#Ida Ränzlöv

[mozart2006]

Staatsoper Stuttgart - Falstaff

Foto ©Martin Sigmund La Staatsoper Stuttgart riprende in questi giorni l’ allestimento del Falstaff firmato da Andrea Moses, Continue reading Untitled

[ulrichgebert]

In der Oper gewesen. Il barbiere di Siviglia. Opera buffa ist ein bisschen wie Kaperletheater (Man kann auch sagen: Die Figuren sind der Commedia dell’arte entlehnt, das klingt kultivierter), nur deutlich aufwendiger, und mit mehr Gelegeheiten, seine gesanglichen Fähigkeiten zu demonstrieren. Deshalb gibt es nach den Arien selbstverständlich Applaus und eine Verbeugung. “So’n Quatsch!”, sagt der Tobi.

[terakopian]

As the year comes to a close, I was truly humbled and moved when photography commentator Shira Shavit wrote a piece about my work on her extremely popular LinkedIn. Shira chose a backstage photograph of opera singer extraordinaire, Ida Ränzlöv, as a leading image and very kindly wrote the following about my work. “I usually write about photographers who are not among the living. For photographers who have left a priceless legacy. That influenced me. Who left a mark on me. I have written very little about photographers while they are still alive. But this Is one of the pulse-pounding photographers and I am very attached to his work. A brave connection of a viewer In front of the work of the photographer – It’s a special bond . Edmond Is one of them. The seam between photojournalist and artistic photography – He symbolizes for me. Beyond being a photographer of supreme grace he Is also a wonderful human . Photographers show us the world, through the lenses of their eyes. I have a real and sincere fondness for observing the subject Of the world through the lenses of Edmond’s special eye.” “Photography as a language, of all visual languages, Is known to be the most intuitive, completely unmediated and speaks directly to the brain. There Is a factor In photography that evokes the almost physiological response of the word / sound – wow. The wow factor – I found In his work.” – Shira Shavit, December 2021. Featuring: @idaranzlov The image was made at the Opera School of @rcmlondon #rcmoperaschool #backstage #photojournalism #lifebetweenthescenes #behindthescenes #reportage #photojournalism The image was made using an Olympus OM-D E-M5 MkII and a Voigtlander 17.5mm Nokton f0.95 m43 lens. @olympusuk @getolympus @olympuscameras #olympus #olympusomd #olympusomdem5markii #m43 #voigtlander #voigtlander17_5mmf0_95 #f095 #nokton #bw #monochrome #blackandwhitephotography #blackandwhite @voigtlander_offiziell @voigtlander_japan (at Royal College of Music) https://www.instagram.com/terakopian/p/CX8-hqFohhu/?utm_medium=tumblr

[markseow]

Recording: Sturm und Drang II, Signum Classics Released September 2020

JC Bach Symphony in G minor, Gluck arias from Paride ed Elena, Vanhal Symphony in D minor, Haydn Stabat mater, Mysliveček Arias from Semiramide, Haydn Symphony No. 39 in G minor. Classical Opera, led by Matthew Truscott, conducted by Ian Page. Soloist: Ida Ränzlöv. Signum Classics.  

[evscomposer]

Here are some clips from tonights Klubb Krinolin, with Ida Ränzlöv and Allan Timofeitchik performing some wonderful pieces för soprano and piano! . . . #ErikValdemarSköld #concert #konsert #klubbkrinolin #krinolin #kammarmusik #kammarmusikförening #chambermusic #classicalmusicians #classical #classicalmusic #klassiskmusik #song #singer #soprano #piano #pianist #duo #duet (på/i Grand Öl&Mat) https://www.instagram.com/p/B8uca27l5cp/?igshid=1orco44i2bz6b

[wolfdenlin77-blog]

Faramondo review – mafiosi blaze a trail through Handel's hellhole

Britten theatre, Royal College of Music, London Overtones of The Godfather lurk around every corner of William Relton's cool and clever staging of Handel's problematic piece, which is exquisitely sung

First performed in 1738, Faramondo has long been regarded as one of Handel's problem pieces. Written while he was recovering from a stroke, it's disquietingly bleak, and the dramaturgy is puzzling. The opera examines the relationships between desire and war and explores queasy ideas of sexual and military conquest. Yet there's no real plot, only a static emotional gridlock, in which two pairs of men, allied on each side of an age-old conflict, find themselves rivals for women in the enemy camp: the protagonists, none of them remotely sympathetic, react rather than act throughout.

A collaboration between the London Handel festival and the RCM International Opera School, William Relton's staging relocates the work to some nameless modern urban hellhole. There are overtones of both The Godfather and West Side Story as mafiosi and bike gangs fight for control of the streets and knife-wielding psychopaths lurk round every corner. It's consistently well sung, though Ida Ränzlöv's Faramondo and Harriet Eyley as his sister Clotilde are particularly outstanding. Ränzlöv blazes through her arias with thrilling conviction; Eyley, silver-toned and effortless, is by turns virtuosic and exquisite.

Continue reading...

[mozart2006]

Staatsoper Stuttgart - Katja Kabanova

Foto ©Martin Sigmund Grande successo, qui alla Staatsoper Stuttgart, per la ripresa della bella produzione di Katja Kabanova, (more…) “”

[mozart2006]

Staatsoper Stuttgart - Hänsel und Gretel (recensione in italiano)

Staatsoper Stuttgart – Hänsel und Gretel (recensione in italiano)

Foto ©Matthias Baus Per quelli che non sono in grado di leggere il tedesco, ecco la mia recensione tradotta in italiano

[mozart2006]

Staatsoper Stuttgart - Hänsel und Gretel

Staatsoper Stuttgart – Hänsel und Gretel

Foto ©Matthias Baus Nach der wegen Problemen des Regisseurs mit der russischen Regierung nie fertiggestellten Inszenierung von Kirill Serebrennikov präsentierte die Staatsoper Stuttgart eine Neuinszenierung von Hänsel und Gretel, (more…)

[mozart2006]

Staatsoper Stuttgart - Die Fledermaus

Staatsoper Stuttgart – Die Fledermaus

Foto ©Martin Sigmund Obwohl die Regierung ihr Bestes tut, um den Kultureinrichtungen das Leben schwer zu machen, führen die Opernhäuser ihr Programm weiter (more…)

[mozart2006]

Staatsoper Stuttgart - Das Rheingold

Staatsoper Stuttgart – Das Rheingold

Foto ©Matthias Baus Die Staatsoper Stuttgart nimmt in der Geschichte der Wagner-Interpretation seit jeher eine führende Stellung ein. Eine der bedeutendsten künstlerischen Leistungen (more…)

[mozart2006]

Staatsoper Stuttgart - "Cavalleria Rusticana" e "Luci mie traditrici"

Staatsoper Stuttgart – “Cavalleria Rusticana” e “Luci mie traditrici”

Foto ©Matthias Baus

Il dittico di ambientazione siciliana, composto dalla Cavalleria Rusticana di Mascagni e da Luci mie traditrici di Salvatore Sciarrino, era una delle nuove produzioni che alla Staatsoper Stuttgart erano state cancellate a causa della quarantena (more…)

[terakopian]

The Seam Between Photojournalist and Artistic Photography

The Seam Between Photojournalist and Artistic Photography

As the year comes to a close, I was truly humbled and moved when photography commentator Shira Shavit wrote a piece about my work on her extremely popular LinkedIn. Opera singer Ida Ränzlöv, singing the part of Arminda, Anchise’s niece, waits backstage for her cue. Mozart’s La finta giardiniera. Dress rehearsal. Royal College of Music Opera School, Prince Consort Road, London. November 25, 2016.…

[terakopian]

Opera singer Ida Ränzlöv (mezzo-soprano) in her dressing room ahead of her performance in Ian Page’s visionary MOZART 250 series, 1770 – A Retrospective. In conjunction with Classic FM. Wigmore Hall, Wigmore Street, London, UK. January 09, 2020. Sigma fp and Lumix S Pro 24-70mm f2.8. #portrait #dressingroom #behindthescenes #singer #music #musician #opera #operasinger #mezzosoprano #mirror #reflection @sigmauk @sigma_japan @sigmaglobalvision #sigmafp @lumix @lumixuk @lumix_de @lumixusa #lumix #lumixpro #lumixspro2470 #lumixmoment #bw #monochrome #blackandwhitephotography #lmount #lmountalliance @lightroom @exposuresoftware #myexposureedit (at Wigmore Hall) https://www.instagram.com/p/CK2FfNsnvzM/?igshid=poe3ix0ze5e2

[terakopian]

Opera singer Ida Ränzlöv (mezzo-soprano) in her dressing room ahead of her performance in Ian Page’s visionary MOZART 250 series, 1770 – A Retrospective. In conjunction with Classic FM. Wigmore Hall, Wigmore Street, London, UK. January 09, 2020. Photo: Edmond Terakopian - Photographed using a vintage 1961 Leica 50mm Rigid Summicron with a Novoflex adapter. @idaranzlov #opera #music #singer #portrait #bw #monochrome @sigmauk @sigmaphoto @sigma_japan @sigmaglobalvision #sigmafp #lmount #lmountalliance @leicauk @leica_camera #leica #leica50mm #vintagesummicron #rigidsummicron @lightroom #lightroomclassic @exposuresoftware #myexposureedit (at London, United Kingdom) https://www.instagram.com/p/CJ1rSyhnVvS/?igshid=112u710xf29u0

[terakopian]

Opera singer Ida Ränzlöv (mezzo-soprano) in her dressing room ahead of her performance in Ian Page’s visionary MOZART 250 series, 1770 – A Retrospective. In conjunction with Classic FM. Wigmore Hall. Shot on a Sigma fp and Lumix S Pro 50mm f1.4. #portrait #artist #music #opera #operasinger #operasingersofinstagram #musician #reflection #dressingroom @sigmauk @sigma_japan @sigmaglobalvision #sigmaimaging #sigmafp @lumix @lumixuk @lumix_de #lumix #nextlevellumix #changingphotography #lumixspro50 #lumixspro #f1point4 #lmount #lmountalliance Processed in @lightroom and finished in @exposuresoftware #myexposureedit (at Wigmore Hall) https://www.instagram.com/p/CGE2zBJnrlY/?igshid=1w9ovqcye5g1t