#IF WE DON'T TALK TOO MUCH

[child-of-the-cosmos]

I love my moots so much. That is all. Have a nice day.

[junghaesin]

Babe! You finished so late. Are you tired?

WE ARE (2024)

[sunnymainecoonx]

Can u guys tell I like setting up different interpretations of the same character together yet

I've done so with swap(he's the most obvious one) and I've done so with horror. And now dusts on that list too. I have had thought of others like ink but, maybe another time

[bongosinferno]

A devastating and confusing thing about the Fallout setting, when you explore the pre-war aspects, is what the creators think about pre-war America. In the first games we only get hints of the pre-war world, but they seem to be some sort of wild fascist nation invading Canada. In Fallout 1, the first thing we're introduced to of the pre-war society is seeing a soldier shoot civilians and laughing.

Now, for the first 2 games and New Vegas we don't really know much. What we know is that there's a fascist military group known as the enclave who were a sort of US deep state even before the war, and that the government teamed up with corporate interests to preform vaguely MKULTRA-ish experiments with the Vaults. Basically, the government was an extreme version of the 50s American jingoism and McCarthyism.

This is well and dandy, I guess issues come up more when we get to the later games, especially 4, where it seems like none of this extreme plotting and societal civil unrest which would exist is seen. The society as presented in 4 also seems quite progressive, gay people are featured in the opening, and none of the baggage of say, civil rights not existing are included. Now on a baseline, I don't want settings to be more conservative, homophobic and sexist etc., but it becomes a very confusing setting when it's displayed both as this jingoist extreme thing with fascist tendencies aswell as a progressive place where everyone is seemingly equal. If you're focusing on the 50s as your setting, and American nationalism in the 50s, then you can't have McCarthyism spoofs and anti-communism as a societal paranoia norm while also general equality is the norm without misunderstanding why McCarthyism and nationalist jingoism is bad. A massive harm done in anti-communist paranoia is how it degrades and vilifies any progressive movements (women's rights, civil rights, homosexuality) as being morally un-American and therefore connected to communism. To ignore this just makes any critique of MacCarthyism and jingoism weird!

Basically, pre-war America in Fallout 4 becomes this both sides thing where America is both pure and equal and white fences in every instance that we see as the player (the intro), while also supposedly being this dystopic MacCarthyist hellscape that's broadcasting gladly about their war crimes in Canada, and wants to root out communism. I guess the only fix for this issue without getting into the fine print like they had to do is just not to focus too much on the pre-war world.

[ruporas]

can’t talk about it

[ID: Black and white comic of Vash and Wolfwood from Trigun Maximum. The comic starts with the sounds "thud, thud, click". Vash, mid-action of peeling an apple, turns to the sound, noticing who it was that entered, and says, "Oh, Wolfwood, you're back." He resumes back to his apple in the next panel as he speaks, "Where'd you go? You snuck out of bed quickly this morning..." Wolfwood's hand then enters the panel, hovering over Vash's cheek and Vash looks up as Wolfwood asks, "Can I?" Vash responds, "Not going to talk about it?" while using a hand to gently hold Wolfwood's hovering hand and presses a kiss to his inner palm.

Vash then gets up fully, setting down the knife down on the table and the apple onto a plate, He leans into Wolfwood as Wolfwood explains, "Had to meet someone. Nothing interesting to talk about." Vash kisses Wolfwood's left cheek and a hand moves to cup his other cheek while muttering, "You're being vague." Wolfwood says neutrally, "If yer really that curious, keep askin'. We  can talk about that instead of doing this." Vash leans back and responds, "Let's talk after, since... You look so tired."

The panel pans to a close up of Wolfwood's downcast eyes, bags heavy underneath his eyes. He doesn't allow Vash to sit in that moment for long though, then saying, "Yer not helping, Spikey. Being all slow with it... I could fall asleep right now." He moves his hand to start unclasping Vash's coat, starting from his collar. Vash with red cheeks, responds briskly, "Oh, shut up. I'm worried about you. I can't be worried?"

The final shot shows Wolfwood's back to the viewer while Vash's softened expression can be seen as he holds gently onto the side of Wolfwood's face and a hand firm on his waist. Wolfwood responds, "I'm fine, seriously," pausing for a moment before continuing, "Is it okay to still..?" Vash responds, "Yeah, it's okay."

The next image is a shot from later that night after the previous comic. Vash and Wolfwood are now in bed, half naked. Wolfwood's buries his face into Vash's chest, his arms wrapped around him, while Vash is petting at his hair. Vash reminds him, "Hey. You said we'd talk about it." Wolfwood pauses for a moment before piping up, "In the morning? I'm sleepy." Vash says, "Okay..."

The next two pages start from the morning after. Wolfwood is already fully awake, pulling on his outer jacket as he says to Vash, whos' still bundled in his blankets, "Breakfast is on the table. Make sure to eat it. I'm going to grab some things in town and then we're leavin'. Got it?" Vash says, "Mh." Wolfwood responds, "Good. See ya in a bit." The dialogue starts to shift into Vash's inner thoughts now, as he gets up and eats toast, thinking, "Wait. Weren't we supposed to... talk about it?" The next shot then shows him fully up, meeting Wolfwood in town. He carries a half worried expression with him while Wolfwood slides on his glasses for him. A quick panel shows Wolfwood's tired expression from the night before and quickly juxtaposes with Wolfwood in front of him who's smiling gently, the shades covering his eye bags. Wolfwood asks him, "Still not awake yet?" Vash pauses, his thoughts stirring, thinking, "Oh. I guess I was getting ahead of myself... thinking you owe me that kind of honesty." He smiles at Wolfwood and responds, "I'm awake!" His thoughts continue, "Maybe one day, you'd trust me enough to share your burdens."

The final image shows Wolfwood pulling at Vash's cheek and Vash complains, "Owwwww why..." Wolfwood quickly says, "You were thinking something stupid, right? It's all over yer face." Vash mutters, "Nooo, I wasn't..." END ID]

[thedramaticduke]

Disney: Yeah, sorryy, we don't know how to make villains without queercoding them and people didn't like the twist-villains, so we stopped making them alltogether :( I hope you like 3593 intergenerational family-traumas!

Dreamworks, while creating not one, not two, but three amazing villains: Pathetic

[egophiliac]

I was going to wait and poke at this a bit more, but the excitement of Upcoming Episode 7 took over. :') so here's one of my alt ideas for Silver's UM poster! this time with more Diasomnia-appropriate colors (that said, you can tear the pink fluffy clouds away from my cold dead hands)

I also recorded this one, for anyone who's interested in that kind of thing! it includes all my fuckups and changing my mind and spending forever adding details before deciding it looks better without, so, uhhh, enjoy my failures! (I kept trying to draw in his jacket details...it never worked...) also featuring lots of drawing on the wrong layer, forgetting how jackets work, and the black censor boxes of continually forgetting to turn off pop-up notifications. hope you like watching me draw birds!

here it is, combined and compressed down to about 10 minutes long (with a warning for flickering and flashing colors from sped-up zooming/layer changes): [ link ]

[gingermintpepper]

In my Zeus bag today so I'm just gonna put it out there that exactly none of the great Ancient Greek warrior-heroes stayed loyal and faithful and completely monogamous and yet none of them have their greatness questioned nor do we question why they had the cultural prominence that they did and still do.

Jason, the brilliant leader of the Argo, got cold feet when it came to Medea - already put off by some of her magic and then exiled from his birthland because of her political ploys, he took Creusa to bed and fully intended on marrying her despite not properly dissolving things with Medea.

Theseus was a fierce warrior and an incredibly talented king but he had a horrible temper and was almost fatally weak to women. This is the man who got imprisoned in the Underworld for trying to get a friend laid, the man who started the whole Attic War because he couldn't keep his legs closed.

And we cannot at all forget Heracles for whom a not inconsiderable amount of his joy in life was loving people then losing the people around him that he loved. Wives, children, serving boys, mentors, Heracles had a list of lovers - male and female - long enough to rival some gods and even after completing his labours and coming down to the end of his life, he did not have one wife but three.

And y'know what, just because he's a cultural darling, I'll put Achilles up here too because that man was a Theseus type where he was fantastic at the thing he was born to do (that is, fight whereas Theseus' was to rule) but that was not enough to eclipse his horrid temper and his weakness to young pretty things. This is the man that killed two of Apollo's sons because they wouldn't let him hit - Tenes because he refused to let Achilles have his sister and Troilus who refused Achilles so vehemently that he ran into Apollo's temple to avoid him and still couldn't escape.

All four of these men are still celebrated as great heroes and men. All four of these men are given the dignity of nuance, of having their flaws treated as just that, flaws which enrich their character and can be used to discuss the wider cultural point of what truly makes a hero heroic. All four of these men still have their legacies respected.

Why can that same mindset not be applied to Zeus? Zeus, who was a warrior-king raised in seclusion apart from his family. Zeus who must have learned to embrace the violence of thunder for every time he cried as a babe, the Corybantes would bang their shields to hide the sound. Zeus learned to be great because being good would not see the universe's affairs in its order.

The wonderful thing about sympathy is that we never run out of it. There's no rule stopping us from being sympathetic to multiple plights at once, there's no law that necessitate things always exist on the good-evil binary. Yes, Zeus sentenced Prometheus to sufferation in Tartarus for what (to us) seems like a cruel reason. Prometheus only wanted to help humans! But when you think about Prometheus' actions from a king's perspective, the narrative is completely different: Prometheus stole divine knowledge and gifted it to humans after Zeus explicitly told him not to. And this was after Prometheus cheated all the gods out of a huge portion of wealth by having humans keep the best part of a sacrifice's meat while the gods must delight themselves with bones, fat and skin. Yes, Zeus gave Persephone away to Hades without consulting Demeter but what king consults a woman who is not his wife about the arrangement of his daughter's marriage to another king? Yes, Zeus breaks the marriage vows he set with Hera despite his love of her but what is the Master of Fate if not its staunchest slave?

The nuance is there. Even in his most bizarre actions, the nuance and logic and reason is there. The Ancient Greeks weren't a daft people, they worshipped Zeus as their primary god for a reason and they did not associate him with half the vices modern audiences take issue with. Zeus was a father, a visitor, a protector, a fair judge of character, a guide for the lost, the arbiter of revenge for those that had been wronged, a pillar of strength for those who needed it and a shield to protect those who made their home among the biting snakes. His children were reflections of him, extensions of his will who acted both as his mercy and as his retribution, his brothers and sisters deferred to him because he was wise as well as powerful. Zeus didn't become king by accident and it is a damn shame he does not get more respect.

[mlobsters]

supernatural s1e16 shadow (w. eric kripke)

I want us to be together again.

be still my beating heart part 2 of ∞ || will he stay or will he go part 1 of ?

(aka the first time i had a full-tilt meltdown over this show)

[genericpuff]

There's a user going around currently reblogging/commenting on antiLO content with the intent of "digging up dirt" on people who simply read and enjoy the comic. Basically demanding the OP's of such posts to inform them of any 'stans' so they can add them to a 'list' that they absolutely do not have any good intentions to do with, along with making some very unsavory and completely unwarranted comments about the fans in general (and I don't mean the usual "lmao LO fans are weird/dumb/etc." stuff, I mean genuinely cruel wishes to have the fans of the comic doxxed/harmed/etc.) I have blocked this user for obvious reasons, and if you get a similar reblog or DM like I did from this person, I hope you'll do the same.

Please do not play into this. As much as I and many others talk shit about this dumpster fire of a comic and its questionable if not outright controversial writing and messaging, none of us have any right to go after any of the fans or stans directly. At best that would just be proving to the fans who already hate this part of the fandom that we're boogeymen out to get people, at worst it would be a betrayal to our own integrity as human beings who should be capable of discussing media without turning it into a harassment campaign. Making shitposts about the media and the fandom is fine, discussing the media itself and the creator who made it within our own little spaces of the Internet is ultimately harmless so long as it's managed within reason, but deliberately going out of your way to dig up personal information on innocent people within the fandom for the purpose of ruining their life is not okay and if you ever get to that point where you're trying to rationalize going after people directly, you need to log off.

[nocofamilyau]

not related to noco at all but what is katie and sadie’s relationship like now?

pretty good all things considered! while they're both married to two sweet guys and have separate families (none of their kids are other td characters, unfortunately...) they're still really close, and still live next to each other at that same beach town they grew up in, now both running that successful 80s themed ice cream business they've been dreaming of! its safe to say they probably suffered the least on Total Drama, only leaving with a couple of minor scars, good god were they lucky..

[cromulentreader]

Although I pictured Jude a certain way (physically) while reading the books, it really doesn't make much difference to the romance aspect of the trilogy. They didn't struggle with their feelings because Jude was ugly/plain/gorgeous. They struggled because their stations in the social hierarchy were polar opposites, yet they both resented each other. Cardan was a prince who saw his station as a play. He had no support network, his guardian beat him for fun, his friends were just using his birthright to get away with being turds. When Jude looked at him, she saw a spoiled prince who did whatever pleased him, blessed with being born into it and reminding her she would never be like them. And then Jude, who saw herself as human/weak/lesser than. Who spent 10 years letting insults slide and hiding under tables in hopes of raising enough in the hierarchy to - even if not truly belong there - at least be left the fuck alone. Cardan looked at her and saw the General's favoured daughter, raised as Gentry, never in rags or forgotten if she were to sleep on stables. Jude reminded Cardan what he did not have despite being a prince.

[deoidesign]

please please please please please please please let me tell you about this comic I want to make it so bad please I can not wait I am losing it

If I don't make the comic then I'm not going to make it... I need other people to see what is in my brain so I'm not the only one going feral over them

[lloydfrontera]

touch averse javier who doesn't really enjoy physical contact all that much and quietly avoids it whenever he can

who quickly learned to avoid being touched as a child in the streets and could never quite forget that lesson.

who after a few uncomfortable incidents where some people got a little too handsy while confessing to him learned to not do anything that may look like encouragement.

who doesn't mind the occasional pat in the arm or quick hug from the people he loves but mostly prefers to keep his distance if possible.

and who post battle-in-hell and subsequent trip-to-seoul becomes the human equivalent of an octopus when it comes to lloyd and is basically attached by the hip to him 24/7.

it starts small enough, so slowly not even javier notices at first.

it begins with him always wanting to keep lloyd in sight or at the very least be able to hear his heartbeat in the next room

then he starts standing next to lloyd, so close their arms brush whenever one of them gestures a little too much

which eventually progresses into pressing against lloyd's shoulder, always keeping a point of contact between them

until one day when their knuckles brush against each other one too many times and lloyd just grabs his hand in his and when javier doesn't pull away he just goes on with his day like that

and it's. it's nice.

it feels nice.

it feels nice in a way touching another person hasn't felt like for javier in a very long time.

and that's how it becomes normal in the frontera estate to see the young master and his knight just casually holding hands with each other every day <3

[yugiohz]

i've been there (and still am sometimes) so i'm saying this out of love, but i feel like once you've reached your late 20s, you HAVE to come to the realization that you have to actively strive to make yourself happy / your life livable! i know it's extremely difficult to deal with the disillusion + depression + isolation combination that befalls a lot of people in their 20s, but you have to actively fight to maintain and expand your comfort zone so you don't sinkeven deeper, because all those corny quotes are right, no one's gonna come and save you, not your mommy not your partner not your baby not your blorbo, this is an internal process that you have to go through, because if you don't you will rot in your comfort zone and rn life rlly rlly rlly doesn't have enough to offer tomost of us that we should or could be okay with that kind of mundane life

[beanghostprincess]

Sanji and Usopp during The Sabaody Incident™ won't leave my mind.

Usopp standing in front of Sanji protectively because he is wounded and he can't fight, so Usopp will do it for him ("I'll do what you can't do").

There is just something about Sanji's expression when he realizes he might actually lose Usopp. This is my interpretation, at least. He is literally frightened.

Usopp helping Sanji stand up to run away. This is crucial for something I want to point out later: Sanji needs help to stand up. (Also, Brook disappears trying to protect them both and saying he will do anything to save them even if it costs him his life. I am feeling sick).

Sanji being self-sacrificing and blaming himself for not being able to protect them/act sooner is not new. But he does manage to gain the strength to fight when Usopp is the only one left with him and the possibility of losing him is even more real now.

The thing that I love the most about this is not Sanji sacrificing himself for Usopp, because he does that. He is like that. But Usopp not running away or moving in the slightest because he refuses to leave Sanji on his own.

Something I'd like to point out too is that Sanji actually touches Kuma before Usopp disappears. He tries to fight and protect him and Kuma could've easily sent Sanji to Momoiro Island right away, and yet Sanji was just sent flying far from the scene and forced to see Usopp disappear in front of him.

And I am not saying that "not being able to protect both Brook and Usopp (especially Usopp) is needed for Sanji to realize he has to become stronger and find more reasons to go back with the crew" but not being able to protect both Brook and Usopp (especially Usopp) is needed for Sanji to realize he has to become stronger and find more reasons to go back with the crew.

Not to mention that we can't deny (right after Water 7/Enies Lobby) that Usopp is one of Sanji's strongest bonds within the crew. This specific scene focusing on them both is more than enough to prove it.

Sanji seeing Usopp disappear in front of his eyes without being able to do anything to save him.

Remember what I said about Sanji needing help to stand up seconds ago? Well. This is him the moment Usopp disappears. What adrenaline and the power of love do to a mf.

They are so "I can lose everything, but not you. Oh God, not you" shaped.