#Ilia repin

[draculas4thbride]

Ivan the terrible and his son by Ilia Repin, 1885

[k-i-l-l-e-r-b-e-e-6-9]

[humornegro38]

Alejandro III recibiendo a los decanos de los distritos rurales en el patio del palacio Petrovski en Moscú.

(Entre 1885 y 1886)

Iliá Repin

[inprimalinie]

Pictorul rus Ilia Repin, prietenul lui Tolstoi, născut într-o zi de 5 august 1844: ”Mergi pe drumul tău, nu imita pe nimeni”

Mergi pe drumul tău, caută-ți propriul scris, nu imita pe nimeni, arta nu tolerează șabloanele, spunea pictorul rus Ilia Repin, născut în data de 5 august 1844 în orașul Ciuguev. Georgiana ArseneÎncă din copilărie i-a plăcut să deseneze, a studiat într-un atelier de pictură de icoane și visa să intre la Academia de Arte. Dar din prima nu a fost acceptat acolo – a trebuit să studieze la școala…

[proartsblog]

The Gopak (dance) 1927-1930 by Ilia Repin

[diioonysus]

black women + art

[ishouldgetatumbler]

Christan symbolism in Hxh p1

Chrollo & Jesus

Christ by Heinrich Hoffmen

Chrollo is somewhat straightforward. He has a cross on his forehead, he reads a book of mystical origin and experience rapturous emotions while doing so. He has 12 followers to mirror the apostles of jesus.

He has suffered greatly at the hands of those in power, and came from the lowliest of origins. He associates with thieves and prostitutes, and performs feats deemed miraculous.

Hisoka & Judas

Judas by Ilia Efimovich Repin

These two are compared by name; after the mob predicts something going wrong at the auction, Uvo asks if they have a Judas in the ranks. Chrollo denies this, but he's kind of wrong; there is a traitor in the group, but he is correct about the traitor not causing that.

Additionally, he is one of Chrollo's disciples, at least in appearance. Judas betrays Jesus by identifying him to roman solders with a kiss, and some interpretations of this are that he's gay. Hisoka's sexual identity is constantly on display when interacting with chrollo.

[cvbarroso]

“Ivan The Terrible and his son” - Ilia Repin (1581)

[philodendrongoeldii]

Ilia Efimovich Repin, Vsevolod Mikhailovich Garshin, 1884. Oil on canvas, 35 x 27 1/4 in. Gift of Humanities Fund Inc., 1972. The Metropolitan Museum of Art.

[astererer]

🖼❤️

🖼 — Which of these paintings does your OC relate to the most?

Aster

Young Woman (La Servante) — Auguste Renoir

She too, feels unbothered and relaxed. Likes the all round pleasant vibe the girl gives off :))

Vernon

Vsevolod Mikhailovich Garshin (1855–1888) — Ilia Efimovich Repin

Vernon also looks kind of tired and/or stressed a lot of the time, and feels it too. Has no idea who this guy is or the story behind him though. Not gonna meet the same fate do not worry.

❤️ — What does your OC’s dream date look like?

Aster

Either something simple like going to the cinema and getting dinner afterwards, or going on an adventure so she can show her date a really cool place she discovered by chance — maybe there’s a cave she knows about where the ceiling looks like the night sky due to bioluminescent stuff?

Vernon

Going to a history museum and being his date’s teacher for the day. He mostly wants an excuse to talk about stuff that interests him for a few hours, but also hopes they find it as fascinating as he does — then going to a cafe afterwards for something to eat and drink

[tradlifewife]

Ilya Repin (Russian, 1844-1930) Nude model, Mid 1890s Oil on canvas, 179 x 88.5 cm Tretyakov Gallery, Moscow, Russia © Tretyakov Gallery

Ilia Repin made a gallery of portraits of prominent Russian figures of the second half of the 19th – early 20th centuries. The depiction of a nude is rare among Repin’s paintings and graphic pieces.

[formandart]

“Vera Repina resting”, Iliá Repin. 1882

[proartsblog]

The homeless, 1894 by Ilia Repin

[joseandrestabarnia]

Repin Ilia (1844-1930) RETRATO DE A. P. BOTKINA 1901 Tamaño - 77 x 56 Material - papel Técnica - blanco, pastel, carboncillo Número de inventario - Inv.25182 Comprado en A.P. Botkina. 1940

Con el cambio de siglo, el color aparece en el dibujo de Repin. El artista recurrió voluntariamente a la técnica de los gráficos en color, utilizando pasteles, sanguina, carboncillo, cal. Los artistas prefirieron los matices suaves de los pasteles, la noble monotonía de la témpera, la riqueza y profundidad del color del gouache al brillo y la brillantez de la pintura al óleo. En 1901, se creó una de las obras maestras: "Retrato de A.P. Botkina", hija de P.M. Tretiakov. Realizado en la técnica del pastel, además de las acertadas características del modelo, se distingue por su sutileza y elegancia de textura. La técnica suave y pastel y los colores delicados transmiten perfectamente la calma majestuosa y encantadora en su apariencia femenina de A.P. Botkina. El delicado equilibrio de los tonos dorados de la cara, la blusa sedosa de color verde claro, el fondo ligeramente sombrío, combinado con una forma impresionista, transmiten efectivamente la riqueza de la imagen artística. Todos los mejores retratos creados por Repin están llenos de gran interés en la individualidad de quien pintó el artista. Cuando el retrato apareció en la 30ª exposición de la Asociación de Exposiciones de Arte Itinerante en 1902, según las memorias de Grabar, “dio la impresión de ser la obra más moderna de todas las expuestas en las exposiciones de San Petersburgo. Representantes de los movimientos más izquierdistas, según los estándares de la época, la aclamaron como una obra que testimoniaba la frescura inmarcesible del arte de un maestro casi sexagenario.

Información e imagen de la web de la Galería Tretyakov.

[catgondoliere]

Ilia Repin (Ukrainian, 1844-1930) Golgotha (1921-2)

[josedenordenflycht]