#Im gonna tag this with everything

[geomimetry]

woe be upon ye

[just-null]

Do you ever do requests? If so, do you ever plan on drawing some Yandere with the Hantengu clones? :D hope you have a good day/night!!!

Mentioning an unfamiliar name

yes!! I love yanderes.. and these guys.. these guys are such good material...... nods nods..

I'm not sure about requests..I assume you mean drawing requests? I suppose if it REALLY catches my interest enough, I'd do it, but it'd probably just be line art/sketches.

[okartichoke]

HI im back with more WHIMSY (look, godot had a change of heart)

i posted these original ones a couple weeks ago here <- ! but here they are again with the white border cuz they look better like that imo x3

[keferon]

Two Peas in a Pod: part 4/?

Hopefully the dialog isn't confusing.

______________________________

"Still dizzy?" 

"Not really," Jazz answered with a comfortable smile, though stole a quick glance over to the gate. The first since Blaster had arrived for the morning routine. The other mer wasn't awake yet last he saw, but he was shifting more. The medication had obviously long worn off by now, but Jazz still hoped they weren't in too much pain. 

But Blaster noticed and it prompted him to pause his checks to ask, "did he wake up last night?" 

"Kinda? He could have been talking in his sleep though." 

"Hm, there's a good chance he'll be up soon, then." 

Jazz's expression of his usual cheerfulness shifted, just slightly and if it had been anyone other than Blaster, they would have missed it. He flipped the clipboard over in his lap and rested his elbows against his crossed legs. 

"You're nervous," Blaster pointed out gently and gave Jazz an encouraging smile. "Is this about their injuries, or is this about making a friend?" 

The mer's face soured and he looked away. "I thought I wasn't supposed to ask." 

"That was about the gate, and I'm sorry about that." It was just the two of them on the pier, but Blaster still practised a surveying sweep of the area with what looked like stretching. Then with a lower voice, he continued, "The Vet Chief wanted to fully isolate them from you, to keep them in a transfer-crate, at least until the injuries had a low risk of reopening. I argued that it would put them under a lot of undue stress, and you because you knew the Mer was here. Which is part of why it took so long for–" 

"–and it's fine to say this now?" Jazz snapped and turned back to him with a small scowl. 

"Jazz, how many staff members were in your area yesterday? When we talked about the gate?" 

He paused, trying to recall. Blaster was with him and the group that went into the bay had five… seven? 

"There was thirteen, Jazz," he supplied, knowing that any answer coming would be incorrect. It was a lot of people, and with Blaster already known for making waves on the regular, the sudden addition had eyes and ears on him. That, and because he had fought so hard against the 'great idea' brought up in the first meeting after emergency treatment had ended. "You didn't even clock the vet on standby at the pier entrance." 

Jazz huffed and laid out flat, resting his chin on his crossed arms. Okay, so he wasn’t paying attention to who was around. "Then what is it about the gate? I get the bit about climbing the walls, but…" 

"That one is on me, I was – am – being overly cautious. Not of you, but of others misunderstanding your excitement or anxiety as aggression. And I know how persistent you can be when something catches your interest. But that's not the point, what is, is that if the team reports you showing signs of aggression, they'll… remove him." 

Now looking worried, Jazz glanced from Blaster to the gate. "But what if he shows aggression?" 

"We're expecting that, at least at first." Blaster wanted to reassure him, but there were still too many unknown variables. "Unknown place with an unfamiliar face, and likely limited communication. There is bound to be backlash." 

Jazz looked down with an expression of growing despair, before dropping his face against his arms. His words muffled, "so whether he stays or not depends on me being able to talk with him." 

Blaster reached out and placed his hand on the orca's shoulder. "Listen, buddy, this might be hard to hear. But let me explain, okay? … So far it looks like there are no issues and the current plan is to have him released once he recovers." As he feels Jazz tense, Blaster frowns in understanding and begins to rub his shoulder to comfort him. "There is only one reason that the aquarium wouldn't go through with it, and honestly, I don't want that to happen. It's all sorts of fucked up and would only make things worse– but I don't want you to distance yourself from him. I want you to try and befriend him." 

"… why," Jazz asked weakly, cursing him for telling him the truth – for reminding him of the truth – for breaking his small piece of hope of not being alone anymore. If he was going to be taken away, if he was just going to lose him no matter what, then it would hurt less if he just ignored him. 

All sorts of answers bounce around in Blaster's mind. From wishful thinking – because I want you to go with him. To long term goals – anything we could learn could help Mers everywhere. But he settled on as close to the truth as he could. "Because I'm trying to make sure that no matter what happens, it's the best result for both of you. But I can't do that if the two of you can't at least work together. So, I'm asking you to try." 

"Right," because he doesn't need to be kept here to survive… he just needs time to heal. Where I – "–right. Okay, I'll try… but where do I even start?" Jazz took a deep breath to compose himself before he lifted his head. 

"Well, why don't we see if sleepy-head is waking up? Maybe he'd like breakfast." Blaster offered, first with a reassuring smile, but then twisted it into something more mischievous. "And maybe you could find out if he's got a beautiful name, too." 

It took a second to realize what Blaster was getting at, and for the first time in his life Jazz felt bashful. "W-what are you talking about?" He hid it terribly. 

"He's beautiful~" he whispered dramatically, and Blaster learned that mers could in fact blush. 

— 

When Blaster left to get food for the wild mer, Jazz calmly made his way over to the view port. Only to be taken by surprise, he was looking directly at Jazz. Though, glaring, might be more accurate with how his face was pulled tight with focus and the sheer intensity of his stare. 

But otherwise, they were completely calm. Jazz wasn't sure if that was a good sign or bad. Yet, it didn't stop his nervous excitement from returning. He waved with one of his best smiles – one without teeth – and greeted him with a friendly, "hello!" 

What he got in return was a slightly more intense furrowing of their brow – irritation or confusion? 

"Oh! Sorry, habit." Jazz switched to mer. {Hi!} 

The tension didn't leave his face, but there was slight movement and, again, Jazz didn't know how to interpret that. But he did answer, {||၊|။||||•။၊|။|။|၊|။||၊၊၊|?} 

"Uh…" Yep, didn't understand any of that. 

Then the door opened on the edge behind them and Jazz for a moment thought that it would startle the wild mer. But they didn't even flinch. And while their eyes remained on him, Jazz was fairly sure now that they had been using their sonar to track the human's movement. 

"Are they still asleep?" Blaster asked, puzzled. 

"Nope, very much awake." He shifted lower to try and get more than the man's boots in his sight. 

"Ah…" He sounded uneasy and began to make small careful steps around the edge closer to Jazz while he spoke as calmly as possible. "Well, I'm going to keep talking, just so you don't think I'm trying to sneak up on you." 

When he reached the point where he was straight across from the wild mer, they lifted their head to turn their glare on the human. Blaster to his credit did not flinch, but he did freeze. "Whoa– that's – wow, t-that's quite the look." 

A series of slow clicks came from them, but their lips did not move. Jazz didn't think it was echo-speak, as it reminded him of his own searching clicks when he was trying to get a better picture. "Oh! I think he's trying to see what you have." 

The wild mer glanced to Jazz, becoming silent once more before looking back up at Blaster. 

"Fair enough, alright new buddy, I'm going to be real slow about it okay?" Back to narrating his actions calmly as he knelt down. Showing the long pole with a thin, blunt hook, "just an arm I don't mind losing if you decide that you don't like the breakfast I brought," and poured out the fish from the bucket. 

Still the wild mer glared, unblinking and watching every little movement. 

"Okay… I'm not sure what to make of this, so far everything has been nothing like previous encounters." 

"Ya, didn't you say he'd be freaking out?" 

"You got anything to calm or reassure our new buddy here that I ain't going to hurt him?" Blaster was doing his absolute best at trying to remain calm, but even his hands were starting to tremble under the pressure the wild mer was giving him. He wasn't even moving, just watching, but it felt like the human was being stalked. 

Honestly, Blaster was probably one bad move from being lunged at. Though, if that was the case, he had maybe one chance to get away. The hammock would throw him off on the first strike, the supports could probably take two or four hard thrashings before it snapped under the mer's strength. Injuries be damned, this mer was in peak physical condition. 

Jazz gave a small chirp to try and gain the other's attention, and failed, but continued with trying to talk. {It's okay, you're safe.} 

He was given a very tiny dip of his finial facing the gate – a tell that he had heard him? 

{You're safe,} Jazz repeated. 

The mer didn't look away, but he did at least respond. {•၊၊|•|၊|။။၊|။•|||။||||။၊|။•၊၊||၊|။||||။•၊|။•၊၊||၊|။||||။၊|။•} Though, far too fast for Jazz attempt to understand. 

"I'm hoping you two are talking about your favourite fish." Blaster joked to cover his nervousness. 

Jazz sighed and admitted the truth, "I haven't a clue to what they're talking about…" 

"Just let me know if I should run, kay?" He shifted slowly on his knees, trying to find a comfortable spot without making himself too vulnerable. 

But Jazz hadn't given up yet. {Hungry?} He tried instead. 

More chirps and clicking that didn't translate. 

{Hungry? Yes? No?} 

The heavy huff that came from them caused Blaster to flinch, but the mer finally focused on Jazz. There was clear irritation in their face now on top of glaring. And the damns broke, he started ranting at him loudly. 

"Hey, don't yell at me, I'm trying okay!?" Jazz glared back, not backing down. Though wasn't all that intimidating with him just having a little porthole to look through. 

"Jazz, buddy, please don't aggravate him." He, after all, was the one in the room with the wild mer. 

"He fuckn' started it!" 

Silence came quickly as the wild mer plunked his face into the soft floaty that had been his pillow. Blaster would have found it utterly hilarious if not fearing for his life currently. With another heavy and long huff, the wild mer looked back at Jazz, still glaring, but slightly less than before. {•|||။||||။၊|။•၊၊||၊|။? Yes? No?} 

Jazz blinked at him for a moment, depending on the question, no could be a yes. {No…?} He answered tentatively instead. 

{It's safe? Yes? No?} And he pointed his nose towards Blaster briefly, but clearly wasn't happy about it. 

{Yes!} Jazz nodded vigorously and smiled for extra encouragement. Out of all the staff, Blaster was safe, Jazz held some trust in the human after all. {[Blaster] safe.} 

"What about me?" 

"He asked if you're safe and I told him you were. Relax a bit or something to show him." 

Easier said than done. Blaster cursed, but did his best to ease the tension from his shoulders and smile a little. Even, daring to slowly lift a hand to wave. 

The mer did not seem convinced, but his glare lessened some more and looked over the human with more curiosity than before. 

{Hungry? Yes? No?} Jazz tried again. 

There was a long pause, but they sighed and answered. {… yes.} 

"Progress!" He cheered and then stuck his hand through the little window. "Blaster, hand me one of the fish. He's hungry, but I have a feeling that he'll trust you more if he sees me eat what you have." 

"Okay." He made sure that it was clear as possible what his intentions were. Taking a fish under the gills, Blaster looped the blunt hook in and out the mouth. Then, very slowly, began to feed the length of the pole towards Jazz's waiting hand. Once Jazz felt the tail touch his palm, he grabbed it and waited until Blaster twisted enough for the fish to slip free. Then the pole was just as slowly drawn back. 

The whole time the wild mer watching the exchange intensely. 

Jazz pulled the fish over to his side, chirped for the other's attention before he swallowed it whole. Smiling once more as he said, {safe.} 

Blaster had to admit, he was surprised when the mer shifted slightly in the hammock, and then cautiously held out his right hand. The glare never left, but this one felt like a threat, that if he messed this chance up, there would not be another. 

Though this was the first time Jazz had been able to see any of his injuries. The colourful tape-bandages almost covered every inch of his skin from his hand up to his bicep. It reminded him that just yesterday he had been mortally wounded. Which was probably a key reason the wild mer seemed so calm, they had only started to recover and every action was either painful or exhausting. Likely both.

Jazz watched closely as Blaster went through all the careful steps as he had with Jazz and held the fish out. The only difference, was that the human's grip was loose, just in case the wild mer decided to try and yank him into the water with it. But they didn't, doing exactly as they saw before, allowing Blaster to release the fish and retreat. The whole process was so slow that the wild mer's arm started to shake from being held out. 

But both Jazz and Blaster let out a breath of relief as there had been no backlash. 

He eyed the fish in his grip with a mild sneer before he swallowed it and then held out his shaky hand for another. It was clear that the pain was getting to him, but nothing in his expression showed weakness. 

The feeding got easier and quicker as Blaster relaxed a bit, not fearing that a normal pace would come off as threatening to the wild mer. 

When the shaking got bad enough, the mer rested his arm back in the hammock, but kept his eyes on the remaining fish. As if to convey he wasn't finished, just needed a break. Blaster was more than happy to comply and gave him a few praises, even if they didn't understand. 

"Hey," Jazz called gently, chirping for the other's attention. He waited until they looked his way, then pointed at himself. "Jazz," and then to the human, "Blaster," and back to himself once more, "Jazz," before pointing to the other mer with a questioning tilt of his head. He hoped it was clear what he was asking for. 

When the silence stretched on for a bit, the human also joined in. "Blaster," to himself and to his mer, "Jazz." 

There was a brief moment that Jazz could see that they were working over something, opening their mouth a few times before the sound of a sharp zip came out. "… 'tzz?" 

Jazz snorted, before breaking into a few chuckles. "Ya, missing the Ja, but you'll get there. I'm Jazz." He placed a hand over his heart. 

The gesture was reflected, {•၊||၊။} 

It was his turn to try and work out the sound in his head. Jazz tried the word out soundlessly on his tongue once. It was like a popping roll? {•၊||၊၊၊၊၊?} 

{•၊||၊။} they repeated, firmly correcting him. 

"Nice to meet ya, {•၊||၊၊၊၊၊}!" While the mer scowled at him for not even trying to fix his pronunciation, Jazz just smiled brightly.  

"So... what is his name?" Blaster asked for a translation, very interested in the development between them.  

Jazz laughed, "I have no idea." 

______________________________

Don't ask about my attempt to make sound-wave-like-text, it's gibberish, lol, and going forward only •၊||၊။ (Prowl) & •၊||၊၊၊၊၊ (Prowler) will be used until Jazz has a English (common?) name to attach an understanding to.

Keferon, I just wanted to say that every comment or tag you leave on the fic is like serotonin being injected into my veins. Every silly little image is like rolling down a grassy hill in the warm sun while I laugh with manic joy. When you add art, it's like an adrenaline shot to the heart that makes me want to run across the globe just to frantically wave hello with both hands, give you a hug and run back to get started on the next part.

And the next part will be Prowl joining Jazz in the main pool and Jazz learning just how fast he is, even while injured. >:)c

-GLC

𓆝 Previous 𓆟 Next

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Me looking in my inbox and seeing that there's two peas in a po

Odjndgdjdkfhdkm PLEASE. Blaster is so nervous EVERYONE IS SO NERVOUS Ooohhhnooo he's gonna freak out and kill everything he can reach oh no we all know how all those wild stupid creatures are oh no watch out While Prowl is trying to blow their pancakes with mind

And I juswannasay I love it so much ehehejgknfbfkdn THE SOUND WAVE SPEACH? I LOVE THE LOOK OF IT EHEHEH

Always a big fan of creative ways of showing imaginary languages. This thing?? ||ll•|Il It looks hella stylish >:O

Aaannnndd I got excited and made some art hehe

[boomposhpow]

stanley pines the man you are

a better son/daughter by Rilo Kiley

[menlove]

queer paul tome pt 1: everything not related to john

okay i've been saying i'd make this post forever and it's uh. long. so i decided to split it up into four parts so i can get this first bit out and let it stop haunting me and so it's not 50 miles long.

feel free to add your own if it's not here or shoot me an ask and i'll add it :)

disclaimer: i'm not definitively saying sir paul mccartney is queer. i mean i really firmly think he is but it's all just speculation. also, if he is, there's obviously a reason he's not out about it & he deserves to have his privacy respected. i just personally find the dominant narrative in the fandom & even in larger spaces that poor pining queer john was in love with tragically heterosexual paul completely unconvincing and neeeeeed to be insane for a minute here

if this pisses u off u can simply scroll on by i do not need an essay in my notes. make your own post if you disagree.

(paul doing this for whatever reason in beverly hills, 1974- also the same trip he saw john on bc sure i guess)

this doesn't include lyrics as the main argument bc i saw a post ages ago basically saying there's nothing outside of them and lowkey i took that as a challenge because there's SO much outside of his lyrics that point to him being queer.

that being SAID, this is going to be split into four posts: not john related (most important and thus first bc there's so much documented about mclennon & john being queer, but not paul by himself), john related, paul's relationships w other men (these ones aren't all like... concrete and that's why they aren't included here but w all the context that'll come before it his relationships to certain men are..... interesting), and finally lyrics last bc some of them you genuinely can't just ignore

part 2- john related part 3- other men part 4- lyrics (those will have links once i actually make them)

also, i'm sure people have made similar posts before- i haven't seen them (other than this one an anon sent while i was writing this up which is sooo interesting but does have a lot of dead links) but if you have one you want to share feel free!

time to get into it. i'm avoiding homework by doing this.

(sidenote: not including instances of him just flirting w men bc body language can be read a lot of different ways- but if y'all wanna add any i know they're a dime a dozen like w george m., mal, random reporters, robert fraser, etc)

1- "Just kidding, Linda..."

REPORTER: You're a very, very good looking man. PAUL: [sits up straighter, making a sort of campy gesture towards the crowd, turning into a point] Get that boy's name. [Drops his hand, smiling and leaning his cheek on his hand.] Just kidding, Linda. REPORTER: [unintelligible] PAUL: What? REPORTER: I said- do you have a secret, looking so nice for fifty years? PAUL: [grins, resting his chin on his hand again and batting his eyelashes] Yes, it's the drugs, you know.

(originally posted on here by @northernsongspeels who hasn't been active in a while) this one is so crazy to me. he's so obviously flirting with that man and he's apologizing to linda for flirting with that man. like it's a conversation they've had before.

2- "Yes, boys."

this video (originally posted by @ilovedig here)

PAUL: Yes, I think the main difference is that when you are that age- which I'm sure you remember, Tom- TOM: It's back there in the dim distant past, yes. PAUL: When you're that age, that's the kind of thing to do. I mean, what you're doing is you're going 'round and you're basically looking for girls or whatever turns you on and stuff. So, uh, yeah, I- TOM: Well- well could you give me the alternatives to girls? Are there others? LINDA: [scoffs] PAUL: Yes, boys. TOM: Oh! No.

3- "He's so good looking."

Paul McCartney first read the name and saw the photo (for weeks there was just one crazy photo of Elvis available in Britain) during a free period at Liverpool Institute. Again, it was a friend with the NME, and there was an advert for Heartbreak Hotel. "I thought, 'He's so good looking,'" Paul says, "he just looked perfect." Mark Lewisohn, All These Years Vol. 1 Tune In, sourced from the Anthology TV series by Lewisohn.

4- "A Nice Person Girl"

this fun little interview... (originally posted by @amoralto idk why the archive.org capture of it looks funky but the audio is still there) take it w a grain of salt bc it can also just read as a homophobic joke but like.

August 22nd, 1966 (Warwick Hotel, New York): As DJ “Cousin Brucie” Morrow conducts brief interviews with each of the Beatles, one by one, he asks Paul to settle the rumours that have been circulating in the press about the status of his relationship with Jane Asher. MORROW: Moving over here to Paul – someone just handed me a card. I guess this is… [focusing] Last year, when you were on my microphone here— PAUL: Ask me something about Rick Sklar. MORROW: Rick Sklar? That’s my boss. JOHN: Ask Paul about Rick Sklar. MORROW: Uh, Paul, last year when you were on my microphone, I think somebody – one of your staff – announced an engagement of you and Jane. PAUL: Uh… MORROW: Do you remember that? It was announced on the air. And then I remember we said something on the air and then thousands of people from the street went, “Oh.” What is it with you and Jane now? How – what is your relationship? Are you planning a marriage, planning an engagement, are you just boyfriend and girlfriend, what is it? Tell us the whole thing. JOHN: [mutters; inaudible] PAUL: Uh. We’re just queer, that’s the scene. [uproarious laughter in background] That’s the scene. Well I mean, I couldn’t say that on the air live, you know. JOHN: No, you’ll get into trouble for it. PAUL: No, the thing is, Cousin Bruce – um, we haven’t got plans to marry yet, you know. That’s the point. And that business about somebody saying we were engaged, nobody actually said it. It was just another one of those things where someone says, “Are they engaged?” and they said, “Well, whatever it is… [muttering]” “Yes, folks, they’re engaged!” And it wasn’t true. MORROW: Well, I’m sure there are a lot of girls who are very happy with this. What would you look for, in a girl? Say you did eventually want to settle down, what would you want to – what kind of girl would you like? What would you – what would you like in a gal you wanted to marry eventually, bring home to Mommy? PAUL: Uh… Female hormones. MORROW: Female. What’ll you go for, any – what, blonde, brunette, what? PAUL: Uh, you know, anything. Anything. Girls. It doesn’t matter if they’re blonde, brunette, or anything, as long as they’ve got it. MORROW: Would you want a nice person – what? A beautiful nice person girl. PAUL: Yeah, you know. A nice person girl. (transcription directly from @amoralto, bold mine)

and again this one COULD just be a lil homophobic joke but idk man his tone here is very different and the fact that he says he couldn't say that on air & john says he'll get in trouble is just. interesting. it's Interesting.

5- "A 26 year old queer never to get married."

Half an hour later it was very quiet, except for a few sobs, and then we decided that we had to see him just once more. We opened the gates and walked slowly in. Someone rang the doorbell. Waited, no one came, rang again. Rang again. Paul answered. We just stood there. God what do we say? "Yes, what do you want?" he said, as if we'd just come to borrow sugar. C. ran out. Someone asked if it was tomorrow, and he said, "Tomorrow." It went quiet again. "What's this - Heartbreak Hotel? What do you think I am a 26 year old queer never to get married? Oh, stick around kids!" We just looked at each other. Oh God, Paul, what have we done now. All we wanted to do was stand there and talk awhile. What was the point in shouting at us like that? We stood there, tears falling but there was no sound. "Apple Scruffs Come to Dinner" by Andrew Bailey, 1970 (x), bold mine

again, like the last one, this one is very... i think he was absolutely being homophobic here, but it's a very telling outburst. like he's yelling this harsh enough to make these girls cry.

6- Harry Harrison's "gorgeous tan"

moving onto this wild quote from many years from now by barry miles about george's older brother (bold mine):

"George Harrison’s elder brother Harry had been to Christmas Island and arrived back with a gorgeous tan in his army uniform and we thought, My God, he’s been made a man of. You used to see this quite regularly, people would be made a man of."

7- gender neutral language

let's get into some interesting gender neutral language he uses. now, would this be Particularly compelling with a modern celebrity? not really. but most people his age really don't talk gender neutrally unless it's to be vague On Purpose. like this bit from many years from now, where before this he'd been using exclusively "girl" and "she/her" pronouns talking about hookups, it suddenly shifts to very purposefully vague (bold mine):

With a lot of those people I met and related to, albeit for a short time, I've mercifully forgotten them and I don't really remember what went on, thank goodness. There may have been a few drinks involved and I was a little merry and, you know, you slip back to someone's flat... My main feeling really is one of relief. You do feel like some of it was outrageous. But I'm glad to have had a slightly outrageous period in my life, as long as it didn't hurt anybody, because I'd always felt maybe my character was too careful. I think the great thing was I never had any deep, dark secrets. That's what the papers wanted. They wanted me to be hiding a little Miss Whiplash somewhere, and for the flat to be in my name. But it was never that. It was always a one-night stand with whoever was around and wanted to party.

8/9/10- the "binary" (ft. a bit of john)

this infamous quote from the lyrics in his section on "hello goodbye" (bold mine) (x):

I'm attracted to the binary. I state that quite casually, but I think there’s actually a lot more to it than my just saying, ‘I’m attracted to the binary.’ Once you get down to the scientific biological level, in my core, I probably am the binary. All of us are probably more binary than we might realise.

context being that when he says "the binary" he means duality. there's a lot of interesting stuff going on in this article, though there's some more john related stuff i'll add here too bc it's super fascinating (sorry, easier to go here than the john section!):

‘Hello, Goodbye’ shows off a binary that we took great advantage of in The Beatles. With regard to John Lennon and myself, the great attraction we had for each other was that we each had a bit the other didn’t have. John could be quite cynical. I was his opposite, in that respect. [...] I think there definitely was a sort of ‘hello, goodbye’ about John and myself. But we loved it. We loved it because John could contribute his caustic wit and I could contribute something more upbeat. Not always, we each did what the other one did from time to time. But if you had to break it down – and though it is a bit crude to say so – there was a binary tension at the heart of our songwriting together.

11- big guys at the gym

onto something more lighthearted and also just ridiculous (x):

"If I'm in a gym and all the big guys have got big weights and they're doing all the big stuff, at the end I do a headstand," he said. "And they come over to me [and say], 'That's pretty impressive man.'" ["78-year-old Paul McCartney’s fitness routine includes headstands and yoga with Alec Baldwin" by Cory Stieg]

12- gay dreams

this infamous quote which i have a bit of a different take on that i'll expand on in a sec (bold mine)

My view is that these things are there whether you want them or not, in your interior. You don’t call up dreams, they happen, often the exact opposite of what you want. You can be heterosexual and be having a homosexual dream and wake up, and think, “Shit, am I gay?” I like that you don’t have control over it. But there is some control – it is you dreaming, it is your mind it’s all happening in. In a way my equation would be that my computer is fully loaded by now. Maybe in younger people there’s a little bit of loading to go, but mine’s loaded pretty much, so what I try and do is allow it to print out unbeknown to me. And I’m interested to hear what it’s got in there. (interview by Karen Wright for Luigi's Alcove, 2000) (x)

a lot of people use this to point to him being oblivious, which i do get, but i want to focus more on the line "it is you dreaming, it is your mind it's all happening in". like he seems interested and fascinated by the revelations we have in our dreams- hardly repressed or scared.

13- royston ellis' "break me in easy"

we've all been over the royston ellis poem and i don't want to just retype out everything that's already on this post so go check out @eppysboys' post on the royston ellis poem!

but tl;dr a bisexual friend of theirs in liverpool, royston ellis, wrote this poem called "Break Me In Easy":

Easy, easy, break me in easy. Sure I’m big time, cock-sure and brash, but easy, easy, break me in easy. Sure they’ve been others, I know the way…

which is about gay sex. he also told the boys that 1 in every 5 men was gay and paul worried that it might be him (this was back in 1960). he still remembered it line for line by 2006 which is just insane. all the sources for those are over on the linked post.

14- woody pecker

originally posted by @didwemeetsomewherebefore here (links to my blog bc the wayback machine was not cooperating right but as long as it stays up you can find the original here!)

PAUL & DONOVAN: How to suck a lollypopper, Sitting on a woodypecker, Dancing in the double-decker shoe, I don’t know, So, how do you do? PAUL: I don't know how you do it, Lordy, knows I try But every time I try to do it, My whole darn tongue gets ti(r)ed

this one is just so sillyyyyy and cute but it's just so full of innuendo like sucking on a lollypop and sitting on a woody pecker and your tongue getting tied (tired?) when you try to suck the uh lollypop. giggling his way through it with one of his boy best friends donovan too.

15- "i heard he was gay"

this fun little quote from body count by francie schwartz:

When the rotation of bike, gun, and other diversions left me alone with Billy, his first words were, "You went with Paul McCartney, didn’t you?" "I bet you just love it when people ask you about your father, don't you?" He was surprised, he half-frowned. "No, really, what's Paul like? I heard he was gay." "He might have gone that way, but he didn't. He really didn't dig fucking all that much, if that's any kind of an answer."

note here though that francie is a notoriously unreliable source on paul. she hates him and honestly makes some pretty homophobic digs at him & others pretty frequently. so it is interesting that she denies he's gay, but says he might have gone that way. given how short of a time they were together and how weird their relationship was, i wouldn't really expect him to be open about that with her- still, she noticed something there too.

16- homosexual handbook

paul was mentioned in the homosexual handbook by angelo d'arcangelo in 1968 under a list of famous homosexuals. it's very tongue in cheek and says this "may just be wishful thinking on (my) part"

and obviously not proof as the book takes a very playful and unserious tone. he does provide this little disclaimer though, which i think is interesting:

Some of the men on this list are self-acknowledged homosexuals. Some are not. All of them are generally thought to be gay. However, as many family men and notorious womanizers appear on these pages, we must—rather than question their forays into either or both sexes—congratulate them on their obvious virility.

because once again like... WHERE are these rumors about paul being gay? because the rest of this list, as far as i can tell (ngl i did not do a deep read there) are men who have/had gay rumors about them or were gay. this comes up more in the john post as well, but i seriously need to know just how many rumors there were about him being gay.

17- "the female hordes"

It was always obvious Brian was gay and we could talk to him about gay things, but he would never come out with, 'Hello, Paul, you’re looking nice today.' I was quite obviously un-gay, due to my hunting of the female hordes, and I think we all must have given the same impression. There had been a suggestion since that John had some homosexual thing with Brian, but I personally doubt it. All the intimate moments we shared were always about girls. (from Anthology)

i know putting one of his "un-gay" quotes here is counter intuitive but listen i have genuinely never heard a gayer thing come out of a man's mouth than "hunting of the female hordes" it sends me to fucking mars every time i read it. that's the most closeted shit i've ever read in my entire life. it sounds like what a gay man would say trying to come up with something a straight man would say. and i think paul's bi, he just desperately wants me to think he's never gotten pussy a day in his damn life with this quote.

as a side-note, "all the intimate moments we shared were always about girls". now what do you mean by that man..... like shared as in verbally told stories? or do you mean it was always about the girls when you guys were...... intimate? because those are two really different things and i need to know what the hell that's supposed to mean

18/19- this poor man just wants to flirt with and kiss men can we let him

okay tumblr has nerfed me and won't let me add any more videos from tumblr but there's a video of drunk paul almost kissing ringo jokingly. posted by @stewy here and as long as it's up you can reblog it here- thank u for the contribution to my red stringing lmfao

pringo for once thank god but. i don't even have anything to say except to point and think of a slur. drunk as hell flirting with your best friend what's better than that.

and then this whole interaction between paul & elton john where they kiss on the mouth

and i could so buy that this is a straight man and gay man just being comfortable together except well see above and see the other posts but also paul's very much adapting a softer, "campier" tone around him and calling him babe/darling in a very, again, gay way. not as in he's gay For elton john lmfao but this is how to old gay friends would greet each other do you see what i mean do you understand me......

anyway that's the end of part 1 join me next time (whenever the fuck i decide to avoid doing homework again um) this man has sucked a dick i'm so sure of this. (not really don't sue me for libel paul love ya)

[wallskeepshifting]

Everything is fine.

ENTRY #87

[notedchampagne]

multiple families have reached out to me because their gofundmes dont have a lot of donations, so id like to compile the fundraisers for ease of sharing:

@aseelooooo / @aseelooo2 has kr44,020 / kr200,000

@salemanqar has kr1,232 SEK / kr990,000 ‼️ has plateaud in donations

@samerpal has kr85,365 / kr450,000

note that 5 USD =~ 50 swedish krona!

@monashamali has £5,535 / £30,000

@savefamilyyousef has £2,753 / £20,000

@musababed has $5,689 / $30,000

@bilalassadabedrabou has €2,757 / €80,000

@hanaayousef has £3,689 / £20,000

@heno-mo has £3,847 / £20,000

@alhabil has €13,896 / €50,000

@ahmedabuyamin has €33,232 / €35,000‼️95% funded

@yasminalbalawiigaza has €26,417 / €50,000

@yazanfamily has €1,033 / €50,000

@ayaalanqarsblog has €3,304 / €15,000

@mohammed-atallah has €5,728 / €82,000

@malkzaeem has $20,118 CAD / $50,000

@siiraj2024 and @amani93hasan have $10,986 CAD / $82,000

@emhema1 has $544 CAD / $70,000

im going to update this list with more fundraisers + side accounts as time goes on, since staff will terminate accounts often

[heartorbit]

i just wanted to draw the ave mujica outfits .

[christakisbang]

[feketeribizli]

marci masterpost 🫡 my beloved formula one guy

[serpentgoat]

Need I say more

[rapidhighway]

In the light of recent events please enjoy this absolute gem, my beloved, beautiful, amazing issue and Knuckles in it. This might be my favorite issue of archie I've read. I think about this at least once a week.

Sonic Universe Issue 70 my beloved my beloved my beloved my beloved my beloved my beloved my beloved my beloved my beloved!!!!!!!!!!

Knuckles and Shadow - stubborn as brick walls.

Knuckles and Shadow going from trying to kill each other to saving each other to killing each other to a nice little beat of teamwork.

Knuckles showing Shadow secret routes through Angel Island

Knuckles being so broken up about the possibility of having to break the Master Emerald again in order to save it there's multiple moments where he contemplates it.

HE LITERALLY GOES I'M SORRY AS HE'S ABOUT TO DO IT

Shadow going "was that... chaos control?" when he sees Knuckles break the M.E.

Knuxadow holding hands

[cosmocove]

but my heart is like a claw machine

[arcanegifs]

if we got a caitvi kiss in act 1, with jinx telling vi that she hoped they wouldve made whopee before their “final” battle, then yeah i think theyre the gonna fuck in act 3

[xxplastic-cubexx]

if i said i picked up this issue for anything but drunk erik i fear i'd be lying

(Wolverine (2020) #3)