#ilia efimovich repin
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black women + art
#portrait of unknown swiss woman by unknown#portrait of lady elizabeth keppel adoring a herm of hymen england#portrait of a woman by felipe gutierrez#an african woman by willem van mieris#allegory of music by fieravino francesco ii maltese#gens de coloeur libres by leo dillon#young girl with fan by simon maris#portrait of a woman in a blue turban by eugene delacroix#the agrippine sibyl by abraham janssens#black woman wearing pearl necklace by johannes de groot ii#black woman in black chalk by frans van mieris#unknown black woman wearing a yellow head-dress decorated with pearls by peter paul rubens#young black woman by jean-louis andre theodore gericault#trade representative of the king of portugal in antwerp by albrecht durer#portrait of a moorish woman by paolo veronese#portrait d'une by marie-guilhelmine benoist#portrait of a black girl by anton azbe#untitled by ilia efimovich repin#portrait of madeleine by marie-guilhelmine benoist#unknown by unknown#sudanese beauty by leopold carl muller#woman in tignon by adolph rinck#unknown#africa by rosalba carriera#la martiniquaise by unknown#i do not know i could not find the artist#allegory of africa by jan boeckhorst#persina sitting on hyaspes' lap looking at a painting of andromeda by karel van mander iii#belle by david martin#fanny eaton by i can't find the artist
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Christan symbolism in Hxh p1
Chrollo & Jesus
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Christ by Heinrich Hoffmen
Chrollo is somewhat straightforward. He has a cross on his forehead, he reads a book of mystical origin and experience rapturous emotions while doing so. He has 12 followers to mirror the apostles of jesus.
He has suffered greatly at the hands of those in power, and came from the lowliest of origins. He associates with thieves and prostitutes, and performs feats deemed miraculous.
Hisoka & Judas
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Judas by Ilia Efimovich Repin
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These two are compared by name; after the mob predicts something going wrong at the auction, Uvo asks if they have a Judas in the ranks. Chrollo denies this, but he's kind of wrong; there is a traitor in the group, but he is correct about the traitor not causing that.
Additionally, he is one of Chrollo's disciples, at least in appearance. Judas betrays Jesus by identifying him to roman solders with a kiss, and some interpretations of this are that he's gay. Hisoka's sexual identity is constantly on display when interacting with chrollo.
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Vsevolod Mikhailovich Garshin | Ilia Efimovich Repin | Philo Thoughts
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by Ilia Efimovich Repin
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Portrait of Countess M.K. Tenisheva (1896). Ilia Efimovich Repin (Russian, 1844-1930). Oil on canvas. Brodsky House Museum.
Maria Klavdievna Tenisheva, Russian Princess, was a public person, artist, educator, philanthropist and collector. Maria Tenisheva is famous as the founder of the Art studio in St. Petersburg, and the Drawing School at the Museum of Russian Antiquity in Smolensk, as well as by artistic and industrial workshops held in her own estate of Talashkino.
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Ilia Efimovich Repin Temptation 1891
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Bench in Krasnoye Selo by Ilia Efimovich Repin - 1876
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Woman Seated at a Table, 1923, Ilia Efimovich Repin
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Raising of Jairus' Daughter
Ilia Efimovich Repin, 1871
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“Vsevolod Mikhailovich Garshin (1855–1888)” by Ilia Efimovich Repin, 1884 Oil on canvas.
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Ilia Efimovich Repin - The Volga Boatmen (1873)
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“One day I will find the right words, and they will be simple.”
Jack Kerouac
#jack kerouac#writing#ilia efimovich repin#vsevolod mikhailovich garshin#russian writers#simplicity#convivium#claim your inheritance
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Vsevolod Mikhailovich Garshin (1855–1888), Ilia Efimovich Repin, 1884, European Paintings
Gift of Humanities Fund Inc., 1972 Size: 35 x 27 1/4 in. (88.9 x 69.2 cm) Medium: Oil on canvas
https://www.metmuseum.org/art/collection/search/437442
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Ilia Efimovich Repin, Vsevolod Mikhailovich Garshin, 1884. Oil on canvas, 35 x 27 1/4 in. Gift of Humanities Fund Inc., 1972. The Metropolitan Museum of Art.
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The Reader (1901). Ilia Efimovich Repin (Russian, 1844-1930). Drawing. The State Russian Museum.
In 1874-1876 Repin contributed to the Salon in Paris and to the exhibitions of the Itinerants' Society in Saint Petersburg. While in France he became familiar with the impressionists and the debate over a new direction in art. Though he admired some impressionist techniques, especially their depictions of light and color, he felt their work lacked moral or social purpose, key factors in his own art.
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Portrait of Russian author Vsevolod Mikhailovich Garshin (1855-1888), 1884. by Ilia Efimovich Repin. Russian, 1844-1930. oil on canvas. Metropolitan Museum of Art, NYC
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