#IDK if you disagree with any of this just scream..

[boimann]

comic 7 spoilers

ok i have a lot of thoughts about comic 7 and i need to ramble a bit or i'll go mad, this post is just to get those thoughts out of my head so read it as me screaming into the void, also these are just my opinions you can 100% disagree with me just please don't yell at me ;_;

i didn't like it, don't get me wrong i did like a few things in it but as a whole... :|

so starting off with the things i did like:

Miss flo pauling :D !!! she's awsome as always, i will always love her no matter what and i'm glad she didn't fall for the australium's temptation and got rid of it :]

SOLDIERS FAMILY!!! they are perfect no notes 10/10

buff merasmus, also perfect

✨heavy with a beard✨

and that's a wrap on the things i liked. what was supposed to be the big finale of this really cool story just ended with a whimper of a flashback...why?? i think the biggest issue i have with the whole comic is the fucking time skip, i honestly don't think it was necessary?? it feels like they just wanted to have a 7 years joke and i get they wanted to show were the mercs are at after the events of the comics but idk i think there could have been another way to show it :/

i especially didn't like what they did with scout, i love the idea of him being a good dad and basically the opposite of spy but idk going from him still basically being scout from the game saying he's moving on from miss p to him being a responsible dad feels really abrupt and it's all because of the timeskip because we skipped past all the development of him getting to that point. am i saying that we should have seen all of that development?? of course not because fitting it all in one issue would have been impossible but the way it is now it feels wrong ;_;

another thing i didn't like was that half of the mercs just didn't have any lines?? :[ it would have been so cool to see more of them or/and seeing them interact for example medic was litterally sided with the enemy for half of the last issue but i guess no one cares?? and i guess demo has nothing to say about his best friend being engaged?? or anything at all really, it was all so fast they forgot to give my man any lines (ﾉ´ｰ`)ﾉ

also didn't love spy taking off his mask because you know most of his character is being a misterious masked rogue but that scene with tanya was really sweet so it cancels out <3

so yeah this was all i could think of right now if i get anymore thoughts i will reblog this post and add them later, for now i will pretend that the comics end with the sixth issue and try not to think about it too much, i hope that anyone reading this post was able to enjoy the comic more than i did and again if you want to add your own thoughts please don't be mean bc i will cry (promise threat)

[hi-i-just]

Idk, I actually kinda disagree on a whole bc tfone did kinda dodge majority of the problematic stuff that IDW introduced — like context matters in the movie

Because like Orion, who led the revolution against Sentinel? That wasn't peaceful — Orion DID use violence considering they literally engaged in battle as soon as they hit the tower (heh). Orion is not above fighting Sentinel or his forces because it's necessary, but when it's clear there's another way to resolve things that would accost less lives and damage, he took it! And he did by discrediting Sentinel throughout all of Iacon.

Whereas the scenes depicting the citizens running away from Megatron after he orders the High Guard to "burn it all down!" — it's there because it shows how Megatron's violence at that point was... Pointless. No one is standing in his way. Sentinel is already dead. Orion dumped into a hole. Heck even the Death Trackers no longer show up. If he's looking for Sentinel's supporters, he could have launched an investigation and have the High Guard hunt them down but he didn't — the first thing he does after naming himself is to destroy idols of Sentinel, and before Elita interrupts him, you can straight up see he's not shooting at any enemy that was threatening him or the citizens, but rather at nothing and anything. He used his anger at Sentinel's injustice as a blunt weapon — anyone unfortunate to be in its way innocent or not be damned.

Also, the narrative isn't saying Sentinel's life matters — on the contrary, they literally had a train crash into the guy. Orion already says it himself — "Rebuilding Iacon cannot begin with an execution". They're not saying Sentinel didn't deserve what he got, but the message of anyone with a gun can shoot someone who can no longer fight back because they're in a fit of emotion instead of having the criminal undergo any due process sends a message that "you can be executed anytime if we think it's justified enough instead of having a trial" — which just screams UNCHECKED POWER. Which doesn't bode well for a society in need of reformation. I wished every billionaire would drop dead nightly, but even I am aware that society can NOT be governed by our worst impulses. D-16 killing Sentinel when the latter no longer has any power is one such example.

Also, people may debate me on this, but apparently, the Death Trackers are drones, not Cybertronians. They may be advanced enough to emulate "sentience" but they're not really living beings by transformers standards.

Also, not sure if you know this, but like, "Rise up!" came from "Decepticons, transform and rise up!" was used as their like, slogan when Transformers Animated (2007) came out and the used in other iterations since (like Transformers Prime), coined by Animated Megatron, who mind you, was voiced by a white guy (Corey Burton).

And also like, D-16 being a villain and then being voiced by a black man is something akin to "demonising" BLM activists or whatnot just.. Doesn't make much sense because like. Jazz is voiced by a black guy and Bee is voiced by Key who is half black and they're both Autobots, or like Alpha Trion who is voiced by Laurence Fishburne and AT is solidly one of the good guys. Whereas there's like, Sentinel and Starscream, who are both voiced by white people and they're both bad guys.

Like, D-16 is straight up my favorite character because how understandable and relatable he is —I can definitely see my younger self in him and I had the same anger he did for the same reasons (it def hits harder bc I'm not white either). But also like, I don't think him being a villain despite all that makes him a problematic depiction — if anything by giving him understandable and sympathetic origins providing him complexity and depth but STILL fall into his worst flaws made me appreciate him more. It's a caution story, it's a sobering "wow that could easily have been me" story. And I love that it doesn't matter how sympathetic your backstory is — you can STILL drop into the pitfalls of being fascist if you don't choose to rise above your worst impulses. Self-awareness is an important theme in the movie too.

IDW Transformers’ take on the war and the origins of the Decepticons was one of those things that was rly thoughtful and interesting to read as a kid (so as the target demographic I guess lol) only as an adult to have some rly troubling implications like the ones you pointed out. I was EXTREMELY relieved that TF One swapped it back so that the Autobots are the low-class miners and the Decepticons were the military (closer to the original cartoon anyway) while still using the IDW comics as inspiration in other ways.

Transformers One is such a strange case for me because on the one hand, it's propaganda. I'm sorry but it's transparently propaganda, it's executives embracing IDW's attempt at "maturity" that well-intentioned or not, inevitably paints the revolutionaries as villains by having them arbitrarily blow up an orphanage, because we gotta demonize revolutionaries who use violence.

We gotta warn kids of the dangers of the violent revolution, because revolution is only permitted if peaceful! Let's just ignore what we were taught about the American Revolution... Seriously, look at the elites' response to Brian Thompson's assassination!

That being said. This is like 95% speculation. But there are clear differences between IDW and Transformers One. So to me, personally, it feels like the writers —Eric Pearson, Andrew Barrer, and Gabriel Ferrari— were aware of the issues of the IDW premise. They were given a basic outline by executives. And so they opted to smooth over the issues as much as they could, work with it, while still being stuck with that basic problem at the end of the day.

So as you've said, I appreciate Orion and D-16 being working-class bots, that they're both coming from the same place. I appreciate the framing of Orion's opposition coming from the concept of Anti-Death Penalty, that no government should have the power to execute people. I appreciate the implications of D-16 siding with disgruntled military soldiers, whose only idea of fixing society is to destroy enemies.

There's something to be said about people who fantasize purely on committing violence, without any of the actual work of rebuilding and keeping things running! That's why Orion's rebellion consists of his fellow miners. I can see the implication, that even if D-16 hadn't gone off, there would inevitably be friction between the High Guard's jingoism and the civilians when Orion reformats things, and bans the death penalty.

...But again, again! D-16 is a black man. Not literally but he's voiced by Brian Tyree Henry, anyone can hear his voice. And his chanting of "Rise up" is juxtaposed with Orion Pax, who is voiced by white MCU star Chris Hemsworth. It feels ridiculous how the movie bends over backwards to paint D-16 as evil with shots of civilians running away from the convenient collateral of his shots, but nothing like that is ever shown with our protagonists and their damage!

B slicing up other Cybertronians is treated as a gag, but Sentinel's life and death matters more than his guards' which is uh. A weird way to frame things. I guess maybe it's because D-16 is doing it out of "reckless anger" whereas B isn't trying to...? But ultimately, the violence of our protagonists is meant to be framed as out of strict necessity, which is something I have to acknowledge.

I can't say for sure what Pearson, Barrer, and Ferrari were thinking. I appreciate Transformers One for smoothing out the edges. But I can't help but see D-16 as a pastiche of BLM activists, of the UHC shooter, because he's willing to be angry and violent towards his oppressors. He's a black man who gets branded and his violence is treated as exceptional and unique because of his anger, meanwhile B's kills are a gag.

There's an irony in that Sentinel's higher-class life is treasured by the narrative, but the lives of his comparatively lower-class bodyguards are worth nothing. The pervasiveness, it felt insidious; It genuinely kept me from enjoying the final battle between Optimus and Megatron, how the narrative wants to be triumphant but the dark undertone can’t be ignored. Call me a buzzkill.

I know people think this sort of trope is meant to be 'nuanced', that it makes for a more 'interesting' villain, one you can relate to and sympathize with. See yourself in. But in the end, you can only go so far in "reclaiming" a stereotype. You can't be in utter denial of the subtext and intention behind it. You can't claim this is actually good writing, I thought we were liking these villains out of spite, not in support of a narrative we think is secretly on our side too!

That executives need a revolution story where the ultimate villain who causes even more violence in the long run is, GASP, a revolutionary who shows people like them no mercy, is telling. There can only be a revolution in media if it shows the elite being deliberately spared at all costs, even to the point of Orion sacrificing his own life (Even if for D-16’s soul), while their own workers like those bodyguards are just fodder.

G1 was not the pinnacle of Leftist media but it was also inoffensive and knew what it was. This is… different.

[cvntluver444]

movie night ellie williams

ִ ࣪𖤐. you just want to have a movie night with friends. ellie just wants you.

ִ ࣪𖤐. warnings : smut minors dni, new writer so please be kind :), language, dirty talk, reader and ellie are kinda switches? 🤨 idk, fucking in front of sleeping people 🤪, intended lowercase, idk i think that’s about it please let me know if i missed any!!

ִ ࣪𖤐. a/n : hi beautiful people and happy sunday ☀️ it feels so good to be excited to write my third fic :) you guys have shown me so much support and i appreciate you so much! if you’re new here, give me a follow and you won’t regret it 🫡 i still have a lot more nasty thoughts to share, but would love you hear you’re requests as well!! i’m really trying to switch it up and write something different, but smut is just TOO GOOD 😊 i’m working on some angst and fluff fics too so stay tuned! love you all so much!

requests are open

🇵🇸 as always, please keep supporting and spreading information on Palestine! 🇵🇸

daily click

⊹ ࣪ ˖ִ ࣪𖤐◞ ꙳ ๋࣭ ⭑ `⋆⭒˚｡⋆ִ ࣪𖤐◞ ꙳ ๋࣭ ⭑ `⋆⭒˚｡⋆ ⊹ ࣪ ˖ִ ࣪𖤐◞ ꙳ ๋࣭ ⭑ `⋆⭒˚｡⋆ִ

“drew baby nooo,” you groan, watching her characters unfortunate fate unravel on the screen. “you were so sexy.” you say frowning, earning laughs from the three of your friends.

“she always did look so hot running through those sprinklers.” ellie adds on, nodding her head slowly. you gave her a little scoff, followed by a light laugh.

“it was her who made me realize i wasn’t straight,” dina explains in a posh accent. jesse just rolled his eyes and pulled dina closer to him.

“i always thought sydney was the hottest.” you state, a look of betrayal on dina’s face for disagreeing with her.

“well maybe it’s because you’re into brunettes,” dina smirks back, telepathically communicating what she meant by it. you roll your eyes and see her line of vision look straight at the brunette in question next to you. you give her a little smile back when she turns to look towards you again. she turns her attention towards jesse and yours toward the movie, every now and again trying to turn your head to catch glances at ellie, her eyes always trained straight ahead towards the movie. you silently prayed that she didn’t pick up on you and dinas hints.

she did.

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you guys were about 45 minutes into the movie. dina and jesse were half asleep on the one couch, and you and ellie both fully awake on the other. sometime in between watching, ellie’s arm had subtly made its way around your shoulders. you didn’t think much of it, just her wanting to make you comfortable. now, your head was resting on her shoulder as her hand grazed up and down your arm, causing goosebumps to arise.

“they didn’t last long,” ellie giggles, pointing to the couple on the couch. your gaze follows to where dina and jesse quietly snore.

“aw, they’re so cute,” you say, your eyes softening at the scene. must be nice you think to yourself. you and ellie are once again quiet, the only sounds filling the living room coming from the screaming on tv.

you were zoning out again, the movie reaching the climax, when you felt another light touch on your naked thigh. you lightly jump, turning your head towards ellie, a nonchalant look washing over her features. turning your head, you decide to ignore it.

it gets hard to ignore though when she starts moving up. this time, when you turn to look at her, you meet her gaze. you stare at her for a second, mouth open slightly.

“ellie?” you breathe out. instead of responding, she slowly leans in and you’re breath stops when her lips meet yours. it started off as a slow make out, but soon turned hot in a matter of of seconds. you both stop quickly when dina and jesse stir awake.

“damn did we really fall asleep that fast?” jesse asks. dina looks just as confused as she sees how far into the movie you’ve gotten.

“yeah uh you guys were out.” ellie explains, scratching the back of her head.

“damn. well we already know what happens.” dina shrugs, turning over once more towards her boyfriend. you and ellie take a moment before light snores fill the room again.

“holy shit,” you breathe out. “i thought we were caught.” you say turning towards ellie. she shrugs, sucks her teeth, then leans in again, not before adding in a small ‘so close’.

you moan into the kiss, causing the hand on your upper thigh to squeeze. it then trails up once more til it hits your clothed pussy.

“god baby, you’re so wet all ready,” ellie teases, littering your face with kisses as her hand starts moving in slow circles.

“fuck ellie.” you moan out, head leaning back. she takes the opportunity to move to your neck. she lightly sucks, letting go of your skin with a light pop making you moan louder. ellie’s hand quickly moves from your shorts to your mouth. you hear a quiet stir from the couch across from you and you give ellie a scared look.

“sh sh sh (the one audio),” ellie quiets you down. “you gotta be quiet baby, or else our friends are gonna wake up and see me fingers deep in your pussy.” her words alone make you wanna cum but then that would mean it would be over.

“please ellie,” you beg. “make me feel good.” you sound drunk with how much pleasure you’re in right now. ellie smirks and looks around the room, eyes landing on a throw blanket on the floor and putting it over top of the two of you.

once settled, she brings her lips back towards yours and you’re back to your hot and steamy make out. this time, however; you feel ellie slowly start to pull down on your sleep shorts, causing you to be half naked under the blanket.

“commando. nice.” ellie smirks, bringing her fingers to her mouth. you watch as she slowly puts them into her mouth, licking and sucking each one so that it comes out followed by a line of her spit. she quickly goes back to running circles, slowly adding in one finger. you moan at how slow she puts it in, just wanting her to stop teasing you.

“ellie. please more.” you’re absolutely desperate. you lean into her again, this time wrapping your arm around to daintily drag your fingers under her shirt. the tips dance along her smooth skin, tones abs, and finally, her tits. you massage them a bit while looking into her eyes, a dumb look on your face from how good she’s making you feel.

“yeah baby? tell me what you need, and i’ll give it to you.” she pauses to lean in for a peck. you now move your hand under her sports bra, massaging her tits, then slowly teasing her nipples. “fuck yes. please tell me what you need. anything.” shes begging you now, and your both whimpering messes and you toy with one another.

“more fingers els. faster. please.” you’re just rambling at this point, anything to end the torture of her one digit slowly pumping in and out of you. she mocks your request a bit, before adding two more fingers and fucking you senseless. you can’t breathe as pleasure takes over your whole body.

“god you look so pretty right now. hopefully those pretty sounds don’t wake our friends up” she teases. you were so mad at how easy it was for her to make you such a mess. your hand that used to rest under her shirt, now moves down towards her boxers, slowly rubbing her pussy up and down. this causes her movements on you to slow down. you smirk, knowing that you now had the control. her eyes shut tight and her mouth fell open as you sped your movements up.

“you look even prettier when my fingers are in your pussy,” you say to her trying to sound strong, but her fingers still pump in and out of you at a perfect rate, causing it to come out in a soft whisper. your fingers now covered in her slick, you copy her by adding in a couple fingers. she spreads her legs apart move, which forces you to do the same.

you two practically laid on top of each other, fingers deep in each others pussy’s and lips locked. the tv now being tuned out by the sounds of penetration and moans.

“fuck ellie, you’re gonna make me cum” you whine.

“i know baby im right here with you. fuck you make me feel so good,” she moans out, “cum with me,” she demands, and two sinfully cum together. you almost forget about the couple sleeping next to you, causing you to let out a loud groan. ellie smashes her lips on yours and you ride your highs out, lips not stopping until you’re breathing had slowed and the movie credits started running.

for a second time tonight, you two quickly pull apart as dina and jesse slowly start to wake up.

“what a great movie!” dina jokes, causing you and ellie to laugh. dina’s head turns towards the two of you and her eyebrows furrow. “did you guys pass out too?”

you and ellie give confused looks before answering, “no why?”

“ah, you guys just look disheveled is all,” she shrugs, causing your eyes to go wide. “anyways we’re gonna go to bed.”

jessie chimes in, “you two coming?”

you give him a quick yeah and slowly start getting up with ellie, but realizing you forgot about your shorts in the make out session. you quickly grab ellie, pulling her back down.

“oh wait,” you quickly try to come up with an excuse. “ellie and i were just talking about how we wanted to watch the second movie!”

nice

“oh uh well ok,” dina says with a small smile, “we would totally join you guys but we’re tired and since we just slept through the first one,” dina pauses before you all four laugh.

you say your goodnights ans sweet dreams while they head up the stairs. once you hear the door shut, you and ellie immediately return to where you left out and lock lips once more, only pausing when ellie pulls away.

“nice excuse, now we get a round two, and three, and four an-“

“ellie, we never put our shorts back on,” you tell her, joking rolling your eyes.

“oh yeah forgot about that,” she says as she looks up behind you and pretends to think, quickly snapping out of it before sinking down in between your legs, eyes trained on yours and mouth dangerously close to your bare pussy. “but i was hoping they would leave so i could have you all to myself.”

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࣪𖤐 note : i’m so sorry it’s currently 6:10am and i started this at 2 and for some reason it’s just now getting down so that why the ending for kinda lame buttt

HOPE YOU ENJOYED PLEASE LMK IF YOU DID

i appreciate all the love you been showing me - whether it’s through likes, comments, reboots, follows, i see it all and i appreciate you!!!

have a fantastic week my lovies 🧡

[naneun-no]

From my drafts so it’s late but:

Today’s delulu thought is that Standing Next to You has too many lyrical coincidences to not be about Jimin.

🫣 I SAID IT WAS DELUSIONAL OKAY

You are free to disagree. You probably should 🤣

I mean we know it wasn’t written by Jung Kook but obviously the version he recorded was arranged with and for JK, and “leave your body golden” can’t be a coincidence right? Like it’s the whole ass album name, plus a word that carries connotations of JK himself, which the ppl who worked with him on Seven must have known.

So if that wasn’t a coincidence… then what about:

1. “How we left and right is something we control” — a callback to both Left and Right by CP feat JK, but also a nod to Butter, a massive BTS hit and a song that he performs alongside his boyfie bestie JM.

2. “When it’s deep like DNA, something they can’t take away” — a callback to another massive BTS hit, interesting. And *delulu warning* also reminds me of JM and JK’s extreme similarities that they themselves have referred to before?? They’re wired the same, they have the same sense of humor, they live and breathe for the same shit and even though they have some very key differences, they really do seem like twin flames (even if you just see it as platonic). They are similar in ways that seem braided into the fibers of their being. Like, in their DNA 🧬 some may say. *delulu warning #2* I’m also reminded of Jimin’s Letter lyrics: “After all this time has passed will we still be the same? Just like we were when we first met.”

Also, “something they can’t take away” is an interesting turn of phrase… more on that later.

3. Okay the real meaty part:

Screaming I’ll testify that we'll survive the test of time, they can't deny our love. They can't divide us, we'll survive the test of time I promise I'll be right here

[I seriously can’t believe how closeted-couple-coded this song is]

First off, again with the Letter lyrics mirrored here with the “test of time.” Then it’s got all this drama about being ripped apart and how it won’t happen and how they’ll be next to each other no matter what and that they have “something they can’t take away.”

Not only does all that line up with other Letter lyrics, but it is so goddamn dramatic and for what?

Be for real, what straight couple in this day and age would have this much working against them?? The only possible explanations are: 1) within the fantasy world of a song I suppose this could be some sort of Romeo and Juliet/West Side Story motif, and to be fair the music video did have a kind of rival gang/crime family look to it? Sort of? With the men fighting below the stage? Idk. Or it could be 2) the fact that idols do in fact often have to hide even their straight relationships, which is wild to me. But I know it’s a thing, so. I suppose there’s that. JK doesn’t seem the type though honestly. I think he’d be even more open about it than V.

On the other hand, the lyrics seem SO fit for a couple who are a) queer, b) closeted, c) currently in/about to be in a legislatively homophobic military and country (am I saying that right? Lol) and d) internationally famous pop idols in the SAME BAND who are both widely regarded as heterosexual sex symbols and would be shunned by many people in their homeland AND internationally if their queerness were to be revealed, much less if they were truly an item and THAT news broke.

Whew. That was a lot but like… that would be a real example of a relationship that would be VERY threatened by outside forces plotting against them and trying to separate them. Not JK and a hot blonde model, not him and a Korean actress, not basically any other scenario but a queer relationship.

Idk I know he didn’t write it but like ??? What the hell is that theme? I’m dying to get inside the mind of the people who DID write it, because are they or are they jikookers at this point like?!

4. Just for fun I’ll also point out the “leave your body golden like the sun and moon” 😏 like. Okay. At this point the songwriters are watching Jikook compilations, drooling over @slaaverin edits like convince me they’re not. CONVINCE ME.

5. “Deeper than the rain”?! “The pain”?! Alright I’m not even serious at this point but ??? Rainy day fight 🌧️?!?! 🤣🤣

6. “Standing next to you” oh you mean like… for 18 months? In a companion enlistment program? Like that?

Alright alright I’m done but you get my point. What even is this song if not an anthem of jikookery?! It’s more on-the-nose than Letter, more sneaky than Still With You. It wasn’t written by JK but at this point I’m calling that the songwriters are as delulu as me.

Hope y’all are well. If you made it to the end of this thank you for donning your tinfoil hat with me and I hope you at least got a giggle.

✌️

[stormblessed95]

Who Thoughts and Theories

First, it's such a good song. I'm genuinely so in love with it, with Jimins vocals, with his dance, with his backup dancers. I'm so impressed with how hard he worked and all the choices he contributed to it. While this is the only song on the album that Jimin doesn't have writing credits on, he was still very much involved in every aspect of the songs creation and it was written with the feelings Jimin wished to portray. I talk briefly about what I believe the overall feelings that Jimin was trying to express in the album Muse, here:

And of course because you should refresh yourself on the song and get that extra stream in before you read....

I'll otherwise just be talking about what I think, my thoughts, my feelings and my theories about Who, the song and the MV in this post. These are of course just my opinions, coming from my perspectives. You are free to agree or disagree as much as you want.

First, I want to say that regardless of the pronouns used in the song, I don't think it has any bearing on Jimins sexuality. People (read: homophobes) cannot use this song as a way to try to say Jimin can't be queer. Not only is that nonsensical and ignoring the fact that Jimin would be closeted if he is queer. But it's also ignoring the way Jimin speaks about the song, which is solely in gender neutral terms. From the original lyrics being "you" instead of "she."

To the way he says "people" instead of "girls/women" about the scene where people walk past him as the options of who he could be looking for. Along with the fact that the billboard with a man's eyes drop right after he sings "who is my heart Waiting for?"

The way that Jimin dances with both men and women and the scene then when they come together, it's absolutely giving west side story. Which is my personal opinion. Which one of the themes of west side story is love striving to rise above the hatred.... And idk about you, but I think that can easily relate to queer love as well. But again, personal opinion only! So this BS that I know everyone rolled their eyes at with the "this proved he is straight" nonsense, is at its core.... Nonsense...

Speaking of his dance, this thread has absolutely nothing to do with what I'll talk about in this post but is so cool and FULL of Jimin appreciation and you should check it out if you want!

Jimin switched aspect ratios of film during his MV of Who. An ARMY linked together all the times he changed ratios, which you can watch here:

As well as going through multiple different types of media: television, comic strips, movie, billboards, etc. Jimin is showing us multiple different storylines within his MV. This same person from above goes into great detail about how all this can show the various details of storylines and storytelling. It's a good read, worth checking out

It's super interesting the way the words play across the screen during certain parts of the MV and how it changes the screen ratios as well. I would love an actual interpretation from Jimin or the MV director over what they actually mean or if it was just in the 90s theme with zero correlation or meanings, but I doubt we will ever get that. So all we can do is guess and make our own interpretations. Which will be affected by our own personal biases. That's the beauty of art though!

The ones I'll point out that I'll say something about are:

Play, both in the corners at times and on the little TV's around the MV

Auto calibration, with the burning wrecked car, where the words flash quickly across the screen at the bottom, right before hand too, the screen ratio had changed again too. And it changes again as he does his partner choreo with the girl

Rewind, which appears during the bridge. Right after the billboard falls and the screen ratio had changed again

And then pause at the very end before the whole screen cuts.... And then we get the end screen with the words play again, basically looping the video, and the Smeraldo Flower

So let's talk about it!

It's interesting that the video basically loops, it's really giving storytelling. Jimin being an actor basically. "Play" being inside the story for the most part. And it's interesting that those parts happen right before a lot of the partnering choreo too. Auto calibration means bringing something back into an acceptable range. Which if we relate this at all to queerness, it's absolutely giving "don't stray too far out of that closet." And it does happen right after Jimin dances with men, before dancing with the woman again. And play is back in the little TV's. It's giving, trying to be perfect and fit into expectations and be in the perfect storybook. And at the end, Jimin is left behind by all the dancers and the billboard drops at "who is my heart Waiting for" and it's clearer and clearer that it really is most likely JKs eyes. If not, it's absolutely a man's eyes and that is screaming queer energy. And even if it is just a promo of some kind, since we don't know the connection between the eyes, JK, "keep going" and AYS yet, it's WILD to put Jikook promo in this type of love song. And yet, these are the two that publicly claimed the song serendipity as theirs. So it tracks.

And when we get to rewind, it's at the same time as he is talking about "people" walking by him as potentials for his perfect match, as well as how he is not able to "match" any of the women he attempts to meet with through dance in his short walk. It is also right after that billboard with ?Jungkook? drops too. Interesting. Trying to get back into the original story perhaps? Perhaps it's not working so well?

Pause. Off. Smeraldo Flower which represents the Truth Untold.... Speaking yourself. Loving yourself. Being true to who you are..... Which is maybe not what was the perfect story that was being depicted through the MV. Who knows! But that is the end. Just to loop around and start again with Play. Where he literally tells us with Muse to "please misunderstand." Again, just interesting. And if you are following my thoughts here, you already know why that is "interesting."

It's giving closeted queer energy and it's giving I like people, not genders and it's giving love.

Which brings me to the very LAST thing I want to talk about. Sorry, I know this is already SO LONG. Jimin is singing amongst natural disasters. So did V and JK actually too. They are singing about declaring love in the middle of some kind of disaster. And I can't stop thinking about that honestly.

It's giving peak grand gesture kinda romance. It's giving intimacy found between two people in love no matter where they are or how loud the world might be around them. It's giving raw and honest declarations of intent and love type vibes. And i just love that they are into and going for that exaggerated confession scene and storybook kinda romance. It's absolutely tracks for who they are as people and the romance they've all talked about wanting too. And who else do we know who always seems to like doing grand gesture type romantic BS for someone else?

Anyway! This is the feeling that people write epic romances about. Your favorite ships? It's the same type of feeling that's inspired here. Let me try to explain this in some kinda way....

It's a trope. "Love conquers all" where it doesn't matter what life throws at you. All the trials, the tribulations, the natural disasters, the normal disasters, any and all shortcomings or failures you might face in life.... The moment of being with the one you love? Of being vulnerable and baring your soul with another person who means the world to you? Making sure they understand how much they mean to you and how much you love them? That's always going to be the most important thing and moment. That is the significance of the intimacy and the romance displayed.

It's the peak, idealistic version of the best relationship you could find yourself in. Nothing and no one matters more than the moments you create with your loved one, even in the middle of a raging horrific apocalyptic disaster ridden world.

And how sometimes, just building up to that confession can make things feel like a horrific apocalyptic disaster ridden world, until you confess. And you let those feelings out. And it's okay. All those disasters quiet down, maybe you even start to enjoy the rain. It was your emotions all along. And then you discover that hey, maybe the reason I'm feeling so calm now is actually BECAUSE of this person I love. Being with them calms my mind, brings me safety, happiness and joy.

Sometimes, in the middle of all the madness and chaos of the world... You are only minutes away from finding that moment with that person that's going to give you something infinite. Something that no natural disaster can destroy or take away from you. Something, and/or someone, so precious.

And there is something so beautiful in depicting this in their love songs. It's inspirational. As well as humorous in regards to Seven. Lol

I'll just finish this off with a link to this twitter user as this moment just came out, and it's about rebirth, but I do low-key agree with them here 😂

And anyway, that was my essay! Lol if you read all of this. Bless you and thank you! You are appreciated! A reminder that this is all just personal opinions. You are free to agree or disagree as you choose!

[witchezandwonderz]

Scar and Remedy

Pairing: Sihtric x Reader

Requested: If you’re still taking prompts, can you do number 25 with sihtric please ? <3

Number 25: "Don’t worry, I’m not the type to bite. Unless you provoke me, of course."

Word count: idk sorry I wrote this on my phone so I haven’t edited it either- will get around to it soon. Enjoy:)

Sadly, all you had known in this life was sadness and loss. You had grown up in a small village within Mercia, where life was a delicate balance between survival and the constant threat of raids. Your mother was the village healer, known for her deep knowledge of herbs and remedies, while your father was a carpenter who dreamed of a peaceful life. From a young age, you showed a natural talent for healing, learning to identify medicinal plants and treat wounds with precision. You, of course, did not have a choice in the matter- even if you lacked a natural talent, it would have been taught to you by your mother regardless.

One day particularly shaped your future, you had been living a normal day in your small settlement, your father was out and equally, so was your mother, whom had left early that morning in order to collect herbs for her medicines. You were awoken from a peaceful slumber to the dreadful sounds of screams. You knew immediately what this meant- Danes. Your mother and father had made you swear that if this were to ever happen, you would need to leave without a second thought. So, that is exactly what you did.

You ran, until you could not run any longer, until the screams were no longer heard in immense volume but nevertheless were still echoing in your mind. This was where a kind man found you, Uhtred of Bebbenburg. You did not trust him initially, for he looked like a Dane. But when a holy looking man appeared from behind him, you felt at ease.

They took you back with them, as they were on a journey of their own. You told them all about your childhood, all about your healing talents and all about the woman that you are today. They had many friends, who were all as kind as each other- well, it depends what you consider to be kind. Compared to the men that you had experienced, they most definitely were of the kindest.

That was when you met him, Sihtric. A warrior whom instantly made your heart flutter. He was handsome, he had scars thHe had this smug little smile whenever he spoke to you, but to your dismay, you felt as though he did not like you very much. If anything, it seemed as though he saw you as an inconvenience, someone dragged along with the war band out of necessity rather than value. Someone else to protect.

And yet… there were these moments, fleeting as they were, when his gaze lingered on you for just a second too long. When his sharp tongue softened, if only for an instant, before he caught himself and went back to his usual smug tone. It left you confused, frustrated, and far too aware of the way your heart betrayed you by quickening whenever he was near.

The first time that he spoke to you, properly, was when you were sat quietly, as usual, stitching up a man’s arm. You did not know what had happened for him to endure such a cut, but most of the time you never did, for it was only your job to fix it. Sihtric had entered the vicinity of where you worked. He lingered for a while, and although aware of his presence, was too focused on stitching the wound. You found yourself cursing him for being there, but he did not know his effect on you.

“You are very quiet.” He announced, stating the upmost obvious. You screwed your face up, not understanding why he felt the need to state his observation.

“It would seem that way, yes.” You responded back in a similar tone to his own, refusing to look up at him. His lips curved into a faint smile. “Why?” He probed. Your eyes flicked to him briefly, before returning back to your focus once more.

You shrugged. “I do not have much to say. I suppose.” To your surprise, he chucked. “I must disagree, I do not think a strong woman such as yourself would have nothing to say.” He pulled a chair towards him as he spoke, and then slumped down into it. You were caught off guard at his words, you did not know how to respond. You let a moment pass, before responding.

“How do you know that I am a strong woman?” You could not help but flash a smile. He leaned closer. “I know of your past, and I can see it in those eyes.” His eyes locked into yours as he spoke. You both sat looking at each other for a few moments, which felt like much longer than you thought accurate. His eyes flickered from to your lips for a second, and in turn your stomach flipped, and your heart drummed. You thought for a second that he was going to kiss you, you hoped he would. But he did not. Instead, he cleared his throat and got up, leaving you in a confused state.

These moments happened frequently, and you found yourself more often than not, confused about his actions. Why was he toy it with your feelings like this? It truly made no sense.

After two months of being with your new companions, the men went off for a battle. You did not know who they were fighting, all you knew was that they were Danes.

Upon their return, it was extremely clear to you that the battle had been fierce, the kind of fight that left the air heavy with the smell of blood and sweat. You were making your way through the men, tending to each one as tenderly as you could.

But then you saw him.

Sihtric was leaning against a fallen log, his face pale, one hand pressed tightly to his side where blood seeped through his fingers. For all his bravado, he looked vulnerable, and the sight sent a pang through your chest. Without thinking, you rushed to his side, your bag of herbs and bandages clutched tightly in your hand.

“You’re hurt,” you said, breathless, kneeling beside him, your hand reaching for his face as an attempt to provide some aspect of comfort.

“It’s nothing,” he muttered, though his wince as you inspected his wound closer.

“Don’t be ridiculous Sihtric, you are bleeding excessively.” You breathed as you darted around him in attempts to stop the bleeding. He grunted in response, which you thought was a negative sign as he normally would have a sarcastic retort.

Sihtric wasn’t one to admit weakness, yet here he was, sitting quietly- with the occasional groan and wince- as you cleaned the gash along his ribs. The cut was deep, but not fatal. Relief swept through you as you began stitching the wound, your hands steady despite the storm of emotions inside you.

You felt eyes burning into you as you worked, causing you to look up at him, only to find that his eyes were not closed shut from pain but were instead fixed upon you, intently.

“Why are you staring at me?” You asked.

“You are magnificent.” His face did not falter, not one sign of emotion, just fact. You let out an awkward laugh- more of a noise really. He must be delirious from the pain and tiredness, you thought.

“You are in no right mind, you do not mean that.” You said quietly, feeling a pang in your heart as you wished that he did mean what he had said. Sihtric rolled his eyes slightly, and grunted as he propped himself up more, causing the needle you were working with to nearly create an even bigger wound. You tutted in response.

“I am in a right mind for honesty. You are magnificently beautiful, it is a fact.” His eyes stayed fixed into yours. You felt your cheeks turn crimson, causing him to speak again. “And you are even more beautiful when you blush.” He let out a small laugh, and then winced from the pain that it had caused him.

You did not reply, and instead decided to finish stitching him up so that you could bring this discussion up again, later, when you were both less cold and in a much less extreme condition.

Later on, once everywhere had quietened down and the sky had now darkened, you found yourself face-to-face with Sihtric as you leaned over him to check the wound at his side. The firelight flickered across his features, casting sharp shadows over his jawline and the faint scars that mapped his skin. His usual smugness was subdued, but it was still there, lingering in the curve of his lips as he watched you work.

“Hold still,” you murmured, trying to focus on securing the bandage.

“You’re awfully bossy for someone who’s not holding a sword,” he said, his tone light.

You shot him a sharp look. “And you’re awfully mouthy for someone who’s bleeding everywhere.”

His grin widened, and you rolled your eyes, muttering something about men and their inability to sit still. To your surprise, he moved up in order to be closer to you, your faces now inches apart. His grin turned wolfish. “Don’t worry,” he said, his voice dropping into a teasing murmur. “I’m not the type to bite. Unless you provoke me, of course.”

You found yourself smirking at his words, and moved your face ever so slightly closer to his. “Is that so?” You tilted your head. “That’s a shame.” Your eyes flickered to his lips, before you gently pushed him back down, separating from each other.

“You’re full of surprises,” he said quietly, his voice losing some of its teasing edge. You shrugged. “Well maybe if you were not so cold with me initially then you would not be surprised by me.”

His smile dropped, and his face seemed to soften even further than it already had.

“I made a vow after my wife died that I would not allow myself to love another who can be taken so easily.” He admitted, his sight fixed on the corner of the room. “But then I met you. And I knew it would be a problem. I was drawn to you immediately and I thought that if I pretend to not want to know you then I would convince myself too.” The words came flooding from his mouth, his raspy voice becoming quicker as they tumbled.

You opened your mouth to respond, but did not know how. What words could possibly be produced in a response for that?

It was almost like he could read your mind, for he spoke before you had too. “Please don’t feel as though you must respond, I know that all of that is very unexpected.” You nodded in response, giving him a small smile. You instead leant down slowly, and planted a soft kiss on his forehead. His breath hitched as you did so, unbeknownst to one another of the fireworks erupting in your stomachs from such a small gesture.

Something flickered in his expression—hope, disbelief, and a longing so deep it took your breath away. Before you could say more, he pulled you down gently, his hand sliding from your wrist to the back of your neck, guiding you closer.

And then he kissed you.

It wasn’t hesitant or unsure—it was fierce, desperate, as if he’d been holding back for so long that he couldn’t bear it any longer. His lips moved against yours with a hunger that sent shivers down your spine, and you found yourself melting into him, your hand sliding to his jaw to steady yourself.

When the kiss finally broke, you were both breathless, foreheads pressed together as you tried to catch your breath. His hand remained at the back of your neck, his thumb tracing soft circles against your skin.

“I have loved you from the moment I saw you. Even when I tried not to. And I know for a fact that you feel the same.” He breathed, searching in your eyes for answers, hoping that he was correct. You nodded, blushing once again. He planted a feather like kiss on your temple.

“And plus, you are so, so” He paused, seemingly not knowing how to finish his sentence. “I desire you, unbelievably so.” He said, pulling you in tighter. You hummed, engulfing him in yet another kiss- this one was more passionate, more breathtaking.

Sihtric pulled away suddenly, breathless. “I lied earlier, I do bite. And I hope you do too.”

[ronniaugust]

How To Write Good Dialogue (Part 1)

I'm gonna start this by saying I'm not trying to sound like a know-it-all. I am just tired of posts like these being absolutely fucking useless. I am aware this is basically me screaming into a void and I’m more than okay with that.

This guide is meant for intermediate screenwriters, but beginners are also absolutely welcome. :)

(about me)

-♠︎-♠︎-♠︎-♠︎-

I've noticed a rise in film students who want to make films that have no dialogue. Probably after your professor showed you Doodlebug, right? Fuck that.

I'll make another post about writing a short film, but all you need to know is: Don't waste the audience’s time. Most of these no-dialogue shorts have very little substance and take way too long to tell the shortest possible story. Not a good idea.

Useless Dialogue

Plain and simple, don't write useless dialogue. Useless dialogue is dialogue that just doesn't fucking matter. Dialogue matters by having ✨subtext.✨

What is subtext? Subtext is the meaning behind the action. That's it.

If I tell you that I love you and I got big doe eyes while I say it, it means I love you. If I tell you I love you through a clenched jaw without looking at you, I don't necessarily love you right now.

Simple, right? Great.

Now think about the subtext behind every line. Does your character mean what they're saying? Are they doing it to get what they want? What is going through their mind as they say it? As long as you know your character, you’ll have these answers ready to go. If you don’t, you’ll figure it out eventually. Just keep writing.

When you write your character walking into a Starbucks and saying, "One venti iced coffee," does that do something? Why do I need to see someone's boring Starbucks order? Do I need to know that your character's boring? Why are you writing a boring character? [Of course, in the rare situation where this is some revealing clue to the massive crime investigation, then it makes sense.]

Useless dialogue is any dialogue that has no meaning or purpose in your script. Delete and move on. You don't need to write entire conversations or scenes that bore us, just write what we care about.

I took a class once where my professor called a version of this "trimming the fat." Get us into your scene and out of your scene in as little time as it takes to have it achieve its full purpose in the script.

[P.S. You don’t “inject” subtext into your lines. Idk who started that vernacular in subtext teachings but I hate it.]

Show vs. Tell

I remember a glorious fight I got into with a Redditor last year about show vs. tell… TL;DR: Dialogue is “show” if you write it with intention and subtext. If someone says that dialogue is inherently “tell,” they’re wrong and can go fuck themselves.

Dialogue that is “tell” is expositional dialogue. But, hot take: Exposition isn't just in dialogue. It’s also those annoying clichés that make you roll your eyes in the theater (which we just call clichés and not exposition). I’m sure every professor I’ve had will disagree with this and then get me into a long conversation about it, but let’s ignore that for right now.

Have you ever seen a movie where a character rubs an old, worn-out photo of a young girl while looking depressed? That's exposition. That character has a dead daughter. No shit.

Clichés are incredibly annoying. We all know that. Assume that any cliché you see - in this context - is exposition and try your best not to write it. (Tropes are different and sometimes necessary, so I’m not talking about that.)

Point blank: When you have subtext in your lines, they are "show,” not “tell.”

Before moving on, I'll bring up that while technically the dead daughter photo is subtextual, it is as close to the character saying “My daughter is dead,” as you can get. Don't treat the audience like we're fucking stupid.

The First 15

If you don’t know what the Inciting Incident is, please look up “3 Act Structure” before reading this.

The first 15 pages of your script is the part that comes before the Inciting Incident. This is the part you want to get right because, although people probably won’t leave the theater, they will absolutely find something else on the streaming service they’re using. The people making said movie will also just toss your script in the trash before it’s even produced, so it's best to get it right.

Dialogue in the first 15 generally follows the same rules, but carries a heftier additional rule. All dialogue in the first 15 minutes must, must, must tell us something about your character.

Remember when I talked about that boring Starbucks order? Why is your character boring? Don’t write that. Don’t write nice characters. Or pleasant characters. Or friendly characters. No one cares.

You want empathy. This does not mean “relatable.” It means “empathetic.” There is a difference.

I personally relate to Vi in Arcane, but I empathize with Theo in Children of Men. Both are excellent, but one personally resonates a bit more with me. You cannot write a character that deeply resonates with every single person, it is impossible.

With each line of dialogue, you must be saying something about your character that generates the empathy. Instead of telling you how to do this, I’ll direct you to a movie that will do better than an explanation: Casablanca.

Watch how Rick interacts with the world. What kind of man is Rick? Watch what he does, what he says, and how he treats people and himself. Watch that empty glass on the table. Watch his contradictions. Everything. Those things matter and it’s what makes you want to watch Rick for the entire duration of Casablanca.

“Realism”

This is maybe more directorial, but make your characters human enough, not too human.

Too human is when you’ve tried your best to capture all those little life-like speech patterns. You know, the ones that no one fucking cares about.

If your character coughs, they’re sick. If they clear they’re throat, they’re uncomfortable. If a bruise isn’t going away, they’re going to die. Simple.

Every moment on screen matters. Everything the audience sees is meant to lead them to a conclusion. Not the conclusion, just a conclusion.

The realism you want is in the choices your character makes, not how many times they say “Uh,” in a sentence.

Conclusion

Dialogue matters and should not be treated lightly or without care. Once you have this all engrained in your mind, dialogue should become effortless.

If you want an excellent way to think about this, Robert McKee's Story has an excellent chapter that helped clarify this all for me. Here's an excerpt and the context.

Warning, spoilers for Chinatown.

"If I were Gittes at this moment, what would I do?"

Letting your imagination roam, the answer comes:

"Rehearse. I always rehearse in my head before taking on life's big confrontations."

Now work deeper into Gittes's emotions and psyche:

Hands white-knuckled on the steering wheel, thoughts racing: "She killed him, then used me. She lied to me, came on to me. Man, I fell for her. My guts are in a knot, but I'll be cool. I'll stroll to the door, step in and accuse her. She lies. I send for the cops. She plays innocent, a few tears. But I stay ice cold, show her Mulwray's glasses, then lay out how she did it, step by step, as if I was there. She con-fesses. I turn her over to Escobar; I'm off the hook."

EXT. BUNGALOW-SANTA MONICA

Gittes' car speeds into the driveway.

You continue working from inside Gittes' pov, thinking:

"I'll be cool, I'll be cool ..." Suddenly, with the sight of her house, an image of Evelyn flashes in your imagination. A rush of anger. A gap cracks open between your cool resolve and your fury.

The Buick SCREECHES to a halt. Gittes jumps out.

"To hell with her!"

Gittes SLAMS the car door and bolts up the steps.

Story by Robert McKee, pg 156

The context of this page is McKee's way of explaining how to write characters. I found it very helpful.

-♠︎-♠︎-♠︎-♠︎-

Thanks for reading! I probably forgot something, so I made this a “part 1.”

I hope this helps someone since I’m really tired of finding short films on YouTube that are all fucking silent. The few who have done it well have been copied to death, so please write some dialogue. I promise you it’s so much better if you do.

Asks are open! :)

[justabigassnerd]

Arguments

Pairing - Jake 'Hangman' Seresin x daughter!reader, Jake 'Hangman' Seresin x Bradley 'Rooster' Bradshaw

Word count - 3,743

Warnings - broken bones, injuries, inaccurate medical scenes, idk hospital stuff, arguing, yelling, swearing, angst, Jake's a bit of an ass in this

Summary - you get injured while out with Bradley, which kicks Jake into 'dad mode' and causes an argument

A/N - hey y'all! sorry it's been a hot minute since I last uploaded a fic! I have been finishing up uni so it's been a bit all over the place. anyway I won't keep you long with this A/N, it's a new part of Hangman junior and as per y'all, please send in requests, feedback, and enjoy!!!

Jake and Bradley had never been a couple to argue. They had a ‘let’s agree to disagree’ mindset when it came to anything the two could potentially make a spat out of. When kids at your school complained about their parents arguing you couldn’t help but feel bad for them because your dad and Bradley never argued. You knew arguing was commonplace between most couples and you were sure that your dad and Bradley would argue at least once during their relationship and all you could hope was that you wouldn’t bear witness to it.

One day, while Jake was out with Coyote, Payback, and Fanboy, you and Bradley decided to head to the nearest park and have a walk around to enjoy the warm spring weekend. The park was bustling with parents and children, couples, and the elderly. It seemed as if everyone had the same idea as you and Bradley, not that you’d complain about it, it made you happy to see so many people out and about. You watched as parents swung their children in between them as their child shrieked with laughter, you saw couples having picnics, tossing grapes at each other to see if they could catch them in their mouths, and you saw elderly people sat together by the pond, tossing grain out for the ducks who greedily darted to the food as they quacked noisily.

“Did you ever do stuff like this with your parents? Go to the park?” You ask curiously, looking up at Bradley to gauge his reaction, worried you might have upset him with the words you didn’t think about before they left your mouth.

“Parks, very rarely, I was more of a beach guy, my parents too. According to my mum, my dad had to drag me almost kicking and screaming from the beach when it was time to go home.” Bradley chuckles, reminiscing on the faint memories he had with his parents.

“Your parents sound like they were lovely people. I wish I could’ve met them.” You say, smiling softly at Bradley who lifts his hand and ruffles your hair with a smile of his own.

“Oh, they would’ve loved you. My mum especially.” Bradley says as he surveys the park, watching a dog bounding across the park as its owner tosses a ball across the grass. He had always wanted a dog growing up, maybe he’d speak to Jake about adding a pet to the family.

“I bet I would’ve loved them too.” You reply, your smile not fading as you look back across the park. You and Bradley continue your walk, admiring the sights and the birds flying overhead. As you walk through the park, you begin to head down some steps to walk along a lower path of the park but just as you near the bottom of the stairs, your ankle rolls and you tumble down the remaining stairs, hearing a crack from your right arm as it shot out to try and stop your fall.

“y/n! Are you hurt?” Bradley said worriedly, darting to your side and crouching alongside you as you cradled your arm and blinked back tears.

“My arm hurts, I heard it crack. I think it’s broken” You say, fighting to keep your voice from wobbling at the pain. Bradley pulls his hoodie off, using it to make a makeshift sling to keep your arm still, apologising quickly when you wince in pain.

“Just your arm? Nothing else? You didn’t hit your head or anything?” Bradley asks, avoiding touching your arm as he scans you over for any other injuries.

“My ankle hurts a little, but my arm is the worst.” You admit, leaning against Bradley as he eases you up onto your feet. Glancing around you see concerned onlookers who glance away the second you make eye contact with them and continue on their way.

“Can you walk? We should get you to the hospital and the Bronco is almost a five-minute walk away.” Bradley asks softly, watching you wince as you accidentally jog your arm.

“Yeah, I can walk. I’ll be fine.” You say, trying to assure Bradley that you’ll be okay. With a slight nod, Bradley leads you to the Bronco, carefully helping you into the front passenger seat and helping you plug in your seat belt before rounding the car to get in the driver’s seat.

“I’ll call your dad when you’re getting treated. I don’t want him to worry too much.” Bradley says as he begins driving to the hospital, fighting the urge to speed the whole way there. He was silently dreading Jake’s reaction to this. You were the most precious thing in the world to Jake and he’d shoot into overprotective dad mode whenever you were in a situation where you could get hurt. Bradley also knew how Jake reacted when you were hurt.

“It’s dad. He will worry no matter what.” You say with a weak smile as you glance over at Bradley who shakes his head with a soft laugh, trying to alleviate his concerns.

It didn’t take Bradley long to drive to the hospital, helping you out once he parked and leading you into the building. He approaches the receptionist and explains what happened and the receptionist simply hands him some paperwork and a pen and tells him to fill it out in the waiting room. Bradley heads with you into the waiting room and sits down in one of the uncomfortable seats and stares at the paperwork in front of him. You provide him with the answers he needs and not long after finishing the paperwork, a nurse enters the waiting room and calls your name.

“You go on ahead, kid. I’ll call Jake.” Bradley whispers, pressing a kiss to the top of your head before you get up and follow the nurse. The second you leave his eyesight, Bradley pulls his phone out of his pocket and calls Jake, the call rings through to answerphone so Bradley waits for the beep so he can leave a voice message.

“Hey, Jake, I just wanted to call and let you know that y/n had a fall while we were in the park, and I reckon she broke her arm. We’re at the hospital now and they’ve taken her off to I assume get an x-ray and sort her out. Just give me a call when you get this. Love you.” Bradley says into the phone before hanging up and letting out a small sigh. Bradley remains sat in the waiting room, anxiously bouncing his leg, and fighting back memories of stuffy hospital waiting rooms he often spent time in during his youth. After what felt like hours, a nurse stuck her head into the room and called Bradley’s name, making him leap out of his seat instinctively.

“y/n is just fine. Her arm is broken but it’s being put in a cast as we speak. We just needed to grab you so the doctor can go through medications and care with you.” The nurse explains as she leads Bradley through various corridors to the room you were in, arm outstretched as the staff tended to it, putting it into a plaster cast.

“You okay, y/n/n?” Bradley asks, easing down into a chair next to you and studying you carefully.

“Yeah. They’ve given me some pain meds, so my arm doesn’t hurt as much.” You say, looking over at Bradley who nods with a soft smile. When the doctor finishes putting your arm in a cast, she turns to look at Bradley as she grabs her clipboard.

“You must be y/n’s father, correct?” The doctor asks, looking at Bradley who glances at you nervously.

“Yeah, he’s my dad.” You answer for Bradley, smiling up at him before looking at the doctor who nods.

“Okay, we just need to talk to you about caring for the injury. We’ve prescribed some medication and we have a care leaflet here about making sure her arm heals well and the cast remains undamaged. If y/n experiences any pain that isn’t being combated by the pain medication come back and we’ll see what we can do.” The doctor explains, handing Bradley a leaflet as you get up from the chair. Bradley thanks the doctor and signs some extra paperwork that needs signing before being allowed to take you back home. As you pick up your medication, Bradley checks his phone and fights back a frown at not a single notification from Jake. He figured Jake would’ve listened to his voicemail by now and would’ve either texted him or called him back. Bradley sent another message through to Jake as the two of you exit the hospital, letting him know that you were heading home. Bradley helps you into the Bronco and drives back home. As you enter the house, you kick your shoes off and turn to face Bradley in the hallway.

“Can I go for a nap? These painkillers are wiping me out.” You admit with a slight yawn.

“Of course, y/n/n. Just make sure you prop your arm up on a pillow or something. I don’t want an army of angry doctors coming my way on the first day.” Bradley chuckles as you roll your eyes but nod regardless. Bradley watches you head upstairs before heading into the living room where he sat down, and his leg began bouncing rapidly at the lack of response from Jake. He tried to put the tv on to distract himself and after almost half an hour his phone pinged with a message from Jake.

‘I’m on my way home.’

The message was blunt and to the point and Bradley immediately knew that he may be in trouble. Bradley knew that Jake was probably speeding the whole way home right now and that he would be envisioning the absolute worst. Before too long, Bradley heard the tell-tale sign of Jake’s truck pulling into the driveway and then not long after, Jake came barrelling into the house, making Bradley leap up from where he was sitting.

“Where is she?” Jake asks, panic evident in his voice as Bradley approaches him.

“She’s up in her room having a nap. She’s fine so we should just leave her be for a moment.” Bradley says as Jake barges past him, heading up the stairs with Bradley hot on his heels. The second Jake reaches your room he opens your door and sticks his head in your room, seeing you lying fast asleep on your bed. Relieved to see you okay, he closes the door before rounding on Bradley.

“How did this happen? Penny lets me and the others use her boat one time, and my daughter gets hurt and I don’t find out until I’m back on land.” He asks harshly, glaring at Bradley whose eyebrows knit together in confusion.

“I told you in the voicemail. She fell down a couple of steps and broke her arm when she tried to break her fall.” Bradley explains.

“And you didn’t try to stop her from falling?” Jake says angrily, his glare intensifying.

“It happened so fast, Jake! By the time I realised she was falling, she had hit the floor. I did what I could. I took her to the hospital and got her the treatment she needed. There was nothing else I could’ve done.” Bradley retorts, defending himself from Jake’s anger.

“Bradley, in letting you in my life all I ask is you look after my kid, and you couldn’t even do that!” Jake said, his anger reaching an all-time high.

“Jake, that’s not fair. I did everything I could have done in that situation. y/n is fine. Yes, she has a broken arm, but she was smiling and talkative before she went up to bed. Nothing has happened to her apart from an injured arm. It’s still your kid in there.” Bradley says, fighting the urge to raise his voice.

“I can’t be doing this with you. I don’t think I can even look at you right now.” Jake scoffs, making Bradley’s heart ache at the harsh words.

“I see. Well, if you need me, I’ll be at Phoenix’s.” Bradley says, moving around Jake and heading downstairs, grabbing his keys, and jumping into the Bronco while Jake remains rooted in place. After taking a couple of deep breaths, Jake enters your room and perches himself on the edge of your bed as you blink your eyes open.

“Hey, dad.” You say with a small smile which Jake couldn’t help but return.

“Hey, sweetheart. Are you feeling okay?” He asks softly as you nod.

“The pain meds are doing their job. Where’s Bradley?” You suddenly ask, propping yourself up on your good arm and glancing behind your dad as if Bradley would pop out of nowhere.

“He’s downstairs.” Jake lies, reaching out to brush a stray hair from your face.

“Don’t lie to me dad. I heard the two of you arguing outside. What did you say to him?” You ask, glaring at him in a way that Jake could only assume was the way he was looking at Bradley just moments prior.

“You wouldn’t understand.” Jake says dismissively, not wanting to tell you about what happened.

“I bet I would. Now tell me what happened.” You demand, making Jake fall silent before he sighs heavily.

“Bradley let you get hurt so-”

“So you yelled at him? Dad, are you serious?” You cut in, your glare intensifying as you process what happened.

“y/n, in being part of our life he should be looking after you.” Jake attempts to justify his anger.

“He did look after me. He took me straight to the hospital and was there the whole time. He has all the details about my medication and how to care for my cast and injury. Do you? I guess not because the first thing you did when you walked through the door was yell at him.” You spit, angrier than you’ve ever been before at your dad. Jake remains silent at your outburst, giving you time to speak once more.

“Put yourself in Bradley’s shoes for a second, dad. Imagine I was Bradley’s daughter, and I was out with you, and I fell and hurt myself. How would you feel?” You ask, watching as Jake processes your words.

“I’d feel bad. Like I could’ve stopped you from hurting yourself if I was quick enough.” Jake replies, looking down at your duvet.

“Okay, now imagine you were feeling like that and then the second Bradley got home he yelled at you and made you feel even worse. Because that’s probably how you made Bradley feel.” You say, making Jake feel awful for the way he had treated Bradley.

“Dad, I know you were worried about me and that’s okay. But you can’t treat Bradley like that for something that wasn’t his fault. I know you love Bradley, and he loves you too. Don’t let this argument ruin your relationship.” You say, wiping your eyes quickly so your dad doesn’t see your tears, but Jake sees them.

“Oh, sweetheart. This argument won’t ruin our relationship. Yes, I was angry at Bradley, but I won’t be divorcing him over this.” Jake says reassuringly, helping you sit up properly before sitting alongside you, wrapping an arm around you carefully and pulling you into his side as you fight back more tears.

“You promise?” You ask through tears, looking up at your dad as he runs a hand up and down your back.

“I promise y/n/n.” Jake promises. He had learnt in raising you that he shouldn’t make promises he couldn’t keep. But his relationship with Bradley was important to him, and he knew he’d be an idiot if he let Bradley go after one silly argument. Jake knew he was in the wrong, that he let his protectiveness get too much and he took it out on someone who didn’t deserve it. Someone who took his daughter in like his own and cared for her when Jake wasn’t around.

“You just relax up here, okay? I’m going to call Bradley and see if I can talk to him. Then I’ll cook us up something to eat.” Jake says once you’ve calmed down enough to form coherent thoughts. He watches as you wipe your eyes once more and nod, allowing Jake to detangle himself from you. As Jake stands up, he presses a kiss to the top of your head before he heads downstairs to call Bradley. Once Jake reaches the living room, he pulls his phone out of his pocket and unlocks it and finds Bradley’s contact, staring at it for a minute before pressing the number and holding the phone up to his ear. The phone rang for what felt like forever, Jake could imagine Bradley sitting watching the phone ring while Phoenix told him to ignore the call. He couldn’t even be mad if that was the case, he knew he deserved it.

“Hello?” Jake was taken aback to hear Bradley’s voice, having fully convinced himself that Bradley would let him go to voicemail.

“Bradley, hi.” Jake breathes, failing to come up with anything else.

“Can I help you?” Bradley replies, a clear exasperation in his voice as he speaks.

“Can I talk to you?” Jake asks, biting his bottom lip as he awaits a response. He hears Bradley move away from the phone, mumbling to Phoenix before returning to the phone.

“Okay.” Bradley says simply.

“What?” Jake says, not expecting Bradley to just talk over the phone.

“You wanted me to talk to you so I’m talking to you.” Bradley replies and Jake could only imagine him sitting back against the sofa with that cocky eyebrow raise of his.

“I mean, come home. I want to talk to you face to face.” Jake says, hoping that Bradley agrees. Jake hears Phoenix whispering to Bradley before the phone clearly gets handed over.

“Listen here, Bagman, you better clean up this act of yours. I get that y/n got hurt but it was out of everyone’s control. If I ever find out that you’ve spoken to Bradley like that again I’m going to fuck you up so bad, you’ll never be able to fly again.” Phoenix threatens, making a shiver crawl up Jake’s back at the intensity of her words. He knew Phoenix’s threats weren’t empty. He knew how close Phoenix and Bradley were and how fiercely protective they were of one another.

“I wouldn’t expect anything less Phoenix.” Jake manages to reply, grabbing the tv remote and turning the tv off when he finally registers that it’s been left on all this time. Jake hears shuffling on the other end of the line and the jangling of keys.

“He’ll be over soon.” Phoenix says quickly before hanging up, leaving Jake pulling the phone away from his ear and staring at it as he held it limply in his lap. Jake sat in silence as he waited to hear the familiar sound of the Bronco pulling up outside. When he heard the rumble of the all-familiar vehicle, Jake shot to his feet, his phone clattering to the floor at the sudden movement as he wrings his hands nervously. Bradley enters the house and locks eyes with Jake who has moved to stand in the living room doorway, his eyes red-rimmed, a clear signal he’d been holding back tears.

“Bradley, I am so sorry for what I said. I was scared and I took it out on you, which I should not have done. You looked after y/n and got her the treatment she needed. You’re a perfect parent for y/n and we’re both so lucky to have you. Now I don’t expect you to forgive me straight away, y/n needs you and she ripped me a new one when she found out what we were arguing about. I know I don’t deserve you Bradley, but I’d be a fool to let you go.” Jake says, clearing his throat slightly after speaking to try and hide the emotions. Bradley remained silent for but a moment before he took a step forward and took Jake’s hand in his.

“Jake, I’m not going anywhere. I don’t appreciate the way you spoke to me, yes, but I know your anger came from a place of worry. y/n’s the most important thing in your life and I get that. Just, if there’s a next time, I’m with y/n and something happens, please trust I’ve taken care of her as best I can. I love that kid so much and I’d move heaven and earth to keep her safe so please don’t assume I don’t care about her because I do.” Bradley says, letting Jake know how he feels about everything. Jake nods slightly, blinking back more threatening tears.

“I know you love her, and I was so stupid to even think you didn’t. y/n was so worried when she learnt about the argument. You mean the world to her, and you mean the world to me too. We can’t lose you.” Jake says as Bradley tugs him ever so closer.

“You Seresin’s are stuck with me.” Bradley says softly, his small, yet loving smile crossing his face.

“Aren’t we lucky to be stuck with you, Bradshaw?” Jake teases, smirking in response as Bradley tugs him into a kiss, the two men relishing in each other’s embrace.

“Are you two okay now?” The two men jump apart at the sound of your voice where they see you standing on the stairs, a cocky smile on your face as you look at them.

“Yes, we’re okay now.” Bradley says, both him and Jake extending an arm out towards you so they could bring you into a group hug. After hugging for a moment, Jake pulls away, clapping his hands together and looking between you and Bradley.

“Alright, I’ll cook us up some food. I did promise, didn’t I, y/n?” Jake says looking at you as you nod, eager to have some of your dad’s homecooked food. Jake then heads to the kitchen with you and Bradley following. As you and your dads occupy the kitchen, you watch with a smile as Bradley turns on the radio, serenading your dad in his soft voice as Jake prepares what he needs to make a meal. You watch the two men with a smile, grateful that you had both of them in your life.

taglist (comment or ask to be added):

@zbeez-outlet @kaceywithak @tsnelf7 @starkleila @cassadilasworld @shanimallina87 @madstxo @chaoticassidy @padsdarlg

[musical-chick-13]

I obviously can't speak for anyone other than myself, but I would say I'm really happy with the women in most of the things I've watched or read in recent memory! I've had to do some digging and research (I vet a lot of things through doesthedogdie.com and cross check stuff through the TVTropes website as well), and sometimes it involves delving into stuff outside the mainstream (if not completely obscure), but I do promise there are a lot of great fictional ladies out there.

Which is why I don't really. Have the patience for "Sorry, we have no women" anymore. I have historically been around women so much--courtesy of being one, or having many of them in my circle of friends, and by virtue of a former career in music/stage performance which was a field heavily-populated with women--that it's just going to take me completely out of the story if there aren't at least several women in it. Women make up half of the population, not seeing them appear in stories is just...I cannot suspend my disbelief that much.

One of the biggest problems I've seen is that people will take female characters who are complicated and who do get to affect the plot in significant and interesting ways and who aren't reduced to one or two love-interest traits...and they will just flatten them out. Idk if you're familiar with the woman in my tumblr icon picture, but she's an excellent example of a psychologically-complex female character: she's an antagonist who is instrumental to the plot, she's afforded sympathy and narrative attention, she upholds the overall themes of the work in a large and consistent way, and every conversation I've ever had about her (and there have been. a lot, lol) has been about a different aspect about her. People reduce this character to "a bitch" because she's an antagonist (in a way they very much do not do with similar antagonist men). People do that with a lot of complex, narratively-significant female characters, even if they aren't antagonists or bad people. People have done this with literally every female character I have ever thought was written well and/or who wasn't chained to her male love interest.

I hear "there are just no well-written women" or "there are just no women who are treated decently by their narrative" all the time, and after hearing these same comments about fictional women who very obviously had a lot of thought put into them, I just...have a hard time believing it's as quite of a widespread problem as people keep telling me it is. I completely understand not having faith in media, but personally I don't have faith in general fandom to interpret fictional women (or, honestly, irl women) with any degree of nuance or reasonableness.

"This show is SO good, you should watch it!!"

I gotta be honest. If I look at a character list on Wikipedia and get five characters down without seeing a single woman, it's probably not for me.

[ikamigami]

At this point I'm just screaming at sun to just get out of there like pull a ruin or eclipse and just leave or at least run away to find himself like his only support is solar and kind of Earth (idk how to put it but something about recent episodes about her reaction to nexus and sun rubbed me the wrong way) and honestly everyone else hasn't given him anything like I feel like if he doesn't get away something even worse is going to happen to him

To be honest with you.. if Sun really has psychotic depression then things aren't looking good..

He most likely has an episode already though it's hard to say when it exactly starts..

They should keep a better eye on him cause even though he doesn't seem to have energy to do something that may harm him he also shows signs of agitation like when he was talking with Jack..

Though he definitely shouldn't go anywhere on his own..

As much as running away and finding a better place may sound promising.. it's actually a bad idea..

Because who knows what he could do in such a state.. or someone could take advantage of it and take him away..

I know that VAs won't do anything drastic.. but at the same time idk.. Moon and Nexus and Solar and Eclipse were time and time again doing things that could end up very badly for them..

I know that they won't show Sun killing himself..

But there's a lot of things that Sun still could do..

I only understand that people are less concerned for Sun because they don't agree with me that he has psychotic depression..

But just please don't come at me to lecture me about this disorder..

I'm not directing it at anyone particularly.. I'm talking in general..

Minor edit: Like if you very disagree (idk why i wrote hardly bxbxbxbbx) with me just don't interact with my posts and that's it..

Though Sun still can try to run away.. like who knows what will come to his mind in such a state and with others not paying much attention to him.. he may just really run away..

But then it's more likely that something bad will happen to him.. unless you like angst, dear anon, it's better if Sun didn't try to run away..

Though yeah something still may happen if no one will pay attention to him..

But unless someone will take him.. though who?

If Atlas then it'll definitely end badly..

But maybe Eclipse? I'd love if that happened ^^ but I doubt that they'll do that 😅

About Earth though.. tbh I think that I get what you mean..

I think that despite how much she cares and tries to support him.. she doesn't know what to do..

She doesn't know how to really help him.. I had this feeling for a really long time..

Though I might be wrong and it just looks like that..

Also because if you run away you have to have a plan.. you have to know where to run to..

Especially when you're in such poor mental state..

It's just too dangerous for Sun to run away from his family without any true direction.. cause it's like a recipe for disaster..

And I really hope that Solar is keeping a closer eye on Sun..

[distant-velleity]

so since you guys seem to want it (at least 6 or so of you, i guess) here are my thoughts re: book 7

(rambling under the cut)

(do NOT circulate this post. this is my post and you guys will abide by my terms. fandom is a HOBBY for me and not a sport, so i'd like to enjoy it civilly and in peace. thank you)

i'm not going to get too deep into my thoughts regarding the dream because i have my own headcanons/deviating interpretations and i don't particularly care too much for the "righteousness" of canon in that regard-- after all, i have my own version of twst im making

rather the point of contention, for me, is malleus himself (and also lilia's role, and also the whole thing about happy endings)

because no one else at the moment is misusing their power to put everyone in a forever coma lol

maybe this is because malleus is the only character for whom i've never been around to see their post-ob flashback; we still have yet to receive it after... what, two years now--? and i've only been in the fandom for one year

and i don't have much emotional attachment to him outside of that

... regardless

i genuinely feel like this should go without saying, i heavily disagree with the ethics of malleus' methods-- using your magic to put people to sleep forever when you KNOW that you're one of the single most powerful mages in the world is wild. now i'm not going to ignore his reasons for doing it, and i love that it's giving closure to some of the characters (the OBers), but-- if anyone for even one second tries to tell me i should be praising him for abusing his power like that then. no thanks. love the end result, NOT the means.

i'm not gonna give malleus a pass for any of this even if he was socially isolated lol

basically what i'm trying to say is that malleus' whole making everyone go to sleep feels more like a "good intentions turned power trip" for me. and while i get why this kind of character would want that kind of control, you also don't see me praising azul for enslaving people w/ his contracts or whatever. you know. this is also on an even bigger scale, so come on man.

this man does not have the shoujo filter

tl;dr for that part: give me malleus post-ob flashback and my life (and compassion) is yours again

ANYWAY

as for this book's conclusion, i really only know one thing-- i sincerely, wholly, don't want lilia getting his magic back. i won't cry and scream if he does, i'll accept it and move on (and make sure tgtwst deviates from canon in that regard LMAO) but. i did talk about this once before on discord

the gist of it is, i want lilia to still be able to live a fulfilling life without magic. i hope he can stick around a little longer and make the most of what he has with his loved ones. i want him to actually be able to express fully that love now that his time is limited. i don't want him just. randomly dying, i still hope he's got quite a bit of time left, but if we somehow force a miracle onto him--

... isn't that... kind of defeating the whole point? malleus will never learn how to accept the loss that he caused this whole eternal slumber over, if lilia's life is extended again

and lilia might have a wake-up call in that regard, but it doesn't guarantee he'll start making the most of it

and silver and sebek will suffer the consequences of these things too

and okay yeah lilia becoming long-lived again gives silver a chance to "repay" him but then can't such a thing also be achieved in the time they have left and after lilia's death

and

yeah

idk. whatever happens happens i guess

tl;dr for this part: let my man lilia chill out holy shit lmao

thanks for reading this far if you did, i'm not looking to start arguments. these are just my honest thoughts on book 7 and if you disagree you disagree i guess

[top-vi]

I know we don’t like to talk about the elephant in the room but as S2’s nearing I think it needs to be addressed:

75% of Rhaenicents are first and foremost Rhaenyra stans, they will make the most outlandish claims about Alicent (e.g. she loves Nyra more than her own children) not because they’re anti Alicent but because they genuinely believe Alicent should love Rhaenyra more. The same fans however will scream bloody murder if you even dare suggest Rhaenyra loves anyone more than her Strong boys.

There is a certain level of hypocrisy in this fandom that people aren’t comfortable with addressing.

who the hell are you people interacting with, genuinely.

i see this sentiment echoed on twitter the other way around: that most rhaenicents are just alicent stans who don't care about rhaenyra at all.

i don't mean any hate, but this kind of generalization is just....reductive and dumb imo. like sure, i bet there are people on both sides who prioritize one character over another in a ship. it happens, that's fandom.

doing this whole well i'm a better person because i prioritize xyz or i don't have biases is so fucking stupid.

idk what else to add to this, other than that i just kinda disagree with your premise. there is no elephant in the room. there is no hypocrisy that people "aren't comfortable addressing." there is nothing to be addressed

curate your fandom spaces and perhaps you'll have a better go at it.

[princessbellecerise]

so, so many thoughts for episode 3. spoilers

first, BAELA AND MOONDANCER I LOVE MY GIRL SO MUCH OMG. the Hightowers absolutely pissing themselves and gwayne crying. my girl had them crying in fear she’s soooo daemon’s daughter

second—im kind of conflicted. On one hand im pissed that Rhaenyra and rhaenys refuse to acknowledge that they’re already in a war, like they are MARCHING as you speak and it’s so frustrating bc theyre trying to prevent a war THATS ALREADY HAPPENING! there IS NO preventing it!! it started the day they usurped your throne girl. you didn’t honestly think you’d get it back without resistance did you?

like I understand them trying to prevent bloodshed and Rhae is trying to be a good Queen and spare her subjects but at this points it’s like girl, either you fight back or you just give up your throne bc sitting there in denial trying to convince your childhood friend to put a stop this isn’t cutting it

And I’m sorry but show rhaenys is just pissing me off. Giving vague, awful advice to Rhaenyra, and not advising her to act as the enemy is literally marching on them?? Girl wtf

The brothel scene…oh my god

When Aemond turned around I FUCKING SCREAMED I DIDNT THINK IT WOULD HAPPEN BUT IT HAPPENED. HOTD HAD OFFICIALLY ENTERED GAME OF THRONES TERRITORY

aegon sitting there making fun of his brother and we finally get to see that he was Aemond’s bully along, even in adulthood when aemond has done nothing but support his brother

“I’m as fearsome as any of the them” the way the whole room was trying not to laugh… 😭

ALICENT OMG

She turned Rhaenyra away not because she disagrees, but because she now fully realizes that she has no more power anymore. Even if she wanted to stop the war, SHE CANT. She put the men around her in power and now she’s forced to watch them completely overrun her. Aegon isn’t as malleable as she thought, Otto is gone and she knows what aemond is (and what he’s gonna become). Bless Rhaenyra and I think it’s just beautiful how she truly thought alicent had power because she as Queen is used to wielding that kind of power but she doesn’t realize that most women do not have that opportunity. Even the dowager queen is just that—a widow. Without Viserys, no one listens to alicent anymore and now she can’t even speak through her sons

I’m sorry but I don’t like what they’re doing with Helaena. Idk if it’s gonna manifest later that she’s going mad but Jaehaerys’ death is literally the spiral that leads to her own death. Idk if they’re gonna change it or what but they’re gonna have to

I’m sorry but the last twenty minutes were pure fanfiction bc how the hell does public enemy #1 sneak into Kings Landing, the white of her hair sticking out, and NO ONE NOTICES. the writers need to just stop but besides that I did like that they finally addressed Alicent’s ‘misunderstanding.’ I swear my heart was pounding in that scene and I was so happy she finally knows he was STILL TALKING ABOUT RHAENYRA. She knows, but it’s too late.

last but not least, Rhaena. I understand her frustration but honestly I agree with Rhaenyra, and I like how they’re foreshadowing that she indeed will be the last of the Targaryen legacy <333

okay I lied, Jace is last BUT I can’t be only one who sees how frustrated he’s getting and I think he’s gonna snap. I think he doesn’t agree with the way her council is talking to his mother but he DOES agree that they need to act. I think he knows that trying to prevent war that’s already happening is fruitless and they’re wasting time and he knows and I wonder how that’s gonna play out with Rhaenyra

[iwritenarrativesandstuff]

If dazai ends up transferring to the PM, how would you feel? 😭

Idk the ADA panels are making me anxious..

Hey hey!

Honestly, I think Mori trying to bring Dazai back in this way wouldn't be a good play on his part at all, and I think he knows this. Dazai has to choose to return himself, otherwise Mori won't end up with an asset at all, just a hindrance. I really can't see that kind of transfer going any way other than Dazai just... up and leaving again first chance he gets. Hahaha

Besides, it'd be a weird move on Fukuzawa's part, and I do believe both Ranpo and Kunikida (as well as Atsushi and Kyouka) would strongly protest - Fukuzawa is shown taking Dazai's advice when meeting with Mori during the Guild arc quite seriously, and even if you think that he somehow doesn't consider him part of the group (I seriously doubt it), Dazai is still an incredible boon to the Agency, especially in dealings with the Mafia or against powerful opponents like Fyodor. It would be a really poor decision to try and transfer him.

While I poked fun at the panels with a couple of memes, I really think Dazai not being there has a lot to do with Fukuzawa's ability - remember that he knows the status of each member of his Agency; of course, with the exception of Dazai.

Also, I seriously don't know if the transfer is going to go through at all at this point. While the Mafia did rescue the Agency members from the Hunting Dogs, it was a traitor in their midst that assured their later capture, and the vampire infection completely ravaged the Mafia's ranks. As far as everyone knows now, it was Fukuzawa and the Agency that "saved the day". Do they still owe Mori? It seems unlike either of them to back out of a deal, but I'm honestly not sure.

If it does still go through, let's think hypothetically on who Mori might take based on what he'd be looking for in a potential transfer member.

Yosano: Obviously he wants Yosano back. But he can't get to her because Fukuzawa guaranteed it.

Dazai: Obviously he wants Dazai back. But I think due to the reasons above, Dazai is safe.

Kyouka: She just left. Also I think Kouyou understands that she's happier here and would not let this happen. Atsushi and Dazai would also not let this happen.

Kenji: Very strong, and recognized as such by Chuuya. However, I don't think his attitude is something that Mori would be looking for. He doesn't exactly scream "operating under cover of night" hahaha

Ranpo: I doubt it, but there could be some advantages. Mori would have another genius tactician for one. However, Ranpo's methods are far removed from Dazai's and Mori's own, and I think he'd have a hard time convincing Ranpo to do anything he doesn't want to... Ranpo is a detective. Case closed. Maybe if Mori had found him instead of Fukuzawa when he was young, but now? No.

Kunikida: This could be interesting. Kunikida is a very moral man; however, he is far from bound to the law (fully willing to break it if he disagrees or thinks it's necessary for the sake of his ideals) and has recently had his ideals and spirit damaged almost to the point of suicide. Transferring him would be devastating. I don't know that I see what Mori would get out of taking Kunikida though, other than weakening the Agency (remember that he's next in line to lead after Fukuzawa). I just don't think there's enough in it for Mori to bother. I also think taking Kunikida would piss Dazai off royally.

Tanizaki: The fan-popular choice. He does, admittedly, make the most sense. Multiple Mafia characters have seen and commented on his talent for assassination. His skills are very useful and his morals basically hinge on Naomi's safety. If Asagiri wanted to elaborate on Tanizaki's character, this would certainly be an interesting way to do it. If Mori can assure Naomi's safety, then he will have Tanizaki's loyalty and a powerful new assassin, and that is what Mori would ultimately be looking for.

Atsushi: Okay, hear me out. Mori has to be well aware of Dazai's creation of a new double black in Atsushi and Akutagawa. He knows full well how powerful the tiger is. Might it be useful to have a double black purely under his command once again? Now, I honestly believe that Mori understands the value of balance in these things and wouldn't take Atsushi so as to have their duo be part-Agency, part-Mafia in accordance with Natsume's tactics. We've also already seen mafia Atsushi in the Beast universe. However, this could be a really interesting way to have reader focus shift to exploring more of the Port Mafia by having our main character literally end up mired in that world. Mori has already worked with Atsushi before (against Lucy), and let's think of what he knows - Fitzgerald set a bounty on him, Dazai recruited him and partnered him with his former mentee, and he's able to work well with Akutagawa (who pretty notoriously isn't a team player). Mori may just find himself intrigued enough to see what the big deal is...

[leejynz]

the boyz - younger or older preference | fluff!

*note this is all fictional and just based off of my opinion of the boyz*

sangyeon | younger

he’s been stuck with 10 younger brothers so he’s definitely used to being the older one

definitely would tease and make fun of his s/o

wants to take bigger responsibilities (man of the house sort of vibe)

big spooning and driving the kids to school

jacob | same age/younger

tbh he prolly doesnt mind age *kevin doesn’t use honorifics for him*

definitely extremely caring to his s/o and will treat you like his queen

he’d take care of you and sleep w/u when you have a cold so both of u can be sick together

will teach you how to play guitar and pat your head when you make mistakes

younghoon | older

even though he’s hyungline, he secretly wants his s/o to be older than him

wants his s/o to comfort him when he cries

teases his noona and gets yelled at for but he enjoys it

younghoon can be shy so having an older s/o can be his perfect half

hyunjae | older

some might disagree but hyunjae would love calling his s/o ‘noona’ all the time

likes to joke around his s/o by calling her full name just to make her angry

sneaky and mischievous and jokes around with his s/o and loves to catch her off guard

wants his s/o taking care of him especially on trips and vacations (putting sunscreen, cooking, setting up plans)

juyeon | same age

i can’t see older or younger idk why?? juyeon definitely wants his s/o to have lots of similarities with him and similar opinions

been together with three other 98liners so he wants his s/o to be his best friend too

he wants to take care of his s/o and be taken cared of at the same time

love at first sight typa vibe.. gets even more attracted if his s/o has more things in common

kevin | same age/younger

at first i thought older but kevin is also on the younger side. like juyeon, he wants his s/o to be his best friend and lover at the same time

would carry you at any random time (with those big ass arm muscles)

panics and starts high pitch screaming whenever his s/o makes mistakes/accidents

calls his s/o cute when she looses in arm wrestles and tries to come up with excuses

chanhee | younger

i’m lowkey contemplating myself on this one but tbh i’ve noticed new gets rlly energetic with the members especially the maknae line

new would find his s/o cute if she was like innocent but immature at the same time

pranks his s/o at a serious situation just to see her reaction after

starts laughing when his s/o cries during a movie but hugs her and comforts her after

changmin | older

changmin def wants his s/o to be more calm and collected (kinda) like his hyungline

loves to see his s/o loose in a bet and does aegyo for the punishment

likes to scare his s/o just like his hyungs and records the reactions

when he sees his “noona” cry but doesn’t know what to do so he lets her head lay on his chest

juhaknyeon | younger

most confident with this one; ngl i thought he was in the hyungline when i first saw tbz

wants to be the “older one” and would teach his s/o english and chinese words everyday

gets mad at his s/o whenever she’d skip meals or gets injured/hurt

during a fight with his s/o, he sees her cry and suddenly worries. puts her to sleep after.

sunwoo | older

no i will not be biasing him or eric bc they r the maknaes

sunwoo is def mature for his age but also a little kid sometimes. s/o def has to match his energy 100%

s/o will put portions of food in his mouth and ask him if her cooking skills are good

will continuously remind sunwoo his daily schedule every single morning

eric | older

eric wants somebody he can lean on to and someone he can learn from.

makes big accidents and pretends nothing happened in front of his s/o (she obvi knows)

whenever s/o starts yelling at him, eric starts joking around and keeps saying he’s sorry

tries to impress his noona with his dancing skills whenever she’s upset (and it works)

[marshmallow-fluff-ruff]

Against my better judgment for my own sanity, I looked at this long ass thread of comments on TikTok under a video about normalizing age regression where someone had said both age regression AND age play are valid and should be more understood and stuff, and ofc cause TikTok is TikTok and the internet is the internet and yada yada, most people were disagreeing and saying that age play is this this and that bs

The person responded to a few for a while and was extremely nice and respectful about it and explained things well.

The part that stuck out to me though was they said that “[age play] isn’t about ‘you are now a baby’, it’s about ‘you are now mine to take care of.’”

And idk I just feel like that’s the best my POV on the whole thing has been stated

Majority of people interested in age play I’ve seen are not predatory, they are not attracted to children or even necessarily child-like qualities, they are interested in the safety and healing and comfort of the dynamic of being taken care of/taking care of someone

This goes for pretty much all kinks: as long as the people involved are consenting adults and they aren’t imposing it on anyone who ISNT a consenting adult, there is nothing morally wrong or harmful about it

I think a common misconception a lot of people have about kinks, especially roleplay related kinks, in general is that they’re somehow fetishizing their real counterparts, when for majority of people it is much more about the dynamic and exploring those dynamics between them and their partner(s) in a way that feels good to them without any real danger or assault or anything involved

Someone roleplaying CNC is no where NEAR the same as legitimately being r4ped. It is not the same action, it will not have the same consequences or effect on a person, the intentions behind it are different, etc.

Same goes for any other forms of kinky role play, INCLUDING age play

Someone partaking in age play is no where NEAR the same as genuinely having relations with/abusing/being attracted to a child. It’s not the same action, it will not have the same consequences or effect on a person, despite what many people seem to believe, THE INTENTIONS BEHIND IT ARE DIFFERENT!!!!

Age play for the most part is a mix of a caregiving dynamic and acting a different age than you are in someway (which can be older or younger!)

For people who play as younger, often it is about being vulnerable and open, being more expressive, enjoying things without shame about “being too old”, having the opportunity to me cared for in a way they probably haven’t experienced since childhood or unfortunately didn’t get in childhood at all, giving up responsibility, etc.

For people who play as older/are on the caregiver end, it’s often about feeling responsible and important, caring for someone you love, seeing someone you love in a vulnerable and open state and knowing they’re safe with you, caring for someone in a way you may have wished you were cared for when you were younger, being comforting, etc.

Honestly my biggest issue with age play IS THE NAME because I feel like it’s partly misleading.

Like yes, roleplaying as an age different than you are is involved, but it’s not really about pretending to be a kid because you think that’s attractive, it’s about the dynamic, and it’s actually often used as a coping mechanism and a way to heal in the same way regression is

Also if I hear any more arguments about how finding anything remotely childish attractive makes you a p3do I WILL scream. Being small doesn’t make someone a child, liking cute things doesn’t make someone a child, being sensitive doesn’t make someone a child, liking childish activities like going to the park or playing games doesn’t make someone a child, speaking in a “baby voice” doesn’t make someone a child, etc etc etc

Being attracted to any of those qualities in a person DOES NOT make someone a p3do

Yes, even if they have MULTIPLE OF THOSE TRAITS

Being attracted to an adult who appears “childish” in some ways is not remotely even CLOSE to actually being attracted to children, let alone make someone a predator

Again, as long as anything happening involves consenting adults, there’s nothing wrong with it, and it CAN be helpful and healing for people

It’s entirely understandable to be uncomfortable with the concept or not want to engage with the community and such, and as with any community there will be harmful parts of it or bad people involved, there’s aspects of it and parts of the community that I am not a huge fan of myself, but overgeneralizing and framing the whole community as something it’s not is NOT helpful to anyone

Also, contrary to popular belief, age play/pet play/a handful of other “kinky” or bdsm related things are NOT inherently sexual, in fact they’re probably non-sexual more often than they are sexual. Age play and pet play are not just about sex, they are about general relationship dynamics

All in all, mind your business and be kind, it’s not that hard