#Idk like being not in my own makes me feel like i have so many more rules than I thought

[shhrrroooommmmmyyyyyy]

S1: The Birb's Feelings

(pt 1.5 for episode 7 and 2 for season 2 idk when cause shit's crazy rn)

Stolas is one of the most morally controversial characters in the show. With the show revolving around Blitz's relationships, it's natural that the show gives us the most information about him because he is arguably Blitz's most complicated relationship at the moment (I'm not going to include Barbie bc we've literally only seen her for like 5 minutes in one episode which isn't enough information). I wanted to do a quick overview of how I perceive Stolas's feelings throughout the duration of the show in sort of a timeline format

~Episodes 1, 2, 5~

So, at first, it's obvious Stolas doesn't really think of Blitz too romantically and mostly sexually. Ok, completely sexually. However, there's a reason why that people often overlook sometimes. Stella openly said in the season 2 premiere that the only time him and her had sex was to have Octavia. Man's literally been deprived of anything enjoyably sexual his whole life. So when he finally does have sex that's enjoyable for the first time, he naturally wants more of it

As we all know, Stolas isn't the most self aware king (or should I say prince) out there (which is okay; he's still growing and developing as a character). The way he treats Blitz in these first few episodes sort of gives off sex toy vibes. Obviously, this is where Blitz gets that mindset from, that all he is is just a toy for Stolas

But after seeing what Stolas' true personality is now, I highly doubt Stolas knew exactly how he was treating Blitz during this time. Again, self awareness issues. Natural part of his character that, after watching Viv's writing since the Hazbin pilot first released (yeah og right here), I'm positive will be developed on later in the show. So hold your horses people, we're just now 2 episodes away from only being halfway through with the show. Give it time, it'll happen

Anyways, Stolas isn't a bad person (I'll fight anyone over this take, dont play). But he does the wrong things with the right intentions. He treated Blitz the way he did in these first few episodes because Blitz was the first person he's ever enjoyed having sex with. It's a big deal to him as it sort of "awakened" him. I think he was so happy about the sex after around 35 years of nothing, he didn't fully realize how he was treating Blitz in the process

*Not an excuse, but simply a possible explanation for his actions*

~Episode 6~

My favorite episode. Stolas shows up when I.M.P.'s sort of cornered by the agents and scares them shitless with his scawy big birb form. First he makes sure Blitz is okay, then he scolds him for getting caught. Almost like a mother who's mad but cares for their well-being (crying in ghostfuckers)

This may seem small to you guys, but for me this was when Stolas became my favorite character. Not only did this moment show he's more than just the cringy comedic horny relief, it also showed that he cared. Why would he ask if Blitz is okay if he didn't care about him? That has nothing to do with the book. If it got in possession of humans he could literally just kill them in like a second and take it back. Tbh (dont come after me pls) but before this episode I didn't like my first impression of Stolas. Despite the many takes calling the cringiness of his lines in the first few episodes "iconic", I hated it. It was just too much

And in this scene it's not just that he's asking in general, it's how gentle he's being with Blitz. Holding his face and speaking a bit softer with a caring expression on his face. I love it so much (aggghghhghghgahhaagh). I know his attitude changes after a few seconds, but still it was a nice moment that reshaped my perspective on his character for basically the rest of the show

*Like I said before I'l give episode 7 it's own post cause i'm too tired and there's so much to talk abt in that episode*

[starwilliams]

my opinion on the portrayal of the PTSD representation in tlou- as someone who is diagnosed with ptsd.

trigger warning: ptsd, talks of mental health and traumatic events.

i personally think TLOU did a really good job with this. specifically what we would call a ‘ptsd attack’ during the farm.

some triggers can involve loud noises or sudden crashes (like the shovel and barn door) and in my experience, i am transported back to the traumatic experience like it is real. and im living it again, even with some details changing, like how ellie invisioned joel calling out for her, which did not really happen.

i also know there is a scene in the remastered with a boar i believe, and ellie is crawling through a tunnel and sees a skull or something and sees joel? (DO NOTTT quote me on this, as i genuinely am not sure.) but that is also realistic. my trauma involved a corpse of someone i love, and that image can pop up at any time, and it is scary!

i know many people view these scenes as things to make the game more emotional, and even scary. but these things. (even if exaggerated in game) are infact real.

again, yes. i think everybody in the tlou universe no question has trauma of their own. but pstd is different, and shows clearly in ellie. especially during seattle and afterwards.

ellie faced trauma all her life, and losing the man who helped her look past her trauma, was the biggest trauma of all, and she had nobody to stop her.

this theatre scene.

ellie shows vulnerability to dina for the first time since leaving for seattle, dina was ellie’s only real ‘clutch’ at this point. and learning of dina’s pregnancy and jesse’s arrival, wondering if maybe they will be back together, or even head back to jackson with eachother.

everything was so uncertain, ellie thought all she had to do was get revenge and take down all who were present at joel’s murder, but she began to realise it was no longer that easy.

ellie realises how far she’s gone, with torturing nora. and even seems to get maybe nauseous thinking about it? (in left pic, idk. my interpretation.) like how in the first game, ellie exclaims she feels sick after shooting a man.

being unable to draw/do justice to joel’s eyes.

there’s many different interpretations as to why ellie crossed out joel’s eyes, and tried them over and over again.

perhaps she felt she couldn’t get them right?

couldn’t do justice?

or perhaps she couldn’t look at his face, features and all without remembering it being bloodied and battered.

i still struggle to remember my loved ones face after seeing their corpse, and it took a while for the grief and trauma to heal until i remembered them in other ways too.

ellie leaving the place we would deem most peaceful.

even after some form of healing and time, ellie still struggled dearly at the farm. and once tommy had come back to remind her ‘her job was not over’ she felt guilty for feeling even a tinge of contentment in life, without getting joel justice.

het wearing and smelling joel’s jacket, wearing it as she leaves, ready to go on a suicide mission, that would either bring joel justice, or get killed along the way, which maybe she wouldn’t mind so much.

she left her home and family in hopes the voices and memories in her head would finally go quiet.

maybe she resented herself for not being able to move on, like she imagined dina was.

ellie’s acceptance.

as we all saw, ellie knew not to even hope for dina or jj at the house (maybe they reunited before this, maybe not. but this applies either way), she left joel’s guitar behind. she had realised at the beach trauma won’t heal from violence, and chasing after a cure.

sometimes even the happy memories have to be left in the past.

um guys i hope this is okay! likes and reblogs ect would be so appreciated! i wish i mentioned more of ellie’s trauma from p1, maybe another day :)

[toasthaste]

ok here are some In Stars and Time thoughts: (wow! that's a lot of thoughts actually! long post warning! also warning for like every possible spoiler, don't read this if you haven't engaged with the game to your satisfaction)

I'm obsessed with the fact that the loop that ends up being the final one is the one where EVERYTHING goes wrong. I spent the whole game subconsciously building up my Perfect Final Loop in my mind, how I'd get every item to make sure I didn't miss an opportunity to use em, do all the friendquests and such... I didn't even realize I'd been building up that ideal scenario until after credits rolled! Really really cool. The timeline where Siffrin does the worst stuff he does in any loop is the one that stays. And it's still a happy ending! it's a better ending because of that! His friends saw him at his worst and still loved him! He didn't have to do everything perfect to keep them around actually! Something about that feels so right, to me.

I keep using "ludonarrative resonance" to describe this game and yeah ok I'm huffing my own farts here whipping that out but whatever, it's REAL. The player and Siffrin are on the EXACT same emotional journey as each other, we're getting tired of seeing the exact same lines over and over again right alongside them, we're taking shortcuts because we've seen it all before and just want to grab key open door grab crest etc etc make the progress go. We're starting to find these previously-charming characters grating because we've just seem them repeat the SAME lines over and over and over and OVER again until they start feeling like caricatures of themselves who we can barely feel any real compassion for any more.... It's just so.... clean, it's so perfect, to me. It helps that Siffrin is also one of the more relatable characters I've encountered in, like, media. I don't usually relate to fictional characters much, but, man, the emotional constipation, the building scorn, the depression, the Being Weird About Touch... I mentioned in another post that it's really just Siffrin and Murderbot who I've ever found viscerally relatable, of all the characters ever in media. So like, it's a pretty rare position. (I do not relate to the pun-love though. I'm funny I'm good at goofs but bad puns are extremely tedious to me. Which perhaps goes to show how well-realized Siffrin is, given that I'm able to look the other way....)

I think they could have stood to make Loop's Whole Deal a bit more obvious. I had no clue what their fucking deal was at any point. I totally missed the interaction that lets you learn about The Incident and thus get more Loop info at the end, and... it's valid to have different endings in a game of course, but... I felt like I really missed out tbh! And I had no way of knowing I had to keep interacting with the silver coin.... idk. It felt a bit like a gotcha I suppose. And Loop's deal is really cool! Holy hell! I'm doing a quick replay of the game to see more convos with them with this context, and to get the ending with them, and like--!!! There's so much here! Loop tellins Sif to use the royal We, they even tell Siffrin, like-- Loop asks Siffrin why he doesn't just tell his friends about the loops, maybe they can help, why keep it a secret? Meanwhile... Loop!Siffrin is stuck in their own helpless timefuckery world and refusing to let Siffrin know about it! The Siffrin from the Start Again timeline never learned those lessons, they're still trying to help someone else while refusing to ask for help themselves, refusing to even let on that there's a problem! And getting more and more emotionally fucked up about it! Man it's good. I guess it does make a replay more rewarding, not knowing this until the end, the first time, but so much of the game is already a replay that, idk, it does feel weird to replay it. I've already done so many repetitions y'all.... But I guess that's pretty meta, also...

Oh I'm under the impression this is not terribly uncommon but I absolutely did get got by the ?diary? that had the story of the person making a duplicate of themselves so they had someone to talk to. Like I fully thought that was describing the King and Siffrin, I spent a long time under the mistaken impression that Siffrin was a copy of the King in some capacity. Oops.... I might try to gently lead Beloved Roomie away from this interpretation when she plays it. Planning on being pretty hands-off overall but this is one area where I feel it might be justified to violate the prime directive.... But we'll see!

I wish I liked the music more..... This is a game that I think really begs for some real heartwrenching tunes to enhance all of the everything but instead none of it does it for me at all. I think that's a real shame, it's by far my biggest complaint. I'm not asking for Undertale-tier, but, at least something I'd want to put on my playlist for the emotional resonance, y'know?

THEY ACTUALLY KILLED THE KID !!!! LIKE!!!! I guess I have some biases I might should think about but I was not expecting a game that begins with so many explicit pronouns introductions (rather than just giving us context clues) and that has no real cursing to be willing to kill the kid, even impermanently? Let alone so gruesomely? I think I was expecting a much greater level of.... idk, tweeness, fanglessness, than we actually got. In spite of being a fan of insertdisc5's comics for YEARS and years! And like! Damn! Props to them!

God. God. So, like. All the ending fakeouts were fucking great. I genuinely thought the All Friendship Quests ending might be the Real One, I was prepared to be disappointed because it felt too soon and just not.... quite.... right? But I did think that was probably where it was heading! But it wasn't! I got got and it's so heartwrenching and also so satisfying, the mood whiplash from loop to loop is fucking sublime.

And-- AND! The real ending! So like. Some of the stuff I missed was just me not pursuing specific content correctly. But some of it is genuinely just, like, stuff that has no actual purpose besides flavor. Flavor, and.... The locked passphrase door in Dormont. The four-pointed leaf you can get (but not in the final loop!), the bell chime, etc etc. You can't actually really do anything with any of this stuff. But you don't know that! It feels like there's still all these loose ends! And!!! Those loose ends do their job SO WELL! The dev knows Gamer Instincts, knows people are gonna have that mental tally of boxes-yet-to-be-checked. Left some forever unchecked on purpose, which-- At the end, the real end, when Siffrin is about to talk to the Head Housemaiden and find out, for real, if this is the final loop or if it's all going to happen again, again, again. He's scared. He's traumatized! He's thought he Had It so many times! SO many times!!! Hope is terrifying! Hope is a poison! And the game has left these loose threads, and at least for me I really was not sure it was going to work. Like it seemed likely but the same metaknowledge of story structure that made me think it was likely also told me "but wait, there's all these loose threads, and the only way for them to trick us again WOULD BE to make the ending SO elaborate and epilogue-y....." I was nervous right along with Siffrin! I was uncertain! Fucking fantastic work, using my own gamer's instincts against me. Thrilled about it.

All the characters are so well realized. They all have specific relationships with each other, not just with Siffrin (Important!!!!! Huge complaint I had with BG3, they didn't put their whole pussies into this!!!!). And, and, I love how they all have different feelings about the time loops. I love that Mirabelle doesn't want "spoilers," and meanwhile Bonnie doesn't mind them and thinks of their alt-selves as like... them-but-not-them in a very cool way.

There's something about-- the way the game starts as a regular degular videogame and then graaaadually becomes, essentially, a visual novel as the actual gameplay becomes trivialized. Which itself is like, really really cool with the themes! And also, just.... I never would have picked up a straight up visual novel, I just, don't get into them, I'd rather read a book, but! I was already invested! It got its hooks into me when there was gameplay mixing things up and those hooks weren't about to let go just because the gameplay didn't super matter any more!

Straight up when we first see Red I didn't at all process that it was a Color in a game with No Colors, Canonically. They had to spell it out for me. It didn't occur to me to be surprised. I'm just too used to colors existing I guess idk. I think I wish the colors thing had gone somewhere a bit more...? I'm GUESSING it mostly originated as just a cute little explanation for why the game is all grayscale and then fit in with enough stuff to be given elevated importance (?) But it felt... hm. Underdeveloped, maybe. I think I really want more stories in this.... "Setting" and "Universe" and "Series" are not quite the right words but hopefully you get the idea. I want more so there can be one that develops that more. Not that leaving stones unturned is, like, illegal ofc. I just find the idea very compelling....

What is it with time loop stories and themes of loss that cannot be outsmarted. Man. I wondered, for so long, if Siffrin's country was going to be restored in people's minds, if that was one of the main big Plot Things we'd see. And it just didn't! Their memory is going to keep being bad, they're going to keep having all these huge tragic gaps and it's just. What can you do. At some point you have to either be permanently paralyzed by the horrific injustice you've suffered-- or you have to try to live a life. And. Man. I don't think I've actually ever encountered a story that was so much about that exact specific form of loss, the loss of one's culture, history, language! All of it. Gone from everywhere. It made me think of the obvious things and just. Man. What a howling void. The contrast with Odile's deal made it a lot more effective too I think. More of an expanded meditation upon these themes than just one toe dipping in, I guess? Hm.

Odile's battle profile pic when she's at low health is so fucking hot this cartoon character is so hot goddammit.

Game good. You're only reading this if you've already played it, I hope, so I can't use this space to recommend it in a meaningful way but. Heck. Game good.

[oceanwithouthermoon]

i posted abt this on my tiktok story but i need to rant more so im putting it here 😭😭 the way a lot of mikosai shippers (on tiktok, pinterest, reddit, etc) are is such a big reminder to me of why i hate the strictly romantic soulmates trope with every fiber of my being 😭😭😭 people who interpret soulmates as "that means theyre canonically together" regardless of how the characters actually feel about each other and if they ACTUALLY get together is so fucking gross to me oh my god its so fucking gross i hate forced romance so bad 😭😭 someone cant just say "hey, we're soulmates so you HAVE to date me and its literally weird and impossible for you to like anyone else because i said so!!" and also aiura WOULDNT do that anyway ???? HELLOOO???

you have no idea how many people ive seen call all saiki ships with anyone other than aiura "problematic ships" just because "theyre soulmates"

[crownedwille]

.

[pickled-flowers]

Some of you have never been the friend that No-one listens to and it shows

[ransomdemands]

yknow sometimes the way trans women talk about testosterone and being on estrogen is indistinguishable from the way terfs try to convince afab people not to start hrt

this is not a criticism mind you, their experiences are their own and completely legitimate, it's just a matter of competing needs - they need a safe space to talk about their dysphoria and how testosterone makes them feel and i need to not hear about how i am destroying my body with hrt

ordinarily these things are pretty insular to transfem circles but since instagram has been feeding me transfem content i'm seeing it more and more and yet again the algorithm is fucking me

[daydark4k]

thinking about how tied queer and autistic experiences are. queerness by definition is something or someone strange or odd, which is obviously something autistic people are used to being viewed as by allistic people. and so many of my experiences are caused by a connection of my strangeness through being a lesbian, by being transgender and nonbinary, and by being autistic. i think thats why despite my own narrower labels that define me, ill also still always identify as queer because i feel like it perfectly encapsulates who i exist as. like yes i am weird, i am strange and i don't exist in the traditional sense that people expect me to. i am queer, not only because of my gender identity or who i am attracted to, but because of my strange existence in a world that expects and hammers in normalcy that will never fit inside my body. even if i was cishet i would still be considered weird because of my autism and thats a solidarity that is not only there due to a large overlap in queer and autistic identities, but because we are both used to being forced into a box of societal norms that will never work on us

[kuromi-hoemie]

thinking about older women

[agueforts]

me vs eternal grudges abt d20 captions

[bilestat]

insane how quickly something small can tank my mood

[lovelaceisntdead]

should I get a ticket to a book signing on thursday.

[pbnmj]

Ur tags about how Miles and Pavitr are the ones who say "I can do both" because it IS quintessential spiderman thinking AND because they're too young to have seen that devastatingly not work yet. BUT the thing is they are RIGHT but only if it's "we"! Spiderman's mythos is inherently a lonely one reinforced by Miles and Gwen's isolation and by every. single. intro. reminding us that every spider person is the "one and only spider person"! And yet!! These films are just about relationships (1/2)

YES YEAH YOU GET IT !!!! and (quite recently rewatched it and mentioning it here cause i can't believe i forgot to mention it in the post you're talking about) it really gets me that gwen also says 'i was doing both' in regards to protecting miles and protecting the canon event, and i love that the phrase was reflected like that, even tho (at this point of the movie) miles and gwen pretty much oppose each other in views/priority !!

it also absolutely kills me the way that gwen begins (like you say) atsv quitting the band and isolates herself, and then throughout the whole thing she finds something/someone that she wants to take that leap for, all over again :') she (and the entire spider-team!!) is willing to bet everything on miles and is ready to fight for him, and i really just love the idea that miles just is a force that inspires good !!!! IT REALLY IS ALL ABOUT LOVE!!!

[junotter]

sometimes researching for avatar redesigns has you 6 layers deep into the Japan's Meiji era allies wiki

[girlivealwaysbean]

so tired of being a shitty bandaid for my parents' loneliness. like have u ever considered you passed your curse to me and some days i feel so lonely it's like i can't breathe around the emptiness in my chest????

[critterchitters-closedcaptions]

trying to decipher if the overwhelming dread & Thoughts are cause of the state of the world or cause i need a shower.

vent post in the tags. idk. do whatever 👍