#Im kinda lost

[fogdraws]

Watson Watson Watson Watson Watson

They belong to my heart ♥️♥️♥️

Rn I'm suffering bcz I finished The Valley of Fear but can't start the next case since I haven't got the chance to buy it yet😭😭 I believe I have fallen in abstinence help 😭😭😭😭😭

[caxycreations]

Man, I need someone who's like

good with literary analysis, cause the friend that's helped me dev my world is awesome, but they're not a very analytical type, so it's hard to figure out what is actually like, well-done or if it's just an enjoyable read (defining them separately because something can be absolute garbage but a super fun read, or it can be a piss-poor read but still be, from a literary standpoint, beautifully written)

I'm aiming for well-written AND enjoyable, and it's hard to get that critique from someone that just isn't the type who -can- do literary analysis.

I can do it myself, but I'm my own worst critic so no matter how good it is, I'm going to dislike the quality, and I'm also super attached to the characters so no matter how poorly written it is or how bad the story, I'm going to love it for their involvement.

I don't wanna -publish- it just yet, I just wanna keep it private, me and maybe one or two other people for the sake of quality control, so I'm not sure what to do.

@heavensfallenfaction @the960writers @stesierra @eldritch-flower

tagging cause maybe you're able to help, or if not then maybe you know someone who is? idk, y'all are like, the four names that come to mind when I ask myself who I should ask about stuff like this

[cuntvonkrolock]

hello what part are you at

aloysia and her sister are arguing at some kind of dance thing i think??

[iliothermia]

[astrowarr]

i just watched scott's session 7 and noticed a pattern: every single person forgot about grian.

grian hasn't been caught yet, cleo and scott establish. barely a minute later, scott is leading cleo and bigb by the hands to his secret spot and saying "i think we're the last three." like the name has slipped right out of his hands.

as etho tells the other zombies that no, actually, he doesn't want to kill cleo, it occurs to him suddenly. "actually, i kind of want grian to succeed on this, don't i? he's my teammate," he says, not like he doesn't care for grian, but like he's shocked he even forgot in the first place. (seconds later, he lifts his gaze to the sky, and he sees where grian is hiding. he's the only one who sees. he carries this secret with him as he watches grian run, an apology of sorts; sorry I forgot. I hope this makes it better.)

but it got me thinking: this is what grian does, isn't it? even since 3rd life, where he hid in the shadow of scar, whose face was always, always in the light, as he burrowed under doorways, covered in redstone and days-old blood. no one thinks of him as scar sells them the coffins grian will put them in.

grian has mastered the art of becoming nothing. he's so nothing, in fact, that his presence glances off the skin of even his friends. his name slips away from them. he disappears time and time again, falling through their fingers like sand. there are brief moments: "where's grian?" someone asks, but their blood is boiling and their fingers are itching. the image is a mirage and the sand crumbles at their fingertips. it's gone as soon as it comes; back to cleo, green cleo, uninfected cleo.

a reminder, perhaps from the universe itself. he is nothing but a ghost of a memory, a whisper of a promise. this is by design. the universe is telling him this, as it strings grian up limb by limb: you were only ever meant to watch.

[alicenpai]

princess tutu: die jahreszeiten 🌸

kind of a companion piece to my 2022 ptutu drawing | it's on inprnt

this print was at anime north; next con is otakuthon!

oops so my hand slipped and i made another princess tutu drawing. i admittedly don't watch that much anime so my catalogue of work is gonna be the same 5 animes LMAO. what can i say, i love "dark" fairy tales, and i've been really enjoying the more fine art approach to a lot of my drawings as of late (and the watercolour brush i've been using has been so perfect for that...!)

as my first princess tutu drawing is now 2 years old, there are some areas i've grown to have ... qualms with... although both drawings as a whole are pretty much exactly what i envisioned, and that's always satisfying!

both of these were drawn in roughly a week's time (yes really...) for con crunch period (and i went back to this drawing after the con to touch up some areas that were a bit rough!). i wanted a different approach to this new pt drawing, with the focus on the line work, rather than on colours and lighting in the 2022 drawing.

this drawing had 2 goals: to continue the style i adopted in my witch hat atelier "lantern bearers" drawing (which i promise i'll post in full soon as soon as all of the zine artists get their go-ahead to post their pieces!), and to emulate the art nouveau movement's heavy emphasis on line work, albeit not a 1:1 style replication of course.

the seasons also aren't a 1:1 representation, as i didn't necessarily pick flowers or colours that are most strongly associated with the season (e.g. summer being a dark tone is a bold choice?). but it's kinda whatever, as i said before i drew this in a week, there may be more appropriate flowers with better meanings. i couldn't spend too too much time drafting and researching.

FLOWER SYMBOLISM:

- spring: apple blossoms, tulips - the apple blossom is a quintessential spring flower, and thus symbolize the arrival of spring. spring is a season of change, which ahiru/princess tutu is a force of, instigating change in her friends and unravelling the story around her. the flowers below her are tulips, and there are many meanings to tulips depending on the colour, due to their ubiquitous nature. i narrowed on one, and intended for them to symbolize happiness. princess tutu's pose is one in which that is open, inviting, and warm - reflecting her nurturing nature in the series, and her willingness to help others achieve happiness.

- summer: deadly nightshade flower, yellow rose - i chose for rue/princess kraehe to symbolize a fiery summer's night instead of the typical dazzling heat of a summer's day, a rather bold and unusual choice. the warmth of sunshine didn't quite fit, as the character is quite dramatic and passionate, with her intentions often hidden in shadow. next, the deadly nightshade - atropa belladonna - has a lot of mythological associations, a lot to do with poisoning, as the flower is toxic. the flowers bloom at night (another reason why i picked a nighttime backdrop for "summer") and also outwardly match rue's dark design scheme, as the cherry on top. yellow roses, at the bottom of her frame, are the archetypal flower depicting jealousy (as with many yellow flowers are), and at one point in the story, rue only wished for her own happiness at the misfortune of others.

- autumn: douglas fir needles, orange calla lily - autumn is another season of change - although much more tumultuous, as this season is traditionally taken to prepare for a long winter ahead - fitting for fakir as the role of the storyteller. the douglas fir is not a flower of course, but is a tree - with many different parts of this tree offering many benefits in advance of the winter season. i wanted the versatile nature of the douglas fir to reflect on fakir's dependable personality. next up, the calla lily is a flower with a dual meaning - on one hand you have life, on the other you have death. a storyteller quite literally can grant both at the tip of their fingers.

- winter: birch tree, snowdrop - winter is a rather still and unchanging season, a lull in the passage of time. this symbolizes mytho's passive nature at the start of the series, especially with his doleful pose here, as if almost in hibernation. to contrast, mytho is perched on the branches of a birch tree, which means new beginnings and renewal - as mytho is one of the characters that undergo the most change throughout the series (i'd argue the most?), regaining pieces of his heart. under mytho's frame is the snowdrop flower - and if you've read my witch hat atelier: seasons piece symbolisms, one of the snowdrop's meanings is rebirth, with connotations to the bible, bringing hope, when all had forsaken eve. the snowdrop is one of the first flowers to bloom even when the snow has not yet fully melted, further echoing mytho as an analogy for rebirth.

[raepliica]

priest guy sending mixed signals, what is he up to?🤨🕶🤏

~~~

[Image Description: A warm-toned comic featuring Trigun98 characters. It opens with Vash shouting "YOWCH!!" as a half-eaten donut flies through the air, a bruise on Vash's tongue. Meryl, editing papers, is annoyed as he complains: "Ow! Ow! I bi'e my 'ongue..." "What's the rush?" Meryl asks, "They're all yours." Vash, still hurt, tries to explain: "They're jus' sooo good!" Meryl argues back, "Well, savour it then!" Wolfwood has been watching the scene unfold as Meryl continues, "Satisfying your sweet tooth doesn't come cheap, unfortunately." Wolfwood clicks his lighter open and closed, again and again. Without a word, he leans closer, his thumb on Vash's lips. "Wolfwood...?" Vash trails off. Then, Wolfwood opens Vash's mouth and knicks his thumb on one of Vash's canines in one fell swoop. "Wah? Huh??" Vash says as Wolfwood pulls his bleeding thumb away. He licks the blood off the wound then snickers at Vash. Meryl looks disgusted, Vash has lit up in an embarrassed explosion, and Milly remarks, curious: "Those are surprisingly sharp, Mr. Vash!" Question marks float around Vash, and his donuts lay discarded on the table. Each panel is signed by raepliica. End ID]

[gal-o-guacamole]

●Radiant is Gabriel●

Feb.2024 (stained and artistic glass, copper, lead, gold and silver paint)

Process pics + vid ↷

[amaranthdahlia]

ofa users character line-up we r here 🤩🤩🌈 🙏

close-up !!

heres without the filter+backround

anddd heres xtra eye doodlez i did in the midst of drawing them haha

[sinlizards]

Witch of Miracles

[princema-k]

welcome to my evolution...

[swordmaid]

a girl who is a noir detective man and a guy who is a femme fatale

[hemipenal-system]

If I consent to a man breaking my jaw and ripping out my nails, the man who agrees to do it is a bad person. An extreme example but it should drive the point home, no?

Doesn't matter if I consent to being choked. Whoever WANTS to choke someone out to get off is a bad person.

Whoever wants to pretend to be raping or abusing someone to get off is a bad person.

"an extreme example but it should drive the point home, no"

no?? if you know the risks and accept them and give unhindered, clear and informed consent, then no, there's actually nothing wrong with someone doing that stuff to you. because, and viewers at home can say it with me, THAT IS HOW CONSENT WORKS

but y'know, what we're *actually* gonna look at here is the assumption that the person doing that to you is a man. maybe y'all would stop seeing kink as an inherent expression of patriarchy if you internalized the fact that not every man is dominant and not every woman is submissive. also, you know, that there are gay people.

but no, because that would require you to actually deconstruct the ideas you have in your head about how every man has to be an aggressor and how testosterone makes people violent and how every man secretly wants to do this kind of thing to every vulnerable, weak woman, the implication being of course that any woman who engages in this kind of thing by choice has something wrong with her

which is fully just misogyny but thats a tangent from the actual point here

"Doesn't matter if I consent to being choked. Whoever WANTS to choke someone out to get off is a bad person."

furthermore, i think you should also deconstruct this idea that kink spaces are all dominants who want to hurt their submissives, when in reality it's a dominant doing those things because they know their sub likes it just as much if not more of the time.

let's look at that "doesn't matter if i consent to being choked" line. um. yes it does?? knowing your risks and giving informed consent is literally the entire thing here. you do know that there are safe* ways to choke someone that are legitimately taught to people in an attempt to minimize permanent harm from that sort of thing, right? when you see things like "don't use thin metal handcuffs on your partner" and "keep safety shears within arm's reach when doing ropeplay" and "drink gatorade and go pee after sex" you know those are all things people do to reduce risk, right?

(* no form of breathplay is 100% safe! know the risks and do research on how to minimize them before you play!!!)

"Whoever wants to pretend to be raping or abusing someone to get off is a bad person."

hey look at that key word i italicized in that quote for your ease of reading! it's all pretend! because, once again, viewers at home say it with me, THAT IS HOW CONSENT WORKS

there's no actual rape or abuse happening if you have proper consent and safe word setups in place. the key to this whole thing, which is why any of this stuff is actually possible to do ethically, is the fact that, at any time for any reason at all, either the dominant or the submissive can stop the scene. literally all kink is, is an ongoing, revokable agreement between at least two people to do things that might not be ethical irl.

(before y'all toss another strawman at this, yes there are people who break consent rules, and yes they get tossed out of kink spaces for it)

kink is fucking theater. when hamlet stabs polonius, you don't accuse hamlet's actor of being a murderer. this is morally the exact same thing as going to the theater and watching people talk in iambic pentameter and stab each other.

there's also kinks that have basically negligible risk of temporary or permanent harm, just so you know, but of course you're not going to mention those ones. you know, because you're a weirdo who just wants to police what people do in the bedroom

[velvetwyrme]

Requests!!!!! Would love love love to see a doodle of swapfell papyrus!

The feeling ripples out from your point of contact and floods into your chest, crashing against your heart and filling it with sunshine.

hiiiiiiiiii i got carried away with this because i was like. hey. this ask is from july. yknow which sf!pap i should do? the one from Wishbone.

ur fic took me out at the knees. the DYNAMIC between them... but listen. though they're kinda going through it, for this one moment, all was okay in the world.

requests closed!

[zevrra]

Hello! I was hoping to request something for Gaara with his wife reader? Like them making up from their first real argument and it gets NSFW?

needy—

tags: suggestive content, 18(+), slight nsfw, naruto, gaara x fem!reader, short & sweet, anon request

creator notes: sorry this is for one, so short! and for two, sorry it took me a little while to respond/finish! i started writing it and was several paragraphs in before i realized i was writing something else completely unrelated to your request so i had to start over aaaaa!!!! so so sorry about that but i hope you enjoy! thanks for requesting!

It didn’t take a genius to figure out he had been avoiding you. Anytime you’d reach for his hand, he’d pull away just far enough so you didn’t touch him. And when he did let you touch him, during any moment of intimacy, he broke all of it off after mere moments. Claiming he was tired and needed to go to bed early for some meeting in the morning.

You had been married to Gaara for a year or so now so it wasn’t as if you two were teenagers sneaking around anymore. It was frustrating but mostly strange to you. His actions made you second guess yourself. What if he was rethinking your relationship? What if he was falling out of love for you? So many emotions and thoughts ran through your head on the daily but today you were getting answers. Even if it was going to be a hard pill to swallow you had to know what was being done wrong.

And as soon as he got home from his work that day, you confronted him.

“Welcome home. We need to talk,” You say, trying your best to put on a brave face and voice.

Gaara looks at you with his usual gentle face. He’s hesitant for a moment, as if he knows what is coming, before he settles into a chair at the kitchen table.

“What’s been going on recently?” You ask. His eyes avoid you. Shame written on his face.

“It’s nothing,” Gaara whispers. His colder tone makes your gut twist.

“Nothing?” You scoff. “I think avoiding me for as many days as you have been isn’t ‘nothing’.” You mutter, irritated.

Silence falls between you two. Which is not unusual but this silence is painful. Thick and suffocating. Not the usual calming, healing silence you two share. This silence made your heart race far too fast.

“Is it me?” You ask in the coldest tone you can muster. “Have I done something wrong? Am I not enough?” You speak harsh words. Yet they’re the words that have haunted the back of your thoughts for days now. Souring the image of yourself inside and out.

Gaara jerks at the words. He looks at you in pure disbelief as if he can’t understand what you mean. “No-“

He tries to stop you but the floodgates have already opened. All of your feelings and your thoughts pour out of your mouth like rainwater. Tears fall when you try your best to will them away but it doesn’t help. You sob into your hands as Gaara moves to your side.

He’s no longer hesitant as he wraps his arms around you. Lifts you into his chest in a warm embrace. Hugs you so gently it makes you hiccup.

“I’m sorry,” He mumbles into your hair. Apologizing like his life depended on it. He smooths loose strands of your hair away from your face. Wipes the tears from your cheeks and eyelids. All while he kisses the crown of your head. It was more affection you’ve received from him in weeks and it damn near broke your heart all over again. “I’m so sorry.”

You quiet your sobs. Breathing in deep in the hopeful comfort of your husband’s arms. One of his hands moves to clasp at your neck, using a finger against your jaw to lift your gaze to his.

“It’s not you.” He whispers. A kiss is placed on your forehead. “You’re amazing. Truly perfect, my dear.” He adds with a quiet chuckle. His thumbs swipe across your cheeks to collect whatever trail was left behind by your tears.

You sniffle. You must look like a horrible mess right now but it doesn’t stop him from kissing you. As if a fire has broken out inside of him, he kisses you with every ounce of passion he’s ever had. Tears threaten to spill once again at the first kiss you’ve two have shared in such a long time but he pulls away before that can happen.

“I want you so bad.” Gaara admits with a shy look on his face. His thumb swipes across your bottom lip. “From the moment I wake up, I want you more than anything,” He whispers under his breath as he soothes circles into your skin. Touching you so delicately like you might disappear. “It scares me how badly I want you. And I’m…just nervous my feelings will run wild and I’ll end up—hurting you.” He mumbles, glancing away from your gaze.

You suddenly realize he means the sentient sand that is always at his disposal. Sand that acted on its own sometimes and he was so worried about it hurting you he tried to keep his distance. All because of his love for you.

Your own emotions overcome you as you kiss him in response. Arms wrapping around his neck with ease as his own wrap around your waist. And now he holds onto you for dear life. Touching every inch of your skin he has so desperately craved but had been so hesitant to reach for. All while kissing you like it might be the last time. Passionate, eager, and hungry.

You two had some catching up to do.

“To bed?” You mouth against his lips between kisses.

He breaks ever so slightly, a red blush to match his hair spreads across his face. “Are you sure?” He responds. Shy even as his hands, body, and soul yearns to devour you.

God you loved him.

“Oh, I’m more than sure.” You whisper, capturing his lips once more.

Without another word, Gaara is pushing you along to your shared bedroom. Eager to make up for his wrongdoings by giving you enough pleasure to make you forget every negative feeling you've ever imagined.

[robinfollies]

KEEP THE DANGER OUT // KEEP THE DANGER IN