#I've watched today's episode and nothing major happened

[hummusandcoriander]

Thing is we know that Oliver Farnworth is a good actor from his Corrie days so the fact he is so stilted and wooden in Emmerdale is likely a choice.

Which reminds of back in the day remember Nell? What a bad actress the girl who played her seemed and then this happened

[slaytheusurper]

⭑ Undercover ⭑

Well I've officially written my first one-shot, a smutty one nonetheless and I hope you like it. I noticed that there are like 0 fics/one shots of daddy Tim Bradford so I took it upon myself to write one.

summary: I used some of episode 7 season 4 where Tim goes undercover and uhm things happen between you.

Warnings: +18, MDNI, vaginal, creampie, handjob, making out, tim having a sir kink, tim being hot as fuck.

Words: 3.7K

tim bradford x fem!reader

It was the early morning of yet another exciting Monday on the job. Only this time you’re annoying yet hot training officer Tim Bradford wasn’t your training officer anymore. Finally you had freedom, even though it felt strange and almost sad even to not ride with him anymore it also felt like a weight lifted off your shoulders. You were deep in thought making your to go-cup of iced coffee when a familiar voice pulled you out of your thoughts. 

“Well good morning, you’re awake early.” Jackson grinned in the hall leading to his room. He had been your roommate for about 2 years now and after the academy, joining the LAPD out in the real world, called for a friend who knew what you went through. “Yes of course! It’s our first day of freedom. I’m planning on making it the best day ever so I’m going to be on time and prepared. I don’t want my first day to be a failure, I need to prove to Tim that I don’t need him anymore.” You responded to Jackson while pouring the hot coffee over to the to-go cup. 

“You know you don’t need to prove yourself to Tim, he knows how good of a cop you’ve become. I mean I get it but still, today will be great. I just know it.” Jackson said as he walked up to you and gave an encouraging pat on your shoulder. “So no coffee for me?” He asked, pretending to look sad as he watched you add the ice. “Sorry, sorry I’ll make some for you too.” You laughed. When you finished up Jacksons coffee as well you two walked out to your car and headed to the station. 

After changing into your uniform you headed into roll call while also pretending not to look for your ex-training officer. You took your seat, now in the second row, and talked excitedly to John about the next phase in your career. Some time passed and everyone had taken their seat, Tim as well, but you pretended not to notice his grumbley voice in the early morning. Something you came to appreciate over the years working with him. However you quickly shut up when sergeant Grey walked in. “Good morning everyone, let’s begin today with congratulations to our rookies who are now P2’s. Good job officer Nolan, West and (Y/L/N) it’s not every year that all the rookies pull through. However this new found freedom without your T.O’s does not mean that you’re off the hook, you’ll still be monitored only you now call your own shots. That would be all for this morning, good luck out there.” Grey finished and you smiled at Jackson and John who were both seated on either side of you. 

When you walked out of roll call you caught a glimpse of Tim walking behind you and joining you at your side. “Just because you’re not my boot anymore doesn’t mean that you can slack off now, understood?” Tim lectured as he looked at you sternly. “Of course sir, I wouldn’t dream of it.” You responded with a slight smile, you couldn’t help but think he needed to lecture you one last time before you went out on your own but just as you were about to point that out to him Jackson joined your “conversation”. “(Y/n) we should ride together today, already got it approved by Grey.” Jackson smiled. “That sounds great Jackson, let’s grab our gear.” Jackson agreed and you wished Tim good luck today as you headed to grab your gear. You and Jackson then set up the shop and left to go out on patrol. After a couple of calls that were fairly timid you drove yourself and Jackson to the food trucks nearby where your fellow officers were already enjoying a well deserved lunch. The day went on pretty swiftly with nothing major other than a robbery in a convenience store. When the suspect was processed you got called over by Lopez wanting to talk to you about a woman allegedly adding tiger blood in her skin care line and asking if you could join Tim in interrogating her as you were always good at getting a confession out of suspects and Tim could use a hand. 

You accepted the challenge and headed over to the interrogation room where Tim and the woman would be. The door creaked as you opened it, Tim’s eyes on you as you entered the room and stood beside him. “I’m officer (Y/L/N), I will be asking you some questions, Mrs Carter is it?” You asked the older woman sitting opposite of Tim. “Yes, but I don’t understand. Officer Bradford is already questioning me.” Mrs Carter almost sneered, clearly she wasn’t happy with the situation. “Well Mrs Carter I am here to uh... learn, I haven’t been on the job long and need some experience, so I hope you won’t mind.” You quickly answered, glancing at Tim who was standing next to you, looking a bit annoyed. “I understand that you recently started your own skin care line?” You asked her while skimming through her file. “Yes we’re a small operation but we’re growing.” She smiled proudly. “We’re hoping to get a write up in Goop.” She continued. “I-I don’t know what that is.” Tim looked at you confused. “I’ll explain later.” You told him, putting the file down. “A friend of yours gave us your night cream, she claimed that it contains tigers blood, like, literally blood from an endangered animal.” You stated. “Firms the skin right up.” She smiled, as if this was completely normal. You almost gasped at her quick confession and looked surprised at Tim before you pointed out, “Participating in the endangered animal trade could land you in jail for up to five years.” 

“You don’t understand the wellness game. It’s cutthroat. I need to stand out. How else am I gonna compete with Sloan and her vitamin business? I mean everybody knows that her B-12 rejuvenation pills are just benzos in fancy bottles.” She mused while crossing her arms. Tim gave you an astonished look, which you returned. “Um, she’s selling psychiatric drugs?” You asked the woman. “Oh, the whole ‘westside buffet.” Mrs Carter shrugged. “What’s Sloan’s last name?” Tim exhaled, knowing that this was going to be a dragging one. After some time you and Tim found the woman Mrs Carter had talked about and she was brought in the interrogation room where you two waited for her. 

“Take off your sunglasses, ma’am.” Tim sighed at the woman with the big round sunglasses while she was crossing her arms. “Do I have to? These fluorescent lights give me vertigo.” She asked, annoyed. “Okay well that could be the least of your worries. We’ve been informed that you’re selling psychiatric drugs as a vitamin.” Tim continued. “Who said that?” The woman scoffed, now taking off her sunglasses. “Doesn’t matter.” Tim cut her off. “I’m helping people. What’s the problem?” She expressed. Tim rolled his eyes. “You can’t prescribe a controlled substance without a medical license.” You told her. “My husband is a doctor, it's the family prescription pad.” The woman said as if it was obvious. “Yeah that’s not a thing.” You objected, you could feel that Tim was over it. “Look I don’t think you’re hearing me, this makes you a drug dealer.” Tim explained, now getting more irritated. “And given the circumstances a pretty high level one. You could be looking at twenty years in prison.” He continued. “What?! No, no, no, no, no. This whole thing has gotten terribly out of hand. Who ratted me out anyway?” She stuttered. “It was Aston wasn’t it? She’s been trying to break me down ever since I stole her portrait painter. Like she needs to be hung on a wall. You want a real crime to chase? Aston’s trying to hire a hitman.” She claimed almost proudly. “Wh- What do you mean?” You asked her confused. “Her husband's worth more dead than alive, so she’s been on the dark web trying to hire someone to kill him.” She smiled. You and Tim both sighed and looked at each other, this was bigger than you thought. The both of you knew what you had to do, so with permission from Grey, Tim would go undercover as a hitman to try and get the woman to say word for word she wanted her husband dead. 

After you got the equipment sorted in the van you waited for Tim to arrive in the parking lot with the Mercedes as the setup vehicle, while the van you were in was parked next to him. You heard a car arrive and opened the door of the van to greet Tim who was now parking the car. “Okay, oh... that’s your disguise?” You asked him smiling, he looked like a completely normal man, not at all like a criminal. “This is what real hitmen look like.” He scoffed as he now stood in front of you. “That is not the point. Come on, get in.” You said ushering him inside the back of the van. He sighs while stepping in the van, sitting down as you climbed in as well, closing the sliding door behind you before you took a seat close to him. “What I’m wearing is fine.” He claimed. “Okay, third rule of undercover work. Know your audience. You are not trying to fool another criminal. You’re trying to fool a woman who gets her ideas about crime from Lifetime movies. Put it on” You explained as you hold the black blazer out to him. “Fine.” He said as he almost ripped the blazer out of your hands. “Thank you.” He removed his open zip up hoodie and instead put the blazer on. “Oh my god.” He scoffed, knowing he looked ridiculous. “Yeah, that’s much better.” You smiled. “I look like an idiot. I’d pull me over in a heartbeat.” Tim sighed. “Exactly, because you look the part.” You said while handing him the earpiece. “Alright mic me up, let’s get this over with.” Tim said as he raised his shirt, revealing his toned abs. You tried to play cool but couldn’t help taking a peek as you peeled the back of the sticker part of the mic off and reached over to stick it on Tim’s chest. “It's a little too high.” Tim said as you stuck the mic on him. “I know what I’m doing.” You said slightly annoyed. You checked the mic and waited for the woman as she should be at your location soon, so Tim moved over to the Mercedes, while you moved so you could listen in and record their conversation. 

After some time the woman pulled into the parking lot and Tim stepped out of the car. She pulled up next to him, turned off the engine and rolled down her window. “You made sure you weren't followed?” Tim asked her as he leaned down near her window. “Yes. I drove around in circles for like half an hour.” She said with a smile on her lips. Tim then entered the car as you watched closely, the thought of his toned abs still in your mind. “So, how does this work?” The woman asked curiously. “Well, that's up to you. Your ad indicated you have a problem with your husband?” Tim started. “Yes. I need him to not be alive anymore.” She told him. “Hm, that’s not gonna be enough. We need her to spell it out.” You told Tim in his ear piece. “Do you want it to look like natural causes? A suicide? Homicide?” Tim continued. “Must be a lonely kind of life being a hitman.” She flirted. “It can be.” Tim tried to answer her neutrally. “So you’re not seeing anyone?” She asked. “Oh my god. She’s hitting on you.” You laughed in Tim’s earpiece. “No, not at the moment.” Tim confessed. “You see the thing is the fee varies depending on the method, so I need you to tell me what you want.” Tim tried to press on, only the woman seemed interested in something else. "Ooh. What I want changed a little when you got in the car.” She flirted while putting her hand on Tim’s that rested on his knee. “Wait, is she touching you? She’s touching you, isn’t she?” You laughed again through his ear piece, enjoying this a little too much while Tim is a bit stumped but stays in character. “Look I am down to do whatever you want.” Tim said. “Yeah you are.” You chuckled softly in the ear piece. “I just want the business out of the way first.” Tim continued. “So it’s 20.000 for a straight murder, 25 if you want it to look like suicide.” “Sexy, I’d pay you twice that to kill the bastard.” She said while leaning in a bit. “And the bastard is?” Tim smiled. “My husband obviously.” The woman smirked. “Yes, got her.” You said in Tim’s earpiece. “You know once he’s dead, I’ll be a very wealthy woman.” She smiled. “You’re under arrest.” Tim said while holding up his badge. Finally you got her, so you called for backup on the scene so the woman could be taken to the station in a police car. Tim walked back over to you, you still being in the back of the van. “Well great job we got her.” You smiled as you took off your headset and let Tim in the van. “She really was thirsty, my god.” He said while closing the sliding door behind him and getting in to remove the blazer. You sat across from him secretly watching, hoping to get another glance at his toned chest. Tim lifted his shirt to remove the mic and handed it to you. 

“What is it?” He asked you, shit he caught you. “What- Nothing I- I just waited for you to hand me the mic!” You stammered out, a deep blush creeping on your skin and on the tips of your ears. “Really? You didn’t want a show?” Tim grinned, clearly amused by your embarrassment. “No I did not! What are you even talking about!” You scoffed now looking away from him, but still close enough for him to see your blushing features. “I saw you looking earlier, I don’t blame you.” He said looking you up and down. You were in your own clothes as you weren’t on patrol and you were wearing a white sundress with pretty blue flowers all over it. You looked down at your lap shyly. Then you felt Tim coming closer and he grabbed your chin to make you look at him. “(Y/n) are you attracted to me?” He spoke softly, with his sultry voice. “What- no I wasn’t even- no I don’t- I don’t know... maybe?” You stuttered now your face was really burning, not only from the embarrassment that you were attracted to your superior officer but also from the touch of his fingers on your chin. “So you are.” Tim smirked, clearly enjoying your reaction. You however still looked away from his piercing blue eyes, knowing that once you gave in, you couldn’t look away. “(Y/n) look at me.” Tim instructed, grasping your chin a bit harsher but not as to hurt you. You gave in and looked at him, at his handsome features, his stubble, his pretty eyes and his perfect hair. He was almost too much, and the smell of his delicious cologne wasn’t helping either. 

He looked directly in your eyes as well and leaned in closer, the tips of your nose touching, lips a breath apart. You could feel your heart beating out of your chest and your breathing became heavier. After a moment he closed the gap between you and claimed your lips with his. His lips were even better than you could’ve ever imagined, soft and pillowy but slightly chapped as well, which for some reason made them even better. As you kissed him back you felt like your entire body was on fire, you moved your hands from his knees to his neck, holding on for dear life, feeling if you let go, you would lose him forever. He moved his right hand to your cheek while the other pulled you in his lap by your waist, now moving his right hand on your hips as well. The kiss got more heated and his tongue prodded at your bottom lip, begging for entrance, you let his tongue in and met his with yours. At that moment you couldn’t help but let out a tiny whimper between kisses. He softly groaned against your lips and his grip on your waist got tighter, he moved you to be right on his groin and gave your hips a squeeze as if asking you to start moving. And you did, you couldn’t not move, the moment was almost overwhelming as you started moving right on his hard on. Your underwear grew wet and you started moving feverishly against him, and then you moved right over his tip causing him to moan in your mouth. His hands moved from your hips to your ass and he started to move you harder against him, the movements alone could make you finish. The fabric of his jeans and the hardness of his erection hitting your clothed clit perfectly. But much to your disappointment he stopped you. 

“Sweetheart if you want me to finish already you should continue.” He smiled against your lips. “Let me make you feel even better first.” He whispered as you feel his hands moving from your ass to the inside of your thigh, slowly creeping towards your covered clit and moving his thumb over your bundle of nerves. You let out a loud gasp as he touched you, holding onto his biceps when he moved his fingers inside of your underwear. “Fuck you’re so wet for me. All because of me huh?” He murmured in your ear. He moved his fingers right over your clit, pressing a bit harder to see how you would react. You moaned at his touch. “Tim... please just- touch me, please.” You begged, already high off of his movements. “Maybe I won’t, maybe I like it when you beg for me.” He sighed against your ear, ever so slightly moving his middle finger over your clit. “Please just please touch me.” You continued to beg, needing any kind of release. “Please what sweetheart?” At his words you knew immediately what he wanted to hear, something that you realized he might have loved to hear you say for a long time. “Please touch me... sir.” You almost moaned in his ear. He groaned at this and started moving two fingers right over your wet clit. “Good girl, always knows how to address her superiors.” He breathed in your ear, you could feel him hardening under you even more. He then moved his two fingers inside you, your wet cunt almost sucking them in out of need. 

As he fingered you the sound of your wet pussy, your moans and pleas and his heavy breathing could be heard vividly in the otherwise quiet van. “Yes, yes, please sir, please I’m so close.” You moaned in his ear, begging for release. At your words he sped up his fingers, curling them up and hitting that perfect spot inside of you, finally giving you mercy and letting you cum. “Good girl, that’s it. You gonna come for me sweetheart? You gonna cum on my fingers?” He ranted in your ear as the walls inside you contracted while you came, trying to not scream for the whole world to hear. “Oh my god, please I need you inside me Tim.” You begged him, wanting nothing more than to be filled by his big cock. “I’m on birthcontrol so just please fuck me already.” You pleaded, moving your hand to pull down the zipper of his pants and reaching inside his boxers, giving his cock relief. “Fuck, I can’t wait to be inside you.” He groaned against you. You removed his dick out of his pants and moved your hips right above him, sliding your soaked underwear to the side so you could slowly sink down on his aching cock. You both moaned at the feeling and you almost immediately started moving after you grew accustomed to his big size. Holding on to his neck you began moving up and down the noise of his snapping hips on yours and your moans filling the van. He then moved the top of your dress down causing your braless breasts to spill out, which Tim decided to knead. After a few moments he moved that same hand to your ass, under your dress and smacked it hard.

“Oh fuck... oh fuck, you feel so good sweetheart, keep moving just like that.” He grunted, completely enthralled by the feeling of your tight pussy around his dick. “You feel so good sir, just- so- fucking- good.” You moaned as you started moving faster, feeling another orgasm approaching. Tim wanted to fuck you even harder and moved you to your seat so he could put your legs on his shoulders and fuck you deeper which had you screaming in seconds. “Fuck! Tim! Yes! Please, faster, harder please!” You screamed, holding your thighs against you chest so Tim could fuck you deeper. He did as you asked and moved faster and rougher against you, seeking his own high. “Fuck baby I’m gonna cum, you gonna cum for me?” Tim moaned, moving his thumb to your clit and rubbing it in sync with his movements which made you snap, an overwhelming orgasm overtook you as you moaned his name, walls contracting tightly around his cock. The tight feeling of your wet pussy around him caused him to cum as well, filling you completely with his seed as he moaned your name. After some seconds of calming down he moved to sit down next to you as you felt his cum dripping out of you

“Jesus Christ, we need to work together again huh.” Tim chuckled.

“Definitely” You sighed contently.

------------------------------------------------------------------------------

Well christ that took longer than I thought but I hope you liked it, let me know what I should write next!

[dailyadventureprompts]

Homebrew Mechanic: Meaningful Research

Being careful about when you deliver information to your party is one of the most difficult challenges a dungeonmaster may face, a balancing act that we constantly have to tweak as it affects the pacing of our campaigns.

That said, unlike a novel or movie or videogame where the writers can carefully mete out exposition at just the right time, we dungeonmasters have to deal with the fact that at any time (though usually not without prompting) our players are going to want answers about what's ACTUALLY going on, and they're going to take steps to find out.

To that end I'm going to offer up a few solutions to a problem I've seen pop up time and time again, where the heroes have gone to all the trouble to get themselves into a great repository of knowledge and end up rolling what seems like endless knowledge checks to find out what they probably already know. This has been largely inspired by my own experience but may have been influenced by watching what felt like several episodes worth of the critical role gang hitting the books and getting nothing in return.

I've got a whole write up on loredumps, and the best way to dripfeed information to the party, but this post is specifically for the point where a party has gained access to a supposed repository of lore and are then left twiddling their thumbs while the dm decides how much of the metaplot they're going to parcel out.

When the party gets to the library you need to ask yourself: Is the information there to be found?

No, I don't want them to know yet: Welcome them into the library and then save everyone some time by saying that after a few days of searching it’s become obvious the answers they seek aren’t here. Most vitally, you then either need to give them a new lead on where the information might be found, or present the development of another plot thread (new or old) so they can jump on something else without losing momentum.

No, I want them to have to work for it:  your players have suddenly given you a free “insert plothook here” opportunity. Send them in whichever direction you like, so long as they have to overcome great challenge to get there. This is technically just kicking the can down the road, but you can use that time to have important plot/character beats happen.

Yes, but I don’t want to give away the whole picture just yet:  The great thing about libraries is that they’re full of books, which are written by people,  who are famously bad at keeping their facts straight. Today we live in a world of objective or at least peer reviewed information but the facts in any texts your party are going to stumble across are going to be distorted by bias. This gives you the chance to give them the awnsers they want mixed in with a bunch of red herrings and misdirections. ( See the section below for ideas)

Yes, they just need to dig for it:  This is the option to pick if you're willing to give your party information upfront while at the same time making it SEEM like they're overcoming the odds . Consider having an encounter, or using my minigame system to represent their efforts at looking for needles in the lithographic haystack. Failure at this system results in one of the previous two options ( mixed information, or the need to go elsewhere), where as success gets them the info dump they so clearly crave.

The Art of obscuring knowledge AKA Plato’s allegory of the cave, but in reverse

One of the handiest tools in learning to deliver the right information at the right time is a sort of “slow release exposition” where you wrap a fragment lore the party vitally needs to know in a coating of irrelevant information,  which forces them to conjecture on possibilities and draw their own conclusions.  Once they have two or more pieces on the same subject they can begin to compare and contrast, forming an understanding that is merely the shadow of the truth but strong enough to operate off of. 

As someone who majored in history let me share some of my favourite ways I’ve had to dig for information, in the hopes that you’ll be able to use it to function your players.

A highly personal record in the relevant information is interpreted through a personal lens to the point where they can only see the information in question 

Important information cameos in the background of an unrelated historical account

The information can only be inferred from dry as hell accounts or census information. Cross reference with accounts of major historical events to get a better picture, but everything we need to know has been flattened into datapoints useful to the bureaucracy and needs to be re-extrapolated.

The original work was lost, and we only have this work alluding to it. Bonus points if the existent work is notably parodying the original, or is an attempt to discredit it.

Part of a larger chain of correspondence, referring to something the writers both experienced first hand and so had no reason to describe in detail. 

The storage medium (scroll, tablet, arcane data crystal) is damaged in some way, leading to only bits of information being known. 

Original witnesses Didn’t have the words to describe the thing or events in question and so used references from their own environment and culture. Alternatively, they had specific words but those have been bastardized by rough translations. 

Tremendously based towards a historical figure/ideology/religion to the point that all facts in the piece are questionable.  Bonus points if its part of a treatise on an observably untrue fact IE the flatness of earth

[inbarfink]

Hello, Invader Zim Fandom! Say, have you ever found yourself thinking “hmmm.... I wonder how often Zim and Dib skip classes due to their constant misadventures and battles?” Well, whatever you did or not, I am going to do it now! Time for…

Checking Attendance for Invader Zim and Dib Membrane!

"The Nightmare Begins"

Our first major confrontation between the two leads (leaving aside some quarreling in the middle of class, but I am checking attendance - not behavior) happens explicitly right after Skool has finished. So, no class has been missed in the production of this episode. 

(I mean maybe I would ask about how long their Skoolday even is considering Miss Bitters introduces Zim, says ‘Doomed’ for a few minutes and then sends them home. But that’s, like, a common Bug with Schools in fiction. I’m going to assume that we’re not supposed to take the class/Skoolday as literally being that short.)

"Bestest Friend"

Zim takes a whole day off from Skool under the claim that he’s sick.

Zim: I'm sick. I'm not going to skool today.

Which, I mean, he said it to get Keef off his back, but then we do see he stayed in his lab all day to work on his Eyeball Machine. So yeah, here's our first missed attendance. Zim skipped a whole day of Skool right there.

"Nanozim"

Dib: Zim wasn't in class today, Gaz. Gaz: Maybe he's sick. Dib: Yeah, sick with fear!

Another whole missed day from Zim for the sake of his scheme!

"Parent Teacher Night"

Nothing! The entirety of this episode takes place either during Skool, explicitly after Skool or during a Skool-sectioned Afterskool event. 

"Walk of Doom"

Now this is where things really get interesting. Because Zim certainly spent like a whole day on his and GIR’s little City Adventure - but also, you might want consider the possibility that this episode took place over the weekend, or even just that it starts after skool. After all, Invader Zim’s Daytime Sky doesn't change that much between the morning and the afternoon.

However, even taking these factors into account, I still think that it’s more likely that this episode does takes place during Skool Hours and is yet another example of Zim missing a full day of Skool, and that is for one reason - the background extras. 

Through all of Zim’s Urban Misadventure, the City seems to be populated entirely by adults + one baby we saw on the Bus. No Skool-aged youngsters anywhere in sight.

And, maybe that’s a weird thing to get hung up on, but usually IZ Crowd Scenes do include a mixture of kids and adults… including some scenes in that very episode, but only after the transition into night. When Skool would obviously be already over.

Thus, I think it’s most logical to conclude that Zim, for some reason, decided to do this lil excursion in the middle of a Skoolday. Couldn’t wait for the weekend or even just the afternoon for some reason. He got a bee in his bonnet about the Guidance Chip and he had to do it at that very moment!! 

(But I am going to cut him a little slack with the ending. Cause, like, obviously he’s been driving for like a whole night and it’s going to take him some time to get back home… but for the sake of Being Nice I am going to assume this episode takes place on a Friday and he's got the whole weekend to find his way back home and so he only missed one day of Skool. After all, isn’t this what ‘Invader Zim’ is all about? Being nice?)

(This is a rhetorical question and the answer is no.)

"Germs"

As Zim himself states, he did miss a day of Skool due to his obsession with Germs.

Zim: The skool! The skool will know I've been missing! They must be really suspicious by now!

I wondered if that was actually more than one day, but we only see one transition to night near the end of the episode. 

Most likely this entire episode takes place over the course of a single day - Zim watched that movie very early in the morning before getting to Skool (he doesn’t sleep so he’s got a lot more free time in a day) and then got so Germ-Obsessed for that one day that he forgot about that.

And thanks (?) to the workaround at the end, we can be sure this time he only missed one single day of Skool.

"Dark Harvest"

So all of this episode takes place in the Skool, but mostly outside of the classroom. With Zim leaving early on after a lesson started, then Dib going after him a short while later and this whole …. Adventure lasted enough to get to Lunch Break and also probably the climax lasted a bit after it and into the next lesson period (considering how empty the Skool Hallways seem at that point.

However, this speculation is kinda moot since both Zim and Dib were both out there with Hall-Passes officially ‘just trying to get to the nurse’, so I am just not going to count it as skipping class at all. They had permission. 

"Attack of the Saucer Morons"

Okay, so… this episode starts at night, but by the time Zim gets to the Saucer Morons it’s already Daytime. But since Zim was very adamant about getting his Voot back ASAP, I am going to assume this is taking place Very Early in the Morning. It just takes a while for Zim to get back home from the crash site and then back again without the Cruiser, but it’s still probably like… before Skool starts. 5AM-6AM or something like that? You know, the excitement of an Alien Spaceship is going to encourage a lot of people to wake up early.

It’s not entirely clear how long the events of the episode lasted in-universe. There’s a few ‘skips’, like, how long did Zim’s initiation take? How long did it take GIR to get the Government Man robot ready? How long did it take the Saucer Morons to make that lil’ set-up for Zim?

But, Fastforwards to the climatic chase scene at the end of the episode, and we can see Zim has zoomed by a Skoolbus. Now, this might be a Bus taking kids back from Skool, or taking the kids to Skool. Either the implication here is that Zim has wasted a whole skoolday and it’s already the afternoon - or it’s still early in the morning and Skool is just about to start. And… since it’s just down to my gut feelings, I am going to say the second one. I think all of the little-time skips during the episode still don’t amount to more than like, an hour or two. So it being just before Skool starts seems reasonable to me. 

But, well, even for the sake of being nice to Zim…

I am going to assume that murdering all of these scientists (or however he got himself out of that jam) and getting back home to retrieve a new disguise will take like… A Considerable Amount of Time. And Skool was basically just about to start. So… I think that I’m going to mark it as Zim missing at least one class and getting to Skool late. 

"The Wettening"

This episode actually puts a lot of attention into making sure all of Zim and Dib’s confrontations take place after Skool hours and that all the time they spend at home planning is happening during the weekend. This episode is mostly useful for explicitly establishing that Skool is operating with a two-day Saturday-Sunday weekend. 

Now, I was wondering if I should count Zim as ‘skipping class’ for, y’know - not actually showing up to Skool on Monday and basically going straight home to drown to death in the toilet right after he won that water-balloon fight. But since the entire damn Skool was reduced to a ruin by Zim’s victory - I think it’s safe to say that Skool is canceled regardless. So that shouldn't count.

(Remember kids! If you wanna skip school, you should just blow it up with a giant Space Water Balloon first and then it’s okay!)

"Career Day"

The entire events of that episode were a Skool-sanctioned activity, so nothing really to report.

"Battle-Dib"

With the 8PM ticking clock, Doctor Membrane having a clearly very kid-oriented edutainment show that he’s apparently recording live, and all the other ordinary kids trying out for the audience… I think it’s pretty safe to say this whole episode takes place after skool.

"Planet Jackers"

Whole episode takes place at night, nothing for us to concern ourselves about.

"Rise of the Zitboy"

Okay, so this episode starts at daytime, with both Zim and Dib very clearly not at Skool - and usually that would be enough for me to assume this episode starts in the afternoon, but…

After Zim gains the Power of Pustulio, he seemingly immediately goes to Skool to test it out. There’s no reason to assume this is like, a whole night later. Zim’s only thought was about hypnotizing Dib and he knows where his house is. If it were the afternoon, wouldn't he just go to the Membrane household rather than wait for the next Skool Day? So this episode actually starts very early in the morning. 

And, like, either way it seems like this is happening very early in the morning and has no real effect on their Skool attendence and I shouldn’t dwell on it too much for this post but… I guess it still kinda surprises me that Dib got up bright and early just to do this shit like an hour before skool starts.

Most of the episode seems to take place before the first period of the day even starts, so the only actually relevant part to our discussion is the very last line from Zim.

Zim: Bye Dib, and thanks for the information! I've got a few more lawn gnomes to plant!

So Zim is going to skip away before Skool starts to take care of the security problems in his Gnome Field right away. So… he’s probably going to miss at least one class, if he’s even coming back. 

"Invasion of the Idiot Dog Brain"

Episode takes place entirely at night, not relevant to our discussion. I am not going to consider the ‘One Year Later’ gag as canon, because, like…. come on. 

"Bad, Bad Rubber Piggy"

As the episode starts with a broadcast of Professor Membrane’s show (which as we have already established, is very kids-oriented, highly-rated and seems to be airing live), it’s a pretty safe bet that the whole events of this episode is taking place in the afternoon, so no Skool-Problems here!

"A Room With a Moose"

So, I am not going to knock Dib any points for leaving mid-class on something that wasn’t really a Skool trip. I mean… everyone thought it was a Skool trip, including the other students and their teacher. I assume either Zim took care of the paperwork while he was sneaking around setting up his plan or there was never any paperwork in the first place because it’s the IZ Earth and No One Cares.

Now about Zim… he has technically not skipped class in the sense that he was doing all of this under the guise of being in the toilet, but… Like, in his second round in the Restroom, he actually just never came back until… well, probably the next Skool day, considering it was nighttime at the end of the episode. Even with how apathetic Miss Bitters is… I assume she can conceive of the idea of a student trying to get out of Skool under the excuse of being in the bathroom, even if she doesn’t know/care about the Alien Teleporter Device.

So I am counting this as just a half day of skipping school for Zim. 

"Hamstergeddon"

Okay, so this was actually the episode that inspired me to make this post, and the reason why I conceived of it as a “Zim and Dib Skipping School” list even though, as you have seen so far… Dib has a pretty spotless attendance record so far. I just saw both Zim and Dib piss off from Skool mid-lesson to follow the Hamster Kaiju and started to wonder ‘hmmm… how often does this happen?”

And since we never see Ultra Peepi, like, outright entirely destroy the Skool - I don’t think the day would be canceled like it probably was in “The Wettning” (if it was, I’d assume we’d see more students running out and not just Zim and Dib). And I assume Dib would notice the Growing Peepi Problem near the start of the day, so they both missed about a full day of Skool just then.

"Plague of Babies"

Takes place entirely during one night, not relevant here. 

"Bloaty's Pizza Hog"

Explicitly takes place during the late afternoon/evening. 

"Door to Door"

Another Skool-Sanctioned activity similar to ‘Career Day’

"FBI Warning of Doom"

Takes place during the evening/night. 

"Bolognius Maximus"

After Zim reveals there is no cure to the Bolognafication, Dib runs out of the classroom screaming. This transition into a whole Zim Fantasy Sequence where he’s Gigantic and stuff. But it does seem like the whole ‘Dib being run out of Skool midway through the Skoolday’ did happen. Since they only re-meet after Zim is going back home from Skool. 

So that’s the first time Dib loses attendance (basically an entire day, since he didn’t even last one whole lesson) but not Zim. (But Dib still has a lot of ‘catching up’ to do).

(This episode also establishes that Dib is often late to Skool due to his various paranormal misadventures. Reliably enough for Zim to incorporate it into his Vengeance. However, that’s not entirely relevant since I’m only counting attendance in this post and not tardiness. But I thought I might as well acknowledge it.)

"Game Slave 2"

Episode takes place entirely at night, not relevant.

"Battle of the Planets"

Same as above.

"Halloween Spectacular of Spooky Doom"

So I am not going to count Dib being forcibly institutionalized by Skool administration as ‘skipping classes’, obviously. 

However, while Dib was being dragged off to the Crazy House, Zim used the chaos to ‘escape’ this Skool full of ‘Zombies’ and ready his base for tonight. Next time we see Zim, it’s nighttime and he is still readying his base. And even with Dib being late, it still seems like the episode started early in the first period. So Zim is skipping another full day of Skool basically. 

"Mysterious Mysteries"

From the events of the episode, it seems like ‘Mysterious Mysteries’ airs live (or at least semi-live, in regards to the interviewed segments). We already know that it airs in the evenings because that’s always when we see Dib watch it. Even if it didn’t actually air live, they would probably schedule their interviews to afterskool hours when they have three elementary-skoolers to interview. 

"Future Dib"

Episode starts at a Skool-Assembly, and then move to later that day in the afternoon/early evening (Membrane says ‘tonight’, but the sky is always daylight-yellow, so it seems to be later that day after Skoolhour, it’s just that the sun hasn’t quite set yet.) Either way, neither Zim nor Dib actually seem to skip class on that one. 

"Hobo 13"

With this being an entirely Space-Based Episode, we have basically No Data on what Earth Time this episode takes place. Zim does generally seem to call the Tallests just after Skool or during the night, so I am going to give him the benefit of the doubt on that one and not count it.

"Walk For Your Lives"

While I have no doubt in my mind that Zim would skip Skool for the sake of Probing Day and maaaybe Dib would too for the sake of catching Zim by surprise, well…

So remember way way back during ‘Walk of Doom’ when I talked about background extras? Well, I’m doing this again but in the other direction this time!

Because all the city scenes in this episode do actually feature both child and adult extras (including literally some of Zim and Dib’s classmates).

So I think it’s most likely to assume this episode takes place just after Skool hours. Or perhaps the weekend. 

"Megadoomer"

Starts right after Zim gets home from Skool, and lasts through the night. Not relevant.

"Lice"

Takes place entirely at Skool and also classes are canceled due to Lice Quarantine. I don’t really count any of the Nonsense in this episode as ‘skipping class’, it’s fine.

"Abducted"

We don’t have any details about when the episode takes place outside of ‘the daytime’, but again, Zim generally ‘updates’ the Tallest after Skool so I am going to assume this applies here. Plus, we also see Dib and Gaz at home by the end and they generally don’t skip Skool - so yeah, more evidence for this being the afternoon. 

"The Sad, Sad Tale of Chickenfoot"

Episode explicitly takes place at evening/night, not relevant.

"Gir Goes Crazy and Stuff"

Episode starts at night, and ends at sunrise.

Not relevant.

(Also hey! Does this imply that we can tell that the City is on the East Coast at least?)

"Dib's Wonderful Life of Doom"

Starts at Skool and then seems to take place entirely at night - since the Wonderful Life of Doom starts with Dib sleeping in bed, I assume Dib kidnapped him and put him in the simulation while he was actually asleep.

"Tak: The Hideous New Girl"

Okay, so we had two fairly-regular Skooldays since Tak arrived on Earth.

Then, after Zim comes back from Skool the second day and Tak reveals herself, we cut to Zim’s battle against the Ham Demon. Which is also happening in the daytime. Although Zim later mentions he’s been trailing Tak for ‘48 hours’ - meaning exactly two whole days. 

And then as Zim realizes he needs Dib’s help, we cut to the Membrane house at nighttime. 

So… was that battle taking place in the afternoon/early evening  and it’s just that by the time Zim got to the Membranes the sun had already set? That seems to be the case from the establishing shot. But then Dib yawns and rubs his eyes as if he just woke up and Professor Membrane says ‘good morning’. 

I mean… with how often Dib seems to stay up late and wake up extremely early, maybe he takes a lot of afternoon-evening naps?

Or perhaps this suggests this establishing shot might’ve been just an art error? The little we see of the indoor backdrops are also kinda inconsistent about the Color of the Sky.

First seeming to indicate daytime.

And then… nighttime? Nighttime with sunset? Nighttime with sunrise?

Then nighttime again?

And then, the whole Giant Evil Weenie Stand sequence is at daytime again.

And it only becomes night again by the climax.

And with Zim’s ‘48 hours’ comment placing the Ham Demon fight at the early afternoon (it should be 48 hours after the Tak confrontation, which happened just after Zim got home from Skool) our scenarios are either: 

Zim battles the Ham Demon, then almost immediately Zim confronts Dib after his afternoon nap (and the Color of the Sky around the Membrane household is just Consistently an Art Error. It should be daytime). And the rest of the events of the episode take place on that same day’s late afternoon/evening. 

Zim battles the Ham Demon, then a few hours later Zim confronts Dib after his early evening nap (the Color of the Sky around the Membrane household is not an art error...for the most part. The sun has set already). Then the rest of the events of the episode take place over the next day.

Zim battles the Ham Demon, then the next morning Zim confronts Dib when he wakes up (the Color of the Sky might be a major art error, or it might be a failed attempt at conveying sunrise, or both). Then the rest of the events of the episode take place during that day.

And when considering which one seems to me the most likely, I took three different factors into consideration.

I wanna minimize just dismissing things as art/continuity errors. I want to be as canon-compliant as I possibly can.

The plot needs to maintain its sense of urgency. Having too many Big Timeskips where the characters just kinda don’t do anything significantly hurts the narrative. ‘

The possibility of skipped skool days which is… hey! Is actually what this post is supposed to be about!

Okay, so to elaborate on Point C: Scenario 1 has Zim spend like two full Skooldays’ worth of time on tracking Tak down and then he and Dib and Gaz stop her together during afterskool hours. Scenario 2 + 3 has Zim spend two skooldays, and then the three of them spend the day after that stopping Tak. And.. it’s not just a matter of considering Zim skipping two days versus three days and Dib and Gaz skipping one day versus zero days. Because also the weekend exists.

I actually think it’s incredibly likely that the Tak Reveal is supposed to take place on a Friday, and Zim tracked Tak over the weekend (so the ending of the Ham Demon sequence is on Sunday afternoon).

Especially as Dib apparently didn’t notice Zim either stalking Tak during Skool or just vanishing from Skool altogether due to the Ham Demon Situation. Like, considering how paranoid he is about Zim normally, you’d think he’d take notice and try and figure out if he is up to anything. Especially if it involved the girl he saw as an ally and friend. But it seemed like he was not bothered by anything or noticed anything Zim was doing in the meantime. Which I think only makes sense if Zim was ‘investigating’ Tak during the weekend. 

So in Scenario 1 that would mean the climax of the episode took place during Sunday afternoon/evening. And Scenario 2 + 3 would mean that those events take place during Monday, and thus all of our main trio is either skipping skool or waiting until skool is done to go on their Earth-Saving-Missions.

And the latter is both unlikely because it wrecks the sense of Urgency in the plot and because… like… did Zim and Dib just go to Skool and Angrily Glared at each other until it was done? It really just kinda ruins the dramatic pacing if Zim and Dib meet between the scene at the Membrane Household and the Weenie Stand. So going to Skool on Monday and then doing the Evil Weenie Investigation afterwards seems unlikely to me.

And as for the former scenario… like, as you’ve noticed. Dib very very rarely skips Skool of his own volition. And Gaz never does. Honestly I don’t think it’s in-character for her. Not cause she’s a goody-two-shoes who would never skip class or anything like that. Just because she never takes all of this Alien Stuff seriously enough to consider it a worthwhile reason to skipping classes. And no, neither is getting her brother beat up by security - even if she does enjoy the latter a lot more. 

I guess maybe just Zim could’ve been skipping Skool that Monday morning to do some more failed ‘investigative work’ before he actually realized the Evil Weenie Stand was important. While Dib and Gaz just attended classes like Normal and investigated the Weenies afterwards.

But then, like, did Tak go to Skool? She cares so much about showing off her ability to Actually Competently Infiltrate Humanity, and it seems most of the Evil Weenie Stand Construction is happening automatically… so I kinda assume she would go to Skool on that Monday? So with both Dib and Tak at class that day and Zim not being… that would be another Hypothetical Dramatic Scenario that is just Inexplicably Off Screen in the narrative.

You know like…. Maybe not Dib confronting Tak about Zim’s accusations if he truly doesn’t believe them at that point, but trying to warn her that Zim is deluded about her and out to get her? I just don’t believe any Skoolday after Zim and Dib's confrontation at Dib’s house could be uneventful enough so that we could just skip over it completely like that. 

So, I really really tried to get a scenario where I don’t resort to the Art Error Clause but… I think the only timeline that makes real sense in terms of narrative and characterization is Scenario 1. So most of the events of the climax of “Tak: the Hideous New Girl” probably take place over Sunday afternoon and thus neither Zim nor Dib actually skipped classes. Zim just had a very very busy weekend. 

"Backseat Drivers From Beyond the Stars"

Takes place entirely during the night/evening, irrelevant.

"Mortos Der Soul Stealer"

Same as above.

"Zim Eats Waffles"

Okay, so, there’s nothing in the text of the episode that explicitly says it but… since this episode centers around Zim eating waffles and reading the newspaper

I always kinda assumed it was taking place in the morning. And probably, like Saturday/Sunday morning.

This would also explain why Dib immediately goes to sleep at the end of the episode even though it’s the same ‘daytime’ sky-color outside.

 He woke up early for this - but now that his plan has failed so thoroughly, well… It's still the weekend and now he’s going to sleep in for a while. He probably needs it.

"The Girl Who Cried Gnome"

Well, presumably Moofy and the other Girly Rangers don’t go selling cookies during normal Skool hours. So this episode either takes place after skool hours or also over the weekend. The amount of kid extras in the scene also supports that idea. 

Of course, with the episode ending with Dib being tormented until nightfall, there’s a reasonable chance he won’t make it to Skool on the next day… but I’m going to be nice and assume he managed to get himself free, like, at 3AM or something. So he’s fine, just incredibly sleep-deprived and traumatized. So par for the course, really.

"Dibship Rising"

So, Dibship tries to go to school as Dib, and it seems like it could’ve worked

Poonchy: Hey! Dib's bein' all weird and giant again!

But, well for starters, Dibship only managed to get to Skool by the time for lunch break. I guess he’s really just figuring out how to walk and he’s pretty slow and heavy… So yeah, it might take him a While to get to Skool.  Then once he is at Skool, Zim almost immediately takes him over and starts up his Evil Scheme. 

It’s unclear how long it takes until Dib actually wakes up (hey, remember what I said about him being probably very sleep deprived?), but since Dib’s concern is about being late, I assume the skoolday is not yet over. And when he meets up with Dibship again…

Yeah, it actually took me a bit to notice it, but the scene is directed as to always obscure the top of the ship’s cockpit. AKA where Zim is. I thought at first that maybe he sent the ship out on its own and jumped onto it when it was passing through the Skool. But with that little trick of angles and the stick in Zim’s wig and GIR scattering acorns everywhere… yeah he was clearly on it the whole time.

So Dib missed about a whole day of Skool, spending the reminder of that day trapped just over the cesspool listening to the dying Dibship talk about how much of a loser they are. 

Zim got about… half a skoolday done before skipping out for, as Dib pointed out, no real reason other then endangering himself. And I’m pretty sure he, like, died at the end of the episode. So he’s probably not making it back to Skool either. 

"Vindicated!"

The events of this episode start during Skool and then explicitly continue after Skool, not relevant. 

"The Voting of the Doomed"

Takes place entirely at Skool doing Skool stuff, not relevant.

"Gaz, Taster of Pork"

Well, I am not actively counting Gaz’s absences for this post, so I don’t need to worry about, like, the multiple weeks that her dad kept her isolated in his lab (and even so, I don’t think being forcibly being pulled out of the education system by your parents count as ‘skipping skool’?) As for Dib, most of his ‘research’ we’ve seen happen either in Skool

Or at nighttime and thus explicitly after Skool.

The daring breakout from Membrane Lab does happen in the daytime - the day after Dib’s Hobo Encounter at MacMeaties. The question is just if Dib decided to wait until after Skool to get the information out to Gaz or if he broke her out ASAP skool be damned. (And it can’t be the weekend this time, “this Friday” is our explicit Ticking Clock). But since the sun had already set by the time they finished with their chase scene… Honestly, yeah my guess is he decided to procrastinate by waiting after Skool to break her out lol.

So Dib has had another Very Long Night, but he probably didn't skip skool (and since the episode ends on Friday, he technically has two whole days to finish Cleaning the Pig Toilets and still make it back in time for Monday! Fun!)

"The Frycook What Came From All That Space"

So Zim gets kidnapped from Skool at the very start of the episode and , according to Sizz-Lorr, a week before the Foodening starts

Sizz-Lorr: YES!! And that's not all, Zim! In one week, the Foodening begins once more, and you'll be trapped here for 20 years, just like I was!

And Zim manages to get off the planet at the very last second before the Foodening trapped him there.

And we know there’s no ‘time warp’ in place cause Dib did notice Zim was gone for three days about halfway through the episode.

Dib: Um, I noticed Zim's been gone for three days. Do you know where he is?

So, yeah, Zim was absent from Skool for a week.

(I am… going to assume Dib did not spend like 72-96 hours non-stop annoying the Tallest. But rather he went back and to Zim’s house whenever he had the chance so I am not counting absences for him.) 

"The Most Horrible X-mas Ever"

Takes place over Winter Break and thus is irrelevant.

In total, Zim has confirmed 12 missed full days of Skool + about two times where probably just skipped the first period. Dib has three missed days of Skool. So, like Zim might need to repeat the sixth grade if time ever Actually Moved Forwards in the IZ universe - but Dib is pretty in the clear I think.

Really, what I find really interesting, more than just the obvious difference between Zim and Dib’s tendency to skip skool is the difference between the earlier and later episodes. Like, not counting the five days Zim picked up at the second-to-last episode (which were very much outside of his control)…  Zim picked up 4/7 missed days in just the first eight episodes! And after that they are far less frequent. Perhaps the writers deliberately tried to take care to not overuse the whole skipping skool thing too much? Or maybe from an in-universe perspective it just took Zim a few weeks to really wrap his head around how the skool schedule thing even works? 

[bunnakit]

last twilight e8 thoughts, feelings, and tears

ok i cried for like 10 minutes after the episode ended so forgive me if this isn't up to par of what i usually do. apparently i'm fragile today.

there was a lot i liked and didn't like about this scene. in the past we've seen Day cling to the idea that someday he'll see again, that this is all temporary. instead of reiterating that, instead of talking about the cornea transplant, he instead asks "what can i do?" it's such an insanely massive sign of his growth. i'm so fucking proud of him. it made me so fucking emotional because while he's still upset, he's still hurt, he's still angry, he realizes his reality and he's making steps to move forward with that.

what i didn't like about this scene was once again Day's mother acts like Day's life is ending. she's been the number one person to coddle Day and to reassure him of this surgery that may never happen. i know she means well but fuck. this has to stop.

i also fucking hated the doctor for this. Day isn't fucking dying, there's still so much he can do even once his sight is completely gone. sure, he'll have some limitations, i get that. i can't swim in the ocean or rivers anymore. that fucking sucked to learn right before going on my honeymoon to the beach. but you know what i could still do? walk across the beach to the little hidden tide pools, sit on the jagged rocks, and watch the crabs and fish and anemones and everything thrive in this tiny little ecosystem. it was still amazing and something i may not have done if not for my disease keeping me from going in the water.

we're limited by our disabilities but we aren't fucking dead - life goes on around us and we can either participate in it or wallow in our fate. i'll talk about this more later.

you can skip this next paragraph if you don't want to see me babble on another personal anecdote.

i will say i saw a lot of myself in this moment. something similar happened to me a few weeks ago. i learned my disability is no longer responding to the treatments and i'll have to have multiple surgeries next year to close some year old wounds and will probably need some skin grafts. my disease is no longer managed but once again getting worse. when the doctor told me i just nodded and discussed the game plan. meanwhile, my mom was heartbroken and kept asking if there was anything that could be done. (nothing that i'm not already doing.)

sometimes we just have to nod along and accept what's happening. we can cry about it and get pissed later if we have to.

ohhh there's so much i want to talk about here. Day's mom infuriates me, probably because she's the opposite of everything my mother ever was when faced with my disabilities. her constant refusal to address Day's blindness is so painful, as if it's somehow a reflection of him as a person or a stain. it's just a fact of life and her denial is doing so much more to hurt Day than to help him. as much as i hate it, though, it is realistic. it can be so hard for those close to us to acknowledge what's going on, especially when they can't experience it for themselves or they aren't around day to day.

which brings me to the part that frustrates me the most. i'm going to get REALLY personal here.

TW FOR SUICIDE AND MENTAL HEALTH ->

i'll put another message when this little anecdote is over so ya'll can skip to that.

i've been diagnosed with major depressive disorder since i was 15. when i was 16 i tried to kill myself. my mom didn't know until last year, but at the time she knew my depression was getting to a concerning level of bad. you know what she did? she quit her job. she made any sacrifice she could to stay home with me and make sure i was safe and felt heard and taken care of. granted, she wasn't a single mother at the time but we also weren't rolling in the money. my dad was a construction worker in the early 2000s when construction work was struggling HARD.

but that's what you do for your kids, that's what you do to take care of them and make them feel heard and loved and cared for unconditionally. my depression and desire to die wasn't a stain on who i was, it was my mind holding me hostage with no way out because they couldn't give me medication until i turned 18.

OKAY IT'S SAFE NOW ->

anyway, where i was going with that is that Day's mom, as a famous chef, clearly makes enough money to take time off work, to be there for her son, to stay home and make him feel loved and cared for. there's likely a lot going on on her end of being a single mother, of feeling like she needs to prove herself and show the world she can do this alone - but her son doesn't have to do it alone just because she wants to. he needs a support system and right now all he has is Mhok.

Day's anger is so real and so justified. he must feel abandoned by his mother, by the one person that should be there to comfort him and keep him safe. her love has become conditional on the state of his eyesight.

and then she tells him he can't go? he's not a fucking child. he's a full grown man and he was just told to do things while he still can see at least a little. i told my mom the exact part of the plot and her response was "well fuck her, he's gotta go." you're god damn right he does, mom.

everything Night does feels like repentance. i need know what the story is, i need to know what caused this massive fissure between them. i don't want to comment or speculate too much but at this point i can no longer condemn Night. he's trying, he's clearly trying so fucking hard, and he clearly has so much love for his brother.

and him giving Mhok money and letting him and Day escape because he knows Day will be happier? i really hope that is a step in the right direction of mending whatever was broken between them. there are only four episodes left and i hope bare minimum half of them deal with what is going on here.

The sea remains the sea. The sand remains the sand. The sky remains the sky. Though I can't see, everything remains the way it is.

and here we are. being diagnosed with a disability is a massive change in our lives, a huge hurdle we have to climb, but at the end of the day the world still turns, life still goes on, and we can either go with it or remain stagnant. this is the culmination of everything Mhok has shown Day. Mhok has constantly brought Day out to participate in life, to learn how to navigate the world that remains unchanged. while Day's world has changed it remains the same in so many ways. this is such a beautiful moment of acceptance and peace, of healing and moving past the hurt. once again, i am so proud of Day.

he's going to be okay.

i've seen others mention it but fuck this once again drove home how soft and caring Mhok is, something that's been so constant in this episode from his willingness to help Day, to the keychains, to the escape, and now this. this little act of asking for permission, of giving Day permission, of almost asking Day 'will you kiss me?' and then Day does. Day gives Mhok the first kiss initiated by him. until now it's always been Mhok but this time Day reaches out to Mhok in this gritty, sand filled kiss. (disgusting but still lovely)

and this really drove home how safe Day feels with Mhok. they're somewhere completely new and unpredictable but he suggests they drink and participate in the party - and i love that he doesn't ask for permission but rather says 'why not?' because Mhok has never made him feel like he needs to ask for things, not things he's fully capable of deciding for himself.

and they do! they act like the young adults they are and have an amazing night of just fun and laughter and love and i fucking love that for them. how many times have we seen Day get to act his age and be carefree? it's remarkably telling how free Day feels the further he gets from home, how free his love is when he isn't worried about his family. when he's away from home Day really becomes the sun.

(also i think i might make shirts like this with my husband as a fun activity because that's really cute.)

i'm fine, i'm fine, i'm fine. (i'm lying.) the amount of love they have from here on is almost palpable. the fact that Mhok takes the time to tell Day he looks good, that he's admiring him. fuck. it makes me think of just a bit before, where we see Day linger with his fingers against the mirror. Day hasn't seen his own reflection in over a year, he has no idea what he looks like anymore. he won't get to see the way age changes him, won't get to see the wrinkles and laugh lines form on his face.

but Mhok will be there to tell him, to say how handsome he is, and without fully seeing Mhok Day will know he is equally as handsome because he knows Mhok's voice, his character, and sure he knows what everyone has said about Mhok's appearance but who he is has always been more important.

and then for them to essentially say their own vows in the light of the setting sun? oh, my loves.

Day is starting a new chapter in the book of his life, a new chapter with Mhok and hope and confidence. he's taking back control and paving his own way and no matter what comes he'll face it head on.

i started crying here and didn't stop, P'Aof please i'm sending you bills not for my therapy but for all the water i have to buy to rehydrate myself from all my tears. once again, fucking hell i'm so proud of Day.

and he tells them to have a kid soon! so he can help raise it!! just like he'll probably help raise Porjai's kid. because he no longer sees himself as incapable, as someone unable to help. Mhok has shown him how capable he is, how much he can still do.

please allow me a moment to - AAAAAAAAA.

personally i cannot wait for all the gifsets we're going to see of this moment. they danced so perfectly together because they know each other. Mhok knows Day better than anyone else, they've gone through so much, and they move so intrinsically together. i'd say they know each other better than anyone else but there's still so much of Mhok left unexplored. there's so much Day still doesn't know, so much pain Mhok is still hiding.

i can't wait for them to truly know each other inside and out (not like that, but hey it looks like we're getting that next ep eeeyy)

i'm not really going to comment on the dad showing up at the end. i feel almost nothing about that, i'm just waiting to see how that turns out and reserving my opinions for now. (i had a shit dad, i'm a little bais.)

man, i'd hoped this would be brief with how raw i was feeling and how busy i am with work but GUESS NOT. thanks for reading as always tag loves: @nutcasewithaknife @benkaaoi @callipigio @infinitelyprecious

[what-breaks-my-heart]

Update:

8 hours later and I'm still trapped in this vast, deep sea with no land in sight.

Do not send help. At least not yet.

Just finished Someday or One Day!

Now if you'll excuse me, let me swim in my deep emotions for this drama.

[never-forget-viva-la-pluto]

To the SPN fans that are hating on good omens rn bc of the leak, I hope you choke. I've seen some really nasty shit today from some of my (now unfollowed) followers whom I followed for spn content. So let's make one thing clear from actual posts ive seen today:

-Saying that the "wrong angels kissed", is...homophobic. I was with destiel from beginning to end and yeah we were completely shafted, but it's not okay to then say that other gay couples in media aren't allowed to kiss just because they aren't the ones you thought were hot. Jesus christ didn't think I needed to write that one down for ya-bo burnham

-I saw so much fatphobia about how Castiel deserved a kiss more than Aziraphel bc "he has far more sex appeal." Wtf wtf wtf. How do you live with yourselves saying that shit?You can pry Micheal Sheens body type Aziraphel out of my cold dead hands, you CW brainwashed morons!

-hate against the author for some reason, no one is willing to give specifics about it, but I think the majority of them maintain that GO is not good rep because they didn't kiss and now they are claiming pandering or something? Honestly that guy has only ever stood with the writers guild and queer people his whole career from what I find so I don't think it's fair whatever hate they are spouting. He isnt even saying he is upset with fans that saw or shared the video. Hes being super nice about it!

-I will say, non of us SPN fans have a fucking leg to stand on when it comes to hating something bc of the authors, OK. I saw someone saying the writing for spn was better and I can say you did not watch the show. I loved spn but don't do the late Terry Pratchett like this. He did nothing wrong

-on that same ish strain, as an ace person who thrives off queerplatonic relationships in media, maybe they kiss, I dunno. I just have to wait until the season comes out. Not 1 SPN fan gets to bitch about GO asexualty rep when SPN never even tried that route with any of its characters. But also ace characters are allowed to kiss, so you can write them that way of you want and interpret them that way if you want still. This is your viewing experience.

-this leak is truly not the same as the SPN yo a ti leak, solely bc the episode hasn't aired yet. "None of you GO fans would have survived the yo a ti leak." No I think you wouldn't bc the spn leak was clinging to an already mangled straw, while the angel's in GO are queer already. Queer queer queer and no amount of kissing or lack thereof is going to change that. We have no idea what happens in that episode of GO, but we saw the creators butcher the only moment in the show that could have meant anything real for queer viewers in SPN.

-"SPN crowly was kissing dudes first so this one is not that impressive". I see two cakes. One was made with the intent to make gay people look evil, but over time got kinda funny and a little better bc gay people liked it, and the other was about telling an interesting story about how love is so important, especially at the end of the world, and gay people liked that one too! So for me it's YaY two cakes!

-again the anti aziraphel is so plainly just fatphobia. You have no excuses. Sorry you don't think someone who looks like a slightly chubby micheal sheen could ever get kissed by someone who looks like David tennant, but you are not only wrong, you are also childish.

OK I'm done. Go watch good omens s2 when it comes out for my fucking sanity please. Or don't if all you are going to do is try to rip it apart like you do to all media that tries to be better.

[thebunniesgrim]

I'm getting way too much enjoyment watching how some of Helluva Boss fandom is raving over the popular current theory that stolas is going to die in the series.  

Because of the Oops episode and how the skull and cross bones in the smoke clock landed on Stolas and other stuff  

I.e.  

Having imp assasins in LooLoo Land 

Stella  

Striker  

His lullaby saying that when he’s gone Octavia will be ok and that today could be his last (I could go on a whole tangent about that lullaby it's so good)  

Western Energy  (that's it)

I'm not saying I want stolas to die but am I also saying it would be funny to watch the fandom go up in flames about it?  

Well call me Phineas and Ferb because

Yes  

yes I am 

You can stop reading here if you want. Under the cut I'm just rambling justifying why I think what I think. there are some jokes and lighthearted critiques, but you know... you have the option to look and give your own opinions  :)

I mean I have my grievances with him like I've said in my other post (shameless plug Warning I'm very illiterate in case you haven't noticed) but like I don’t wish death upon him I still like Stolas believe it or not   

lol.

In fact I hope stolas doesn’t die and mostly I don’t think stolas is going to die at all frankly. I highly dout the writers/viv/whoever is going to actually kill off stolas mostly because like any time stolas is in danger its so underminded like- ok LooLoo land is mostly a joke (good joke too I like the end where Stolas turns the imp guy into stone good pay off), Stella played for laughs beacues shes making the hit right in front stolas and it doesn’t get paid off till the next season which is fine the seasons are short, Western Energy he was fine like an episode later.  

If home boy cant be hospitalized for more than one episode he isn't dying  

Granted I will allow some leeway as we don’t know how much time has passed since Western Energy to Oops but it- I don’t think stab wounds and broken arms heal that fast regardless of that :/ if I'm being honest especially if it was a holy weapon just saying.  

Even if he did die that brings up a lot of questions like what happens to demons when they die? Are all demons immortal and can only die due to physical damage? are Asmodeus and Beelzebub going to outlive Fizz and Vortex if imps and hellhounds/other demons aren't immortal. Were the 7 deathly sins ever babies like everyone else? If demons are immortal and can live forever and the Ars Goitias can only be killed by angelic weapons that are hard to get, I'm assuming, why do, they need to have children or heirs? Why even have children at all? If angelic weapons can kill demons do demonic weapons exist and can they kill angels or other holy beings?   

All this and more on You Can't Answer These Questions at 8 

Lol  

anyways

but in all seriousness 

Here’s the real question  

If they did actually kill Stolas, will they bring him back?  

Riddle me this batman  

there's a very the very real outcome of them bringing stolas back through some magical demonic bs anyway so like it really won't matter. They're not going to have Stolas bite the dust permanently and if they are... respect honestly (the balls frankly).  

People will cry, I'll laugh because I'm heartless, he’ll be like resurrected or something, and everyone will be happy or mad idk.    

Like it's one thing for Millie to get hurt in the other episodes because there wasn’t a major plot point you know? (and she’s not important) There was no lingering scene on it with sad music. In when stolas got hurt it was this big thing and for him to just be like fine an episode later is like what? How are you going to have this big emotional climax with no emotional orgasm (sorry) afterwards. And like no I'm not letting this go what the heck? You had the whole fandom screeching about Blizto going to sloth just to do nothing with it and put a twist about Barbie and then also have stolas be perfectly fine and dandy the next episode afterwards. Are there no stakes in this show? Like I get that Helluva Boss wasn’t planned in the beginning but like come on... When Viv approves of the episodes does she look back at the other episodes? Is she even there? Is she ok? Is she and everyone else seeing a bigger picture that I'm not? Has she sat down and watched Helluva Boss from the very beginning and watched them from episode one to now? I mean really not just a once over to send it off to youtube I mean really took a good and hard look at the episodes? The way they mix episodic, and story is really messing with me I'm going to go back and watch all the episodes from the beginning just to make sure it’s not me.

I like how I said in my tangent about Hell fire (shameless plug part 2) I said I liked the new episode over all give or take some extremally small nitpicks yet here I am complaining :) guess I'm a liar   

soo yeah, I really don’t think they're going kill off their golden child, their best boy, their little botanist boo, their dopamine deficient dandy, their booboo bear, their uwu baby boi, their uke wukey cinnamon roll, their twinky little baby owl, their Boo thang, their stary eyed savant, their sad beige gay, their smoopy woopy do, their snoogum-boogums, their skidamarink a dink a dink skidamarink a doo, their-  

ok 

I'm done  

I'm so sorry   

[yuseirra]

A full commentary on what Oshi no Ko intends to show/the direction where it's heading/Major character motives.

This was an analysis I wrote on August 13th, back when chapter 157 was released (and the most recent chapter will be 159; wow the work has been on such a long hiatus:

I read it over again today, and I think I did a pretty good job piecing things together. Some of the things I predicted immediately came to light in the chapter that followed. I'd like to share it, before the new chapter gets released today :)

There is a lot of analysis? Commentary of how I feel about Ai. She's definitely become my fav and I hope everything she wished for will come true in the end, she IS indeed the brightest star in the sky after all!

The following has been translated in bulk with the help of chatgpt.. It's my savior these days.. It's SO convenient wow, I've been putting it to good use!!

The title and subtitle are quite grand, but I feel that if I start writing, a lot will come out, so I wrote down the title and wanted to give it a go. Everything from here on is a very personal impression.

The manga is almost coming to an end, right? Since it’s being called the final chapter. The latest chapter is either 157 or 158, right? It's 157... I’ve checked up to the point where Aqua and Ruby are spending peaceful days together. Isn’t this episode like the calm before the storm? As I watched it, I thought, "Ah, this peace is bound to be broken." Even though nothing happened, the atmosphere is so quiet that it feels more ominous than peaceful.

At this point, I thought it might be good to think about what exactly this manga wants to convey and what the central narrative is. It seemed like a fitting time.

I first learned about this manga last year when the first season of the anime aired. The impression I got was that the creators had planned the ending from the start, as it seemed to have a clear trajectory. This manga might be more suitable for readers who prefer to follow it in volumes rather than chapter by chapter. When viewed individually, some parts might make you wonder, "What is this?" but when you see them in volumes, there seems to be a flow. So, when I was reading the manga in volumes, I thought, "Oh, the structure of this manga is well-organized and solid." That was around the time when about 10 volumes had been released, and I confidently bought all the volumes to keep as a collection.

Then, when I looked at the portions being serialized afterward, I started to get a little confused and thought, "Hmm, what are they planning to do with this?" But after watching the movie arc, I thought, "Oh, this is pretty good," and I realized that I wasn’t wrong in my initial judgment, so I returned to the manga, lol.

This manga’s structure seems quite complex. Each character has their own goals, and while Aqua seems to be the main hero who strongly drives the narrative, the focus isn’t solely on Aqua; it feels somewhat dispersed. In the end, if we consider what this story wants to convey, it feels like a composition that might be somewhat confusing.

In my opinion, the overarching framework is about various stories that unfold within the entertainment industry. It’s about the impact this industry can have on various people, both the light and the darkness (not delving too deeply, just enough to get a taste and see it from an entertainment perspective, plus throwing out questions about very serious topics). But then, is it saying that the entertainment industry is full of darkness and that we should escape from it? Not really.

As I described in the first post I wrote about this manga, it seems like the main theme is the depiction of various character types trying to survive in the entertainment industry.

Being a celebrity is a job that requires one to present oneself to far more people than an average person would, and even if we assume an entirely ideal situation where only goodwill comes your way, you can’t help but constantly be conscious of the image you need to show to those watching you. It seems like a very strong persona is necessary to endure that.

The loneliness that comes from being in the crowd, the internal dilemma of wanting to be understood and truthful as a complete individual, even though you can't fully expose yourself to the public, and yet, because of the appeal of the spotlight and wanting to show something, you step forward, deciding to live there and survive there.

Whether the work perfectly expresses those aspects might differ depending on the person, but at least it seems to have made us think about those points.

So, what are the motives driving each character?

Aqua wants to avenge the person that's hurt Ai, the one precious to him, in some way.

Ruby wants to surpass Ai as an idol, following in her footsteps.

Kana wants to be Aqua’s favorite.

Akane seems to assist Aqua, and in her case, she felt like she provided many shortcuts throughout the entire story. She played a role in significantly shortening the story’s length... Honestly, it might have been better if Aqua had done the things Akane achieved himself, lol. But from the author's perspective, she’s a reliable helper who aids in condensing the narrative. She also served as a good helper to Ruby as well. What I personally feel.a bit disappointed about the character Akane is that while she supports others a lot, that seems to be her entire narrative. She succeeded as an actress, and her personal goal or story seems to have ended around the dating program arc or the tokyo blade Arc, so apart from helping the twins, it's disappointing that her individual direction and desires are less visible. However, as long as she’s not entangled with the main characters, Akane is thriving and living a smooth life. She only becomes endangered when she gets involved with them; so, to give her more story, she may need to get more entangled.

Among the other main characters, Ai is a fresh character in that she wants to properly give love to others (although she also had the desire to be loved, it was more about “giving” than “receiving,” which I found refreshing).

As for Ai's boyfriend, it seems like he has something he wants to do, but it hasn’t been clearly revealed yet, so it’s in the realm of speculation. Setting that aside, what he wants to do now is something for Ai(in his point of view).

Nino has been highlighted a bit more, and while this character seems important, it’s still not clear what their exact goal is. The clear desire that has emerged is that they can't forgive even their daughter if she surpasses Ai.

Aqua, the character who drove the plot the most (with many things revolving around him), had the motive of “avenging Ai's death,” so that was a significant focal point. Much of the story’s development seemed to revolve around that.

However, I didn’t think Aqua would go for revenge in a violent form, because it would be something that would make the character unhappy and wouldn’t fit his personality. I didn’t think this “revenge” would be the typical, satisfying sort of retribution where justice is served.

Moreover, the “revenge” Aqua seeks ultimately requires Ai’s boyfriend (the twins’ biological father) to genuinely love Ai for it to work. If he didn’t love her, it wouldn’t be effective.

When looking at the hints about the relationship between Ai and her boyfriend, I often thought they must have had a good relationship at one point. I kept wondering if this person really bears full responsibility for Ai’s death. The idea of someone they once had a good relationship with turning into a stalker who kills them... even in a manga, it’s something I really don’t want to think about. I really hate it. But if the manga were to handle such a storyline, then it is what it is, regardless of my preferences. What the boyfriend character went through in his past is quite horrible and complicated, and my intuition, based on the bits and pieces I’ve seen, is that at least when they were together, Ai and he were two young people who relied on and supported each other. And that turned out to be correct. I liked how the character was portrayed in the movie arc, and there wasn’t any chance of it being depicted very differently. The idea of pushing this character, a psychopathic serial killer, off a cliff or punishing him harshly just didn’t seem to align with the established setup. Even though you might think he twisted into that kind of person because of some bad experiences, it didn’t seem like that was the direction this manga was taking. I wouldn’t have liked it if the character had been designed to be twisted that way because of bad experiences. It feels more consistent to see the character behave as they did in the past, which makes me believe it’s a well-written character. I had the sense that the story wouldn’t take the approach of having one character be absolutely evil and then punishing that character to neatly resolve everything. That doesn’t seem like a good story to me either. I don’t think the issues tied to the themes this manga deals with can be resolved in that way. The more I think about it, the more I feel like the content related to Kamiki is actually quite solid. I don’t want that character to be a bad guy. And it seems like he’s not?

The psychological depictions of the characters in this manga are very complex and well done. Because of this, I’m still not sure what to make of Nino. I think it’s fine to consider Ryosuke as an absolute evil since there’s nothing redeeming about him. Kamiki is out if he intended to scare Ai. But I feel like it was Nino who tried to scare her... When I consider the circumstances, it’s not impossible for Kamiki to have done it, but it feels too out of sync with his behavior. It’s very confusing.

I’m not sure how they’ll wrap up this “revenge,” but I think they might bring it to a social level regarding the responsibility for what happened to Ai? That’s why Aqua chose the medium of a “movie,” something that is “shown to the public”? Ai gave love to everyone, but it wasn’t properly received, right? So, there’s a desire to convey that correctly. And seeking understanding and respect for Ai as a personal individual? In that sense, I feel like Aqua’s revenge isn’t over yet. It feels incomplete as it stands. I think it’s not finished yet. Ah, regarding Kamiki, I think he’s been properly “avenged,” as he would be truly tormented by watching the video Ai left behind. However, I'm still unsure if this character truly deserves to be on the receiving end of such revenge... I plan to criticize properly once more of his actions are revealed. Every time I think about it, based on the reactions, it seems like he genuinely loved Ai, which is really evident. It makes me wonder if the author wrote it this way for a reason. Examining these details is truly fascinating about this manga.

So, I started thinking about what the core theme that ties this entire story together might be, and what the author really wants to convey through this story. I think we need to start with Ai's story. I believe Ai is extremely important to this narrative.

When I look at how this work portrays Ai, my impression is that she was written as a character with incredibly realistic psychological depth. She wasn't just a sensational character who was simply a very pretty girl who suddenly gets murdered to create shock value. In my view, Ai is one of the top three most well-written characters in this manga. She's a key person in this story, and I believe this character is the central figure that completely penetrates the entire narrative, even though she exits the story quite early, her influence is very strong.

I wish I could express my feelings properly... Ai feels like someone who could really exist... I talk about this a lot, right? To write a character like this, I think the author must have a lot of affection for her. Although I wouldn't dare say that I fully understand other people's feelings or possess a lot of information, I do think that Ai is a character who very well expresses the psychology of a young child with a difficult family background—a runaway teenager. But even with that experience, she didn't get trapped in it, and instead, as an individual, she made various choices and lived earnestly... and that's why I like her. Because that's how real people live. Strong, extraordinary, and yet ordinary—ordinary in a way that makes you realize how truly precious and extraordinary the ordinary can be.

But the story starts with Ai dying in such a horrific way, right? This makes me think about what the story is ultimately trying to say. However, this doesn't mean that Ai's life was a failure. Ai really lived her life to the fullest. In the end, she was probably happy, which makes her story even more heartbreaking... She was such a good person. If we're talking about her nature, Ai was definitely a "good person."

What I took away from this... is that it gave me an opportunity to once again reflect on the fact that even those who are considered shining stars are still just people. Personally, it also made me more interested in the subject of child abuse. I find myself drawn to related news articles... The early Akane episode, for instance, made me reflect once again on the issue of online harassment. No matter how this manga ends, I feel like it has had quite a positive impact on me, so I'm grateful for that. Perhaps what one takes away from this work depends entirely on how they interpret it... There are certainly some valuable psychological insights in this work. I'm definitely envious of the talent of the creators.

If you look at it broadly, I think the core message of this manga is something along these lines. Aqua's revenge and Ruby's dream will somehow be realized in their own ways, and I also think Kana's goal will be achieved in some manner (but then wouldn't that mean Kana can't end up with Aqua?;; It feels like this manga is trying to say that the feelings one has for a favorite person and the love one has for a romantic partner are different things. Judging by Hikaru's words, it seems like the story is saying that love without illusions about the other person is actually the more genuine kind of love... But more than that, I think the point to focus on when watching this work is something along these lines, based on how the story is unfolding. Even celebrities are just people... Ultimately, that's it.

I understand that some people might find this annoying at certain points. You might think, "I've never done anything like that. I've never contributed to those problems, and I've never treated celebrities poorly. Doesn't the saying 'those who wear the crown must bear its weight' apply here? If they wanted to be a celebrity, shouldn't they be prepared to handle some negative reactions?"—these are thoughts that might cross your mind.

I've also never been a fan of any celebrity myself... lol. I don't think I've ever done anything particularly wrong regarding the scandals or various issues that happen to celebrities.

But still, no one deserves to go through something like that... no matter who they are. Celebrities, because of the nature of their profession, often enter the industry at a very young age.

If I had to step in front of the public at that age, would I be able to handle it so well...? Just as everyone in their own life has their own burdens to bear, celebrities too have their own challenges, and it made me realize how difficult it must be to deal with public scrutiny...

In Ai's case, she had children at a young age, and there must be a lot of things people could say about that. When I first discovered this manga, I encountered that scene in a clip, where she says she will give birth without making it public, and it made me think a lot. But even in that scene, I didn't feel like Ai was a thoughtless character. If someone is going through such an experience, they must be the one who thinks the most about it. When I heard her say that the twins would make for a jolly and happy family because she didn't have one, I immediately thought that this character must have gone through something and found it difficult to judge her actions right away. Am I overthinking? lol. It felt like there was a lot going on in her mind beyond what she was saying. It’s easy to say, "I wouldn’t do that," but everyone has different experiences, different lives, and different personalities. Of course, there are things that are undeniably wrong, things that shouldn’t happen.

From what I felt, Ai has a layer of underlying psychology beneath the surface. She always has a smiling face, and I often draw her that way in fan art, but there’s likely a lot hidden beneath. I feel a bit sorry when drawing or creating fan works about her because I can’t touch on that depth—I can't depict it well because there's not much revealed. She might have been smiling and acting beautifully even in front of her own children. This nature might be a good expression of the traits of the entertainment industry. That’s probably why they call her a true idol. But there must be times when she wants to be honest, too, right? She might feel lonely and isolated. These are the kinds of thoughts I have when thinking about her character.

I’m writing all of this without much organization... Another thing, I sometimes feel that the story has metafictional or divine elements that could potentially tie the work together.

For instance, the introduction of the Tsukuyomi character, the starry eyes, the statement at the beginning that this story is fiction, the crow leading Ruby, the starry visuals scattered throughout.

I think using the "star" motif was a smart choice, because stars are literally "stars" in the sense of celebrities, and they might actually be stars or influenced by stars in some way. We also make wishes on stars, right? I can imagine that these elements might have been integrated into the story to bring a fantasy-like aspect to it. The lyrics of the songs strongly convey this atmosphere as well. So, I think these elements might be what ties the whole work together. The lyrics constantly talk about the stage, and the overarching stage for the story might be related to stars or gods. The more I examine it, the more things seem to appear.

But this isn’t something that’s very obvious. The foreshadowing is mostly in the dialogue, and there hasn’t been much that’s directly visible... If this is something important, I wish they would make it a bit more obvious. There’s a comment about how Ruby’s success feels as if she’s being helped by the gods, and there's also talk about Aqua’s soul being fractured and breaking. I think it’s worth paying attention to these elements, but I haven’t seen many people discussing this aspect. Of course, I don’t really read other people’s interpretations! When I get into a work, I dive deep and try not to let anything come between me and the story, so I tend not to read other people’s opinions while I’m fully immersed. And it’s a field that’s really hard to predict. It’s so far-fetched. But if they've been dropping hints like this, I feel like something should come out of it by now. It’s built up too much to just be a MacGuffin.

I like stories that feel like fairy tales, so I wouldn’t mind if the story takes that turn, depending on how it’s done... I don’t know if it will happen, but if it doesn’t, why are the lyrics like that? I’d like to see something that explains this before the story ends.

The starry eyes are important. There’s a kind of will in those "stars." There’s a "god" in this manga too. But will it be explained before the story ends...?

If they want to address it, I’m sure they’ll do it well! And if they don’t... Well, it’s all up to the creators.

Am I understanding this story correctly? Suddenly, I started to wonder, so I wrote down whatever came to mind.

If you can accurately grasp the individual characters' goals and the core theme that the work aims to convey, then following the story shouldn't be too difficult. It's always helpful to have a good understanding of those aspects, no matter what story you're watching. As for the motivations and objectives of the characters mentioned above, I believe they will all be achieved in one way or another (except for Nino's, since Ruby will surpass Ai... Now that I think about it, since their goals are opposites, there will likely be a clash between them).

LOL, but when it comes to plot development... Even though I've managed to predict the characters' psychology, I haven't been very successful in predicting the events themselves.

So, we'll just have to wait and see!

[lilith-vodkaaunt-of-demons]

So I've been listening to a lot of music from my childhood recently, and that inevitably lead me to listening to The Pillows, a great Japanese Alt Rock Band that was pretty big in the late 90s, early 2000s (iirc.) They produced most of, if not the entire OST of cult classic anime FOOLY COOLY or FLCL.

FLCL is, in my opinion, an anime everyone should watch at least once, and imo it's a very good litmus test for whether or not a person has any kind of media literacy and is able to pick out themes and stuff.

I say all this as basically the long way of saying I listened to a song I really liked when I was younger that was also part of the OST of an Anime I really liked when I was younger and so I watched it all over again today, and now I'm gonna make it your problem.

So anyone with any kind of media literacy can tell you that the major theme of FLCL is growing up, and anyone with decent media literacy can tell you that on the flipside the actual theme of FLCL is "The most immature thing you can do is grow up too fast." With a secondary theme being "Adults will use maturity to manipulate you."

But what if I told you there's a secret, third theme, and it actually changes who the main character of the show is, and it's stated in the opening scene of the first episode, with the REAL main character?

So the show opens on Naota and Samemija Mamimi, immediately establishing Naota and Mamimi's very codependent relationship, with Naota using Mamimi to feel more mature than he actually is, and Mamimi using Naota as a rebound and stand in for his older brother Tasuku, who moved to America to pursue a career in Baseball, which has burned both Naota and Mamimi in different ways.

This is also the establishing shot for the actual theme of the show. In a voice over, Naota explains that nothing amazing ever happens in the town of Mabase, directly after Mamimi explains to him that if she were ever to "Overflow" something amazing would probably happen.

Naota's claims of nothing amazing ever happening in Mabase are, of course, undercut by the antics of the entirety of FLCL, but, as an itty bitty Egg living in a small, nowhere town in Kansas USA, and even later, as a Trans Woman, in a different, but still very much the same Small, Nowhere Town in Kansas USA, the specific type of Ennui Naota feels is well known to those who live in Small, Nowhere towns across the globe.

It's the kind of apathy that lives and thrives in small communities that revile change. It is, in its truest form, Stagnation, and it is what FLCL is really about. Stagnation is the Enemy of Maturity. And that is why Mamimi is the true protagonist of FLCL.

Mamimi has the most to gain from holding onto the past, the most to gain from nothing ever changing. And she fights against it with all her strength, to the point that she'd rather die (or have the world destroyed) than have them change. When Naota manages to "Swing The Bat" and stop the bomb heading for Mabase, she's disappointed, showing that she's tired of the life she's got, but not so much yet that she's willing to take her life herself.

Mamimi yearns for Stagnation. Yearns for the past, when things were better. We never see what Mamimi's home life is like, to the point that there is no credible evidence as to whether or not she's homeless. What we do know is that she's incredibly poor, bullied, and alone, and for at least some of that, it didn't used to be that way. She used to have Tasuku, or Ta-kun, she used to not be bullied, she may have even had a good relationship with her parents, or a home to go to.

But things keep changing. Tasuku left, people look down on her, Naota is maturing, meanwhile she's stuck in the past, and is fighting to stay there...until she can't anymore. Naota is no longer satisfied with being a stand-in for his older brother, she's going to need a job to support herself, and Tasuku isn't coming back.

Through out all of this, there is a theme of Mamimi taking pictures, hinting that even she, in fact, has dreams of the future. Which does culminate in the ending, of Mamimi leaving Mabase to become a Photographer, her picture of Naota holding Haruko's Rickenbacker 4001 is even seen in the magazine the anime is named after, Fooly Coolly.

Mamimi is the secret protagonist of FLCL because she embodies the secret theme of the show, that Stagnation, never growing beyond the fence posts of your backyard, is truly the enemy of Maturity. Throughout the show, all the children spend their time trying to be more mature than they are, while Mamimi is seen as having never matured despite actually, secretly, being more mature than all of them, but wishing she didn't have to be. Throughout the show, she is abandoned, belittled, and bullied, and it isn't until the very end of the show that she breaks, feeding the technology of all the people who wronged her to Core Ta-kun. Even trying to stop Core Ta-kun from eating the truck of the Friend Trio because they didn't do anything to her. Then she escapes. She breaks the confines of Mabase, and goes on to become a Photographer. Was she successful? Was she happy? We'll likely never know, but that doesn't matter. All that matters is she broke free.

[blkkizzat]

Hey lovely. Long time no anon! I've had a shitty day. Not from anything in particular. I'm just PMSing real fuckin hard and my body fuckin hates me so! The excellent news is that my book is almost finished (about 4 chapters left til major editing). The better news is that I am about to get myself wine drunk, watch a few episodes of the boys season 4. The most absolutely horrendous amount of smut in one night. That being said...

I'm thinking.

Which JJK man is the most sensitive to you having a shitty day? Like no real reason. Nothing happened. The day just sucked.

We all know it's Nanami. Buuuuutt I feel like Geto would surprise us. Like he seems like he doesn't really care about shit. And maybe he doesn't but he's phenomenal at faking it. Like Geto wants to relax with us. Make the day feel less shitty. So he runs a bath for two. With episom salts cause he knows how to make you feel good. When we get out. He puts lotion on us first. Helps us through a nighttime routine. Tells is it'll all look better in the morning. Wakes us up with cunnilingus and a smirk that said 'I told you it would look better in the morning'

- a very drained 🧠

awe 🧠, babie doll im sorry you are feeling worn down. we moon cycle twins though cause im pmsing too. had a bad headache yesterday, feeling better today tho so i hope you are too!!

omg i just finished the boys s4 like a week ago! be sure to tell me what you think once you're done, shit is poppin AWF lmfao.

but yas you know nanami has a sixth sense to our needs, that goes without saying. he already knows our favorite everything and has a plan on deck to make the remaining hours of the day wonderful for us.

Also i love your hc on geto because to me he also gives twin energy in the sense of he wants to relax and experience things with you, so y'all also have matching robes and pjs for after the bath.

choso will have puppy energy. so he will def notice almost as quickly as nanami but his way of making you feel better is to cling to you, reassure you, very vocally expressive and will totally lift you up in that way. he's also an empath so if you are crying he will cry with you and hold you so you just feel very much seen, understood and validated.

gojo i think he would be rather clueless. like it would take a few lackluster responses for him to notice but once he realizes hes definitely trying to cheer you up. no one can make you laugh like him so he's doing or saying something stupid and you're now crying from gut busting giggles fits rather than whatever went wrong that day.

toji is actually likely more perceptive than nanami tbh. the reason for that is because of body language shifts which he notices because of the uber enhanced perception from heavenly restriction. however the problem is he doesn't know what to do from there. he doesn't wanna come off crass and piss you off more. and if he makes a crude joke at an attempt at humor and you cry more that would be even worse. i think though sense he would be able to sense the tension in you and as his love language is definitely physical touch—he would likely wordlessly just pull you into his arms and give you a huge bear hug. you know how weighted blankets soothe people? like that. he's like a huge weighted blanket and he's not gonna let you go until he feels you completely relax in his arms. trueform!sukuna is just as perceptive tbh, he just doesn't care. i feel like he expects everyone to be as self-sufficient and self-regulate emotions by not expressing them (lol toxic) like he does. however he also knows everyone falls short of him so he will give you your space to mop, cry, etc. thinking you are weak so you just need to let it out. However, i do imagine if you'd been moping longer than usual or to the point that it annoys him, he will try to comfort you in his own way. i feel that would be the way of giving you something to do for him. sukuna probably figures you must be bored if you have the time to waste being sad. i imagine he'd make you read to him or maybe even have you draw him a bath which he'd consequently would just drag you into. or perhaps he'd just blend ur guts up on his two cocks... you wanna cry? he'd give you something to cry about.

tail floofs to make you feel better babes <333

[measuringbliss]

what have you been into these days? I've seen a lot of comics and hot guys floating around but I'm afraid it's all rather gone over my head!

oh gosh

sorry my mind is reeling, today was not a good day for my country holy hell (far right getting 40% of the votes at EU Parliament votes, the president proceeding to disband the National Assembly and setting the vote for later this month... a lot happened!)

So where I've been is... I've been reading Spider-Man comics, reached 1982 and it seems that after around five years of publication just not being great, it turned around, but we'll have to see.

I finally fell victim to the 911 propaganda and watched season 7 mostly as it aired as soon as a character was revealed to be bisexual. I have Thoughts™ but I'm not sure I should share them. Started the show from the beginning, currently at episode 3. I'm very slow.

I'm also still in the middle (well, near the end) of S3 of Star Trek DS9, so far keeping with one season per year, which is silly. I also continued Interview With the Vampire, and by continued, I mean I finally watched Episodes 2 and 3. Also I'm vaguely following the spoilers Twitter throws at me. They help make me hyped.

Was obsessed over the movie Challengers, watched it 3 times in theaters and one more time outside of it. Still not over it. I love that movie.

I wrote a lot and finished basically nothing.

I'm also doing A LOT of fan translation for visual novel players who can only read my native language. I'm publishing a patch later this month (on Stonewall day!) after working on it for, what, 2-3 years (and after a major hard drive failure that made me lose a lot of data). I'm also working on correcting 3 game translations and translating another one.

Did I mention that summer is the busiest time of the year for my profession? I'm not the sharpest tool in the shed but whatever. YOLO!

I also proofread a scientific paper and utterly failed to make my boyfriend understand that I'm not the right person for this (I haven't done science in 8 years, honey! I don't even know what a compound is!). Turns out most people seem to be convinced you can simply translate words by other words and you don't need to understand the text you're translating, which explains many asinine takes online but also jeeeeezus.

Aaaaaah I'm sure I missed tons of stuff but whatevs!

What about you?

[thychesters]

20 Questions for fic writers

@acewithapaintbrush posted and said "go for it" so here i am! putting this under a cut because it got long lmao

How many works do you have on Ao3?

33

2. What's your total Ao3 word count?

303,124

3. What fandoms do you write for?

dc/batman/birds of prey, with some until dawn and uncharted thrown in there. right now it's mostly one piece though.

4. What are your top 5 fics by kudos?

ship to wreck. (one piece/zolu)

ocean breathes salty. (one piece/zolu)

ronald mcdonald eat your heart out. (dc/batman/bruce & dick)

the salt & the sea. (one piece/zolu/reincarnation au)

misery loves company. (dc/batman/jason & damian)

5. Do you respond to comments?

yes! i appreciate them a ton. sometimes it might take me a few days but i try to respond to every single one

6. What is the fic you wrote with the angstiest ending?

ooh that's a tough one, because while i like to include a lot of notes of angst, most of the endings have been on decent notes. maybe if you go out in the woods today (until dawn) because it's a vanishing hitchhiker au.

7. What's the fic you wrote with the happiest ending?

probably the salt & the sea. (one piece)! i'd like to think all of that build up to the end and the reunion was worth it. (and it was to me, at least!)

8. Do you get hate on fics?

luckily i have not!

9. Do you write smut?

hehe i have and i want to again!

10. Do you write crossovers? What's the craziest one you have written?

nope! not really my thing.

11. Have you ever had a fic stolen?

years ago i noticed some similarities in ideas, but nothing too major.

12. Have you ever had a fic translated?

i haven't!

13. Have you ever co-written a fic before?

i have... considered doing so...

14. What's your all time favorite ship?

since i tend to bop between fandoms, i don't really have one! right now it's zolu, but i also really enjoy the dynamics of the straw hats as a whole. i'm rotating them in my mind like a rotisserie chicken.

15. What is a WIP you want to finish but doubt you ever will?

i think unfortunately the first op fic i started is going to end up being something the buzzards (me) pick at for lines and ideas. or maybe someday in the far future it will see the light of day. (i started it 70 episodes into my watch and stabbed zoro haha)

16. What are your writing strengths?

i like to think i can convey emotions and character interactions. i also enjoy some of the physicality between them, so i hope that shows as well!

17. What are you writing weaknesses?

balancing out dialogue between a large cast of characters and pacing in action sequences. want to keep enough happening to keep things moving, but not repeat myself four times.

18. Thoughts of writing dialogue in another language in fics?

why not, if it works?

19. First Fandom you wrote for?

honestly i think my friend and i wrote twilight parody fic when we were in middle school LMAO

20. Favorite fic you have written?

more recently i'm very proud of the zolu reincarnation au i've mentioned above, but i'm also really, really happy with the way the zoro pining fic ode to an ocean. turned out. that one has a few of my favorite lines in it! (also maybe my next wip ... or who knows)

thanks for the tag by proxy ace!

if they're interested in doing so, i'm tagging @lookforanewangle, @beck-a-leck, @sciencemyfiction, @ghostlandtoo, and @microcomets! (hi claire!)

[flutishly]

GGF rewatch, part 2

The thing with Green Gables Fables is that it just sort of... flows. It works. I wrote this in my previous rewatch post too and I'm left feeling like there's not much to add at this point. Anne leaps from mishap to mishap, usually with minor stakes that she dramatically enhances in a way that works perfectly for the character. The adaptation choices are often nimble and sweet. The inclusion of Matthew is wonderful, particularly given how many amateur webseries often felt like they existed in universes fully populated by teens alone (with the occasional young adult). And I love how the many side characters are gradually introduced onscreen. Anne lives at home and talks to Matthew a lot; why wouldn't he be roped into her videos? Diana and Jane are genuine friends who are aware of Anne's whimsies and vlogging quirkiness and join in on occasion. Ruby is initially a somewhat distant friend-from-school who floats into her first video with confidence and ease (in what I think is genuinely the best version of this particularly character I've ever seen) and gradually takes on a meatier role, as we'll see moving forward. And now - as I finish watching "I Hate Rain" - the elusive Gilbert makes his first appearance. He spends most of his time on camera looking at Anne, even as she steadfastly refuses to meet his gaze and continues to address the camera (even when speaking to Gilbert himself, her body remains trained toward us, her audience), Gilbert only glancing at it at the very end.

GGF doesn't feel dated. Sure, I imagine the teen references would be a bit different today (One Direction fanfic...?), but for a show that's 9 years old, it has a timelessness that is rather impressive. As I mentioned in my last post, I can't help but feel that unlike LBD where the vlogging style itself has changed so much since the show first aired, here there's something about Anne's obvious DIY style that feels entirely contemporary. Anne's filming choices also feel much more in tune with how modern casual videos are filmed, albeit hers are obviously far less edited and polished than many contemporary short videos. But would a teenager who's making videos for fun necessarily have clips that are that much more polished? Would Anne have the patience to make those sorts of videos? I'm not sure.

And so the rewatch continues, with little to add on my end. Not because there's nothing worthy, but because Anne of Green Gables is a wonderfully fluid text that doesn't feel like it has the standard Major Plot Points that need to be addressed, so much as an episodic series of events. "I Hate Rain" and the next video in line "Not Happening" are dramatic events for our sake, but there's nothing so drastic in-story in terms of having Gilbert on camera for the first time. There's no tension like with the Lizzie Bennet Diaries' "Darcy Day", in which Darcy himself introduced major drama and his very presence on camera added onto it. It's another Anne mishap, after all! It's what she does! But the viewer can enjoy this first appearance and appreciate it. Truthfully, the biggest dramatic event in GGF will happen much later (...Matthew), and the show becomes a lot more plot-driven in its second season.

For now, let's keep flowing...

[brightsstar]

Before reading this, i highly recommend watching the new SAMS video before doing so

This post talks about some pretty dark stuff.

Okay.. this is something to do with the original concept i had for Rising Eclipse. The fact that the video today itself shows i've known this for a long while; I'm still wrapping my head around that.

For context, i came up with the original au back in october. Shortly before Eclipse's death. October 25th. It was a very simple au at the time. Eclipse regretting his actions and trying to befriend Lunar, Sun, and Moon. Then his death came, which i knew, at the time something like that was going to happen. That helped expand the grounds for the au. I was also heavily inspired by "Karma's Bitter but So Am I" at the time.

What i'm saying here is Rising Eclipse, as a story was originally going to have a darker tone to it. Eclipse, in the original story concept didn't care all that much what happened to himself. Because his one purpose was to get rid of Blood Moon no matter the cost. After that he had nothing. He had no purpose following Blood Moon's death. He had a vague idea of maybe trying to make amends, but he felt like that was too far fetched of a hope, which did stick around, but changed a little bit. He even felt like things could probably be better if he was gone too. This bit was removed entirely, and changed. He considered himself a nobody. He had no family, friends, or anybody he could rely on. He's alone because of his own actions, and he knows that. This is also something that stuck around, but the nobody feeling bit was entirely changed, and he had more of a sense of self preservation. Believe it or not, the story itself evolved chapter by chapter. Not too much, but minor changes were made in the midst of it. Including a couple major ones in the middle of writing. Yes, i had deleted whole chunks of chapters in progress before and rewrote them differently, but i did it in a way that doesn't make it too obvious so it still blended in well. "A Night of Hell" was the chapter that underwent these major changes. In two different places. "Sunset" was even entirely rewritten. I had 995 words that made up the original version in progress, and i rewrote all of that differently. Similar events, of course, but with some changes.

Back onto the topic though, yes, Eclipse originally considered himself a nobody. This was throughout the original story concept. He still reflected on and regretted his past actions, but his only focus was to end Blood Moon, even fully knowing he would very likely die again as a result of that too. This was changed, but the rest of the story isn't changed. I would've brought all of this up after the story was done initially, but that episode today.. seeing i was right from the start of me making this story, it honestly hurt. All the way back from early December, i knew this. I feel so bad for Eclipse. Regretful Eclipse, or at least the original version of him related to canon Eclipse from the get go in this sense which is probably why it hurt, and it hurts worse the more i think about it. R! Eclipse wasn't changed by too much, but i changed this about him because i felt like it was too dark. The newer version is a lot better, and i am a lot happier with it.

The story will have a good ending. I want to make that clear now. It always was intended that way.

[uhhhitsgray]

Hi friends - how are we feeling after the final of tristamp today?? (Slight spoilers, but nothing major if you've seen 98 trigun)

This episode was so good. I was eating dinner while watching it and several times I had to stop eating and just left my mouth open at disbelief at what was happening.

The visuals on this show have always been top tier, but man today it was so fucking good. It probably had some of the best vocals I've heard in an episode in awhile. Both vash and knives sounded so good, and just had that raw emotion that scenes like that needed.

The touch of 98 trigun in there too with Vashs hair change, Erik's at the end and milly??

So fucking excited for season two, so happy to have found this show and Fandom ❤❤