#IMO it's a 'wanting to do the right thing' sort of thing

[outrunningthedark]

I am honestly shocked (as a pretty unbiased party) at the GA’s reaction to the bucktommy breakup. I’d hedge a bet that Tim and co are too! I think they knew that bucktommy was fairly well received (by the general audience and not the loud minority) but i don’t think that they realised those same people who were so flippant about Buck’s prior love interests would keep caring to the extent they have. That people would care enough to express their disappointment in a rational manner - not resorting to name calling etc etc. I do wonder where they plan to go from here (or if they even have a plan) because the idea that Buck jumps back to sleeping around now or diving head first into another relationship eight seasons in…. is jarring and i do wonder how the GA will react to that after this week

I think you’ve brought up an important point re: the reaction to prior love interests, and the funny thing is Tim and his staff only have themselves to blame.

Everyone Buck has been with before Tommy has been a woman. Buck was, for all intents and purposes, perceived as straight. It’s not that difficult to get an audience on board with a hetero relationship, right?

Except the audience was able to bounce back from every breakup because the effort wasn’t there. In fact, I’d bet the relationship the audience cared about most was BuckAbby, but they can’t do anything about Connie only signing for the one season. (And just to cover all my bases, sure, you could say that "effort" was made with BuckTaylor given how much screen time they had, but the audience also had the entire half of 5B to prepare for a break up after the BuckLucy kissing scene!) Now here comes Tommy. He already has established relationships with members of the 118, relationships that have nothing to do with Buck. His first episode in s7 showed him helping the 118 not only rescue Bathena, but going behind people's backs to do it so nobody got in trouble. Episode four establishes that he has also made a friend in Eddie, which is a first for these love interests! If Tommy and Eddie can get along, this time might be different, right? After the kiss in Buck's loft, which the GA obviously didn't hate, they have a conversation after a disastrous date, about wanting to see where things go. Buck was happy. People were gonna like that. The wedding episode is, IMO, where Tim started to slip up. We didn't just see Buck bringing Tommy as his plus-one and introducing him to everybody. We saw Tommy show up to the hospital still in his firefighter gear after an emergency. We saw that he wanted to keep his promise to Buck to be there for the wedding, to show that he, too, was serious about seeing where the relationship could go. We saw Buck kiss him. In public. No shame, no regrets. We also saw their dinner scene in the finale. Not interrupted by Eddie's drama. We saw Tommy still being important enough to the story in 8x01 to be present for Christopher's "birthday party". And then we saw everything that came with 8x05. The fandom can take its victory lap and say "the writing was on the wall", but the general audience? All they saw were two men slowly (possibly) falling in love. Tommy was never actually portrayed as the wrong partner in canon. In fact, he was everything the previous weren't. Every single thing this fandom used as an excuse for why these relationships wouldn't work? Tommy was the anomaly. First responder? Check. Friendly with Eddie? Check. Forms some sort of relationship with Chris? Check. Makes Buck a priority? Check. Isn't sidelined for Buddie scenes? Check. Yep, maybe Tim really did do all those things so that when the breakup actually happened it would leave an impact. But how fucking obtuse do you (Tim) have to be to not realize just how important seeing Buck in a happy, healthy relationship - what little we got of it! - was going to be for the audience? Especially when much of that audience has stuck with you through six seasons of the same old shit? How can you be unprepared for the backlash when YOU are the reason people care this much in the first place?

[lightandfellowship]

Vor and Kairi are both like "Okay, change is really scary and tbh I'd prefer things to just stay the same, but! I acknowledge that change is inevitable and so I will confront my fears head-on and adapt!" and then they each choose a course of action that falls on an opposite extreme.

Vor leaves her friends (potentially with the intention of it being a permanent separation based on Eraqus' comments), realizing that she won't ever grow as a person as long as she's over-reliant on her friends for comfort, and also realizing that trying to stay by their side forever is a futile effort anyway that'll just cause her pain. To her, "adapting to change" means being willing to change her circumstances, and then hopefully she, too, will change as a result. Vor is prioritizing her personal feelings, desires, and identity at the cost of her relationships, when perhaps a balance would be more ideal.

So Vor's approach is thus: (1. Leaves her friends (2. Changes her circumstances in order to change herself (3. Prioritizes herself over her friends.

Kairi, on the other hand, chases after her friends relentlessly, forever trying to catch up to them, convinced that if she just "gets strong like them", wields a Keyblade like them, fights like them, that she'll no longer be left behind and exploited by the villains all the time. To her, "adapting to change" means being willing to change herself, and then hopefully her circumstances, too, will change as a result. Kairi is prioritizing her relationships (her worth relative to her friends, and her worth to her friends) at the cost of her personal feelings, desires, and identity, when--again--perhaps a balance would be more ideal.

So Kairi's approach is thus: (1. Stays with her friends (2. Changes herself in order to change her circumstances (3. Prioritizes her friends over herself.

Maybe if Vor and Kairi had met (in a theoretical AU scenario, of course) they could have learned something from each other, and found that balance sooner.

[galacticlamps]

ok I have A Lot of thoughts about the staircase confession (well really about Edwin's whole character arc, but all roads lead to rome) but for now I just wanna say that, yes, I was bracing myself for something to go terribly wrong when I first watched it, and yes, part of me was initially worried its placement might be an uncharacteristically foolish choice made in the name of Drama or Pacing or Making a Compelling Episode of Television but at the expense of narrative sense--

But I wanna say that having taken all that into account, and watched it play out, and sat with it - and honestly become rather transfixed by it - I really think it's a beautifully crafted moment and truly the only way that arc could've arrived at such a satisfying conclusion.

And if I had to pinpoint why I not only buy it but also have come to really treasure it, I'd have to put it down to the fact that it genuinely is a confession, and nothing else.

That moment is an announcement of what Edwin has come to understand about himself, but because it takes the form of a character admitting romantic feelings for such a close friend, I think it can be very easy, when writing that kind of thing, to imbue it with other elements like a plea or a request or even the start of a new relationship that, intentionally or not, would change the shape of the moment and can quickly overshadow what a huge deal the telling is all on its own. But that's not the case here. Since it is only a confession, unaccompanied by anything else, and since we see afterward how it was enough, evidently, to fix the strangeness that had grown between him & Charles, we're forced to understand that it was never Edwin's feelings that were actually making things difficult for him - it was not being able to tell Charles about them. 'Terrified' as he's been of this, Edwin learns that his feelings don't need to either disappear completely or be totally reciprocated in order for him to be able to return to the peace, stability, and security of the relationship with which he defines his existence - and the scale of that relief a) tells us a hell of a lot about Edwin as a character and b) totally justifies the way his declaration just bursts out of him at what would otherwise be such a poorly chosen moment, in my opinion.

Whether or not they are or ever could be reciprocated, Edwin's feelings are definitively proven not to be the problem here - only his potential choice to bottle it up - his repression - is. And where that repression had once been mainly involuntary, a product of what he'd been through, now that he's got this new awareness of himself, if he still fails to admit what he's found either to himself or to the one person he's so unambiguously close with, then that repression will be by his own choice and actions.

And he won't do that. Among other things, he's coming into this scene having just (unknowingly) absolved the soul of his own school bully and accidental killer by pointing out a fact that is every bit as central to his self-discovery as anything about his sexuality or his attraction to Charles is: the idea that "If you punish yourself, everywhere becomes Hell"

So narratively speaking, of course it makes sense that Edwin literally cannot get out of Hell until he stops punishing himself - and right now, the thing that's torturing him is something he has control over. It's not who he is or what he feels, but what he chooses to do with those feelings that's hurting him, and he's even already made the conscious choice to tell Charles about them, he was just interrupted. But now that they're back together and he's literally in the middle of an attempt to escape Hell, there is absolutely no way he can so much as stop for breath without telling Charles the truth. Even the stopping for breath is so loaded - because they're ghosts, they don't need to breathe, but also they're in Hell, so the one thing they can feel is pain, however nonsensical. And Edwin certainly is in pain. But whether he knows what he's about to do or not when he says he 'just needs a tick,' a breather is absolutely not what's gonna give him enough relief to keep climbing - it's fixing that other hurt, though, that will.

Like everything else in that scene, there's a lot of layers to him promising Charles "You don't have to feel the same way, I just needed you to know" - but I don't think that means it isn't also true on a surface level. It's the act of telling Charles that matters so much more than whatever follows it, and while that might have gone unnoticed if anything else major had happened in the same conversation, now we're forced to acknowledge its staggering and singular importance for what it is. The moment is well-earned and properly built up to, but until we see it happen in all its wonderful simplicity, and we see the aftermath (or lack thereof, even), we couldn't properly anticipate how much of a weight off Edwin's shoulders merely getting to share the truth with Charles was going to be, why he couldn't wait for a better, safer opportunity before giving in to that desire, or how badly he needed to say it and nothing else - and I really, really love the weight that act of just being honest, seen, and known is given in their story/relationship.

[fantasy-costco]

As soon as I tell people I study history they always want to drop their history opinions on me. As soon as I tell people I study Christianity but I'm not personally religious OH BOY do they want to tell me their religion opinions. Usually these are much more interesting than their history opinions. Yesterday we were touring a potential wedding venue and the event coordinator told us his entire religious background (he was a preacher before going into public history) (the venue was a museum) and then ranted for a solid ten minutes about grace and works and also people who use religion to gain power and misinterpret and mistranslate the Bible to oppress people and every beef he had with the history of the church. Right there in the reception space. 10/10 interaction

[hermitcraftx]

just got a dm abt one of my posts and y'all please don't try and show the hermits (or any minecraft youtuber or content creator for that matter) my posts, i'm uncomfortable with it and don't want any of my posts shown to a cc. if they stumble upon it naturally that's unfortunate but i can live with it since i do maintag a lot (something i REALLY need to stop doing tbh i already know i need to make a tagging system just for my blog that wont clog results) but going out of ur way to show a cc is entirely different and something i am not comfortable with.

no hate to the person at all but even if i wasn't a little silly and weird with it sometimes i wouldn't be comfortable with it, i want my blog to be a purely fandom only space with none of the creators involved <3 please respect this

[brutalmasks]

currently thinking about how, since bunny mask's head / sort of by extension her neck ( yeahhh, i'd say that, because she is NOT immune to decapitation ) are basically her achilles heel in the way that they heal muchhh slower than the rest of her body does + there have even been times where she didn't heal properly at all in those areas... that most of the scars bunny has are concentrated around there.

thus, if your muse is intimate with her in any way, then they'll most certainly be seeing those on her skin and i just 😭 it kind of hits me RIGHT in the feels — and i say this because there has to be a lot of trust there for bunny to feel safe enough to expose what is literally the most vulnerable spot of her body to them, you know? so yeah. that is one surefire way of knowing that bunny mask trusts your muse with her life ❤️

[ablednt]

NPD BPD combo will make you feel like a starving wild circus animal every time you remember other people exist

[astrxealis]

okay i'll seriously stop now (just a maybe) anyways please get into milgram listen the songs watch the mvs and all! <3

but just to ramble a bit: fuuta really is. so similar to the viewers/es

[kittlyns]

There's always something sad abt playing a game that isn't bad, but has so much more potential than was utilized.

[weaselle]

i want to talk about real life villains

Not someone who mugs you, or kills someone while driving drunk, those are just criminals. I mean VILLAINS.

Not like trump or musk, who are... cartoonishly evil. And not sexy villains, not grandiose villains, not even satisfyingly two dimensional villains it is easy to hate unconditionally. The real villains.

I had a client who was a retired executive for one of the big oil companies, i think it was Shell or Chevron. Had a home just outside of San Francisco that was wall to wall floor to ceiling full of expensive art. Literally. I once accidentally knocked a painting off the wall because it was hanging at knee height at the corner of the stairs, and it had a little brass plaque on it, and i looked up the name of the artist and it was Monet's apprentice and son-in-law, who was apparently also a famous painter. He had an original Andy Warhol, which should have been a prize piece for anyone to showcase -- it was hanging in the bathroom. I swear to god this guy was using a Chihuly (famous glass sculptor) as a fruit bowl. And he was like, "idk my wife was the one who liked art"

I was intrigued by this guy, because in the circles i run this dude is The Enemy. right? Wealthy oil executive? But as my client, he was... like a sweet grandpa. A poor widower, a nice old man, anyone who knew him would have called him a sweetheart. He had a slightly bewildered air, a sort of gentle bumbling nature.

And the fact that he was both of these things, a Sweet Little Old Man and The Enemy, at the same time, seemed important and fascinating to me.

He reminded me of some antagonist from fiction, but i couldn't put my finger on who. And when i did it all made sense.

John Hammond.

probably one of the most realistic bad guys ever written.

If you've only ever seen the movie, this will need some explaining.

Michael Crichton wrote Jurassic Park in 1990, and i read it shortly thereafter. In the movie, the dinosaurs are the antagonists, which imo erases 50% of the point of the story.

book spoilers below.

In the book, John Hammond is the villain but it takes the reader like half the book to figure that out. Just like my client, John is a sweet old man who wants lovely things for people. He's a very sympathetic character. But as the book progresses, you start to see something about him.

He has an idea, and he's sure it's a good one. When someone else dies in pursuit of his dream, he doesn't think anything of it. When other people turn out to care about that, he brings in experts to evaluate the safety of his idea, and when they quickly tell him his idea is dangerous and needs to be put on hold, he ignores his own experts that he himself hired, because they are telling him that he is wrong, and he is sure he is right.

In his mind, he's a visionary, and nobody understands his vision. He is surrounded by naysayers. Several things have proven too difficult to do the best and safest way, so he has cut corners and taken shortcuts so he can keep moving forward with his plans, but he's sure it's fine. He refuses to hear any word of caution, because he believes he is being cautious enough, and he knows best, even though he has no background in any of the sciences or professions involved. He sends his own grandchildren out into a life-threatening situation because he is willfully ignorant of the danger he is creating.

THIS is like the real villains of the world. He doesn't want anyone to die. Far from it, he only wants good things for people! He's a sweet old man who loves his grandchildren. But he has money and power and refuses to hear that what he is doing is dangerous for everyone, even his own family.

I think he's possibly one of the most important villains ever written in popular fiction.

In the book, he is killed by a pack of the smallest, cutest, "least dangerous" dinosaurs, because a big part of why we read fiction is to see the villains face thematic justice. But like a cigarette CEO dying of lung cancer, his death does not stop his creation from spreading out into the world to continue to endanger everyone else.

I think it is really important to see and understand this kind of villainy in fiction, so you can recognize it in real life.

Sweetheart of a grandfather. Wanted the best for everyone. Right up until what was best for everyone inconvenienced the pursuit of his own interests.

And my client was like that too. His wife had died, and his dog was now the love of his life, and she was this little old dog with silky hair in a hair cut that left long wispy bits on her lower legs. Certain plant materials were easily entangled in this hair and impossible to get out without pulling her hair which clearly hurt her. When i suggested he ask his groomer to trim her lower leg hair short to avoid this, he refused, saying he really liked her usual hair cut.

I emphasized that she was in pain after every walk due to the plant debris getting caught in her leg hair, and a simple trim could put an end to her daily painful removal of it, and he just frowned like i'd recommended he take a bath in pig shit and said "But she'll be ugly" and refused to talk about it anymore.

Sweet old man though. Everyone loved him.

[avelera]

Man, there’s all these little beats in OFMD S2 1-3 where people keep EXPECTING Stede to be upset or horrified about Ed’s actions and then he’s just. Not. In a way that reminded me of how a lot of fanon kept softening Stede into someone who doesn’t swear and is horrified at Ed for setting those ships on fire when imo to my eyes he was horrified for Ed because Ed was still so clearly distressed about it.

- Zheng Yi Sao asks Stede how he’s doing now that he knows Ed did horrible things to his crew and there’s this beat and Stede just pivots to, oh yeah, sometimes Ed is troubled. Like it didn’t occur to him to be upset on the crew’s behalf he’s worried about Ed.

- Izzy keeps trying to spare Stede’s feelings and cover up Ed’s spiral, but Stede clocked what was going on with Ed immediately and wasn’t the least bit intimidated or bothered. The knives brought the room together. Of course Ed’s trying to burn the world down or die trying. Duh. And I genuinely don’t think the STUFF in the Revenge mattered even a fraction to Stede as much as the signs of Ed’s breakdown broke his heart. It’s just STUFF, who cares.

- Lucius had to SPECIFICALLY call out Stede for not being surprised or bothered by what happened to him. What Ed did. Stede has to almost consciously remind himself to express polite concern. He just doesn’t actually care, instinctively or automatically, about what happened to Lucius. Part of it is he blames himself more than Ed. Part of it is he just doesn’t care, Ed is the priority.

They’re little blink and you’ll miss it pauses in some cases. Micro-expressions. The absence of a reaction. But honestly, I will scream it to the end of time, Stede is not some nonviolent creampuff scared or upset by Ed’s evil ways. He wants to join Ed in the atrocities. The man ran away to become a pirate. He asked if Lucius was taking notes during a murderous raid.

Stede’s at least a little on some kind of whackadoodle pirate comedy neurodivergence spectrum to the point where he actually really actually struggles to empathize with people, even people he cares about!, if their feelings conflict with his hyperfixation (piracy) and the love of his life (Ed Teach). He’s always, ALWAYS going to pick Ed over Lucius or Izzy or his crew or even his own feelings, if the option is there. He will literally throw himself overboard to get to Ed’s side. No pause. No consideration of anyone else or even his own safety.

Stede sometimes seems to have to consciously remind himself things like, oh yeah, the crew, I need to see to them. Not because he’s heartless or doesn’t care, but because it takes a bit of conscious effort for him to see beyond the laser-focused spotlight of what and who he does care most about, he has to remind himself of social niceties and other people’s feelings (just see him running away in the first place!) when he gets an idea in his head. It’s as if he had to train himself to consciously care about some things other people care about and as a neurodivergent person myself, that felt very familiar in a comedically writ large sort of way. I’d even argue that’s where all his aristocratic social niceties come from. They were his guidebook for how to do things “right” in a world that otherwise made no sense to him outside his hyperfixations. He practiced being a person through the aristocratic training because it was all so foreign to him from the start, including caring, actually caring, about the needs of others. Not because he’s consciously evil or consciously a jerk. The instinct just isn’t there unless he practices at it until it becomes reflex to ask how others are doing, because on his own his brain just doesn’t really notice or care.

I just… hope the fandom notes and has as much FUN as I do noticing all the little moments where even people inside the story of OFMD expect Stede to act in a normal way and instead he remains unhinged, laser-focused on Ed.

Stede’s not just an Ed apologist, he truly doesn’t blame Ed for any of it. He blames only himself. He doesn’t always voice this but he really really only cares about anyone else including the crew as a DISTANT second and he has to consciously REMIND himself to do so. He is able to rally to take action, to care about their physical needs like safety during the rescue, but he still struggles, deeply struggles, to remember to show empathy in a non-performative way for anyone except his special person, Ed.

Stede’s not a creampuff, not a nice guy, not some emotionally or morally perfect angel. He has to consciously practice caring about literally anything else but what he wants to do and his special person. And to me that’s a thousand times more interesting than shoving him in a box labeled “the blond, pacifist do-gooder good guy” in their relationship.

[punksocks]

Astrology Observation: No.24 (18+ Only)

No minors! Adults only pls

Just based on my opinions only take what resonates

-Water moons/mars are the most likely to just say they love you during s*x (they may mean it too !); Can happen to fire moon/mars too but they may not mean it after the moment; Earth Moon/Mars will not be saying anything without planning well in advance (Earth moon AND Mars, you will not catch them slip lmao); I’d assume Air Moon/Mars would be the most likely to tease the other person(s) and say just about anything but I love you

-Venus aspects to Mars/ Taurus/Libra mars/ Venus and/or Mars in 2nd could really enjoy dressing up in lingerie and setting up a s*xy atmosphere in general (and your partner would enjoy this too !)

-1st/2nd /7th/8th house Venus, Scorpio Venus, Venus conjunct Pluto/ sometimes 12th house venus you may get compliments on your genitals from people during s*x (like told you have a pretty p*ssy lol yea fr)

-1st /8th house mars, Aries mars, Scorpio mars/Mars conjunct Pluto/sometimes 12th house mars would also be this for those in their masc energy (instead of pretty someone might admire the aggressive look of your junk instead)

-Imo the easiest sexual partners to discuss boundaries and such with will be partners that have easy (conjunct/trine/Sextile) mars aspects to your Mercury and/or moon

-I know we’d assume that mars in 8th is the most s*xual but I’d argue that mars in 12th is also super s*xual. Intimacy tends to be heavy on the mind, and there’s a higher chance of mirroring s*xual energy back to others. Especially if the native acts out of their masc/mars energy

-i’d think Aries, Leo, and Scorpio mars would be the most into their partner being SO attracted to them they can’t keep their hands off of them and/or finish too fast (least likely with Scorpio unless you’re just really over stimulating them, most likely with Aries- the most veracious Aries mars go rounds imo)

-I’d argue and assume that air mars/3rd house mars are spacing out the hardest during s*x, and I bet it’s not on purpose (just bouncing between thoughts and coming back to what’s going on)(also if you keep their attention, you’re doing something right)

-Water mars could mean you sleep around for emotional validation (…Imma say it… cancer mars has the strongest chances lol)

-I think your Venus and mars together can show if you’re more of a sub or dom imo (like if they’re both cardinal you’re probably a dom, if they’re mutable then you may be a switch/sub, and if they’re fixed I’d think you’d be hard set on being a sub or dom — and then results may vary depending on the combination of signs and how much of your feminine or masculine energy you act out of.)

-I think Scorpio Venus/Mars makes someone more dominant in s*x than Aries mars/Venus imo (they’re not here to win, they’re here to posses you- that’s so intense man)

-Understated praise kink placements? Virgo moon/mars. They need to hear praises for how well they did or they’re gonna overthink it. Libra/Taurus mars also would like this. And Venus square/opposition Mars would too in a tell me how much you want me sort of way (it makes them feel really desired)

-Tumblr ruined me bc now every time I look up a dudes birth chart and see Sagittarius mars/Jupiter positively aspecting mars I’m like damn, do they just have bde or actually have a big d*ck and I feel bad for guessing lmao but now it’s so automatic

-Strong Lilith placements (1st/7th/8th/10th) can show guys pressuring you to perform their like shadow side fantasies (which is not cool, because where’s the consent? We always need to discuss things beforehand and map out a plan otherwise it’s skeezy behavior -unless you’re into being surprised but even then lol)

-Gemini placements (the big 6, but especially mars) make you louder in bed. And more open to trying new things and switching up positions.

-5th house synastry is really s*xy and fun. Some of the best dates and relationships imo. It also allows you to open up and experiment in a way you never have before. Can keep a long term relationship exciting as well depending on the overall synastry. (Be careful bc this is the pregnancy overlay too oml)

-I think north node in 5th can (depending on the sign and aspects ofc) can point to indulging in the senses, partying, breakin hearts and hookin up a bunch— especially if you’re unbalanced/still learning to balance this with your south node energy

-(in sing songy voice) Scorpio synastry is someone telling you s*x with you makes them f*cking crazy (No they are not kidding ! Lilith synastry is this on steroids but it feels more like you’re lighting this fire in the more masc person - and they’re afraid of burning imo (I’m not singing any more lol)

-I hold to the fact that Lilith in 1st/7th/8th/10th can make someone jump into bed with you way faster than they usually would even if they have like an earth or water mars, if you have Lilith synastry with them this is amplified

-Masc folks/Men with Taurus and/or Cancer in their big 6 (especially mars/venus) are very attracted to women/femmes that are curvy and have an hourglass figure. Aries placements tend to be attracted to athletic figures. Leo placements are likely to jump at figures they find attention grabbing. Libra/Scorpio placement men are more likely to be attracted to figures that they’re socialized to find s*xy. I find that Sagittarius/Pisces is the least likely to have a set type. Aquarius and Gemini are also pretty dependent on personality and conversation skills.

[illusioncanthurtme--art]

TEAM LOSERBOY UNITE!!! The things they will do!! The shenanigans that will ensue!! The people they will disappoint!!

I've had these turnarounds on my patreon ever since I made them, but finally, TONIGHT, I made enough time for myself to put together a casting call for their voices!! It's my first ever casting call, and first time making an animation with my own writing and audio. I'm nervous AND excited!!

I'm planning on making a short animation with these guys to get my animation sea legs again. Then, afterward, if all goes well, I'd love to make a second, longer one!! Cuz I have Ideas >:)

HERE'S THE CASTING CALL if you want to check it out, or maybe... audition??? Or if you know any loserboys in your life who you think would be a good fit voice wise, throw that link their way!

Ramble and meme thingie under the cut!

Drawing these guys was SO MUCH FUN!! Ironically, Dib, although I've drawn the hell out of him, was the hardest to get right. And honestly, he still doesn't look right to me. I think he's so specific in my mind, that he's hard to really pinpoint anymore. But I'm hoping that when I'm actually animating, he'll fall into place. Dipper turned out fine, his profile view isn't though. His posture isn't correct. And his hat isn't correct in the back. I tried to fix this a few hours ago before posting buuut for technical complications with the program I was using, I couldn't. Oh Well. Billy actually turned out the best, imo!! HE'S SUCH A CUTIE PIE!!! My billy design was HEAVILY inspired by the wonderful gaobam fanart by @sockopunch!! Here's a post with their older billy+mandy design! I'm gonna be honest, I was initially inspired in a vague sort of way, and then when the time came to color him in, I subconsciously chose the same colors and everything 😭 I may tweak these designs when the time comes to animate. But for now, this is how they're looking.

I love these guys. So. Damn. Much.

[crimeronan]

i've seen a couple people in the notes of this very good post about fictional polyamory by @thebibliosphere say things along the lines of "oh, i've been doing it wrong :(" or "how do i know if i did this right??" or "i should probably give up and start over, i wrote this badly :(" and. no!!!!

(i AM seeing far MORE people say "oh, this clarified and helped me so much, i think i know how to fix issues i've been having with my own story" which. YES!!!!)

listen. if you're a monogamous person who's writing a polyamorous relationship, and you've been focusing mainly on The Triad and All Three Together All The Time as the endgame, that's literally fine. that's a perfectly acceptable and strong starting point for your plotting, imo. you do not need to give up on a story that you've started like this.

but the things discussed in the post Can and Should improve your execution!

you can keep the same plot beats and overall relationship arc 100%. polyamorous relationships are infinite in their formations, every one is unique. "basically a monogamous romance but with three people" Does exist, as a relationship type. you're not hashtag Misrepresenting (TM) poly people with it

BUT i do think it will help to read up on some poly people talking about how their relationships Differ from monogamous ones.

so i have outlined some basic important concepts about polyamory.

MORE IMPORTANTLY though, i've broken down some questions that you can answer throughout the writing process to strengthen your individual dyad relationships, your individual characterization, & your characters' individual feelings/experiences. this is a writing resource have fun

future kitkat butting in to say i spent over two hours writing this and it definitely needs a readmore. it is also NOT comprehensive. but everything should be pretty simple to follow! feel free to reblog if you find it helpful yourself or just want to reward me for how gotdan long this took KSLDKFJKDL.

i've grabbed quick links for a couple of the important concepts, some have SEO pitches in them but the info largely seems to be good. (if i missed anything Egregiously Gross on these sites i should be able to update the links with better ones later, since they're under the readmore.)

sidenote: this is NOT meant to be overwhelming, despite the length. if you can't read all of this, that's Okay. you do not need to give up on your writing.

here we go:

compersion!

compersion is a BIG thing in a lot of polyamorous relationships. it's joy derived from seeing two (or more) of your partners happy together, or joy derived from seeing your partner happy with someone else.

compersion is really important as a concept because it highlights that every individual relationship within a polycule is different -- and that that's a GOOD thing. it's sort of the inverse of jealousy.

by the "inverse of jealousy," i mean that instead of feeling left out and upset and possessive, you feel happy/joyous/content.

i can use personal experience as an example: it's a Relief for me when my partners receive joy/support/sex/romance/etc that i can't (or prefer not to) give them. and i love seeing my partners make each other laugh and be silly together.

it's 100% okay for a poly triad not to be together 100% of the time, it doesn't mean that the third member is being left out or not treated equally when two people do things alone together.

(i have individual dates with my partners all the time! PLUS larger 3-and-4-person date nights.)

if the third member DOES feel jealous or left out, then the polycule can have a conversation to figure out what needs/wants aren't being met, and solve that. this happens semi-regularly in my polycule, as it will happen in any relationship (including monogamous ones)! it's just part of being an adult, sometimes you have to talk about feelings.

metamours!

a metamour is someone who is dating your partner, but ISN'T dating you. this may not be relevant for people writing closed three-person romantic sexual triads, but it's a super helpful term to know.

the linked article also lists different types of metamour relationships with some fun phrasing i hadn't heard before. the tl;dr is: sometimes you'll be domestic cohabitation friends, sometimes you'll be buddies with your own friendship, sometimes you might not interact much outside of parties, every relationship is different.

there's no one-size-fits-all requirement for metamour relationships. sometimes polyamorous people will end up dating their metamour after a while (has happened to me), sometimes polyamorous people will break up with one partner for normal life reasons, but remain friendly metamours.

the goal of polyamory is NOT for EVERYONE to fall in love. it is 100% okay if this happens in your story, it happens in real life too! but it is also 100% okay for characters to be metamours without ever becoming "more than friends."

(sidenote: try to kill any internalized "more than" that you have when it comes to friendship. friends are just as important and special and vital as partners.)

of course there are a million ways for messiness to occur with metamours within a complex polycule, exactly like with close-knit platonic friend groups. however this post is not about that! there's enough "here's how polyamory can go wrong" stuff out there already, so i'm focusing on the positives here :)

open versus closed polyamorous relationships!

i'm struggling to find an online article that reflects my experience without directly contradicting at least SOME stuff. so i'll give a quick rundown

google has a bunch of conflicting definitions of open relationships and whether open relationships are different from polyamory. the general consensus seems to be that an open relationship prioritizes one partnership (often a marriage), but that each partner can have extraneous flings or long-term commitments (most often sexual in nature).

this is not typically how i use the term wrt polyamory. the poly concept is pretty simple. a closed polyamorous relationship is one with boundaries like a monogamous one. there are multiple partners in the polycule, but they are not interested in having anybody new join said polycule.

an open polyamorous relationship tends to be more flexible -- it just means that IF someone in the polycule develops mutual feelings for a new person, it's fine for them to become part of said polycule if they want to! the relationship/person is open to newcomers.

some groups will need to negotiate this all together, others will just go "haha, you kids have fun." just depends on the individuals!

with open AND closed polyamorous relationships, the most important thing is making sure that there's respectful communication and that everyone is on the same page. but there's no one-size-fits-all way to do that.

i wish i could give you guys a prescriptive "You Must Do It This Way" guide, but that's.... basically the opposite of what polyamory is about, HAHA.

feelings for multiple people!

i was gonna tack this on to the previous section but decided it warranted its own lil bit.

a defining feature (....i'm told?) of monogamous relationships is that a monogamous person only has feelings for One individual at a time. they only want a relationship with one individual at a time. or, if they DO have feelings for multiple people simultaneously, they're still only comfortable dating one person at a time & being exclusive with that one person.

this is perfectly fine!

the poly experience is generally different from this. but once again..... polyamorous people all have different individual perspectives on this.

for me, i have never been able to draw hard boxes around romantic vs sexual vs platonic relationships, & i love many people at once. my personal polycule lacks many strict definitions beyond "these are my chosen people, i want to forge a life with them indefinitely, whatever shape that life takes"

some poly people feel explicit romantic or sexual attraction to multiple people at once, some poly people feel almost no romantic or sexual attraction at all. i'd say that MOST poly people feel different things for different partners, which is not a bad thing!

some poly people are even monogamous-leaning -- they have just chosen one romantic partner who is themselves part of a larger polycule. (so this monogamous-leaning person has at least one metamour!)

or alternatively, they might have one romantic partner AND a qpr, or other ways of defining relationships. (this is a factor in my own polycule!)

i made this its own point because if you're writing a straightforward triad, this is unlikely to come up in the story itself -- but it's worth thinking about how your characters develop/handle feelings outside of their partnerships.

like, is this sort of a soulmateship, 'these are the only ones for me' type deal? in which they won't fall in love with anyone else, and can be fairly certain of that?

that's pretty close to typical monogamous standards but you Can make it work. just be thoughtful with it

alternatively, can you see any of these characters falling in love Again after the happily-ever-after? and how would the triad approach it, if so? what would they all need to talk about beforehand, and what feelings would everybody have about the situation?

it's worth considering these questions even if the hypothetical will never feature in your actual canon, because knowing the answers to these questions will help you understand all of the individuals & their relationship(s) MUCH better.

i've been typing this for nearly two hours and there's a lot more i COULD say because... there's just a lot to say. i'll close out with some quick questions that you can ask yourself when developing the dyad dynamics within your triad

first, take a page and create a separate section for each individual dyad. then answer these questions for every pair:

how does each pair act when alone?

how do they act differently alone compared to when they're with their third partner?

are there any elements of this dyad (romantic, sexual, financial, domestic, etc) that these two people DON'T have with the third partner?

if so, what are they?

are there any boundaries or hard limits within this dyad that aren't shared with the third partner?

if so, what are they?

partner 3 goes out of town alone for a few weeks. what are the remaining two doing in their absence?

(doesn't have to be anything special, it's just to get a sense of how the two interact on a day-by-day basis without the third there)

what is something that each partner in the dyad admires about the other -- that they DON'T necessarily see in the third partner?

what problem do These Two Specifically need to solve in the story before their relationship will work?

how is that problem DIFFERENT from the problems being solved within the other two dyads?

doing this for ALL THREE dyads is VITAL imo. that way, you develop complex and nuanced and different relationships that all have unique dynamics.

those questions should be enough to get you started, i hope

then After you've charted the differences in relationships, you can start to jot down similarities in the overarching triad. what does one person admire in Both of their partners? what are activities that all three like to do together? what are boundaries or discussions that all three share?

but the main goal is to figure out how to Differentiate each relationship!

a polycule is only as strong as the individual relationships within it. if two people are struggling with their own relationship, adding a third person won't fix that.

(UNLESS the third person is the catalyst for those two to, like, Actually Communicate And Work Their Shit Out. i just mean that the old adage of "maybe if we just add a third-" works about as well to fix a miserable non-communicative marriage as, uh, "maybe if we have a baby-")

AND FINALLY.

if you're not sure whether your poly romance reads organically to poly people, you can hire a sensitivity reader with poly experience. if you can't afford that, you can read up on polyamorous resources like a glossary of terms & articles actually written by poly people. (and stories written by poly people!)

you can also just.... ask poly people questions, if they're open to it. i like talking about polyamory and my own relationships so you're welcome to send asks if u want, i just can't guarantee i'll answer bc my energy levels fluctuate a lot and i don't always have time.

polyamorous people are in an uphill battle for positive representation right now & so the LAST thing i want to see is authors giving up on their stories bc they're worried about getting things Wrong. well-meaning and positive stories that treat this kind of love as normal, healthy, & aspirational are So So So Needed. even if you guys end up with some funky-feeling details.

seriously, if you're monogamous then you probably don't have a full idea of Just How Nasty a lot of people can get about polyamory. i wish it DIDN'T mean so much for you guys to want to write nice stories about us, but it does mean a lot. and it means a lot that you want to do it WELL.

in conclusion. this is not a prescriptive guide, it's just a way to raise questions. and also, you all are doing FINE.

[strangesem]

hobie brown x shy/quiet!reader headcanons

spider-punk x reader this is not a drill

long as hell I’m so sorry

a/n: reader is mentioned as being a mom friend but imo that can be gender neutral so this can still be read by anyone!! if that makes you uncomfortable though please skip this post :)

I also imagine hobie as being 19-ish so it’s kinda implied reader lives alone but can def be read as younger!!

most people didn’t notice you at first.

you were quiet; really quiet. you’d mumble your thank you’s, whisper apologies, and generally go out of your way not to interact with people as a whole.

I feel like that gentleness/softness would almost draw hobie to you though?

he’d definitely first meet you as spider-man; saving you from some sort of robber or attacker. and then he’d see you be so shy about thanking him and apologizing as if it was your fault??? he finds it sweet but also kinda concerning for you tbh

and over time he begins to notice you more and more during his patrols; something about you just draws him in.

he definitely likes that you don’t try to tell him or others what to do lol

after talking to you enough as spider-man, and you start to open up, he begins to like you even more

you listen to some of the music he likes? your humour?? not to mention how genuine you are???

(also very useful if you happen to be a “mom friend” type who keeps first aid, candy, etc on you at all times!! he’d definitely appreciate a lollipop to help with the pressure changes while swinging around or a bandage for his cuts)

speaking of which if you ARE the type to have those things on you he may start seeking you out if/when he gets hurt

and after that even when he’s not tbh he’ll just pretend to have a headache and eat some of your candy on your couch lmao-

one time though he comes with wounds a little too serious looking for the standard wet cloth and bandaid treatment you had been used to; and it scares you

you raise your voice a bit louder than he’d ever heard, in a scared tone that was different than your normal anxious voice, and you tell him he should probably definitely go to a hospital

“but I like you so much better” he leans in a little too close, holding on to you a little too tight to keep himself steady, and you suddenly realize the reality of you situation

spider-man is in your living room. he’s bleeding a lot. and you’re the first person he thought to come to; because he likes you? not like that obviously- unless it is like that? NO. people barely even notice you, no one would ever feel like that type of thing for-

“you’re staring” you can feel the shit eating grin on his face; it’s practically burning through his mask

you stutter out an apology and after stammering around for a moment you get him to sit down and do your best to treat his injuries

you can tell the disinfectant stings by the way he flinches whenever you apply it, as well as his teasing that he “thought you were supposed to be nicer than the nurses” but he does his best to sit still and let you dress all of his wounds

you both remain still for a moment, and you think you can feel his eyes on you but you’re too scared to look up. your hands are shaking; they have been this whole time.

“that’s everywhere right? I didn’t miss something?”

he takes off his mask to look you in the eye and tell you he’s okay but you’re just like ????

:O

ANYWAYS you are once again staring bc you now know spider-man’s identity???

I feel like he’s gently hold your face and just give you a quick peck to make sure he wasn’t crossing any boundaries

but if you kiss him back? he’s NEVER stopping

he’ll start randomly crawling through your window with excuses of missing you or wanting to show you something

and soon he’s staying the night at your place or he’s swinging you over to his so you can stay with him

I think dates would definitely be super chill and more like hanging out at each others places than anything else

but if he does a show for his music he’d definitely want you there!!

he’d also probably pick you up and start swinging around the city with no warning just for the way you’ll grab on to him so tightly-

but ofc is you asked him not to he’d stop immediately!

doesn’t get super jealous or anything, he’s a pretty chill guy, but he will get sorta bothered if someone’s aggressively pursuing you even after knowing you two are together

like if someone doesn’t know and flirts with you he’s just like “yeah I’m lucky”

but if someone ever went so far to imply you should be unfaithful and/or should leave him he’d probably tell them to back off and either leave with you or put his arm around your shoulder and glare at them until they leave

either way he’s not starting any fights or anything though; he’s super comfortable in your relationship and hopes you are too

genuinely thinks you’re the most beautiful/handsome person ever like he WILL flex to the other spider-people if relationships come up

he’s really not in to pda though; he’ll put his arm around your shoulders/waist but that’s it. maybe hand holding depending on the situation.

but when you guys are alone he likes physical touch; don’t expect to be on top of each other or anything but having your/his head rested on the others lap or him just resting his hand on your leg is pretty common

he’s also not very big into gifts (he doesn’t buy into the capitalist need for abundance and all that) but he does like giving you jewellery/other wearable items bc he likes to see a reminder of himself/your relationship on you

pls make him a bracelet or something he’ll literally never take it off (also jewellery for any of his piercings is fair game)

he values small intimate things in a relationship; like painting each others nails, listening to each other rant about things you’re passionate about, etc

overall he may not be big and showy but he’s an amazing boyfriend and would love you like a lot

he’d also definitely write songs about/for you bc you’re so important to him and he wants the whole world to know that :((

I haven’t written fanfiction in forever but if anyone has any hobie requests I could write as headcanons I’m open to them!! :)

[kittsch]

ranking cod boys' intimacy style from gentle to rough feat: 141 + los vaqueros + others reader: afab, implied different readers for each cw: explicit smut, kink, fluff, pretty tame imo but lmk if you'd like something tagged NSFW BELOW CUT * MINORS DO NOT INTERACT

1.) the gentlest, surprisingly, is ghost. make no mistake, he'll absolutely fuck the daylights out of you if you ask him to -- would enjoy it, too. but as simon riley... honestly, this man is touch-starved and nearing forty. he is tired, baby. coming home from deployment, first thing simon does is shower (knows you hate the smell of war on him), then take a fat nap with you. if you're in the middle of something, no you're not. he'll literally scoop you up and fireman-carry you to the couch or bed, whichever is closest. simon loves holding you, wants to be touching you all. the. time. his favorite way to nap is wrapped around you like a fitted sheet; skin on skin, nose in your hair as he breathes in the scent of your shampoo. loves it even more when, later, he gets to wake you with soft, open-mouthed kisses on your neck; the flat of his palm sliding down the gentle swell of your tummy, cuping you through your sleep shorts. simon likes you best like this. how you just... melt into him, still sleep-sodden and docile. it's one of the few things that feels right in his life. chemically, cosmically, karmically (somehow--simon doesn't think he'll ever feel like he earned this. you. that he'll ever really deserve to be yours). he takes his time; fucks you slow with his fingers, savoring your muted whimpers as he grinds into your clit with the heel of his hand. to simon, watching you come apart in the firm circle of his arms is kin to a fresco on a ceiling; a sliver of the divine, and he, a sinner, doomed to watch heaven from afar. but by some small miracle, you offer him salvation. when you cum, it's with his name on your lips, so round and lush with love, and fuck--if that isn't the thing to save him, then nothing will.

2.) second is rudy. sweet, sweet boy. he sees you barefoot in a sundress one time. one. that's all it takes to precipitously shift the trajectory of his life to one where he wifes you up and makes you a mother, in that order. you're the first person he's ever envisioned having children with -- the only one he thinks knows will be worth risking everything for. and once that mental picture settles in his mind, it’s all he can think of. it becomes his sole mission to get you under him and fill you with him til it takes. rudy is a missionary guy through and through--wants to see that pretty face, cariño so he can watch your cheeks and chest flush when you're about to cum. and the cute way your lashes flutter ("como alles de pollila, mi amor. fuck--") as he bottoms out in your sweet pussy, stretching you so good. and you're always so good for him -- wrapping your legs around his waist and tilting your hips to take him deeper, deeper. but god help you when he succeeds in knocking you up, you’re never getting a moment alone. consider rudy glued to your side for the foreseeable future. can’t seem to keep his goddamn hands to himself, either. doesn't matter that you’re uncomfortable and prickly and prone to random bouts of inconsolable crying at the worst moments. he takes it all in stride. his love is steady, solid. once, you blurt out something to the effect of i'm never going to be attractive again, my body is gonna be ruined by the end of this. and rudy (after a beat) laughs. pulls you forward til your face is buried in his chest, cradles you there when you try to squirm away. tells you he's literally so attracted to you right now he feels like he should be on some sort of list. he's watching you build a new human being inside your body. you're fucking powerful. he can't imagine anything sexier.

3.) next up is könig. from jump, he adores you; the way you smolder at the edges, the unwavering bite of your tone. kleine katze, such pretty claws you have... and he's perfectly content to settle for admiring you from afar; but where others shy from him instinctually, finding his size and perpetual quiet off-putting, you don't. seem to gravitate towards him because of it. you touch him with a gentleness that should feel foreign, but actually feels like home. this man is fucking gone for you. loves you in a way that irreparably and fundamentally changes him. may or may not have cum more than once to the thought of you: hips bucking desperately into the clench of his own fist. but he knows precisely nichts about romance, even less about flirting. has no idea you've been trying to get his attention for months. ultimately, you have to make the first move. and you do--crawling into his lap one night in a grimy off-grid safehouse after a mission went the wrong kind of sideways. when you draw up the mask he goes rigid, tense; but he almost lost you today. (thought for one endless, horrific moment that he had.) so he lets you pull back the mask--lets you see his face. and when you finally kiss him, it pulls a kind of sound out of him the likes of which he's never made before. a desperate, animal keen that claws at the walls of his chest. and könig's a gentle giant, but he is giant. you're both too hasty the first time; too desperate for closeness to prep properly, so it hurts when he bullies his cock inside you. he's significantly bigger than any of your previous partners -- twice as thick and several inches longer -- and by all rights shouldn't fucking fit inside you, but you're both tenacious enough to make it work. könig is certain salvation resides in the gummy clutch of your cunt when you take him to the hilt; shuddering as you cum around him from nothing but the way his cock stuffs you full and the pressure of his calloused thumb on your clit. it's so unbelievably hot, he cums on the spot; not needing friction or movement when he has you clenching down on him like that, scheiße. after, he takes care of you--holds you close to his chest til your breath evens out and you slip into the dreamless, black pool of sleeping.

4.) alejandro, my love. truly a man of passion. it's a long process seducing you, and he enjoys every minute of it. loves finding new ways to get you to blush almost as much as he enjoys fucking you til you're blubbering and cock-stupid. almost. he likes the idea of having a family with you, but is less pernicious about it than rudy. he knows how he feels about you; is confident it'll happen someday. that said, this man's breeding kink knows no bounds. the mating press was built for him; the perfect mix of intimacy and intensity, where he can look you in the eye as he ruts you so deep you can feel him in your fucking throat. also the most likely to suggest expanding your sexual horizons. frankly, alejandro is bisexual as fuck. loves the idea of you getting railed by another man (perhaps rudy, winkwonk) while he watches; loves the idea of you taking the both of them at once even more, but it's always about you. your comfort and pleasure is paramount, and he'll go to unfathomable lengths to make sure your needs are met. happy wife, happy life, he says, hauling you into a deep kiss when you point out that you're not technically married, yet.

5.) alex is the perfect equilibrium of rough and gentle. initially respects you as a colleague, maybe a friendly acquaintance. internally, he finds your competence and no bullshit attitude deeply attractive, but he's a consummate professional; would never put you into a position where you'd feel unsafe (outside of the obvious dangerous shit you already do). and then--he sees you shoot a gun. the way your body slides liquid-smooth into weaver, the easy roll back into isosceles in the recoil... it gets him so fucking hard so fucking quick. he has to physically remove himself from the range and rub one out in a bathroom stall, images of those firm hands pumping his weeping cock pulling him over the edge. images that don't fade, to his chagrin, even after the initial arousal is dealt with. every time he sees you, it just... pops back up, so to speak. he keeps it locked down as best he can, but fails pretty comprehensively at doing so. alex finally breaks after catching one too many recruits staring after you when you walk away (fuckin' animals--only he's allowed to do that). he seeks you out when you're both off the clock and ends up fucking you on top of one of the washing machines in the base's communal laundry room. the epitome of soft dom, comes pre-programmed with an obligatory daddy kink that you absolutely abuse to get your way. takes you out to nice restaurants seemingly for the express purpose of fucking you in the fancy-schmanzy bathroom. honest-to-god almost passes out when you choke on his cock for the first time; begs like his life is on the line for you to do it again, please, please--oh, fuck baby, yes. that experience reveals two truths to him: one, that he might be a switch, and two, that he might just have to marry you.

6.) now, keegan is a pretty tough nut to crack. it's hard to read him initially, even without the mask--but once you pick up on his tells, he's an open book. and that book wants you upended on the couch within seconds of you both entering the room. initially its just sex; a shared need to vent some frustration and stress. keegan is very private, mostly due to social discomfort and introverted tendencies. in the early days of your relationship, it manifests as him keeping you at a distance. for the first few months, he only ever kisses you when he's balls deep, and leaves after a five-minute come down. you rectify this through sheer persistence and charm. it's clear to you (far sooner than it is to him) that he's weakest to you when you give him big, sweet doe eyes and ask real pretty. this little trick works particularly well when you're riding him slow over the course of an hour, grinding down each time he bottoms out, til he's shuddering and begging you to please go faster--ah. f-fuckin' hell, kid, you're so tight, so good, fuck. when he cums, it's with a crackling whine of your name that pulls the knot of heat in your belly, sending you over after him. then, exhausted and fucked out, he falls asleep with you in his arms. he's still there the next morning when you wake, expression open and lax as he watches you wake. it's the first time you see keegan without reservations, when you realize he's got a gentleness to him--a kind of poet's sensitivity meant for libraries, museum archives, and the kinder side of nature. all overwritten by force to survive, to complete his mission. once you've seen the cracks in his mask, there's no going back for either of you. very quickly, your relationship shifts from distant and transactional to deeply personal; a tenderness blooming in the same garden as the newfound dedication to one another. keegan doesn't say I love you for a long time, but you know he does--you feel it in the way his dark eyes find you in a crowd, always seeking your familiar shape. you feel it in the way he presses your bodies flush from tip to tail while he's fucking you, when being inside of you isn't close enough. you feel it when he, for the very first time, asks you quietly if you'll stay the night with him, because he sleeps easier when you're there. so you stay--the night, and all those that follow.

7.) oh, gaz. such a mischievous little shit. your friend from your training days, you two scrap like puppies over anything and everything. banter is the cornerstone of your relationship, one-upping being a close second. you delight and infuriate one another in equal measure, bickering amongst yourselves til one of you takes a swing at the other. price has reprimanded you both multiple times for horsing around, but you're never in any real danger--you work too well together. there's a kind of shared consciousness between you; a base-level understanding, two wolves hunting in tandem. still, ghost refuses to let either of you sit together on the heli; not since that one time your game of grabass devolved into full-on grappling on the tarmac. ultimately, one of your little tiffs goes too far; ends with you both laid out on a training mat, groaning into each other's mouth as you grind your hips together through your clothes. you both pretend it didn't happen for maybe a week--then it happens again. and again. and again. being 'together' is never something you actually discuss with kyle. it just... happens. much to the chagrin of your lt and captain, the bickering actually increases when you two get together; becomes more like foreplay you can get away with doing in front of your superiors. and if this man isn't an absolute goddamn menace when it comes to exhibitionism. when he wants you, doesn't matter if you're in the middle of a meeting. fuck it--it's happening, and it's happening now. very playful in and out of the bedroom, likes teasing you in every sense of the word. he edges you so long sometimes you nearly kick him in the head when he finally lets you cum. there's my girl--oh shi--ah, haah, good fuckin' girl. he's largely aloof when it comes to his emotions--not the best at verbalizing how he's feeling or what he needs. so instead, he shows you. he shows up every. single. time. kyle's your friend before he's your lover; your partner in (war) crime(s). he's always got your six, you've always got his, and what is love if not someone who'd die (and live) for you?

8.) soap proudly describes himself as a pleasure dom, which is mostly true. but he's got serious switch potential. which you know for a fact because fuckin' hell, does that boy whimper somethin' pretty when you throat him juuuuust right. he's such a 'tits' man, it's crazy. loves to hold you close, feel your breasts smashed against his chest while he drives deep into the tight clutch of your cunt. but most of all, soap loves being on his knees for you. this man definitely moans while he eats you out, tonguing your pussy like it's a mouth. he feels big in every sense of the word--in sex, in love, in anger. and make no mistake, he loves you deeply. you two have some serious yelling matches, storm about slamming doors til the neighbors threaten to call the feds, but it's just your way. you're both headstrong and stupid; arguments are bound to happen, and any unresolved hurt feelings get a solid patch-job from the frankly earth shattering makeup sex that follows. like rudy, soap wants a big family with you, and he knew early. actually doesn't tell you just how early til years down the line. how after your first official date, he called his ma and asked if she'd send his nan's ring, please? because he's pretty sure he just met his future wife. said ring which glitters on your hand now, as you reach over and flick his forehead teasingly. tell him he can stop trying to romance you, you're already married. and could he grab more diapers on his way home from work?

9.) as are all things with graves, your sexual relationship is about power. he's an asshole in the worst way--condescending, smug, underhanded, sneaky in his sexism so you always look like some hysterical woman when you retaliate. the kicker? it turns you on as much as it pisses you off. he's happy to string you along, work you into a lather just to leave you high and dry. lord help you once he gets a taste of you--bending you over his desk and cramming you full of his cock with precisely zero prep. he kisses you, loves you, fucks you like he hates you. because he kind of does--he just wants you more. graves loves it when you cry, wipes your tears with his thumb before forcing it into your mouth. coos when you offer your neck up to him--yeah? want my hands on ya that bad, sugar? gonna be a good girl for me, hm? fuck yeah you are--and proceeds to make you cum so hard you black out. your 'relationship' (which it is; ring on your finger a year in, a little one on your hip not long after) is intense. toxic. would be just downright miserable if it wasn't so fucking hot. you cling to each other with gouging force; a livid-blue kind of love, painful and permanent. he carries a picture of you in his wallet: a small polaroid of you in your wedding dress, ashing a cigarette with one hand while the other flips the cameraman (him) the bird.

10.) and the roughest of them all: price wants more than to love or fuck you -- he wants to possess you. he's so tightly controlled everywhere else in his life (has to be for his work), doesn't seem the type to lose his head over a bird. but when he meets you, something shifts. you're soft. impossibly good. flippant and stubborn as a mule, sure -- you drive him up the fuckin' wall with your headstrong antics. (so goddamn petulant. so sure you're fuckin' right.) but war and death hasn't stained your world, left your indomitable spirit unsullied and intact. which, unfortunately, means you haven't gotten a thorough education on the importance of discipline. price wants to consume your disobedience; crack your rose-tinted glasses under his heel, roll the ambrosia of you in his cupped tongue. he'll do more than make you fall in line -- he'll make you want to do it. it's really just a matter of time before he acts on it. when he does, it's decisive. unsubtle. he crowds you up against the door of your flat on a sticky summer night, brandy on your breath. sinks a hand into your hair, holds you steady as he brings your mouths together with bruising intensity. he fucks you before he ever makes love to you; sinks his teeth into the velvet of your shoulder as he crushes you flat to the tabletop using just his bodyweight. snarls low when you keen wordlessly, overwhelmed and empty-headed at the deep burn-sting of his cock stretching your pretty little cunt, the lewd slap of his thighs against your ass. he batters you til you're not sure what's sweat and what's tears; til your skin bears a mural to his cacoethes, all blue and purple like a deep west sunrise. til there's not a person alive who won't be able to see you're his. always have been, always will, right dove? go on--tell him. tell him who this pussy belongs to.

written by kittsch, do not repost. not to be used for bots nor AI of any kind.