#ITS ABOUT UNCLE ISSUES!!!!!

[backhurtyy]

the pain in my vein is hereditary dynasty by rina sawayama // the hobbit + the lord of the rings

[xxplastic-cubexx]

my ideal rogue & magneto dynamic is rogue and her weird slutty gay uncle that she constantly has to bail out of jail. like their relationship would have been so interesting to me if it had never been romantic

society if magneto got to be the anarchist uncle to all the x-men that they're mostly chill with until the annual dinner argument during the holidays

[mariatesstruther]

okay but sarah celebrating tommy every year for mother’s day

[dayurno]

“but if you didnt read aftg for the sports or the romance what did you read it for” is such a good question. unfortunately i am weird and mean and i read it because i like reading about people who are also weird and mean

[paperstreetlocal]

im sorry but if you see 2 characters as having a familial relationship (im talking about friends or acquaintances/classmates) and its not canon, or really even hinted at in canon, or its just the character calling somebody a brother/sister in a way that obviosuly just means "friend/buddy", why the FUCK are you getting mad at people for shipping them. bro its just your fucking view of them . its not real

[givemewallywestorgivemedeath]

Hey!

I saw your probably very old post where someone asked you something like “Who’s the most OP speedsters”

In the tags I saw you mentioned that Meloni is a speedster? And that she’s classified as one? Can you give me a link, or a comic? Bc I think that’s rlly cool (and never rlly thought about it regarding the whole Thawne-Allen thing).

Yeah so, this was when Owen was trying to figure out who his mom was and was doing research into female speedsters. Off the top of my head I can't remember which Flash issue this was or what the arc was called but it was the one that the West twins were born in. The one with the rogues war. I actually did a whole post breaking that arc down if you can get the search function on Tumblr to work for once.

But yeah, Meloni was considered a 'female speedster' in that arc and it does make sense because Owen had to get his powers from somewhere. And his dad is Captain Boomerang, so he certainly didn't get them from him. Meloni has never shown any actual powers that I know of but she is a Thawne and both of her children are speedsters, so she does have some sort of inherent speedforce connection. (She might not use it though because of her father's hatred for speedsters)

So yeah, it's Wally's Flash run. The arc where the twins are born. But the start of that arc. If you've hit Zombie Captain Boomerang then turn back and look at earlier issues in the arc, cause you've gone too far.

[teabutmakeitazure]

holding my mother's face to check her temperature and seeing her shrug off my touch as unnecessary and being visibly uncomfortable at being touched and going oh. that's why I'm this way.

[hauntingblue]

Stampede aka another episode of luffy turning haters into dick riders just with his kind and big heart

[unforth]

Revelation: my whole life, when I've responded to sarcasm seriously, people have been like "uh...why you so serious... I was being sarcastic..." and it makes me insane because like... duh? Why am I not allowed to respond to sarcasm seriously? Why does it have to be treated as hOw DiD yOu MiSs ThAt I wAs KiDdInG? Basically: why is it framed as me failing when I absolutely knew it was sarcasm?

Anyway, this just happened with my wife (no shade, it's very rare with her as compared to like, my uncle, and I told her it made me uncomfortable, we're good, it was just the spur to the revelation) and I think I've realized why it happens and why it bothers me so much.

It's always framed as me missing something, but it's not.

I knew they were being sarcastic, and I chose to respond seriously.

THEY failed to interpret MY response.

Or: damn boy (genderneutral) sorry my Yes, And game is just SO FUCKIN SUPERIOR yall should work on recognizing deadpan. Skill issue.

[caruliaa]

BARBIE MOVIE AND PIKMIN 4 BEING RELEASED ON THE SAME DAY I J REALIZED THAT I MIGHT ACTUALLY EXPLODE INTO A MILLION PEICESSS OMFGG !!!

[paragonrobits]

some important calvin and hobbes facts in case you haven't read the original comic strip in a long time or only absorbed stuff on it from memes and out of context bits on here:

Calvin's last name has never been given, and neither has any of his parent's names. This was actually why his uncle Max only showed up for a brief storyline; the creator of the comic, Bill Watterson, ultimately felt that while it was fine to have him as someone for his parents to talk to, it felt far too awkward to never have Max refer to them by name and he never made a return appearance.

The general tone of the comic is fairly light-hearted, with a big emphasis on goofy slapstick comedy contrasted by clever wordplay and often surprising adult-centered jokes that'll hit you like a slap. A big part of the comedy is, as Watterson put it (paraphrased) "It's really funny to me when people express deeply stupid ideas with really fancy terminology." One notable example you might have seen is that one bit where Calvin asks his mom for money to buy a Satan-worshiping rock album and his mom replies that there's nothing genuine about them and they're just putting on the attitude for shock value, and comisserates with Calvin as he deplores that mainstream nihilism can't be trusted. He concludes that childhood is disillusioning.

There is a LOT of criticism of the extreme materialism and selfish mentality of the late 80s, when the comic was initially written. This may go a long way to explain how its aged so well; much of what it criticizes resonates well with people today.

Bill Watterson views comic strips a legitimate form of artwork, and repeatedly fought to have more space to draw more beautiful and artistic backgrounds, which was a very hard fight and unpopular even with other comic strip artists. He eventually did win some compromises and a lot of Calvin And Hobbes' artwork shows it, with the use of space to indicate time as well as a sharp contrast between the often plain environments of mundane life contrasted by the wildly beautiful imagery of Calvin's imagination (which often sports realistic depictions in an art shift of sorts).

Hobbes is explicitly not an imaginary friend, by word of Watterson himself. We don't know WHAT he is exactly, and Hobbes is apparently unaware of the strange nature of his reality; people look at him and only see an ordinary stuffed tiger plushie, but he has a tangible effect on the world that would be physically impossible for Calvin to do on his own. He's apparently been around for a while, and was apparently around when Calvin was a young baby.

On that note; Hobbes has implicitly killed (notably treated as both a gag and also with the vibe of 'he's a tiger, duh') and while he doesn't do it again on-screen, he doesn't have any moral issues about it. Calvin claims that he's never had trouble bringing Hobbes to school because the last time he did, Hobbes killed and ate a bully named Tommy Chestnut and simply comments that it was gross and he needed a bath. Calvin's tried to repeat this again, but Hobbes was grossed out at the thought having to eat a kid raw and not being allowed to use an oven first, or complaining that children are too fattening.

Hobbes became gradually less human-like in body language and more like an actual cat in both body language and behavior; this was due to Watterson drawing more inspiration from his cat, who also inspired a lot of Hobbes' running gags, such as pouncing on Calvin when he got home. Several years into the syndication of the strip, Watterson's cat passed away, and he did a tribute to her with a comic strip of the two of them agreeing to try to dream together so they can keep playing when they have to sleep; Watterson's commentary (if I recall right), remarks on his cat: "We can see each other again in dreams."

[llycaons]

my parents are the poster children for things that can be fine but are STRONGLY discouraged in those parent classes. we all slept in the same bed. I was a home birth (midwife was supposed to come but never showed up). we just wandered around outside when we were young. like, adults were around but. ehh. we also did rock scrambling when we were like 5 and nobody ever got hurt but telling our city-born aunt that she looked like she she was about to faint. but like we were FINE it's just about being careful

[absolutedestinyapocalypsse]

i love how as you read more into tlt, the ninth house seems more and more normal. Like if i'm at an immoral evil government competition, and i use human fat as soap and animate skeletons to do menial labor, i'm gonna LOSE if my competition is the third house, represented by ianthe "who HASN'T eaten human flesh and fucked a corpse" tridentarius. My weird skeleton thing seems normal, suddenly. Well-adjusted, even. It's recycling. They're using resources in a sustainable way. Normal and regular and productive for a post-climate change apocalypse universe.

People go on and on about how Muir drops you into gtn hearing from the person who knows the least about whats happening, and does not hand hold the reader through the crazy shit that occurs, and that's all true. It truly is a crazy writing decision to make your first pov character come from the universe's equivalent of amish fundamentalists. But the reader is actually done a huge favor being dropped into the ninth house first, because we already understand that space is cold and what catholic nuns are, and what goths look like, and what lesbians are. Very little time is wasted in the first chunk of gtn ripping hair out of your head wondering what the fuck is going on, because for all of its strangeness, the ninth house is already the most familiar thing we're gonna get.

Because THEN we learn that this whole universe's medieval chivalry system is designed to groom people from CHILDREN to not only be exploited and used as human batteries for necromancers, but to LIKE it. to wax poetic about it. to confuse it for love, to write fucking academic papers about it! Then we learn about planet flipping, an act so horrific and violent it turns the planet's soul into a massive vengeful monster capable of killing GOD. Like what do you MEAN the animals "change"? Is this why noodle has six legs? I would MUCH prefer to wear skeleton makeup and repent forever if the alternative was to witness my family dog grow TWO EXTRA LIMBS because the planet he lived on fucking died. Suddenly, living in the asscrack of a planet where no light gets in seems like a sweet deal when the whole solar system is lit by a sun that MAKES YOU GO CRAZY. The ninth house's WORST sin, killing 200 babies to make Harrow, a waste of resources and an act so terrible it haunts Harrow for the entire span of her life, is like a BLIP compared to the death count Jod's empire. God even hears about it and he's like, no big deal! The cohort probably kills that amount of people in a DAY.

And its ALSO tragic because you realize that all of this trauma and abuse that Gideon goes through is not really because of the ninth house at all. It's really just an individual skill issue that she wasn't treated with compassion. Nobody hated her because she's jesus or a bomb, nobody even KNOWS she's a bomb. It's just Priamhark and Pelleamena being deeply guilty and scared people that motivates her treatment, and absolutely nothing else.

They did something bad, and they know it, and Gideon survived it, and they can't kill her to cover it up, and that's IT. They killed themselves for pride, because they were afraid of the consequences of their actions (both the baby killing and Harrow opening the tomb) coming back to bite them. You can argue this is the catholicism of it all, and I wouldn't say you're wrong, but compared to the cavalier system, where exploitation is in the very lining of the house's institutions, the ninth house is really removed from the space empire's blood factory. This is compared to the fourth house where they have tons of children to be CANNON FODDER to join the cohort at fucking 14, compared to the eight house uncle nephew fuckery, even the fifth house which actually does seems nice to live on but also seems to have the fourth house in some sort of fucked up political bear hug??? (maybe the fourth house has so many kids in order to fight the fifth's battles? which is EXACTLY what jod's whole empire is about; politely stirring your tea and acting nice while you destroy everything) compared to ALL OF THAT, the cruelty that Gideon faces is really more a bug of the ninth's system than a feature.

There's nothing baked into the culture and everyday life of the ninth house that necessitated that cruelty; in fact, for such a pragmatic and resource-scarce place, it's WEIRD that a strong able-bodied young person was treated like a waste of space and resources. It could just have easily not happened, if Harrow's parents had been different people. Maybe they were products of their environment, but so was Harrow, and she values Gideon's life SO MUCH that she'd literally rather carve out parts of her own brain than exploit her. Gideon grows up knowing really NOTHING about cavaliers, so remote from the horrors of the empire that she develops an idea of what the cohort is from porn magazines. And in a lot of ways, that upbringing was desolate and terrible, and in a lot of other ways it literally DID NOT HAVE TO BE.

Gideon's MAIN THING is that she wants to be useful, to be needed, to be loved and it SUCKS that she couldn't even get it in the one place where she was actually an invaluable resource, where the death empire had the weakest reach. Gideon can't even blame her lack of love on the fucked up chivalry system like everyone else can because it JUST WASNT REALLY RELEVENT!?!?! This is like if i rolled up to the trauma competition and everyone else was raised in a nuclear warzone by wolves or something and i grew up in like, the suburbs and was raised by teachers and i somehow STILL WON. truly what the fuck guys.