#INSPIRAL CARPETS

[elizabear]

do we think the inspiral carpets made noel cut his hair to match whichever guy he was currently fucking or do we think he did that all on his own??

(maybe he was just scared of getting lost his first time away from home?? and he thought this would be an easy way for someone to find his owner??)

anyway he sure does it a lot tho.

[todays-just-a-daydream]

from paul gallagher’s brothers on oasis vs inspirals at glastonbury 94

[undergroundrockpress]

Inspiral Carpets, 1990.

[scentedmiracleobject]

[rastronomicals]

7:27 AM EST December 6, 2024:

Inspiral Carpets - "Caravan" From the album The Beast Inside (1991)

Last song scrobbled from iTunes at Last.fm

[nonogalego]

The Roadie Noel Gallagher, 1991

Noel Gallagher nos seus tempos de roadie do Inspiral Carpets, durante a turnê da banda nos Estados Unidos em 1991.

Fonte: James Hargreaves (instagram: @/jameshargreavesguitar)

[all-rock-and-roll-is-homosexual]

Select Magazine November 1992/Inspiral Carpets - Revenge of the Goldfish full page ad

if you like my scans and want to help out you can do so here

[differenthead]

Volume 296

Special guest: Jim Powers

0:00:00 — "Super Heroine Theme" by Super Heroines (1982)

0:03:38 — "A Lie and a Cheat" by Scared of Chaka (1999)

0:05:55 — "Me" by Rubella Ballet (1982)

0:08:53 — DJ

0:19:27 — "Pushing Buttons" by TV Neats (1981)

0:21:21 — "Thin Green Line" by TV Smith (1994)

0:25:17 — "Marshmallow in a Keyhole" by The And (1984)

0:28:03 — "Prove" by Ric Ocasek (1982)

0:31:48 — "Carolina Called" by Friends of the Maid (1984)

0:37:08 — DJ

0:47:39 — "New Blood" by Screen 3 (1981)

0:51:02 — "Blålys" by The Aller Værste! (1980)

0:55:00 — "Call the Uh-Oh Squad" by Robert Ellis Orrall (1982)

0:57:10 — "Love Bomb" (Dub) by Clare Grogan (1987)

1:00:27 — "I Cannot Read Your Mind" by The Grogans (2023)

1:03:17 — DJ

1:14:55 — "The Girls Are Out Now" by Roy Sundholm (1979)

1:18:12 — "Fake I.D." by The Anemic Boyfriends (1981)

1:20:52 — "Band of Brothers" by Billy Changer (2014)

1:23:45 — "Theme from Cow" by Inspiral Carpets (1989)

1:25:27 — "Blow It Up!" by The Dark Side (1980)

1:27:33 — DJ

1:40:00 — "Fuegos de Octubre" by Patricio Rey y sus Redonditos de Ricota (1986)

1:43:30 — "Living the Answer" by The Comets (1981)

1:46:33 — "Rhetoric" by Stick Against Stone (1985)

1:50:22 — "Deathwish" by Luther Thomas & Dizzazz (1981)

1:53:36 — "Each Time Centered" by Spahn Ranch (1987)

1:56:11 — DJ

2:07:01 — "Le Cri" by Pro Memoria (1988)

2:11:11 — "Nights of Passion" by The Radicals (1981)

2:14:06 — "Reaching the Bad Man" by Singers and Players (1981)

2:22:42 — "Penguin in the Jungle" by Ramesh (1981)

2:26:52 — "Valleys" by Fourwaycross (1986)

2:32:10 — DJ

2:46:23 — "I Came, I Saw, I Left" by Rob Stoner (1980)

2:48:42 — "Sparkle That Shines" by Straitjacket Fits (1988)

Stream

Download

[intotheclash]

Inspiral Carpets - This Is How It Feels (Official Video)

[creativedistortion]

INSPIRAL CARPETS – ALBERT HALLS, MANCHESTER 1 APRIL 2023

Despite coming to Glasgow, something told me that a road trip to Manchester was required when Inspiral Carpet’s UK tour was announced in October last year. The Albert Halls is one of my favourite venues and I just had the feeling that it would be a special night and I was right.

We queued up early so we could get a seat upstairs in the Albert Halls and the atmosphere built quickly with Manchester DJ Dave Sweetmore playing classic 90s indie to the expectant crowd. A short set by Wigan new boys Stanleys was great then another half hour set from Sweetmore led to an amazing sing-along that warmed the crowd up better than most support bands ever could.

The band last played live in 2015 but following the untimely death of drummer Craig Gill, they had been on an understandable hiatus. Craig was a hugely popular part of the Manchester music scene and his sudden death had sent a shockwave through the band and Manchester.

The crowd exploded as they opened with ‘Joe’, a single from 1989 and quickly rattled through a set with too many highs to mention, however ‘She Comes in The Fall’, ‘Directing Traffik’, and ‘Caravan’ were some highlights but the closing tune ‘Dragging Me Down’ was a particularly special moment. The sound of Boon’s keyboards is the thing that set the Inspirals apart from other bands in the 90s and it was great to hear live.

After the main set, the unmistakable face of Gilly was projection at the back of the stage and Clint announced that Craig’s son Levon would take the drum kit for the next song, there was not a dry eye on the crowd. Levon is about 18 and a quiet lad but did his dad proud and it was a special moment for everyone.

They ended their triumphant set with ‘Saturn 5’ and it was clear that we had just experienced a very special night that we’d remember for a very long time.

5 stars.

[elizabear]

if noel gallagher had tried this on the inspiral carpets they would’ve accepted it without question and said, “take a week, babe, you’ve earned it!! 💖💖”

[todays-just-a-daydream]

The only music photographer who was allowed full access throughout the imperial phase of Oasis’ career was Michael Spencer Jones who followed the iconic band from 1993, he was with them at Knebworth in 1996, and accompanied them on tours up until 1998.

From studio recording sessions, to all the backstage action in the dressing rooms and front row areas, he gained unique, intimate insight into all aspects of the band’s life...

Noel Gallagher was working with the Inspiral Carpets when he met Spencer Jones. The first photo session with Oasis was at Out Of the Blue Studios in Manchester. “I walked into the studio,” he says. “They called it a studio, it was more like a rehearsal room. They were demoing ‘Shakermaker’ with Noel playing slide guitar. I realised that it takes an unusual amount of confidence and creative freedom not to care what people think”.

Most of the pictures taken were black and white. Once the processing was complete, he took the prints down to show the band. “They were pretty impressed, and that was instrumental in securing the gig I got with them..."

The intricate relationship between Noel and Liam was key to the band’s dynamic. The public perception was that they were always falling out, even when they got on well. “They did have a strong sibling relationship,” Spencer Jones explains. “It created an interesting creative dynamic that you wouldn’t get with other bands.”

“It was a creative rivalry amongst other rivalries, it went back to childhood, and Bonehead was the mediator. Noel has said that the creative dynamic also became the very thing that ended the band. When you look at any kind of artist or bands, there is always a fault line running through that personality, whether it’s Picasso or John Lennon”.

Inside The Explosive Rise of Oasis With Michael Spencer Jones | Clash Magazine | 5 November 2019

[dadiddlylemma]

Inspiral Carpets

[rastronomicals]

11:18 PM EDT April 1, 2024:

Inspiral Carpets - "This Is How It Feels" From the album Life (April 23, 1990)

Last song scrobbled from iTunes at Last.fm

File under: Madchester

[all-rock-and-roll-is-homosexual]

Select Magazine October 1992/Inspiral Carpets

if you like my scans and want to help out you can do so here

[cinemedios]

'Definitely Maybe': 30 años del debut de Oasis

A principios de los noventa, un pequeño grupo llamado Oasis, liderado por los hermanos Liam y Noel Gallagher tendrían la oportunidad de grabar su primer álbum sin saber que los catapultaría a la fama, pero nadie dijo que sería fácil.

A principios de los noventa, un pequeño grupo llamado Oasis, liderado por los hermanos Liam y Noel Gallagher tendrían la oportunidad de grabar su primer álbum sin saber que los catapultaría a la fama, pero nadie dijo que sería fácil. Reseña Musical | ‘Definitely Maybe’ En 1991 un joven Noel Gallagher regresaba a Manchester luego de su gira como técnico con la banda Inspiral Carpets para ver la…