#IT HAS BEEN SO LONG AND I AM SO SORRY

[chickenchirps27]

hello denizens of tumblr i come with humble offerings

they wish to romance you

[zodiac-monkey]

[mahou-goth]

hi howdy long time no freezerburn

[zoeyirl]

Don't we all deserve more eye pics though?🥺🥺pretty please?!

YES

[turtleblogatlast]

Things I make for myself when insomnia kicks in

Just a chart about what I wanna change up and keep consistent in my art - I mainly wanna draw Raph with a tail because he deserves one, it fits too well. Donnie gets a long tail too because I didn’t realize how dino-like he looks until I gave him one, and now it’s a must for me haha.

[puppyeared]

my stardew farmer ^_^ he doesnt have a green thumb for shit so he keeps animals and does mining

some tidbits i came up with while playing hehe

reclusive and doesnt really go out of his way to talk or visit people unless its an errand. but he also doesnt try to befriend others to get something out of it, so he has a very easygoing approach to making friends. on good terms with linus and sebastian since he runs into them most often.

if he respects or takes a liking to someone, he'll greet them with miss/mister (name). if you get close to him he starts using first name basis. if he doesn't like you, he'll refer to you by your title without using your name. only a few people have caught on to this.

the farm he inherited, Milky Way Farm, was the site of a meteorite crash and sometimes you can find shards of meteor debris littered around the farm (i picked the hilltop farm bc of this lol)

lost his sweater and pants a long ass time ago and doesnt have the time to look for them, so hes been working in his sleep clothes ever since

isnt actually grandpa's real heir to the farm... ;)

[shannonsketches]

thinking about gohan and vegeta and how their bond is underrated

the difference in their reactions to each other 😭

Gohan being the first one to step between Vegeta and Certain Death, twice, without an ounce of hesitation, and Vegeta saving him back despite his feelings about battle intervention.

Vegeta knowing Gohan's the best of all of them

Vegeta and Gohan both born prodigies assigned an unfair amount of responsibility to be Great and be a Saiyan Messiah(tm) way too young by a stubborn and proud if not (relatively) well-meaning father who didn't see any other option and I just think Gohan doesn't get enough credit as like. The first serious muscle behind Geets' personal growth.

[yakny]

COME ON BABY, DON'T FEAR THE REAPER

[rox-of-iu]

my old blorbos are back in my brain

heart pirates my absolute beloved. shame theyre chillin somewhere in the ocean lol (do not mention the pre-time skip hats of penguin and shachi I'm still attached even tho its already been a million years since then)

anyway every time i remember that Law and Kid are assigned german and Scottish by Oda i gain one hundred years

[rottmnt-residuum]

Sorry if this is too unrelated or something, but do you have any tips for comic composition? I absolutely adore how you frame everything, from the backgrounds, to the bubble placement, to the way the colors seem to fit together in each panel, and I've always been curious about how you do it

if this is too vague/overcomplicated I understand, I love your work and hope you're doing well <3

Hm... well. Honestly, most of my composition comes from transcribing the animation of residuum that's happening in my head. Which is why, if any of y'all've noticed, residuum is framed a bit like a movie. So if you're looking to do something similar, I'd recommend either studying camera techniques, or watching movie analysis with a focus on camera work. I'm unfortunately a bad person to ask, as a lot of what I do just comes via practice that's turned to instinct.

This is a really good resource on page compositions in general, though I mostly do panel by panel stuff for my own ease:

The background style is actually directly inspired from @meandtheyeehaws, it's fast, easy, and doesn't require too much thought on my part. You spend a lot of time on comics, so you take shortcuts where you're willing to.

Bubble placement... I've noticed that people tend to laser focus on dialogue. So, the dialogue bubbles are how you lead the reader's eyes. They are the very base of the reader's eye path. All this means is that you should just map the eye path you want and then frame everything else around that. Either to bring notice to stuff or to hide something in plain sight.

Honestly, I have no idea for the color thing. It's one of the things I actually wish the comic was better with. All I do is have set color swatches for characters, and do a transparent color mask to the background color. I love to color, but color itself isn't really my strong suit.

[ebonytails]

Hey everyone! this is where the zebra is currently with the design.

It has knee braces!! I will most probably be drawing the zebra usually with them on, but it’s no requirement, for example if anyone else wants to draw the zebra :-]. I always like to make sure an animal design has official colors underneath any clothing and accessory anyway. I think this will be final! thank you everyone for your feedback!

As a reminder, aside from why the zebra was requested for this flag, this is also just a zebra with the disability pride flag on it. It’s just a deisgn to fit the flag, with input from other disabled people in our community. It doesn’t mean other animals can’t have designs with these colors, too! I don’t mean this design to be the only mascot for all disabled people. It’s just a silly series i do of pride animals, and at the time, during disability pride month, I wanted to see what everyone wanted me to start off with for this flag!

the goal with my pride animals is to take requests and make people feel happy and seen.. that’s all <:-)

[samwise1548]

Can I humbly request a cat version of some other tma characters? Your Annabelle is so darn cute

Ask and ye shall receive

Mew Crew the little sky kitty

[ID: A drawing of Mike Crew from the Magnus Archives as a cat. He is floating in the sky as bright blue lighting forms rings around him. He’s wearing a blue cardigan, brown pants, and a small light blue scarf around his neck. He’s holding a teacup in his paw. A pink lichtenberg scar trails from his left eye down to the tip of his tail. \End ID]

Version without effects under cut

[trashyshrew]

big admirer of your work! you asked for drawing suggestions–would love to see your take on lawlight snuggled up together relaxing in bed or something! absolutely starved for soft content of these two

[pumpkinsouppe]

There’s def a lot I wish to be in Tears of the Kingdom, especially things like regional/diverse enemies. But the thing I really wish to see is Link express negative emotions. And not just “he’s angry at fighting enemies” but rather he’s angry and tired and upset and confused at his situation. He has followed orders from the king the moment he touched the master sword as a CHILD. We don’t even know if he truly got to be a child because his whole life has been about duty. And I’m pretty sure in this timeline he was descended from the Hylian knights so who knows how long he’s been training to just be a standard knight before the master sword.

Link SHOULD be angry that he’s stuck in this cycle of rebirth. Even when he died, the fall of Hyrule was blamed on him and he didn’t even get to stay dead. He was woken up and had to finish his duties while also being constantly reminded that his death is what lead Hyrule to look like is does. He should be angry, angry at Ganon and Demise and at the Hylian Royalty for forcing him into this situation over and over and over.

And this is exactly why I hope TOTK is similar to Majora’s Mask. Not because Majora’s Mask was scary. But because it dealt with the grief and isolation and depression Link had to face after going through an incredible traumatic journey, and then losing all of his friends as a result. Most notably losing the ONE friend who was with him the entire time. Who completely understood everything Link went through because she experienced the same thing. And she was the entire reason Majora’s Mask even happened in the first place, because Link was desperately searching for Navi because he was scared to be alone. I want TOTK to explore these hard and brutal emotions for both Link and Zelda. I want them both to be scared, angry, and distraught. I want them to cry over themselves and be selfish. I want them to do something impactful that isn’t for the sake of Hyrule. I hope there’s conflict with the Goddess Hylia. I hope they reject her outstretched hand after she has burdened two children to sacrifice themselves for the good of Hyrule.

I want there to be a good resolution to TOTK. I want both Link and Zelda to choose their own path even if that means leaving Hyrule. But I want the path to resolution to be painful and really explore Link’s true emotions. He is stoic and mute because he is burdened with the weight of the world. What good is a knight who talks when he is judged based on his actions and ability to use a sword.

With Zelda’s warning that she thinks that even Link can’t succeed, I hope we do see helplessness in Link. Again to Majora’s Mask we did get to see Link helpless. He was transformed into a small Deku Scrub with no weapons, no horse, and was an outlier in a town filled with humans. But he learned to work through that helplessness. He embraced the spirit who had to give his life for Link to look the way he does and figure out new ways to fight and communicate. He later became grateful for the Zora and Goron who let him use their spirits to aide his journey. He was able to confront Majora’s because he was never truly alone. Everyone he’s ever met has given him strength even if they aren’t with him presently.

And that’s what I hope to see in Link in TOTK. A helplessness due to his isolated burden, faced against something he could never win against alone. And thankfully we did get that to an extent in BOTW with the champions and even Zelda. But even then, fighting the divine beasts was optional. Link in a sense could have faced Ganon alone. Hell people even fight Ganon with no clothes and only carrying sticks.

No, I want Link, even in the most powerful armor with the most powerful weapon, to be helpless. And I want him to be angry about it. And upset. And hurt. Because he has earned the right to express every painful emotion for his circumstance and he deserves to be able to express his frustration. It is okay if he isn’t the hero.

[shyguygubbs]

I was thinking about kotlc recently and how the Black Swan originally wanted to wait to bring Sophie into the Lost Cities until way later, probably when she turned 18, and how different of a person Sophie would have been if that were the case.

Like at the start of the series, she's this child prodigy who has to go to community college in the fall at the age of 12 because her parents won't let her go to Yale (a totally valid parental choice btw), and the thing is I think she would have THRIVED in that environment. Like at first she would be scared and hesitant because in all other school environments she has been bullied for being as smart as she is, but now she's going into a school that people choose to go to in order to learn. Community college doesn't just have mean, jealous teenagers who attend, there are people of all ages and all walks of life who are ready to learn. Sure, Sophie would still be the youngest one there, and I doubt it would be super easy with the whole mind reading thing, but she would be in a much more supportive environment when it comes to learning than anything else she's experienced.

She'd be able to make friends with her peers, being able to bond over a shared love of whatever they're studying, and these friends don't think she's too smart or too weird. She maybe finds some way to muffle the voices in her head better than her earplugs did. Yeah, she still gets headaches, but she can manage it. I can see her taking as many classes as she can, figuring out her passions and what she might want to do as a career. She'd be in a fantastic place academically to transfer to any school she wants when she turns 18. I can even see her parents letting her graduate when she's 17 and allowing her to transfer to a four year college to get a bachelor's in whatever she wants to study, whatever she finds her passion for, because she worked hard for this, and doesn't hate school now, and has found a path for herself in life that feels right.

And then the Black Swan shows up and whisks her away from all of that, and she's heartbroken because she doesn't need to be taken away from everything she's worked so hard for. Yeah it feels nice to finally have the whole mind reading question answered, but she doesn't need a new place to belong, she has one. I imagine this Sophie being a lot more confident in herself, but a lot angrier too. She's fascinated by her new world, but desperately wants to go back home, to just live out the life she's been working towards. I can see her working side by side with the Black Swan from the jump, because she's in a world with injustice and she can't just sit back and let this slide, but constantly fighting back this resentment for them and how they took everything from her. I think of how canon Sophie had a brief moment of hesitation when it came to training her Telepathy, and I think this older Sophie would be conflicted between wanting to know more about this abnormality that she's been dealing with her whole life, and wanting to cling to her human identity and her old life as much as she possibly can. Because she's been ripped away from it, and no matter what her genetics say, this Sophie still views herself as human.

[heibon-hiroo]

Me when I try to keep up the yearly song fanarts but I'm always late