#Idk but I definitely don't see as much shit

[linddzz]

While yes, Viktor is confident too, but...

This man isn't shy? He's hyperventilating and nervous-tapping over the idea of giving a speech!

This man?

I guess Im not getting across like, the Vibe that I always see that bothers me? Viktor's got the social anxiety for sure, and it's VERY fair to assume that his condition makes him even more self conscious to be up in front of a crowd full of topsiders. He's pretty clear in episode 1 that he's aware of how topsiders see him and his cane use, and that's before his disability is even more visible.

But ALSO very few people ARE good on a stage in front of tons of people. And also there's a very specific connotation to "shy" that is beyond social anxiety.

Shyness to me, is its own flavor of social anxiety plus timidness. The actual definition is a bashful, timid nervousness. It has connotations of the wilting flower personality. Viktor, even when he's quiet around other people doesn't come across as nervous or timid in the slightest. His first introduction has him VERY confident and collected surrounded by enforcers and not taking Jayce being snappy and angry at him. As a kid there's more of an argument to be made because what awkward socially isolated kid isn't going to be shy. But at the same time he doesn't try to shrink away from Sky's attention, he still looks right back up at her, he just keeps on doing his own thing. Mostly he comes across as someone who does not know how to casually interact with people so he doesn't. He's got tunnels in his eyes lmao.

Viktor is complicated. Viktor is nuanced. It's why he's Ultimate Blorbo. He's withdrawn and awkward and not very good at interacting with people, but he's not timid about it. He is very self assured in himself.

But when I say fandom makes him shy it IS much more of the wilting flower timid woobie that I kept seeing in Season1 fics. There was SO MUCH of Viktor being the nervous soft spoken anxious thing who was just so happy Jayce was even giving him the time of day as if Viktor didn't sass Jayce about his notes right after he stopped the man from jumping lmaoooo

And idk not to be TOO OBVIOUS with my projecting but it's the part of Viktor I can relate to the most. I consider myself a quiet person who gets annoyed when people think that me being quiet = shy. I'm able to speak up well on zoom calls with colleagues and I also would rather drop dead than have to go up on a stage in front of a bunch of normal people who I know were expecting someone very different. I get nervous and shaky speaking up in front of a crowd of colleagues even! but afterwards I can go right up to people like "your presentation was insane tell me more right now." I am often quiet and uncomfortable in large social situations because I know that most people there are operating under a different wavelength than I am, I do not know what the right responses to things are, or I full on do not know how to not accidentally come across as a huge asshole and I don't want to be an asshole. And when I was younger I would have so many people come up and act like I was a little wallflower (bc oh boy can I also relate to being quiet while physically small meaning being constantly infantalized) who "didn't need to be so shy" and every time I was like "I'm not shy. I just don't feel any engagement with this conversation and I don't want to be a dick and tell you that, but if you gently tell me it's ok to talk one more time I'm gonna start biting."

(It got better as I got older bc I learned that if you're quiet but making active eye contact instead of staring off into other directions - not to avoid attention but because you're just thinking of other shit - people will stop labeling you as shy and instead say "intimidating" or "mysterious" which is also hilarious when what you're thinking about is "machine herald big naturals lmao" but it's better than being labeled "shy")

[genderqueerdykes]

i really appreciate your kind words and willingness to listen! it's a really shitty situation and i don't want to distract from the main purpose of your blog, but i've seen too many people say Zionist when they really mean "Jew who is ultimately harmless but has opinions I don't like." Ultimately it's best to look at what a person actually has to say about what's happening, and not on what other people call them. Anyways, sending you lots of love from a very tired Jew <3

i just wanted to say i accidentally deleted my reply from your last ask while trying to delete something else because my eyes suck, but i appreciate you coming back again!

of course, and no honestly, it's a great time to talk about it, especially what with it being Hanukkah now. i just hate how this website wears its antisemitism on its sleeve. people will freak out the SECOND they see a Magen David and i'm so sick of it. like idk how to tell you that you kinda can't make any kind of jewish pride flag with a Magen David on it without it looking similar to the Israeli flag because of how simple the Israeli flag is. a Magen David over a queer flag does not instantly mean that person is saying they're Israeli/pro-Israel

people on here will just find every and any reason to proudly display their antisemitism and i absolutely fucking hate it. i hate how people on here water down or just straight up make up their own definitions of Jewish terms and then use things they don't understand as an opportunity to attack jews like it's so painfully obvious. i hate it so much. y'all deserve better

i just. really don't like that you can't even reblog a post on here that says "i love queer jews" without people suddenly being like SO YOU SUPPORT ISRAEL????????????? like. ok. people are just using this as an excuse to be antisemitic like how did you just forget that tons of other jewish people exist. like what we're just gonna pretend they don't exist now ... ? it's gross. i don't like this shit. i'm sorry you have to deal with it. you don't deserve it. and thank you for giving me a chance to learn, that's what i'm here for.

if you observe, i hope you have a wonderful Hanukkah, same goes to all of my other Jewish followers. you deserve love and kindness

[unburntdragonqueen]

You cannot tell me that it's just coincidence that the two actors that used to get ignored are both non binary, Emma gets A LOT of love there's the occasional transphobic comment specially bc they have a very unique style that I honestly love, and people love to use fake criticism to hide their transphobia, but regardless there's always gonna be transphobes unfortunately it just sucks that they underplay Emma's talent bc of their bigotry. But the other actor that a lot of people forget is Emily Carey they are non binary she goes by she/they pronouns but that still doesn't change anything, and I see almost nothing towards her it's all Olivia.

So yeah its definitely not a coincidence that the ones that get little hate and used to get more attention were the cis women

[automatonknight]

here's the prick i was talking about^ i have so many thoughts and notes about him but they're mostly incomprehensible so when i organize maybe them i'll post them who knows

[gemini-queen42]

Batb: Other Than Human - Themes stuff (& why I Called It That)

That's right folks, the self-indulgent "throwing any concept I like at the wall and haphazardly mixing together what sticks" au rewrite Thing has Actual Themes! That kind of happened accidentally but they are so real for that so let's get into it.

The Main Narratives Themes Trio of the story now all also embody expanded themes about being an "Other", when being a person is not enough to be properly considered human- more specifically of a neurodivergent/queer girlhood type flavor.

Summary is that it's called "Other Than Human" because the prominent theming is about being considered something other than human due to not fitting the mold of the 'norm'.

[This is a long one so details & specific character stuff are under the cut<3]

Amalure has the greatest departure from her original counterparts thematic placing, so we'll start with her. Amalure retains Gaston's social standing, reputation, etc. But it's of course not quite the same- because she is a woman, and she is not revered for being the picture of ideal womanhood/femininity. Instead, she excels in masculinity, but remains firm that she is and always will be a woman. So, to justify the desire & awe people have for her, they dehumanize her: She doesn't need to follow the Rules because she is outside of them. Amalure is not a person: she is a symbol, a figure, an object. A legend, a folksong, a modern myth. Her skills are not skills they are blessings, inherent, a mundane magic or supernatural. Despite having grown up in Villeneuve for her entire life, she is considered exotic, and is practically, if not actually, fetishized. And through all of this, the status quo and social order gets to be retained without question, and she gets to exist as the exception that proves the rule, rather than the Undesirable that she'd be marked as otherwise.

Amalure is fine with this, because this dehumanization is her status quo: She doesn't really view herself as a person either, she is defined by her relationship to other people, by who she is to them. Amalure has never been a person to anybody: Growing up she was never just a girl, never just Amalure: She was a girl with a mans brain, an embodiment of her fathers greatest achievements, an embodiment of her mothers worst mistakes, she is her fathers daughter or her mothers daughter, but not her own. (and she never both, it is either or, mother or father, never both, never parents.)

Princess Eve/The Beast is the other end of this, of operating through her dehumanization. Upon being cursed, she adheres to what societies have oft wanted to happen to their Undesirables: Hide away and never be seen by the public again. It is entirely self-inflicted, as most of her suffering truly is. She operates not through others dehumanizing view of her, but her dehumanizing view of herself and its warping of how she believes others view her. Because, well, the servants still view her as a person. I mean, they're still human- under the new object forms. And the separation of humanity that is easy to slip into on matters of royalty is awfully minimal as well; they watched her grow up, and she grew up among them.

The girl's bratty, spoiled, temperamental, and is a ball of horrid consequences of the shallow views and ideals learned from surrounding nobility. But she's also the girl that fell asleep listening to Cogsworth explain the many technicalities to managing servants; because she was stubborn in asserting her authority as the mistress of the castle, and thus she Must have say over its goings ons. But the majordomo's voice can be awfully soothing when he's not high-strung on anxiety, and it's hard to pay attention when you don't understand what's being discussed, so its all going in one ear and out the other. And She's Lumiere's 'Evie', who was so amused when Lumiere would draw on a little mustache when dancing the male roles so the princess could learn some duo dances, or because she didn't look very "waiter-like" (because Eve wasn't entirely sure what a maître d' did, but it seemed to have something to do with waiters), and who got annoyed every time the dance teacher/maître d' would warn her not to hurt her body in her pursuits, because it seemed so silly, why would anyone do that? And she's the girl who dragged Mrs. Potts to have tea with her, because she made the best tea and as princess she would have only the best; and if you're going to have tea you may as well have a tea party, and you can't really have a party of one, but two isn't much of a party either so she's going to drag Babette away from her duties too, since the maid was so elegant and thus would be perfect.

Honestly, the girl probably would've turned out fine if she was raised by just the servants. But they weren't the only forces in her life: she's a princess, so she's got to host and interact with important people and learn how to Be noble which isn't something any of the servants can teach her. And it is under the pressures and eyes of nobility, is in mixing and learning their social rules, that learns the lessons that will lead to her curse: That to be considered human and treated as such, one must look human. And to be such as a woman meant to look beautiful, like the ideal. As a woman, to be worthy is to be beautiful and vice versa. And even if she does not, she must have some way to serve men. Otherwise, she is nothing. Eve met these requirements well, and where she did not yet her authority as princess covered. So when a beggar woman is at her doorstep, the princess turns her away: because she is old, ugly, so long past her 'prime'- there is no worth to her anymore. There is no point caring for her future.

Helene stands as both the middle ground and inverse to the other two. She is an Other by virtue of her mind, she is Objectifiable by virtue of her beauty. She sits on the precipice between Undesirable and Desired, seeming nearly apathetic to where she lands despite popular encouragement to embrace or smother aspects of herself. Helene is quite sure she's a person like anyone else, thank you, and is frankly frustrated and a bit weirded out that others seem to have a hard time getting the memo- she doesn't like or want to assume the worst, though, so maybe she just missed another confusing untold social rule or something. I mean, the local triplets really do seem to be advising in good faith- they really do think of her as one of them to an extent (for reasons Helene is yet to know); they just don't understand her.

When Amalure pursues her, there's an unspoken aspect to the deal of marriage she proposes: Helene will get a secured place on the in of the community, a secure standing the promises people no longer questioning or trying to encourage her to no longer be herself. But Helene just isn't interested in Amalure like that, and she also sees what the real trade-off of that security is; that uncomfortable dehumanization that is exactly what Helene doesn't want to deal with anymore. If Amalure is fine living with it than she is free to do as she pleases, but the huntress doesn't seem to understand what Helene could possibly have a problem with- and it's not like they can discuss it, because it's unspoken, and you're not supposed to speak the unspoken things, because they're unspoken for a reason- even if you don't know what that reason is. Helene knows that rule, at least.

When Helene meets the Beast, she regards her as she does any other. It's plain as day that the Beast has a humanity to her, whether she's really "human" or not- she thinks and she feels, and that's enough for Helene.

Because Helene grew up raised by a single dad who she got most of her brain workings from, and he is a man of compassion and science. Off he'd send his beloved daughter to go and question and figure out the world for herself, to experiment and learn and become whatever she desires. Off to bed he'd send her to tell her fairy tales and have their lessons of love and compassion and humanity understood as she drifted off to sleep. Helene was never Odd with her father, never Other, in fact they were so easily two of a kind. It was so jarring, hearing people imply Tyndare less than sane; his logic paths were so easy to follow- but apparently his voice gruffs enough that others have a hard time understanding what he's saying sometimes, so that's where things seem to get lost in translation she guesses. People became jarring in other ways as she grew up too, because suddenly there seemed to be lots of social things she was supposed to know or be but didn't and wasn't, and it became very apparent very quickly that she was an Other among her village.

Overall: Eve & Helene get to go through these themes through the main plot, and post curse-breaking is when Eve gets to properly deal with the internalized issues and whatnot. Like she's learned beauty doesn't matter when it comes to love, and shouldn't decide whether or not someone should be cared about, and Helene loves her despite her having been beastly and despite her being a failure of a woman- (because she no longer fits the feminine ideal after the curse is broken, and frankly she never will again.) But she's still a Failure Of A Woman and Helene deserves Better Than That! So there's still work to do.

Amalure remains static on this aspect of the narrative until after the battle at the castle, where she does survive! .. barely. and it's later, in an argument with her mother that same night, bleeding out on the kitchen floor, when she asserts that she's her daughter too, not just her fathers. she has always been her daughter, always will be, she is the daughter of both of them, because that's not something that just switches or turns on and off- and it's an entire rant that I will not recite here, but the important part is the assertion that she is, always has been, always will be, the daughter of both her parents at once- that's the first little step for her arc of recognizing her own individual personhood and whatnot.

[aro-culture-is]

aro culture is seeing some people joke about how in a show some girl looked like she would start making out with her brother because she was being extremely affectionate towards him after he (wait for this) almost died. and just. not finding it funny.

.

[silverselfshippingchaos]

ugghhh wintertime sucks!! I'm sad and tired and sad all the time.. I need a nap.. and f/o cuddles.. and another nap..

[scintillatingshortgirl19]

I have to admit I'm still not very happy with the time jump/story shift as it pertains to Barry (the character). With one episode left I think I need to give up hope on ever getting a satisfying look into his childhood - learning about what happened to his family, the details of what Fuches meant when he referred to "raising [Barry] like a son," and specifically what must be incredibly complex and interesting stuff about his dad considering the somewhat contradictory facts that Barry a) has clear daddy issues and said he "never had a good male role model" and b) decided to name his son after his dad. You're telling me we set all that up and we're not actually going to expand on any of it? cool. cool

And I am just . . . not that interested in his motivations as a religious family man or whatever. There are so many aspects of this character I want to see explored, and I just don't care enough about this new stuff that was introduced for him. Like yeah, I understand the point of it - on the surface he's trying to protect his family but what he really wants is to protect the facade he's built for himself. I get it, I find it vaguely intriguing, and it makes sense for his character, but imo it's not AT ALL the most interesting thing they could be doing with him, and it's worse because it's most likely coming at the cost of not exploring the things I've wanted them to explore since season 1.

[reticent-fate]

i know nothing about biochemistry but i simply think it would be funny if i made a fake "medication fact sheet" for the digihrt comic

especially since i have lore regarding "HS Pharmaceuticals"

[running-in-the-dark]

a super fun thing that my brain is really good at is hearing a random fact and remembering it forever. but only if it's bad :)

[mrfoox]

.... OK I really hope I can keep this dude ♥

[concerto-roblox]

i spend a bit of time on twitter for fandom stuff bc there are some really talented artists and writers but oh my god i have to limit my time on that app so much compared to tumblr bc one tiny thing will happen and suddenly there'll be the most despair-inducing discourse ever and i genuinely want to die

[11-eyed-rook]

"You don't look disabled/trans/bi/like a guy/sick/diabetic/mentally ill/neurodivergent/autistic/in pain"

*Fucking smacks you with my big paws*

[bazelgeuce]

I can't sleep :(

Rant in tags it's long

[musical-chick-13]

The problem is. That there ARE some characters that I just simply do not like. But then I see people disliking them for. Bad™ reasons (as in: the character is a woman and/or poc it's obvious that there's a misogynistic and/or racist component here, there's some unchecked ableism or unchecked fatphobia going on, or this person truly no-nuance believes that enjoying a character who does bad things means that you are a bad person, etc. etc.), and then I am put in the terrible and unfortunate position of having to defend. Said character(s).

[despairforme]

Ive noticed something about canon nnoitra, so hes the only hollow with a hole in his head, right? Ive suspected that this symbolized a sort of mental illness when he was human

But then i noticed in his resurrection, he can summon spare scythes from inside his wrists...

❝ Nah, havin' yer hollow hole go through yer head ain't uncommon. ❞ He wasn't the only one. There were PLENTY of others. Like Loly or Lilynette. Or Shawlong. He didn't know what the hole in his head symbolized. He didn't like the thought of it having something to do with a "mental illness", but of course --- He did think it had something to do with the eternal amount of negative thoughts he had. The reason for him becoming a Hollow had to be because of DESPAIR. Why else would that be his aspect of death? The source of his powers? And the worst type of despair was the kind your mind could bring forth. Because there was no escape from that. Nothing you could do to battle it. So yeah - maybe his hollow hole had something to do with that. He wondered if that meant that all the other Hollow with holes through their heads had similar struggles to him. Nah. No way.

❝ 'N Where ELSE would I pull 'em from? 'S 'da most convenient joint on my exo-skeleton. ❞ The outer skeleton that Nnoitra received in his Resurrection, giving him that insect motif that his Zanpakuto carried. He didn't understand what summoning scythes from his wrists had to do with anything.

Unless - maybe - they thought it had something to do with suicide. Nnoitra had tried to kill himself in the past, thanks to Nelliel. But he'd never - Ever - thought about doing it like that. To slit his wrists like a coward and bleed out. He was not a coward. He was going to die standing on his own two feet. In battle. Drawing his final breath and knowing he'd been strong to the very end. If he killed himself like a coward, that would ruin everything.

He didn't often think about how he'd died as a human. It was so long ago - 1000 years, give or take - and his human life was as alien to him as anything. He sometimes didn't feel like he'd ever even been human. Since it was so distant, it didn't much matter to him how he'd died. He knew there hadn't been a Shinigami there to lead him to Soul Society. And that SOMETHING about his death had made his soul turn hollow. Maybe he'd died from suicide. It wasn't impossible.