#IM IN PAIN HERE

[thatstoomanysausages]

The blaze burning Mumbo and Skizz’s chairs when it attacked? Devastating foreshadowing…

[tawnysoup]

Finally now that the comic is fully public on comicfury, I get to share it with all of you here, too <3

If you enjoyed, please consider supporting by buying a PDF of the comic on itch.io: https://tawnysoup.itch.io/home-in-the-woods

[hinamie]

I don't want to regret the way I lived

[inkskinned]

you know, you know. no gods, no masters, no kings on pedestals. everyone is fallible. death of the author. you know! you are balanced about your intake of media - you allow the wiggle room, the grace, the gratitude, the skepticism. nobody above criticism.

but still. a weird gut-punch feeling, something akin to betrayal. you read the article. surprise! an author you love is actually: a serial fucking predator.

well, shit. what now. no, you knew he was a person (all people are), but now you're wondering - what have i overlooked by accident? what messages have i internalized that are strange and cruel? and also, like, what the fuck?

his actions lay a thick glaze on top of everything. like each place is now ruined, opaque in a new way. but okay, fine, you've done this before. you knew better, right? you've been betrayed by many a cherished childhood author.

still, this stickiness. fuck. can you pick up that book again. will you read it to your children. you've recommended it to others - will you ever do that again? and of course, of course, no parasocial relationships. you were theoretically above this kind of sentiment. but the artist informs the art, right.

so it's not something as clear-cut as feeling he owed you, specifically (a stranger) better behavior - just that you kind of, in a distant and odd way... sort of trusted him to do better. it's not like a real trust or something speakable, just the faint hope that the product (good books) was a thin representation of the soul. now it feels like the product (good? books?) was a mask. in some small or insignificant way, your previous support of this person lent them power. your money and your time and your laughter.

and the thing is - you have this terrible, echoing sensation. how many times will this happen? over and over. you find out that the singer you love is actually a predator. you learn over drinks that your favorite high school english teacher is in jail for what he did to her. you listen to the news idly and suddenly discover that a woman you used to idolize has been abusing her kids for an actual eon.

what can you touch without the static melting off. you can't even really complain about it too much (you were supposed to know better, and besides, you don't want the same re-split "it's not your fault, love what you love" basic advice), but now it's here. somehow, it feels like - you let him into your life.

it's not that things need to be pure or an artist has to be like, endlessly perfect, mindful. demure. it's more just this terrible truth that has been replayed through your veins so often it feels criminally vain. power corrupts, absolute power corrupts absolutely. did you want any one person to be worth that power?

it's just that he wrote books where he seemed to understand that. he seemed to know about hierarchies and unfair systems and bigotry and privilege. you thought they were books about what it means to struggle. you thought they were about having power and still using it for good rather than for control. he spooned you a narrative of being a good guy, a kind soul. you fucking bought what that fucking monster sold.

maybe that's why they were fantasies, after all.

[flowerplushie]

Kandi flowey asriel bag...

[consultingfujoshi]

some thoughts wrt the two established "romances" in severance so far (burt/irving and helly/mark) inspired by @figmentof who pointed out how irving had to find out mark and helly kissed from the corporate video in s2 e1 and how he must have felt seeing his co-workers' love affair like portrayed like that, and how it ties into the queer narrative at play here which uses workplace dynamics and policies as very clear analogues for real-life prejudice against queer couples. I mean, just look at this:

it's not just documented, but celebrated. used as propaganda for how the conditions on the severance floor have improved. proof that the severed workers are happy. and how even though he is unaware of the sociopolitical meaning of all this, lumon is very not-subtly telling him that what he had with burt is inherently lower and less valuable than this.

irving doesn't even know homophobia exists and yet he is still affected by it, it still seeps into every corner of the way his and burt's romance progresses. burt is positioned as an unacceptable love interest from the jump. irv is actively discouraged at every turn from pursuing it. their friendship is viewed with disgust and apprehension from their coworkers. burt working in a different department that's hated by MDR. dylan himself not being homophobic in the sense he opposes their relationship because they're both men but his attempts to keep them apart still has a parallel sort of prejudice behind it and still ultimately has the same effect as if it WERE driven by homophobia. irving is made to feel perverse for wanting contact with burt. he's told this is for his own good.

and then, just as they manage to overcome that immediate resistance from their peers and escape to a place where they can explore this blossoming romance on their own terms, burt retires. for all it matters to irv, he's dead. and then irving is given the option to live the rest of his life with grief that will never heal, or kill himself too, because there is no reality where they get to be together. that's just the way things are. of course they wouldn't get to be together. he was unreasonable and childish for ever hoping that could happen. this is just the way it goes for innies. he's told to get ahold of himself and not make a scene.

but the thing is, the standards are not the same for all. a heterosexual romance gets upheld as the shining example of success and fulfilment for the severed employees, whilst a homosexual romance is ridiculed and invalidated, and written off as something that was simply never meant to be. and even more importantly to irving, a heterosexual romance is APPROVED OF by lumon, and by extension, by kier. irv held back from allowing himself to even call his and burt's relationship a romance, because his god had told him it was wrong, he followed the handbook, thinking this was what kier wanted, and then finding out after suffering the worst heartbreak imaginable because of it, that this WASN'T EVEN TRUE. it's simply just that someone like HIM doesn't get to have something like this. his love is not the kind of love god wants. he does not approve of irv's love. cynical and manipulative though that approval may be (even within the context of the corporate video, the helly/mark romance is only being celebrated to further the narrative that lumon care for their workers, but the point still remains that it was THEIR romance specifically used to suit this end), when your entire life has been in pursuit of that approval, it must be devastating to learn it was never on the cards for you.

he and burt even used the fact kier met and fell in love with his wife in the same circumstances as them to justify this to each other - and they were RIGHT, god does approve of falling in love with your coworkers - this simply just doesn't apply to them specifically. and if irving needed any more proof that he no longer has a place at lumon, that he's better off not existing at all than existing with this pain that cannot be remedied, pain that won't even be acknowledged for what it is, a symptom of a sickness which plagues the entire severance system, pain that he is simply expected to choke down and get over - this is that proof.

and that's the POINT. they're TELLING us that this is unjust, and there's a double standard. they're using the ways the innies experience romance and the difference in lumon's reaction (lumon being the collective of all the management we've seen, lumon as a singular entity) to burt/irving vs helly/mark to comment on how queer people are not afforded the same level of respect or validation IN REAL LIFE, for their attachments, their love, their pain, their suffering. it is NOT just incidental that irving's romance is with a man. it would not WORK if his love interest was a woman. the POINT is that they are both men and how that puts them at a disadvantage, even if they aren't aware of the prejudices of the outside world, even if they don't TECHNICALLY apply on the severance floor, there are very clear analogues which still end up oppressing them in equivalent ways that they would be suffering if this were a normal workplace in the outside world.

it genuinely sickens me to my stomach that even in a world so divorced from reality and the sensibilities of regular society, a queer couple is still made to suffer and feel inferior in a way that perfectly mirrors their real-life counterparts. how they will never, EVER be allowed to exist in a world where their love could thrive freely and uninhibited - they never get to taste the joy our world has to offer people like them, but they are still somehow subjected to all the pain it has to offer them regardless. it's such horrifically devastating writing. it makes my skin crawl. I can't stop thinking about it

[choccy-milky]

bird in her gilded cage 💙🪽

[willyhoos]

you, and what little remains of your brother.

[dandeleon]

it mcgucket monday (da WHOLE family here‼️)

[deep-sea-anemone]

Yes, yes, Sanji letting Zoro help in the kitchen by letting him chop vegetables because he's good with pointy objects.

BUT. Have you considered?

They live in a world without most electrical appliances. A FUCKTON of physical labor goes into baking (and keep in mind how often Sanji bakes treats for the girls).

Sanji being tired (physically) and not feeling like taking 10 min to whip whipped cream. Being tired (mentally) of Zoro making fun of him for never working out. Sanji saying "fuck it" and just starts putting him to work.

The foccacia dough needs to be kneaded? "Have fun working a sticky mess for 20 minutes, asshole"

Need meringue? "No, STIFF peaks marimo. Don't tell me you're wimping out already"

"Are you even TRYING to flatten that steak Marimo?"

"Yes, it needs whipped cream. YES, I know you just made some yesterday. We need more"

Zoro's shoulders are burning but he's trying SO HARD not to lose face with the cook and meanwhile Sanji is silently losing it at Zoro's shock that cooking can in fact be a workout

[nibbelraz]

if you have more yqy + baby thoughts i would love to hear them ouo

I DO I REALLY DO THANK YOU ANON

I was talking with @/artsarasp about it a couple days ago but I just keep thinking about how Yue Qingyuan finding out that he's pregnant after either having a one time heat of the moment fling with Shen Jiu (he can never think fo Shen Jiu as a fling, it was everything to him) OR he's pregnant from some plant that involved both of there DNA. I like the idea they had a heated moment because already with that Yue Qingyuan would be riddled with guilt about how much he misses Shen Jiu, How he's always wanted to be close to him like that and how he can't ever get that again and how he failed him so he should've never been able to have something like that even for a moment how dare he, How dare he even think of wanting an OUNCE of anything from Shen Jiu after leaving him

And then he's pregnant. He's witn Mu Qingfang. He promises not to say anything to anyone especially because it can put the Sect Master at risk. Especially when he can see how Yue Qingyuan goes white as a sheet after telling him the news.

Yue Qingyuan would be silent. Thinking. He can't tell him. He's already taken so much from him, he's already abandoned him, he's already hurt him so much what would he think of this? He'd never speak to him again, he can handle yelling, the comments, the glare but if he was to never see Shen Jiu again he'd be nothing. He doesn't want to get rid of it the fact he has something of his and his Xiao Jiu he selfishly wants this baby as proof that they were something once, for a time. For a moment. It's not the right reasons to have a child by far and he knows it but he refuses to do anything to stop it.

Mu Qingfang would tell him what he needs and what to do and how they'd try to keep it a secret from everyone but Yue Qingyuan is half listening he has to think of how to hide this from everyone for life.

I keep also thinking about after he has the baby. Successfully without Shen Jiu knowing, except his baby has those eyes, those beautifully sharp eyes that he's used to looking at him with contempt. But on his baby they're wide with curiosity and grabbing at him with such a tenderness its making him want to scream.

Ah but I'm a softie and I physically cannot let a bad ending happen so I feel like of course Shen Jiu would find out. I'm not sure how but he does and it's more gut wrenching than Yue Qingyuan can imagine because he think he hid his own son away from him because he doesn't trust him or that he hates him so much he can't even allow a vulnerability like this. I'm sorry i don't know how but AFTER HARDSHIP AND PAIN AND TIME THEY ARE A HAPPY FAMILY YAY!!!!!

[fakakta-art]

digitizing some sketches i made for my etsy and a completely unrelated song, because i like to add songs :)

[amanfromnewjersey]

I am going insane about these stoats

(my insta is @trisideseye and that's where I mostly post art. I'm purely posting here bc @quiddie is active on here and I need aabria to know, personally ,how fucked up I am about these stoats)

[the-talon-ted-meem]

I forgot about posting this one a bit ago, another based on a true story (I got the N hat and its really cool ok)

Aaaand my wacom tablet is finally dying after all these years....

[jasonsbruce]

[nova-rpv]

his ass is not listening‼️‼️

drawing without backgroung under cut