#Ilia repin
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draculas4thbride · 1 year ago
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Ivan the terrible and his son by Ilia Repin, 1885
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humornegro38 · 1 year ago
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Alejandro III recibiendo a los decanos de los distritos rurales en el patio del palacio Petrovski en Moscú.
(Entre 1885 y 1886)
Iliá Repin
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inprimalinie · 1 year ago
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Pictorul rus Ilia Repin, prietenul lui Tolstoi, născut într-o zi de 5 august 1844: ”Mergi pe drumul tău, nu imita pe nimeni”
Mergi pe drumul tău, caută-ți propriul scris, nu imita pe nimeni, arta nu tolerează șabloanele, spunea pictorul rus Ilia Repin, născut în data de 5 august 1844 în orașul Ciuguev. Georgiana ArseneÎncă din copilărie i-a plăcut să deseneze, a studiat într-un atelier de pictură de icoane și visa să intre la Academia de Arte. Dar din prima nu a fost acceptat acolo – a trebuit să studieze la școala…
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proartsblog · 2 years ago
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The Gopak (dance) 1927-1930 by Ilia Repin
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diioonysus · 1 year ago
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black women + art
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ishouldgetatumbler · 1 year ago
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Christan symbolism in Hxh p1
Chrollo & Jesus
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Christ by Heinrich Hoffmen
Chrollo is somewhat straightforward. He has a cross on his forehead, he reads a book of mystical origin and experience rapturous emotions while doing so. He has 12 followers to mirror the apostles of jesus.
He has suffered greatly at the hands of those in power, and came from the lowliest of origins. He associates with thieves and prostitutes, and performs feats deemed miraculous.
Hisoka & Judas
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Judas by Ilia Efimovich Repin
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These two are compared by name; after the mob predicts something going wrong at the auction, Uvo asks if they have a Judas in the ranks. Chrollo denies this, but he's kind of wrong; there is a traitor in the group, but he is correct about the traitor not causing that.
Additionally, he is one of Chrollo's disciples, at least in appearance. Judas betrays Jesus by identifying him to roman solders with a kiss, and some interpretations of this are that he's gay. Hisoka's sexual identity is constantly on display when interacting with chrollo.
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philodendrongoeldii · 2 years ago
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Ilia Efimovich Repin, Vsevolod Mikhailovich Garshin, 1884. Oil on canvas, 35 x 27 1/4 in. Gift of Humanities Fund Inc., 1972. The Metropolitan Museum of Art.
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formandart · 4 months ago
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“Vera Repina resting”, Iliá Repin. 1882
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loiladadiani · 1 year ago
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A beautiful Russian painting to end the day. I look at it, and I feel cold when I look at it.
I find it very interesting that while the government in Russia was falling apart and people were starving, literature, music, painting, and the performing arts were not only thriving but blooming...think Tolstoy, Checkov, Tchyckovsky, the Ballet Russes, Nijinsky, Ilia Repin, Nesterov, Chaliapin, Rachmaninoff, Shostakovich. How can you explain that?
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Winter of 1911, Moscow, Yuli Yulevich Klever, 1911
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joseandrestabarnia · 1 year ago
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Repin Ilia (1844-1930) RETRATO DE A. P. BOTKINA 1901 Tamaño - 77 x 56 Material - papel Técnica - blanco, pastel, carboncillo Número de inventario - Inv.25182 Comprado en A.P. Botkina. 1940
Con el cambio de siglo, el color aparece en el dibujo de Repin. El artista recurrió voluntariamente a la técnica de los gráficos en color, utilizando pasteles, sanguina, carboncillo, cal. Los artistas prefirieron los matices suaves de los pasteles, la noble monotonía de la témpera, la riqueza y profundidad del color del gouache al brillo y la brillantez de la pintura al óleo. En 1901, se creó una de las obras maestras: "Retrato de A.P. Botkina", hija de P.M. Tretiakov. Realizado en la técnica del pastel, además de las acertadas características del modelo, se distingue por su sutileza y elegancia de textura. La técnica suave y pastel y los colores delicados transmiten perfectamente la calma majestuosa y encantadora en su apariencia femenina de A.P. Botkina. El delicado equilibrio de los tonos dorados de la cara, la blusa sedosa de color verde claro, el fondo ligeramente sombrío, combinado con una forma impresionista, transmiten efectivamente la riqueza de la imagen artística. Todos los mejores retratos creados por Repin están llenos de gran interés en la individualidad de quien pintó el artista. Cuando el retrato apareció en la 30ª exposición de la Asociación de Exposiciones de Arte Itinerante en 1902, según las memorias de Grabar, “dio la impresión de ser la obra más moderna de todas las expuestas en las exposiciones de San Petersburgo. Representantes de los movimientos más izquierdistas, según los estándares de la época, la aclamaron como una obra que testimoniaba la frescura inmarcesible del arte de un maestro casi sexagenario.
Información e imagen de la web de la Galería Tretyakov.
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catgondoliere · 2 years ago
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Ilia Repin (Ukrainian, 1844-1930) Golgotha (1921-2)
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proartsblog · 2 years ago
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The homeless, 1894 by Ilia Repin
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k-i-l-l-e-r-b-e-e-6-9 · 2 years ago
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josedenordenflycht · 4 years ago
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gandoilfo · 5 years ago
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Ivan le terrible et son fils le 16 novembre 1581, Ilia Efimovich Repin, 1885
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beautyk-nice · 5 years ago
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Ульфрик убивает ярла Вайтрана. Холст.
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