as my "father" strolls to the trunk of his car. Pops it open. Pulls out a FUCKING KIT. An honest to God duffle bag. Several unopened plastic carseat covers. How... how LONG has he been PLANNING this?!
Numbly, I watch as he preps his front seat for me. Both protecting the upholstery while somehow making an honest to God nest of comfort for his little passenger princess. There are layers. The motions look practiced. I... I feel like I'm in a fever dream.
He does realize I'm technically a science experiment, right?
We are... for lack of a better plot device, absconding in the night? He's not PICKING ME UP FROM THE HOSPITAL. He's kidnapping me! Stealing me!! What the ACTUAL FUCK?!
I don't ask. Know BETTER then to ask. I remember that much. You don't argue with crazy. You smile, nod, and quietly get the FUCK out of there at the first possible chance. Placate don't escalate. If the madman wants to play "happy family"? Suuuuuure, "Daddy". Of COURSE.
That's EXACTLY what'll do...
You know, right up until I can fucking RUN again.
Then peace out, bitchcakes. You can take your nuttypuffs and SHOVE IT. I am sore, cold, and YOU are the one who kept pumping me full of drugs! They HURT. A LOT. I know for a FACT the world's probably gonna end. In that weirdly symbolic anime way, where there's giant hands and faces or whatever, so? Screw you!
Noooooot that I SAY that.
Because, again, we do not provoke the crazy man with a gun.
And a PLAN apparently. Dooooon't LIKE that he has "A Plan". In fact, would Prefer Not. But I'm not getting what I want today. I'm getting lifted and put, like a precious if sickly child, into the little car nest he's made for me and tucked in. Watching as he rounds the car to slide protectors over his own seat as well.
Well... at least he's self AWARE of all the blood.
He starts the car. Turns on the heater, a few taps of the console screen has music beginning to play and my seat leaning back. He leans over to grab my seat belt, as though this were all perfectly normal, pressing a soft kiss to my temple as he gets me situated.
There are straight jackets less containing.
I am trapped. Bundled by blankets, wrapped and pressed in on all sides, pillows and fancy little comforts I never wanted or asked for. All to then be strapped down by a seat belt I can't even REACH.
Great.
Just... Great.
He leaves the car running. Keys hanging, tormenting me really, in the ignition. If only I could FUCKING MOVE. I watch as he gets out. Walks back towards the elevator. He seems to think we apparently have all the time in the world. And really, according to time on the console? We kinda fucking DO.
It's barely mid-day.
Not... not even lunch.
Somehow that makes it worse. It shouldn't. I know it shouldn't. Death and massacre can happen at any time. But... the fact that he so cheerfully killed each and every one of his co-workers? Massacred everyone in the fucking building but me? In broad daylight? Makes it... worse.
It feels like the sort of horror that should only happen during dark, moonless, nights. Someplace dark. Where you expect the wickedness of man against man, the inhumanity of so called civilized people. Not... daylight. Beneath the cheerful rays under which children play and people fall in love, life bustles around. It should be for LIVING.
It's a bias.
A naive thought.
Foolish of me to hold...
And yet? I still had it. Still found myself shocked. Guess I can be glad? That my innocence has not been COMPLETELY lost to this place. That there is still good in me. I seem to still assume the best of people, foolish as that is. How very dangerous.
My "father" is back. Wheeling boxes and boxes of hard drives. Lock boxes of things unknown. First the trunk, then the back seat. The car is stuffed. Every secret this place ever held it seemed. He's talking them. His grin has teeth. Is giddy and MEAN.
Looting the corpses of his enemies agrees with him, it seems.
The last trip is for his briefcase. A small pile of file folders. He's nearly dancing. Does a little twirl as he passes the front of the car, a slide to reach the door. Humming a showtime I don't recognize.
"Ah~ I've waited for this moment for YEARS~! Ha Ha!" Teeth flash and catch the low light of the carpark's emergency lighting, his eyes practically glow with a manic schadenfreude. "Oh my sweet Eve, you have NO idea how much I've been looking forward to the day I get to steal you away~ BURN this cesspit to the ground. And best of all? Finally get my hands on all this research! Put it to actual USE for once! No more filthy Adams. No more trying to fix the worthless and damned! Just us. Just Eden."
Well THATS not fucking ominou-...
Wait.
WHAT.
Eden. As in EDEN Eden? End game Eden? Super mega doom project Eden? Seemly perfect garden of bliss build upon horrors, that you think have to face Plot Relevant, "get one of several endings", Moral Quandary EDEN??? THAT ONE!? Oh, MOTHER FUCKER. Please tell me Crazy Daddy Pants isn't one of the Architects of the apocalypse.
I do NOT want to be ground zero for that. NOR in the Protagonist's way!
He buckles up. Pulls out of his spot. Casual as anything. The world is blinding, after a life spent inside. A depressing cyberpunk hellcity crowds the world around us. Somehow both choking the world of all color, even as it splashes itself with gaudy and neon like some sort of radioactive oil spill.
Clambering over each other like a bucket of crabs, dragging everyone else down as they claw at what's left of the sky.
A full city of Babel.
Yet? Even as I remember, lay witness, to this oh so familiar set dressing? Limp in my creator's car, as he drives. Smoothly navigating chaotic traffic worse then anything I could ever remember? My mind was faster then it had been. Processed information FASTER then I could ever have imagined.
I... I experienced time differently, I think.
It was... flexible? Slowing and speeding, depending on if I... not "concentrated"? But "payed attention"? I guess? Wanted to know. It felt almost like flexing something, yet there was no... flexing? Feeling? It was strange.
Yet...
Yet, with it...
I SAW.
A food cart. Owner sneaking a bedraggled man a few extra peice when he glanced away. Young parents, swinging their child between them. He is the center of their world. A first date. They are both widows, old grief still clings, but cautiously... they are ready to try again. There is SO MUCH. Lives and lives and LIVES.
The city is ugly, cruel, but the people are not.
They are not props in someone else's play.
The traffic dies off, as we get closer and closer to opulence. As brutalism shifts to a blend of art nouveau and art deco. Bits of greenery, kept like trophies to be displayed. I am somehow... unsurprised, when my creator pulls us into the garage of one of the more expensive but barren looking houses.
It is the sort of place that makes show room's seem warm.
Because, at least, show rooms TRY to mimic hospitality and warmth. A lived in quality. They, at least, SUGGEST that the dwelling they represent could one day be a home. This? This place hold no such illusions. This house would prefer itself to be a lab. Be left alone. The walls somehow radiating a disgust of you.
It is unbearably cold.
Scooped up again. The blankets have dried against my skin in places. So he merely takes them with, rather then (apparently) risk my poor hyper durable yet still sensitive skin. He's made me a living tank. Through agony after agony, day by day, yet NOW? Now I am treated like spun glass.
Carried into the house... and God, in the GARAGE was bad? This is somehow worse. I feel like tracking in a single speck of dirt would somehow get me treated to a summary execution. Literally. That nothing resides here but nutrient paste and room temperature, triple filtered water. A place where the color beige is treading dangerously close to being "too much".
Isn't this a form of torture? I'm pretty sure this was a form of torture, locking people in rooms designed like this.
Up the stairs, down a near barren hallway. The paintings probably came the house. They scream "generic and inoffensive". Where are we..? WHY are we going to the master bedroom? I do not WANT to be alone in a bedroom with you, my dude. Shit. FUCK!
I wriggle. I can twitch my feet a bit more now, but not by much.
"Shhhh, my perfection, I know. Being so filthy must be unbearable. But don't worry, Daddy's here. We're almost there." He croons at me, almost in the exact tone one uses to sooth a fussy toddler. I pray to God this isn't a sex thing. It's already weird, I don't know HOW weird I can tolerate before I snap. "Daddy's gonna get you all cleaned up, okay? Then you can take a nap while he pack everything to go. We're going on a little road trip to our new home. Growing girls need clean air and flowers, after all."
Oooooh fuck.
Fuck, he DOES plan to take me to Eden.
Ooooh ho hooo, I am gonna DIE die. Like... super mega death. Class A with sparkles Death. Eden is a seemingly utopian dream garden. A cottage core painting brought to life. Problem is? It's built on the back of endless suffering. Cruelty and blood, atrocity and hell itself made real.
You could like in heaven... so long as you ignored what it cost others.
Destroying Eden is what triggers the Apocalypse. Because it's BUILT INTO THE PLANET. Like a massive tumor. A parasite. Killing an already dying world even FASTER. But? Again. If you wanted to get YOURS and damn the rest? Beautiful beyond measure.
His bathroom is exactly the sort of rich person nonsense I expected from a house this size. Too much space. I get set down on a bench. Because THAT'S normal to just.. fucking have. How the hell does it not MOLD? No, wait, concentrate. I do NOT want this man bathing me! Yes, he's seen me naked. A lot. But that wasn't touching! No touchy!
He comes back with a pitcher.
And I discover that I am saved. Bio-gel is incredibly water soluble. He pours water over where the blankets stick to me to free me. Has removed his shoes and watch. Everything, really, that can't afford to get wet. I find out why? When he carries me straight into a walk in shower.
Fully dressed.
....at least he's respecting my boundaries?
Never VOICED them, though. So I have no idea what this is. Washing off the blood maybe? We don't stay long. Or, rather, I don't stay long. Just long enough to remove most of the gel. Then I am swept off to a fancy jacuzzi tub. Oooooh, bubbles. Warm water. Warm and comfy, massaging wat jet lined seat. Blergle....
I think my brain is melting out.
Waaaarm soup. Bubbles. Cook my muscles until I am noodle. Leave me, I wanna die here.
I am utterly blissed out. Boneless. No longer even TRYING to keep track of my surroundings. The indulgent chuckle from above me? Should probably worry about that. But on the OTHER hand... what if I just continued to doze off, here, in what is clearly heaven's water filled embrace? Hands gather my hair. Gently begin to work what smells like fancy shampoo into it.
Spa day?
My sleepy brain says it's probably spa day or something. This is nice~
By the time everything is done, my limbs are heavy and boneless. Relaxed. At least, I'm PRETTY sure that's why I can't move so good. Mmmm, sleepy. Warm now. I list to the side, only to be caught gently. The guy helping me, helps me change. Comfy new clothes. Hair ready for sleep. Even carries me to a big ol bed. Tucks me in. How nice...
I'm forgetting something...
Feels important. But I'm TIRED. I'll deal with it in the morning.
"Ah~ my perfect girl, I can't wait to give you EVERYTHING." Whispers a voice, like a confession, before a kiss is pressed to my temple. "You were made to be loved. Adored. The perfect child meant for a perfect world. I can not wait to finally bring you HOME. God's mistake was making Adam."
"All I need, is Eve."
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kokorolinkrun · 2 months ago
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This scene from Re:Zero (which I'll put under the break for people who want to see it) gave me some serious Henry vibes, so I decided to redraw it with him and Ellie in honour of Fleeing the Complex's ninth anniversary today.
If anybody wants it, here's the original scene this is referencing:
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deus-ex-mona · 3 months ago
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if the trope works, it ✨works✨ y’know~
#(aka chizuchan manga ch5 is coming out in 18 1/2 hours and im too excited to sleeeeep)#(s o im reading rofan isekai manhwa as a bedtime story☆ but the story is too interesting to lull me to sleep☆ ✨sad times✨)#still thinking about this rofan webnovel i binged over the weekend with a dynamic like this^#the dude pined for over a hundred chapters before going from 0-100 the moment they were in an enclosed space together it was so funny#the fact that his interest in her started bc she gave him tips on tax evasion was iconic tbhhh#m a n i cant forget that dumb biscotti boi no matter what i do… that novel was pretty good and it had reasons™️ for why the fl was so op…#thinking about them and their hilarious dynamic again kinda makes me want to see lxl in a rofan setting tbh#they’d have the pettiest of arguments esp in a ‘formal’ nobles setting#i d o kinda have a draft/stuff for a lxl villainess isekai au fic… but i think it’d be too sad if they dont un-isekai themselves back#so i havent done much with it… hm. maybe some day…#b u t on another note fanart of meoto rofan aus are always fun to see#their costumes are so complex yet the artists always draw them so beautifully… thank you for the food lxl twt#but… demon x human sacrifice is. lowkey. kinda… beauty & the beast-esque… right…?#except for how demon!aizo prolly wasnt cursed into demonhood. but. still.#oh well… maybe that’s enough rofan lxl thoughts for one day… see y’all when chizuchan ch5 drops later~~~~~~
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ibelongtotheclassics · 2 months ago
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Sharing some of my childhood + present anime & studio ghibli OTPs
*uwu* they’re so precious for meee 💖🎬🇯🇵
< PART 4 / on-going list >
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hulloitsdani · 1 year ago
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Is it time for a modern au? I think it's time for a modern au.
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fallershipping · 1 year ago
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My catharsis fanfic is a specific kind of self-insert in the Pokemon world attempting to be a Shounen protag with the goal of getting legendaries, ultra powerful, get aura powers or some bullshit like that, and obtaining a harem-- only to fuck up miserably and gets rejected by every hot pokewoman for being a sleazy incel
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PEACEMAKER IS IN SUICIDE SQUAD ISEKAI.
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I AM GOING TO GET ANNOYING AGAIN SOON.
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isekyaaa · 2 years ago
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Character.ai has proven to me that I would be a terrible darling for a yandere story I either get killed or they go full deredere :/
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bumpscosity · 1 year ago
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isekai is so fun like im in there now
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firefromthegodspro · 4 months ago
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Not Dead, Just Dead
Hello! I return after 1 month as prophesied! Let's get the important bits out of the way first:
ISEKAI COMPLEX CHAPTER 2!!!
(FictionPress gets to go first in the link tree because it preserves my precious formatting the best)
This received less editing than Chapter 1, so apologies for that. Retail Grind sucks and interferes with writing time.
If you would be so kind, please review/comment/etc. on whatever website you read it on! I love feedback (even if it's just insults).
Now onto other things, Hibiki Symphonia!
In that I actually started working on it.
Thank the new Madoka Movie trailer for fully reactivating the brainworms like I'm some sort of Maho Shojo Manchurian Candidate or something.
It looked cool, by the way, really love Homura dancing with her crush and also having a mirror that insults her. Funniest shit I've seen.
Anyways, I'm returning to the goblin mines to continue writing. See you all in (hopefully) less than a month with more brainrot posts
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mantisgodsdomain · 1 year ago
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Okay we're done getting really mad about bug game worldbuilding. If you are interested in seeing us get extremely mad about Bug Fables' consistently shoddy worldbuilding, then it is below the cut. We'll tag this properly in like a week so it doesn't haunt the main tag for everyone who might not want to read 1.8k words of a random author getting really fucking mad about shoddy worldbuilding.
We've done a lot of stuff with worldbuilding for Bug Fables. Our handling of Bugaria itself is, we will admit, not quite canon-typical. There's a lot going on, and not all is easy to work with. We know from the game itself that Bugaria is surrounded by hostile deadlands, making outside trade difficult and often-lethal - we also know, from being able to observe the in-game map as a human with outside perspective, that Bugaria is contained within a single backyard.
For the game proper, this is fine. It lends itself well to the "borrower" type aesthetic that the devs appear to prefer, limits the scope of the in-game map, and allows for them to do significantly less legwork trying to figure out how to design things. We, however, are a man obsessed with semantics, and we know too much about the amount of food and territory generally required for one hive of wasps or bees to buy into one suburban backyard that's... what, 60 square meters of backyard?
IRL honeybees alone will forage up to, on average, 1-6 km away from their hives, potentially going up to 13 km, and though there's been less research done into the habits of other colony bugs, it's fairly safe to assume they'd need similar range - more likely greater range, actually, as any form of what we humans call "higher intelligence" is incredibly demanding, resource-wise. Bugaria has four different kingdoms of social bugs, many of which would have overlapping needs for resources, combined with a whole load of other miscellanous solitary bugs. loaded into the space of a single backyard that likely wouldn't account for the range of a single hive of honeybees, let alone four hives of miscellaneous bugs and venus-knows-how-many solitaries.
In order to survive in any place, you need to fulfil the requirements of life. Food, water, and shelter are basic needs for a reason, and without access to all three, settlements are likely to quickly peter out. In order for The Hive to process nectar into honey, they first need nectar, which would have to come from flowers, which would be the exact same food source that wasps, butterflies, and moths would need, which clearly aren't growing in the needed
Put quite simply, it would be really fucking difficult for a space of this size to support the presented numbers of bugs. Plants are not an infinite resource, and even assuming that there's a density of flowers far beyond what's shown in-game, there's still predatory bugs to consider. Wasps and ants need protein to feed their grubs, dragonflies and damselflies need protein to feed themselves, mantises and mantidflies are obligate carnivores that cannot survive without a steady supply of prey- you can't survive if you never eat, and Bug Fables is incredibly low on lesser bugs that could potentially serve as food for the more predatory bugs.
Canon offers only aphids and cochineals as cattle, and those still wouldn't really serve to feed larger predatory bugs - and that's even without noting the ecological desert that results from only ever having a handful of enemies. We know that there are limits to what you can do in a game, but the second you want to expand on life beyond what's shown, you run straight into the lack of known prey and wildlife like smacking right into a brick wall. Roaches raise scorpions in a wasteland that seems to have only Mystery Berries for food unless they're trying to hunt Deadlanders, which we doubt are particularly edible. The Royal Blade of the Ant kingdom is an obligate carnivore, and there's nowhere he can go if he wants to buy lunch.
Realistically, we know that the answer is "the devs didn't really think about it". This game is built on the work of devs who persistently place "because it looks cool" over doing any of the worldbuilding work to integrate their existing story elements into the world. You only have to look to Yin to see just how many parts of the game are riddled with things added purely because Someone Thought It Might Be Cool, and no one did any further legwork to make it WORK. The Termacade is a living monument to the philosophy, being added A WEEK before release without anyone so much as communicating it was going to happen before it was in active development. 
Unfortunately, we are permanently obsessed with semantics, we can't stand "because magic" as an answer to important worldbuilding questions, and every time we have to do all the legwork to fill massive holes in the setting where no one ever thought that the answers to questions like "how the fuck do these people feed themselves" is relevant, we will be sadly prone to falling into madness.
There is no canon answer to how these bugs feed themselves. There is no indication as to how things that should be basic parts of the setting WORK. The bugs, in the first place, are written persistently as more People With Hats than actual BUGS - there are nods made to biology, sure, but the difference between a wasp and a bee is little more than a set of aesthetics and a silly hat. There are enough elements in the game that are simply thrown in without care of how they interlock that it sometimes becomes genuinely maddening.
Some people, sure, are satisfied with this - there is a madness that we have that we lack, a need for SUBSTANCE that is prone to driving us to inadvisable lengths hunting for a hint - any hint - that there was care put into this detail, rather than a single flippant comment. We have no complaint with things left vague, but we VERY MUCH have a problem when the setting is consigned to being little more than a backdrop decorated with random glittery ideas to act out anime tropes on, rather than something that should be paid attention to all its own.
We've said this before, and we'll say it many times again, but worldbuilding is important for a REASON. Your setting will affect your characters just as strongly as it will affect your story - your plot, your setting, and your characters are fundamentally inertwined, and to affect ANY part of the story will have rippling impacts on the rest of it. Your characters are not created in a void! Whatever structures created one person MUST still be present to shape others! You cannot throw shiny ideas on a canvas slapdash and expect it to turn out well! It's a miracle that the character writing in this game turned out as well as it did, considering that massive swathes of the setting are loosely assembled from anime without even taking the time to learn how certain aspects WORK in their home media!
We enjoy writing. We enjoy crafting plots, doing worldbuilding, tinkering with the little pieces of setting that we feel might create something interesting. We wouldn't be writing at all if we didn't enjoy it on some level, though we sometimes wonder if it's more masochism than care for some aspects. This is the trade that we have chosen to work towards working. Perhaps it is this that makes it so violently infuriating when we run into people who don't seem to care for that which we pay attention to.
There are a handful of aspects in this game that are well done. There are far more aspects in this game that are half-baked at best and actively difficult to work into the rest of the world at worst. There is a particular handful of aspects that are so poorly done that they could pass as active malice, towards one group or another. Unfortunately, as with many things, to assume ill will often overlooks the far more pervasive, far more common culprit of simple negligence.
Bug Fables, at its core, is a game made by devs with chronic shiny-object syndrome. There is little care spared to its worldbuilding, to the implications of its setting, to the implications of character actions, because the devs have never cared to think on it. It takes tropes from a hundred and one different animes without caring to learn what makes them work in their home context - just that they're cool, and that the authors want them in their own work.
It's something that we've been guilty of ourself, in previous works, but that only makes it easier for us to spot it here. There is an mirror of mistakes we have made ourself written on the walls, and it echoes with every step. We are the sort of author who learned to build worlds by stealing shards from different worlds and patching them into a new quilt. This is a work that takes does much the same, taking pieces from other works to make a new whole, but it makes the mistake of not spending the time to make sure those pieces FIT.
The mosaic on the floor is made of broken, disparate parts that are only partially fit together. The world falls apart more and more the closer you look at its shards. There are pieces of harm in this painting, pictures of pain, things put together and only barely examined. There is prejudice that could pass for malice woven into the threads of even the more comedic writing, an undercurrent commonly present in society and rarely examined. They've made an entire species of bugs into an incomprehensibly racist trope. Perhaps it's foolish of us to spend so much time and energy on a world that does not love us back, but we care for this setting, and we care for the potential of what it could have been.
The prejudice and shoddiness and pieces of poorly-thought-out and tropey writing in this work are not an act of malice. They are an act of ignorance, left over from a development team that wanted to add the latest shiny thing without stopping to think that their favorite anime tropes might have roots in something rotten.
Anyways, the reason that we wind up putting so many fucking footnotes on our fics is that every time we have to answer basic questions like "how does the wasp kingdom fucking feed itself" we have to rewrite, like, half a dozen tropes ripped off from shitty isekai anime, come up with an entire power structure and system of government that could potentially exist in this universe, write 2000 words of geopolitical bullshit minimum, reinvent animal agriculture, create at least one brand new species of bug, and then battle our conviction to avoid cushioning or avoiding the implied Fucked Up Elements that are Very Much Present In The Base Work if chronically ill-addressed vs the question of if we Want to include this particular brand of Fucked Up Bullshit or if we'd actually rather avoid having to reckon with the aftermath of yet another poorly-thought-out trope ripped from Trapped In Another World With My Smartphone.
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cosmik-homo · 4 months ago
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blake is not REMOTELY a nothingburger protagonist he has a lot of interesting shit going on its just very tied- by the protagonism but not remotely just that, its an active part of who he is- to plot and setting and stuff. Its not really convenient for shortform ramble-posting. except maybe "I think he'd do honestly p good if
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des-shinta · 7 months ago
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youtube
"Complex Complex" Shinta reviews Super Robot Wars X part 2
X Continues with more new mecha series introductions…which begs us to ask the question…"Why these series when we're in an Isekai plot?"
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dragimal · 7 months ago
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once again thinking abt ORV as one of the most brilliant and self-aware genre commentaries ever, cus' isekai/transmigration is-- in my experience-- a deeply lonely genre. the yearning to be plucked from the stress and apparent dead spiral of real life and dropped into a setting where you matter somehow. the fact that this transmigration is often by way of death, completely abandoning the real world, is particularly telling and... bleak. but whether it's a recognition of being 'the most baddass dude', the narrative satisfaction of trying to 'fix' the plot of a doomed story, or even just befriending characters we've laughed and cried for, we want so badly to be a part of something more.
and the way ORV recognizes that and doesn't mock it, but gently reminds us that... real life isn't removed from that. it may not be as straightforward and 'narratively' satisfying as a constructed story, but we can enact change in the world around us, and we can find connection and solidarity in others. the things we want from escapism are things we often can achieve in real life, at least on a small scale. if only we recognize the inherent depth and complexity of others as, y'know, fully-realized human individuals. hell, if we recognize ourselves as more than simple characters with set paths and tropes.
ORV takes every opportunity to remind us that we are not alone, no matter how bleak and isolated we feel. our lives are constantly touching others and vis-versa, and we leaves marks on the world we can't possibly predict. we matter, we always always matter
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